Record Reviews
32 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | ARIK BEN KALIFA / MOGADOR ~ VOICES OF ELI
NOT ON LABEL ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2007
Israeli bassist / composer Arik Ben KalifaFind albums by this artist spent six years in the US studying upright bass with William BettesFind albums by this artist and electric bass with Stanley ClarkeFind albums by this artist while playing with local bands. Upon his return to Israel in 2004 Arik formed the MagadorFind albums by this artist quintet with his musical partner, guitarist Guy RamonFind albums by this artist and with three young and very talented musicians: Amiram GranotFind albums by this artist (saxophones & flute), Tomer MezamerFind albums by this artist (keyboards) and Stas ZilbermanFind albums by this artist (drums). The band recorded a demo album in 2004 and later this, their debut album, which to me is a major surprise, considering the fact that it is one of the best Fusion albums I’ve heard in a long time. The music, composed mostly by Arik (with a couple of tunes co-composed with Guy) is superbly melodic, incorporating the best Fusion traditions with subtle Middle-Eastern motifs, which is not surprising considering Arik’s cultural legacy - his Moroccan-born father was a traditional oud player. Each of the tunes on the album provides a great melodic basis for the improvisations by the band members and the album offers plenty of excellent solos. Driven by Arik’s pulsating bass lines, the music is full of joy and charm, a real listening pleasure. The sophisticated melodies and the brilliant performances turn this album into something that deserves to be heard and admired, as it is as good, if not better, as any other Fusion album recorded by world’s top players. Hearing stuff like this makes me proud to be an Israeli.
| | | CD-R 1 Recommend To A Friend |
  | STANLEY CLARKE ~ JAZZ IN THE GARDEN
HEADS UP 3155 (Barcode: 053361315528) ~ USA ~ Jazz
Recorded: 2008 Released: 2009
What a delight it is to finally hear the veteran Master bassist / composer Stanley ClarkeFind albums by this artist doing what he does best – play Jazz; even better when he does so in my favorite Jazz format – the piano trio; but wait, it gets even better: Clarke´s companions on this exquisite album are no others that my favorite representative of the young generation of Jazz pianists – Japanese virtuoso Hiromi UeharaFind albums by this artist and his drummer is no other than an old cohort Lenny WhiteFind albums by this artist. Proving me wrong, when I often say: "they don´t play that kind of music any more", this trio just soars from start to finish, playing their heart out, and believe me they all have huge hearts. Apart from the virtuosity and panache, these players have the "feel" like only very few others, turning the piano trio format into an entire orchestra of sounds, rhythms and emotions. I´m especially happy for Stanley, as his solo recording career suffered from many far from brilliant releases and this is the album he deserved for such a long time. Let´s all enjoy this momentous occasion and bask in the wonderful sounds this album is so full of. The music is a mixture of originals by Clarke, and Uehara with a few standards added for good measure. It goes without saying that every piano trio enthusiast simply must have this album, but any music lover will find here the super-rare commodity available these sad (for music) days – great music. Grab it!
| | | CD 1 Recommend To A Friend |
  | STANLEY CLARKE ~ JOURNEY TO LOVE
EPIC 468221 (Barcode: 5099746822125) ~ USA ~ Jazz-Rock Fusion
Recorded: 1975
3rd album by one of the most important Jazz / Fusion players / composers Stanley ClarkeFind albums by this artist. A brilliant instrumentalist on both the acoustic and electric basses, Clark first came to the attention of Fusion fans as a member of Chick CoreaFind albums by this artist’s Return To ForeverFind albums by this artist, where he played some of the most innovative bass parts of the genre. His ability to switch between the acoustic and electric bass and his incredible musicality and sense of rhythm made him the world’s leader on his instrument, to be surpassed later only by the mighty Jaco PastoriusFind albums by this artist (please note Clarke plays fretted bass guitar and Pastorius fretless bass guitar, which are quite different in many ways). This album is considered his best release ever. With a stellar cast including Chick Corea, John McLaughlinFind albums by this artist, Jeff BeckFind albums by this artist, Lenny WhiteFind albums by this artist, George DukeFind albums by this artist, Steve GaddFind albums by this artist and David SanciousFind albums by this artist, Clarke presents a series of brilliant compositions, each one in a different style and instrumentation. The absolute highlight of the album is the acoustic trio (with Corea and McLaughlin) dedicated to John Coltrane. Also the “Concerto For Jazz / Rock Orchestra”, performed with a brass section, is an amazing piece of classic Fusion. This is an absolute must for any Fusion / good music fan.
| | | CD 1 Recommend To A Friend |
  | STANLEY CLARKE ~ LIVE AT THE GREEK
EPIC 5099747660221 (Barcode: 5099747660221) ~ USA ~ Jazz-Rap Fusion
Recorded: 1993 Released: 1994
This is a live album by American bassist / composer / bandleader Stanley ClarkeFind albums by this artist, recorded in a quintet setting with guitarist Larry CarltonFind albums by this artist, drummer Billy CobhamFind albums by this artist, saxophonist / flautist Jerome Najee RasheedFind albums by this artist (a.k.a. NajeeFind albums by this artist) and keyboardist Deron JohnsonFind albums by this artist. The album presents seven tracks, one each composed by Clarke, Cobham, Carlton and Najee and three standards.
The music is a mixture of Jazz-Rock Fusion and Smooth Jazz, with plenty of space for all these professional musicians to show their chops. Although well played, it is completely expected, predictable and unoriginal, which sadly is often representative of American Jazz in general.
Despite my deep respect and admiration for Clarke, Cobham and Carlton, who produced some truly innovative music in the 1970s, which expanded the Fusion idiom and produced some classic recordings at the time, records like this one are simply disrespectful to their legendary status. But by the 1990s corporate music industry and commercialism already ruled the American music scene completely, so anything could happen.
Overall, this is a completely uneventful recording by great musicians, who should have known better… There are some brilliant moments herein, of course, but those only emphasize the general sad state of affairs.
| | Updated: 15/08/2024Posted: 15/08/2024 | CD 1 Recommend To A Friend |
  | STANLEY CLARKE ~ NIGHT SCHOOL
HEADS UP 7118 (Barcode: 053361711894) ~ USA ~ Jazz-Rock Fusion
Recorded: 2002 Released: 2007
It’s no secret that Stanley ClarkeFind albums by this artist is one of my favorite bass players ever. His amazing sensitivity, complete control of both the acoustic and electric versions of the instrument and his innovative approach to music are his trademarks for the last 40 years, rivaled only by Jaco PastoriusFind albums by this artist, whom he preceded as one of the forefathers of Fusion, when he was a member of Chick CoreaFind albums by this artist’s Return To ForeverFind albums by this artist. Unfortunately Clarke’s recorded legacy as a leader is not really reflective of his true abilities and he has been largely absent from the scene in the last two decades. Therefore having a new document of his amazing talents handy is a joyous occasion. The concert presented here documents Clarke leading a group of over 30 musicians (a list of which reads like a who’s who of jazz and Fusion) in various formations, from solo performances to quartets, quintets and a big band, all fronted by Clarke himself. The concert culminates with a band, including no less than eleven bass players (all taking a solo in turn), jamming over Clarke’s “School Days”. This “bass orgy” is one of the most incredible performances I’ve ever watched / listened to and the entire DVD is an absolute must to any serious Fusion fan anywhere on this planet. The DVD also includes bonus material and interviews. Dolby Digital 5.1 Surround Sound, 120 minutes.
| | | DVD 1 Recommend To A Friend |
  | STANLEY CLARKE ~ THE COMPLETE 1970S EPIC ALBUMS COLLECTION
SONY 886979312227 (Barcode: 886979312227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 - 1979 Released: 2012
American bassist / composer / bandleader Stanley ClarkeFind albums by this artist is one of the iconic figures of the Jazz-Rock Fusion explosion, which swept the world in the late 1960s / early 1970s. His distinctive and virtuosic bass lines have set standards, which are followed to this very day, with very few bass players being able to play as technically perfect as he always did and even fewer to be as inventive, groundbreaking and innovative. Although primarily associated with Fusion and the electric bass guitar, Clarke always was (and still is) an exceptional acoustic bass player with a superb Jazz technique and sensitivity.
Clarke first came to prominence as a member of the first lineup of the legendary Chick CoreaFind albums by this artist´s ensemble Return To ForeverFind albums by this artist, where his bass lines shaped the music as significantly as Corea´s keyboard wizardry. Clarke stayed with the original band for several years and remained a Corea´s friend and collaborator in the decades that followed. In parallel to his work with Return To Forever, Clarke started a solo recording career, which produced some of Fusion´s and later also Funk´s greatest moments.
Following the release of his debut solo album on PolydorFind albums on this label, he switched to the NemperorFind albums on this label label (currently owned by SonyFind albums on this label) and later on to the EpicFind albums on this label label (a subsidiary of ColumbiaFind albums on this label). He recorded five albums for Nemperor between 1974 and 1979, the last of which was a live double LP. In the 1980s and early 1990s his albums were released on Epic. This Box Set includes all the five albums released on Nemperor and as a bonus also a live album recorded during Clarke´s band tours in 1976-1977, which was released only in 1991.
Of course the list of names of the musicians, who play alongside Clarke on these albums, reads like an encyclopedia of American music of that period. To mention just a few: keyboardists Jan HammerFind albums by this artist, George DukeFind albums by this artist, Chick CoreaFind albums by this artist, David SanciousFind albums by this artist and others, guitarists Bill ConnorsFind albums by this artist, Jeff BeckFind albums by this artist, John McLaughlinFind albums by this artist and others, drummers Tony WilliamsFind albums by this artist, Steve GaddFind albums by this artist, Lenny WhiteFind albums by this artist, Gerry BrownFind albums by this artist and others and a myriad of other musicians. Clarke composed almost every note played here, with very few exceptions, and the music is absolutely marvelous and ass-kicking, as it was at the time it was recorded.
Clarke was often criticized for utilizing his vocals on some of these albums, which of course was not one of his fortes, but since the vocals are relatively scarce and in retrospect really not that bad, that point of criticism id completely insignificant in view of the majestic content of the music contained herein.
Every bass player today, consciously or subconsciously, directly or indirectly is influenced one way or another by what Stanley Clarke played over the years, and this Box Set is a great way to celebrate his talent. Brilliant stuff!
| | Updated: 26/01/2019Posted: | CD 7 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | STANLEY CLARKE ~ THE STANLEY CLARKE BAND
HEADS UP 3161 (Barcode: 053361316129) ~ USA ~ Jazz-Rock Fusion
Recorded: 2010 Released: 2010
The legendary bassist / composer Stanley ClarkeFind albums by this artist, one of the great forefathers of Jazz-Rock Fusion since the early 1970s, obviously has no intention of retiring and his recent wave of hectic activity (the Return To ForeverFind albums by this artist reunion, tours and solo albums) find him at the best form since many years. This energetic and somewhat "youthful" album presents him surrounded by musicians, who are much younger then him, and manage to invigorate his performances significantly. He takes many solos, which of course make all bass players envious and jealous on one hand and respectful on the other. A long list of excellent guest musicians performing on this album promises (and delivers) a lot of diversity, with the brilliant Japanese pianist Hiromi UeharaFind albums by this artist in the lead. This album is a perfect proof of the fact that age has nothing to do with the passing years. Highly recommended!
| | | CD 1 Recommend To A Friend |
  | GEORGE DUKE ~ FACES IN REFLECTION
PROMISING MUSIC 44103 (Barcode: 602517546479) ~ USA ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2008
American keyboardist / composer George DukeFind albums by this artist first came to prominence in the late 1960s, when he recorded with the French violinist Jean-Luc PontyFind albums by this artist, who was invited to record in the US following his festival appearances. The association with Ponty opened quite a few doors for Duke, eventually leading to his stint with Frank ZappaFind albums by this artist, as well as his recording contract with the legendary MPSFind albums on this label label. He recorded 8 albums for the label between 1971 and 1976, of which this was the 3rd. Duke was a strange choice for MPS, as it concentrated mainly on presenting the European Jazz scene (the only exception was a series of albums recorded by Oscar PetersonFind albums by this artist), with strong Avant-Garde and later European Jazz-Rock Fusion, which was much more advanced that its American counterpart. Although Duke was closely associated with the US Jazz-Rock Fusion scene in the 1970s, playing with such prominent musicians like Stanley ClarkeFind albums by this artist, Billy CobhamFind albums by this artist and many others, his Fusion approach was strongly based on Blues, Funk and Soul, his “native” musical areas. Therefore his MPS recordings can be considered as some of the most commercial and accessible recordings ever released by this label. On this album Duke uses a trio (John HeardFind albums by this artist – bass and Leon Ndugu ChanclerFind albums by this artist – drums) and plays a wide array of synthesizers. He composed all but one of the tunes (the only composition, which isn’t his is by the Brazilian genius Milton NascimentoFind albums by this artist, and points towards Duke’s fascination with Brazilian music, which would flourish later in his career). There is no doubt about Duke’s brilliant technique as a player and his use of synthesizers is revolutionary at that time, but the compositions are definitely on the lighter side of Jazz and his vocals (however sparsely used) completely unnecessary. As much as I like Duke’s playing and many of his recordings, this is not one of his absolute highlights, even if it is much better that most of his later recordings starting from the 1980s and up to now. Nevertheless it is still a solid and enjoyable album worthy of being remembered. Of course many of his fans will enjoy this quality reissue with beautifully remastered sound and superb packaging.
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | GEORGE DUKE ~ THE COMPLETE 1970S EPIC ALBUMS COLLECTION
SONY 886979303225 (Barcode: 886979303225) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1977 - 1979 Released: 2012
American keyboardist / composer George DukeFind albums by this artist is definitely one of the most colorful, dynamic, brilliant and versatile musical personalities on the scene. With a career spanning five decades and activities covering such diverse sub-genres as mainstream Jazz, Jazz-Rock Fusion, Rock, Funk and Jazz-World Fusion, Duke made over the years an enormous impact on the development of contemporary music.
Following a several years long association (early to mid 1970s) with the legendary German MPSFind albums on this label label, where Duke released his revolutionary early Fusion albums, he switched to the EpicFind albums on this label label (a subsidiary of ColumbiaFind albums on this label), where he recorded six albums between 1977 and 1979, all of which are included in this wonderful Box Set.
The Epic recordings reveal Duke gradually moving away from the Jazz and even Fusion roots, replacing those by Funk and other popular music influences. Only the last album in this set ("A Brazilian Love AffairFind albums with this title") is different and presents Duke as a Jazz-World Fusion artist, with an obvious affinity for Brazilian music. On that album he is supported by several famous Brazilian musicians, including vocalist Milton NascimentoFind albums by this artist, percussionist Airto MoreiraFind albums by this artist, vocalist Flora PurimFind albums by this artist, guitarist Toninho HortaFind albums by this artist and many others, in addition to his American regulars. On all the albums he plays with an excellent group of musicians, which includes his long-time friend bassist Stanley ClarkeFind albums by this artist, drummer Leon Ndugu ChanclerFind albums by this artist, bassist Byron MillerFind albums by this artist, percussionist Sheila EscovedoFind albums by this artist and numerous others, including many brass players as well, which shows a clear influence of Earth, Wind & FireFind albums by this artist on Duke´s music at the time.
Duke composed all the music on these albums (with very few minor exceptions) and he also utilizes his vocals, which is the most criticized issue regarding this music. As much as these albums were successful on the US market, they were treated with disrespect and sheer detest by his European and Japanese fans, who accused him of commerciality. The problem was of course, that this music should have not been compared to or judged by the same criteria as his earlier output, which was completely different stylistically.
In retrospect this music still sounds great and lost nothing of its power and ingenuity, providing it is treated separately from Duke´s other output. The tunes are great, as are the performances, and one can´t resist the funky rhythms unless one is completely deaf or brain-dead. There are very few musicians, who display the same level of integrity and ingenuity as George Duke in everything they do over the years. He is the man and nobody can deny it!
| | Updated: 26/01/2019Posted: | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JOE FARRELL ~ ORIGINAL ALBUM CLASSICS
SONY 888750636829 (Barcode: 888750636829) ~ USA ~ Jazz-Rock Fusion
Recorded: 1970 - 1975 Released: 2015
This Box Set collects five of the six albums recorded by brilliant American flautist / saxophonist / composer Joe FarrellFind albums by this artist and released between 1970 and 1975 on the legendary CTIFind albums on this label Records label. They are: his debut as a leader and first album "Joe Farrell QuartetFind albums with this title", the second "OutbackFind albums with this title", the fourth "Penny ArcadeFind albums with this title", the fifth "Upon This RockFind albums with this title" and the sixth "Canned FunkFind albums with this title". His third album "Moon GermsFind albums with this title" was separately reissued on CD in 2001 by SonyFind albums on this label. Farrell joined the first incarnation of Return To ForeverFind albums by this artist in 1972 and took part in the recording of their first two legendary albums. The music presented on these five albums falls quite neatly into two separate categories: the first two albums are complex modern Jazz / Jazz-Rock Fusion and even include some Free Form moments, whereas the next three albums are Groove / Funk oriented.
The first album ("Joe Farrell Quartet") is especially noteworthy, as it is one of the most important and beautiful documents of the era. Farrell´s quartet, which also included pianist Chick CoreaFind albums by this artist, Bassist Dave HollandFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist (all from Miles DavisFind albums by this artist electric band) is augmented by the presence of guitarist John McLaughlinFind albums by this artist on two tracks, turning the resulting quintet into a mighty power of Nature. It is worthwhile to compare these tracks with McLaughlin´s debut album "ExtrapolationFind albums with this title" or the Jack BruceFind albums by this artist album "Things We LikeFind albums with this title", which also features McLaughlin. Together these three a.m. albums contain some of the most important and powerful music ever made.
The second album places Farrell alongside Corea again, but this time with bassist Buster WilliamsFind albums by this artist and legendary drummer Elvin JonesFind albums by this artist, with whom Farrell recorded a series of superb albums for the Blue NoteFind albums on this label label between 1968 and 1971. It presents superb modern Jazz and Fusion, played by Masters of the trade. Together with the third album ("Moon Germs"), which is not present in this Box Set, which features Herbie HancockFind albums by this artist on piano, Stanley ClarkeFind albums by this artist on bass and again Jack DeJohnette on drums, and of course his numerous recordings as a sideman, Farrell established his position as one of the leading figures on the US scene.
The remaining three albums document the transition Farrell made from modern Jazz / Fusion into Jazz-Funk, which is characterized by more emphasis on melodic content and Funk / Groove rhythmic patterns. Although many of Farrell´s fans had a hard time getting used to this new musical direction, his work in that genre was always top notch, with impeccable musicianship and wonderful compositions. He cooperated with several top players specializing in that specific area, like guitarist Joe BeckFind albums by this artist, bassist Herb BushlerFind albums by this artist and others. In retrospect these albums are classics of the genre, sound superbly fresh today and honestly had very little true competition by anybody else over the years.
Farrell, who sadly died in 1986, aged just 48, was definitely an exceptional player and composer, who contributed immensely to American Jazz by constantly searching for new way of expression, ignoring genre constrains and mainstream thinking. This Box Set is an essential listening to every Jazz / Fusion fan on this planet.
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.
The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.
In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
| | Updated: 05/04/2024Posted: | CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | MAYNARD FERGUSON ~ IT`S MY TIME / HOLLYWOOD
BGO 1202 (Barcode: 5017261212023) ~ USA ~ Jazz-Funk Fusion
Recorded: 1980 - 1982 Released: 2015
This is a reissue of last two albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist released on ColumbiaFind albums on this label during his stint with the label: "It`s My TimeFind albums with this title" (1980) and "HollywoodFind albums with this title" (1982), which altogether produced fourteen fabulous albums. These albums feature some of the best American Jazz / Fusion musicians active at the time and mark Ferguson´s commercial success and popularity, well beyond the strict Jazz circles. Among the artists appearing on these albums are: bassist Stanley ClarkeFind albums by this artist (who also produced "Hollywood"), drummer Leon Ndugu ChanclerFind albums by this artist, percussionist Alex AcunaFind albums by this artist, guitarist Lee RitenourFind albums by this artist, keyboardist George DukeFind albums by this artist and many others.
The music is a mixture of original compositions by Ferguson and the trombonist / composer / arranger Nick LaneFind albums by this artist and other musicians playing on these albums, Jazz standards, film themes, popular songs, all superbly arranged and executed by the Big Band / Orchestra, with soaring solos by Ferguson the guest stars. Although definitely on the lighter side of the Jazz spectrum, mixing Jazz with Funk, Rock and even Soul, the music was always tasteful and impeccably executed. Despite the cold and vilified reception by snobbish Jazz critics at the time, these albums despite their popular approach were by far more professional than most of the endless Bebop doodling American Jazz has to offer at the time.
Ferguson´s piercing trumpet sound is still one of the most recognizable sounds in American Jazz and remains unparalleled to this very day.
Personally I have always found the music of Ferguson to be both highly entertaining and artistically relevant, offering classy performances with stand the test of time with ease. Highly recommended!
| | Updated: 02/05/2020Posted: 02/05/2020 | CD 2 Slipcase Remastered Recommend To A Friend |
  | STAN GETZ ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION
SONY 886978805829 (Barcode: 886978805829) ~ USA ~ Jazz
Recorded: 1972 - 1979 Released: 2011
With a career spanning half a century American saxophonist Stan GetzFind albums by this artist became one of the undying Jazz icons, making many milestone contributions to the development of the Jazz art form. He was probably one of the most versatile Jazz figures, associated with such diverse Jazz genres as Bebop, Cool, Bossa Nova and Jazz-Rock Fusion. His extensive recorded legacy includes many classic Jazz albums, which are considered timeless and are listened to today.
Getz´s most popular albums are those recorded during his stint with the VerveFind albums on this label label (1951–1972), but his albums recorded for and released on ColumbiaFind albums on this label in the 1970s, although criminally less known, are in fact some of his best ever and surely constitute the most diverse output created by one artist in a period of just several years, probably due to the complete artistic freedom and self-production rights he was awarded by Columbia. A total of seven albums were released on Columbia, spanning a wide artistic spectrum and all absolutely brilliant.
The set opens with the marvelous "Captain MarvelFind albums with this title" album, recorded with pianist Chick CoreaFind albums by this artist (who wrote almost all the music on that album), bassist Stanley ClarkeFind albums by this artist, drummer Tony WilliamsFind albums by this artist and percussionist Airto MoreiraFind albums by this artist. This album was recorded just a month after the recording of the debut eponymous album by the newly founded Return To ForeverFind albums by this artist. It included some of the music already recorded on that debut album and other music included later on the second Return To Forever album called "Light As A FeatherFind albums with this title". This is definitely one of the most memorable early Fusion recordings.
Next comes the reunion between Getz and the Brazilian guitarist / composer Joao GilbertoFind albums by this artist ("The Best Of Two WorldsFind albums with this title"), returning to the Jazz / Bossa Nova style, which a decade earlier pushed Getz to the center of fame and popularity as a result of the commercial and artistic success of legendary early Getz / Gilberto albums.
Then there is the beautiful collaboration with the legendary vocalist / pianist / composer Jimmie RowlesFind albums by this artist ("The PeacocksFind albums with this title"), a straight-forward quartet date ("The MasterFind albums with this title"), another great Fusion album ("Another WorldFind albums with this title") with keyboardist Andy LaverneFind albums by this artist, an album of Lalo ShifrinFind albums by this artist´s compositions ("Children Of The WorldFind albums with this title") and finally a soundtrack album ("Forest EyesFind albums with this title") recorded in Holland with excellent Dutch musicians.
The Box Set also includes a bonus CD comprising of live recordings by Getz, compiled from different albums and informative liner notes. All albums are remastered and include bonus tracks. Together this is one of the most fascinating collections of music, simply exploding with musical genius and incredible performances. It is an essential document of what intelligent and open minded music is all about and an essential part of the Jazz legacy. Not to be missed under any circumstances!
| | Updated: 26/01/2019Posted: | CD 8 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | GRIFFITH PARK COLLECTION ~ THE GRIFFITH PARK COLLECTION 2 IN CONCERT
WOUNDED BIRD 6262 (Barcode: 664140626225) ~ USA ~ Jazz
Recorded: 1982 Released: 2008
2nd album by an ad-hoc US Jazz super-group Griffith Park CollectionFind albums by this artist, which was put together by drummer Lenny WhiteFind albums by this artist and included trumpeter Freddie HubbardFind albums by this artist, saxophonist Joe HendersonFind albums by this artist, pianist Chick CoreaFind albums by this artist and bassist Stanley ClarkeFind albums by this artist – all Masters of the trade and veteran American Jazz Giants. White is the link between all these players, as he previously played in Henderson´s and Hubbard´s bands and of course he was a member of Return To ForeverFind albums by this artist with Corea and Clarke.
The quintet is in many respects similar to the V.S.O.P.Find albums by this artist quintet, which in turn was modeled after the famous second Miles DavisFind albums by this artist quintet. They play modern Jazz, strongly based on the Bebop tradition, but pushing the boundaries into modal and sometimes Free Form. Following the recording of their only studio album, the band performed several concerts, which produced these live recordings, which are more relaxed and much expanded, with fearsome long solos. The music is all original by the quintet members except for two standards, performed superbly with flair and breathtaking virtuosity, as expected from these great musicians. This album was unavailable for almost two decades and it´s great to have it back in circulation. A must for modern Jazz lovers!
| | | CD 2 Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ DANCING FLOWERS
FUSION 001 (Barcode: 5907564258012) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2001 Released: 2005
This album by Polish keyboardist / composer / arranger Krzysztof HerdzinFind albums by this artist presents yet another aspect of his seemingly universal musical personality. It is basically a Funk album, which consists of seven instrumentals and three songs, all composed by Herdzin. The arrangements, especially those involving the horn section, have some proximity to Jazz, but overall it is a Pop album with some Jazz-Rock Fusion elements.
The music is performed by an excellent team, which includes guitarist Marek NapiorkowskiFind albums by this artist, bassists Zbigniew WegehauptFind albums by this artist (in a rare appearance on bass guitar), Filip SojkaFind albums by this artist and Miroslaw WisniewskiFind albums by this artist and drummers Cezary KonradFind albums by this artist, Grzegorz GrzybFind albums by this artist and Michal DabrowkaFind albums by this artist and horn players like saxophonists Michal KulentyFind albums by this artist, Marek PodkowaFind albums by this artist and Mariusz MelczarekFind albums by this artist and several others. The vocals are handled by three young Pop vocalists, two female and one male, all of them quite unimpressive
The music is based on the American Funk model, which was developed in the 1970s / 1980s by a plentitude of mostly African American musicians, especially the archetypical Earth, Wind & FireFind albums by this artist, but also by many partly Jazz oriented artists like George DukeFind albums by this artist, Stanley ClarkeFind albums by this artist, Grover Washington, Jr.Find albums by this artist and even Miles DavisFind albums by this artist and Herbie HancockFind albums by this artist during some periods of their extensive careers. Herdzin presents his version of Funk, which is based more on the melodic content than the rhythmic progression and is therefore somewhat softened, or simply more European. Herdzin often states that anything he does is by no means inferior to whatever the Americans are doing, and to tell the truth he is often correct when saying so, but on the other hand as it was once so adequately put: "White Man Can´t Jump" and Funk is after all about "jumping" more than anything else. When asked if he ever played Funk, Herdzin can most certainly answer positively, following this recording.
Overall this is a well done, pleasant album (except for the vocal tracks), which is ideal for driving on sunny days (pretty rare in Poland) with the volume up and a pretty blonde beside you. Enjoy!
| | | CD 1 Recommend To A Friend |
  | ROBIN KENYATTA ~ GYPSY MAN
WOUNDED BIRD 1633 (Barcode: 664140163324) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2008
American saxophonist / flautist / composer Robin KenyattaFind albums by this artist first appeared on the Free Jazz scene in the mid-1960s playing as a sideman with such distinguished musicians as Bill DixonFind albums by this artist, Andrew HillFind albums by this artist and others. By the 1970s Kenyatta changed his musical direction and joined the Jazz-Rock and Funk movements, which were thriving at the time. He recorded a series of Jazz-Rock / Funk albums for the AtlanticFind albums on this label label, of which this was the first. Supported by a fantastic crew of musicians, which included drummer Billy CobhamFind albums by this artist, bassist Stanley ClarkeFind albums by this artist, guitarist David SpinozaFind albums by this artist and many others, Kenyatta manages to create a unique piece of music, which includes a rare combination of Funk, Jazz-Rock, World Music influences and even some free form improvisation. His flute work is featured extensively, and is the highlight of the album. This little known gem is definitely worth to be rediscovered by people who missed it at the time, as it includes loads of memorable music. Check it out!
| | | CD 1 Recommend To A Friend |
  | COURTNEY PINE ~ MODERN DAY JAZZ STORIES
ANTILLES 731452902825 (Barcode: 731452902825) ~ UK ~ Jazz
Recorded: 1995 Released: 1996
This is an album by British Jazz saxophonist / composer / bandleader Courtney PineFind albums by this artist, recorded in the US with American musicians: keyboardist Geri AllenFind albums by this artist, bassist Charnette MoffettFind albums by this artist and drummer Ronnie BurrageFind albums by this artist and British turntablist DJ PogoFind albums by this artist. Three guest musicians appear on selected tracks: trumpeter Eddie HendersonFind albums by this artist, vocalist Cassandra WilsonFind albums by this artist and guitarist Mark WhitfieldFind albums by this artist. The album presents thirteen tracks, ten of which are original compositions by Pine, one is co-composed by him and Stanley ClarkeFind albums by this artist, one is by Gary BartzFind albums by this artist and one is a standard.
The album is heavily influenced by various manifestations of “Black Music”, which include Hip Hop, Blues, Soul and other stylistic indices, which are more obvious in the various production aspects of this album than in his playing. His performances are brilliant as always and he remains one of the top British Jazz musicians, despite the fact that his popularity has somewhat weakened following his sensational debut success in the mid-1980s.
Overall, although the album fails to present a focused musical direction, it nevertheless offers a splendid collection of original compositions and stunning saxophone performances by Pine. The American team, comprising of top Jazz performers, accompanies him amicably and the result is definitely worth exploring.
| | Updated: 10/11/2024Posted: 09/11/2024 | CD 1 Recommend To A Friend |
  | RETURN TO FOREVER ~ THE MOTHERSHIP RETURNS
EAR MUSIC 4029759135654 (Barcode: 4029759135654) ~ USA ~ Jazz-Rock Fusion
Recorded: 2011 Released: 2012
This is a 2CD live album documenting the 2011 tour of the legendary American Fusion band Return To ForeverFind albums by this artist, which for this occasion was expanded to a quintet and included in addition to the three veteran members: keyboardist Chick CoreaFind albums by this artist, bassist Stanley ClarkeFind albums by this artist and drummer Lenny WhiteFind albums by this artist also guitarist Frank GambaleFind albums by this artist and French violinist Jean-Luc PontyFind albums by this artist. The album presents nine tracks, several including a medley of two tunes, mostly composed by Corea, but including also material by Clarke, White and Ponty. Although recorded live the album offers an excellent sound quality.
There are no surprises whatsoever as far as the music is concerned, since the material includes mostly familiar "hits", which RTF originally recorded a long time ago and performed countless times live since. There was no ambition here to offer new material or change anything in the "golden" formula, which proved to be successful in the past. Even the presence of Ponty, who although also deeply rooted in the Fusion idiom, is stylistically somewhat different due to his European ancestry, makes no difference and proves that he was completely Americanized to fit the pattern of RTF. Gambale shows some unique moments, but again he completely fits the bill.
Having said that, one has of course to remember that these are some of the most revered Fusion pros around and they can play like a dream, which they do all the way, soloing extensively. The music is also excellent, although a bit tattered by repeated use, but still sounds great and humming the familiar melodies is always a great fun. The many RTF fans around the world will not miss the opportunity to hear these guys again for sure.
In short this is like eating your favorite ice cream – sweet familiar taste and great comfort but still Déjà vu ;)
| | Updated: 25/07/2020Posted: 25/07/2020 | CD 2 Mini-Sleeve Recommend To A Friend |
  | RITE OF STRINGS ~ LIVE AT MONTREUX 1994
MERCURY 602448000743 (Barcode: 602448000743) ~ USA ~ Jazz-World Fusion
Recorded: 1994 Released: 2022
This is a live album by the great acoustic trio Rite Of StringsFind albums by this artist, comprising of French violinist Jean-Luc PontyFind albums by this artist and American guitarist Al Di MeolaFind albums by this artist and bassist Stanley ClarkeFind albums by this artist. The 2CD album presents ten tracks, all composed by the trio members, with one composition repeated twice and featuring Jamaican pianist Monty AlexanderFind albums by this artist on one of the versions. Three of the tracks are solo performances, one by each member of the trio. This album was recorded a year before the trio recorded their eponymous, and so far only studio album. This live recording offers a stunning sound quality.
The music is everything one might expect from these three instrumental virtuosi, who manage to avoid turning this into a competition and rather display a wonderful teamwork using their respective strengths the best possible way.
The music spans a wide range of stylistic explorations, but is mostly dominated by the Jazz-World Fusion influences, which Al Di Meola pursued predominantly at the time and his partners followed contentedly.
Overall, this is a breathtaking display of the instrumental abilities of three giant musicians, who complement each other wonderfully herein. The perform beautiful music and the album is not surprisingly full of pyrotechnical neck-breaking displays of instrumental virtuosity. Personally I prefer this live album to the studio album, which followed, as the live electric atmosphere present on this recording is simply electrifying, acoustically ;)
| | Updated: 30/08/2024Posted: 30/08/2024 | CD 2 Recommend To A Friend |
  | SANTANA ~ BARBOLETTA
COLUMBIA 474685 (Barcode: 5099747468520) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 Released: 1995
7th album, featuring the SantanaFind albums by this artist Mk. II lineup with some distinguished guests like Brazilian percussionist Airto MoreiraFind albums by this artist and his wife the singer Flora PurimFind albums by this artist, and bass player Stanley ClarkeFind albums by this artist. The great bass player Doug RauchFind albums by this artist, who was responsible for the band’s pulsating rhythms, departed to be replaced by original Santana member David BrownFind albums by this artist. The album has a strong Brazilian feel mainly due to the presence of Airto and Flora and their version of Dorival CaymmiFind albums by this artist’s “Promise Of A Fisherman” is truly wonderful. Santana plays with confidence and his usual flair with Tom CosterFind albums by this artist’s keyboards filling in and him soloing occasionally, mostly on electric piano. This is a great Fusion album, which stands the test of time beautifully. Unfortunately this was the last of the “great” Santana albums. When Santana’s album sales started to show lower then usual figures, ColumbiaFind albums on this label executives pressured Carlos SantanaFind albums by this artist to return to a more commercial output, and he eventually caved in. The remainder of the band’s output, although always full of brilliant moments, was to be haunted of sales potential (rather than musical) considerations. Carlos remains of course one of the greatest guitar players ever and his recorded legacy up to this album is an everlasting testimony to the greatness of the era.
| | | CD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ MOVE
TELARC 33814 ~ JAPAN ~ Jazz
Recorded: 2012 Released: 2012
This is the 8th album by the extraordinary Japanese pianist / composer Hiromi UeharaFind albums by this artist, and the 2nd recording with her current trio (called The Trio ProjectFind albums by this artist) with the wonderful veteran American bassist Anthony JacksonFind albums by this artist and the outstanding British drummer Simon PhillipsFind albums by this artist. The album comprises of nine original compositions, all by Hiromi, three of which are combined into a mini-suite.
During the last decade since Hiromi first "exploded" on the scene, drawing immediate attention, she managed to produce an extensive body of work of outstanding quality, which has very few, if any, parallels. Immensely gifted as a composer and blessed by virtuosic piano ability, in addition to her personal charm, beauty and above all heavenly smile, she is talent incarnate. Her studio albums, live videos and cooperation projects with other musicians, like Chick CoreaFind albums by this artist, Stanley ClarkeFind albums by this artist and others are all examples of her versatility and limitless abilities.
Hiromi´s output with this particular trio is some of her best, which is not surprising considering the level of experience and talent of her rhythm section. Jackson´s electric bass pulsations are funky and wonderfully fill the space between the piano chords, always exactly on time and in tune, beautifully supportive and inventive at once. Phillips, who is a very "busy" and dynamic drummer, suits her quirky music perfectly, seemingly being all over the drum set as if he was an octopus. The unity, perfect match and obvious musical coherence and almost telepathic mutual understanding turn this trio into a "scary" music making machine.
Hiromi is often criticized for being "all over the place", both as a composer and a player, but this kind of critique is completely senseless. She can play faster and more accurately than most, and her music is multi-layered, with melodic lines and funky rhythm vamps co-existing logically and harmonically. Therefore one can suspect that most of any criticism towards her is primarily motivated by envy.
This trio can be seen and heard playing live on the "Live In MarciacFind albums with this title" DVD, which was recorded a year earlier, performing mostly material from their debut album "VoiceFind albums with this title". Obviously Hiromi fans need no special arguments to grab this one ASAP, those who are still unfamiliar with her wonderful output should not waste any more time ignoring her, just give her a chance and you won´t regret it. Superb stuff!
| | | CD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ VOICE
TELARC 32819 ~ JAPAN ~ Jazz
Recorded: 2010 Released: 2011
This is the seventh album by the extraordinary Japanese pianist / composer Hiromi UeharaFind albums by this artist, and the first recording with her current trio (called The Trio ProjectFind albums by this artist) with the wonderful veteran American bassist Anthony JacksonFind albums by this artist and the outstanding British drummer Simon PhillipsFind albums by this artist. The album comprises of eight original compositions, all by Hiromi, and an interpretation of a Classical piece (Ludwig van BeethovenFind albums by this artist´s piano sonata No. 8, "Pathetique").
During the last decade since Hiromi first "exploded" on the scene, drawing immediate attention, she managed to produce an extensive body of work of outstanding quality, which has very few, if any, parallels. Immensely gifted as a composer and blessed by virtuosic piano ability, in addition to her personal charm, beauty and above all heavenly smile, she is talent incarnate. Her studio albums, live videos and cooperation projects with other musicians, like Chick CoreaFind albums by this artist, Stanley ClarkeFind albums by this artist and others are all examples of her versatility and limitless abilities.
Hiromi´s output with this particular trio is some of her best, which is not surprising considering the level of experience and talent of her rhythm section. Jackson´s electric bass pulsations are funky and wonderfully fill the space between the piano chords, always exactly on time and in tune, beautifully supportive and inventive at once. Phillips, who is a very "busy" and dynamic drummer, suits her quirky music perfectly, seemingly being all over the drum set as if he was an octopus. The unity, perfect match and obvious musical coherence and almost telepathic mutual understanding turn this trio into a "scary" music making machine.
Hiromi is often criticized for being "all over the place", both as a composer and a player, but this kind of critique is completely senseless. She can play faster and more accurately than most, and her music is multi-layered, with melodic lines and funky rhythm vamps co-existing logically and harmonically. Therefore one can suspect that most of any criticism towards her is primarily motivated by envy.
This trio can be seen and heard playing live on the "Live In MarciacFind albums with this title" DVD, which was recorded a few months later, performing mostly material from this album. Obviously Hiromi fans need no special arguments to grab this one ASAP, those who are still unfamiliar with her wonderful output should not waste any more time ignoring her, just give her a chance and you won´t regret it. Superb stuff!
| | | CD 1 Recommend To A Friend |
|
