Record Reviews

JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY! VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz Recorded: 1963 - 1969 Released: 2012 This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent. "What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing. "Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!

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GEORGIE FAME / ANNIE ROSS / HOAGY CARMICHAEL ~ IN HOAGLAND DRG 5197 ~ UK ~ Jazz Recorded: 1981 Released: 1981 This is a delightful and completely obscure album by British Jazz vocalists Georgie FameFind albums by this artist and Annie RossFind albums by this artist with legendary American songwriter / pianist / vocalist Hoagy CarmichaelFind albums by this artist, whose appearance on this album was his final recording before his death in 1981, soon after this album was recorded. They are accompanied by a superb orchestra, called Famous Flamingo OrchestraFind albums by this artist, featuring the absolute top British Jazz musicians, like saxophonists Peter KingFind albums by this artist and Dick MorrisseyFind albums by this artist, trumpeter Ian HamerFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardist Geoff CastleFind albums by this artist (Fame also plays keyboards), guitarist Martin KershawFind albums by this artist, bassists Darryl RunswickFind albums by this artist and Jim RichardsonFind albums by this artist and drummer Barry MorganFind albums by this artist – an absolute dream team. The album presents thirteen famous songs written by Carmichael and arranged by Harry SouthFind albums by this artist. The music and the performances are absolutely brilliant, as everything Fame put his hands on and with the help of this fabulous team this is a true delight from start to end. They don’t make music like this anymore, sadly… Of course this is on the lighter side of the Jazz spectrum, but who cares, as long as the music plays! Overall, this is a completely unknown album by great Jazz artists, which deserves to be heard, especially if one loves a great Jazz standard sung by two of the best! It took me years to find a copy of this, so I am happy ;) You might as well try to find a copy, as it is definitely worth it!

Updated: 30/03/2023Posted: 30/03/2023

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IF ~ DOUBLE DIAMOND RELICS 3011 (Barcode: 4753314301115) ~ UK ~ Brass Rock Recorded: 1973 Released: 2011 This is the 5th album by the great British Jazz-Rock / Prog band IfFind albums by this artist, which sadly didn´t manage to attract the proper attention in spite of their superb achievements. After recording four great albums the original lineup of the group gave up in 1972, soon to be replaced by the second lineup, led by saxophonist / flautist Dick MorrisseyFind albums by this artist. They managed to record 3 more albums before the disbanding for good. This album was originally released only in Germany (no UK release) on the legendary Brain label and the other two were released in UK on the excellent Gull label. The music is a continuation of their previous direction, mixing elements of Rock and Jazz, melodic tunes and instrumental improvisations. In retrospect this sounds pretty good four decade later and no If fan will want to miss this.

Updated: 18/04/2020Posted:

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IF ~ IF REPERTOIRE 1037 (Barcode: 4009910103722) ~ UK ~ Brass Rock Recorded: 1970 Released: 2006 Thi is the debut album by the superb British Jazz-Rock ensemble IfFind albums by this artist, formed in 1969 by three representatives of the burgeoning British Jazz scene, which was experiencing an unprecedented surge of creativity and revolutionizing the Jazz form at the time. Although partly inspired by American Jazz-Rock pioneers like Blood, Sweat & TearsFind albums by this artist and ChicagoFind albums by this artist, which were gaining wide popularity at the time, If was quintessentially different from its American counterparts. Essentially Jazz-Rock was "invented" in Britain several years earlier by musicians like Graham BondFind albums by this artist and others, creating a distinctive "sound and feel", which was quite different from the development of the genre on the other side of the pond. The Americans based their bands on the rich "brass" tradition, which was perfected over the years by countless Big Bands and Brass bands, adding an aggressive rock backbeat to the music, whereas the British used a different approach, which basically left the Jazz environment intact, rejuvenating it with modern rhythmic approach and electric instruments (and in some cases adding Rock vocals), but remaining faithful to the Jazz idiom. In short where the American Jazz-Rock mainly rocked, the British Jazz-Rock mainly swung. If were a great example of these differences and although short-lived, the band produced some of the most exquisite examples of British Jazz-Rock ever recorded. The core of the band comprised of the extraordinary guitarist Terry SmithFind albums by this artist, saxophonist / flautist Dick MorrisseyFind albums by this artist and another saxophonist / flautist Dave QuincyFind albums by this artist (please note the absence of trumpeters). All three musicians had behind them several years of playing Jazz in various ensembles and were amongst the most gifted young British players at the time. Supported by a great and versatile rhythm section: keyboardist John MealingFind albums by this artist, bassist Jim RichardsonFind albums by this artist and drummer Dennis ElliottFind albums by this artist and fronted by unusually gifted and able vocalist J.W. HodkinsonFind albums by this artist, If were an absolutely perfect combination of talent and abilities, which actually worked. This, combined with the abilities of the "in house" composers (mostly Morrissey and Quincy), who crafted incredible melodies; crispy, complex and intelligent yet "easy" on the ear, made If a lean and mean music making machine of staggering proportions. All three main instrumental soloist were wonderful musicians, which is evident on this album from start to finish, but the most incredible work was surely performed by guitarist Terry Smith, who uses every trick in the book and beyond, always fresh and unconventional. It is most interesting to compare Smith´s work with Chicago guitarist Terry KathFind albums by this artist (what a coincidence – both named Terry), who also was the most gifted instrumentalist in his band. Smith´s adaptation of Jazz guitar techniques into Rock as opposed to Kath´s improvised Rock guitar playing again emphasize the differences between the two bands. Words of praise should also go to If´s vocalist, who demonstrated exceptional feel on top of his wide range and clear, effortless treatment of even the trickiest challenges. To summarize, If in general and this, their debut album in particular, are superb examples of what great music is all about. Although mostly forgotten and rarely mentioned in most references, this album is as essential to every Jazz-Rock fan as the air he breathes. Ignoring it would constitute an act of criminal negligence, not to mention the complete void in one´s musical education. Did I say essential?

Updated: 17/09/2022Posted:

CD 1 Mini-Sleeve Remastered Bonus Tracks Essential Recommend To A Friend

IF ~ IF 3 REPERTOIRE 1097 (Barcode: 4009910109724) ~ UK ~ Brass Rock Recorded: 1971 Released: 2007 This is the third album by the superb British Jazz-Rock ensemble IfFind albums by this artist, recorded in London following a grueling touring schedule in the US and Europe in the months before the recording. Although worn out by touring, the band was tighter and more experienced than ever, keeping the same lineup from the very start, which is evident by their playing on this album (although they were brilliant from day one). They also had more time to work on new material, which proved to be as inspiring as always, but more focused on melody and arrangements rather than the display of extended instrumental improvisations. In many respects this is the most "perfect" If album, closest in spirit to great British Jazz-Rock essence. Most of the music here was composed by saxophonist / flautist Dave QuincyFind albums by this artist, with two more compositions by keyboardist John MealingFind albums by this artist and one each by guitarist Terry SmithFind albums by this artist and saxophonist / flautist Dick MorrisseyFind albums by this artist. The vocals by J.W. HodkinsonFind albums by this artist are particularly lyrical and moving here, placing his abilities in par with the instrumental wizardry of the other band members. Although tamer and less spontaneous than its two predecessors, this is still an essential Jazz-Rock recording of the highest musical quality and an indispensible item in any serious music collection.

Updated: 17/09/2022Posted:

CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

IF ~ IF 4 REPERTOIRE 1098 (Barcode: 4009910109823) ~ UK ~ Brass Rock Recorded: 1972 Released: 2007 4th album by the superb British Jazz-Rock ensemble IfFind albums by this artist, recorded "live in the studio" and unfortunately the last recording by the original lineup of the group. In spite of intensive touring in the US and Europe, the band never had a chance to record live (which was almost compulsory then) and this was their attempt to recreate the atmosphere of their gigs. Although recorded in a studio, it is live in every respect, i.e. a large crowd was present in the studio during the recording and no overdubs or other studio trickery were used in the recording. The resident band composers came up with a great set of new tunes, rehearsed on the road before the actual recording captured here. This recording is closer in spirit to the first two albums the band recorded, full of spontaneity and superb extended soloing. The guitar work by Terry SmithFind albums by this artist is absolutely outlandish and the other players follow suit. The 10+ minutes opening track is alone worth the price of any album and a superb example of the Jazz-Rock at its best in every respect. Unfortunately shortly after this session and a brief personal change the band fell apart as a result of Dick MorrisseyFind albums by this artist´s illness. Although Morrissey revamped the band later on, which recorded three more albums using the If moniker, those were far apart from the glorious material recorded by the original group. For various management and contractual reasons this album was not released in the US in its entirety (as were the first three albums); instead the "WaterfallFind albums with this title" album released in the US included some of the material present here with the addition of different material recorded for that particular release. This is an essential Jazz-Rock recording of the highest musical quality and an indispensible item in any serious music collection.

Updated: 18/04/2020Posted:

CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend

IF ~ LIVE AT THE BBC REPERTOIRE 1427 (Barcode: 4009910142721) ~ UK ~ Brass Rock Recorded: 1970 - 1972 Released: 2022 This is a sensational archival album by the superb but relatively forgotten British Jazz-Rock Fusion / Brass Rock ensemble IfFind albums by this artist, which to this very day remains as one of the finest examples of the genre. Sourced from the BBC vaults, the double album presents twenty tracks of original music by the ensemble members, recorded over two years, which span the initial life span of the ensemble, all previously unissued. Following the ensemble’s formative days in 1969, the core lineup stabilized as a septet, which included vocalist J.W. HodkinsonFind albums by this artist, saxophonists/ flautists Dick MorrisseyFind albums by this artist and Dave QuincyFind albums by this artist (who wrote most of the material), keyboardist John MealingFind albums by this artist, guitarist Terry SmithFind albums by this artist, bassist Jim RichardsonFind albums by this artist and drummer Dennis ElliottFind albums by this artist. That lineup recorded the ensemble’s first four iconic albums, called simply “IfFind albums with this title”, “If 2Find albums with this title”, “If 3Find albums with this title” and “If 4Find albums with this title”, and disbanded by the end of 1972. That lineup is featured on all the tracks on this album. The ensemble reformed with a different lineup and continued until 1975, releasing four more studio albums. A reunion lineup released a studio album in 2016, called “If 5Find albums with this title”, which was a sad affair. Although stylistically somewhat similar to the American Brass Rock groups like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist and others, If had a very unique British / European approach, which less emphasis on brass arrangements but way more complex music and sophisticated ensemble sound. For a more detailed comparison, please read my review of the If’s early albums. Overall, this is a treasure chest of previously unheard material by one of the best British Jazz-Rock ensembles ever, and an absolute must to the genre’s many fans. The sound is a bit iffy, despite the fact that the material was remastered, but the music is outstanding. RepertoireFind albums on this label are doing a remarkable job by bringing the material from the BBC vaults back to life, but their pricing borders on insane and the booklets are a bit trivial and repetitive lately, lacking the proper historical perspective this music deserves. But this is Holy Grail any way one looks at it, so don’t think twice and grab a copy.

Updated: 18/09/2022Posted: 17/09/2022

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MIDDLETON-AHWAI / MORRISSEY-MULLEN BAND ~ ANOTHER SLEEPER / CAPE WRATH VOCALLION 8493 (Barcode: 765387849320) ~ UK ~ Jazz-Rock Fusion Recorded: 1979 Released: 2012 This is a wonderful reissue of two albums recorded in 1979 and originally released on the legendary HarvestFind albums on this label label, EMIFind albums on this label´s progressive imprint, which present the Funk side of the British Jazz-Rock scene at the time. Keyboardist Max MiddletonFind albums by this artist and guitarist Robert AhwaiFind albums by this artist, who are present on both these albums, were among the movers and shakers of the British Jazz-Funk in late 1970s and 1980s, proving that American-born Funk penetrated deep the seemingly cold British character and mixed with Jazz roots created some mighty fine music. "Another SleeperFind albums with this title" is the only album by a group co-led by Middleton and Ahwai and it features eight original compositions, six by Middleton and two by Ahwai. The group also includes bassist Kuma HaradaFind albums by this artist, drummer Richard BaileyFind albums by this artist, percussionist Darryl Lee QueFind albums by this artist, a brass section and background vocalists. The music is mostly Jazzy and the Funk element is expressed by what the rhythm section players do in the background. Middleton, a superb keyboardist and improviser, plays some great licks here, which often sound like Chick CoreaFind albums by this artist´s work with Return To ForeverFind albums by this artist. In retrospect this albums sounds definitely as something deserving more attention that it ever achieved at the time of its release. "Cape WrathFind albums with this title" is the second album by the group co-led by saxophonist Dick MorrisseyFind albums by this artist and guitarist Jim MullenFind albums by this artist, which was Britain´s most revered Jazz-Rock-Funk ensemble at the time. On this album the other members of the band are four musicians playing on "Another Sleeper": Middleton, Ahwai, Harada and Bailey and percussionist Tony CarrFind albums by this artist. They play eight pieces, five of which are original compositions, two each by Middleton and Mullen and one by Morrissey, two are Jazz standards and one is an arrangement of a Pop song. The level of the musicianship here is truly excellent and the album is great fun to listen to after all these years. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz-Rock-Funk, a rather less frequently re-visited chapter in the British Jazz history, but one that has quite a few surprises to offer, when an effort is made. Definitely worth investigating for listeners who enjoy the "lighter" side of Jazz, which at its best can be as good as the "serious" side of the music.

Updated: 16/02/2024Posted:

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DICK MORRISSEY ~ AT THE BBC 1967 RHYTHM AND BLUES 074 (Barcode: 5060331752608) ~ UK ~ Jazz Recorded: 1967 Released: 2021 This is an archival album by seminal British saxophonist / composer / bandleader Dick MorrisseyFind albums by this artist. The album presents two BBC sessions captured in June and October 1967 performed by his quartet, with included pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and drummer Bill EydenFind albums by this artist. The two sessions produced twelve tracks, with three tunes repeated in both sessions, most being Jazz standards and just one original by South. The music is all well within the mainstream Jazz idiom, but formidably performed by the quartet and presents Morrissey as a wonderfully talented player, considered at the time as second only to the legendary Tubby HayesFind albums by this artist. Morrissey fans should definitely put their hands on the VocalionFind albums on this label twofer reissue “Here And Now And Sounding Good / Storm Warning!Find albums with this title” of his 1965/66 studio albums, which offer similar music to what can be herd here. The sound quality of these recordings if excellent, which of course makes listening to the music a true pleasure. Following his Bebop / Hard Bop period, by the end of the 1960s Morrissey switched to the Jazz-Rock Fusion idiom, first with the brilliant group IfFind albums by this artist, which lasted till 1975 and recorded eight albums and later with the Morrissey-Mullen BandFind albums by this artist, formed with guitarist Jim MullenFind albums by this artist, which lasted for fifteen years and recorded seven excellent albums. Morrissey died from cancer in 2000 at the age of 60, as usual in such cases way too early, as his glorious recording legacy proves.

Updated: 10/08/2021Posted: 10/08/2021

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DICK MORRISSEY ~ HERE AND NOW AND SOUNDING GOOD / STORM WARNING! VOCALION 8479 (Barcode: 765387847920) ~ UK ~ Jazz Recorded: 1965 - 1966 Released: 2011 This exquisite reissue brings to life two extremely rare mid-1960s quartet recordings by the great British saxophonist Dick MorrisseyFind albums by this artist, one of the great representatives of the British Jazz scene at its peak in the 1960s / 1970s. Earning respect and admiration as a Hard Bop player (as documented on these two albums) Morrissey later formed the fantastic early Jazz-Rock ensemble IfFind albums by this artist and after it disbanded he formed the Morrissey-Mullen BandFind albums by this artist (with guitarist Jim MullenFind albums by this artist), which lasted for almost two decades as one of the best and most stable British bands. Sadly Morrissey died in 2000, losing his battle with cancer. A brilliant player with enormous sensitivity and beautiful tone, Morrissey remains a symbol of the times, when music sounded better and girls looked prettier (to old farts like myself of course). This album is sweet and mellow, with superb performance by pianist Harry SouthFind albums by this artist, who also contributed several original compositions, bassist Phil BatesFind albums by this artist and drummers Bill EydenFind albums by this artist (first album) and the legend Phil SeamenFind albums by this artist (second album). Disregarding the element of nostalgia, this is a damn great Jazz album, which swings like mad and makes life worth living. The recording quality (and the superb remastering by Michael J. DuttonFind albums by this artist) is simply breathtaking. So in short: don’t you dare to miss this beauty!

Updated: 12/06/2018Posted:

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SOFT MACHINE ~ LAND OF COCKAYNE ESOTERIC 2208 (Barcode: 5013929730847) ~ UK ~ Canterbury Scene Recorded: 1980 Released: 2010 This is the 4th Soft MachineFind albums by this artist album released on the HarvestFind albums on this label label and the last ever record released by the band, bringing an end on a magnificent career, which spanned two and a half decades and resulted in some of the most important music ever recorded. But the truth behind the album is quite different from what appears on the album´s cover – the fact is that Soft Machine did not exist for some time when this album was released and this is a solo project of the last leader of the band, composer / keyboardist Karl JenkinsFind albums by this artist. The decision to release the album under the band´s name is somewhat dubious. Nevertheless the connection to Soft Machine is pretty obvious, as this album features several of its ex-members and co-members: guitarist Allan HoldsworthFind albums by this artist, drummer John MarshallFind albums by this artist and saxophonist Ray WarleighFind albums by this artist. Jenkins added several other outstanding musicians to Soft Machine core: bassist Jack BruceFind albums by this artist, saxophonist Dick MorrisseyFind albums by this artist, guitarist Alan ParkerFind albums by this artist and pianist John TaylorFind albums by this artist. The music floats somewhere between Jazz and ambient music, with strong ties to contemporary Classical, emphasized by the string arrangements, and some World Music influences. It is a preview of the future work of Jenkins, who in the years to come established himself as one of British most distinguished contemporary composers. So is this a Soft Machine album? Who cares, the important fact remains that this is still great music, which holds water 30 years after it was recorded. Obviously hard-core Soft Machine fans might find it not to their taste, but it is here to stay as part of the band´s legacy. Deal with it.

Updated: 10/03/2023Posted:

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JIMMY WITHERSPOON ~ LIVE IN LONDON 1966 RHYTHM AND BLUES 066 (Barcode: 5060331752349) ~ USA ~ Jazz-Blues Fusion Recorded: 1966 Released: 2021 This is an archival album by the American Blues singer Jimmy WitherspoonFind albums by this artist recorded during his visit in London, accompanied by top British Jazz musicians. The album presents twenty tracks, recorded during three separate sessions. The majority (thirteen) of the tracks were recorded at the legendary London pub “The Bulls Head”, with Witherspoon accompanied by the saxophonist Dick MorrisseyFind albums by this artist’s quartet with pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and iconic drummer Phil SeamenFind albums by this artist. On six additional tracks (two of which are instrumentals only) he is accompanied by saxophonist Peter KingFind albums by this artist and the same rhythm section as above. On one tack he is accompanied by the great Alexis KornerFind albums by this artist’s (who plays guitar) Blues IncorporatedFind albums by this artist with saxophonist Ray WarleighFind albums by this artist, pianist Chris PyneFind albums by this artist, bassist Danny ThompsonFind albums by this artist and drummer Terry CoxFind albums by this artist. Except for three originals by Witherspoon, all the tracks are Blues / Jazz standards. The music is all a natural mixture of Blues and Jazz, clearly emphasizing the proximity between the two genres. Witherspoon obviously feels very comfortable with his British companions, being used to work with Jazz musicians back home and the Brits are familiar with the repertoire, which altogether makes the music sound completely natural and easy-going. There are no great surprises here, but the album is an excellent example of the diversity of the British Blues boom that exploded by the mid-1960s and declines almost as rapidly just half a decade later. That great movement included Blues, Jazz and early Rock musicians working shoulder to shoulder to create the British Blues, which took the American tradition of the genre a step further, adding a pinch of European aesthetics to the mixture. Overall this is a nice reminder of how the music created by visiting American Blues singers / musicians sounded when they were accompanied by British musicians, which happened quite often at the time. For Blues and British Jazz enthusiasts this is definitely an album worth pursuing.

Updated: 16/07/2021Posted: 16/07/2021

CD 1 Recommend To A Friend