Record Reviews
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  | ALQUIN ~ MARKS
ESOTERIC 2144 (Barcode: 5013929724426) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1972 Released: 2009
1st album by the excellent Dutch Prog band AlquinFind albums by this artist, which enjoyed less popularity outside of their native country in comparison to bands like FocusFind albums by this artist, SupersisterFind albums by this artist or Earth & FireFind albums by this artist, but was by no means less talented or interesting. In fact many aspects of the band´s music, like their open-mindedness towards other genres like Jazz and World Music, as well as their instrumentation, which included woodwinds and brass and their love of improvisation, contributed greatly to their unusual sound and produced a beautiful effect. The music is full of unexpected developments, frequent tempo shifts and instrumental solos, all the elements that make music interesting. The overall effect is somewhat reminiscent of the music made by Canterbury Scene musicians, with Soft MachineFind albums by this artist often springing to mind. Nevertheless there is no imitation here whatsoever, as the musical ideas are fresh and unique. In retrospect this music lost nothing of its power or intrinsic beauty over the years and is still a most pleasant listening experience. A definite must to all Progheads!
| | | CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | ALQUIN ~ THE MOUNTAIN QUEEN
ESOTERIC 2145 (Barcode: 5013929724525) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1973 Released: 2009
2nd album by the excellent Dutch Prog band AlquinFind albums by this artist, which enjoyed less popularity outside of their native country in comparison to bands like FocusFind albums by this artist, SupersisterFind albums by this artist or Earth & FireFind albums by this artist, but was by no means less talented or interesting. In fact many aspects of the band´s music, like their open-mindedness towards other genres like Jazz and World Music, as well as their instrumentation, which included woodwinds and brass and their love of improvisation, contributed greatly to their unusual sound and produced a beautiful effect. The music is full of unexpected developments, frequent tempo shifts and instrumental solos, all the elements that make music interesting. The overall effect is somewhat reminiscent of the music made by Canterbury Scene musicians, with Soft MachineFind albums by this artist often springing to mind. Nevertheless there is no imitation here whatsoever, as the musical ideas are fresh and unique. In retrospect this music lost nothing of its power or intrinsic beauty over the years and is still a most pleasant listening experience. A definite must to all Progheads!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | KEVIN AYERS ~ HYDE PARK FREE CONCERT 1970
REEL RECORDINGS 002 (Barcode: 641444015627) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
After leaving the Soft MachineFind albums by this artist (of which he was a founding member) and recording the debut solo album (Joy Of A ToyFind albums with this title), guitarist / singer / composer Kevin AyersFind albums by this artist formed the Whole WorldFind albums by this artist band to record his second album (Shooting At The MoonFind albums with this title) and support its release by touring. This live recording captures the performance of Ayers and his band at the legendary London’s Hyde Park free concert, which had on the bill the most famous bands of the time performing in front of a 100,000 strong public – a record attendance to a rock venue in UK up to that time. Pink FloydFind albums by this artist performed their Atom Heart MotherFind albums with this title suite for the first time at that concert. Ayers and his cahoots, including David BedfordFind albums by this artist on keyboards, Lol CoxhillFind albums by this artist on saxophones, Mike OldfieldFind albums by this artist on bass and Robert WyattFind albums by this artist on drums, storm through a bunch of Kevin’s song with vengeance, as appropriate for such eclectic gig, and the whole set is captured exactly as it happened – a true piece of rock history. Coxhill’s brilliant contributions were always my favorite part of that particular band. The sonic quality might not be perfect, but considering this was a “field recording” done 37 years ago – who gives a damn? Priceless stuff!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | KEVIN AYERS ~ THE BBC SESSIONS 1970-1976
HUX 073 ~ UK ~ Canterbury Scene
Another splendid release from the BBC vaults presenting the extraordinary work of Canterbury hero Kevin AyersFind albums by this artist, spanning a period from his early Soft MachineFind albums by this artist days and later solo career. The list of musicians playing with Ayers on these sessions looks like a who’s who of early 1970’s Canterbury scene, Prog and Jazz combined: Robert WyattFind albums by this artist, Mike OldfieldFind albums by this artist, Mike RatledgeFind albums by this artist, Andy SummersFind albums by this artist, Hugh HopperFind albums by this artist, Lol CoxhillFind albums by this artist, David BedfordFind albums by this artist, Elton DeanFind albums by this artist, Archie LeggettFind albums by this artist, Ollie HalsallFind albums by this artist & Zoot MoneyFind albums by this artist. The music is as adventurous and quirky as his usual output, with often humorous lyrics and plenty of instrumental passages to spice it all. This material is of immense historical importance and opens many windows to the understanding of the simmering UK musical scene at the time. The sound quality is excellent as usual for all the BBC recorded material. A must to all Canterbury scene fans.
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  | KEVIN AYERS ~ WHAT MORE CAN I SAY…
REEL RECORDINGS 009 (Barcode: 641444032228) ~ UK ~ Canterbury Scene
Recorded: 1970 - 1971 Released: 2008
Canterbury scene founder (or at least one of the founders) Kevin AyersFind albums by this artist reveals here a bunch of his private recordings (demos, outtakes, etc.) from the early days of his solo career (after leaving Soft MachineFind albums by this artist), recorded mostly by himself (vocals, guitar, piano) and all written by himself. A few regular cohorts (David BedfordFind albums by this artist – organ, Mike OldfieldFind albums by this artist – bass, Robert WyattFind albums by this artist – drums) give a helping hand on occasion, but mostly this is Ayers by himself, demonstrating his amazing songwriting abilities and a unique delivery. This is a superb document of the early 1970s music, but also of the social climate and the care-free approach to life that characterized the bohemian scene Ayers was so much a part of. "Portrait of an Artist as a young man" is a very suitable description and this is not only a historical document but also a delightful trip down the memory lane, back to times long gone and much missed. The dedicated Ayers fans will of course be delighted to listen to this material, and considering the fact that none of it was ever heard before this is a Canterbury Holy Grail in many respects. Wholeheartedly recommended!
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  | CYCLISTS ~ ETIUDY MIEJSKIE
NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2013 Released: 2013
This is the second album by Polish experimental quartet CyclistsFind albums by this artist, formed by keyboardist Daniel MackiewiczFind albums by this artist (Sing Sing PenelopeFind albums by this artist) with other musicians from the Bydgoszcz scene: bassist Wojciech WozniakFind albums by this artist, drummer Jacek BuhlFind albums by this artist (GlabulatorFind albums by this artist) and DJ G.R.Z.A.N.A.Find albums by this artist Together they play thirteen relatively short pieces, eleven of which were composed / improvised by the entire quartet and two were composed by Krzysztof GruseFind albums by this artist, also a well known Bydgoszcz household name.
The music is a mixture between Jazz-Rock Fusion ditties and the ambient ventures produced by the DJ, which together sounds like an updated version of early Soft MachineFind albums by this artist sans the vocals. The compositions, although pretty basic, are all nicely melodic and the Rhodes electric piano brings waves of nostalgia. There is essentially nothing very innovative here, or perhaps the entire proceedings are purposely retrograde; in any case this is a nice and very listenable piece of music, but overall quite déjà vu.
Of course these are very talented musicians and they produced some excellent music in the past, so one should accept this project as an attempt to relax and have fun, which is exactly what it is all about.
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  | ELTON DEAN ~ THE VORTEX TAPES
SLAM 203 (Barcode: 5028386020325) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1990 Released: 1992
This is a live album by British Jazz saxophonist / composer Elton DeanFind albums by this artist, recorded at the legendary London’s Vortex club during the five days of the last week of September 1990, each night with a different lineup, four of which are quartets and one is a sextet. The list of the participating musicians reads like the Who’s Who of the British Free Jazz / Improvised Music scene at the time and includes pianists Keith TippettFind albums by this artist and Howard RileyFind albums by this artist, saxophonists Trevor WattsFind albums by this artist, Jerry UnderwoodFind albums by this artist and Simon PicardFind albums by this artist, trombonists Nick EvansFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Marcio MattosFind albums by this artist and Paul RogersFind albums by this artist, drummers Louis MoholoFind albums by this artist, Mark SandersFind albums by this artist, Nigel MorrisFind albums by this artist and Tony LevinFind albums by this artist. The fact that Dean managed to invite all these great musicians to play with him during one week speak volumes about his position on the scene and the respect he earned over the years. The album presents five tracks, three of which are over ten minutes in duration. All the music was composed by Dean.
The music is absolutely in sync with what one might have expected from such esteemed players, Free Jazz oriented, full of passion and incredible dialogues between these musicians, who often played with each other in various settings. The incredible intensity of the music still allows for excellent individual contributions to be clearly heard. The sextet (four saxophones) track is a wonderful example of group improvisation, where the mutual respect is fully observed and the saxophone quartet is featured as an organic micro-orchestral unit, later joined by the rhythm section.
There is so much superb music on this album, that writing about it is actually pretty redundant, and should simply encourage to grab a copy of this gem, before it completely disappears from the market. British Jazz enthusiasts and even listeners who are aware of Elton Dean only through his association with Soft MachineFind albums by this artist, should make to bold step forward and embrace this facet of Dean’s incredible talent.
Overall, this is a monumental document of the British Free Jazz scene by the end of the 1990s, when it was at its absolute peak. The tornado swirl on the album’s cover reflects the power and spirit of the music perfectly and fans of this kind of music should find this album indispensable. Lucky for us this music was captured on tape and released, staying with us for posterity. A true force of Nature!
| | Updated: 24/06/2023Posted: 24/06/2023 | CD 1 Recommend To A Friend |
  | ELTON DEAN / MARK HEWINS ~ BAR TORQUE
MOONJUNE 001 ~ UK ~ Canterbury Scene
This (sax & guitar) duo goes way back to the days when both players were members of Soft HeapFind albums by this artist, a great Canterbury Jazz-Rock outfit which followed in the steps of Soft MachineFind albums by this artist. Here they present a series of long and extended improvisations, very much in the free-jazz vain. Not for everybody, but those who like this style of musical expression will enjoy this one very much.
Visitors' Comments
Christopher Brice
Recorded live at the Jazz Café 1992, London; remixed & remastered 2000; released 2001
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  | HUGH HOPPER ~ 1984
CUNEIFORM 104 (Barcode: 045775010427) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 1998
1st brilliant solo album by Hugh HopperFind albums by this artist, recorded while he was still a member of Soft MachineFind albums by this artist. One of the most important Canterbury scene solo projects at the time and very innovative. Hopper uses his unique fuzz bass as well as multiple overdubs and other avant (then) studio technology to create a powerful statement, based on Orwell`s vision of the future. A classic in every sense!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | HUGH HOPPER ~ HOPPER TRINITY BOX
CUNEIFORM 240 (Barcode: 045775024028) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2007
2nd album by Hugh HopperFind albums by this artist (and the first release after he left Soft MachineFind albums by this artist), released originally on the tiny Norwegian Compendium label (same label that originally released Henry CowFind albums by this artist’s ConcertsFind albums with this title and other weird but wonderful music). Musically the album belongs very strongly to the Soft Machine experimental Jazz-Rock of the ThirdFind albums by this artist, FourthFind albums with this title, FiveFind albums with this title & SixFind albums by this artist period (when Hopper was still a member of the group). Hopper enlisted eight great musicians (Mark CharigFind albums by this artist, Elton DeanFind albums by this artist, Dave StewartFind albums by this artist, Gary WindoFind albums by this artist and others), all members of the flourishing Canterbury scene and UK Jazz circles (members in groups like Brotherhood Of BreathFind albums by this artist, GilgameshFind albums by this artist, Hatfield And The NorthFind albums by this artist, IsotopeFind albums by this artist, Keith TippettFind albums by this artist Sextet, etc), who make up the duos, trios, quartets and quintets that play on this album. He wrote all the music, except one track, which was composed by Ornette ColemanFind albums by this artist. This album is considered Hopper’s most consistent release ever and sounds as fresh today as when it was first recorded. For all Canterbury scene and SM fans this is an absolute must and it’s a great joy to see this album available again. Brilliant stuff!
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  | HUGH HOPPER ~ JAZZLOOPS / THE STOLEN HOUR
EXPLORE RIGHTS MANAGEMENT 029 (Barcode: 5060105499616) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2001 - 2004 Released: 2023
This is a reissue / remaster of two albums by the iconic British Jazz / Fusion / Prog / Avant-Garde bassist / multi-instrumentalist / composer Hugh HopperFind albums by this artist. Recorded between 2001 and 2004 the albums present collaborations with many invited musicians, like saxophonists Elton DeanFind albums by this artist, Didier MalherbeFind albums by this artist and Simon PicardFind albums by this artist, vocalist / pianist Robert WyattFind albums by this artist, drummers Pip PyleFind albums by this artist, John MarshallFind albums by this artist and many other musicians. “JazzloopsFind albums with this title” presents eleven tracks and “The Stolen HourFind albums with this title” twelve tracks, all originals by Hopper.
The music is mostly Free-Jazz / Improvised Music oriented, but based on steady hypnotic loops and monotonic rhythms, and kept in an Ambient / Industrial mood, creating a highly unusual atmosphere and a drone-like feel. The contrast between the saxophone improvisations and the rhythmic background offer a magic effect, which takes a while to get into, but keeps the listener in constant state of sonic intoxication.
Hopper, who was the omnipresent hero of the Canterbury scene and played in dozens different groups, like Soft MachineFind albums by this artist, IsotopeFind albums by this artist, GilgameshFind albums by this artist, Soft HeapFind albums by this artist and many others and recorded a long list of legendary albums, was also an avid Jazz musician and played with the best British Jazz musicians over the years.
His later years (he died in 2009) were dedicated to recording many projects with different musicians, which were mostly only released posthumously. His collected recorded legacy is truly monumental and he deserves to be remembered as one of the key figures of the British Rock and Jazz Avant-Garde.
Overall, this is a most welcome reissue album, which brings back to life two important albums by Hopper, which were all but gone from the market and deserve to be heard by the young generation of listeners, who most probably never heard of their existence. Warmly recommended for lovers of nontrivial challenging music.
| | Updated: 21/04/2023Posted: 21/04/2023 | CD 2 Remastered Recommend To A Friend |
  | HUGH HOPPER ~ NUMERO D`VOL
MOONJUNE 014 (Barcode: 692287901424) ~ UK ~ Canterbury Scene
Recorded: 2007 Released: 2007
Legendary ex-Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist is definitely one of the most prolific and restless alumni of that band and his output over the year is nothing but extraordinary. Floating between Improvised Music / Free Jazz, modern Jazz and even Fusion, his dedication to move forward and explore uncharted territory is truly admirable. This new project takes Hopper into a completely new area, which combines Free Improvisation with ambient textures and steady upbeat, creating quite a fascinating and original musical experience. Although the music is completely improvised, it sounds as if pre-composed and more often than not even melodic. Hopper´s partners are saxophonist Simon PicardFind albums by this artist (member of the excellent Canterbury ensemble In CahootsFind albums by this artist led by guitarist Phil MillerFind albums by this artist), keyboardist Steve FranklinFind albums by this artist and drummer Charles HaywardFind albums by this artist. Together they create some extraordinary musical vistas, full of imagination, beauty and inspiration, which yet again prove that music has no boundaries and new possibilities are still out there. Hopper´s many fans need no encouragement to try this out, but I´d recommend this stuff to every Canterbury / Jazz fan, as it definitely covers some uncharted music ground, which is accessible to most music lovers. Fascinating!
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  | HUGH HOPPER / BAND ~ ALIVE
BLUEPRINT 150 (Barcode: 604388103225) ~ UK ~ Canterbury Scene
Recorded: 1985 - 1987
Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist has been quite busy recording with many different musicians and groups besides the SM activities. These live recordings present the Canterbury legend leading a Big Band of Dutch musicians, with whom he toured in that period. This is similar to the late 70`s SM stuff, very jazzy (but not as free as SM) with some basic rock elements showing up beneeth the surface.
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  | ISOTOPE ~ GOLDEN SECTION
CUNEIFORM 273 (Barcode: 045775027326) ~ UK ~ Jazz-Rock Fusion
Recorded: 1974 - 1975 Released: 2008
Relatively little known and surely deserving more recognition, the British Jazz-Rock Fusion band IsotopeFind albums by this artist, led by guitarist Gary BoyleFind albums by this artist, recorded just 3 albums between 1974 and 1976, and these were soon out of general circulation. The only live recordings by the band available so far were the BBC sessions on HuxFind albums on this label Records, and therefore this collection of live material is a most welcome addition to the band´s recorded legacy. Recorded between 1974 and 1975, the material captures the second incarnation of the band, which included Boyle on guitar, Laurence ScottFind albums by this artist on keyboards, ex-Soft MachineFind albums by this artist bassist / composer Hugh HopperFind albums by this artist and drummer Nigel MorrisFind albums by this artist. Percussionist Aureo de SouzaFind albums by this artist was also a member of the band for several months, and the full quintet appears here for the first time on record. The three dates include a Radio Bremen performance (the Radio Bremen is a superb source of material for 1970s British music, second only to the BBC), the only US tour Isotope made in 1975 and an earlier UK recording from 1974. The music includes some of the material recorded on the 2nd Isotope album "IllusionFind albums with this title" and other pieces previously unheard, composed mostly by Boyle and Hopper. For Isotope fans this is an absolute delight, but any fun of the 1970s British Jazz-Rock scene will find this material indispensible.
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  | ISOTOPE ~ ILLUSION
ESOTERIC 2273 (Barcode: 5013929737327) ~ UK ~ Jazz-Rock Fusion
Recorded: 1974 Released: 2011
After playing with Brian AugerFind albums by this artist, Stomu Yamash`taFind albums by this artist and many leading Jazz ensembles, guitarist / composer Gary BoyleFind albums by this artist, one of the most innovative and technically brilliant players on the British scene, eventually founded his own quartet, called IsotopeFind albums by this artist. In retrospect, Isotope was one of the finest early British Jazz-Rock ensembles, which played ambitious music and included some of the best players on the scene at the time. But as usual, playing fine music made it difficult to keep the group going for a long time, so after recording three excellent albums and sticking together for a few years, Isotope disappeared into oblivion. This was their 2nd album and the quartet included keyboardist Laurence ScottFind albums by this artist, great bassist Hugh HopperFind albums by this artist (Soft MachineFind albums by this artist) and drummer Nigel MorrisFind albums by this artist (Hopper and Morris played with Boyle in Yamash`ta’s group). The music is brilliant from start to finish, slightly resembling Mahavishnu OrchestraFind albums by this artist, but of course completely original. This is an absolute must to all early British Jazz-Rock connoisseurs!
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  | KARL JENKINS ~ PENUMBRA II
JAZZ IN BRITAIN 41 (Barcode: 5060774190432) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2022
The great abundance of creativity and recording activity, which blessed the British Jazz scene during the Golden Decade (1965-1975), created, among many other cultural marvels, also the “silent hero” phenomenon, which in case of the great multi-instrumentalist / composer Karl JenkinsFind albums by this artist, is a classic embodiment of that concept. Although firmly present at the epicenter of the music-making turmoil at the time, from Graham CollierFind albums by this artist, via Neil ArdleyFind albums by this artist, NucleusFind albums by this artist, and most prominently Soft MachineFind albums by this artist, Jenkins’ name would hardly be the primary association for most people thinking about the music of that period, despite his enormous contributions – the fate of a “silent hero”. I have faithfully followed his continuous activity over the decades, which shifted primarily into the Classical Music idiom, which included grand pieces like “RequiemFind albums with this title” or intimate beauties like the latest “PianoFind albums with this title”, always with great satisfaction and pleasure.
This wonderful archival release brings us a three-part suite, composed by Jenkins and recorded live in 1971 with a dreamy ensemble, which includes the crème de la crème of the British Jazz-Rock musicians at the time: Jenkins on piano with trumpeter Ian CarrFind albums by this artist, saxophonists Brian SmithFind albums by this artist, Ray WarleighFind albums by this artist and Alan SkidmoreFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, pianist Dave MacRaeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist, drummer John MarshallFind albums by this artist and percussionist Frank RicottiFind albums by this artist, arguably the best ensemble ever put together at that time.
Although relatively short, running just under half an hour, the music is an absolute classic example of what was being created at the time, and as such somewhat similar, at least spiritually and aurally, to many other recordings of the period. The composition is based on a steady riff, which develops slowly and offers splendid opportunity to all the instrumentalists to create hair-raising solo parts. The sound quality is perfect, which makes the music to be audible in great detail.
Overall, this is a superb musical time capsule, brought to us courtesy of the people behind the Jazz In BritainFind albums on this label label, who work tirelessly to unearth the great treasures of the British Jazz, making us, the followers and enthusiasts, ecstatically happy. It is also a much deserved “thank you” note to the contributions bestowed on us by this wonderful musician.
| | Updated: 30/11/2022Posted: 30/11/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | MATCHING MOLE ~ LITTLE RED RECORD (EXPANDED EDITION)
ESOTERIC 2312 (Barcode: 5013929431249) ~ UK ~ Canterbury Scene
Recorded: 1972 Released: 2012
This is the 2nd and last album by Matching MoleFind albums by this artist, the seminal Canterbury ensemble formed by drummer Robert WyattFind albums by this artist, after he left Soft MachineFind albums by this artist. Although Wyatt was determined to start a solo career following his split with Soft Machine, Matching Mole was born and kept going for about a year, recording two legendary studio albums. Live performances and BBC radio recordings gave birth, decades later, to three albums, which consist of material from these sources and now the expanded editions of the two studio albums give us another two new CDs of Matching Mole material, all together 7 CDs worth of superb Canterbury stuff at its best. The lineup, which recorded this music, consisted of Wyatt, keyboardist Dave MacRaeFind albums by this artist, guitarist Phil MillerFind albums by this artist and bassist Bill MacCormickFind albums by this artist. MacRae contributed or co-contributed most of the music on this album, with Wyatt taking charge of occasional vocal parts and lyrics. The music lost absolutely nothing of its freshness and the wonderful weirdness, which characterizes most of Canterbury output. Of course the genre would fully blossom only shortly after Matching Mole would be no more and its members would form such legendary groups like Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist. This is music straight from heaven, for listeners inclined towards the more sophisticated end of the spectrum, combining complex improvisation and quirky rhythmic patterns, which have no parallel anywhere. Of course this kind of music should be kept alive at all costs and this new edition does the job just fine, with a crisp new remaster and plenty of previously unheard stuff to make every fan green from ear to ear. Essential stuff for body and soul!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATCHING MOLE ~ MATCHING MOLE (EXPANDED EDITION)
ESOTERIC 2311 (Barcode: 5013929431140) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1972 Released: 2012
This is the eponymous debut album by British Canterbury / Prog / Jazz-Rock ensemble Matching MoleFind albums by this artist, formed in 1971 by drummer / vocalist Robert WyattFind albums by this artist, after being kicked out from Soft MachineFind albums by this artist due to "artistic differences" between him and the other Soft Machine members, mainly as to the shift of the group´s music towards Free Jazz / Improvised Music. In retrospect it turned out that fate was about to play a trick with Wyatt´s ideas, as Matching Mole was about to embark on an almost identical path as Soft Machine. Of course, again in retrospect, the listeners got to enjoy the music of two superb groups instead on one. The name Matching Mole was a pun on the French for of Soft Machine – "machine molle". Wyatt was joined by brilliant Canterbury keyboardist David SinclairFind albums by this artist, who about the same time left the legendary CaravanFind albums by this artist, guitarist Phil MillerFind albums by this artist (ex-DeliveryFind albums by this artist) and bassist Bill MacCormickFind albums by this artist. The group jammed in Wyatt´s garage for a few weeks and by the end of 1971 was already recording this debut album. Ridden by technical problems the recording took much longer than expected and the album was finally released in April 1972. A second keyboards player, Dave MacRaeFind albums by this artist, took part as a guest in the recording sessions, and by the time the album was released he formally replaced Sinclair, who decided to move on to other things. Wyatt wrote most of the music on this album, which also features his wonderfully eccentric vocals. Stylistically the music is all over the musical landscape of the time, with ambient, Jazz and Jazz-Rock Fusion elements dominating the proceedings, but Wyatt´s classic ballad "O Caroline" is also included. This wonderful extended version sheds a lot of light as to the album´s recording sessions with a plethora of previously unreleased outtakes, as well as a couple of BBC recordings made at the time. Of course this is absolutely classic stuff, which should be part of the eternal music legacy as well as an essential part of every serious music collection. An absolute must!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATCHING MOLE ~ ON THE RADIO
HUX 083 (Barcode: 682970000831) ~ UK ~ Canterbury Scene
Recorded: 1972 Released: 2006
Although Matching MoleFind albums by this artist existed for barely a year, they are still considered one of the most important Canterbury scene bands and their musical legacy achieved legendary status over the years. Formed in late 1971 by Robert WyattFind albums by this artist, who left Soft MachineFind albums by this artist dissatisfied with the Free Jazz phase the band he founded was going through at the time, this new band was much closer stylistically to the Soft Machine Jazz-Rock period, which recorded ThirdFind albums with this title. The original lineup included (apart from Wyatt) the ex-CaravanFind albums by this artist keyboards wizard Dave SinclairFind albums by this artist, bassist Bill MacCormickFind albums by this artist and guitarist Phil MillerFind albums by this artist. Pianist Dave MacRaeFind albums by this artist joined later, playing alongside Sinclair and when Sinclair left he stayed on as the resident keyboards player. The band recorded two excellent albums: the self-titled debut Matching MoleFind albums with this title and Little Red RecordFind albums by this artist. Following the band’s split by the end of 1972, Wyatt started his solo career and Sinclair and Miller went on to form Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist, the two most significant Canterbury bands ever. The CuneiformFind albums on this label label released two albums with live Matching Mole material in the 2000s (Smoke SignalsFind albums with this title and MarchFind albums with this title), but their BBC sessions reminded unreleased until now. This is the first time that the BBC sessions, recorded between January and April of 1972, can be heard by the numerous fans of the band, myself included. Both the quintet and the later quartet versions of the band can be heard. The music is of course phenomenal and needs no further recommendation, something any Canterbury fan around the globe will surely agree with.
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  | STEVE MILLER / LOL COXHILL ~ MILLER/COXHILL COXHILL/MILLER / THE STORY SO FAR…OH REALLY?
CUNEIFORM 253/254 (Barcode: 045775025322) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1974 Released: 2007
This extraordinary reissue project brings back to life the recording legacy the cooperation between of two of the legendary figures of the UK Avant-Garde scene: pianist Steve MillerFind albums by this artist and saxophonist Lol CoxhillFind albums by this artist. It spans the years 1971 to 1974 and includes the two albums they recorded together as well as additional live material by the duo, solo pieces by Miller and the group DeliveryFind albums by this artist of which they were both members. Except for the Delivery recordings, which was the prototype of the Canterbury scene to develop later into groups like CaravanFind albums by this artist, Soft MachineFind albums by this artist, Hatfield And The NorthFind albums by this artist and many more, most of the material is very experimental and Avant-Garde, which would characterize the direction Coxhill was to pursue later on, when he became an integral collaborator to the UK Free Jazz scene. Additional musicians include such Canterbury scene icons as Steve’s brother Phil MillerFind albums by this artist (guitar), Richard SinclairFind albums by this artist (bass), Pip PyleFind albums by this artist (drums), Robert WyattFind albums by this artist (percussion) and others. This is by no means easy listening stuff, but those music lovers, who are ready to make the special effort and undertake the intellectual challenge to penetrate this complex mesh of creativity, are in for a treat. The wonderful balance between Steve’s structured chord sequences and Coxhill’s ventures into deep space creates a deeply rewarding listening experience. This reissue offers a wonderful glance at the most fascinating years of musical development of the UK scene and a historic document of high importance. Kudos to the CuneiformFind albums on this label label for their efforts to preserve this music for eternity. Grab it!
| | Updated: 12/04/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | MOVING GELATINE PLATES ~ REMOVING
MUSEA 4663 (Barcode: 3426300046635) ~ FRANCE ~ Progressive Rock
Recorded: 2006 Released: 2006
The excellent French Prog group Moving Gelatine PlatesFind albums by this artist recorded two albums in the early 1970s and a reunion album in 1980 (all 3 albums are included on the two reissue albums available on MuseaFind albums on this label) and then disappeared from the scene like most early groups. Almost 30 years later they reunited again and recorded this album, which of course created quite a buzz in the Prog community. Rather than trying to recreate their original style, the new album is quite different in most respects, except for the beautiful 1970s (retro) sound. In fact the albums sounds remarkably Canterbury, somewhere between Soft MachineFind albums by this artist and CaravanFind albums by this artist, and if I didn’t know the group I’d have been absolutely convinced that it is British. They also introduced some vocals (on 3 songs only) whereas previously their material was purely instrumental. The music is relaxed and very melodic, with strong jazzy undertones and plenty of great solos by the band members. All the music was composed by the group’s two founding members and is remarkably strong. In short this album should appeal to most Prog lovers, not only those who are familiar with the band’s original output.
| | | CD 1 Recommend To A Friend |
  | NUCLEUS ~ ELASTIC ROCK / WE`LL TALK ABOUT IT LATER
BGO 0047 (Barcode: 5017261200471) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 - 1971
1st and 2nd albums recorded 1970 / 1971 by the outstandig UK Jazz-Rock Fusion outfit NucleusFind albums by this artist, led by the trumpeter Ian CarrFind albums by this artist and featuring the best Jazz-Rock players in the country, many of which played later in bands such as Soft MachineFind albums by this artist a.m.o. Nucleus were of course pioneers of the genre and their contribution to the development of the genre is immense. This is an absolute must to all Jazz-Rock Fusion fans!
| | Updated: 28/07/2023Posted: | CD 2 Remastered Recommend To A Friend |
  | POLYSOFT ~ TRIBUTE TO SOFT MACHINE
TRITON 03506 (Barcode: 3426300163301) ~ FRANCE ~ Progressive Rock
Recorded: 2002 Released: 2002
This fabulous tribute to the music of Soft MachineFind albums by this artist was recorded live at the Parisian club `le triton` and features the French group PolySoftFind albums by this artist and former SM members Hugh HopperFind albums by this artist (bass) and Elton DeanFind albums by this artist (sax). The ensemble plays a selection on favorite SM tunes from all periods, with skill and imagination. Mostly very jazzy and improvised, but close in spirit to the originals. Highly recommended!
Visitors' Comments
Christopher Brice
I was put off this album for a long time, because "tributes" are usually pale imitations; but Polysoft have something new and valuable to say about these familiar pieces and of course HH & ED guarantee authenticity
| | | CD 1 Recommend To A Friend |
  | HOWARD RILEY ~ ANGLE / THE DAY WILL COME
HUX 141 (Barcode: 682970001418) ~ UK ~ Jazz
Recorded: 1968 - 1970 Released: 2014
This is a reissue of the second and third albums by British Jazz pianist / composer Howard RileyFind albums by this artist, both recorded in a trio format with bassist Barry GuyFind albums by this artist and drummer Alan JacksonFind albums by this artist. Saxophonist / flautist Barbara ThompsonFind albums by this artist plays on one track of the debut album, which presents eight original compositions, all by Riley. The second album presents twelve original compositions, six each by Riley and Guy. These two albums were originally released in 1969 and 1970 respectively, by CBSFind albums on this label (the European branch of ColumbiaFind albums on this label). This reissue is in fact a reissue of the 1999 remastered editions of these two albums, which disappeared from the market immediately following their release.
Together with these two albums, CBS, initially under the Realm Jazz moniker and later just as CBS, released also several albums by other British Jazz musicians such as the first two albums by drummer / composer Tony OxleyFind albums by this artist, the first three albums by guitarist Ray RussellFind albums by this artist and debut albums by vibraphonist Frank RicottiFind albums by this artist and saxophonist Elton DeanFind albums by this artist, as well as albums by groups like Rock WorkshopFind albums by this artist, Soft MachineFind albums by this artist and others. All these are exceptional examples of completely non commercial / highly artistic music released by a Major record label, a phenomenon which reflected the spirit of that particular era and lasted for a very brief period of time, sadly never to be repeated again
By the time this music was recorded, i.e. by the late 1960s, British Jazz underwent a dramatic transformation, a quantum leap no less, from imitation to innovation. After copying the American Jazz tradition for decades, the post WWII generation rebelled and rapidly found its own methods of expression, embracing such diverse influences as contemporary European Classical music, World-Music and Rock and amalgamating them into a new identity, which would become first modern British Jazz and soon after copied all over Europe, including even the countries behind the Iron Curtain, modern European Jazz. In the aftermath of these remarkable events British Jazz scene was encompassing a diverse rage of stylistic alternatives, from Jazz-Rock and Jazz-World Fusions, via modern mainstream to a whole range of alternative / Avant-Garde experimentation including Free Jazz and Improvised Music.
It takes just a brief moment into the first album to realize that Riley belongs to the Avant-Garde oriented group of British musicians, who value freedom of expression and individuality more than convention and acceptance. Even on these two early albums he is already well advanced in his experimentation, keeping melody only as an entry point to his music, which is entirely based on the dialogue (or in this case trialogue) and collective improvisation, rather than on following the chord progressions of standards and keeping regular time signatures. Guy, who was just over twenty years old when this music was recorded, proves to be an ideal partner, a born adventurer and complete nonconformist. His bass playing on these two albums is an encyclopedic textbook of improvised music moves for fellow bassists, developed completely spontaneously and subconsciously. But it is Jackson, who is the biggest surprise on these albums, considering his almost entirely conventional background before these sessions as one of Britain´s most sought after modern mainstream drummers. His wonderful integration with Riley and Guy here is simply sensational and a superb proof of his open-mindedness and musicality.
In the years that followed these sessions Riley would record many more wonderful albums in many different settings, but these two albums would always symbolize his individuality and prophetic vision. The early signs of his exceptional abilities, which were about to push the boundaries of music and contribute to its development, influencing generations of players, are clearly evident herein, turning these albums into instant classics.
The most startling realization one is faced with, while listening to these two albums, is the fact that not only the music did not age or lost any of its relevance, but it still is right there on the forefront of the musical Art Form, exactly where it was almost fifty years ago. These iconic recordings have earned their position in the Pantheon of British Jazz right from the moment they were recorded, and their unavailability during most of the time that passed since was a crime against culture, somewhat repented by this current reissue.
| | Updated: 12/04/2019Posted: | CD 2 Remastered Essential Recommend To A Friend |
  | HOWARD RILEY / ELTON DEAN ~ ONE TO ONE
SLAM 234 (Barcode: 5028386023425) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1993 - 1999 Released: 1999
This is an album by the British Jazz duo of pianist / composer Howard RileyFind albums by this artist and saxophonist / composer Elton DeanFind albums by this artist, one of several recordings the two great musicians made together. The album presents eight tracks, all recorded live, which originate from two performances captured six years apart. Five of the tracks are co-credited to the two musicians, two are their interpretations of music composed by other Jazz greats and one is their take on a standard.
The music is very intensive, partly based on melodic themes but largely improvised, with was the usual modus operandi of this duo, when working together. Both musicians cooperated for many years and offers a very tight rapport, which is beautifully portrayed herein.
Dean, who is mostly known for his work as a member of Soft MachineFind albums by this artist and other Canterbury scene ensembles, was in parallel involved with the Improvised Music / Free Jazz scene, which naturally is significantly less popular and widely known. His death in 2006 robbed the British Jazz scene not only of one of its greatest musicians, but also a kind and much loved human being.
Overall, this album is an important document of the British Free Jazz / Improvised Music scene in the 1990s, with a superb “Art of the Duo” performances by two brilliant musicians, who took no prisoners in their total approach to the music, and stayed faithful to their aesthetics, disregarding the musical fads and fashions, which came and went over the years.
| | Updated: 16/04/2023Posted: 16/04/2023 | CD 1 Recommend To A Friend |
  | SETNA ~ CYCLE I
SOLEIL ZEUHL 17 (Barcode: 3426300096050) ~ FRANCE ~ Progressive Rock
Recorded: 2007 Released: 2008
French sextet SetnaFind albums by this artist, led by drummer Nicolas CandéFind albums by this artist, who also composes all the music, is one of the most interesting new ensembles on the local scene. After a couple of years of buzz and anticipation, their debut album is finally here and it was well worth waiting for. Fronted by a superb female singer Natacha JouëtFind albums by this artist, they deliver some great music here, which combines Prog, Jazz, Ambient and slight Zeuhl influences, creating a magic atmosphere. The music is basically a long suite, divided into parts, but meant to be a continuous piece of music. Two keyboards players (one playing moog and both playing the Fender Rhodes – one of my favorite instruments with a immediately distinguishable tone), soprano saxophonist and a bass player complete the lineup, but they also employ four guest musicians on some of the tracks. The closest musical association would be Soft MachineFind albums by this artist (at their best) with female vocals. This is definitely one of the best debut albums I’ve heard recently and one can only hope they will continue whatever was started here with future surprises. There is something here for every lover of good music so I’m not confining my recommendation to any specific genre, just grab it and enjoy! A great addition to the splendid Soleil ZeuhlFind albums on this label catalog as well as any decent record collection.
| | | CD 1 Digipak Recommend To A Friend |
  | SLINA ~ 42’00”
GUSSTAFF 2107 ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2020 Released: 2021
This is the second album by Polish Improvised Music quartet SlinaFind albums by this artist, which comprises of saxophonist Matylda GerberFind albums by this artist, guitarist Filip ZakrzewskiFind albums by this artist, bassist Mikolaj NowickiFind albums by this artist and drummer Stanislaw OlekFind albums by this artist. Synthesizer player Michal SkrzypczynskiFind albums by this artist appears as guest. This time the album presents three tracks, which remain uncredited and therefore assumed to be co-composed by the participating musicians.
The music continues the concept introduced on the quartet’s debut from 2019, which offers a slowly developing musical continuity, building up towards a climax, which sounds like meditation music and requires complete submission and concentration in order to listen to all the detailed performances or alternatively simply ignoring the details and flowing passively on the sonic waves.
Since the musical concept and overall aesthetics of the music are no longer surprising, it does not stir the same sensation the debut managed to create, but on the other hand the conceptual consistency and the attempt to expand it should be appreciated.
The Rock undercurrents, created by the electric guitar, are now even more potent with the addition of the synthesizers, and the music brings fond memories of the British Prog ensembles of the late 60s / early 70s like Third Ear BandFind albums by this artist, early Soft MachineFind albums by this artist, ComusFind albums by this artist, Incredible String BandFind albums by this artist and others, which of course emphasizes the “nihil novi sub sole” principle, for those who know their music in depth. Nevertheless, this is still very exciting (despite its intrinsic sluggishness) music, different from most other stuff within the Polish Avant-Garde scene.
Although the slogan of GusstaffFind albums on this label Records, the label that released this album, is “unnecessary music” (no pun intended), this music certainly is quite necessary in every sense and definitely worth being heard,
| | Updated: 22/05/2021Posted: 22/05/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT HEAP ~ SOFT HEAP
ESOTERIC 2131 (Barcode: 5013929723122) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 2009
Only album by the great band Soft HeapFind albums by this artist, a short-lived Canterbury super-group where members of Soft MachineFind albums by this artist (Hugh HopperFind albums by this artist – bass and Elton DeanFind albums by this artist – sax) met with pianist Alan GowenFind albums by this artist (GilgameshFind albums by this artist, National HealthFind albums by this artist) and drummer Pip PyleFind albums by this artist (GongFind albums by this artist, Hatfield And The NorthFind albums by this artist). They managed to record just this one (eponymous) studio album and disbanded shortly afterwards, with each musician pursuing their own path. The band had all the qualities that make the Canterbury scene so special; superb musicianship, great compositions and a free spirit atmosphere with a dash of typical British humor. For specialists – the band´s name (second word) is an acronym of the band members´ first names. Considering the fact that Gowen, Dean, Pyle and Hopper are no longer with us (they passed away in 1981, 2006, 2006 and 2009 respectively) this is a tremendously important document of an era, which unfortunately is long time gone. A must for any Canterbury fan!
| | | CD 1 Remastered Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE & WELL: RECORDED IN PARIS (EXPANDED EDITION)
ESOTERIC 2234 (Barcode: 5013929733428) ~ UK ~ Canterbury Scene
Recorded: 1977 Released: 2010
By 1974 the legendary Soft MachineFind albums by this artist switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end (for the time being).
But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock.
This, the group´s 1st formal live album, was the third of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, violinist Rick SandersFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Steve CookFind albums by this artist and drummer John MarshallFind albums by this artist. It was recorded live at the Parisian "Theatre Le Palace, Monmartre". The music includes material from the two previous Harvest albums, as well as previously unrecorded tunes. There is plenty of improvisation by the players, but it´s much more settled and well organized.
Overall, in retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans. This expanded edition includes a whole second CD of previously unreleased material recorded at the same concert dates.
| | Updated: 06/07/2024Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE IN PARIS 1970
VOICEPRINT 045 (Barcode: 604388704200) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2008
Although the early period of the legendary Canterbury band Soft MachineFind albums by this artist is relatively well documented on record, especially in the last decade when many live recordings of the band have been unearthed, cleaned up and released, video material was so far almost completely nonexistent. Therefore if there is a Holy Grail of Canterbury scene, and of course of Soft Machine, this is it! This footage, filmed by French TV at the Theatre de la Musique is not only a stellar visual experience but also a great sonic document due to the theatre´s superb acoustic. The band is at their most creative peak of course and what´s more the quintet lineup here, including Lyn DobsonFind albums by this artist on saxes and flute, existed for a mere few months and is almost undocumented on record. Elton DeanFind albums by this artist, Mike RatledgeFind albums by this artist, Hugh HopperFind albums by this artist and Robert WyattFind albums by this artist are the band´s backbone and of course everybody plays their hearts out in glorious harmony and high-spirited atmosphere. I don´t need to emphasize how great and groundbreaking this music is (as I have done repeatedly so many times already), so let´s just say that this is an essential piece of music history, which deserves a place in any serious music collection.
| | | DVD 1 Essential Recommend To A Friend |
  | SOFT MACHINE ~ BREDA REACTOR
VOICEPRINT 345 (Barcode: 604388318520) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2004
Recorded live in Holland (Breda), this album documents the brief period in the history of this legendary band Soft MachineFind albums by this artist (lasting only for about 3 months) when it included as a fifth member (in addition to the core members) the talented multi-instrumentalist Lyn DobsonFind albums by this artist. This marks a more jazzy sound then ever before, with both Dobson and Elton DeanFind albums by this artist exploring long and comples saxophone solos. The sound quality is surprisingly clear (as opposed to many other SM live recordings) and this is a most important document of the era.
| | | CD 2 Remastered Recommend To A Friend |
  | SOFT MACHINE ~ BUNDLES
ESOTERIC 2196 (Barcode: 5013929729629) ~ UK ~ Canterbury Scene
Recorded: 1974 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the first of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, keyboardist Mike RatledgeFind albums by this artist, guitarist Allan HoldsworthFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. Saxophonist Ray WarleighFind albums by this artist helps out on one tune. The music is quite different from anything the band recorded previously, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. Holdsworth delivers some of his best playing to date but the overall level of musicianship is astounding. In retrospect this is still one of the best British Jazz-Rock albums and a magnificent piece of music history. An absolute must!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ DROP
MOONJUNE 023 (Barcode: 692287902322) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2008
Australian-born drummer Phil HowardFind albums by this artist stayed with Soft MachineFind albums by this artist just for five months, but his influence on the group´s transition into free improvisation music was tremendous. He recorded just one side of an LP with the group (the first side of "FifthFind albums with this title") and played quite a few gigs in UK and Europe with the band, which included also saxophonist Elton DeanFind albums by this artist (who brought Howard into Soft Machine as a replacement for the departing Robert WyattFind albums by this artist), keyboardist Mike RatledgeFind albums by this artist and bassist Hugh HopperFind albums by this artist. The European gigs included the legendary appearance at the most prestigious European Jazz Festival at the time, the Donaueschingen Musiktage, organized by Joachim BerendtFind albums by this artist.
Howard brought into the quartet a ferocious "wall of sound" technique, which drove the quartet to unprecedented peaks of improvised music, only roughly based on themes stated at the start of every tune, very much in the same pattern as all free jazz, which flourished at the time, following the pioneering explorations of John ColtraneFind albums by this artist, Eric DolphyFind albums by this artist and many others. Alas Howard´s days in the band were numbered, as the band was waiting for his replacement, John MarshallFind albums by this artist, to finish his previous engagement with Jack BruceFind albums by this artist. Sadly, following his departure from Soft Machine, very little was heard from this immensely talented drummer, which is a great pity. He can be heard on the Elton Dean´s debut solo album "Just UsFind albums with this title" (a must if you don´t have it yet!).
The music included here, all captured live during Soft Machine German tour, which followed the festival appearance, is a premiere example of their immense quality at that time, delivering some of European Jazz mightiest moments, definitely something that can be enjoyed not only by the dedicated fan base, but also by every Modern Jazz lover the world over. This is s brilliant document, which deserves slow and careful digestion with saliva drooling from one´s mouth, sure more than once. God bless the invention of a sound recorder!
| | Updated: 01/02/2016Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | SOFT MACHINE ~ FACELIFT
VOICEPRINT 233 (Barcode: 604388306725) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2002
Any previously unreleased material by the seminal British band Soft MachineFind albums by this artist is always a great source of joy to the band´s many fans all over the world, even if similar material exists on other studio and live recordings. By the time this live recording was made, the band, which comprised of saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist, made a dramatic transition from their initial psychedelic period into Jazz-Rock Fusion, with often bordered on Free Jazz. This recording, from April 1970, was made just prior to the band entering the studio to record their masterpiece "ThirdFind albums with this title" and following their six-night residency at the prestigious Ronnie Scott´s club in London. They were at one of their musical peeks, having played the material included on this album for quite some time, which of course allowed them to stretch out and take risks, as well as re-invent the music at a greater rate of freedom that is usually possible with new pieces. This explains why several of the pieces are expanded to last well over 10 minutes and one even over 20 minutes. Most of the music was composed by Ratledge, with Hopper contributing a few of his own pieces and one piece by Wyatt. There is no doubt that this was a very special night, as the level of interplay and inspiration is truly extraordinary, with some of the most adventurous improvisations ever achieved by these illustrious musicians. While playing this music, the band was literally changing the shape of music as known up to that point, clearly pointing towards uncharted territory. Definitely one of the great moments of early British Jazz, not be missed by anybody interested in Soft Machine or the period´s music. This album is often criticized for its poor sound quality; indeed it suffers from the primitive recording source, but honestly I think that every minute of this music is worth more that almost anything else recorded at the time, so poor sound quality or not, this is a treasure!
| | | CD 2 Recommend To A Friend |
  | SOFT MACHINE ~ FIFTH (EXPANDED EDITION)
SONY BMG 687290 (Barcode: 828768729021) ~ UK ~ Canterbury Scene
Recorded: 1971 - 1972 Released: 2007
5th album, which is also the first Soft MachineFind albums by this artist recording following Robert WyattFind albums by this artist’s departure from the group. Elton DeanFind albums by this artist enlisted the Australian drummer Phil HowardFind albums by this artist as Wyatt’s replacement. Howard played on Dean’s first album (Just UsFind albums with this title) recorded just a few month earlier and seemed a natural choice. However, after playing with the band for a few months in 1971 and then recording about half of the tracks on this album, the rest of the group felt that Howard’s free style didn’t feel completely right with their Jazz-Rock explorations and decided to look for a replacement. Fortunately they were able to enlist the absolutely best Jazz-Rock drummer on the UK scene at the time, John MarshallFind albums by this artist, who was a member of the fabulous Ian CarrFind albums by this artist’s NucleusFind albums by this artist. Marshall brought to the band not only his amazing technique, but also more importantly his inventiveness and stability, which would serve as the perfect basis for the other members’ improvisations. The band completed the rest of the tracks on this album with Marshall at the drum chair. No horn-section was employed on this album, but the double bass player Roy BabingtonFind albums by this artist was used again to strengthen the rhythm section and allow more freedom and space for Hopper’s explorations. The album includes shorter pieces (in contrast to the LP’s sidelong tracks of ThirdFind albums with this title and FourthFind albums by this artist), creating a much more concise and focused musical opus, surely one of the best SM ever recorded. Listening to this album today will perhaps restore for some listeners the full glory it deserves, which was often overlooked by critics and fans alike, which usually prefer the Third album. This beautiful new remaster improves the original sound tremendously and the bonus track (alas only one) is a gem. Absolutely essential!
| | | CD 1 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | SOFT MACHINE ~ FLOATING WORLD LIVE
MOONJUNE 007 (Barcode: 692287900724) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 2006
Live recordings by the legendary Canterbury band Soft MachineFind albums by this artist have been popping out in recent years on a regular basis, but all of these concentrate on the early days around the period between (and before) the first album and up to about 1973. Therefore this live album is especially interesting, as it dates from 1975, when the band went through a radical change with a new lineup, adding the extraordinary powers of guitarist Allan HoldsworthFind albums by this artist. The band, which also included Karl JenkinsFind albums by this artist on oboe, sax and keyboards, Mike RatledgeFind albums by this artist on keyboards, Roy BabbingtonFind albums by this artist on bass and John MarshallFind albums by this artist on drums, abandoned the material recorded on previous albums and concentrated on entirely new material, written mostly by Jenkins and Ratledge, which was about to be released on the "BundlesFind albums with this title" album. The source of the recording is the endless archive of Radio Bremen, which of course ensures superb sonic quality. Soft Machine enthusiasts need no encouragement to grab this album with sweaty hands, expecting the best, and sure enough it delivers in full. The performances are stellar, the music enchanting and although less revolutionary and Avant-Garde then the earlier period, nevertheless it is still some of the best stuff played in the 1970s, with distinct Fusion overtones and masterly touches by the musicians. The album includes extensive liner notes, where the band members reminiscence about the period and circumstances of the recording – a great read and together with the music what a piece of music history!
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ FOURTH (REMASTERED)
SONY BMG 687291 (Barcode: 828768729120) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
4th album, which finds Soft MachineFind albums by this artist back in the quartet format with Elton DeanFind albums by this artist as the new permanent member. Following the direction set on the previous album, SM moved even further away from their original psychedelic direction into experimental Jazz-Rock, which was groundbreaking and innovative to the extreme and aeons ahead of its time. In similar fashion to the previous album, the band used a horn-section to utilize a much more powerful sound and limitless sonic possibilities, which included the creme de la creme of (then) contemporary and burgeoning young UK jazz scene, including Roy BabingtonFind albums by this artist – acoustic bass, Nick EvansFind albums by this artist – trombone, Mark CharigFind albums by this artist – cornet, Jimmy HastingsFind albums by this artist – saxes and Alan SkidmoreFind albums by this artist – saxes. This expanded ensemble recorded one of the most beautiful and most sophisticated albums of the era, which is completely timeless and inspiring to this very day. This new direction created some tension (to put it mildly) between the jazz oriented trio and the band’s original drummer Robert WyattFind albums by this artist, which led to Wyatt’s departure from the band by mid-1971 (to start Matching MoleFind albums by this artist), before the next album would be recorded. Therefore this was to be the last SM album to feature his extraordinary drumming skills. This beautiful new remaster finally (for the first time ever) gets rid of the muddy and hollow sound from which this album suffered badly, obscuring much of the music it contained. Absolutely essential!
Visitors' Comments
Christopher Brice
It´s great to hear this properly at last - I have been listening to it over and over again since I broke the seal last night!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ FOURTH / FIFTH
COLUMBIA 493341 ~ UK ~ Canterbury Scene
4th & 5th albums (recorded 1971 & 1972) by this legendary band, which shaped the future of music by transforming from a psychedelic pop to Jazz Rock Fusion and Free Jazz in a matter of just a few short years. Fourth was the last album to feature the founding drummer Robert Wyatt, who was replaced by Phil Howard (a free jazz player) on the next album. The music is vibrant and exciting, flowing freely between composed themes and almost free improvisations, with all band members contributing extended brilliant solos. The emphasis is however on `group improvisation`, which makes the entire band to play in a thelepatic unison, similar to the atmosphere of Miles Davis group on `Bitches Brew`. Absolutely essential!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ GRIDES
CUNEIFORM 230/231 (Barcode: 045775023021) ~ UK ~ Canterbury Scene
Recorded: 1970 - 1971 Released: 2006
The Soft MachineFind albums by this artist archives keep offering new treasures on a pretty regular basis, taking the fans by surprise time after time. This album offers a live recording in Amsterdam from October 1970 (with the classic lineup Elton DeanFind albums by this artist, Hugh HopperFind albums by this artist, Mike RatledgeFind albums by this artist and Robert WyattFind albums by this artist), shortly after the release of ThirdFind albums with this title. The material includes some of the material from Third and early versions of material from the forthcoming FourthFind albums with this title. As usual with SM, although we all heard these tunes before, they do play them quite dramatically differently each time, so there is no fear of redundancy. In addition, this time the sound quality is truly great. As if the newly discovered materiel was no enough, this release also includes a 20 minutes DVD filmed in 1971 by Radio Bremen (at the same day when the VirtuallyFind albums with this title album material was recorded, but a different set). This is the first ever SM DVD material, which of course should make all the SM fans ecstatic. Essential to all SM fans and Canterbury aficionados!
| | | CD+DVD 2 Recommend To A Friend |
  | SOFT MACHINE ~ HIDDEN DETAILS
MOONJUNE 093 (Barcode: 692287909321) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2018
This is the 11th studio album by the iconic British group Soft MachineFind albums by this artist, recorded after a thirty-seven years’ gap since their previous studio album “Land Of CockayneFind albums with this title” from 1981. It is also their first album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents thirteen tracks, including new interpretations of older SM pieces, all composed by the group’s members. The album was recorded at the Temple Studio owned by the lamented Jon HisemanFind albums by this artist, and engineered by him.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. This is a first rate new material, every bit as satisfying as everything the group recorded in the past, different but familiar, exactly what the many fans of the group love to hear.
| | Updated: 30/06/2024Posted: 30/06/2024 | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ JET PROPELLED
SPALAX 14816 ~ UK ~ Canterbury Scene
Recorded in 1967, this is in fact the 1st SM album, although it was not released at that time and therefore the official `SM One` was released only a year later. These historic sessions with Wayatt / Allen / Ratledge / Ayers are the only document of this version of SM and are full of great material, which later was developed by SM as well as Gong. For fans of SM this is an absolute must!
| | | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ LAND OF COCKAYNE
ESOTERIC 2208 (Barcode: 5013929730847) ~ UK ~ Canterbury Scene
Recorded: 1980 Released: 2010
This is the 4th Soft MachineFind albums by this artist album released on the HarvestFind albums on this label label and the last ever record released by the band, bringing an end on a magnificent career, which spanned two and a half decades and resulted in some of the most important music ever recorded. But the truth behind the album is quite different from what appears on the album´s cover – the fact is that Soft Machine did not exist for some time when this album was released and this is a solo project of the last leader of the band, composer / keyboardist Karl JenkinsFind albums by this artist. The decision to release the album under the band´s name is somewhat dubious. Nevertheless the connection to Soft Machine is pretty obvious, as this album features several of its ex-members and co-members: guitarist Allan HoldsworthFind albums by this artist, drummer John MarshallFind albums by this artist and saxophonist Ray WarleighFind albums by this artist. Jenkins added several other outstanding musicians to Soft Machine core: bassist Jack BruceFind albums by this artist, saxophonist Dick MorrisseyFind albums by this artist, guitarist Alan ParkerFind albums by this artist and pianist John TaylorFind albums by this artist. The music floats somewhere between Jazz and ambient music, with strong ties to contemporary Classical, emphasized by the string arrangements, and some World Music influences. It is a preview of the future work of Jenkins, who in the years to come established himself as one of British most distinguished contemporary composers. So is this a Soft Machine album? Who cares, the important fact remains that this is still great music, which holds water 30 years after it was recorded. Obviously hard-core Soft Machine fans might find it not to their taste, but it is here to stay as part of the band´s legacy. Deal with it.
| | Updated: 10/03/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE BAKED POTATO
MOONJUNE 102 (Barcode: 692287910228) ~ UK ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020
This is the 2nd live album (original, not one of the myriad of archive / bootleg / etc. live releases in circulation) by the iconic British group Soft MachineFind albums by this artist, recorded after a forty-two years’ gap since their debut live album “Alive & Well: Recorded In ParisFind albums with this title” from 1978. It is also their first live album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents twelve tracks, which are mostly parallel to the tracks on the “Hidden DetailsFind albums with this title” studio album, recorded a year earlier, all originals by current or former SM members. As usual in such case, these live versions are somewhat more expanded and feature more improvisations and soloing, than the studio versions of the same tunes.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. The musicianship is absolutely first rate, proving that age is almost meaningless, as far as these brilliant performers are concerned.
| | Updated: 06/07/2024Posted: 06/07/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE HENIE ONSTAD ART CENTRE 1971
REEL RECORDINGS 014/015 (Barcode: 775020975323) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2009
This a live recording by the seminal UK band Soft MachineFind albums by this artist recorded in Norway at the very creative peak of the band´s outstanding career. Saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist perform two continuous, mostly improvised sets, each about 45 minutes long, which makes this particular album different from all the other Soft Machine live albums, where the band performs compositions previously recorded in the studio. In addition, the perfect sound quality of this recording, which was done professionally, is undoubtedly the best ever Soft Machine live recording sound captured on tape. In addition, this release is accompanied by a CD-ROM audio-visual documentary about the band and the circumstances of this recording, which is superbly done and highly educative. In short this is truly an outstanding musical document of great value, not only to the band´s fan base but to all enthusiast of British Jazz as well. A must and a feast to our ears!
| | | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | SOFT MACHINE ~ MIDDLE EARTH MASTERS
CUNEIFORM 235 (Barcode: 045775023526) ~ UK ~ Canterbury Scene
Recorded: 1967 - 1968 Released: 2006
Although the last decade witnessed an abundance of live Soft MachineFind albums by this artist releases, it is always welcome to discover yet another piece of the mysterious musical phenomenon that surrounded this band. Soon after the band was formed in 1966 and even before the first album was recorded they lost Daevid AllenFind albums by this artist and the remaining trio (Kevin AyersFind albums by this artist, Mike RatledgeFind albums by this artist and Robert WyattFind albums by this artist) carried on with their unique psychedelic sound and vision. The music contained on this album presents the band live at the legendary London’s Middle Earth club (the successor of the no less legendary UFO club). Two sessions, one from late 1967 and the other from early 1968, recorded by the experimental sound technician Bob WoolfordFind albums by this artist, remained completely forgotten for almost 40 years, to be recently unearthed by (or rather for) the owner of CuneiformFind albums on this label Records, who is a restless SM aficionado. Considering the sound quality of the original recording, some painstaking efforts have been made to restore this music to an audible quality and maintain the atmosphere of the original setting. The result is quite impressive and although the vocal parts are badly under-recorded the entire set has its magic, especially the sound of fuzz organ being pounded mercilessly during the extended instrumental improvisations. For the many SM fans, this is a unique document of the early days and a key factor in understanding the band’s development.
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ OTHER DOORS
MOONJUNE 130 (Barcode: 692287913021) ~ UK ~ Jazz-Rock Fusion
Recorded: 2022 Released: 2023
This is the 3rd album by the iconic British Jazz / Fusion band Soft MachineFind albums by this artist, following their return to the original moniker in 2015, after dropping the “Legacy” suffix. It follows the 2018 studio album “Hidden DetailsFind albums with this title” and the 2020 live album “Live At The Baked PotatoFind albums with this title”. The lineup includes guitarist John EtheridgeFind albums by this artist, saxophonist / flautist / keyboardist Theo TravisFind albums by this artist, bassist Fred Thelonious BakerFind albums by this artist and drummer John MarshallFind albums by this artist. Bassist Roy BabbingtonFind albums by this artist, who retired from the band by the end of 2021 and was replaced by Baker, guests on two tracks. It is the last album featuring Marshall, who died in 2023 a few months after this album was released and was replaced by Israeli drummer Asaf SirkisFind albums by this artist. The album presents thirteen tracks, a mixture of old and new compositions, seven of which were composed or co-composed by Travis and four composed or co-composed by Etheridge.
The music is the usual wonderful amalgam of Jazz and Fusion, based on beautiful melodic themes and brilliantly performed by these exceptional veteran musicians. Despite the fact that there is no attempt to innovate or revolutionize anything, which was the modus operandi of Soft Machine in their early days, the music played here is a synthesis of decades of experience and an attempt to keep the flame ablaze, without looking back.
Overall, this is an amazing piece of music, which should be a lighthouse of inspiration to the dozens of young Fusion bands, who sadly are not getting a right whiff of things. One can depend on these musicians to get it perfectly right, and to inspire and amaze the listener by their talents and acquired experience, continuing the six decades of well earned respect with pride.
| | Updated: 08/06/2024Posted: 08/06/2024 | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ RUBBER RIFF
GONZO 020 (Barcode: 5060230860480) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2010
The collection of tunes composed by Karl JenkinsFind albums by this artist and recorded by the last Soft MachineFind albums by this artist lineup with guitarist John EtheridgeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist (Karl´s wife Carol BarrattFind albums by this artist plays keyboards as well) was never intended to be released as an album. It was recorded shortly following the recording sessions of "SoftsFind albums with this title", the band´s 9th album, and presents more or less the same musical patterns, with less space for improvisation or extended solo passages. This music was intended as "library music", a term used for music recorded by many British artists, which was intended to be used later by TV and cinema productions. Many of the most important British composers and musicians used this mechanism as an alternative source of income and in retrospect some truly incredible music was recorded for the vaults of many music libraries. Later on some of these recordings were released as albums, exactly like in the case of this album. In retrospect this album is every bit as strong as the rest of the late Soft Machine recordings. Although usually dismissed by music critics as feeble and even worthless, the truth is that it is quite interesting as much for the compositional aspects as for the excellent performances captured here. Let the critics say what they wish, but any true Soft Machine fan will find this music worthy of their attention and perhaps be quite surprised in case this is the first time he hears this little gem. Definitely worth investigating!
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ SEVEN
COLUMBIA 473004 ~ UK ~ Canterbury Scene
7th album (recorded 1973) and the last of the strongly improvisational jazzy oriented albums by SM, which would turn into a fusion band in the next few releases. Ratledge, Marshall, Babbington and Jenkins take a different approach this time and produce 12 much shorter pieces, rather than just a few very long ones, which of course is a lot of fun, as the album keeps changing melodies and tempos quite rapidly. Sadly under-appreciated, this is (in retrospect) a superb piece of music.
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ SEVEN (REMASTERED)
SONY BMG 768729 (Barcode: 828768729229) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 2007
7th album, which was the last recording Soft MachineFind albums by this artist did for CBSFind albums on this label. Following the release of SixFind albums with this title veteran SM member Hugh HopperFind albums by this artist announced his departure from the group. Hopper was not happy with the direction the group was taking, namely the less adventurous and jazz oriented Jazz-Rock, which dominated Six. Being a bold innovator and restless explorer, Hopper’s idea of well-organized and structurally sound music was unacceptable, and he decided to leave. For the third time in a row the band enlisted to their ranks a replacement from the band NucleusFind albums by this artist, this time the bass player Roy BabbingtonFind albums by this artist (who already participated on FourthFind albums with this title and FifthFind albums with this title). He switched from his acoustic bass to a six-string bass guitar and his integration into the band was completely smooth and natural, as he was already familiar with John MarshallFind albums by this artist and Karl JenkinsFind albums by this artist. The music, written mostly by Jenkins and Mike RatledgeFind albums by this artist, is more Jazz-Rock than ever, with rather shorter, but extremely well structured and perfectly executed pieces. The keyboards duets and quirky rhythm patterns are the familiar Jazz-Rock devices used, similar to other groups which played similar music at the time. Contrary to the general opinion, which states that this album is not as strong as the previous SM releases, I personally completely disagree and consider this to be as essential as all the other CBS recordings with some of the best and most memorable SM tunes on it. After this album SM switched to the Harvest label, recording several Jazz-Rock albums featuring guitar players Allan HoldsworthFind albums by this artist and later John EtheridgeFind albums by this artist, all of which are still waiting for proper remaster. Essential!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ SIX
COLUMBIA 494981 ~ USA ~ Canterbury Scene
6th album from 1973, originally a double LP now on 1 CD. After Wyatt left SM, the group turned ever more into a Jazz-Rock and even Avant-Garde jazz group, retaining Mike Ratledge on keyboards as the only original member and with emphasis on front reedman Elton Dean and later Karl Jenkins. Six includes one studio and one live album of blistering Jazz-Rock Fusion, beautiflly played, with John Marshall on drums.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ SIX (REMASTERED)
SONY BMG 687591 (Barcode: 828768759127) ~ UK ~ Canterbury Scene
Recorded: 1972 Released: 2007
6th album by Soft MachineFind albums by this artist released originally as a double LP. Soon after recording FifthFind albums with this title, SM was facing more personnel changes with Elton DeanFind albums by this artist leaving the band to pursue his free jazz vocation. His replacement was another ex-NucleusFind albums by this artist founding member Karl JenkinsFind albums by this artist. Jenkins was a classically trained musician with exceptional gift for composing beautiful melodies. In addition he was also a multi-instrumentalist and therefore was able not only to replace Dean on saxes, but he also played beautiful oboe and both acoustic and electric piano. The addition of Jenkins was a decisive factor for SM, adding to the band for the first time a touch of professionalism and virtuosity, this in addition to the great spontaneity and vitality the group always possessed. Jenkins turned out to be the group’s most prolific writer and more than half of the music on the new album was his contribution. The new lineup started touring immediately after Hugh HopperFind albums by this artist completed the recording sessions for his first album (1984Find albums with this title) and some of the shows were recorded with the intention of serving as part of the new album (first LP of the set). In late 1972 the group recorded the studio material for the album (second LP of the set), returning to the format of longer and more complex tunes. The music on this album is quite different from what SM played on ThirdFind albums with this title, FourthFind albums with this title and Fifth: it is much more melodic and atmospheric and of course not as much free jazz oriented. In fact this is one of the most essential examples of Jazz-Rock Fusion ever recorded, a direction SM was to follow from now on. This beautiful new remaster improves the original sound tremendously. Absolutely essential!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ SOFTS
ESOTERIC 2202 (Barcode: 5013929730243) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the second of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, saxophonist Alan WakemanFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. The last founding member of Soft Machine, keyboardist Mike RatledgeFind albums by this artist left in the midst of recording of this album and his contribution here are minor. The music is a continuation of the direction set by its predecessor, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. In retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans.
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ SPACED
CUNEIFORM 090 ~ UK ~ Canterbury Scene
Recorded: 1969
Soft MachineFind albums by this artist were one of the most influential Prog bands of all times. The group kept changing through the years, from an early psychedelic style via a long period of free improvisational jazzy music right back to Jazz-Rock Fusion, but it was always on the edge and miles ahead of the rest. This recording presents a strange piece of music composed originally for a ballet performance.
| | Updated: 18/03/2023Posted: | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ THE DUTCH LESSON
CUNEIFORM 490/491 (Barcode: 045775049021) ~ UK ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2023
This is an archival live album by the iconic British Prog / Fusion group Soft MachineFind albums by this artist, recorded in Rotterdam on October 26, 1973. At the time this recording was made Soft Machine consisted of saxophonist / oboist / pianist Karl JenkinsFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. The 2CD album presents fifteen tracks, all composed or co-composed by the group members.
The group released the album “SevenFind albums with this title” before this concert was recorded, but none of the material from that album, except for one track, does not appear on this live album. One of the tracks that would appear on their next album “BundlesFind albums with this title” is also present, and the rest of the material originates mostly from “SixFind albums with this title”.
The music is mostly Jazz-Rock Fusion oriented, with lengthy tracks (in three cases over ten minutes in duration), with a double keyboards and dense rhythm section dominating the proceedings. Some hypnotic / Psychedelic moments are also present and there are definitely no dull moments for the entire duration. The sound quality is admittedly quite good for a live amateurish recording originating in the seventies. Although the album itself offers very little previously unheard aspects of the Soft Machine phenomenon, every second of their music, especially in such sound quality, is always welcome. Every time when one thinks the sources have been exhausted, some new recording pops out, which adds to the enormous live recording legacy by Soft Machine, mostly released by the CuneiformFind albums on this label label.
Overall, this is an excellent addition to the recorded legacy by one of the most important groups in British Prog / Fusion history, which despite the fact that it was recorded fifty years before being now released, is still completely valid and offers imaginative, ambitious music. An absolute must, of course, to the many Soft Machine completists, and quality music connoisseurs the world over. Considering the fact that Soft Machine still exists and I will hear them perform very soon, obviously adds to the joy of listening to this album.
| | Updated: 23/06/2023Posted: 23/06/2023 | CD 2 Remastered Recommend To A Friend |
  | SOFT MACHINE ~ THE SOFT MACHINE (EXPANDED EDITION)
POLYDOR 532050 (Barcode: 600753205051) ~ UK ~ Canterbury Scene
Recorded: 1968 Released: 2009
1st album by the seminal UK band Soft MachineFind albums by this artist, which would in time become an icon of the Psychedelic era and a founding stone of the Canterbury genre. Guitarist Kevin AyersFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist and drummer Robert WyattFind albums by this artist were some of the most talented, inspired and prophetic musicians, who found themselves in the midst of a musical (and social) revolution, which would inspire generations to come. This timeless masterpiece is molten gold (or mercury) of ingenuity in every respect, full of zany ideas, typical British humor and futuristic (at that time) musical approach, based on freedom of expression and telepathic communication and interplay. Although "song based", this music was completely unconventional, in many respects ridiculing the popular music of the time. Ratledge brought a strong Jazzy feel into the mix, which would soon after dominate the group´s direction during the 1970s, causing Ayers to leave the group after this album was recorded and the tour that followed. Ratledge and Wyatt would recruit bassist Hugh HopperFind albums by this artist (who was the band´s roadie at the time) and the new lineup would record their second album and another masterpiece. In retrospect this music still sounds too good to be true and lost nothing of its power and inspiration. Only a handful of albums can feel that fresh over 40 years after they have been recorded, but this one is surely one of them. This new remastered and expanded edition adds two ultra-rare tracks recorded by the band a year earlier. An absolutely essential album and a must!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | SOFT MACHINE ~ THIRD
COLUMBIA 30339 (Barcode: 074643033923) ~ USA ~ Canterbury Scene
3rd album from 1970, originally a double LP, now on 1 CD. Expanded line-up including a horn section, creates what is widely accepted as one of the greatest epics of Prog and Canterbury music, with brilliant improvisations and incredibly strong writing. Almost entirely instrumental, with Wyatt`s occasional scatting and imaginative drumming. A landmark recording for both the Prog and the Jazz-Rock genres.
| | | CD 1 Essential Recommend To A Friend |
  | SOFT MACHINE ~ THIRD (EXPANDED EDITION)
SONY BMG 687293 (Barcode: 828768729328) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2007
3rd album by Soft MachineFind albums by this artist, originally released as a double LP. Although basically a trio at this point (Robert WyattFind albums by this artist, Hugh HopperFind albums by this artist & Mike RatledgeFind albums by this artist) they use a horn-section to expand the sound of the band, which includes among others Elton DeanFind albums by this artist (soon to be a full time SM member) and Jimmy HastingsFind albums by this artist (brother of Pye HastingsFind albums by this artist from CaravanFind albums by this artist). The music is of course one of the most pivotal recordings of the era and widely accepted as one of the greatest epics of Prog and Canterbury music, with brilliant improvisations and incredibly strong writing. Almost entirely instrumental, with Wyatt`s occasional scatting, this album marks the band’s transition from early psychedelic pop / rock to Jazz-Rock and later eventually to free jazz. With constantly changing lineup the band managed in the span of just a few months, between late 1969 and early 1970, to create an entirely new genre in itself, as nothing else done by any other band would ever sound similar to Soft Machine (of that period). This music is as revolutionary and groundbreaking as the stuff Miles DavisFind albums by this artist was creating at the time on the other side of the pond, and equally brilliant. The beautiful new edition adds a full bonus CD, which contains a live recording at the Royal Alert Hall (August 1970), done by the BBC (a trademark of sonic quality), previously unreleased. An absolute masterpiece, beyond essential!
| | | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | SOFT MACHINE ~ TURNS ON VOL.1
VOICEPRINT 231 ~ UK ~ Canterbury Scene
Recorded: 1967
Early live recordings of the Soft MachineFind albums by this artist, dating around the release of their first two albums and even before. The quality of the recording is problematic, but the material absoluterly great, so you must decide if this is something worth having. Great historical material.
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ TURNS ON VOL.2
VOICEPRINT 234 ~ UK ~ Canterbury Scene
Recorded: 1967 - 1968
Early live recordings of the Soft MachineFind albums by this artist, dating around the release of their first two albums and even before. The quality of the recording is problematic, but the material absoluterly great, so you must decide if this is something worth having. Great historical material.
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ VOLUMES ONE AND TWO
BIG BEAT 920 (Barcode: 029667492027) ~ UK ~ Canterbury Scene
Recorded: 1968 - 1969
1st and 2nd Soft MachineFind albums by this artist albums (recorded 1968 and 1969 respectively) on 1 CD. This is an absolute classic documenting the first years of the Canterbury scene and the beginnings of one of the most important Prog groups of all times. These two albums show the band in the psychedelic / avat-garde style before it took a sharp turn into more jazzy direction, as documented from their 3rd album onward.
| | | CD 1 Essential Recommend To A Friend |
  | SOFT MACHINE LEGACY ~ LIVE IN ZAANDAM
MOONJUNE 006 ~ UK ~ Canterbury Scene
1st album by Soft Machine LegacyFind albums by this artist recorded live in Holland in 2005. This particular group is especially interesting due to the fact that although all the four members are all ex-Soft MachineFind albums by this artist players, they actually never played together in the same version of the band. The music is nothing short of brilliant, as usual, with a strong jazzy context and both old and new compositions included. For the many fans of the band this is a true treat and an excellent example of great musicians aging well. Recommended!
Limited Edition
| | | CD 1 Recommend To A Friend |
  | SOFT MACHINE LEGACY ~ STEAM
MOONJUNE 016 (Barcode: 692287901622) ~ UK ~ Canterbury Scene
Recorded: 2006 Released: 2007
Following the death of Soft MachineFind albums by this artist veteran member Elton DeanFind albums by this artist, the Soft Machine LegacyFind albums by this artist drafted a younger, but well established British saxophonist Theo TravisFind albums by this artist into their ranks to continue the band´s path and quest to commemorate the original Soft Machine tradition. This, their 3rd album, includes also the band veterans John EtheridgeFind albums by this artist on guitar, Hugh HopperFind albums by this artist on bass and John MarshallFind albums by this artist on drums, playing a mixture of new compositions and older Soft Machine material, freely switching between Jazz-Rock Fusion and freely improvised passages, always with gusto and incredible musicianship. Travis, although in an incredibly tough spot to follow the great Elton Dean legacy (a legacy inside a legacy so to speak) does a fabulous job and fits in as if he was always there, which is of course nothing short of a miracle. There is hardly any need to tell people how good this music is; anybody familiar with these musicians knows that their "no bullshit" attitude has been their motto for years, so just lay back and enjoy! Absolute must for every Soft Machine fan and hopefully an ear opener for the younger generation, less familiar with the veterans.
| | | CD 1 Digipak Recommend To A Friend |
  | SOFT WORKS ~ ABRACADABRA IN OSAKA
MOONJUNE 112 (Barcode: 692287911225) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2021
This is an archival album documenting a live concert by the short-lived British quartet Soft WorksFind albums by this artist, comprising of ex-Soft MachineFind albums by this artist members: saxophonist Elton DeanFind albums by this artist (who also plays Fender Rhodes here), guitarist Allan HoldsworthFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer John MarshallFind albums by this artist. The music was captured during the group’s tour in Japan in 2003. The 2CD album presents eleven tracks, some of which were originally composed for the group’s only studio album “AbracadabraFind albums with this title”, and others which belong to the classic Soft Machine repertoire.
With tracks running on average over the ten-minutes mark, the music is everything the listener familiar with Soft Machine stuff might expect, i.e. long instrumental jams, featuring extensive improvisations by Dean and Holdsworth, superbly supported by the rhythm section. As a result, the music constantly swings like a pendulum between Jazz (Dean) and Fusion (Holdsworth), with the rhythm section swinging on its own right.
Probably the most impressive are the solo parts played by Holdsworth, who obviously feels unconstrained by any time limit obligations and psychological pressures, and simply pours his heart out, producing some of the best guitar oriented Fusion moments ever. I always thought that Holdsworth was one of the tragic figures on the guitar arena in many respects. He was simply too talented for his own good, never actually managing to create the music he really wanted to, from the earliest days of his career and to the very end of his life. His studio recordings are all very far from what he really had to say and as a member of group efforts he simply never found a team that could march his stratospheric imagination, which always soared to the stars. This album probably captures some of his best playing ever, like what I remember when he used to play in dinky pubs around London, completely relaxed sitting a couple of feet away from his audience.
Although there is a lot of open space in this music, with pretty wild improvisation around, the music stays well organized for the duration, and eschews the Free Jazz idiom, which might have disrupted the connection with the audience. Complex and challenging – yes, but never chaotic, would be the best description of these proceedings.
Overall this is a wonderful document of this particular chapter in the long Soft Machine family tree history, which is of course fascinating and absolutely worthy of exploring. Thanks to Leonardo PavkovicFind albums by this artist, the one-man musical army who made it all possible at the time as a tour organizer and now as the owner of the MoonJuneFind albums on this label label, which released this music on record. Pavkovic tells the story behind the music in the album’s booklet, but the story of his collected activities can fill a huge volume, hopefully to be properly written. Proud to be your Friend, Amigo!
| | Updated: 25/04/2021Posted: 25/04/2021 | CD 2 Mini-Sleeve Recommend To A Friend |
  | SUPERSISTER ~ ISKANDER
ESOTERIC 2058 (Barcode: 5013929715820) ~ NETHERLANDS ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2008
4th and last album by the brilliant Dutch band SupersisterFind albums by this artist, which almost singlehandedly were Europe´s answer to the British Canterbury scene. Often compared to Soft MachineFind albums by this artist (circa "ThirdFind albums with this title"), in fact the group is more comparable to later Canterbury groups like Matching MoleFind albums by this artist, Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist and even later CaravanFind albums by this artist, although chronologically they preceded these groups by several years. Obviously influenced by Soft Machine´s jazzy free improvisational excursions, the band was also influenced by many other experimental Rock (Frank ZappaFind albums by this artist), Jazz musicians and contemporary Classical composers. Following the recording of the previous album, the band´s flautist and drummer left to pursue their careers were replaced by a new drummer and the great American-born but living in Europe saxophonist Charlie MarianoFind albums by this artist. Naturally as the result the band´s music became even more Jazzy. The album was recorded in England (with some guest musicians) and this time it was a concept work dedicated to Alexander the Great. Unfortunately soon after the album was recorded Mariano left and the group disbanded, after the legendary Elton DeanFind albums by this artist played with tem for a while, leaving us the legacy of four wonderful albums.
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  | SUPERSISTER ~ PRESENT FROM NANCY
ESOTERIC 2056 (Barcode: 5013929715622) ~ NETHERLANDS ~ Jazz-Rock Fusion
Recorded: 1970 Released: 2008
1st album by the brilliant Dutch band SupersisterFind albums by this artist, which almost singlehandedly were Europe´s answer to the British Canterbury scene. Often compared to Soft MachineFind albums by this artist (circa "ThirdFind albums with this title"), in fact the group is more comparable to later Canterbury groups like Matching MoleFind albums by this artist, Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist and even later CaravanFind albums by this artist, although chronologically they preceded these groups by several years. Obviously influenced by Soft Machine´s jazzy free improvisational excursions, the band was also influenced by many other experimental Rock (Frank ZappaFind albums by this artist), Jazz musicians and contemporary Classical composers. With the European Jazz scene rapidly developing to emancipate itself from the half-decade American domination, with Holland as one of the epicenters of the new European Jazz, the band was a reflection of the trends by the young European musicians to go elsewhere in search of their musical ventures. The stunning debut album by Supersister is a great example of spontaneity, daring and complete disregard for commercial consideration, all these of course on top of amazing talent and musicianship of its four band members. Similar to early Soft Machine the band did not include a guitarist, so the soloing is mostly done by the keyboardist and flute player, but the bass player and drummer had also a most significant role. Altogether this is a magnificent piece of music and a stunning debut album, worthy of an honorable place in any serious music collection. Essential listening experience!
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  | SUPERSISTER ~ TO THE HIGHEST BIDDER
ESOTERIC 2057 (Barcode: 5013929715721) ~ NETHERLANDS ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2008
2nd album by the brilliant Dutch band SupersisterFind albums by this artist, which almost singlehandedly were Europe´s answer to the British Canterbury scene. Often compared to Soft MachineFind albums by this artist (circa "ThirdFind albums with this title"), in fact the group is more comparable to later Canterbury groups like Matching MoleFind albums by this artist, Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist and even later CaravanFind albums by this artist, although chronologically they preceded these groups by several years. Obviously influenced by Soft Machine´s jazzy free improvisational excursions, the band was also influenced by many other experimental Rock (Frank ZappaFind albums by this artist), Jazz musicians and contemporary Classical composers. This follow up to their stunning debut is every bit as excellent and its release established the group as one of the most important European Jazz-Rock acts. Full of great melody lines, quirky rhythm changes and exceptional sensitivity, this is a true gem, always worthy of returning to. Essential listening experience!
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  | TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE
JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz
Recorded: 1980 - 1983 Released: 2023
This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist.
Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is.
The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured.
The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s.
Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness.
Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!
| | Updated: 12/03/2023Posted: 12/03/2023 | CD 2 Digipak Remastered Recommend To A Friend |
  | TOMORROW ~ TOMORROW (EXPANDED EDITION)
EMI 724349881921 (Barcode: 724349881921) ~ UK ~ Psychedelic Pop & Rock
Recorded: 1967 - 1968 Released: 1999
This is the remastered and expanded reissue of the only album by short-lived British Psychedelic Pop / Rock band TomorrowFind albums by this artist, which comprised of vocalist Keith WestFind albums by this artist, guitarist Steve HoweFind albums by this artist, bassist John WoodsFind albums by this artist (a.k.a. JuniorFind albums by this artist) and drummer John AlderFind albums by this artist (a.k.a. TwinkFind albums by this artist). The album´s producer Mark WirtzFind albums by this artist played keyboards on the album. This expanded edition also features solo material by West, which was recorded with Howe, bassist Ronnie WoodFind albums by this artist and drummer Aynsley DunbarFind albums by this artist and tracks recorded by The Aquarian Age sidekick band which was Twink and Junior
Although quite charming and innovative at the time, in retrospect Tomorrow were not much different from hundreds of other Psychedelic bands that were popping up on the British scene in the late 1960s. The album was quickly deleted from the Parlophone catalog, only to be elevated to a "lost gem" status a few years later when Howe became the guitar hero for Yes and the hype hit the fan.
The band moved in the same circles as other early Psychedelic bands, like Soft MachineFind albums by this artist, John`s ChildrenFind albums by this artist, Arthur BrownFind albums by this artist and many others and their material sounds similar, but alas less impressive than the songs written by these bands. West was not a very impressive vocalist and an uneven songwriter (he authored almost all the songs appearing here). Howe played some nice guitar licks on this album and to be honest his playing did not improve much after this.
Overall this is a nice document of an era, accurately preserving the carefree atmosphere of the time and the spirit of searching and experimentation, which existed in Pop and Rock as much as in other music genres and of course other Arts. This is definitely worth checking out by Psychedelia lovers.
| | Updated: 12/01/2016Posted: 12/01/2016 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ROBERT WYATT ~ DONDESTAN (REVISITED)
DOMINO 44 (Barcode: 5034202204428) ~ UK ~ Canterbury Scene
Recorded: 1991 - 1998 Released: 2008
6th album by Robert WyattFind albums by this artist, which has a rather convoluted history: the album was recorded in 1991 (making it in fact Wyatt´s 5th album) and released at the time, but seven years later Wyatt remixed the album completely from the original tapes, following his disappointment with the original (haphazard) mix, which became sort of obsolete – hence the "revisited" in the title. Musically the album starts an uninterrupted streak of brilliant works, continued to this very day, with Wyatt finally finding a perfect balance between his extraordinary musical approach and political agenda. Wonderfully supported by his wife´s (Alfreda BengeFind albums by this artist) poetry used in addition to his own more politically oriented lyrics, balancing the radicalism, and musically supported by extraordinary musicians like former Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist, who also contributes one composition. Wyatt aims straight to the listener´s heart here, no prisoner taken. Lyrical at times, bitter and angry at others, he is always himself, delivering those heartbreaking vocals the way only he can do. His musical ideas never cease to amaze and overall this is a minor masterpiece, which definitely deserves repeated listening.
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  | ROBERT WYATT ~ RUTH IS STRANGER THAN RICHARD
DOMINO 41 (Barcode: 5034202204121) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 2008
3rd album by Robert WyattFind albums by this artist, which presented the Canterbury hero with an incredible challenge to follow up the masterpiece he created with "Rock BottomFind albums with this title". Rather than continuing the deeply personal self-exploration, Wyatt chose to present a collection of material, which is a mixture of earlier compositions, some even preceding the Soft MachineFind albums by this artist days, some pieces written by other colleague-musicians and the rest being new material written especially for this album, all performed by a stellar cast, which includes former Matching MoleFind albums by this artist cohort Bill MacCormickFind albums by this artist on bass, saxophonist Gary WindoFind albums by this artist, Fred FrithFind albums by this artist on piano, Mongezi FezaFind albums by this artist on trumpet and a few other Avant-Garde musicians in his inner circle. Wyatt sings and plays piano, delivering his unique music with grace and the usual masterly mystique and heartbreaking emotional truth. Quite experimental and often bizarre, this album in retrospect reveals more of its incredible bold and futuristic vision than it did at the time of its release, once again proving that Wyatt was always decades ahead of time with his musical ideas. Brilliant stuff, which is worth both discovering and getting to know for the first time!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | ROBERT WYATT ~ THE END OF AN EAR
COLUMBIA 493342 (Barcode: 5099749334229) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 1998
1st album by drummer / keyboardist / singer / composer and one of the Canterbury movement founding figures, Robert WyattFind albums by this artist, recorded while he was still a member of Soft MachineFind albums by this artist. Sadly often overlooked, this revolutionary recording shows Wyatt´s visionary approach to music and his deep involvement with the UK Avant-Garde Jazz scene, which was approaching a peak of its development at the time. Overall this album is more radically Jazz oriented than the music created by Soft Machine at the time, which was still related to Rock roots and essentially an extension of the early Jazz-Rock Fusion efforts. The only Soft Machine member appearing on this album is saxophonist Elton DeanFind albums by this artist, who shared Wyatt´s passion for Jazz. The rest of the players are prominent UK Jazz musicians like bassist Neville WhiteheadFind albums by this artist, trumpeter Mark CharigFind albums by this artist, pianist Mark ElidgeFind albums by this artist and Canterbury legend Dave SinclairFind albums by this artist on organ. Wyatt composed all the music except one tune, which is a Gil EvansFind albums by this artist composition heavily arranged by Wyatt. Wyatt´s drumming on this album is spectacular, completely unique in his rhythmic approach and closely related in the form of collective improvisation to the expressions of his partners. One can only imagine how Wyatt´s involvement with the British Avant-Garde Jazz scene would have developed, if not for the tragic accident, which cut short his drumming career. Therefore this album becomes even more historically important, presenting that aspect of the man´s genius. For listeners acquainted with Wyatt´s later years, this album should be quite a revelation, although probably a much tougher musical challenge. In retrospect this album remains as essential document of an era, when breaking musical barriers was completely acceptable and music was making giant steps towards a new horizon. This is a visionary work in every respect, which should be cherished and returned to periodically, to be re-discovered. A must for any serious music lover!
| | Updated: 12/04/2019Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | STOMU YAMASH`TA ~ FREEDOM IS FRIGHTENING
ESOTERIC 2087 (Barcode: 5013929718722) ~ JAPAN ~ Progressive Rock
Recorded: 1973 Released: 2008
Japanese percussionist / composer Stomu Yamash`taFind albums by this artist settled in England in 1972, after studying music in his native country and later in the USA. He worked mainly as a composer for theatre music, but his signing as a recording artist for the Island label brought his work to the attention of a wider audience, which later led to him forming the group East WindFind albums by this artist, which recorded this exceptional album. Combining forces with some of the best British musicians at the time, the band included Yamash`ta on drums and percussion, his wife Hisako Yamash`taFind albums by this artist on violin, guitarist Gary BoyleFind albums by this artist (IsotopeFind albums by this artist), keyboardist Brian GascoigneFind albums by this artist, and bassist Hugh HopperFind albums by this artist (Soft MachineFind albums by this artist). The music is a wonderful fusion of Western and Far Eastern elements as well as many cross genre excursions, from atmospheric ambient to high spirited Jazz-Rock Fusion. Although Yamash`ta became mostly known for the "GoFind albums with this title" recordings, which were done a few years later, this is truly his most remarkable album recorded for Island and the one that withstands the test of time most adamantly. Wholeheartedly recommended!
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