Record Reviews
26 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED
DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz
Recorded: 1973 Released: 2007
The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums.
Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture.
Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved.
Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | GINGER BAKER / AIR FORCE ~ AIR FORCE
LEMON 022 (Barcode: 5013929762220) ~ UK ~ Jazz-Rock-World Fusion
Recorded: 1970 Released: 2004
1st album by the legendary ensemble Air ForceFind albums by this artist, formed by drummer Ginger BakerFind albums by this artist following the collapse of the two Rock super-groups he was a member of: CreamFind albums by this artist and Blind FaithFind albums by this artist. Baker formed the ensemble to pursue the music he was truly interested in, which included Jazz and African Music. He managed to persuade a large number of British luminaries to join forces in this ambitious project, creating a first of its kind Jazz-Rock-World Fusion ensemble. The list of the participants reads like a who´s who of the British music scene at the time and includes: Steve WinwoodFind albums by this artist (organ and vocals) and Rick GrechFind albums by this artist (bass) – both ex-Blind Faith, Graham BondFind albums by this artist, Denny LaineFind albums by this artist, Chris WoodFind albums by this artist, the great Harold McNairFind albums by this artist and Baker´s revered teacher and legendary British Jazz drummer Phil SeamenFind albums by this artist. The first album was recorded live at the Royal Albert Hall and was originally released as a double LP. The music is a wonderful mixture of Jazz, Rock and World Music, performed with passion and virtuosity. The lengthy tracks allow for extended instrumental improvisations and the two drummers have ample opportunity to engage in mighty duels. In retrospect the album is visionary and educational, allowing a glimpse at a time when musical dreams were realized. This pioneering effort is a wonderful legacy for generations to come and includes many unforgettable moments. Unavailable for decades, this CD reissue is a wonderful opportunity to get familiar with a piece of musical legacy, which remains untouched by time. Absolutely not to be missed!
| | | CD 1 Recommend To A Friend |
  | GINGER BAKER / AIR FORCE ~ LIVE IN THE STADTHALLE OFFENBACH GERMANY 1970
VOICEPRINT / TMQ 055 (Barcode: 604388738120) ~ UK ~ Jazz-World Fusion
Recorded: 1970 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s revolutionary Jazz-World Fusion ensemble Air ForceFind albums by this artist, which he founded following the demise of CreamFind albums by this artist. Air Force recorded only two albums during its short life-span, and any additional material by the band is invaluable. Baker assembled a formidable group of top British Jazz players of the period, augmented by African vocalists and drummers. The fact that this album features the talents of the legendary saxophonist / organist Graham BondFind albums by this artist is alone worth the price, but other great players are also present: organist / guitarist Ken CraddockFind albums by this artist, saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist, bassist Colin GibsonFind albums by this artist and others. The material is similar to the material present on the two Air Force albums, but several surprises are heard here for the first time, like the group´s version of Cream´s "Sunshine Of Your Love". Most of the pieces include extended improvised parts, with the saxophonist taking solos in tandem. Definitely worth investigating, provided you´re not squeamish about sound quality.
| | | CD 1 Recommend To A Friend |
  | GRAHAM BOND ~ HOLY MAGIC / WE PUT OUR MAGIC ON YOU
BGO 483 (Barcode: 5017261204837) ~ UK ~ Progressive Rock
Recorded: 1970 - 1971 Released: 1999
Two Graham BondFind albums by this artist albums (recorded 1970 / 1971) on 1 CD. A weird and wonderful mixture of Jazz / Rock / Prog / Blues / Gospel and unlike anything else on this planet. This legendary and unfortunately untimely dead talent produced just a few recordings, so every one of them is a treasure. These albums were recorded during the period when Bond was interested in occult / magic, hence the strange titles.
| | | CD 1 Recommend To A Friend |
  | GRAHAM BOND ~ LIVE AT THE BBC AND OTHER STORIES
REPERTOIRE 1279 (Barcode: 4009910127926) ~ UK ~ Jazz-Rock Fusion
Recorded: 1962 - 1972 Released: 2015
This is a Box Set of archival material by British saxophonist / organist / composer / bandleader Graham BondFind albums by this artist, one of the most idiosyncratic and pioneering figures of the British Jazz, Jazz-Rock and Prog scenes. The material collected here consists mostly of recordings made by the BBC, but includes also some ultra-rare home recordings, demos and other ditties, covering the period between 1962 and 1972, which more or less presents Bond´s entire career before his tragic death in 1974, aged just 36 at the time.
Regardless of what various music history sources have to say, Bond is singlehandedly responsible for the creation of the Jazz-Rock idiom around 1963, when he formed the Graham Bond QuartetFind albums by this artist, which featured guitarist John McLaughlinFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist (which were all destined to become superstars in the years to follow). The quartet amalgamated Bond´s experience with the Jazz world, gained while he was a member of the Don RendellFind albums by this artist Quintet, with the exploding Rhythm And Blues phenomenon, creating the earliest manifestation of Jazz-Rock known to man. One session of the Don Rendell Quintet with Bond as its member is included here and it also features as a guest musician saxophonist Dick Heckstall-SmithFind albums by this artist, who would become another of Bond´s close associates when he formed the seminal Graham Bond OrganizationFind albums by this artist in 1965, which was later joined by the celebrated drummer Jon HisemanFind albums by this artist. Following the Organization´s breakup Bond formed the Graham Bond InitiationFind albums by this artist and later on collaborated with the poet / lyricist Pete BrownFind albums by this artist, who wrote also the booklet that accompanies this Box Set. Their recordings together are the last (chronologically) tracks in this collection.
The music included in this collection is of varied quality and sometimes of pretty Lo-Fi sound quality, even after it was carefully restored and remastered, but it is of enormous historic importance, as it documents not only Bond´s career but in fact the entire British Jazz scene, which was experiencing at that time a tremendous upheaval and explosion of new talents and ideological modifications of the very fabric of Jazz, which was parting from the American dominance and creating a new variety of the idiom, which would crystallize as European Jazz, spawning Jazz-Rock in the process.
Bond´s performances on the Hammond Organ are all superbly executed and it makes perfect sense that they influenced an entire generation of British musicians, who invented Progressive Rock next, such a Jon LordFind albums by this artist of Deep PurpleFind albums by this artist, Dave GreensladeFind albums by this artist of ColosseumFind albums by this artist, Brian AugerFind albums by this artist and of course many others. In general the music portrays the atmosphere of the British scene at the time, where genres and classifications were pretty arbitrary and where the Jazz / Rock / Prog idioms were influencing and embracing each other with ease and natural affinity.
Kudos to the German RepertoireFind albums on this label label, which is one of the most important sources of reissues, for the meticulous work done on this set and for bringing this material back to life. This set continues the work done by Repertoire on the previous Graham Bond Box Set called "Wade In The Water – Classics, Origins and OdditiesFind albums with this title", which covers the recordings by Graham Bond Organization. Together these two Box Sets pay tribute to one of the greatest heroes of the British Jazz / Jazz-Rock pioneering figures, who is sadly often forgotten and is rarely given the credit he deserves for his revolutionary creativity.
| | Updated: 08/05/2023Posted: 01/04/2016 | CD 4 Box Set Remastered Recommend To A Friend |
  | GRAHAM BOND ~ LOVE IS THE LAW
ESOTERIC 2239 (Barcode: 5013929733923) ~ UK ~ Progressive Rock
Recorded: 1968 Released: 2011
Following the demise of the Graham Bond OrganizationFind albums by this artist, British saxophonist / keyboardist / vocalist / composer Graham BondFind albums by this artist left the UK for a brief residency in US, where he recorded two little known solo albums, of which this was the first. Bond was probably the most influential figure on the British music scene in the mid-1960s, when he led a group consisting of the finest musicians in the land, which practically invented Jazz-Rock Fusion. Sadly his troubled personal life, which included mental instability and heavy drug abuse, prevented him from achieving the success he so richly deserved and eventually led to his tragic death. But his recorded legacy is with us forever and everything he recorded is worthy of attention. Bond played all the instruments on this album, except for the drums which were played by Hal BlaineFind albums by this artist, and composed all the music / wrote all the lyrics. The material is amazing, as always, with heavy Jazz influence, but also Rhythm And Blues and Soul references. Bond plays some extraordinary organ parts and his vocals are also excellent, probably the best vocal parts he ever recorded. Considering the fact that this material was not available on the market for over 40 years makes this reissue a momentous occasion. A must to the numerous Bond fans, wherever they might be.
| | Updated: 08/05/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | GRAHAM BOND ~ MIGHTY GRAHAME BOND
ESOTERIC 2240 (Barcode: 5013929734029) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2011
Following the demise of the Graham Bond OrganizationFind albums by this artist, British saxophonist / keyboardist / vocalist / composer Graham BondFind albums by this artist left the UK for a brief residency in US, where he recorded two little known solo albums, of which this was the second. Bond was probably the most influential figure on the British music scene in the mid-1960s, when he led a group consisting of the finest musicians in the land, which practically invented Jazz-Rock Fusion. Sadly his troubled personal life, which included mental instability and heavy drug abuse, prevented him from achieving the success he so richly deserved and eventually led to his tragic death. But his recorded legacy is with us forever and everything he recorded is worthy of attention. Bond is joined by a great set of musicians on this album: guitarist Harvey MandelFind albums by this artist, saxophonist Frank MayesFind albums by this artist, bassist Harvey BrooksFind albums by this artist and drummers Drachen TheakerFind albums by this artist (another British hero resident in US at the time) and Eddie HohFind albums by this artist. He composed all the music / wrote all the lyrics. The material is amazing, as always, with heavy Jazz influence, but also Rhythm And Blues and Soul references. Bond plays some extraordinary organ parts and his vocals are also excellent, probably the best vocal parts he ever recorded. Considering the fact that this material was not available on the market for over 40 years makes this reissue a momentous occasion. A must to the numerous Bond fans, wherever they might be.
| | Updated: 08/05/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | GRAHAM BOND ~ SOLID BOND
COLLECTORS` CHOICE 2000 (Barcode: 617742200027) ~ UK ~ Jazz-Rock Fusion
Recorded: 1963 - 1966 Released: 2009
If there ever was a quintessential Jazz-Rock album, which practically not only is the first recorded example of the genre, but also defines it unequivocally, this is it! The music herein was initially released as a double LP for the first time in 1970, but it consists of two sessions recorded earlier by the legendary British saxophonist / organist / vocalist Graham BondFind albums by this artist, the earlier one in 1963 and the later in 1966. These two sessions, diametrically different and yet completely unified in spirit, present a miniscule window into the time-space continuum, which enables us to take a peek at the most feverish period in British music, where invention and pioneering breakthrough were happening on a daily basis. The first of these two sessions is not only the first recording of the emerging Jazz-Rock genre but also the recording debut of one of its future heroes, guitarist John McLaughlinFind albums by this artist. The Graham Bond Quartet, captured live in London´s legendary Klooks Kleek club consisted of Bond (on sax), McLaughlin, Jack BruceFind albums by this artist on acoustic bass and Ginger BakerFind albums by this artist on drums. They played a unique brand of modern jazz, which combined the elements of Free Jazz, Swing and Rock (or Rhythm And Blues), basically inventing the Jazz-Rock Fusion on the fly. Although the music is predominantly Jazzy, Baker´s rhythmic approach, Bond´s phrasing and McLaughlin´s scales all included clear Rock innuendos. During the period separating the first session and the second one, Bond formed the Graham Bond OrganizationFind albums by this artist, which recorded a couple of LPs in 1965 ("The Sound Of 65Find albums with this title" and "There`s A Bond Between UsFind albums with this title") and practically fell apart after Bruce and Baker left to form CreamFind albums by this artist. The second recording features another interim quartet with Bond (this time on organ), saxophonist Dick Heckstall-SmithFind albums by this artist, Bruce (who double-gigged between Cream and some Jazz activities) and the young and upcoming drummer Jon HisemanFind albums by this artist. The music recorded during this session is already full-fledged Fusion, with Jazz being tightly incorporated with Blues, Rhythm And Blues and Rock, similar to the patterns perfected during the Organization days. Some of the material appears on the Organization recordings, other was new, but the overall quality is of course everlasting. Shortly after this recording Heckstall-Smith and Hiseman left Bond to join John MayallFind albums by this artist´s BluesbreakersFind albums by this artist and later formed the mighty ColosseumFind albums by this artist. In retrospect this album, although relatively little known by Jazz-Rock enthusiasts, is a holy grail of the genre and an essential piece of any serious music collection. Unavailable for years, the CD recent reissue is a major contribution to preservation of this superb musical achievement. Essential stuff!
| | Updated: 08/05/2023Posted: | CD 1 Essential Recommend To A Friend |
  | GRAHAM BOND / PETE BROWN ~ TWO HEADS ARE BETTER THAN ONE
ESOTERIC 2042 (Barcode: 5013929714229) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2009
It was inevitable that the two British icons saxophonist / keyboardist / composer Graham BondFind albums by this artist and vocalist / trumpeter / lyricist Pete BrownFind albums by this artist would eventually find themselves in one band. After all they rubbed shoulders for over a decade before this album was recorded, both being members of a circle of musicians with many mutual friends like bassist Jack BruceFind albums by this artist (who co-wrote most of the CreamFind albums by this artist material with Brown, as well as all the material on his early solo albums and who was a member of the Graham Bond OrganizationFind albums by this artist, drummer Ginger BakerFind albums by this artist, saxophonist Dick Heckstall-SmithFind albums by this artist (also members of the Organization) and several others. When they both found themselves out of job, getting together was the natural solution. The only album this band recorded is one of the wackiest – mind you in a most wonderful way – albums created at the time. Completely beyond any stylistic limitations Bond and Brown just seem to have a great time, playing and singing together accompanied by some superb instrumentalists. Expect the unexpected here, with Brown´s witty lyrics and Bond´s excellent keyboards work both on organ and acoustic piano. Sadly this album turned out to be Bond´s last studio recording before he perished in a terrible accident / alleged suicide two years later. With his death the British Jazz-Rock scene lost its original forefather. Definitely worth checking out and a must to all Bond and Brown fans.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PETE BROWN / BATTERED ORNAMENTS ~ A MEAL YOU CAN SHAKE HANDS WITH IN THE DARK / MANTLE-PIECE
BGO 489 (Barcode: 5017261204899) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2000
1st and 2nd albums by UK group Battered OrnamentsFind albums by this artist, led (on the first album only) by poet / musician Pete BrownFind albums by this artist. Brown was one of the most colorful and interesting figures on the UK scene in the 1960s, a part of a larger group of friends, which included Jazz, Rock and Avant-Garde musicians like Graham BondFind albums by this artist, Jack BruceFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and even John McLaughlinFind albums by this artist. He took active part in the Jazz & Poetry experimental movement leading a group called First Real Poetry BandFind albums by this artist, which was combining elements of Blues, Avant-Garde Rock, Jazz and Jazz-Rock. Of course Brown is mostly remembered for his co-writing of many songs with Jack Bruce, which were part of the CreamFind albums by this artist repertoire, as well as on Jack´s early solo albums. Brown continued his musical adventured by forming the band Battered Ornaments with George KhanFind albums by this artist on saxophone, Chris SpeddingFind albums by this artist on guitar, Charlie HartFind albums by this artist on organ and a great Jazzy rhythm section. The band recorded just one, absolutely brilliant album (the first of the two presented here), with Brown singing the lead vocals, something he tried to avoid but did anyway, and Heckstall-Smith playing on two tracks. The music is absolutely stunning, a great example of the early UK Jazz-Rock, which is completely different of course from the later Jazz-Rock Fusion that most US bands pursued. After recording the first album the personality clash and rivalry between Brown and Spedding resulted in Brown leaving the band (and forming immediately a new one called PibloktoFind albums by this artist). The band, now led by Spedding, recorded a second album, using material written by Spedding and Brown earlier. Although not as brilliant as the first, it is still a great example of early Jazz-Rock and includes basically the same lineup as the first album less Brown and Hart. Together these two albums are a must to any fan of the early British Jazz-Rock scene and include some of the most ingenious music ever made. A must!
| | Updated: 12/04/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | PETE BROWN / PIBLOKTO ~ THINGS MAY COME AND THINGS MAY GO... / THOUSANDS ON A RAFT
BGO 522 (Barcode: 5017261205223) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1970 Released: 2001
1st and 2nd albums by UK group PibloktoFind albums by this artist, led by poet / musician Pete BrownFind albums by this artist. Brown was one of the most colorful and interesting figures on the UK scene in the 1960s, a part of a larger group of friends, which included Jazz, Rock and Avant-Garde musicians like Graham BondFind albums by this artist, Jack BruceFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and even John McLaughlinFind albums by this artist. He took active part in the Jazz & Poetry experimental movement leading a group called First Real Poetry BandFind albums by this artist, which was combining elements of Blues, Avant-Garde Rock, Jazz and Jazz-Rock. Of course Brown is mostly remembered for his co-writing of many songs with Jack Bruce, which were part of the CreamFind albums by this artist repertoire, as well as on Jack´s early solo albums. Brown continued his musical adventured by forming the band Battered OrnamentsFind albums by this artist, and later on when the band kicked him out, he formed Piblokto, recording two albums with that group. The band included guitarist Jim MullenFind albums by this artist, organist Dave ThompsonFind albums by this artist, bassist Roger BunnFind albums by this artist (later replaced by Steve GloverFind albums by this artist) and drummer Laurie AllenFind albums by this artist (later replaced by Rob TaitFind albums by this artist). The group was popular mostly in Europe (France especially), where they toured extensively. The music is absolutely superb, a mixture of Jazz, Rock, and Psychedelic influences, being a great example of the early UK Jazz-Rock, which is completely different of course from the later Jazz-Rock Fusion that most US bands pursued. Together these two albums are a must to any fan of the early British Jazz-Rock scene and include some of the most ingenious music ever made. A must!
| | Updated: 12/04/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT RUISROCK FESTIVAL, TURKU, FINLAND 1970
REPERTOIRE 1391 (Barcode: 4009910139127) ~ UK ~ Jazz-Funk Fusion
Recorded: 1970 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist, recorded live in August of 1970 during their Scandinavian tour and presents an early recording of the second lineup of the group. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes original material and one piece each by Jack BruceFind albums by this artist and Graham BondFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
This specific concert bursts with energy and enthusiasm, and Hiseman’s lengthy drums solo is an absolute classic. Clempson falls in within the Colosseum modus operandi perfectly from day one and his soloing is sublime as always. With four of the five tracks clicking well over ten minutes in duration, this is a true orgy of improvisation, albeit perfectly well organized. The sound quality of this recording if somewhat iffy, but the remastered material is definitely listenable, compared with the bootleg versions of this album that have been around for ages.
As usual, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| | Updated: 19/06/2021Posted: 19/06/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | CREAM ~ GOODBYE TOUR LIVE 1968
POLYDOR 602577952999 (Barcode: 602577952999) ~ UK ~ Blues-Rock
Recorded: 1968 Released: 2019
This is an archival Box Set collecting four live shows by the iconic British supergroup CreamFind albums by this artist, recorded during the groups final American tour in October 1968 (Oakland, LA and San Diego) and the final UK concert at the Royal Albert Hall in November 1968. None of this material was previously released on CD. The 4CD set is lavishly packaged with a book full of great photographs and a lengthy essay by David FrickeFind albums by this artist.
Guitarist Eric ClaptonFind albums by this artist, bassist / vocalist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist managed to revolutionize Rock music during the short time they stayed together, pioneering everything that defines Rock by crystalizing its ingredients: riffs, Blues changes, power trio setting, extended soloing and most of all incredible inventiveness and stamina. Most of the original material in Cream’s repertoire was composed by Bruce, featuring lyrics by the poet Pete BrownFind albums by this artist, but they also played their interpretations of Blues standards.
But Cream were also way beyond what is commonly defined as Rock. Bruce and Baker pioneered Jazz-Rock Fusion a few years earlier when playing in groups led by Graham BondFind albums by this artist, and both had Jazz upbringing in them, which often came to the surface during their lengthy improvisations, which characterized their live performances. Clapton, who did not have a Jazz background, invented the Rock improvisation singlehandedly, opening the path to many great guitar players that followed in his path as Rock improvisers: Jimi HendrixFind albums by this artist, Duane AllmanFind albums by this artist and others.
The music included in this Box Set is a wonderful opportunity to study the modus operandi Cream developed over time, and although the four concerts are based on a very similar set lists, each and every one of the four versions of the same tune are completely different in every aspect. There are subtle tempi changes, different dynamics, bass patterns and obviously each of the guitar solos is a world in itself.
Listening to the bass playing reveals the genius of Bruce, who was definitely the greatest virtuoso of the bass guitar in all times. Baker, who learned to play drums from the great British Jazz drummer Phil SeamenFind albums by this artist, was also one of the most unique Rock drummers of all times and his drum soli are absolutely unique to this very day. This album is a great tribute to these two Giants, both sadly no longer with us.
Overall, the music this album presents, despite of being five and a half decades old, is still some of the finest Rock achievements in the entire history of the genre. There is no need to recommend this album to veteran Rock fans, but there a billions of people who never even heard one note of this, which explains why this world looks like it does :) My suggestion to the Jazz lovers among my readers would be to give it a listen and discover not only how it swings, but also where the sources of the Jazz-Rock Fusion Nile originate from.
| | Updated: 28/01/2022Posted: 28/01/2022 | CD 4 Box Set Remastered Recommend To A Friend |
  | DR. JOHN ~ ORIGINAL ALBUM SERIES
RHINO 081227983673 (Barcode: 081227983673) ~ USA ~ Pop & Rock
Recorded: 1968 - 1973 Released: 2009
This Box Set collects five of the first six albums recorded by the American vocalist / songwriter / pianist / guitarist Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist) and released between 1968 and 1973. The decision to skip the third album (called "RemediesFind albums with this title") is completely beyond me. With a wonderful throaty voice and a superb musical sensitivity Dr. John firmly established a position of one of the most original and influential American music personalities.
Dr. John managed to create a unique musical amalgam by mixing his original New Orleans roots with Blues, Jazz, Rhythm And Blues and Soul. The first two albums in this set are both completely zany Psychedelic trips, so unusual and far-reaching that they are considered as milestones of alternative music to this very day. The remaining albums are much more conventional and present Dr. John establishing his more mainstream approach, which mixes his New Orleans influences (Zydeco) with Blues, Soul, Boogie Woogie and Rock, which characterize his career to this very day.
In many respects Dr. John always was a musician´s musician, earning respect and admiration from many of his peers. This explains the fact that many legendary musicians take part in these recordings, including Eric ClaptonFind albums by this artist, Mick JaggerFind albums by this artist, Graham BondFind albums by this artist and many others. This Box Set is an excellent opportunity to get familiar with the Dr. John universe by those who managed to miss it until now, but also to revisit familiar ground by old fans, which don´t have these albums on CD. Warmly recommended!
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.
The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.
In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
| | Updated: 08/05/2023Posted: | CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | IF ~ IF
REPERTOIRE 1037 (Barcode: 4009910103722) ~ UK ~ Brass Rock
Recorded: 1970 Released: 2006
Thi is the debut album by the superb British Jazz-Rock ensemble IfFind albums by this artist, formed in 1969 by three representatives of the burgeoning British Jazz scene, which was experiencing an unprecedented surge of creativity and revolutionizing the Jazz form at the time. Although partly inspired by American Jazz-Rock pioneers like Blood, Sweat & TearsFind albums by this artist and ChicagoFind albums by this artist, which were gaining wide popularity at the time, If was quintessentially different from its American counterparts.
Essentially Jazz-Rock was "invented" in Britain several years earlier by musicians like Graham BondFind albums by this artist and others, creating a distinctive "sound and feel", which was quite different from the development of the genre on the other side of the pond. The Americans based their bands on the rich "brass" tradition, which was perfected over the years by countless Big Bands and Brass bands, adding an aggressive rock backbeat to the music, whereas the British used a different approach, which basically left the Jazz environment intact, rejuvenating it with modern rhythmic approach and electric instruments (and in some cases adding Rock vocals), but remaining faithful to the Jazz idiom. In short where the American Jazz-Rock mainly rocked, the British Jazz-Rock mainly swung.
If were a great example of these differences and although short-lived, the band produced some of the most exquisite examples of British Jazz-Rock ever recorded. The core of the band comprised of the extraordinary guitarist Terry SmithFind albums by this artist, saxophonist / flautist Dick MorrisseyFind albums by this artist and another saxophonist / flautist Dave QuincyFind albums by this artist (please note the absence of trumpeters). All three musicians had behind them several years of playing Jazz in various ensembles and were amongst the most gifted young British players at the time. Supported by a great and versatile rhythm section: keyboardist John MealingFind albums by this artist, bassist Jim RichardsonFind albums by this artist and drummer Dennis ElliottFind albums by this artist and fronted by unusually gifted and able vocalist J.W. HodkinsonFind albums by this artist, If were an absolutely perfect combination of talent and abilities, which actually worked. This, combined with the abilities of the "in house" composers (mostly Morrissey and Quincy), who crafted incredible melodies; crispy, complex and intelligent yet "easy" on the ear, made If a lean and mean music making machine of staggering proportions. All three main instrumental soloist were wonderful musicians, which is evident on this album from start to finish, but the most incredible work was surely performed by guitarist Terry Smith, who uses every trick in the book and beyond, always fresh and unconventional.
It is most interesting to compare Smith´s work with Chicago guitarist Terry KathFind albums by this artist (what a coincidence – both named Terry), who also was the most gifted instrumentalist in his band. Smith´s adaptation of Jazz guitar techniques into Rock as opposed to Kath´s improvised Rock guitar playing again emphasize the differences between the two bands. Words of praise should also go to If´s vocalist, who demonstrated exceptional feel on top of his wide range and clear, effortless treatment of even the trickiest challenges.
To summarize, If in general and this, their debut album in particular, are superb examples of what great music is all about. Although mostly forgotten and rarely mentioned in most references, this album is as essential to every Jazz-Rock fan as the air he breathes. Ignoring it would constitute an act of criminal negligence, not to mention the complete void in one´s musical education. Did I say essential?
| | Updated: 17/09/2022Posted: | CD 1 Mini-Sleeve Remastered Bonus Tracks Essential Recommend To A Friend |
  | JCM ~ HEROES
REPERTOIRE 1354 (Barcode: 4009910135426) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2018
This is the only album by the British trio JCMFind albums by this artist comprising of three ex-ColosseumFind albums by this artist members: guitarist Clem ClempsonFind albums by this artist, bassist / vocalist Mark ClarkeFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album presents ten songs and one instrumental, mostly originals by the trio members, a couple of Jack BruceFind albums by this artist songs, one Graham BondFind albums by this artist song and four songs involving guitar heroes that the album is dedicated to: Gary MooreFind albums by this artist, Ollie HalsallFind albums by this artist, Alan HoldsworthFind albums by this artist and Larry CoryellFind albums by this artist.
The music floats between Rock oriented songs and Jazz-Rock Fusion material, all beautifully executed by the three veterans, who prove to be timeless heroes themselves. Clempson still plays some superb guitar licks that very few other guitar players around are able to compete with, Clarke sings with great sensitivity and Hiseman, one the greatest drummers of all time, as well as an excellent recording engineer and producer, does a perfect job as well. Sadly, this was his last recording before his untimely death, shortly after the album was released.
For Colosseum fans, British Prog / Jazz-Rock Fusion enthusiasts, guitar freaks and all good music lovers around the world this album is a breath of fresh air, although it sits firmly in the tradition established well over five decades earlier. The saying “they don’t make music like this anymore” obviously does not apply to this album. Brilliant stuff!
| | Updated: 07/08/2021Posted: 07/08/2021 | CD 1 Digipak Recommend To A Friend |
  | ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965
RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock
Recorded: 1962 - 1965 Released: 2024
This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time.
As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984.
The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it?
Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!
| | Updated: 02/10/2024Posted: 01/10/2024 | CD 1 Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972
RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| | Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | HARVEY MANDEL ~ SNAKE BOX
PURPLE PYRAMID 3014 (Barcode: 889466301421) ~ USA ~ Blues-Rock
Recorded: 1968 - 1972 Released: 2022
This is a 6CD Box Set by American Blues-Rock guitarist / composer Harvey MandelFind albums by this artist, which collects his first five solo albums and a bonus CD with a previously unreleased 1968 live recording at the Matrix club. The albums are “Cristo RedentorFind albums with this title” (1968), “RighteousFind albums with this title” (1969), “Games Guitars PlayFind albums with this title” (1970), “Baby BatterFind albums with this title” (1971) and “The SnakeFind albums with this title” (1972).
Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day. The musicians who play alongside Mandel on these early albums include many legendary musicians of the period, including keyboardists Graham BondFind albums by this artist and Barry GoldbergFind albums by this artist, bassist Larry TaylorFind albums by this artist and others. Most of the music was composed by Mandel.
Mandel’s guitar sound and phrasing are completely unique and as such highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos.
This Box Set is a reprint of the same Box Set released in 2015, offering no bonus tracks and very basic packaging and sketchy liner notes, as usual in such cases, but the music is brilliant from start to finish.
Overall, this is an excellent opportunity to get to know one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when it was recorded.
| | Updated: 01/05/2022Posted: 01/05/2022 | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | NOT NECESSARY BAND ~ NIEKONIECZNIE KONIECZNY
NOT ON LABEL 01 (Barcode: 606707129411) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2021
This is the debut album by the Not Necessary BandFind albums by this artist led by veteran organist / composer / arranger Pawel SerafinskiFind albums by this artist, one of the unsung heroes of the Polish Jazz scene active since the 1970s. The quartet also includes saxophonists Piotr BaronFind albums by this artist (another Polish Jazz veteran) and Kuba RaczynskiFind albums by this artist and drummer Radek BolewskiFind albums by this artist, the last two are representatives of the new generation of the local scene. Members of the hip-hop group ThinkadelicFind albums by this artist guest briefly on one track. The album presents six tracks, three of which are original compositions by Serafinski, one is co-composed by the quartet members and two are composed by the legendary Polish composer Zygmunt KoniecznyFind albums by this artist.
The music is all mainstream oriented Jazz, with touches of Blues and Soul, very relaxed and lyrical. Serafinski composed some elegant tunes, which offer great melody lines and are superb platforms for improvisation. Konieczny is of course a Master songweaver, and his two compositions are classics.
As a sucker for the Hammond organ I simply cannot help the nostalgia / sentiment to overflow any rational approach and like the music, even if only for the great fun it brings to the listener. It does sound rather retro, but that was probably intentional, and the album has a distinct 1970s attitude, which in today’s music is a blessed whip of fresh air, rather than a sign of being old-fashioned.
The quartet offers a very unusual sound ambience, with just the organ up front, supported by the sax players, no bass (which is compensated by organ pedals) and the drums keeping the time vigorously and tastefully. Funs of Brian AugerFind albums by this artist and Graham BondFind albums by this artist will obviously find this quite familiar stylistically.
Overall, this is a very well put together album, which offers great music and excellent performances, with a focus on the Hammond organ sound, which of course makes it a must for the many lovers of this legendary keyboard. The minimalist, subdued atmosphere of this music is a welcome contrast to the terrible noise that surrounds us today most of the time.
| | Updated: 15/12/2021Posted: 15/12/2021 | CD 1 Digipak Recommend To A Friend |
  | TED NOVAK ~ MONUMENT VALLEY
NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2016 Released: 2016
This is the second album by Polish guitarist / composer Ted NovakFind albums by this artist, recoded again in a trio setting, but this time with the excellent organist Jan SmoczynskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album was recorded at the legendary Studio Tokarnia, with Smoczynski also filling the sound engineer´s chair. The album presents eight original compositions, all by Novak.
The presence of the organ introduced a very significant change in the trio´s sound and overall musical direction, taking it to a much higher and more sophisticated level. The sound of the trio resembles the wonderful vintage ambience of early Jazz-Rock ensembles, like for example the Graham BondFind albums by this artist band with John McLaughlinFind albums by this artist. This is Rock sound with Jazz feeling, one of the most attractive and satisfying of the kind.
Novak has his own guitar sound and touch, which against all odds manages to create a unique voice. Based on the Blues chords and using just the correct amount of sound effects, the guitar becomes the ideal partner to the sublime Hammond sound, and together they are simply magical. Smoczynski is of course a virtuoso and his usage of the Hammond possibilities is marvelous and seems unlimited. In time his playing expands the palette of the sound colors and honestly there are very few, if any, Hammond players is his class today. Dobrowolski, already a veteran of the Polish Jazz scene, is also a master musicians and his wonderful dynamics and sensitivity, both in the Rock and Jazz areas, are ideal for this music in every respect.
As if this wasn´t more then enough to make this album a perfect piece of music, the compositions are the cherry on top. Beautifully melodic, even melancholic at times, they are all perfect vehicles for the trio to tear the roof off, so to speak, and their stylistic, dynamic and rhythmic diversity is an ideal mix, which makes this album to be over in a jiffy. Well in such case it is advised simply to put it on "repeat" of course.
Overall this is a superb, mature, elegant album, full of great music performed with flair and passion, which truly has few equals anywhere on this planet. Jazz-Rock Fusion is alive and kicking in Warsaw, even if it is dead almost everywhere else, with a few exceptions of course. An absolute must!
| | Updated: 25/03/2017Posted: 29/09/2016 | CD 1 Digipak Recommend To A Friend |
  | DON RENDELL ~ SIX CLASSIC ALBUMS PLUS BONUS TRACKS
REAL GONE JAZZ 496 (Barcode: 5036408174123) ~ UK ~ Jazz
Recorded: 1955 - 1961 Released: 2015
This is a reissue of early recordings by the legendary British Jazz saxophonist / composer / bandleader Don RendellFind albums by this artist, one of the greatest pioneers of modern British Jazz. Rendell, born 1926, was one of the relatively few British Jazz musicians, who thrived during the Swing and Bebop eras, but who embraced modern Jazz by the mid-1960s and became one of the pillars of the transformation the British Jazz went through during that period, creating a new Jazz idiom by breaking the ties with the American Jazz tradition.
Although Rendell made his first recording already in 1949, this set collects recordings made between 1955 and 1961, which present Rendell making a shift from Swing via Bebop and into early modern Jazz, a fascinating journey by any standard. These recordings include albums and an EP he recorded as a leader as well as recordings by other leaders he took part in, and tracks from a two Various Artists collections, which included his contributions.
The four albums Rendell recorded as a leader are: "Meet Don RendellFind albums with this title" from 1955, "Don Rendell Presents The Jazz SixFind albums with this title" (featuring Kenny WheelerFind albums by this artist) from 1957, "PlaytimeFind albums with this title" from 1958 and finally "Roarin`Find albums with this title" (featuring Graham BondFind albums by this artist) from 1961.
The two albums on which Rendell appears as a sideman are: Johnny KeatingFind albums by this artist All Stars ("British JazzFind albums with this title") from 1956 and pianist´s Ken MouleFind albums by this artist septet ("Ken Moule Arranges ForFind albums with this title") from 1956.
Overall this is a fascinating collection of great Jazz music played by the best British musicians at the time, and which has additionally also an enormous historical value. I can’t imagine any true British Jazz fan missing this set!
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.
There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.
The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
| | Updated: 27/05/2018Posted: 30/05/2016 | CD 4 Digipak Remastered Recommend To A Friend |
|
