Record Reviews
42 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | GORDON BECK ~ DREAMS
JMS 049 (Barcode: 3129675004926) ~ UK ~ Jazz
Recorded: 1989 Released: 1989
This is an album by British keyboardist / composer Gordon BeckFind albums by this artist, one of the great heroes of the British Jazz scene since the early 1960s. It is essentially a solo keyboards album, except for a few vocal contributions on four tracks by the American vocalist Rowanne MarkFind albums by this artist. The album presents seven original compositions by Beck, with the title tracks being a two-part mini suite. Beck plays piano and a plethora of different synthesizers and even a drum machine. The album was recorded in the USA and was produced by Allan HoldsworthFind albums by this artist.
Starting in the late 1970s Beck recorded many albums for the French OwlFind albums on this label and JMSFind albums on this label labels, several of with involved Holdsworth and other notable British and French Jazz musicians.
This album presents the more romantic / lyrical side of his musical persona, as well as his amazing technique and composing depth. The music is all melody based, and the wonderfully crafted compositions are ideal vehicles for Beck to spread his wings as a performer, although his recording legacy shows him as being a brilliant accompanist as well.
Overall, this is a wonderful piece of the Gordon Beck puzzle, which although perhaps less celebrated, is definitely worth being discovered and deserves an honorable place in every serious British Jazz collection.
| | Updated: 20/08/2021Posted: 20/08/2021 | CD 1 Recommend To A Friend |
  | GORDON BECK ~ REFLECTIONS
ART OF LIFE 1005 (Barcode: 804640100522) ~ UK ~ Jazz
Recorded: 1997 Released: 2003
Pianist / composer Gordon BeckFind albums by this artist is a living legend. Considered as one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. Fortunately for us, Jazz lovers, Beck continues his remarkable career, producing exquisite musical marvels, now in his 7th decade. He seems to be untouchable by time and his playing is as vigorous and energetic, as it was 40 years ago. This marvelous solo piano concert brilliantly recorded by the BBC, portraits Beck, as he truly is – a romantic, gentle and highly intelligent musician with thousands of volts running through his magic fingers. The album is a tribute to the genius of Bill EvansFind albums by this artist, including one of his compositions and standards Evans often played. But it is way beyond just a tribute; it is a re-examination of the entire Jazz piano tradition, and even a reflection on Beck’s entire lifetime as a pianist. Although very much an innovator and ceaseless explorer, Beck never ignored the 100 years of piano playing by other Jazz piano giants. Therefore in addition to traces of Evans, there are subtle hints of such divers musicians as Thelonious MonkFind albums by this artist, Oscar PetersonFind albums by this artist, Keith JarrettFind albums by this artist and countless other piano players creating an amalgam, which in Beck’s hands become a unique new creation. Listening to the uplifting music could be one of the most enjoyable hours ever spent while listening to music and I wish every Jazz enthusiast would come across it. The album also includes a bonus track, which has Beck performing a composition by his life-long musical partner, guitarist Allan HoldsworthFind albums by this artist, who collaborated with Beck on many recordings. This album is an absolute must have for Jazz piano lovers of all ages, a work of rare sensibility and artistic perfection. Wholeheartedly recommended!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | JACK BRUCE ~ A QUESTION OF TIME
ESOTERIC 2270 (Barcode: 5013929737020) ~ UK ~ Progressive Rock
Recorded: 1989 Released: 2011
This is a superb album by the great Jack BruceFind albums by this artist, who returns to active duty after several years of silence, with an incredible set of new songs, most of which are co-written with his lifetime friend, lyricist Pete BrownFind albums by this artist. Surrounded by a dreamy support band, which features such distinguished musicians as guitarists Allan HoldsworthFind albums by this artist, Vernon ReidFind albums by this artist and Jimmy RippFind albums by this artist, old-timers: pianist Nicky HopkinsFind albums by this artist and drummer Ginger BakerFind albums by this artist, World Music stars like Zakir HussainFind albums by this artist and Mark NauseefFind albums by this artist and others, Bruce delivers his incredible vocals and plays keyboards and of course bass, creating one of his best albums ever. An absolute must for every Bruce fan on earth!
| | | CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | JACK BRUCE ~ A QUESTION OF TIME
ACADIA 8155 (Barcode: 805772815520) ~ UK ~ Progressive Rock
Recorded: 1989 Released: 2007
This is a superb album by the great Jack BruceFind albums by this artist, who returns to active duty after several years of silence, with an incredible set of new songs, most of which are co-written with his lifetime friend, lyricist Pete BrownFind albums by this artist. Surrounded by a dreamy support band, which features such distinguished musicians as guitarists Allan HoldsworthFind albums by this artist, Vernon ReidFind albums by this artist and Jimmy RippFind albums by this artist, old-timers: pianist Nicky HopkinsFind albums by this artist and drummer Ginger BakerFind albums by this artist, World Music stars like Zakir HussainFind albums by this artist and Mark NauseefFind albums by this artist and others, Bruce delivers his incredible vocals and plays keyboards and of course bass, creating one of his best albums ever. An absolute must for every Bruce fan on earth!
| | | CD 1 Recommend To A Friend |
  | BILL BRUFORD ~ GRADUALLY GOING TORNADO
WINTERFOLD 005 (Barcode: 604388638529) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2005
3rd album by Bill BrufordFind albums by this artist, marking a new direction for the ensemble after Allan HoldsworthFind albums by this artist left leaving the guitar duties to the relatively unknown John ClarkFind albums by this artist. The sound is definitely more rock oriented than on the two earlier albums, but the compositions are wonderful as usual, with surprising tempo changes and plenty of stretched improvisational passages. The vocals are handled by bassist Jeff BerlinFind albums by this artist, who does a great job in both departments. Although not as strong as the earlier works, in retrospect this is still a great Prog / Fusion album with a well deserved shelve space for life.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | BILL BRUFORD ~ THE BRUFORD TAPES
WINTERFOLD 006 (Barcode: 604388638628) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 2005
4th album, recorded live as a radio broadcast and was not initially intended for release, but once bootlegs of the show started to circulate, Bill BrufordFind albums by this artist decided to make this recording a formal release. This music was recorded before the 3rd album and therefore features music from the first 2 albums re-shuffeled and improvised on. It also features the new guitar player John ClarkFind albums by this artist, who replaced Allan HoldsworthFind albums by this artist just a few weeks prior to the recording session. The live and relaxed atmosphere enables the players to stretch out and display their talents in full and makes this a truly remarkable document.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | EVOLUCION ~ UMBRALES
MYLODON 040 (Barcode: 3426300046413) ~ CHILE ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2006
2nd album by the excellent Chilean Prog and Fusion band EvolucionFind albums by this artist. Active sine the early 1980s, Evolucion started as a Prog band and played music based on the genre’s classic period. For many years they didn’t manage to record an album and it took 20 years to get their debut out, which collects their recorded output in the 1980s. This album is however completely new, presenting the current lineup of the band and an almost complete change of style from Prog to Fusion. The level of musicianship displayed by the band is truly astounding, especially the virtuoso guitar player Fernando BravoFind albums by this artist, who could be very easily mistaken as being Allan HoldsworthFind albums by this artist in the flesh. The all-instrumental music is very good as well, mostly up-tempo but a couple of beautifully melodic ballads sneak in as well. A superb Fusion album which should be thoroughly enjoyed by any fan of the genre.
| | | CD 1 Recommend To A Friend |
  | HOLDSWORTH / WARLEIGH / MATHEWSON / SPRING ~ WARLEIGH MANOR
JAZZ IN BRITAIN 01 ~ UK ~ Free Jazz / Improvised Music
Recorded: 1979 Released: 2020
This is an archive album by a quartet of British Jazz musicians: guitarist Allan HoldsworthFind albums by this artist, saxophonist / flautist Ray WarleighFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Bryan SpringFind albums by this artist. Subtitled “The Ron Mathewson Tapes Vol. 1”, it presents an informal cassette tape recording of a session captured (probably) in 1979 and kept by the bassist, who recently donated his archives to Jazz in Britain Ltd. incorporating the British Jazz Sound Archive, a new not-for-profit organization whose aim is to collect, curate, preserve, celebrate and promote the legacy of British Jazz musicians. The archive collects, curates and preserves off-air and other recordings of British Jazz performances. This CD is their first release.
The music reveals an almost completely unknown facet of Holdsworth playing spontaneous Improvised Music, rather than Jazz-Rock Fusion, an idiom he is generally associated with. In addition to playing guitar he also plays violin. The rest of the quartet members have of course a much better recognized experienced with Improvised Music / Free Jazz. The album presents just three lengthy pieces, about twenty-one, eighteen and finally eight minutes in duration. The first two pieces are completely improvised, whereas the last piece takes a turn into a more conventional Jazz playing.
In retrospect this music is no more than a curio, as it does not offer any substantial glimpse into the history of British Jazz as such. Holdsworth is certainly a fish out of water on this session, and contrary to what the liner notes say, he was never really into Improvised Music. Yes, he always wanted to experiment and do his own thing and not to be told what to do, but he was a team player and needed a support of a strong rhythm section to keep him on track. His insanely wonderful guitar playing was complex enough by itself, and it needed a balance of more conventional co-players to make any musical sense. None of his idiosyncratic playing is reflected in this music.
Of course Mathewson plays beautifully here, but his abilities are well documented by many other recordings. Warleigh plays some nice flute lines, but even he is not feeling very comfortable in this free form environment. As to Spring, his contributions are hardly audible.
Improvised Music rarely survives the “recording” test. It might sound fine while being performed, with the interpersonal excitement of the moment, but listening to it forty years later might sadly prove to be a rather pointless exercise. Not every moment of musical history captured on tape deserves apparently to be preserved for posterity on record.
Overall this album proves to be rather disappointing, but the idea behind Jazz in Britain and their aims is certainly worth pursuing, hopefully with more exciting finds in the future.
| | Updated: 26/03/2021Posted: 26/03/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 1
ABSTRACT LOGIX 027 (Barcode: 700261307053) ~ UK ~ Jazz-Rock Fusion
Recorded: 2010 Released: 2010
This is the first of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Steve HackettFind albums by this artist and Steve ToppingFind albums by this artist, keyboardist Jan HammerFind albums by this artist, violinist Jerry GoodmanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Steve PriceFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform twelve pieces, seven of which are original compositions by Husband and one is co-composed by him.
The music, as expected after reading the lineup, ranges from Rock via Fusion to Jazz, presenting a coherent picture of musical virtuosity and compositional elegance. In contrast to many other similar projects based on the same idea of recording an album with many superstars, which usually fail miserably to achieve any substantial musical value, this attempt works wonderfully from start to finish with no dull moments to spare. The stylistic variety and the different atmospheric vistas present a superb collage of intelligent and fascinating music, which is a pleasure to listen to.
As expected, the album is full of exceptional soloing. Husband keeps it all together with his dynamic and powerful rhythm drive, contributing a few keyboard solos on the way. The main point here is the mutual respect these stellar musicians have for each other, putting any competition and ego trips out of the way and concentrating on the final result. Husband turns out to be a wonderful catalyst here, able to create ad hoc lineups that sound as if they were playing together for ages.
In short this is not only Fusion heaven, but a comprehensive overview of the genre in the most open minded approach possible, which encompasses everything between Rock and Free Jazz. Husband´s openness towards similarly remote sub genres was always one of his most remarkable qualities. This is definitely a must for all Fusion lovers, but every connoisseur of good music should be able to enjoy this immensely!
| | Updated: 06/07/2016Posted: 06/07/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 2
ABSTRACT LOGIX 033 (Barcode: 700261344836) ~ UK ~ Jazz-Rock Fusion
Recorded: 2012 Released: 2012
This is the second of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Ray RussellFind albums by this artist, Wayne KrantzFind albums by this artist, Neil TaylorFind albums by this artist, Alex MachacekFind albums by this artist, Jimmy HerringFind albums by this artist and Mike SternFind albums by this artist, keyboardist Jan HammerFind albums by this artist, saxophonist Sean FreemanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Teymur PhellFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform eleven pieces, five of which are original compositions by Husband and one is co-composed by him.
The music on this set is less diverse stylistically and explores mainly the various possibilities of the Jazz-Rock Fusion idiom, with accents and variations influenced mainly by the presence of the different guitar players on these tracks. Each and every guitarist contributes his very personal stylistic nuances, presenting overall a wonderful kaleidoscope of guitar Fusion pieces. The melodic themes of all these pieces fit very well together, which turns this seemingly unconnected collection of pieces into a coherent album, which is a thrilling listening experience.
As on its predecessor, Husband plays drums and keyboards on the various pieces, always with great taste and his usual virtuosity. His drumming approach is another solidifying element of this entire collection, which again manages to sound like a complete pre-planned album as opposed to a random collection of tunes, in spite of such diverse lineups taking part in the proceedings.
As usual this is Fusion Heaven, not only because of the incredibly high level of individual performances, but mainly because it is all about music and not individual ego trips which often haunt Fusion to its death. Therefore I can only wholeheartedly recommend this album to all Fusion lovers, especially since really good Fusion albums are so incredibly scarce these days. Hats off, Maestro!
| | Updated: 09/07/2016Posted: 09/07/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY HUSBAND ~ THE THINGS I SEE
ANGEL AIR 182 (Barcode: 5055011701823) ~ UK ~ Jazz
Recorded: 2000 Released: 2004
This is a re-release of a wonderful solo piano album by British keyboardist / drummer / composer Gary HusbandFind albums by this artist. The album was originally released on the small American label Art Of LifeFind albums on this label Records and this re-release brings the album to the British / European market. On the album Husband performs ten of his interpretations of music originally composed by British guitarist / composer Allan HoldsworthFind albums by this artist.
Husband admits that the music of Holdsworth influenced his entire musical life even before he became his partner in various endeavors they both participated in. Therefore this album is not just a loving tribute to Holdsworth the composer but also a reflection of many years of their friendship.
Selecting the acoustic piano as the medium to explore the music associated with Holdsworth, which immediately screams electric guitar and Fusion, might seem somewhat bizarre at first, but just a few moments into this album reveal that it was perhaps the imperative choice. Husband transforms the music totally, even when he stays loyal to the original melodies or chord structures, but does so with great respect towards the original creations. Even if some de-composing and re-composing is involved, the spirit of the music is beautifully preserved.
The nakedness of a solo piano performance is of course the definitive challenge and Husband emerges from it victorious on every imaginable platform. His command of the instrument is complete, his sensibility is awe-inspiring and his ability to weave intricate and multilayered threads is astounding. Most of the people who associate the figure of Husband with Fusion and who were never exposed to this album are in for a surprise of their lives.
I have listened to this album many times since it was released, and each and every time it took me completely by surprise, since the depth of emotion and elegance seems to simply grow within this music as the time moves on. This is a very rare quality which only the best of albums are blessed with and in retrospect I am glad that this is one of them, as it truly deserves to be a part of every music connoisseur´s permanent collection. Now, over fifteen years since this music was first conceived and recorded, it is still growing, as are its two protagonists: Husband and Holdsworth. In a word where artistic values are slowly (or perhaps rapidly) dying, these two proud British artists continue to serve as islands of sanity and hope. Not to be missed!
| | Updated: 10/07/2016Posted: 10/07/2016 | CD 1 Recommend To A Friend |
  | IGGINBOTTOM ~ IGGINBOTTOM`S WRENCH
ESOTERIC 2164 (Barcode: 5013929726420) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2009
This fantastic album by the British quartet IgginbottomFind albums by this artist would have probably disappeared into oblivion if not for the fact that the band included the young guitarist named Allan HoldsworthFind albums by this artist. Many years later, following Allan´s fame and fortune, the fans unearthed this gem and tried and find it, which of course would have cost them quite a bundle, before this reissue came about. But background stories apart, this is a truly amazing album, unique and different from anything else recorded at the time and since. The band included two guitar players: Holdsworth and Steven RobinsonFind albums by this artist, bassist Mick SkellyFind albums by this artist and drummer Dave FreemanFind albums by this artist. They played original material, written mostly by Holdsworth, which was (sort of) song based, but in truth the "songs" were just a basis for extended guitar solos. Of course Allan´s guitar playing is simply marvelous, but the surprising element is his vocal performance, which is low key and suitable for this kind of Jazz oriented music. The material is experimental and interesting, shunning every clichés and convention. Of course Holdsworth fans will be terribly cross with me, but I will say that this is definitely some of his best playing. I might be of course blinded by nostalgia, since I did hear this music live at the time, but believe you me, this album smokes! Do yourself a favor – grab this beauty and listen to it, preferably with low lights and a good drink in your hand – you are in for a surprise…
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | JERVE / THORNTON / THOREN ~ CIRCUMSTANCES
AMP 019 (Barcode: 662578831136) ~ NORWAY ~ Jazz
Recorded: 2017 Released: 2017
This is the debut album by the Jazz piano trio comprising of Norwegian pianist / composer Kjetil JerveFind albums by this artist, British bassist Tim ThorntonFind albums by this artist and Swedish (resident in Norway) drummer Anders ThorenFind albums by this artist. The album presents nine tracks, three of which are original composition by Jerve, two are by Thornton and one is a collective composition by the trio members. Of the remaining tracks, two are standards and one is a surprising inclusion of a composition by the great Allan HoldsworthFind albums by this artist (RIP). The album was recorded at the legendary Rainbow studio in Oslo and offers excellent sound quality.
This album is somewhat surprising in view of Jerve´s debut album released a year earlier ("New York ImprovisationsFind albums with this title"), which was quite freely improvised. The music on this album shows another face of his musical personality, and is dominated by highly melodic, mostly slow tempo ballads, full of melancholy and reflection and some highly swinging pieces. It is great to see such versatility in Jerve´s approach to Jazz, which of course is by its nature a multifaceted idiom.
Of course Jerve is, as I have stated already in other reviews, a superb pianist with excellent technique but more importantly also a great feel for the music, which enables him to change his dynamics and even the entire approach to his instrument on the fly. He is definitely one of the most interesting Nordic pianists lately and someone worth watching closely.
The rhythm section on this album displays significantly more presence and input than in most contemporary piano trios these days. Thornton is a very powerful and wonderfully precise bassist and his deep pulsations are there up front almost at the same volume with the piano. His playing is inventive and fascinating and simply can not be ignored by the listener. Thoren does a grand job as usual, with his unique rhythmic artistry, which also becomes an integral part of the overall sound.
To summarize, this is a brilliant piano trio album, which should make the many connoisseurs of this particular variety of Jazz extremely happy, but of course all Jazz fans should find this very satisfactory. Another excellent release on the small independent Norwegian label AMPFind albums on this label Records, which is proving that small independent labels can be (and very often are) better than the bigger sharks ;) Well done!
| | Updated: 01/12/2017Posted: 01/12/2017 | CD 1 Digipak Recommend To A Friend |
  | CEZARY KONRAD ~ ONE MIRROR… MANY REFLECTIONS
SELLES 0182 (Barcode: 5908260401825) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1999 Released: 2000
This is the debut album by Polish Jazz drummer / composer Cezary KonradFind albums by this artist, one of Poland´s top drummers since many years, recorded with a core trio consisting of himself, bassist Piotr ZaczekFind albums by this artist and guitarist Darek KrupaFind albums by this artist, which is extended by additional players up to a quintet on some tracks with the addition of saxophonist Marek PodkowaFind albums by this artist and two keyboardists: Zbigniew JakubekFind albums by this artist and Leszek MozdzerFind albums by this artist. The album includes nine original compositions, all by Konrad.
Most of the music on this album is closely associated with Jazz-Rock Fusion, obviously influenced by the work of Allan HoldsworthFind albums by this artist and his groups. The electric fretless bass and synthesizers and of course the sound of the guitar imitate almost exactly the sound of European Fusion popular during the 1990s. The compositions are all quite interesting, with nice melodic themes and interesting harmonic approach, but overall the music is not remarkable enough to leave a deep impression, certainly not leaving a lasting impression.
The personal contributions are all quite excellent, with all the participants obviously being highly skilled musicians. There are some impressive solos and the overall level of playing is certainly satisfactory. Surprisingly the highlight of the album is the acoustic piano performance by Mozdzer on the only track, which is actually not a Fusion piece.
In retrospect, the album definitely sounded better at the time of its recording than now and does not withstand the tides of time well. This is unfortunately the fate of most Fusion albums, which proved to be mostly repetitive and derivative, with a very few exceptions.
| | | CD 1 Recommend To A Friend |
  | LU7 ~ EFFLORESCENCE
MUSEA 4638 (Barcode: 3426300046383) ~ JAPAN ~ Progressive Rock
Recorded: 2002 - 2006 Released: 2006
1st album by LU7Find albums by this artist, one of the hottest new Japanese instrumental Prog ensembles, which is basically a duo of Luna UmegakiFind albums by this artist – keyboards and Tsutomu KuriharaFind albums by this artist – guitar, with occasional guest musicians. Both players are superb instrumentalists and gifted composers and the album is a true delight from start to finish. The music is melodic, but has enough internal tension to sustain interest. There is a strong jazzy feel and the album could be classified as fusion, but since the emphasis is more on the melody than on the rhythmic patterns, I decided to stick with Prog. The guitarist is influenced by Pat MethenyFind albums by this artist and Allan HoldsworthFind albums by this artist, but has a definite personal sound and style. Guitar freaks will delight in his explorations. The (female) keyboards player provides most of the multi-layered sounds, which are elegant and imaginative. Her solos are mostly done on acoustic piano, which sounds excellent on top of the synthesized background. In short a great surprise and a superb debut album by all standards. One bonus track was added to the original Japanese album for the Musea release.
| | | CD 1 Bonus Tracks Recommend To A Friend |
  | LU7 ~ L`ESPRIT DE L`EXIL
MUSEA 4572 (Barcode: 3426300045720) ~ JAPAN ~ Progressive Rock
Recorded: 2004 Released: 2004
2nd album by Japanese duo LU7Find albums by this artist, which comprises of female keyboards player Luna UmegakiFind albums by this artist and guitarist Tsutomu KuriharaFind albums by this artist. Supported by a great cast of guest musicians (bass, drums and other instruments) they deliver their second album, which is every bit as strong and full of great music as their amazing debut. Somewhere between Prog and Fusion, this instrumental album will delight guitar freaks from the Allan HoldsworthFind albums by this artist camp, but honestly there is plenty of music here, beyond the guitar solos. The keyboards parts are imaginative and very well developed and the guest musicians all contribute excellent support to make it all work. The extremely clever usage of Celtic and Middle Eastern motifs takes the music a step further towards perfection. In short a perfect instrumental album for Prog and Fusion fans alike. Wholeheartedly recommended! (And please don’t ask me why so many Japanese Prog albums have French titles).
| | | CD 1 Recommend To A Friend |
  | JEAN-LUC PONTY ~ INDIVIDUAL CHOICE
WOUNDED BIRD 8098 (Barcode: 664140809826) ~ FRANCE ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2006
Jean-Luc PontyFind albums by this artist’s 10th album for AtlanticFind albums on this label, which marks a radical change in his approach to music, expressed mainly in his extensive use of electronic sounds (as opposed to his earlier use of acoustic or electric violin). Using a complex array of synthesizers and other devices Ponty creates sonic vistas of great beauty and depth. Mind you the Fusion spirit is still very much there and no danger whatsoever of New Age senseless monotony – this is highly spirited music of great value. Although Ponty is by far the main performer, he does use a few supporting musicians like old buddy George DukeFind albums by this artist on mini-moog or Allan HoldsworthFind albums by this artist on guitar. As usual Ponty wrote all the music presented here and again he managed to come up with some formidable melodies, which lost none of their charm over the years. A must for all JLP fans and people with taste.
| | | CD 1 Recommend To A Friend |
  | SIDE STEPS ~ STEPS ON EDGE
MUSEA 4511 (Barcode: 3426300045119) ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 1993 Released: 2003
1st album by Japanese Prog / Fusion quartet Side StepsFind albums by this artist, which was one of the most promising and interesting debut Fusion albums of the 1990s. The band features the classic guitar / keyboards / bass / drums lineup and plays amazing instrumental music, usually at neck-breaking speed. These young musicians seem to have mastered their instruments from the cradle, otherwise it’s quite impossible to explain the virtuosity displayed here. The compositions are equally strong, which makes this album a particularly enjoyable experience. Stylistically the band borrows some of their elements from UzebFind albums by this artist, Allan HoldsworthFind albums by this artist and many other (mostly European) Fusion masters, but they definitely have enough originality to be considered masters on their own. If you like fiery Fusion like Mahavishnu OrchestraFind albums by this artist and beyond, you will enjoy this album immensely. Highly recommended!
| | | CD 1 Recommend To A Friend |
  | ASAF SIRKIS ~ SHEPHERD`S STORIES
STONED BIRD 003 (Barcode: 680569811257) ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 2012 Released: 2013
This is an excellent album by Israeli (living in London) drummer / composer Asaf SirkisFind albums by this artist, recorded in a trio format with Greek guitarist Tassos SpiliotopoulosFind albums by this artist and Israeli bassist Yaron StaviFind albums by this artist, both also living in London. Several guest musicians are featured on selected tracks. The album contains eight original compositions, all written by Sirkis.
Musically the album broadly belongs to the Jazz-Rock Fusion genre, although it also amalgamates other influences, mostly folkloristic and ambient themes. There is a strong presence of melodic elements, most rather melancholic and somewhat mystical, which create an atmosphere of reflection and serenity. And yet the music is full of dynamics and drive, both on the low-key tracks and obviously on the up-tempo numbers.
All these musicians are clearly masters of their trade. Spiliotopoulos plays some incredible licks, which could cause even the most famous guitarists to miss a heartbeat. His flow and apparent virtuosity are especially effective on the up-tempo numbers, where his performances sound similar to those of Allan HoldsworthFind albums by this artist, without any attempt to copy them of course. Stavi is a very intelligent and proficient bassist, and his solid bass lines serve as the foundation upon all the music is based. He is also beautifully melodic and hassle-free. Sirkis, whom I know since his very early days as a drummer, became a Master of his trade, playing some amazing rhythmic patterns but always emphasizing the melody as well. His rolling technique is simply breathtaking, as is his ability to play forcefully and yet unobtrusively at once is truly sublime.
This is an album for people who love guitar-based instrumental music, but don´t expect and razzle-dazzle neck-breaking trickery, ready to enjoy some elegant and meaningful music. This album promises to grow on the listener with time, always uncovering new vistas with every visit.
| | | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE & WELL: RECORDED IN PARIS (EXPANDED EDITION)
ESOTERIC 2234 (Barcode: 5013929733428) ~ UK ~ Canterbury Scene
Recorded: 1977 Released: 2010
By 1974 the legendary Soft MachineFind albums by this artist switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end (for the time being).
But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock.
This, the group´s 1st formal live album, was the third of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, violinist Rick SandersFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Steve CookFind albums by this artist and drummer John MarshallFind albums by this artist. It was recorded live at the Parisian "Theatre Le Palace, Monmartre". The music includes material from the two previous Harvest albums, as well as previously unrecorded tunes. There is plenty of improvisation by the players, but it´s much more settled and well organized.
Overall, in retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans. This expanded edition includes a whole second CD of previously unreleased material recorded at the same concert dates.
| | Updated: 06/07/2024Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | SOFT MACHINE ~ BUNDLES
ESOTERIC 2196 (Barcode: 5013929729629) ~ UK ~ Canterbury Scene
Recorded: 1974 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the first of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, keyboardist Mike RatledgeFind albums by this artist, guitarist Allan HoldsworthFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. Saxophonist Ray WarleighFind albums by this artist helps out on one tune. The music is quite different from anything the band recorded previously, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. Holdsworth delivers some of his best playing to date but the overall level of musicianship is astounding. In retrospect this is still one of the best British Jazz-Rock albums and a magnificent piece of music history. An absolute must!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ FLOATING WORLD LIVE
MOONJUNE 007 (Barcode: 692287900724) ~ UK ~ Canterbury Scene
Recorded: 1975 Released: 2006
Live recordings by the legendary Canterbury band Soft MachineFind albums by this artist have been popping out in recent years on a regular basis, but all of these concentrate on the early days around the period between (and before) the first album and up to about 1973. Therefore this live album is especially interesting, as it dates from 1975, when the band went through a radical change with a new lineup, adding the extraordinary powers of guitarist Allan HoldsworthFind albums by this artist. The band, which also included Karl JenkinsFind albums by this artist on oboe, sax and keyboards, Mike RatledgeFind albums by this artist on keyboards, Roy BabbingtonFind albums by this artist on bass and John MarshallFind albums by this artist on drums, abandoned the material recorded on previous albums and concentrated on entirely new material, written mostly by Jenkins and Ratledge, which was about to be released on the "BundlesFind albums with this title" album. The source of the recording is the endless archive of Radio Bremen, which of course ensures superb sonic quality. Soft Machine enthusiasts need no encouragement to grab this album with sweaty hands, expecting the best, and sure enough it delivers in full. The performances are stellar, the music enchanting and although less revolutionary and Avant-Garde then the earlier period, nevertheless it is still some of the best stuff played in the 1970s, with distinct Fusion overtones and masterly touches by the musicians. The album includes extensive liner notes, where the band members reminiscence about the period and circumstances of the recording – a great read and together with the music what a piece of music history!
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | SOFT MACHINE ~ LAND OF COCKAYNE
ESOTERIC 2208 (Barcode: 5013929730847) ~ UK ~ Canterbury Scene
Recorded: 1980 Released: 2010
This is the 4th Soft MachineFind albums by this artist album released on the HarvestFind albums on this label label and the last ever record released by the band, bringing an end on a magnificent career, which spanned two and a half decades and resulted in some of the most important music ever recorded. But the truth behind the album is quite different from what appears on the album´s cover – the fact is that Soft Machine did not exist for some time when this album was released and this is a solo project of the last leader of the band, composer / keyboardist Karl JenkinsFind albums by this artist. The decision to release the album under the band´s name is somewhat dubious. Nevertheless the connection to Soft Machine is pretty obvious, as this album features several of its ex-members and co-members: guitarist Allan HoldsworthFind albums by this artist, drummer John MarshallFind albums by this artist and saxophonist Ray WarleighFind albums by this artist. Jenkins added several other outstanding musicians to Soft Machine core: bassist Jack BruceFind albums by this artist, saxophonist Dick MorrisseyFind albums by this artist, guitarist Alan ParkerFind albums by this artist and pianist John TaylorFind albums by this artist. The music floats somewhere between Jazz and ambient music, with strong ties to contemporary Classical, emphasized by the string arrangements, and some World Music influences. It is a preview of the future work of Jenkins, who in the years to come established himself as one of British most distinguished contemporary composers. So is this a Soft Machine album? Who cares, the important fact remains that this is still great music, which holds water 30 years after it was recorded. Obviously hard-core Soft Machine fans might find it not to their taste, but it is here to stay as part of the band´s legacy. Deal with it.
| | Updated: 10/03/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ SEVEN (REMASTERED)
SONY BMG 768729 (Barcode: 828768729229) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 2007
7th album, which was the last recording Soft MachineFind albums by this artist did for CBSFind albums on this label. Following the release of SixFind albums with this title veteran SM member Hugh HopperFind albums by this artist announced his departure from the group. Hopper was not happy with the direction the group was taking, namely the less adventurous and jazz oriented Jazz-Rock, which dominated Six. Being a bold innovator and restless explorer, Hopper’s idea of well-organized and structurally sound music was unacceptable, and he decided to leave. For the third time in a row the band enlisted to their ranks a replacement from the band NucleusFind albums by this artist, this time the bass player Roy BabbingtonFind albums by this artist (who already participated on FourthFind albums with this title and FifthFind albums with this title). He switched from his acoustic bass to a six-string bass guitar and his integration into the band was completely smooth and natural, as he was already familiar with John MarshallFind albums by this artist and Karl JenkinsFind albums by this artist. The music, written mostly by Jenkins and Mike RatledgeFind albums by this artist, is more Jazz-Rock than ever, with rather shorter, but extremely well structured and perfectly executed pieces. The keyboards duets and quirky rhythm patterns are the familiar Jazz-Rock devices used, similar to other groups which played similar music at the time. Contrary to the general opinion, which states that this album is not as strong as the previous SM releases, I personally completely disagree and consider this to be as essential as all the other CBS recordings with some of the best and most memorable SM tunes on it. After this album SM switched to the Harvest label, recording several Jazz-Rock albums featuring guitar players Allan HoldsworthFind albums by this artist and later John EtheridgeFind albums by this artist, all of which are still waiting for proper remaster. Essential!
| | | CD 1 Oversampling Remastered Essential Recommend To A Friend |
  | SOFT MACHINE ~ SOFTS
ESOTERIC 2202 (Barcode: 5013929730243) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the second of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, saxophonist Alan WakemanFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. The last founding member of Soft Machine, keyboardist Mike RatledgeFind albums by this artist left in the midst of recording of this album and his contribution here are minor. The music is a continuation of the direction set by its predecessor, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. In retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans.
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT WORKS ~ ABRACADABRA IN OSAKA
MOONJUNE 112 (Barcode: 692287911225) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2021
This is an archival album documenting a live concert by the short-lived British quartet Soft WorksFind albums by this artist, comprising of ex-Soft MachineFind albums by this artist members: saxophonist Elton DeanFind albums by this artist (who also plays Fender Rhodes here), guitarist Allan HoldsworthFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer John MarshallFind albums by this artist. The music was captured during the group’s tour in Japan in 2003. The 2CD album presents eleven tracks, some of which were originally composed for the group’s only studio album “AbracadabraFind albums with this title”, and others which belong to the classic Soft Machine repertoire.
With tracks running on average over the ten-minutes mark, the music is everything the listener familiar with Soft Machine stuff might expect, i.e. long instrumental jams, featuring extensive improvisations by Dean and Holdsworth, superbly supported by the rhythm section. As a result, the music constantly swings like a pendulum between Jazz (Dean) and Fusion (Holdsworth), with the rhythm section swinging on its own right.
Probably the most impressive are the solo parts played by Holdsworth, who obviously feels unconstrained by any time limit obligations and psychological pressures, and simply pours his heart out, producing some of the best guitar oriented Fusion moments ever. I always thought that Holdsworth was one of the tragic figures on the guitar arena in many respects. He was simply too talented for his own good, never actually managing to create the music he really wanted to, from the earliest days of his career and to the very end of his life. His studio recordings are all very far from what he really had to say and as a member of group efforts he simply never found a team that could march his stratospheric imagination, which always soared to the stars. This album probably captures some of his best playing ever, like what I remember when he used to play in dinky pubs around London, completely relaxed sitting a couple of feet away from his audience.
Although there is a lot of open space in this music, with pretty wild improvisation around, the music stays well organized for the duration, and eschews the Free Jazz idiom, which might have disrupted the connection with the audience. Complex and challenging – yes, but never chaotic, would be the best description of these proceedings.
Overall this is a wonderful document of this particular chapter in the long Soft Machine family tree history, which is of course fascinating and absolutely worthy of exploring. Thanks to Leonardo PavkovicFind albums by this artist, the one-man musical army who made it all possible at the time as a tour organizer and now as the owner of the MoonJuneFind albums on this label label, which released this music on record. Pavkovic tells the story behind the music in the album’s booklet, but the story of his collected activities can fill a huge volume, hopefully to be properly written. Proud to be your Friend, Amigo!
| | Updated: 25/04/2021Posted: 25/04/2021 | CD 2 Mini-Sleeve Recommend To A Friend |
  | VARIOUS ARTISTS ~ COME TOGETHER-GUITAR TRIBUTE TO THE BEATLES VOL.1
NYC 6004 ~ USA ~ Jazz
The music of the Beatles is often an ispiration for Jazz artists, and this tribute album features some of the best guitar players ever, just read the names and drool: Mark WhitfieldFind albums by this artist, Toninho HortaFind albums by this artist, Ralph TownerFind albums by this artist, Steve KhanFind albums by this artist, Zachary BreauxFind albums by this artist, Adrian BelewFind albums by this artist, John AbercrombieFind albums by this artist, Allan HoldsworthFind albums by this artist, Leni SternFind albums by this artist & Larry CoryellFind albums by this artist.
| | Updated: 09/11/2024Posted: | CD 1 Recommend To A Friend |
|
