Record Reviews

LUKASZ BOROWICKI ~ MORBIDEZZA OF DECADENCE MULTIKULTI MPJ 021 (Barcode: 5907529223598) ~ POLAND ~ Jazz Recorded: 2017 Released: 2018 This is the fourth album by Polish (resident in Denmark) Jazz guitarist / composer Lukasz BorowickiFind albums by this artist recorded this time with a sextet, which also features three Danish musicians: trumpeter Mads la CourFind albums by this artist, pianist Soren GemmerFind albums by this artist and drummer Anders MogensenFind albums by this artist and two Polish musicians: saxophonist Bartlomiej WawryniukFind albums by this artist and bassist Mariusz PrasniewskiFind albums by this artist. The album presents eight original compositions, all by Borowicki. The music on this album takes a step back towards more structured / composed modern European Jazz, with emphasis on composition and ensemble effort. In contrast to the typical albums produced by young Polish Jazz musicians these days, this album is much closer in spirit to Scandinavian Jazz, not only due to the fact that half of the sextet´s members are Danish, but mainly due to the character of the compositions, which offer typical Nordic open space and "windy" ambiance. The music is relaxed, and offers a lot of breathing space for all the musicians to solo and interplay extensively, with every single note being perfectly clearly audible. Borowicki plays the guitar with wonderful minimalist, almost completely acoustic touch, shunning flashy displays of egocentric show-off. All the rest of the sextet members follow his lead in this respect, and the album is a wonderful example of mutual respect and understanding between the musicians, as well as a display of the elegance, restraint and artistry that characterizes European Jazz. The sextet members are all superb instrumentalists, and they all contribute equally to this album´s success. Wonderfully "cool" trumpet parts by la Cour, beautifully melodic solos by Gemmer and spirited saxophone parts by Wawryniuk are kept in check by the solid and yet creative work by the rhythm section, which is fully up to par with the front line players. Overall this is an excellent album in every respect, clear evidence that the prolific work of Borowicki is consistently excellent and has a lot to offer in a long term. Full of great compositions and excellent playing, this album is an indicator of how young European Jazz is exploding with talent and extraordinary quality, which never ceases to amaze. Well done Gentlemen!

Updated: 27/10/2018Posted: 27/10/2018

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LUKASZ BOROWICKI ~ PEOPLE, CATS & OBSTACLES FOR TUNE 0037 (Barcode: 5902768701371) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by young Polish Jazz guitarist / composer Lukasz BorowickiFind albums by this artist, recorded in a trio format with Polish bassist Mariusz PrasniewskiFind albums by this artist and Danish drummer and frequent collaborator with Polish musicians Kasper Tom ChristiansenFind albums by this artist. Both Borowicki and Prasniewski studied at the Academy of Music in Odense (Denmark), as did many of Poland´s young Jazz musicians in recent years. The album presents nine original compositions recorded by the trio and a bonus track which is a solo guitar piece, all composed by Borowicki. The music is a surprising amalgam of many different elements, which create a unique musical perception, fascinating and absorbing right from the onset. Borowicki has a distinctive guitar sound, which is raw and distorted, somewhat similar to early John McLaughlinFind albums by this artist´s efforts. The melodies, or rather melodic fragments, are quirky and unstable, changing rapidly and continuously, and yet producing an overall coherent compositional whole. The same applies to the frequent tempo changes and improvisational approaches, which move within one piece between tightly knit interplay and completely free form, spacey improvisation. The overall effect of this unusual music is definitely fascinating and completely fresh. Considering the fact that guitar is the most popular instrument on this planet, it takes a truly ingenious musician to create something new with it, such as Borowicki manages to do in this case. The leader gets a most sympathetic support from his cohorts; Prasniewski is a wonderfully melodic player, who against all odds manages to keep the surreal paste of change this music demands, supporting the guitar every inch of the way. Christiansen, who is already a well seasoned musician and a superb composer on his own, is an ideal partner completing the trio. He plays sparingly and unobtrusively, but is right where he is needed at all times. In conclusion, this is a first class debut effort, which shows an enormous potential and talent that Borowicki represents which hopefully will mature and develop further in time. As a result of this album, he immediately becomes a worthy candidate to become one of the top Jazz guitar players in his country, a position which at the moment is rather sparingly populated.

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LUKASZ BOROWICKI ~ RITUALS NOT ON LABEL ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2023 Released: 2023 This is the 6th album by Polish (resident in Denmark) Jazz guitarist / composer Lukasz BorowickiFind albums by this artist and his second solo effort. He overdubs several guitars, a bass guitar and synthesizers, so this is definitely not strictly a solo guitar album. The album presents eight tracks, all of which are original compositions by Borowicki, with total playing time slightly under half an hour, which makes it rather an EP than a full album. The music is very different from Borowicki’s earlier recordings, quite distant from the usual Jazz material. This time the music is very melodic, even romantic, with carefully composed themes and limited improvisation, sometimes even touching on almost Ambient atmosphere. There are plenty of wonderful guitar performances, which guitar lovers will certainly enjoy, and the arrangements emphasize the relaxed mood. Overall, this is a new facet of Borowicki’s musical personality, full of great melodies and presented in a minimalist setting, with emphasis on melody. There is plenty of interesting guitar playing and relaxed atmosphere, but Jazz purist might find this album outside of their sphere of interest. Personally I enjoyed the tranquil atmosphere, especially in the midst of the mayhem surrounding us at the moment.

Updated: 10/11/2023Posted: 10/11/2023

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LUKASZ BOROWICKI ~ SONGS WITH RHYMES NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz Recorded: 2017 Released: 2017 This is the third album by Polish Jazz guitarists / composer Lukasz BorowickiFind albums by this artist and his second recording with a trio he recorded his debut with, which also includes bassist Mariusz PrasniewskiFind albums by this artist and Danish drummer Kasper Tom ChristiansenFind albums by this artist. The album presents nine original compositions, all by Borowicki and is beautifully recorded with wonderful aural atmosphere. The music on this album is meant to present the acoustic side of Borowicki´s guitar playing and as a result is indeed very delicate, intimate and low volume. The rhythm section offers a remarkable support to this acoustic effort, playing also very subtly, but clearly in sync with the leader and most inventively. Therefore as a trio effort, this album is absolutely fascinating and one of the best of its kind I have come across lately. However, Borowicki evidently steps here towards much more Free Jazz and Improvised Music than on his earlier recordings. In my review of his debut album I mentioned that his playing reminds me of early John McLaughlinFind albums by this artist recordings; the music here is much closer to what Derek BaileyFind albums by this artist had to offer. Nothing wrong with that of course, except for the fact that Borowicki is stepping away from the majority of Jazz listeners and entering the Avant Garde niche, with everything that such a move implies. As a result there are almost no melodic themes here, at most some melodic fragments, which is a pity considering Borowicki´s fine composing talent, which he displayed on his earlier recordings. Overall this is a bold step for this young and talented musician, which is obviously a part of his search towards his musical self-discovery. People expecting traditional guitar playing will be definitely disappointed, but Improvised Music / Free Jazz lovers should find this album an exquisite example of trio cooperation and elegant European non-aggressive and yet completely individualistic music creation.

Updated: 17/12/2018Posted: 26/05/2017

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LUKASZ BOROWICKI ~ WANDERING FLECKS FOR TUNE 0095 (Barcode: 5902768701937) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the second album by young Polish Jazz guitarist Lukasz BorowickiFind albums by this artist. Following the debut album recorded in a trio format, this album presents a quartet effort, with Danish flugelhornist Mads la CourFind albums by this artist and Polish bassist Mariusz PrasniewskiFind albums by this artist (who also appears on the debut) and drummer Karol DomanskiFind albums by this artist. The album includes ten original compositions, eight of which are by Borowicki and two are improvisations credited to the quartet members. In contrast to the debut, this album is much more relaxed and organized, probably since there is no pressure to prove anything this time. The compositions are lyrical and much closer to the European Jazz idiom, with breathing space and freedom being the most important ingredients in addition of course to the personal abilities of the participants. The addition of the flugelhorn expanded the ensemble´s possibilities considerably and Borowicki could have hardly find a better partner for his musical explorations that the amazing Dane, who has caught my ear already and who is definitely worth following carefully. The quartet is very tight together, which is quite remarkable considering the complex, both harmonically and rhythmically, music they perform. The rhythm section truly supports the soloists as well as builds up the platform on which the entire structure securely advances in time. As the result the instrumental work is nothing short of amazing. It is hard to believe that this album was recorded by such young musicians. Borowicki also presents an impressive compositional palette and the overall level of his tunes is very notable. His compositions serve as ideal vehicles for the musicians to play their best. The interplay between the guitar and the trumpet is especially exciting, as are their respective solo parts. Both Borowicki and la Cour have a distinctive sound and approach and on this album they simply complete each other perfectly. It is a joyful feeling to hear music of such quality, especially when it comes from musicians who are at early stages of their careers. The maturity and talents displayed here are all exemplary. As a result this is another great album released by the For Tune label, and certainly one of the strongest releases this year on the Polish Jazz scene. Congratulations!

Updated: 08/08/2016Posted: 08/08/2016

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ANTHONY BRAXTON (+ DUKE ELLINGTON) ~ CONCEPT OF FREEDOM HATOLOGY 614 (Barcode: 752156061427) ~ USA ~ Jazz Recorded: 2003 Released: 2005 This album presents the compositions by two of America´s most iconic Jazz composers: Anthony BraxtonFind albums by this artist and Duke EllingtonFind albums by this artist. Although seemingly totally separated and different, the works of these two composers are reflections of their respective eras. Ellington symbolizes the sophistication of the Jazz Art Form at its peak; at least as far as Jazz composition is concerned, and marks the turning point of Jazz, when its musical qualities finally reached the level of complexity and sophistication of the Classical Music heritage. Braxton symbolizes the next giant step in the development of Jazz, when it finally freed itself from any preconceptions and limitations, concentrating on its intrinsic quality, i.e. improvisation. Side by side, these compositions can certainly compliment each other, especially when performed by an excellent quartet of European musicians, two of which have recorded Braxton´s music before under his supervision: Swiss trombonist Roland DahindenFind albums by this artist and pianist Hildegard KleebFind albums by this artist with Greek violinist Dimitris PolisoidisFind albums by this artist and Austrian electronic musician Robert HöldrichFind albums by this artist. The performances are virtuosic and the music, although difficult and demanding, offers besides the obvious challenges also many hidden treasures associated with contemporary Improvised Music. For serious listeners only!

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BILL BRUFORD ~ ONE OF A KIND WINTERFOLD 004 (Barcode: 604388638420) ~ UK ~ Progressive Rock Recorded: 1979 Released: 2005 2nd album by Bill BrufordFind albums by this artist, released 18 months after the debut, as Bruford was busy as a member of the group UKFind albums by this artist. It features the core members of the group that recorded the debut album: Allan HoldsworthFind albums by this artist - guitar, Dave StewartFind albums by this artist - keyboards and Jeff BerlinFind albums by this artist - bass. This time the group is even tighter and more coherent then last time, which results in some of the best ever performances in Prog / Fusion. This is timeless music that sounds as fresh today as it was at the time of the recording. Absolutelly essential.

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IDO BUKELMAN ~ CRACKED SONG OUTNOW 001 (Barcode: 7290011216955) ~ ISRAEL ~ Jazz Recorded: 2010 Released: 2011 Israeli guitarist / composer Ido BukelmanFind albums by this artist is one of the most prolific musicians on the local Free Jazz / Improvised Music scene. In addition to his musical activities Bukelman recently combined forces with two other Israeli musicians (saxophonist Yoni KretzmerFind albums by this artist and guitarist Yair YonaFind albums by this artist) and together they launched a new Israeli record label, called OutNowFind albums on this label Recordings, dedicated to releasing their own music and other more ambitious and less commercial musical ventures, which otherwise would have very little (if any) chances to see the light of day at all. The label released its first six albums recently, of which this is the first one. Bukelman, who plays both acoustic and electric guitar, records in various settings, which include both solo and ensemble performances. This album finds him as a leader of a quartet, which includes his regular trio members: bassist Assaf HakimiFind albums by this artist and drummer Udi ShlomoFind albums by this artist. Cellist Yuval MesnerFind albums by this artist joins them to form a quartet. The music, all composed by Bukelman, is surprisingly "well behaved" relatively to a Free Jazz setting, with clear melody lines stated throughout the improvisations. Although there´s plenty of freedom for the musicians to express their personal statements, the compositions are noticeably structured, which of course makes the music more accessible to a less experienced listener. In spite its free-spirit character, this music is far from being alienated from the Jazz tradition, which is one of its merits. The level of performances, interplay and personal statements is truly excellent throughout. Bukelman´s electric guitar sometimes ventures into Jazz-Rock territory with a slight scent of the free side of John McLaughlin, which I mean as a compliment considering my well known sympathy towards McLaughlin artistry. Mesner´s cello, excellent as always, paints a calmer atmospheric background and the rhythm section makes a superb effort to glue everything together, which is successful indeed. Altogether this is a first rate Free Jazz album, which most "regular" Jazz enthusiasts should enjoy as well. This level of musicianship, personal courage and dedication to the music is a heartwarming and one can hope that the future of noncommercial and artistic music in Israel has a new perspective in the hands of a new generation, which will take it further. This is brilliant stuff, not to be missed!

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IDO BUKELMAN ~ SOLO OUTNOW 005 (Barcode: 7290011216962) ~ ISRAEL ~ Jazz Recorded: 2010 Released: 2011 This is the debut solo recording by Israeli guitarist / composer Ido BukelmanFind albums by this artist, one of the most prolific musicians on the local Free Jazz / Improvised Music scene. In contrast to his ensemble recordings or those with the EFTFind albums by this artist trio (also released on the great OutNowFind albums on this label Recording label) where he mostly plays electric guitar, on this album Bukelman opts for the acoustic guitar, except for one track on which he adds electronics. The music is very difficult to describe and belongs to the extreme Avant-Garde personal statements, which are incredibly difficult to access and assess. If anybody reading this is familiar with the work of the great British guitarist Derek BaileyFind albums by this artist, one of the Godfathers of the Improvised Music movement, then this might be a starting point. This does not mean of course that Bukelman is imitating Bailey´s work, as that would be an oxymoron, but stylistically and sonically the content of this album belongs in the same sphere. Obviously this is a very personal music and the question if it is communicative and transferable to the listener remains open and is largely up to the listener himself. Improvised Music is, after all, a very individual expression of a momentary inspiration. One should of course commend the Artist first for making such individual and unconventional statement and that for bringing it out in the open for others to experience. Hopefully there will be others open-minded enough to enjoy and appreciate this music.

Updated: 12/04/2019Posted:

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IDO BUKELMAN ~ THE DOOR KADIMA COLLECTIVE 33 (Barcode: 7290011216009) ~ ISRAEL ~ Jazz Recorded: 2011 Released: 2011 This is the second solo recording by Israeli guitarist / composer Ido BukelmanFind albums by this artist, one of the most prolific musicians on the local Free Jazz / Improvised Music scene. In contrast to his ensemble recordings or those with the EFTFind albums by this artist trio, where he mostly plays electric guitar, on his solo albums Bukelman opts for the acoustic guitar, adding also banjo and some percussion on this one. Of the eleven tracks on this album, all composed by him, the last six are connected into a suite, which gives the album its title. In comparison to his previous solo album ("SoloFind albums with this title"), recorded just a few months earlier, this album is much more relaxed and "well behaved", with clear melodic content popping out between and behind the freely improvised passages. Of course this is still very much Improvised Music, very personal and complex, which presents quite a challenge to the listener, but the overall effect of this album is definitely less stressful and estranging. With four albums recorded and released in less than a year Bukelman emerges as a major talent of the local scene, one that deserves to be followed carefully, open-mindedly and openheartedly as a source of some serious musical experiences. Hopefully there will be an audience open-minded enough to enjoy and appreciate this music.

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DOMINIK BUKOWSKI ~ DOMINIK BUKOWSKI & PROJEKTOR ALLEGRO 010 ~ POLAND ~ Jazz Recorded: 2004 Released: 2005 This is the debut album by Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist, recorded with an excellent ensemble which comprises of saxophonists Wojciech StaroniewiczFind albums by this artist and Lukasz PoprawskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist, drummer Hubert ZemlerFind albums by this artist and Pawel GrabowskiFind albums by this artist who employs live electronics. The album presents nine original compositions, all by Bukowski except for one track being co-credited to Grabowski, which is a soundtrack to a short film, which is also included as part of this enhanced CD. The music is absolutely stunning, typical melancholic Polish Jazz at its best, with beautifully woven melodies, which are then developed by the ensemble to form serene soundscapes, many of which could serve as soundtracks of imaginary movies, not only the last track on the album, which is a soundtrack in reality. Bukowski emerges from the very first moments of this album as an important composer, which of course would be reconfirmed time after time in the years that followed this recording. The personal contributions by the musicians involved in making this album are all first class. Bukowski deliberately takes a step back and solos rather sparingly, but when he takes the lead his performance is mesmerizing. Most of the solos are performed by Staroniewicz, who is definitely one of the best players in the country with an incredible melodic lyrical tone and virtuosic improvisational qualities. Lemanczyk, again one of the finest players in Poland, does his bass magic like a dream. Zemler plays carefully and intelligently in the background in order to keep the delicate balance this music so much depends on intact. The electronic / sampled ornamentations are all non-obtrusive and well suited to the atmosphere of the music, fitting very well into the overall ambience. Overall this is a superb debut and a fantastic Polish Jazz album, which is mostly overlooked in retrospect, definitely deserving an honorable place on the short list of best albums recorded during the first decade of the 21st Century. Those fans of Polish Jazz that missed getting it at the time: it´s never too late for great music!

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DOMINIK BUKOWSKI ~ SIMPLE WORDS SOLITON 354 (Barcode: 5901571093543) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the fourth album as a leader by Polish vibraphonist / composer Dominik BukowskiFind albums by this artist, one of the most prolific and sought after musicians in his country, with an impressive record both as a leader and a sideman and certainly a great master of the neglected vibraphone. The album presents ten original compositions, all by Bukowski, performed by a quartet which also includes the Indonesian pianist Sri HanuragaFind albums by this artist, legendary bassist Piotr LemanczykFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Bukowski consistently produces excellent music showcasing both his talents as an instrumentalist and his abilities as a composer of witty, intelligent and beautifully melodic tunes, and this album is no different in any respect. The music flows seemingly effortlessly from the opening chords till the last note, full of lyrical statements, changing tempi and featuring many breathtaking solo spots. The decision to use the piano, which is a novelty as far as Bukowski´s groups are concerned, introduces a much broader harmonic spectrum and a more contemplative mood than his earlier albums, which featured reeds or brass. Of course vibes and piano have to be carefully balanced not to crash with each other, but this quartet manages to overcome this obstacle immaculately. The individual performances are, as expected, flawless and highly professional. Bukowski´s vibes are always right on, preserving the bells of heaven quality, which he manages to maintain for many years. The young and energetic pianist has an excellent technique and does a perfect job both accompanying the vibraphone parts, which is by far nor easy, and shines brightly on his own parts. Lemanczyk is, as always, simply divine, with his strong and precise virtuoso bass lines carrying the music on a magic carpet. Jarosz is always a solid player, keeping time and managing not to become too obtrusive in the delicate balance between the other members of the quartet. Overall this is another addition to Bukowski´s already sizeable and meaningful legacy, which just got expanded by another important jewel. It´s good to see that he manages to change and develop without loosing his basic qualities but not resting comfortably in one niche, which vibraphone players unfortunately often do. This is perhaps not revolutionary or highly innovative music, but it is perfect in what it does and should be treated as such. Hopefully we won´t have to wait another four years or more for the next project and album. As usual, respect Maestro!

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DOMINIK BUKOWSKI ~ SUFIA FSR 2016/07 (Barcode: 5905279364110) ~ POLAND ~ Jazz-World Fusion Recorded: 2016 Released: 2016 This is the fifth album as a leader by the Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist, one of the most respected and prolific figures on the Polish Jazz scene. The album was recorded live in a quartet setting, with American trumpeter Amir ElSaffarFind albums by this artist, Polish bassist Adam ZuchowskiFind albums by this artist and drummer Patryk DoboszFind albums by this artist. Together they perform eight tunes (one split into two parts), five of which are arrangements of traditional melodies and three are original compositions by Bukowski. The music is a Jazz-World Fusion project, which amalgamates the Folklore roots of Polish and Middle Eastern music, or more specifically the Arabic maqam system, which lately has been discovered by many Jazz improvisers all over the world. The maqam is remarkably open system and as such an ideal basis for improvisation, which is clearly demonstrated on this album. Both the traditional pieces and the original compositions get a similar treatment, which creates a remarkable coherency and consistency, which this album manages to uphold for its entire duration. The involvement of ElSaffar is of course the decisive factor, which makes this album tick. His knowledge of Arabic musical forms makes him an ideal partner side by side with Bukowski, who after all is originally rooted in different musical environment. Without him this project might have proven to be too ambitious for the Polish musicians working on their own. Of course ElSaffar´s virtuosic trumpet performances based in the Jazz idiom are another strong virtue of this project. His santur solos are also some of the highlights of the album. Bukowski wisely lets ElSaffar to take upon himself most of the soloing and in general the leading of the music, as he is the bridge between the two worlds. Bukowski and the rhythm section take a step back and play along the trumpeter, contributing amicable support, both harmonically and rhythmically, which is especially impressive considering how difficult the odd and irregular Arabic rhythms usually are for people living outside the region. Zuchowski and Dobosz wisely take the rhythmic level of the music into a free form and less regular rhythmic environment, skillfully avoiding the traps of the tricky Arabic patterns as such. Their contributions are excellent all the way through and truly admirable. Bukowski, as usual, contributes some superb vibraphone vistas, somewhat subdued and modest, but always elegant and highly aesthetical. His original compositions fit the concept of the album ideally and the vibraphone / trumpet collaboration is tasteful and unique. This album, diametrically different from the other projects he is involved in, proves his diversity and open-mindedness. Overall this is definitely one of the most interesting Jazz-World Fusion albums recorded by Polish Jazz musicians in a long time and deserves all the compliments bestowed upon it already, which I fully support. Bukowski has been a sure "bet" ever since he arrived on the scene and this album places him also in the "full of surprises" category, which is pretty rare. Hats off, Dominik!

Updated: 16/12/2016Posted: 16/12/2016

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DOMINIK BUKOWSKI ~ TIMES GET CHANGED ECNALUMBA (Barcode: 5907476693314) ~ POLAND ~ Jazz Recorded: 2007 Released: 2008 This is the second album as a leader by Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist, one of the most prominent representatives of Poland´s Baltic seashore scene. Bukowski´s output over the years is quite prolific and impressive, but stylistically it is mostly associated with lyrical and melodic Jazz, whereas on this album he presents a brass oriented Hard Bop setting with a distinct "retro" sound and brass dominated arrangements. The album consists of eight original compositions, all by Bukowski (assumedly as credits are not mentioned on the album´s cover). The music is performed by a sextet, which besides Bukowski includes also trumpeter Piotr WojtasikFind albums by this artist, trombonist Jacek NamyslowskiFind albums by this artist, saxophonist Lukasz PoprawskiFind albums by this artist, bassist Maciej SzczycinskiFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. It was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist with excellent results, as usual. The music is dominated by the brass section and Bukowski plays solo sparingly, which altogether reflects his position as a leader of this session in the composer´s and arranger´s seats rather than upfront as an instrumentalists. That unselfish decision is of course praiseworthy and also creates a superb ensemble sound, which is after all one of the centerpieces of the Jazz experience. Needless to say the individual performances by all the participants are above reproach. The brass players perform numerous excellent solos, the vibraphone lays out the harmonic parts and the excellent rhythm section moves the music forward with considerable drive but without being overbearing. In retrospect this is a remarkable album, well worth discovering and re-visiting. It is sadly rarely mentioned among the important Polish Jazz recordings, although it definitely deserves an honorable mention, as it is quite different from most other albums recorded in Poland in the first decade of the 21st Century. It is definitely worthy a place in any Jazz connoisseur´s collection and a proud item in Bukowski´s already remarkable legacy.

Updated: 12/06/2018Posted:

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DOMINIK BUKOWSKI ~ TRANSATLANTYK SOLITON 887 (Barcode: 5901571098876) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is an album by veteran Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist recorded in a quartet setting with younger musicians: trumpeter Emil MiszkFind albums by this artist, bassist Adam ZuchowskiFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents nine pieces, seven of which are original compositions by Bukowski, one is co-composed by all four members of the quartet and one is an arrangement of a composition by Polish Classical Music composer Andrzej PanufnikFind albums by this artist. The music on this album was inspired by the human experience of emigration, of leaving someone´s home and country and moving to another place, a process millions of Poles went through in modern history for a variety of reasons and as a result of economic, political, religious and personal pressures. This, Bukowski´s sixth album as a leader, repeats the lineup of his previous album "SufiaFind albums with this title", with Miszk replacing Amir ElSaffarFind albums by this artist and the rhythm section remaining in place. Miszk, who makes an impressive mark on the local scene lately, is in charge of most of the solo parts, as expected. The music continues the path set by Bukowski many years ago, which is based on the characteristic Polish lyricism and melancholy, but keeps changing and developing from one album to the next. The recording of the preceding album made a distinctive mark on Bukowski´s music with the inclusion of odd time signatures and strong World Music influences, which are also present here. But the music is in general more daring and adventurous, which can be perhaps credited also to the presence of the young players. The challenging task of creating a "concept album", which presents a coherent sequence of compositions with a common context uniting them, is achieved here remarkably well and the atmosphere of "storytelling" is felt distinctly, emphasized by the inclusion of the spoken word parts. The feeling of uncertainty, fear and outlandishness is present very vividly, expressing the mental state of émigrés, surly at the early stages of their new lives, but often lastingly. Therefore this album deserves a somewhat different perspective than a purely musical creation. Overall this is a momentous piece of Art, powerful both musically and as a document of human emotional states, which deserves a serious and attentive listening. Although the texts are almost exclusively in Polish, their meaning is universal enough to be felt without actually understand the verbal context. As someone who went through the process of emigration I can of course relate to this album more directly and emotionally than those who didn´t experience emigration in person, but I am sure that the power of this music is completely universal. Thank you Dominik for this wonderful gift of music and human sensitivity!

Updated: 28/04/2019Posted: 28/04/2019

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DOMINIK BUKOWSKI ~ VICE VERSA SOLITON 125 (Barcode: 5907577112530) ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 This is the third album as a leader by Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist recorded in a quartet format with two Finnish musicians: saxophonist Joonatan RautioFind albums by this artist and drummer Ville PynssiFind albums by this artist and his faithful companion since many years bass virtuoso Piotr LemanczykFind albums by this artist. The album presents seven original compositions, three each by Bukowski and Rautio and one by Lemanczyk. Although well within the Jazz mainstream, this album simply fulfills all the basic requirements expected from a superb Jazz production: beautiful melodies, excellent improvisations, superb teamwork and a crystal clear sound quality. Bukowski, as evident from his numerous other recordings, is the top vibraphone player on the Polish scene and his eloquence is simply astounding, as are his composing skills. Lemanczyk, one of my favorite Polish Jazz bassists, is also perfect all the way through. His sense of melody and understanding of the role of bass in a Jazz ensemble is second to none. The two Finns, although still relatively young, display here first class musicianship and in the case of Rautio also great compositional talent. Overall this is a first-class mainstream album, which makes no compromises whatsoever, keeping the music swinging and melodic and yet full of elegance and flair. This music has, perhaps unintentionally, a certain "retro" flavor, taking an experienced listener back to the 1950s and the Cool era, when the music was all about good taste and beautiful ladies. Of course any Jazz connoisseur should simply love this stuff to bits, as this music is so likeable that it makes you press the "repeat" button of your player instantly. Thank you guys for this little gem! This album is now four years old and one can only hope that we won´t have to wait much longer for another Bukowski recording, what do you say Dominik?

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DOMINIK BUKOWSKI / DOMINIK KISIEL ~ DELTA SCUTI GO NORTH 01 (Barcode: 5901157049445) ~ POLAND ~ Avant-Garde Jazz Recorded: 2021 Released: 2021 This is the debut album by Polish Jazz duo comprising of veteran vibraphonist / composer Dominik BukowskiFind albums by this artist and a representative of the young generation of the Polish Jazz scene, pianist / composer Dominik KisielFind albums by this artist. The album presents ten original compositions co-credited to the duo members. The music is very contemplative and sonorous, which combined with the dense sonic aura produced by the vibraphone / piano combination immediately signals to the listener that his full attention is absolutely required. Perhaps the simplest description would be to say that this is “serious” improvised music, almost on the same level as the so called contemporary Classical music, often with the same level of complexity. Obviously this music transcends any stylistic definitions, as well as most known precedents, which means that not only is it completely innovative, but also intrinsically “progressive”, which can be only said ever so rarely about music made today. The creation of this musical experiment by musicians originating in the Jazz idiom is even more surprising to be honest, as Jazz tends to be highly dominant and rarely allows any escape route. Nevertheless, following Bukowski’s development over the years, it was always very apparent that his way of musical thinking is hardly confined to established dogmas and thinking “outside of the box” should not be surprising in his case. It is great to see that Bukowski managed to draw Kisiel so completely into this concept, especially in view of the incredible interplay between the two musicians, which often sound almost supernatural. The duo’s performances sound as if performed by a four-hand / one head creature, not by two separate entities. As the title suggests, this is a true interstellar drive ;) Overall, this is an astounding album, a brilliant illustration of the “Art of the Duo” idiom and a groundbreaking achievement of contemporary Improvised Music / Jazz-Classical Fusion or whatever one wishes to call it. It is definitely the most outstanding album originating from the Polish Jazz scene this year (2021). For listeners searching for new directions in Jazz, this is something they should not miss. Brilliant stuff!

Updated: 03/09/2021Posted: 03/09/2021

CD 1 Digipak Recommend To A Friend

BILLY COBHAM / GEORGE DUKE ~ LIVE - ON TOUR IN EUROPE WOUNDED BIRD 8194 ~ USA ~ Jazz-Rock Fusion Recorded: 1976 3rd album by the Billy Cobham / George Duke BandFind albums by this artist. After George DukeFind albums by this artist left the Billy CobhamFind albums by this artist band to pursue his solo career, the two players got back together in 1975 and formed the BC-GD Band. After recording 2 studio albums, they recorded this live album. The line-up is a quartet with John ScofieldFind albums by this artist on guitar and Alphonso JohnsonFind albums by this artist on bass and this band smokes! There is evrything here, from funk to pure fusion and they really can play!

CD 1 Recommend To A Friend

CUKUNFT ~ WILDE BLUMEN LADO ABC C/18 (Barcode: 5907709922457) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2013 This is the third album by Polish ensemble CukunftFind albums by this artist, led by guitarist Raphael RoginskiFind albums by this artist with clarinetists Pawel SzamburskiFind albums by this artist and Michal GorczynskiFind albums by this artist and drummer Pawel SzpuraFind albums by this artist. The album presents eight compositions, six of which are originals by Roginski, one is an ensemble composition and one is by the great Polish / Jewish poet / songwriter Mordechai GebirtigFind albums by this artist. The usage of the Yiddish language to name the ensemble and its songs does not leave any doubts as to the cultural affinity of this music. Cukunft is one of several Polish ensembles, which create the so called "new Jewish music" in Poland during the last decade or so, contributing to the overall renaissance of the Jewish culture in Poland, a phenomenon which is completely unique and difficult to explain in any logical way due to the fact that there are almost no more Jews living currently in Poland and the tiny Jewish community certainly does not have a critical mass to produce any significant cultural output. And yet against all odds the Jewish culture is thriving in Poland, both in a reconstructed version, i.e. performing cultural output created during the period between the two World Wars as well as in a completely innovative version, which creates new, vibrant and ambitious works of Jewish culture, like Cukunft does. The musicians who form the ensemble belong to the new generation of Polish Jazz / Avant-Garde players, who are the most active and creative force in contemporary Polish Jazz. The music of Cukunft is an amalgam of Jewishness and contemporary music genres, based on Improvisation and cross genre explorations. The music is mostly composed, with distinctive melody lines, which clearly adopt the melancholic feel of traditional Jewish music, but differ in the way the music is expressed and performed. The dialog between the electric guitar, which can hardly be associated with Jewish tradition, and the clarinets, which are the epitome of Jewishness, builds up a completely new musical form. The entire album is a wonderful experience to every music lover, regardless of their proximity to the Jewish culture. These wonderful melodies and the superb way the music is performed should be able to melt any cultural / religious barriers. This music goes directly to the listener´s heart and transcends the intellectual need to analyze and classify. All one need in order to enjoy this music is "a bisele glik" to put one´s hand on a copy of this album, and the rest is simply a no brainer. This is definitely one of the best examples of the new Jewish music made in Poland. Enjoy!

Updated: 12/04/2019Posted:

CD 1 Digipak Recommend To A Friend

GEORGE DUKE ~ FACES IN REFLECTION PROMISING MUSIC 44103 (Barcode: 602517546479) ~ USA ~ Jazz-Rock Fusion Recorded: 1973 Released: 2008 American keyboardist / composer George DukeFind albums by this artist first came to prominence in the late 1960s, when he recorded with the French violinist Jean-Luc PontyFind albums by this artist, who was invited to record in the US following his festival appearances. The association with Ponty opened quite a few doors for Duke, eventually leading to his stint with Frank ZappaFind albums by this artist, as well as his recording contract with the legendary MPSFind albums on this label label. He recorded 8 albums for the label between 1971 and 1976, of which this was the 3rd. Duke was a strange choice for MPS, as it concentrated mainly on presenting the European Jazz scene (the only exception was a series of albums recorded by Oscar PetersonFind albums by this artist), with strong Avant-Garde and later European Jazz-Rock Fusion, which was much more advanced that its American counterpart. Although Duke was closely associated with the US Jazz-Rock Fusion scene in the 1970s, playing with such prominent musicians like Stanley ClarkeFind albums by this artist, Billy CobhamFind albums by this artist and many others, his Fusion approach was strongly based on Blues, Funk and Soul, his “native” musical areas. Therefore his MPS recordings can be considered as some of the most commercial and accessible recordings ever released by this label. On this album Duke uses a trio (John HeardFind albums by this artist – bass and Leon Ndugu ChanclerFind albums by this artist – drums) and plays a wide array of synthesizers. He composed all but one of the tunes (the only composition, which isn’t his is by the Brazilian genius Milton NascimentoFind albums by this artist, and points towards Duke’s fascination with Brazilian music, which would flourish later in his career). There is no doubt about Duke’s brilliant technique as a player and his use of synthesizers is revolutionary at that time, but the compositions are definitely on the lighter side of Jazz and his vocals (however sparsely used) completely unnecessary. As much as I like Duke’s playing and many of his recordings, this is not one of his absolute highlights, even if it is much better that most of his later recordings starting from the 1980s and up to now. Nevertheless it is still a solid and enjoyable album worthy of being remembered. Of course many of his fans will enjoy this quality reissue with beautifully remastered sound and superb packaging.

Updated: 12/04/2019Posted:

CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend

GEORGE DUKE ~ MY SOUL–THE COMPLETE MPS FUSION RECORDINGS(MOST PERFECT SOUND EDITION) MPS 751504 (Barcode: 602517515048) ~ USA ~ Jazz-Rock Fusion Recorded: 1971 - 1976 Released: 2008 US keyboardist George DukeFind albums by this artist is one of the most colorful and versatile figures on the Jazz-Rock Fusion scene. His career stretches ways back to the mid-1960s and lasts to this very day. Starting as a classic Jazz pianist, Duke gradually moved from straightforward Jazz into Jazz-Rock Fusion, abandoning the acoustic piano in favor of the electric one and later adding a myriad of synthesizers to his workshop. His stints with Jean-Luc PontyFind albums by this artist, Frank ZappaFind albums by this artist (twice) and Cannonball AdderleyFind albums by this artist (where he replaced Joe ZawinulFind albums by this artist) in his formative years influenced his musical path tremendously and it was Zappa who pushed him towards using synthesizers and exploring new musical vistas. Duke’s development and gradual change of style and musical vocabulary was brilliantly captured on his recordings for the legendary German MPSFind albums on this label label. His connection with MPS was quite accidental and recording for a small European label was quite unusual for US Artists at the time, but in retrospect Duke couldn’t have made a better decision, as the label allowed him total artistic freedom, which was almost impossible to achieve on the US scene. He recorded a total of nine albums for MPS, seven of which are collected in this superb Box Set. His first recording for MPS dating from 1966 was still very much a classic Jazz affair, which stylistically does not belong to his Fusion period, was not included here (perhaps a correct decision as far as the title goes, but as it is still unavailable on CD, it would be nice to have it reissued as well). The last recording for MPS, a solo keyboards project, is also omitted, for contractual bullshit reasons, as it caused a big legal dispute at the time, with Duke changing labels from MPS to EpicFind albums on this label. That album was reissued as “The 1976 Solo Keyboard AlbumFind albums with this title” on the Wounded BirdFind albums on this label label (the original MPS title was “The DreamFind albums with this title”). However, the remaining seven albums (“SolusFind albums with this title” and “The Inner SourceFind albums with this title”, which were released together as a double LP, “Faces In ReflectionFind albums with this title”, “FeelFind albums with this title”, “I Love The Blues, She Heard Me CryFind albums with this title”, “The Aura Will PrevailFind albums with this title” and “Liberated FantasiesFind albums with this title”) recorded between April 1971 and January 1976 are included in their entirety, beautifully remastered. These four CDs include such an immense amount of music, which is so versatile stylistically and conceptually, that it constitutes a tremendous and essential document of the era. As far as Duke’s playing and even more importantly his compositional skills, this is a beautiful portrait of an Artist, which every fan and music lover will cherish. The players on the sessions present here constitute a long list of some of the best Jazz and Fusion musicians active at the time, too long to be included here. For the inquisitive listeners let me just mention that even Frank Zappa is present (albeit incognito) on two tracks, as are many members of his Mothers Of InventionFind albums by this artist. There is something for everyone here and overall this Box Set is one unadulterated, intense plateful of fun and musical ingenuity. Absolutely essential! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 26/01/2019Posted:

CD 4 Box Set Oversampling Remastered Essential Recommend To A Friend

GEORGE DUKE ~ ORIGINAL ALBUM CLASSICS SONY 886977798825 (Barcode: 886977798825) ~ USA ~ Jazz-Rock Fusion Recorded: 1977 - 1979 Released: 2010 This excellent Box Set includes five albums, recorded between 1977 and 1979 and released on the EpicFind albums on this label label, by the great US keyboardist / composer George DukeFind albums by this artist: "From Me To YouFind albums with this title", "Reach For ItFind albums with this title", "Don`t Let GoFind albums with this title", "Follow The RainbowFind albums with this title" and "A Brazilian Love AffairFind albums with this title". George Duke is one of the most talented and versatile US musicians with a career spanning over five decades. His early Jazz recordings and later Jazz-Rock Fusion and Funk albums are always a display of great talent and imagination. These albums were recorded at a time when Duke re-invented Funk and mixed it very effectively with Jazz and Fusion. These albums have lost absolutely nothing of their beauty and sophistication over the years. The albums are remastered and packaged in album replicas (mini-sleeves), housed in a cardboard box, and with the price tag of a double album this is a tremendous bargain as well.

Updated: 26/01/2019Posted:

CD 5 Mini-Sleeve Box Set Remastered Bonus Tracks Recommend To A Friend

GEORGE DUKE ~ ORIGINAL ALBUM SERIES RHINO 081227980061 (Barcode: 081227980061) ~ USA ~ Jazz-Rock Fusion Recorded: 1992 - 2000 Released: 2010 This Box Set collects five of the albums by the American keyboardist / composer George DukeFind albums by this artist released between 1992 and 2000. They are: "SnapshotFind albums with this title" from 1992, "IllusionsFind albums with this title" from 1995, "Is Love Enough?Find albums with this title" from 1997, "After HoursFind albums with this title" from 1998 and "CoolFind albums with this title" from 2000. Duke, who sadly died in 2013, was actively present on the music scene for almost five decades and in retrospect proved to be one of the most dynamic, versatile and inventive musical personalities among his American peers. His early career was connected with Jazz, but later on he was involved also with Rock, Jazz-Rock Fusion, Funk, Soul Jazz and Pop, being equally brilliant in all these genres. The albums included here show mostly his work in the Funk and Soul Jazz idioms, and include both songs and instrumental pieces, all of which present Duke as a brilliant composer, who is able to create soulful tunes, which are both accessible and artistically astute. His keyboards work is simply stunning and has very few equals. The "After Hours" album is a return to his early Jazz days and partly features Duke in an acoustic piano trio format, which is simply exquisite. Overall this is a great collection of music, which presents just one of the many facets of Duke´s illustrious career, and although oriented towards less jazzy audiences, it is full of great melodic music and brilliant keyboards performances. Highly recommended! Side Note The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty. The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!

Updated: 05/04/2024Posted:

CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend

GEORGE DUKE ~ THE 1976 SOLO KEYBOARD ALBUM WOUNDED BIRD 8208 (Barcode: 664140820821) ~ USA ~ Jazz-Rock Fusion Recorded: 1976 Released: 2004 Keyboards player George DukeFind albums by this artist has always been one of my favorite musicians, mainly due to his phenomenal achievements during the first decade of his career. His early piano trio recordings (mid 1960s), his work with Jean-Luc PontyFind albums by this artist (late 1960s) and finally his stint with Frank ZappaFind albums by this artist (early to mid 1970s) are all examples of pure genius and incredible musical versatility. Unfortunately by the end of the 1970s Duke phased out gradually from his jazz and fusion oriented activities and moved into pop, mostly as a producer. His recordings sine then bear little resemblance to the glory of his early days. During the 1970s Duke recorded a series of revolutionary and groundbreaking albums for the legendary German MPSFind albums on this label label (sadly mostly not available on CD), which showcased his exemplary jazz-rock / fusion wizardry. This album, his first completely solo recording, was the last of these MPS recordings, released under the title “The Dream”. Duke re-mixed the album in 1980 and in 1982 it was released in the US on the EpicFind albums on this label label under this new title. Unavailable for many years, here it is finally back in circulation. The music, all composed by Duke, is a set of beautifully crafted melodies, played by an array of keyboards, sounding like an entire ensemble. Absolutely brilliant and timeless piece of music!

CD 1 Recommend To A Friend

GEORGE DUKE ~ THE COMPLETE 1970S EPIC ALBUMS COLLECTION SONY 886979303225 (Barcode: 886979303225) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1977 - 1979 Released: 2012 American keyboardist / composer George DukeFind albums by this artist is definitely one of the most colorful, dynamic, brilliant and versatile musical personalities on the scene. With a career spanning five decades and activities covering such diverse sub-genres as mainstream Jazz, Jazz-Rock Fusion, Rock, Funk and Jazz-World Fusion, Duke made over the years an enormous impact on the development of contemporary music. Following a several years long association (early to mid 1970s) with the legendary German MPSFind albums on this label label, where Duke released his revolutionary early Fusion albums, he switched to the EpicFind albums on this label label (a subsidiary of ColumbiaFind albums on this label), where he recorded six albums between 1977 and 1979, all of which are included in this wonderful Box Set. The Epic recordings reveal Duke gradually moving away from the Jazz and even Fusion roots, replacing those by Funk and other popular music influences. Only the last album in this set ("A Brazilian Love AffairFind albums with this title") is different and presents Duke as a Jazz-World Fusion artist, with an obvious affinity for Brazilian music. On that album he is supported by several famous Brazilian musicians, including vocalist Milton NascimentoFind albums by this artist, percussionist Airto MoreiraFind albums by this artist, vocalist Flora PurimFind albums by this artist, guitarist Toninho HortaFind albums by this artist and many others, in addition to his American regulars. On all the albums he plays with an excellent group of musicians, which includes his long-time friend bassist Stanley ClarkeFind albums by this artist, drummer Leon Ndugu ChanclerFind albums by this artist, bassist Byron MillerFind albums by this artist, percussionist Sheila EscovedoFind albums by this artist and numerous others, including many brass players as well, which shows a clear influence of Earth, Wind & FireFind albums by this artist on Duke´s music at the time. Duke composed all the music on these albums (with very few minor exceptions) and he also utilizes his vocals, which is the most criticized issue regarding this music. As much as these albums were successful on the US market, they were treated with disrespect and sheer detest by his European and Japanese fans, who accused him of commerciality. The problem was of course, that this music should have not been compared to or judged by the same criteria as his earlier output, which was completely different stylistically. In retrospect this music still sounds great and lost nothing of its power and ingenuity, providing it is treated separately from Duke´s other output. The tunes are great, as are the performances, and one can´t resist the funky rhythms unless one is completely deaf or brain-dead. There are very few musicians, who display the same level of integrity and ingenuity as George Duke in everything they do over the years. He is the man and nobody can deny it!

Updated: 26/01/2019Posted:

CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend

DUKE ELLINGTON ~ THE COMPLETE COLUMBIA STUDIO ALBUMS COLLECTION 1951-1958 SONY 886979388826 (Barcode: 886979388826) ~ USA ~ Jazz Recorded: 1951 - 1958 Released: 2012 American pianist / composer / bandleader Duke EllingtonFind albums by this artist is universally acclaimed as one of the most pivotal figures not only in Jazz but in the 20th Century Culture in general. Ellington was the most important Jazz composer, with over a thousand compositions to his credit. His incredibly fruitful imagination and a prophetic vision, in addition to his compositional skills, easily equivalent to those of contemporary Classical composers, made him a unique phenomenon among his peers, unparalleled and masterful. But he was also a superb pianist and a brilliant arranger as well as phenomenal bandleader. The Duke Ellington OrchestraFind albums by this artist was a symbol of Jazz for over five decades, starting in the 1920s during the Harlem Renaissance and until his death in 1974. The orchestras (Big Bands) led by Ellington were famous for their incredible precision and virtuosic skills and always comprised of the absolute crème de la crème of the American Jazz scene. The list of the band members reads like a who´s who of the 20th Century American Jazz. For Ellington the composer the existence of such a highly skilled orchestra was the only vehicle capable of performing his beautifully crafted but also often quite complex and devilishly clever music. This incredible Box Set includes all his recordings for the ColumbiaFind albums on this label label, recorded in the 1950s and covering this decade of his lifetime, which is often considered as the most artistically fertile in his entire career. It also covers the period of the great change in the Ellington´s orchestra, which was relatively stable in the preceding decade and a half and was about to be rejuvenated both personally and stylistically. With the departure of players like drummer Sonny GreerFind albums by this artist, saxophonist Johnny HodgesFind albums by this artist or trombonist Lawrence BrownFind albums by this artist, Ellington infused the orchestra with "fresh blood" in the form of drummer Louis BellsonFind albums by this artist (and later Sam WoodyardFind albums by this artist), saxophonist Paul GonsalvesFind albums by this artist, clarinetist Jimmy HamiltonFind albums by this artist, trumpeter Clark TerryFind albums by this artist and others, which resulted in a much more invigorated and up-to-date overall sound and vigor. The music herein includes some of Ellington´s most powerful and aesthetically fulfilling work, both short pieces and extended suites. It shows Ellington´s respect of the sources of Jazz, including Blues and Gospel on one hand, and his open-mindedness towards modern Classical music, all of which are the ingredients of his masterly compositions. Some of the music includes vocals, performed by Mahalia JacksonFind albums by this artist and others. There is no doubt than this is some of the best and most important music 20th Century bequeathed to future generations. One can only hope those future generations will keep this eternal flame alive with their continuous love and admiration. Remastered and expanded with a plethora of bonus tracks, this Box Set should become an absolutely essential cornerstone of any serious music collection, Jazz or otherwise. This is Culture encapsulated, intense and immortal, a beacon of light in the darkness of ignorance, which is slowly engulfing us all.

Updated: 26/01/2019Posted:

CD 9 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend

DUKE ELLINGTON / BENNY GOODMAN ~ POLISH RADIO JAZZ ARCHIVES VOL.17 POLSKIE RADIO 1667 (Barcode: 5907812246679) ~ USA ~ Jazz Recorded: 1934 - 1949 Released: 2014 This is the seventeenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album presents music recorded by the Duke EllingtonFind albums by this artist Orchestra and several different ensembles and orchestra led by Benny GoodmanFind albums by this artist, recorded in the 1930s and 1940s and released on various labels (HMVFind albums on this label, ColumbiaFind albums on this label, CapitolFind albums on this label and RCAFind albums on this label) on 78 RPM shellac discs, which are part of the Polish Radio archives. The music was remastered from these original discs by Anna RutkowskaFind albums by this artist. I must admit that I find this release quite surprising and consider its place in this series as purely accidental, as none of these recordings present music recorded in Poland by the Polish Radio nor does it feature any Polish Jazz musicians, and as such defies the purpose of the so far excellent effort to make this series special. The fact that these shellacs are part of the Polish Radio archive is definitely not a good enough reason for being included in this series. And additionally of course all this material is already available in the US and in Europe, after being remastered by the labels which released this music originally, in my higher quality, often in lavish Box Sets with extensive historical notes, etc. In short this effort is nothing short of bizarre and a sad waste of resources, especially in view of the fact that many other superb recordings in the Polish Radio vaults are still waiting to be released. One can only hope that future releases of this series will return to the already established pattern, which served its purpose splendidly.

Updated: 26/01/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

LUKASZ GOREWICZ ~ THE STRING OF HORIZONS BIG FLOW 02 (Barcode: 5904730520010) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2015 Released: 2015 This is a very interesting solo album by Polish violinist / composer Lukasz GorewiczFind albums by this artist, a prolific figure on the local scene primarily known as a member of the Ecstasy ProjectFind albums by this artist ensemble, but also as author of and participant in many other ventures. On this album, which is performed solely by Gorewicz playing all the instruments, he presents nine original instrumental pieces, the last of which is added as a bonus track. The music is a beautiful mixture of diverse influences, ranging between Classical Music, improvisation and Ambient atmospheric vistas, resulting in a very introvert, deeply melancholic and minimalist pieces, which develop slowly and create a deep sensation of tension and even apprehension, in spite of their subdued intensity. In many respects this music sounds like a soundtrack of an imaginary horror film. Gorewicz plays mostly the violin, which is the most dominant instrument on this album, but he also uses the piano to create a frame of reference for the prolonged violin improvisations and electronics to create some rhythmic patterns and to extend the sonic range of the overall result. This music needs quite a lot of concentration and attentive listening to expose all of its depth and hidden beauty. Although it tends to create a sensation of standstill and little development, in fact it moves along at all times, even when frequently slowed down and almost silenced to a whisper. This technique, which involves playing with the dynamics and changing the tempi, is extremely effective, although not always easy to follow or to enjoy at first. This album is definitely one of the most ambitious and original statements on the Polish musical scene of 2015, but its complexity and intrinsic oddity will make it difficult to achieve a wide popularity, which is sadly the story of all valuable creations. Nevertheless Gorewicz manages to make an uncompromising personal statement, which is here to stay and proves his maturity and obvious talent both as a virtuosic violinist and notable composer. Although every Polish violinist who uses improvisation is almost automatically adopted to the famous Polish Jazz violin school, personally I think Gorewicz, except for the slight similarity to Zbigniew SeifertFind albums by this artist, is not a typical Jazz violinist but rather a member of a new Polish Jazz violin school, which is much closer to Classical Music, like the two violinists of the Atom String QuartetFind albums by this artist for example. Overall this is an album definitely worthy of exploration and should delight ambitious music listeners, who have enough patience and open mindedness to embrace it.

Updated: 13/04/2016Posted: 13/04/2016

CD 1 Digipak Slipcase Recommend To A Friend

JUKKA HAURU / NONO SODERBERG / FINNFOREST / ELONKORJUU ~ POP LIISA VOL. 05 & VOL. 06 SVART 009 ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1976 - 1977 Released: 2016 The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artist, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions. Guitarist / composer Jukka HauruFind albums by this artist appeared already on the "Pop Liisa Vol. 01 & Vol. 02Find albums with this title" album some three years before this recording was captured. In the meantime he released his second album "EpisodeFind albums with this title" (on LoveFind albums on this label Records), but the band playing here was completely different from the crew that recorded the album, except for the violinist Juhani PoutanenFind albums by this artist. The other players are pianist Eero OjanenFind albums by this artist, bassist Tapani TamminenFind albums by this artist, drummer Esko RosnellFind albums by this artist and percussionist Ari ValtonenFind albums by this artist. They perform just one extended instrumental composition by Hauru, a six-part suite, which did not appear on any of his albums, a complex Jazz-Rock Fusion piece featuring lengthy Jazz improvisations. Guitarist / composer Nono SoderbergFind albums by this artist released his debut album "NonoFind albums with this title" about a year before this recording was captured and two of the pieces from that album, which were composed by him, get expanded renditions here by a band which also includes saxophonist Reijo YlinenFind albums by this artist, keyboardist Esa KotilainenFind albums by this artist, bassist Harri MerilahtiFind albums by this artist, drummer Roope KoistinenFind albums by this artist and percussionist Esa RoswallFind albums by this artist. The music is more conventional Fusion oriented, with melodic themes and some Prog elements as well. By the time the second broadcast presented here was captured (early 1977), the so called "first wave" of Finnish Progressive Rock / Fusion bands was almost over with Tasavallan PresidenttiFind albums by this artist already disbanded and WigwamFind albums by this artist about to be disbanded after switching to more Pop oriented music. This gave an opportunity to the "second wave" of Finnish Prog / Fusion bands like those appearing here to capture the scene. FinnforestFind albums by this artist already had two excellent albums under their belt, the eponymous debut "FinnforestFind albums with this title" from 1975 and the follow up "Lahto MatkalleFind albums with this title" from 1976, both released on Love Records. Founded by the brothers: guitarist Pekka TegelmanFind albums by this artist and drummer Jussi TegelmanFind albums by this artist the band also included keyboardist Pertti PokkiFind albums by this artist and bassist Jarmo HiekkalaFind albums by this artist. They perform two pieces, which did not appear on the released albums, one by Pokki and the other by Jussi Tegelman. The music is strongly Fusion oriented, with some Prog elements present as well. ElonkorjuuFind albums by this artist had a long history debuting with their album "Harvest TimeFind albums with this title" already in 1972, which was Blues-Rock oriented. Over time they disbanded and created the group again, changing the lineup and musical direction more towards Jazz-Rock Fusion and Funk. The lineup present here includes vocalist Kari TamminenFind albums by this artist, saxophonist Juha UnkilaFind albums by this artist, pianist Pekka TyniFind albums by this artist, guitarist Jukka SyreniusFind albums by this artist, bassist Veli-Pekka PessiFind albums by this artist and drummer Veikko NoutioFind albums by this artist. They perform three songs, all by Syrenius, which showcase the stylistic diversity of their music. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 15/05/2020Posted: 03/05/2020

CD 1 Remastered Recommend To A Friend

INDUKTI ~ S.U.S.A.R. LASER`S EDGE 1042 (Barcode: 763232104228) ~ POLAND ~ Progressive Rock Recorded: 2004 Released: 2005 1st album by Polish Prog group InduktiFind albums by this artist, which consists of five classically trained musicians but plays some of the heaviest Prog hypnotic music I´ve ever come across. They add the violin (played by Ewa JablonskaFind albums by this artist) to the double guitar / bass / drums lineup and two guest musicians: a vocalist and a harp player, creating massive, wall of sound effects. The album is mostly instrumental and requires getting used to, especially for people who come from the Symphonic side of Prog, but the obvious mesmerizing quality is there at all times if you can survive the barrage of sound the its density. The harp provides some nice quiet passages, being in complete contrast to the predominantly heavy sound that follows. Not recommended to weak-hearted listeners, but people who are constantly on the lookout for new directions in music should find this very interesting.

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JAZZ CHORAL / TOMASZ SZUKALSKI ~ BORZOMSKI WAWOZ / BODY AND SOUL (POLISH JAZZ VOL. 91 DELUXE) MUZA 1091 ~ POLAND ~ Jazz Recorded: 1989 Released: 2006 This unusual and very interesting album by the superb Polish saxophonist / composer Tomasz SzukalskiFind albums by this artist, who sadly died this year, presents him in a double setting: first as a guest artist accompanying the Georgian vocal group Jazz ChoralFind albums by this artist and than as a leader of his quartet, which includes also pianist Artur DutkiewiczFind albums by this artist, bassist Andrzej CudzichFind albums by this artist and drummer Marek StachFind albums by this artist. The album starts with six pieces performed by Jazz Choral; First three tracks are sung a cappella and the remaining three are performed with Szukalski and an unidentified rhythm section (piano, bass and drums). The vocal tracks are followed by three tracks performed by Szukalski and his quartet, two of which are standards and one is an original composition by the leader. Jazz Choral were a vocal group similar to the Polish group NOVIFind albums by this artist, which existed on the local scene twenty years earlier, and several other ensembles which based their performances on perfectly matched harmonies and swinging melodies. Their performance is spotless and quite virtuosic, with a nostalgic touch. Szukalski spices their music with excellent solos, which can only be constructed by a musician of his statue. The three tracks by Szukalski and his quartet highlight his incredible power as a player, clearly emphasizing his post-Coltrane legacy and incredible versatility. Listening to him play, now that he is gone, is truly moving to everybody familiar with the Polish Jazz scene. His premature death is a great loss! This album was recorded during the transition period between Poland finally freed itself from the Socialist regime, and was somehow "lost" in the turmoil. This reissue brings back to life a piece of music, which should not be forgotten. Definitely worth investigation!

CD 1 Digipak Remastered Recommend To A Friend

JUPU GROUP / JUKKA LINKOLA OCTET ~ JAZZ LIISA VOL. 05 & VOL. 06 SVART 027 (Barcode: 6430050667207) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1974 - 1977 Released: 2016 Jupu GroupFind albums by this artist was a short-lived Finnish experimental Fusion band led by violinist Juhani PoutanenFind albums by this artist and included also guitarist Janne LouhivuoriFind albums by this artist, keyboardist Jukka LinkolaFind albums by this artist, bassist Ilkka HanskiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. On this live radio broadcast they also included saxophonist / flautist Sakari KukkoFind albums by this artist. The band recorded their sole album "AhmooFind albums with this title" almost a year after this session. They perform five original compositions, two of which would appear later on their album in a studio version. Four of the compositions were composed by Poutanen and one by Kukko. Although Fusion oriented and played on electric instruments, the music includes many freely improvised passages and sounds mostly quite Avant-Garde. Keyboardist / composer / bandleader Jukka Linkola is one of the central figures on the Finnish music scene to this day, with extensive involvement both in Jazz and Classical Music. He has a substantial recorded legacy, always of the highest quality. The Jukka Linkola OctetFind albums by this artist, which he led between mid 1970s and early 1990s, was just one of many ensembles under his leadership and throughout his career he always had empathy towards large ensembles, orchestras and Big Bands. The octet recorded three excellent albums: "ProtofunkFind albums with this title", "Lady In GreenFind albums with this title" and "Scat SuiteFind albums with this title", all worth investigating. On this live broadcast session the octet includes also trumpeter Esko HeikkinenFind albums by this artist, trombonist Tom BildoFind albums by this artist, saxophonists Pentti LahtiFind albums by this artist and Teemu SalminenFind albums by this artist, bassists Ilkka Hanski, drummer Jukkis UotilaFind albums by this artist and percussionist Upi Sorvali. They perform four original compositions by Linkola and his arrangement of a traditional tune. The music floats between mainstream Jazz, Fusion and Funk and is highly melodic, offering an almost orchestral ambience and of course a lot of unadulterated fun! Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 27/08/2020Posted: 04/06/2020

CD 1 Remastered Recommend To A Friend

LUKASZ JUZKO ~ FIRST BREATH SJ 027 ~ POLAND ~ Smooth Jazz Recorded: 2017 Released: 2017 This is the debut album by Polish saxophonist / composer Lukasz JuzkoFind albums by this artist, recorded in a quartet setting with pianist Michal WroblewskiFind albums by this artist, bassist Bartosz SwiatekFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. The album presents nine original compositions, presumably all by the leader, although the album´s artwork does not state it. The album is beautifully recorded and the sound quality is truly remarkable. The music is a highly melodic mainstream Jazz, easy on the ear, romantic and basically belonging to the Smooth Jazz idiom, which of course does not mean, contrary to popular opinion, that the music is not ambitious or well played, far from it. The compositions are all very well structured and coherent harmonically and serve as perfect vehicles for the improvisations created by Juzko and Wroblewski. All four instrumentalist are excellent, playing as well as can be expected from these well educated and talented young musicians, who already have remarkable achievements behind them. Juzko has a nice tone, and his tenor saxophone performances sound highly professional and inspired. Wroblewski is a superb pianist and his chord structures and solos are simply perfectly suited for this music. The rhythm session also performs brilliantly, with a strong rhythmic signature, which gives the music quite a kick. Overall this is an impressive debut album, which presents Juzko as a mature composer and player, and which shows a lot of potential for his future endeavors. Highly recommended to connoisseurs of melodic Jazz and ageless romantics!

Updated: 03/04/2018Posted: 03/04/2018

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KASIA KADLUBOWSKA / DOMINIK BUKOWSKI ~ TRANSIENT DUX 1221 (Barcode: 5902547012216) ~ POLAND ~ Classical Recorded: 2012 Released: 2015 This is the debut album by Polish marimba player / composer Kasia KadlubowskaFind albums by this artist recorded in a duo format with renown Polish Jazz vibraphonist / composer Dominik BukowskiFind albums by this artist. The album presents nine compositions, two of which are original compositions (one each) by Kadlubowska and Bukowski and the rest are by contemporary Classical composers like Terry RileyFind albums by this artist, Philip GlassFind albums by this artist, Steve ReichFind albums by this artist, Arvo PartFind albums by this artist, Eric SatieFind albums by this artist and American marimba player / composer Paul SmadbeckFind albums by this artist. As the names of the composers suggest, the music is mostly contemporary Classical Music, with belongs to the Minimal Music idiom. Although most of the music was not originally written for marimba or vibraphone, it was arranged and transcribed for these instruments by Kadlubowska and Bukowski. Marimba and vibraphone, although both percussion instruments, are of course capable of playing melody and harmony, which means that the music offers a lot of melodic content, kept within the limitations of Minimal Music, which calls for slowly developing themes and cyclic repetition. It can be quite demanding on the listener, who is not a priori a fan of the genre, but it is great for relaxation and meditation, in addition to its strictly musical values. Both Kadlubowska and Bukowski play with incredible feeling and obvious virtuosity, and despite the intrinsic lethargy of the music, the albums offers a diversified listening experience to open-minded listeners. Minimal Music has its fans around the world and enjoyed a peak of popularity during the New Age explosion between the 1970s and 1990s, but a steady interest in it remains in the Classical field over the years. Bukowski’s appearance on this album, which is rather unexpected since his main field of activity if Jazz, proves his diversity and well schooling, as well as highly aesthetic approach to music in general. The two original composition stand proudly shoulder to shoulder with the well-known Classical material, adding another level of credibility to this album. I have no idea why it took seven years for this album to arrive on my operating table, but as usual better late than never, as it is definitely worth exploring and a great fun to listen to.

Updated: 23/05/2021Posted: 23/05/2021

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KAROLAK / SZUKALSKI / BARTKOWSKI ~ TIME KILLERS (POLISH JAZZ VOL.89 DELUXE) MUZA 1089 (Barcode: 5907783420894) ~ POLAND ~ Jazz Recorded: 1984 Released: 2006 This is the only album by Polish Jazz supergroup Karolak / Szukalski / BartkowskiFind albums by this artist, which united three veterans of the local scene: keyboardist / composer Wojciech KarolakFind albums by this artist, who wrote and arranged all the music included on this album, saxophonist Tomasz SzukalskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The album has a very unique sound due to the unusual instrumentation, as well as a superb groove, which is usually associated with American recordings. Karolak performs the difficult task of both soloing and accompanying his partners, using the organ bass pedals to supply the bass parts. Szukalski again proves his excellent taste and technical abilities, especially on the track where he plays the baritone sax. Bartkowski is stable like a rock and drives the music forward constantly, with his usual virtuosity. This music sounds remarkably fresh almost thirty years after it was recorded, and it´s probably only a matter of time before some DJ lays his hands on this stuff and makes people dance to it. Highly recommended!

CD 1 Digipak Remastered Recommend To A Friend

JAKUB KLIMIUK QUINTET ~ (UN)BALANCED NOT ON LABEL (Barcode: 198500118957) ~ POLAND ~ Jazz Recorded: 2023 Released: 2024 This is the debut full album (an EP was released in 2022) by Polish (resident in London) Jazz guitarist / composer Jakub KlimiukFind albums by this artist, recorded in a quintet setting with British saxophonist Simeon MayFind albums by this artist, pianist Cody MossFind albums by this artist, bassist Harry PearceFind albums by this artist (a.k.a. KinzanFind albums by this artist) and drummer Adam MerrellFind albums by this artist. Saxophonist Mark LockheartFind albums by this artist guests on a couple of tracks. The album presents twelve tracks, all original compositions by the leader. The music is based on solid, mostly very melodic themes, and floats between mainstream Jazz and sophisticated Fusion, which is pretty natural for guitar led projects. All the participants are well educated, excellent performers, which is evident throughout the album. The album offers seven full-length compositions and five short pieces, performed in solo or duo setting by the quintet members and called “Studies”. I would have loved to hear more soloing by the pianist, who is less prominently featured, but that’s just a whim. The music combines two somewhat different musical directions, with the saxophone parts representing the modern Jazz tendencies, which are more open, and the guitar, which has a somewhat Fusiony tendency, which is more tight and melodic. That balance works very well and results in a diverse and interesting listening experience. Overall, this is an excellent debut effort, which offers excellent original compositions and splendid instrumental work by the musicians involved, which results in a well-balanced and pleasant musical journey. Highly recommended and worth keeping an eye on in the future!

Updated: 22/05/2024Posted: 22/05/2024

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LUKASZ KOKOSZKO ~ NEW CHALLENGE SJ 030 (Barcode: 5912596066337) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz guitarist / composer Lukasz KokoszkoFind albums by this artist, recorded in a quartet setting with pianist Grzegorz ZiolekFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist, all representatives of the youngest wave of Polish Jazz musicians at present (2018). The album presents nine original compositions, all by Kokoszko. The music is a melodic variety of Fusion, with stronger Jazz ties than usual Fusion material, especially in view of the fact that except for the electric guitar the rest of the instruments play acoustically. The compositions are also more complex than the usual Fusion stuff, so the overall stylistic environment is somewhere between melodic modern Jazz and Fusion. The music is mostly very calm and melancholic, and perhaps more up tempo numbers would have served the album well to add more variety. All four musicians perform very well, with the obvious emphasis on the leader, who sets the tone, playing the themes and long improvisations. Ziolek also adds several wonderful piano solos and the rhythm section splendidly supports them along the way. Kokoszko is a splendid guitar player, strongly based in the Blues tradition, which is relatively uncommon among contemporary guitar players. His personal style is very unique, which is a great virtue these days, with most guitar players imitating other guitar players. Overall this is a first class debut album, which shows a lot of potential by the leader and his splendid team. Solid compositions and excellent performances add together to create a very pleasant listening experience and the unusual guitar sound and drive are certainly worth being discovered. Well done indeed!

Updated: 05/08/2018Posted: 05/08/2018

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LUKASZ KORYBALSKI ~ CMM ALLEGRO 034 (Barcode: 5901157049346) ~ POLAND ~ Jazz Recorded: 2015 Released: 2017 This is the debut album as a leader by Polish Jazz trumpeter / composer Lukasz KorybalskiFind albums by this artist, known primarily for his work as composer of cinematic music. This album presents the music Korybalski wrote for the film "Cale Mnostwo Milosci" (hence CMM), performed by a quintet which features the leader on trumpet and also includes saxophonist Borys JanczarskiFind albums by this artist, pianist Michal TokajFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Lukasz ZytaFind albums by this artist; a most formidable team. Saxophone icon Zbigniew NamyslowskiFind albums by this artist and percussionist Bogusz WekkaFind albums by this artist guest on one tune each. The album presents six original compositions, all by Korybalski. The music is absolutely stunning from start to finish, typical melancholic Polish Jazz very closely reminiscent of early cinematic music by Krzysztof KomedaFind albums by this artist, with the same melodic hooks one just can´t stop humming after the music is over. The similarity is so close, that if I didn´t know what album is playing, I´d suspect that a newly discovered Komeda album is on. This is not only reflected by the music, the melodic approach and the harmonic progressions, but also by the way the quintet performs the music, which has a tinge of wonderful "out fashioned" nostalgia to it. Even the one relatively "free" composition on the album is spiritually almost identical to Komeda´s famous composition "Astigmatic". The instrumental performances are all top notch. Korybalski displays some Miles Davis modal influences, all being in the most elegant form, Janczarski has a warm and smooth tone and Tokaj, one of Poland´s best pianists, sadly relatively rarely heard on albums, is a dream. The superb rhythm section cements the lineup with amicable support for the soloists and wonderful drive. Albums like this one are a persuasive proof that contemporary melodic mainstream can be intelligent, creative, fascinating and aesthetically fulfilling. It simply has something that sets it apart from thousands of other mainstream albums, firmly standing in a class of its own. It also shows why European Jazz left the American Jazz in a fifty years slumber. Overall this is one of the best Polish Jazz albums that I have had the pleasure to listen to in many years. It is perfect in every way, it bridges the tradition with contemporary ideas, it pays tribute to its cultural background and sources; in short it is it! Absolutely not to be missed!

Updated: 09/04/2017Posted: 09/04/2017

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PENTTI LAHTI / AHVENLAHTI – OJANEN / MIRCEA STAN / JUKKA RUOHOMAKI ~ JAZZ LIISA VOL. 11 & VOL. 12 SVART 036 ~ FINLAND ~ Jazz Recorded: 1974 Released: 2016 The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions. Saxophonist / composer Pentti LahtiFind albums by this artist was one of the modern Finnish Jazz pioneers and a prominent figure on the local scene. The band captured on this live radio broadcast finds him playing alongside trombonist Mircea StanFind albums by this artist, pianist Olli AhvenlahtiFind albums by this artist, bassist Ilkka WillmanFind albums by this artist and drummer Tapani IkonenFind albums by this artist. They perform two standards and an original composition by Stan, all kept pretty much close to mainstream Jazz with a bit of World Music tinge on the piece by Stan, who immigrated to Finland from Romania and incorporated some Romanian folklore influence in this tune. The piano duo comprising of Olli Ahvenlahti and Eero OjanenFind albums by this artist is a classic example of the "Art of the Duo" and their mutual affinity and wonderful interplay are captured perfectly on this live radio broadcast. They perform two compositions, one an original by Ojanen and the other a Keith JarrettFind albums by this artist piece, which is then partly repeated again as an encore. The quintet led by trombonist Mircea Stan is basically identical to the one led by Lahti on the first radio broadcast included here, except for the bassist Pekka SarmantoFind albums by this artist. This time they perform three original compositions by Stan, with some Romanian music influences but also including Latin and Hard Bop stylistics, typical of his work. This music is less mainstream oriented than the Lahti session and includes many open, Free Jazz oriented parts. The synthesizer player Jukka RuohomakiFind albums by this artist combines electronic music and Jazzy improvisation sharing forces with trombonist Mircea Stan, moog player Olli Ahvenlahti and synthesizer player Erkki KurenniemiFind albums by this artist. Together they perform just one extended piece, co-composed by all four players and basically collectively improvised. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 10/06/2020Posted: 10/06/2020

CD 1 Remastered Recommend To A Friend

SZYMON LUKOWSKI ~ HOURGLASS HEVHETIA 0136 (Barcode: 8588005257930) ~ POLAND ~ Jazz Recorded: 2015 Released: 2017 This is the second album by Polish Jazz saxophonist / clarinetist / composer Szymon LukowskiFind albums by this artist, recorded in a quintet setting with Austrian (resident in London) guitarist Hannes RieplerFind albums by this artist, and Polish vibraphonist Dominik BukowskiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist. The album presents nine original compositions, six by Lukowski and one each by Bukowski, Riepler and Urowski. From the first notes of this album it is obvious that the young musician made a giant step forward both as a player and a composer in comparison to his earlier recordings. Supported by a formidable team of highly talented musicians, Lukowski delivers a wonderful collection of excellent tunes, all beautifully played by him and his cohorts. The elegant arrangements, which feature the superb talents of Bukowski on vibes and marimba and great guitar playing by Riepler, all contribute to the elegant flow of melody lines, amicably supported by the rhythm section. Although the music is still very "conventional" and well within the Jazz mainstream idiom, it is able to shed off the trivial references to years of Jazz tradition, which have been abused and misused for decades. This music flows smoothly and elegantly, keeping the listener attentive. Lukowski uses several types of saxophones and the bass clarinet to produce diverse and interesting tonal ornamentations which serve the music to the max. The music was wonderfully recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual spectacular sonic result. The clarity of the sound and the superb separation of the instruments make listening to this album an audiophiles´ orgy. Overall this is a great mainstream Jazz album, which offers excellent music and first class performances, which should satisfy all connoisseurs and still deliver something previously unheard. Wholeheartedly recommended!

Updated: 27/05/2017Posted: 27/05/2017

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SZYMON LUKOWSKI ~ SHORT SKETCHES HEVHETIA 0197 (Barcode: 8588005258753) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the third album by young Polish Jazz saxophonist / composer Szymon LukowskiFind albums by this artist, recorded in a quartet setting with keyboardist Adam LemanczykFind albums by this artist and superb veteran rhythm section comprising of bassist Wojciech PulcynFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. The album presents seven original compositions, four by Lukowski and one each by Lemanczyk, Pulcyn and Stankiewicz. The music was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual first class sonic quality. The music is all within the modern mainstream Jazz convention, but Lukowski´s progress as a composer and instrumentalist is again clearly apparent in comparison to his earlier work. His bass clarinet parts expand the sonic palette considerably and his compositions are more complex and excellently arranged for the quartet, which results in these performances being highly absorbing from start to finish. The strength of the quartet as a tight musical unit also adds to the success of this material. Lemanczyk is equally effective on acoustic piano and electric keyboards, playing some truly mesmerizing parts. Pulcyn, as always, keeps everything in check and his highly melodic bass lines offer a steady ground for the music to lean on. Frankiewicz adds a highly percussive and dynamic drum parts on the up-tempo numbers and delicate ornamentation on the ballads, like a professional he truly is. Overall this is a truly fine piece of Jazz music, diverse, interesting and aesthetically satisfying, which all Jazz lovers should find worth listening to. As usual it perfectly reflects the high level of original music being created in Poland these days, which is as good, if not better, as Jazz created all over Europe these days, without any inferiority complex. Well done indeed!

Updated: 21/02/2020Posted: 21/02/2020

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SZYMON LUKOWSKI ~ SZYMON LUKOWSKI QUINTET SOLITON 338 (Barcode: 5901571093383) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by Polish Jazz saxophonist / composer Szymon LukowskiFind albums by this artist, recorded in a quintet format with trumpeter Marcin GawdzisFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, bassist Maciej SadowskiFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist. The album features seven original compositions, five by Lukowski and one each by Sadowski and Gawdzis. This album presents the same lineup (except for the drummer) that recorded the album "Shadows Of AutumnFind albums with this title" by Gawdzis, and unfortunately presents the identical worn out mainstream Jazz formula, that contributes neither intellectual nor aesthetic challenge to the listener, sounding very much like American Jazz recorded a few decades earlier (and that is not meant as a compliment). The compositions are unremarkable and the playing, except for Bukowski, who is always highly professional, uninspired. I already stated what I think about this kind of music in my review of the a.m. album and there is nothing else to add. Some people like this stuff, but I definitely try to avoid it.

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LYYTINEN / GARBOWSKI / GRADZIUK ~ SWORDS FSR 2020/19 (Barcode: 5905279364776) ~ FINLAND ~ Free Jazz / Improvised Music Recorded: 2019 Released: 2020 This is the debut album by the Improvising Music trio comprising of Finnish saxophonist Pauli LyytinenFind albums by this artist and Polish bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The 2CD album was recorded live at one session and presents eleven improvisations (one repeated twice) credited to all three participants. For Garbowski and Gradziuk this is not the first time they cooperate with a Finnish partner, as documented by the recordings they made with Finnish trumpeter Verneri PohjolaFind albums by this artist, which of course could not make happier, since my love of Finnish Jazz is second only to that of Polish Jazz ;) As the music included on this album shows, the cooperation proved to be as fruitful as one might wish for. Lyytinen is a highly experienced improvising musician and a prolific recording Artist, with a most impressive recorded legacy despite his relative young age (born in 1983), which combines his Finnish influences with exposure to World culture and music. Some of his recordings also involve the a.m. Verneri Pohjola, which connects the dots as far as forming of the trio on this album is concerned. Despite the spontaneous improvisation process which produced this music, the result is highly melodic, perhaps not in the traditional meaning of the idiom, but definitely very communicative and inviting, which makes listening to this music a truly pleasurable experience, without compromising the aesthetic depth and artistry involved. The rapport between the musicians is obvious and completely honest, which of course is fully reflected in the music itself, radiating relaxed creative forces rather than tension. For listeners familiar with the work of Garbowski and Gradziuk this album is a natural extension of their earlier recorded legacy and a most welcome addition. Each meeting with brotherly musical souls is a tremendous experience and it is lucky for everybody when such meetings are also documented and available for posterity. It is also worth mentioning the incredible sound quality this album offers, thanks to Grabowski´s recording at the tiny Institute of Music Performance in Katowice, which I know personally of course, and the incredible mix and mastering by Jan SmoczynskiFind albums by this artist at Studio Tokarnia – a magnificent aural experience in addition to the spiritual musical experience, i.e. the best of the two worlds!

Updated: 23/12/2020Posted: 23/12/2020

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MICHAL MARTYNIUK ~ NOTHING TO PROVE SJ 031 (Barcode: 5912596066351) ~ POLAND ~ Smooth Jazz Recorded: 2017 Released: 2018 This is the debut album by Polish (resident in New Zealand) Jazz pianist / composer Michal MartyniukFind albums by this artist, recorded with a core quintet setting with saxophonist Jakub SkowronskiFind albums by this artist, guitarist Jakub MizerackiFind albums by this artist, bassist Bartek ChojnackiFind albums by this artist and drummer Kuba GudzFind albums by this artist. Three guest artists: drummer Sebastian SkrzypekFind albums by this artist, percussionist Miguel FuentesFind albums by this artist and vocalist Tama WaiparaFind albums by this artist appear on selected tracks. The album presents eight original compositions, all composed by Martyniuk. The music is very melodic mainstream Jazz that stays almost completely within the conventional Smooth Jazz idiom, which is relatively atypical of young Polish Jazz and resembles recordings from across the pond - lush saxophone, dreamy guitar (with very strong Fusion tendencies) and romantic piano are the dominant characteristics. Having said that, the tunes are very well crafted and the music is excellently performed, arranged and recorded, so the listening experience is definitely very pleasurable. Perhaps the idea of this album was indeed that the leader has nothing to prove and decided to record an album easy on the ear, which can be liked by a wide range of listeners mostly from outside the strict Jazz circles. I have already read several very flattering reviews of this album by some Polish "critics", which proves that Martyniuk achieved his goal in full.

Updated: 20/08/2018Posted: 20/08/2018

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LUKASZ OJDANA ~ KURPIAN SONGS & MEDITATIONS AUDIO CAVE 2020/003 (Barcode: 5905669566971) ~ POLAND ~ Jazz-World Fusion Recorded: 2019 Released: 2020 This is the debut album as a leader by Polish Jazz pianist / composer Lukasz OjdanaFind albums by this artist, recorded in a piano solo setting. The album presents twenty-one short tracks, eleven of which are traditional Kurpian (Kurpie is an ethnic region in Poland) melodies and ten are original compositions by Ojdana, inspired by Kurpian motives. Mariia OjdanaFind albums by this artist adds vocals on one track. The album was beautifully recorded at the Studio Tokarnia, engineered by Jan SmoczynskiFind albums by this artist, offering a spectacular piano ambience worth the attention of sound quality connoisseurs. Ojdana, best known as a member of the prominent RGGFind albums by this artist piano trio, decided to draw his inspiration for this album form the rich Polish Folklore musical heritage. The idiosyncratic Kurpian music fascinated him not only because of its beauty, but also due to the challenge of performing the music on the piano, which is not designed to articulate the quarter tones this traditional music requires. The challenge of the harmonic adaptation the pianist must perform here is truly fascinating and the final result is deeply moving. Polish Jazz embraces the Fusion of Jazz and traditional Polish Folklore since its early days and some of such projects are true beacons of ingenuity and talent. This album successfully continues this tradition, creating music that naturally amalgamates the seemingly completely different idioms into a new formation, which works out both culturally and aesthetically. The sublime lyricism, melancholy and poetic beauty this music offers is a wonderful example of East European approach to Jazz, which manages to connect with the Cultural roots of the People of the region, transforming the Jazz tradition into an extension of the local Culture, rather than copying its foreign origins. In spite of its complexity this music is wonderfully, almost heartbreakingly melodic, which creates a deception of "easiness", opening this music to a wide range of listeners. Like all great works of Art, this music can be absorbed on many different levels, between the simplistic, melody based attitude and the highly sophisticated harmonic / structural analysis of the entire concept, leaving the entire range of listeners equally satisfied. This album offers a great opportunity to get a new perspective on Ojdana´s musical personality. His work with RGG portrays him in many other areas of Jazz, from elegant and ambitious modern Jazz to Avant-Garde explorations, but this album shows him as contemplative, romantic virtuoso, with a cryptic smile and a charmingly bashful manner. Piano lovers, Polish Jazz followers and all true music enthusiasts should find this alum irresistible; a true gem!

Updated: 16/03/2020Posted: 16/03/2020

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LUKASZ OJDANA ~ WEDRUJACY PTAK MUSIC CORNER 062 (Barcode: 5906489287428) ~ POLAND ~ Jazz-World Fusion Recorded: 2023 Released: 2024 This is the 2nd solo album by Polish Jazz pianist / composer Lukasz OjdanaFind albums by this artist, which continues the similar musical environment of his solo piano debut, this time expanded by vocals by his wife Mariia OjdanaFind albums by this artist (who was only featured on a single track of the debut) and the Ukrainian vocal quartet DrevoFind albums by this artist. The album presents ten tracks, recorded live in a Warsaw church, which offer his improvisations based on traditional Folkloristic elements of Polish and Ukrainian traditions, preserved only in vocal tradition. Ojdana uses the moniker “Slavic Jazz Pianist”, which perfectly describes the concept of this album. The deeply melancholic Slavic elements are the very core of this music, and he simply submerges his imagination in these elements, delivering a beautiful amalgam of piano improvisation and vocal / almost choral performances. Although Ojdana is mostly familiar to the Polish Jazz listeners as the pianist of the RGGFind albums by this artist trio, which offers highly sophisticated and improvised modern Jazz, his Slavic alter ago is no less impressive and definitely worthy of attention. The music on this album has a highly spiritual sensitivity and the delicate touches on the keyboard are ideal partners to the gentle vocal parts. Overall, this is a highly original excursion into the depths of the Slavic roots, beautifully framed with the Jazz improvisations, all Masterly executed by Ojdana, who is blessed with a unique touch and sensibilities. Wholeheartedly recommended to Jazz-World Fusion lovers, who might discover here previously rarely explored territory, brilliantly performed!

Updated: 14/06/2024Posted: 14/06/2024

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LUKASZ PAWLIK ~ LONELY JOURNEY PAWLIK RELATIONS 011 (Barcode: 5901289325103) ~ POLAND ~ Jazz-Funk Fusion Recorded: 2015 Released: 2016 This is the debut album as a leader by Polish keyboardist / composer Lukasz PawlikFind albums by this artist, recorded with saxophonist Dawid GlowczewskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. The polish team is joined by American guitarist Mike SternFind albums by this artist on one track and trumpeter Michael Patches StewartFind albums by this artist on three tracks. The album presents eight original compositions, all by Pawlik. The music is a slick, melodic Jazz-Funk / Groove / Smooth Jazz, similar to countless other albums of this sort. It is very well performed by all participants, who are true pros, and makes your feet tap, but once it´s over there is nothing left. The compositions are all pretty good, but again, hardly remarkable or memorable. Why on earth would a talented Polish young musician play music, which others (yes Americans) have been playing ad nauseam since the 1970s, not moving an inch forward in the last almost 50 years. Admittedly the Polish team is in every respect as good as their American counterparts, so what? Although this kind of music has its followers, which of course is fine, this is only very marginally, if at all, Jazz and should not be labeled as such. Overall this is a good Funk / Groove album, very well played, which lovers of the genre should enjoy in full, but definitely not something a Jazz connoisseur would listen to. And yes, Stern´s solo is as good as one might expect ;)

Updated: 12/03/2016Posted: 12/03/2016

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PEUKER8 ~ INFLUX WHYPLAYJAZZ 040 (Barcode: 4250459991404) ~ GERMANY ~ Jazz-Classical Fusion Recorded: 2017 Released: 2018 This is the second album by the German octet Peuker8Find albums by this artist, led by guitarist / composer Paul PeukerFind albums by this artist, which also includes pianist Clemens Christian PotzschFind albums by this artist, saxophonist Mark WeschenfelderFind albums by this artist, violin quinton (five strings violin) player Alina GropperFind albums by this artist, viola quinton (five strings viola) player Filip SommerFind albums by this artist, cellist Elizabeth CoudouxFind albums by this artist, bassist Eugen RolnikFind albums by this artist and drummer Florian LauerFind albums by this artist. Vocalist Sissi RadaFind albums by this artist guests on one track. The album presents ten original compositions, all by Peuker. The music immediately strikes the listener with its originality and immense intensity, which are entirely unprecedented. It is a variety of Jazz-Classical Fusion, but no other music of that category has previously reached such level of natural symbiosis as this music, which amalgamates Jazz tradition with contemporary European chamber music, expanding the idiom´s boundaries tremendously. In fact the octet sounds like modern version of a chamber orchestra, where the string section, the rhythm section and the Jazz instruments take the roles of the traditional classical instrument, but the concept of creating music together as an ensemble stays basically the same, with a modernized sound and possibilities of course. The music, although obviously composed, allows huge amount of individual improvisational freedom, which adds spice and pizzazz to the proceedings and allows the musicians to create some superb solo contributions throughout the album. Although noticeably complex and multilayered, the music sounds coherent and focused at all times, and should be accessible to a relatively wide listening audience, in spite of its potent contents. It will take a while for this music to reverberate and achieve the recognition it truly deserves, but it definitely marks a milestone in European contemporary music, including the Jazz idiom but also way beyond. The aesthetic and intellectual ingenuity, talent and effort this album offers to the listener are all extraordinary and deserve the highest praise, which will be hopefully followed by acknowledgment as well. Hats off to Peuker and his cohorts for creating this music and to Roland SchulzFind albums by this artist, the head of the WhyPlayJazzFind albums on this label record label, for releasing it against all odds!

Updated: 03/03/2018Posted: 03/03/2018

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PIIRPAUKE / TAPIO TUOMINEN TRIO / PORI BIG BAND / TAPIOLA BIG BAND ~ JAZZ LIISA VOL. 15 & VOL. 16 SVART 097 (Barcode: 6430065583509) ~ FINLAND ~ Jazz Recorded: 1975 - 1977 Released: 2017 The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on the first show included here. The other two sessions were recorded on different dates. PiirpaukeFind albums by this artist, founded in 1974 by saxophonist / keyboardist / composer Sakari KukkoFind albums by this artist and still active today forty-five years later, was one of the first European Jazz-World Fusion ensembles. It includes initially also guitarist Hasse WalliFind albums by this artist, bassist Antti HyttiFind albums by this artist and drummer Jukka WasamaFind albums by this artist. Synthesizer player Otto RomanowskiFind albums by this artist appeared as an associate member. This live radio broadcast captures the group before the release of their eponymous debut album, which created quite a stir at the time. They perform three pieces; one composed by Kukko and two unique arrangements by the group members of folk songs: one Romanian and the other Karelian in origin. Both folk songs were included on the a.m. debut album. The music is a wonderful amalgam of modern Jazz, sometimes with freely improvised parts, and folkloristic inspirations, which will become the modus operandi of the group. Saxophonist Tapio TuominenFind albums by this artist and his trio, which also included bassist Jorma KoivulehtoFind albums by this artist and drummer Jukka WasamaFind albums by this artist, represent the Finnish Free Jazz movement, which flourished in the 1970 and led to high local activity as well as international cooperation with other European players, including those from Poland and other East European countries. The trio plays three original compositions credited to Wasama, but obviously presenting a group improvisation effort. Similarly to the material presented by the Wasama - Tuominen TrioFind albums by this artist, presented on an earlier release of the "Jazzstudio" sessions, the music is typical of European Free Jazz at the time, highly inventive and emotional, which lost nothing of its power over time. The 1970s were hay days for the Finnish Big Bands and several were active in parallel at the time, which for a country of the size of Finland was absolutely phenomenal. One of the factors that enabled this to happen was the solid local and national financial support available for Arts at the time, and combined with the number of young Jazz musicians flooding the scene and involvement of semi-professional / amateurs evolved into a heaven on earth for Big Band enthusiasts. Pori Big BandFind albums by this artist, founded in 1971 and still active today, was led over the years by top Finnish musicians / instrumentalists and has an impressive legacy of recordings to its credit. It is traditionally featured during the annual Pori Jazz Festival. On this live radio broadcast the Big Band was conducted by bassist / composer Markku KokkoFind albums by this artist and performed two original compositions: one by trombonist / composer Kaj BacklundFind albums by this artist and one by Kokko. Tapiola Big BandFind albums by this artist, founded in 1970 by Martti LappalainenFind albums by this artist and still active today, included many top Finnish musicians over time, some of which were double billing as members of the Mother Ship of the Finnish Big Band scene, the UMOFind albums by this artist Orchestra. On this live radio broadcast the Big Band was conducted by Lappalainen and included a crème de la crème lineup of Finnish Jazz musicians and performed two pieces: one original composition by Mike KoskinenFind albums by this artist and an arrangement of a folk song by Eero KoivistoinenFind albums by this artist. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 15/06/2020Posted: 15/06/2020

CD 1 Remastered Recommend To A Friend

POHJOLA / GARBOWSKI / GRADZIUK ~ GEMSTONES FSR 2018/14 (Barcode: 5905279364370) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2018 The blessed technology that enables us to capture a piece of music for "posterity" and later repeat the process of music creation as many times as we like is miraculous in every respect. For centuries music existed exclusively in the very moment of its performance and as soon as it was born it was immediately lost forever. Today we can capture the music making process and transform it into physical, tangible element, which can later on be replicated continually and transferred with the speed of light into the infinite space that surrounds us. Glorious times indeed. But technology always comes with a moral and aesthetic price tag. In just over a Century, which is but an infinitesimal fracture of human history in general and more specifically just a minuscule part of history of music, we have produced enormous amounts of recorded music, which mostly tragically hardly deserves to exist for "posterity", almost the same way that we, the human race, produced such enormous quantities of garbage that we physically endanger our very existence on this planet. Improvised Music, Free Jazz and other forms of Avant-Garde musical exploration often suffer from the almost intrinsic malady, that they do not survive well the process of transformation between live performance and recording. Only in very rare cases spontaneous music is able to retain the aesthetic quality, the spiritual force and the artistic value that one expects to be exposed to while listening to recorded music. Without the immediate eye contact with the musicians, the ambience of the venue and the excitement of a "live" interaction the captured sound more often than not loses its charm, meaning and becomes banal or in the worst cases simply unlistenable. It is therefore a great and rare pleasure to encounter music, which was spontaneously created and is highly improvised, and yet manages to withstand the transformation between live performance and recording with flying colors. These extraordinary musicians managed to transfer the metaphysical Gems into real Gemstones, which naturally are as close to "posterity" as only Gemstones can be. Music is as much about music as it is about people and therefore behind every manifestation of music one should always bear in mind the human factor behind it, especially so in the case of recorded music, which distances the listener from the immediate human interaction with the creators of the music itself. Verneri PohjolaFind albums by this artist, Maciej GarbowskiFind albums by this artist and Krzysztof GradziukFind albums by this artist are not only extraordinary musicians, but first and foremost beautiful human beings, blessed with talent and armed with consistency and invariable drive to explore and discover. I am proud and grateful to have encountered not only their sublime music, but also their personal charm and friendship. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 12/04/2019Posted: 04/01/2019

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KAUKO ROYHKA / S. A. HYNNINEN ~ DEKADENSSI SVART 228 (Barcode: 6430077090965) ~ FINLAND ~ Classic Rock Recorded: 2020 Released: 2020 This is the debut album as a duo by two of veteran Finnish Rockers: vocalists / guitarists / songwriters Kauko RoyhkaFind albums by this artist and S. A. HynninenFind albums by this artist, both prolific figures on the local scene with an impressive recording legacy. The album present thirteen songs, twelve of which feature brilliant lyrics by Royhka and one is a poem by French poet Arthur RimbaudFind albums by this artist. Royhka composed ten of the songs and three were composed by Hynninen. They both sing and play guitars and percussions, Hynninen also plays the bass parts, several singesr help with vocals on selected tracks, Roberto LanzFind albums by this artist plays drums, Mikko HellstromFind albums by this artist plays upright bass and Janne RiisioFind albums by this artist plays percussion. The album offers a collection of great Rock songs with highly intelligent socially / politically oriented contents, which are performed without much instrumental complexity, but kick ass from start to finish. The songs offers a consistent musical continuity and a unique atmosphere, almost, but not quite. “heavy” and simply delightful. Royhka’s vocals are heartfelt and sensitive and the album has a distinct “retro” feel and sound. Overall this is splendid Rock album, which sounds and feels like albums from the good old days when people were making music for music’s sake. With Finnish lyrics, the verbal layer is of course limited to those who speak the language, but honestly this does not hinder the essence of what the album has to offer. I had a blast listening to this music!

Updated: 04/03/2021Posted: 04/03/2021

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SAME SUKI ~ DZIADOSKIE PIOSENKI O MILOSCI AUDIO CAVE 2023/004 (Barcode: 5908298549636) ~ POLAND ~ World Music & Folklore Recorded: 2022 Released: 2023 This is an album by Polish trio Same SukiFind albums by this artist, which comprises of vocalist Magdalena WieczorekFind albums by this artist, vocalist / multi-instrumentalist Helena MatuszewskaFind albums by this artist and vocalist / bassist Karol GodzaloFind albums by this artist. The album presents twelve original songs, all co-credited to the trio members. The concept of the album is to create a series of original songs, which sound, feel and resemble Polish Folklore songs, which might have been written centuries ago. The individual vocals and vocal harmonies are the epicenter of the music, which is supported by some instrumental accompaniment, using folklore instruments, and based on strong, hypnotic bass pulsations, which lead the music steadily and with confidence. Although the vocal performances mimic Folkloristic singing and to some degree old Polish language, the subject matter (love songs of course) is absolutely contemporary, including a serious dash of humor and irony. Of course that part of the album’s message is language dependent, and gets lost to listeners, who are nor native Polish speakers. But even without the text layer, the music is highly original and aesthetically appealing. Overall, this is a very unusual, somewhat challenging Folklore album, which offers some beautifully lyrical songs and deep reflections about contemporary personal relationships, all wrapped in a mysterious “old music” packaging. I had a real blast listening to this little gem and I most warmly recommend it to all heartfelt unusual music lovers, who will be ready to plunge into this micro-universe, which is enchanting and magical.

Updated: 10/05/2023Posted: 10/05/2023

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SKICKI-SKIUK ~ CHRARUMIMIA BITTT 006 (Barcode: 5907632690140) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2016 - 2017 Released: 2018 This is the debut album by young Polish Jazz quartet called Skicki-SkiukFind albums by this artist, which consists of saxophonist Dariusz RubinowskiFind albums by this artist, guitarist Jakub MizerackiFind albums by this artist, drummer Jakub MiarczynskiFind albums by this artist and bassist Roman ChraniukFind albums by this artist (now you can guess the inspiration for the quartet´s name). The album presents eight original compositions, credited to all four participating musicians. It seems that almost all the young Polish Jazz ensembles, which feature a guitar player, tend to play some kind of Fusion, with varying degrees of Jazz elements present in their music. It is sad that guitar can not be treated as a Jazz instrument per se, the way it used to be in the Jazz tradition, especially in view of the fact that Fusion sadly proved to become a very restricted genre, which hardly moved an inch in decades. The music on this album fails to present anything beyond standard Jazz-Rock Fusion attempts, which have been tried already in the late 1960s. The combination of guitar and sax front is also a much tried out attempt by many early Fusion / Prog groups in the 1960s and 1970s. The sound quality of the recording leaves much to be desired, with a muddy ambience and lack of clarity, but perhaps this was done purposely to achieve a retro effect? Having said all that, these young musicians certainly are talented and play their hearts out. There are inspired solos and good ensemble playing throughout the album. The compositions have merit and if performed more ambitiously might have sounded much more impressive. Perhaps this album was recorded a tad too early before they managed to achieve a more personal musical statement. Hopefully the next effort will be much more impressive.

Updated: 06/08/2018Posted: 06/08/2018

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JOZEF SKRZEK / TOMASZ SZUKALSKI ~ AMBITUS EXTENDED METAL MIND 0540 (Barcode: 5907785030459) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1981 Released: 2008 This is a reissue of the album recorded by the duo that brought together two legendary musicians: founder and leader of SBBFind albums by this artist, bassist / keyboardist Jozef SkrzekFind albums by this artist and one of the Giants of Polish Jazz, saxophonist Tomasz SzukalskiFind albums by this artist, who came to fame as member of ensembles led by Tomasz StankoFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist. Skrzek and Szukalski played together on and off since the mid 1970s but in the tense pre-Martial Law period (1980-1981) the duo recorded this album and several other projects together and performed live quite often. This remastered edition of the album was expanded by six previously unreleased live tracks, recorded shortly before the recording of the original album material. The music was co-composed by Skrzek and Szukalski and mostly improvised on pre-conceived melodic motifs, and features extensive soloing by Szukalski and wonderful keyboards work by Skrzek. Stylistically it moves between Blues, Fusion, Progressive Rock and Jazz, always beautifully harmonic and deeply moving. Szukalski was the absolute Master of melodic improvisation, like his idol Ben WebsterFind albums by this artist, and had no equals on the Polish scene at that time (or even to this very day). His untimely death was a great loss for Polish / European Jazz. In spite of its minimalistic scope and approach, the album is full of absolutely thrilling musical ideas and virtuosic performances, and remains to this very day a milestone achievement of Polish Jazz / Fusion / Blues-Rock history. This reissue brings back to life a piece of Polish music history and is of course a must have for Polish music fans / collectors.

Updated: 07/05/2018Posted: 07/05/2018

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LUBOS SOUKUP ~ SCANDINAVIAN IMPRESSIONS CESKY ROZHLAS 1216 (Barcode: 8590236121621) ~ CZECH REPUBLIC ~ Jazz-Classical Fusion Recorded: 2023 Released: 2024 This is an album by Czech Jazz saxophonist / composer / bandleader Lubos SoukupFind albums by this artist, recorded with a Jazz quartet comprising of guitarist David DoruzkaFind albums by this artist, pianist Vit KristanFind albums by this artist, Danish bassist Thommy AnderssonFind albums by this artist and drummer Kamil SlezakFind albums by this artist, the Prague Radio Symphony OrchestraFind albums by this artist conducted by Bastein StilFind albums by this artist and the brass section of the Concept Art OrchestraFind albums by this artist (which includes my Friend trumpeter Stepanka BalcarovaFind albums by this artist). The album presents six tracks, which are in fact parts of a suite for Jazz ensemble and Symphonic orchestra, based on Soukup’s experiences during his stay in Scandinavia. The album was recorded live and offers an excellent sound quality. The music is absolutely delightful, a perfect amalgam of Jazz and the Classical vocabulary, tastefully and cleverly put together and brilliantly performed by all the musicians involved in this complex project. The music is a marriage of Slavic / East European melodic melancholy and Scandinavian ambience, which flows gently throughout the duration, constantly switching between the Jazz and the Classical facets, producing a superb example of European elegance and aesthetics. Individually, these are some of the finest Czech Jazz musicians, which in many respects are a class of their own judging by the incredible influx of Czech Jazz recordings released during the last decade or so, which often are surprisingly imaginative, innovative and original, despite the fact that they are all well within the “conventional” Jazz idiom, without moving into extreme Avant Garde in order to show something original. Although, as already stated, all the musicians involved in making of this album are highly professional and talented, the soling by Doruzka is the out-and-out highlight of the album, again emphasizing his undisputed position as one of the best guitar players in the world at present. Of course Soukup has to be congratulated for his brilliant composing / arranging work on this album, which is truly exceptional, making this album one of the most “natural” and coherent amalgamations between Jazz and Classical music, which I had the pleasure to enjoy and experience in a very long time. Overall, this is a superb Jazz-Classical Fusion album in every respect, full of exciting, moving and conceptually brilliant music, which should satisfy even the most capricious music connoisseurs. It is a gem in every respect, and it goes without saying that it deserves an honorable place in every serious Jazz records collection. Well done, my Friend!

Updated: 12/08/2024Posted: 10/08/2024

CD 1 Mini-Sleeve Recommend To A Friend

LUBOS SOUKUP ~ THROUGH THE MIRROR ANIMAL MUSIC 038 (Barcode: 8594155997022) ~ CZECH REPUBLIC ~ Jazz Recorded: 2012 - 2013 Released: 2013 This is the second album as a leader by Czech saxophonist / composer Lubos SoukupFind albums by this artist, recorded with his quartet, which also includes German pianist Christian PabstFind albums by this artist, Swedish bassist Joel IllerhagFind albums by this artist and Danish drummer Morten HaesumFind albums by this artist. The lineup is expanded by the addition of a not less international six-piece horn section and a Czech string quartet. The album presents ten original compositions, all by Soukup. The music is a wonderful example of modern European Jazz, based on excellent compositions, which amalgamate some glimpses of European Classical Music influences and Jazz ensemble music, brilliantly arranged and perfectly executed by these, mostly young but already very experienced and well educated musicians. Soukup demonstrates his highly unusual melody weaving skills, which have been amply reflected by his work in the years since this album was released, both on his own recordings and albums with other people. He is a member of the Prague SixFind albums by this artist composers’ collective, whose work was wonderfully recorded by the Czech Concept Art OrchestraFind albums by this artist (of which he is also a member), the Inner SpacesFind albums by this artist quintet and other ensembles and in the last few years he is definitely one of the most active and prolific figures on the Czech Jazz scene. The scope of the music is pretty amazing, elegantly floating between the more Jazz oriented pieces, performed by the ensemble and the more somber Classical oriented compositions, performed by the string quartet, but always keeping the listener mesmerized by the depth of the music and the intricate / multi-level arrangements, which become an intrinsic part of the concept that Soukup is trying to create on this album. Considering the fact that he was only twenty-seven at the time this music was recorded, the achievement is even more impressive. Overall this is a very striking piece of European Music, which exemplifies not only the incredible powers of these individuals but also their unprecedented ability to join forces in international projects, like this one, which are very common in the last decade in the borderless Europe. Soukup is definitely a musician / composer worthy of being followed by lovers of European Jazz and all his recordings deserve attention. Hats off!

Updated: 07/05/2021Posted: 07/05/2021

CD 1 Digipak Recommend To A Friend

KRYSTYNA STANKO / DOMINIK BUKOWSKI / PIOTR LEMANCZYK ~ CUDA OGLASZAJA STM 002 ~ POLAND ~ Xmas Jazz Recorded: 2010 Released: 2010 This is a wonderful festive season album by Polish Jazz vocalist Krystyna StankoFind albums by this artist and her regular partners: vibraphonist Dominik BukowskiFind albums by this artist and bassist Piotr LemanczykFind albums by this artist dedicated to their arrangements of Christmas Carrols. Poland has a tradition of Christmas Carrols spanning back to the middle ages and including many original Carrols written in the Polish language. The nine Carrols selected for this album include both internationally known Carrols translated into Polish and original Polish Carrols. Jazz interpretations of Christmas songs and Carrols have been tried many times before, most of them being simply an opportunistic pastiche devoid of any artistic merit. However this recording is surprisingly touching and absolutely stunning musically. The intimate setting of a vocalist and just two accompanying instruments (well veteran drummer Cezary KonradFind albums by this artist does play on one track) seem to be able to bring out the best of everybody on this album. Stanko delivers the lyrics with a heartbreaking honesty and sensitivity, Bukowski paints the melodies and colors the entire atmosphere with his mallets and Lemanczyk carries the music on the back of his incredible bass lines, steady as a rock and virtuosic like butterfly´s wings. The entire delivery is simply breathtaking and in retrospect one must see that Stanko´s sensitivity to the spoken word is at its peak here, ready to explode on her next solo project "Kropla SlowaFind albums with this title". The arrangements, which transpose the Carrols into the world of Gospel / Blues / Jazz are artistry in itself, and should be studied in music schools the world over. The most amazing effect of this album is the fact that it makes the listener actually listen to the lyrics. Most religious music is usually performed in a mantra manner, with the performer uttering the words without actually even trying to comprehend the meaning of the text, especially when it happens during a ceremonial act. I must say that although I have heard these Carrols countless times before, I actually listened to the words for the first time while listening to this album, and was quite surprised by their beauty. Regardless of the religious context, this is pure poetry full of longing for love, compassion, sympathy and understanding, which are universally human. I can´t think of a better Christmas gift to anyone, who loves music, especially if they understand Polish, but the beauty of this recording knows no language barriers and melts open hearts anywhere. A treasure!

Updated: 18/01/2021Posted:

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SUKELLUSVENE ~ VESI- JA LINTUMUSIIKKIA SVART 106 (Barcode: 6430065585176) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1978 Released: 2018 This is a reissue of the only album by the Finnish Jazz / Fusion sextet SukellusveneFind albums by this artist, which comprised of saxophonist Lassi TalasmoFind albums by this artist, keyboardist Kari LitmanenFind albums by this artist, guitarists Jukka MakinenFind albums by this artist and Tapani TuomanenFind albums by this artist, bassist Pekka MuhliFind albums by this artist and drummer Timo KotinevaFind albums by this artist. The album, released on the legendary LoveFind albums on this label Records, presented six original compositions, two each by Litmanen and Tuomanen and one each by Makinen and Muhli. This remastered and expanded edition adds two tracks from a single with non-LP tracks. Although established in the early 1970s, it took the group almost eight years to record their album, following several lineup changes, and it sadly disbanded soon after. Nevertheless this sole album remains as one of the finest Finnish Fusion recordings of the 1970s, and lost nothing of its charm over the years. Full of superb compositions and fiery performances it is a true gem of the period and a wonderful testament of the incredible Finnish musical scene that flourished at the time. Although obviously Fusion oriented and with a distinct Fusion sound due to the use of synthesizers, guitars and electric bass, it offers also a lot of Jazz spirit within the improvisations and Progressive Rock tendencies reflected in the melodic approach. As such this music is highly attractive to a wide range of music connoisseurs with cross-genre tendencies. Overall this is a wonderful piece of Finnish Jazz / Fusion history, well worth being remembered and still a great piece of quality music. Warmly recommended and an absolute must to European Jazz enthusiasts. As usual kudos to SvartFind albums on this label Records for saving this gem from oblivion!

Updated: 25/07/2020Posted: 25/07/2020

CD 1 Remastered Bonus Tracks Recommend To A Friend

TOMASZ SZUKALSKI ~ TINA KAMILA (POLISH JAZZ VOL.83 DELUXE) MUZA 1083 ~ POLAND ~ Jazz Recorded: 1986 Released: 2005 This wonderful album is the debut recording as a leader by Polish Jazz saxophonist / composer Tomasz SzukalskiFind albums by this artist, one of the veterans of the local scene. Although Szukalski has been active on the scene for many years and participated in many recordings, the opportunity to make an album under his own name came only relatively late in his career path. This album is quite a surprise in many respects, as it presents Szukalski playing Jazz standards accompanied by the Grand Standard Orchestra led and conducted by Jan Ptaszyn WroblewskiFind albums by this artist. His tenor sounds absolutely marvelous against the orchestra´s strings and the album is one of the most beautifully melodic Polish Jazz releases. Stylistically the album resembles similar sax and strings recordings, such as those by Ben WebsterFind albums by this artist for example, and Szukalski´s virtuosity and incredible feel easily match those of the legendary Jazz Masters. He is accompanied by a great rhythm section with pianist Wojciech KarolakFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The music comprises mostly of Jazz standards, but includes also compositions by Polish Jazz composers like Karolak, Wroblewski, Bronislaw SuchanekFind albums by this artist and one tune by the Szukalski himself. In retrospect this album lost nothing of its power and intrinsic beauty, and any Jazz lover in the world should be able to enjoy it wholeheartedly. Brilliant stuff!

CD 1 Digipak Remastered Recommend To A Friend

TASAVALLAN PRESIDENTTI / JUKKA HAURU & SUPERKINGS ~ POP LIISA VOL. 01 & VOL. 02 SVART 003 (Barcode: 6430050665647) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1973 Released: 2016 By the time this live broadcast was captured on tape Tasavallan PresidenttiFind albums by this artist, first Finnish Fusion / Prog Supergroup, already released three seminal albums and were about to release their fourth (and sadly last) album "Milky Way MosesFind albums with this title" recorded earlier in London. The lineup underwent another change when the new bass player Heikki VirtanenFind albums by this artist joined vocalist Eero RaittinenFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, saxophonist Pekka PoyryFind albums by this artist and drummer Vesa AaltonenFind albums by this artist. The group performs just two extended pieces, full of lengthy instrumental improvisations kept in a jam session mood with a strong Fusion orientation. The first piece is a composition by the legendary Jazz saxophonist Eero KoivistoinenFind albums by this artist, which originates from his Jazz & Poetry album "ValtakuntaFind albums with this title", where it was sung by Raittinen, and which was also recorded on the a.m. fourth album in its English version with the lyrics translated by Jim PembrokeFind albums by this artist, a member of WigwamFind albums by this artist (yes there was a strong bond between these two pioneering Finnish groups). The second piece is a rendition of one of the songs appearing on the third album "LambertlandFind albums with this title" composed by Tolonen. Considering that eighteen months passed between the original recording of this song and this broadcast, it is not surprising that this version is diametrically different from the original, and present a much more Jazz oriented approach which even explores some Free Form elements. Overall this recording presents Tasavallan Presidentti at their absolute peak and offers an amazing example of European / Finnish Fusion created at the time. Guitarist Jukka HauruFind albums by this artist was part of the Finnish Fusion scene and was closely related to the Tasavallan Presidentti gang, since he was substituting for Tolonen whenever needed between 1972 and 1974. He was considered as a superb guitarist, which the recordings herein prove beyond any doubt. He gathered a group of excellent top Finnish players for the purpose of recording his debut album "InformationFind albums with this title", which appears here jokingly renamed to SuperkingsFind albums by this artist. Again not surprisingly it includes two Tasavallan Presidentti members: Virtanen and Aaltonen, as well as violinist Juhani PoutanenFind albums by this artist, pianist Olli AhvenlahtiFind albums by this artist and percussionist Reino LaineFind albums by this artist. Together the sextet performs four original compositions, three by Hauru and one by Poutanen, one of which appears on the a.m. debut album and three were unrecorded at the time. The music is even more Jazz oriented that the Tasavallan Presidentti set, offering much more freedom than the usual Fusion played at the time, with a strong Zappaesque tinge and obvious extended instrumental soloing. Overall this is some of the most staggering music created in Europe in the early 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 29/04/2020Posted: 29/04/2020

CD 1 Remastered Recommend To A Friend

	JUKKA TOLONEN ~ A PASSENGER TO PARAMARIBO LOVE 231 ~ FINLAND ~ Progressive Rock 5th album from 1977 by this great Finnish guitarist. This one is a Jazz-Rock-Fusion effort, with many fabulous Finnish musicians. Great guitar solos and improvisations by all the group`s members.
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JUKKA TOLONEN ~ SUMMER GAMES LOVE 091 ~ FINLAND ~ Progressive Rock Recorded: 1973 2nd album by great Finnish guitarist Jukka TolonenFind albums by this artist. Tolonen plays some incredible guitar licks here, accompanied by the top Finnish jazz musicians, which gives the album a much jazzier feel then his debut effort. Great compositions (all by Tolonen himself) and impressive soloing all way through make this a gem that gets better with time.

CD 1 Oversampling Remastered Recommend To A Friend

	JUKKA TOLONEN ~ THE HOOK / HYSTERICA LOVE 113/149 ~ FINLAND ~ Progressive Rock 3rd & 4th albums from 1974 & 1975 on 1 CD. More guitar virtuosity from this great Finnish player with a host of guests from the Finnish Prog and Jazz elite. Wonderful compositions and some of the best guitar sounds ever recorded.
	CD 1 Recommend To A Friend

JUKKA TOLONEN ~ TOLONEN! LOVE 047 ~ FINLAND ~ Progressive Rock 1st album from 1971. Finnish guitar hero shines on the guitar, playing his own compositions with a host of friendly guest musicians, including the brilliant Pekka Pohjola on bass. His solo albums were recorded while he was a member of the group Tasavallan Presidentti, and they are the proof of his status as one of the greatest masters of the guitar.

CD 1 Oversampling Remastered Recommend To A Friend

JUKKA TOLONEN BAND / HURMERINTA – SORVALI BIG BAND ~ POP LIISA VOL. 09 & VOL. 10 SVART 015 ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1975 - 1977 Released: 2016 Following the breakdown of the pioneering Finnish group Tasavallan PresidenttiFind albums by this artist in 1974, guitarist / composer Jukka TolonenFind albums by this artist continued his successful solo career, releasing albums on a regular basis. By the time his band was captured playing on this live broadcast, his fourth solo album "HystericaFind albums with this title" was about to be released soon after. The band, which also included saxophonist Pekka PoyryFind albums by this artist, keyboardist Esa KotilainenFind albums by this artist, bassist Heikki VirtanenFind albums by this artist and drummer Esko RosnellFind albums by this artist, perform four instrumental pieces, all originating from the "Hysterica" album and all composed by Tolonen. These live versions of the pieces are quite different from the studio versions and therefore their inclusion here is a perfect companion to the original album. The music is almost completely Fusion oriented, with superb soloing by all the band members. Kotilainen´s keyboard performances are probably the only strong link present here to Progressive Rock, but the Fusion elements include also some Funk influences. Considering the fact that the bad collectively comprised of the "hottest" players on the Finnish scene, the fact that all the performances here are simply stellar. Guitarist Sami HurmerintaFind albums by this artist, his wife vocalist Maarit HurmerintaFind albums by this artist and drummer Upi SorvaliFind albums by this artist put together the Hurmerinta – Sorvali Big BandFind albums by this artist in 1977, combining forces with many musicians they performed and recorded with earlier on, such as British vocalist Frank RobsonFind albums by this artist (ex-Tasavallan Presidentti), trumpeter Esko HeikkinenFind albums by this artist, Romanian trombonist Mircea StanFind albums by this artist, saxophonists Pertti PaivinenFind albums by this artist and Pentti LahtiFind albums by this artist, keyboardist Kari KuusamoFind albums by this artist, bassist Harri MerilahtiFind albums by this artist, and second drummer Roope KoistinenFind albums by this artist. This eleven-piece Big Band was not a typical Jazz Big Band, but rather a Brass Rock ensemble with a double vocal front. The Big Band existed for about a year between 1977 and 1978 and never recorded a studio album, so this live broadcast is their only recorded legacy. The Big Band performs six songs, three of which were written by Jimi HendrixFind albums by this artist, two by Robson and one by Sami Hurmerinta. Hendrix was an obvious influence on these musicians and the legendary album by Gil EvansFind albums by this artist and his Orchestra "Plays The Music Of Jimi HendrixFind albums with this title" prompted them to form the Big Band in the first place. The music is of course typical of Brass Rock bands of the time, which combined Rock and Jazzy horns sound. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 09/05/2020Posted: 08/05/2020

CD 1 Remastered Recommend To A Friend

JUKKA TOLONEN RAMBLIN` JAZZ BAND / KOM QUARTET ~ JAZZ LIISA VOL. 03 & VOL. 04 SVART 024 (Barcode: 6430050665807) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1973 - 1975 Released: 2016 Guitarist / composer / bandleader Jukka TolonenFind albums by this artist moved with ease between Progressive Rock, Fusion and Jazz and was one of the founders of modern Finnish music scene. The band captured during this live radio broadcast features a powerful double rhythm section and includes also trumpeter Mike KoskinenFind albums by this artist, saxophonist Pekka PoyryFind albums by this artist, bassists Pekka PohjolaFind albums by this artist and Heikki VirtanenFind albums by this artist and drummers Reino LaineFind albums by this artist and Ronnie OsterbergFind albums by this artist, a most impressive collection of top Finnish Fusion / Jazz musicians at the time. They perform only two extended pieces, around twenty minutes each, both composed by Tolonen. The first piece originates from his second album "Summer GamesFind albums with this title" and the second from his debut album "Tolonen!Find albums with this title". Both pieces feature extensive soloing by all participants, including a rare violin solo by Pohjola, who of course is primarily known as a legendary bassist / composer. The KOM QuartetFind albums by this artist, which was captured here in an expanded sextet lineup featuring two vocalists: Eija OrpanaFind albums by this artist (who also plays violin) and Pertti MelasniemiFind albums by this artist (who also plays percussion) in addition to the four instrumentalists, regular members of the band: pianist Eero OjanenFind albums by this artist, guitarist Jukka HauruFind albums by this artist, bassist Tapani TamminenFind albums by this artist and drummer Ari ValtonenFind albums by this artist, were members of the KOM Theatre group of musical / social activists. They perform six songs (two combined into one track), composed three each by Hauru and Ojanen, all based on the lyrics by the novelist / poet Claes AnderssonFind albums by this artist, who was later on Finland´s Minister of Culture (1995-1998). Although featuring lyrics, these tracks are mostly instrumental and feature extensive soloing by Hauru and Ojanen. Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have! Side Note The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled. The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD. The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes. This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.

Updated: 03/06/2020Posted: 03/06/2020

CD 1 Remastered Recommend To A Friend

VAS / BUKOWSKI / SZMANDA ~ OPEN-CLOSED PRINCIPLE SJ 068 (Barcode: 5902596066994) ~ HUNGARY ~ Jazz Recorded: 2021 - 2022 Released: 2022 This is the debut album by the trio comprising of Hungarian (resident in Poland) organist / composer Bence VasFind albums by this artist and Polish vibraphonist Dominik BukowskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. The album presents eight original compositions, all by Vance. The music was recorded at the excellent Studio Tokania and engineered by Jan SmoczynskiFind albums by this artist, who owns the studio and is a fabulous organist himself, which of course guarantees a fabulous sound quality. The trio offers a unique aural experience and the unusual instrumental lineup, despite its minimalist setting, offers an almost orchestral sound, much denser and elaborate in textures than one might expect. Both the organ and the vibraphone are among my favorite instruments, so I obviously have no complains in that department, although aurally the matching of these two instruments might prove difficult. The compositions are less exciting and the feeling is that the music tends to linger somewhat longer than necessary, not really developing much after the melodic theme was introduced. Also the compositions are quite similar to each other, which offers little dynamics over the playing time of the album. Of course all three musicians are highly professional and capable of playing the music without a hitch, with most of the inventive soloing is taken over not surprisingly by Bukowski, who is a true Master of the trade. Szmanda, as usual, keeps the music swinging at all times. Overall, this is a nice, melodic Jazz album, which offers a rather unusual sound and instrumental blend, in a chamber like atmosphere, often close to Classical music. For fans of organ Jazz, this is certainly something they might like to look into.

Updated: 16/01/2023Posted: 16/01/2023

CD 1 Digipak Recommend To A Friend

VIKLICKY / BUKOVSKY / MACKEY ~ WANGARATTA GALEN 21 186 (Barcode: 8594042902016) ~ CZECH REPUBLIC ~ Jazz Recorded: 2018 Released: 2021 This is an album by a trio consisting of Czech pianist / composer Emil ViklickyFind albums by this artist, Czech (living in Australia) trumpeter / composer Miroslav BukovskyFind albums by this artist and Australian saxophonist John MackeyFind albums by this artist. The music was recorded live during a festival held in the Australian town of Wangaratta, hence the title. The album presents seven tracks, two originals each by Viklicky and Bukovsky, and two Folk tunes and one Classical piece arranged by Viklicky. Despite being a live recording, the album offers a superb sound quality and separation, which enables the listener to enjoy all the intricate nuances. The music is all within the modern mainstream Jazz idiom, but the wonderfully melodic compositions and the Folklore / Classical references / influences add multiple layers of complexity and as a result the music offers a highly coherent continuum, which is an uplifting listening experience, beautifully put together and masterly executed. The highly unusual instrumentation the trio, which is playing without a rhythm section, is obviously challenging and demanding. The three players must work together closely to balance out the delicate structures they create on the fly, which they manage to do splendidly. Viklicky is constantly changing the role form accompanist to soloist, which of course he also manages seamlessly thanks to his enormous experience and great talent behind him. Overall this is one of those albums that you don’t expect to turn out to be as good as they really are. The minimalism of it and the obvious respect, spontaneity and intimacy between these players manages to do the charm needed to make the music really special. On the other hand, in so many years since I have known Emil, I have never been let down by his musical magic, so I am not really surprised this album is as good as it is. Wholeheartedly recommended and thank you for the music my Friend!

Updated: 01/08/2021Posted: 01/08/2021

CD 1 Digipak Recommend To A Friend

MACIEK WOJCIESZUK ~ MWQ SJ 014 ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the debut album by the young Polish Jazz quintet led by drummer Maciek WojcieszukFind albums by this artist, which also includes trumpeter Pawel PalcowskiFind albums by this artist, saxophonist Kuba LepaFind albums by this artist, pianist Paulina AtmanskaFind albums by this artist and bassist Adam TadelFind albums by this artist. Together they perform seven original compositions (presumably by the leader), while the album´s packaging gives no information whatsoever as to the authors of these compositions, which is careless not to mention unwise. The music is all pretty conventional, well within the Jazz mainstream and the Bebop tradition. The compositions are solid and mature, serving the quintet members well as vehicles for their ensemble parts and their individual solos. Considering the age of these musicians, this is definitely a very fitting display of their talents. The personal abilities of the quintet members might be a bit hesitant at times, but show a lot of promise, and again considering that these are their early professional steps, they deserve a lenient criticism. It is difficult to point out anyone specific from the quintet´s lineup, as they all perform formidably. Personally I think Atmanska stands out due to her unusual approach to the piano, which uses hard vamping a la McCoy TynerFind albums by this artist and displays more freedom in her playing than her colleagues. Tadel also deserves a special mention, as his sold bass lines and beautiful solos are some of the album´s highlights. But again this album is overall an impressive debut, which can make the leader and his cohorts proud of themselves. The sound quality of the album, recorded at the excellent RecPublica Studios and engineered by Maciej StachFind albums by this artist is another of this album´s strong points. Since I had the opportunity to hear these young musicians during their studies at the Jazz Department of the Katowice Music Academy, I am not surprised by their abilities, a phenomenon which characterizes the students at all the Polish Music Academies, where a young generation of Polish Jazz musicians is currently being groomed. The amount of talent among these young musicians is simply staggering, thus making sure that Polish Jazz is destined to flourish in the future as much as it does already now. Definitely an album worth investigating!

Updated: 09/07/2016Posted: 09/07/2016

CD 1 Digipak Recommend To A Friend

ZAKROCKI / GARBOWSKI / GRADZIUK ~ BALLADS & BLUES FSR 2024/05 (Barcode: 5904441617467) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2022 Released: 2024 This is a 2CD album by Polish Improvising Music trio comprising of guitarist Patryk ZakrockiFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer / percussionist Krzysztof GradziukFind albums by this artist (the last two being 2/3 of the RGGFind albums by this artist trio). The album, recorded during a single studio session, presents seventeen improvised pieces, which remain uncredited and as appropriate in these circumstances are assumed to be co-created spontaneously by the three musicians. As the title suggests, ten of the tracks are entitled “Blues” I to X and seven are entitled “Ballad” I to VII, depending of the musical inspiration prevailing at the time of their creation. The music is hyper-minimalist, which means that both the volume and the density are sparse and although seemingly a lot is happening the result is extremely humble, unassuming and intimate. The flow and development of the music is almost painfully slow and challenges the listener’s patience, almost assuming that the listener is willing to enter a state of trance, which would enable to absorb the music more subconsciously than analytically. One might compare this music to the American Minimalists, like Terry Riley and Steve Reich, but the parallelism is only partly applicable here, as this music is not as cyclic as that variation of minimalism, and there is subtle, but definite sense of development herein, which eases the feel of void and stagnation and points towards coherent goal. Obviously, this is not music for a wide range of listeners, surely not contemporary ones, with an attention span measured in seconds. It does require open-mindedness, patience and musical aesthetics, which usually comes with time and effort. There are almost two hours of music here, of highly inspired, unusual and extremely delicate music, which probably will grasp the hearts of few… sadly the destiny of all exceptional and unconventional musical experiments. Overall, this is a deeply engaging musical message, almost impregnable to a casual listener, but mesmerizing to those, who are able and willing to make the effort required in this case in order to absorb and accept this music for what it is: a ladder to a higher musical consciousness. The tougher the rind, the sweeter the fruit, comes to mind.

Updated: 11/12/2024Posted: 11/12/2024

CD 2 Mini-Sleeve Recommend To A Friend

HUBERT ZEMLER & AUKSO CHAMBER ORCHESTRA ~ TOXIC POEM AUDIO CAVE 2024/004 (Barcode: 5908298549803) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2022 Released: 2024 This is an album by Polish percussionist / composer Hubert ZemlerFind albums by this artist, recorded with the AUKSO Chamber OrchestraFind albums by this artist, conducted by Marek MosFind albums by this artist. The album presents five tracks, which are parts of the suite, which gives the album its title. The music lasts for just slightly over thirty minutes. The suite is basically an Avant-Garde piece, which floats between contemporary Classical Music and Improvised Music, although most of the music is strictly composed and features only limited improvised elements. The music is minimalist, fragmented and offers a difficult to follow continuity, which appeals probably a limited audience, even among the most adventurous listeners. Zemler plays a wide range of percussion instruments, with the orchestra creating a background layer of Ambient, repetitive themes, stylistically resembling the minimal music by composers like Steve ReichFind albums by this artist, Terry RileyFind albums by this artist and others, highly popular in the 1960s, but almost completely abandoned since. Overall, as much as I admire Zemler’s originality and non-conformism over the years, I find this album somewhat less interesting or innovative than his usual work. Of course, Polish music needs adventurers and pioneers like Zemler, so I thank him for this piece of his creativity.

Updated: 12/07/2024Posted: 09/07/2024

CD 1 Digipak Recommend To A Friend

ZIELINSKA / FRASZYNSKA / STECIUK / DREZEK ~ SOFIA DE MAGICO FOR TUNE 0060 (Barcode: 5902768701623) ~ POLAND ~ Soundtracks Recorded: 2014 Released: 2015 This album presents a wonderful Polish adaptation of twenty one songs originally recorded by the cult British Avant-Garde / Punk group The Tiger LilliesFind albums by this artist, all written by the group´s leader Martyn JacquesFind albums by this artist. The songs, beautifully translated into Polish by Michal ChludzinskiFind albums by this artist, were arranged by Marcin PartykaFind albums by this artist into a musical show, performed by four vocalists (Katarzyna ZielinskaFind albums by this artist, Jolanta FraszynskaFind albums by this artist, Tomasz SteciukFind albums by this artist and Mariusz DrezekFind albums by this artist) and later on recorded for this album with the vocalists accompanied by a quintet, which includes Partyka on keyboards, Sebastian FeliciakFind albums by this artist on saxophone, Piotr AleksandrowiczFind albums by this artist on guitar, Piotr FilipowiczFind albums by this artist on bass and Kuba SzydloFind albums by this artist on drums. These superbly clever and sophisticated songs are a wonderful continuation of the great tradition of Berlin cabaret perfected by Berthold BrechtFind albums by this artist and Kurt WeillFind albums by this artist. Funny, but serious, often deadly serious, these songs make us laugh and cry almost simultaneously. Of course in this specific case the verbal messages are sadly restricted to the Polish-speaking audience, but of course most true music lovers know them already in their original versions. The instrumental arrangements are all perfectly suitable to the cabaret / vaudeville and even circus atmosphere, being a mixture of popular music and early Jazz. Of course the vocal delivery is the centerpiece of this album and all four vocalists perform wonderfully, convincingly and heartbreakingly. There is actually nothing else left but to listen to this little masterpiece of European music, which is enjoyable, interesting, and clever and sophisticated, all at once. Absolutely delightful!

Updated: 08/08/2022Posted:

CD 1 Recommend To A Friend