Record Reviews
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  | BLEY / SHEPPARD / SWALLOW ~ ANDANDO EL TIEMPO
ECM 2487 (Barcode: 602547797117) ~ USA ~ Jazz
Recorded: 2015 Released: 2016
This is the 3rd album by the trio co-led by American Jazz pianist / composer Carla BleyFind albums by this artist, British Jazz saxophonist Andy SheppardFind albums by this artist and American Jazz bass guitarist Steve SwallowFind albums by this artist. The album presents five tracks, the first three being parts of a suite. All the compositions are by Bley. The music was recorded by the great Stefano AmerioFind albums by this artist and offers a sensational sound quality.
The beautifully melodic music is a superb example of Bley’s unique sense of melody and compositional aesthetics, which is her trademark since 1960 on. When she died in 2023, Bley left a vast body of compositions created in over six decades, many of which remain absolute Jazz classics.
The trio offers a tight, precise and beautifully well balanced music-making tool to present the music, complementing each other for the entire duration and exchanging lead parts in tandem. The entire presentation is minimalist and modest, with not one unnecessary note, offering a melancholic journey, full of beauty and reflection.
The trio would record only one more album together, called “Life Goes On”, which would be Bley’s final recording.
Overall, this is a beautiful, delicate piece of music, which summarizes quite faithfully her entire career, not only as performer and composer, but perhaps more importantly as an instigator and catalyst of styles and directions, far beyond her own career.
| | Updated: 29/12/2024Posted: 29/12/2024 | CD 1 Slipcase Recommend To A Friend |
  | CARLA BLEY ~ APPEARING NIGHTLY
WATT 33 (Barcode: 602517255166) ~ USA ~ Jazz
Recorded: 2006 Released: 2008
The Superwoman of American Jazz, pianist / composer / arranger / bandleader Carla BleyFind albums by this artist is undoubtedly the most significant female figure dominating the scene since the late 1950s (yes it does seem incredible). Her numerous compositions constitute an unparalleled songbook, which has been used not only by herself and her various ensembles and bands, but by almost every Jazz musician the world over. Her work is extremely versatile and covers the many different Jazz subgenres as well as Progressive Rock and others. One has to admit that very few other composers have such an ability to write a seemingly simple tune, which turns into a great and timeless melody like she does, and many love her just for that. This superb albums includes some of her recent compositions, which in their approach, styling and general feel play tribute to the great Big Bands of the early 20th Century, particularly the greatest of them all, the Duke EllingtonFind albums by this artist Orchestra. Like Ellington before her, Bley sees in Jazz the contemporary Classical music and she treats it with the same seriousness and zeal. The music is beautifully arranged and breathtakingly performed by a superb collection of musicians, like British saxophonists Andy SheppardFind albums by this artist and Julian ArgüellesFind albums by this artist, Austrian saxophonist Wolfgang PushingFind albums by this artist, American trumpeter Lew SoloffFind albums by this artist, the omnipresent (as far as Bley is concerned) bassist Steve SwallowFind albums by this artist and many other wonderful musicians. The music was recorded live at the legendary Parisian "New Morning" club, and is one of the best live Big Band recordings I´ve ever heard. Overall this is an unbelievable experience, a blessed hour of music of the highest quality, performed gracefully and elegantly and composed by a Genius. What more could one want? An absolute must to anybody with ears, which still work…
| | | CD 1 Recommend To A Friend |
  | PAUL BLEY ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE
CAM JAZZ 1027 (Barcode: 8052405141064) ~ USA ~ Jazz
Recorded: 1983 - 1994 Released: 2013
This superb Box Set collects all the recordings by legendary American (Canadian by birth) pianist / composer Paul BleyFind albums by this artist released the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. The set includes ten albums (one not listed on the box´s packaging and subsequently explained as a bonus album) featuring various recordings by Bley as a leader or co-leader over a span of twelve years (1983–1994) made alongside the top Jazz players active in the 1980s and 1990s and is therefore a superb document of the era.
Bley (born 1932), one of my favorite musicians of all times, was one of the pioneers of Free Jazz in the late 1950s, and continues to be a most creative and innovative figure on the American Jazz scene, although he is less active lately, no doubt due to his age. His approach to piano was always extraordinarily unique and just a few notes are usually enough to recognize his playing. In his life he released over a hundred albums, which featured the crème de la crème of Jazz musician of the last seven decades.
Bley was always a very intimate musician and clearly preferred solo, duos or trios than bigger lineups. Of the ten albums included here, one is a solo album, four are duo albums, three are trio albums, and the last two are quartet albums. The participating musicians include drummers: George Cross McDonaldFind albums by this artist, Barry AltschulFind albums by this artist, Paul MotianFind albums by this artist and Tony OxleyFind albums by this artist, bassists: Steve SwallowFind albums by this artist, Gary PeacockFind albums by this artist, Red MitchellFind albums by this artist, Charlie HadenFind albums by this artist and Furio Di CastroFind albums by this artist, guitarists John ScofieldFind albums by this artist and John AbercrombieFind albums by this artist, and finally clarinetists / saxophonists Jimmy GuiffreFind albums by this artist and Keshavan MaslakFind albums by this artist.
This music is an absolute must to all Jazz enthusiasts, and the fact that it is available again is pure joy. Bley is a genius composer and instrumentalist and his legacy is well worth to be preserved and studied by the new generation of Jazz musicians.
Remastered, mini-sleeved and with a great bargain price – this Box Set is an absolute must for any serious Jazz collector.
Side Note
The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label.
The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented.
However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty.
These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!
| | Updated: 05/05/2020Posted: 26/12/2015 | CD 10 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | BURTON / METHENY / SWALLOW / SANCHEZ ~ QUARTET LIVE
CONCORD 888072313033 (Barcode: 888072313033) ~ USA ~ Jazz
Recorded: 2007 Released: 2009
In the 1960s the celebrated American vibraphonist / composer Gary BurtonFind albums by this artist led a quartet, which also included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Roy HaynesFind albums by this artist (and later Bob MosesFind albums by this artist). That quartet recorded a series of brilliant albums, which in retrospect clearly show how pioneering and revolutionary that music was at the time, giving birth to Jazz-Rock Fusion years ahead of anybody else in the US. The young and up-coming guitarist Pat MethenyFind albums by this artist joined that same quartet just a few years later (mid-1970s), adding his unique input to the quartet´s sublime legacy.
This live recording at the legendary Yoshi´s Jazz club in Oakland captures a reunion of the original (1970s) quartet with the exception of the Mexican drummer Antonio SanchezFind albums by this artist, who is of course a member of the much younger generation of Jazz players, but his remarkable qualities suited the occasion perfectly. They perform a series of mostly original compositions by the three veteran group members, which have all been performed at the time by the original quartet. A few compositions originating from outside the quartet, but performed at the time, as also included, those being by Chick CoreaFind albums by this artist, Carla BleyFind albums by this artist, Keith JarrettFind albums by this artist and Duke EllingtonFind albums by this artist.
This quartet treats these compositions quite differently in comparison to the original performances, bringing the arrangements up to date both sonically and stylistically, which awards them a second life. The overall level of performance is of course stellar, which is not surprising considering the aggregation of talent present. It is really great to hear Metheny play Jazz again, which he scarcely does with his own group. Both Burton and Swallow seem to be completely untouched by time and sound in top form. It is truly uplifting to see Jazz veterans being able to create music, which is fresh and valid today, as it was decades ago. Great stuff!
| | | CD 1 Recommend To A Friend |
  | GARY BURTON ~ DREAMS SO REAL – MUSIC OF CARLA BLEY
ECM 1072 (Barcode: 602517758308) ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2008
US vibraphonist / composer Gary BurtonFind albums by this artist is one of the pillars of American modern Jazz and his extraordinary legacy of recorded music includes a monumental body of work, spanning decades, styles and an incredible variety of sounds. On this very unique album, Burton and his quintet - which consists of two guitarists: Mick GoodrickFind albums by this artist (one of the greatest and sadly little known guitar virtuosi) and Pat MethenyFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist - play tribute to the great US composer Carla BleyFind albums by this artist. Bley´s compositions have been always a superb example of ingenuity and intelligence as much as deep lyricism and melodic perception. Stylistically in a universe of her own, Bley deserves a very special place on the pedestal of great 20th Century composers and this loving tribute is a proper example of the recognition of her talents. The presence of two electric guitarists on this album gives it a certain slightly Fusion touch, but definitely of the gentle sort, which suits the music perfectly. Brilliant stuff!
| | Updated: 11/07/2025Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY BURTON ~ LOFTY FAKE ANAGRAM / A GENUINE TONG FUNERAL
BGO 723 (Barcode: 5017261207234) ~ USA ~ Jazz
Recorded: 1967 Released: 2006
Vibraphonist / composer Gary BurtonFind albums by this artist is one of greatest American Jazz musicians, with a long and outstanding career and a massive body of work. He is also one of relatively few American Jazz artists, who can be considered as true originals, embracing the Jazz tradition but at the same time constantly expanding the horizons of the music and exploring the terra incognita of the genre. This album takes us back to the early days of Burton’s musical path, when he was leading probably the most forward-thinking Jazz quartet of the day. Together with guitarist extraordinaire Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, the quartet ventured into some of the earliest examples of Jazz-Rock Fusion, years ahead of their contemporaries. The two original LPs, although both recorded in 1967, are quite different from each other. On Lofty Fake AnagramFind albums with this title the quartet explores mostly a series of original tunes by Burton and Swallow, with finesse and elegance, but also with fire and passion. On A Genuine Tong FuneralFind albums with this title Burton combines forces with another great and unorthodox American Jazz representative, pianist / composer Carla BleyFind albums by this artist. The music is her first full-scale Jazz composition for a band, which she calls a “Dark Opera Without Words”. The “without word” part was to bee soon remedied on her next spectacular project, the first true modern Jazz opera Escalator Over The HillFind albums with this title, which included a libretto by Paul HainesFind albums by this artist. For the recording of this music the quartet was expanded to a small orchestra with Carla Bley on piano, Steve LacyFind albums by this artist and the brilliant Argentinean player Gato BarbieriFind albums by this artist on saxophone, Michael MantlerFind albums by this artist (Carla’s close partner) on trumpet, Jimmy KnepperFind albums by this artist on trombone and Howard JohnsonFind albums by this artist on tuba. The music is of course completely unique and unprecedented, with Bley’s masterly usage of orchestration to create moods and sonic vistas, all of it years ahead of its time. Together these two recordings provide a glimpse at the period when American Jazz was still bubbling with creativity and excitement. Brilliant and essential stuff!
| | | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | GARY BURTON ~ NEW VIBE MAN IN TOWN / WHO IS GARY BURTON? / IN CONCERT
BGO 1519 (Barcode: 5017261215192) ~ USA ~ Jazz
Recorded: 1961 - 1968 Released: 2024
This is a reissue / remaster of three early albums by American vibraphonist / composer / bandleader Gary BurtonFind albums by this artist, released originally on the RCAFind albums on this label label. Burton started his musical career at a very early age and was considered a prodigy. Choosing the vibraphone as his “weapon of choice”, and his decision to play Jazz rather than classical music made him a sensation and he recorded the first of the albums included here at the age of eighteen, quite an unprecedented event at the time. CD1 presets his first two albums, eight and seven tracks, recorded in 1961 and 1962 respectively. CD2 presents the 10th album, with eight tracks recorded in 1968, which is the only live recording by Burton and the one before last album released on RCA.
“New Vibe Man In TownFind albums with this title” was recorded in a trio setting with bassist Gene ChericoFind albums by this artist and drummer Joe MorelloFind albums by this artist. All the tracks are standards. “Who is Gary Burton?Find albums with this title” was recorded in a septet setting with trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist, pianist Tommy FlanaganFind albums by this artist, bassist John NevesFind albums by this artist and drummers Morello or Chris SwansenFind albums by this artist. Four of the tracks are standards, two are by Swansen, who was Burton’s classmate at Berklee Collage of Music and finally one is by British trombonist / composer Michael GibbsFind albums by this artist, who was his Berklee teacher and later a lifelong friend and musical collaborator.
“In ConcertFind albums with this title” was recorded with the revolutionary quartet, which included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, and sounded like something from another planet, being one of the earliest Jazz-Rock Fusion ensembles, which changed the face of music. Except for one cover of a song by Bob DylanFind albums by this artist, all the tracks are originals, three composed by Burton, two by Coryell, one co-composed by the two and finally again one track by Gibbs.
Overall, this is a brilliant reminder of the early musical path by one of the most important American Jazz figures, which is perhaps also the most “non-American” Jazz figures, closer to the European sound and aesthetics than to his roots, which are still plainly present on his first two albums. This reissue joins the other three reissue projects of Gary Burton recordings on RCA, released by the great British BGOFind albums on this label label, which now cover ten of the eleven RCA recordings.
| | Updated: 29/07/2024Posted: 29/07/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GARY BURTON ~ SOMETHING`S COMING! / THE GROOVY SOUND OF MUSIC / THE TIME MACHINE
BGO 1241 (Barcode: 5017261212412) ~ USA ~ Jazz
Recorded: 1963 - 1966 Released: 2016
This is a reissue of three early albums by the legendary American Jazz vibraphonist / composer Gary BurtonFind albums by this artist (his third to fifth albums): "Something`s Coming!Find albums with this title" from 1964, "The Groovy Sound Of MusicFind albums with this title" from 1965 and "The Time MachineFind albums with this title" from 1966.
"Something`s Coming!" was recorded in a quartet setting with guitarist Jim HallFind albums by this artist, bassist Chuck IsraelsFind albums by this artist and drummer Larry BunkerFind albums by this artist. It presents seven pieces, two of which are original compositions by British composer Michael GibbsFind albums by this artist, one is by Hall and the remaining four are standards.
"The Groovy Sound Of Music", as the title suggests, includes Burton interpretations of eight songs from the musical "The Sound Of Music", recorded in a sextet setting with trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist, guitarist Joe PumaFind albums by this artist, bassist Steve SwallowFind albums by this artist and alternating drummers Joe HuntFind albums by this artist and Ed ShaughnessyFind albums by this artist.
"The Time Machine" was recorded in a trio setting with bassist Steve Swallow and drummer Larry Bunker. It presents ten pieces, four of which are original compositions by Burton, two by Gibbs, one by Swallow and the remaining three are standards.
These wonderful albums tell the story of the early days of Burton´s musical development and already point out towards several characteristics of his music in the later years, like his close friendship and cooperation with composer Michael Gibbs, his close association with bassist Steve Swallow, who would continue to record with Burton for many years, his appreciation and understanding of the role of the guitar in Jazz, which will soon after lead to his revolutionary cooperation with Larry CoryellFind albums by this artist and the birth of the American Jazz-Rock Fusion, etc.
Whereas the first two albums find Burton still engulfed in Bebop and Cool Jazz, the third album is distinctly different and shows his individual voice and stylistic differentiation from mainstream Jazz, which shifts into more sophisticated approach both as a player and a composer, which would eventually bring Burton to be much closer to European Jazz than almost any other of his compatriots.
Although these albums were recorded fifty years ago, they all sound absolutely fresh today and the music lost absolutely nothing of its wonderful vitality, musicality and exquisite taste. For Burton and vibraphone fans this is an absolute essential piece of Jazz history, but all music connoisseurs should find it absolutely delightful. Not to be missed!
| | Updated: 17/10/2016Posted: 17/10/2016 | CD 2 Slipcase Remastered Recommend To A Friend |
  | MARIA PIA DE VITO ~ NEL RESPIRO
PROVOCATEUR 1031 (Barcode: 5038491103127) ~ ITALY ~ Jazz
Recorded: 2001 - 2002 Released: 2002
Following her brilliant album “VersoFind albums with this title”, recorded a couple of years earlier, Italian Jazz singer Maria Pia De VitoFind albums by this artist returns with her second album on the splendid ProvocateurFind albums on this label label, and her sixth consecutive album. Her two faithful companions on the previous album: British pianist John TaylorFind albums by this artist and US guitarist Ralph TownerFind albums by this artist are back with her again, but this time the instrumental ensemble is expanded to a quartet with the participation of legendary US bassist Steve SwallowFind albums by this artist and French drummer / percussionist Patrice HeralFind albums by this artist.
The music, composed by De Vito, Taylor, Towner and Swallow, is beautifully minimalist and quite complex, providing an ideal vehicle for the singer’s vocal explorations. She uses lyrics and vocalese interchangeably, with a rare ability to sound perfectly right at each given moment. The written music is but a frame for hers and the musicians’ improvisations, which keep floating effortlessly. De Vito continues in her singing the modern European vocal Jazz tradition, initiated in the 1970s by singers like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and Jeanne LeeFind albums by this artist (Vocal SummitFind albums by this artist), but of course this tradition is brought up-to-date and her personal input is dominant.
The album is a beautiful collection of highly sensitive, lyrical music, which captures the listener totally and requires his total dedication. Most importantly it keeps the process of exploration, as far as vocal Jazz is concerned, alive, rather than following the “easy” path of yet another attempt at vocal Jazz standards. Listening to this album one realizes that vocal Jazz is still alive and kicking, a relief indeed, and has a lot of fascinating innovations to offer. Don’t even think twice!
| | Updated: 03/07/2020Posted: | CD 1 HDCD Recommend To A Friend |
  | PIERRE FAVRE ~ WINDOW STEPS
ECM 1584 (Barcode: 731452934826) ~ SWITZERLAND ~ Jazz
Recorded: 1995 Released: 1996
This is a wonderful album by Swiss Jazz drummer / composer Pierre FavreFind albums by this artist recorded with an international team of Jazz stars: British (of Canadian origin) trumpeter Kenny WheelerFind albums by this artist, Italian saxophonist Roberto OttavianoFind albums by this artist, American cellist David DarlingFind albums by this artist and bassist Steve SwallowFind albums by this artist. The album presents seven original compositions: four by Favre, one by Darling and two co-composed by members of the band. The music was superbly recorded at the legendary Rainbow Studio in Oslo and engineered by Jan Erik KongshaugFind albums by this artist.
The music is beautifully melodic, contemplative and strangely Nordic in character, although no Scandinavian players are present. It borders on contemporary Chamber Music and includes some New Age accents, but is first and foremost elegantly European and completely artistically uncompromising. Both Darling and Swallow, who are American musicians, have played with European musicians throughout their extensive careers, and this influence can be felt here clearly.
The instrumental performances are all stellar, as expected, and although most of the music in minimalist and subdued, there is enough space for formidable soloing, especially by Wheeler, who plays some outstanding notes on this album. Many Wheeler followers are not aware of his playing on this album and this is why I decided to add this review now, although the music was recorded two and a half decades earlier.
But of course the rest of this splendid team also contributes generously and the album offers a continuous graceful musical joy ride, which used to characterize most of ECMFind albums on this label releases in the early days of the label´s activity. This album is wholeheartedly recommended to all European Jazz connoisseurs and absolute must to all lovers of Kenny Wheeler´s artistry.
| | Updated: 27/08/2020Posted: 27/08/2020 | CD 1 Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
| | | CD 2 Slipcase Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ NONSEQUENCE
PROVOCATEUR 1027 (Barcode: 5038491102724) ~ UK ~ Jazz
Recorded: 2001 Released: 2001
British composer / arranger / bandleader Michael GibbsFind albums by this artist is one of the pillars of modern British Jazz. His outstanding 1970s recordings serve as musical milestones in the development of Jazz and Jazz-Rock Fusion composition and his bands of the period, which always included some of the best players on the scene, are remarkable achievements remembered and cherished to this very day. After the decline of the British Jazz scene Gibbs returned to the US, where he concentrated on teaching and composing works for many different media (TV, cinema, performances and concerts) in a variety of musical genres, including of course Jazz and contemporary Classical Music. Although many of his compositions were released as soundtrack albums, he recorded only three “real” / dedicated Jazz albums in the last 30 years. Therefore his new album on ProvocateurFind albums on this label Records is a major event and a delight for his many fans and admirers. The album presents an ambitious project involving a recording on two continents (Hamburg and New York) by two big ensembles (the NDR Big BandFind albums by this artist in Hamburg and a specially assembled band in NY), presenting music mostly written by Gibbs with just a few of his unique arrangements of compositions by other composers. The NY band includes some of the most illustrious names on the contemporary Jazz scene, like Lew SoloffFind albums by this artist and Randy BreckerFind albums by this artist (trumpet), Chris HunterFind albums by this artist and Alex FosterFind albums by this artist (saxophone), Hiram BullockFind albums by this artist (guitar) and Steve SwallowFind albums by this artist (bass) among others. The NDR Big Band includes many marvelous players, but most notably saxophonist Christof LauerFind albums by this artist and pianist Wladyslaw SendeckiFind albums by this artist. The music is everything one might expect from Gibbs – marvelously melodic, beautifully crafted, devilishly cleverly arranged and superbly executed by both ensembles. Gibbs skillfully gets the best out of the big band setting, using the incredible dynamics it allows for and interposing multi-layered harmonic and rhythmic structures against each other to achieve an incredibly dramatic effect. Several excellent solo parts ornament the album like cherries on a cake and the different moods and tempi never allow for even a brief dull moment. The music reflects perfectly the composer’s versatility and open-mindedness, which have always been his forte. This is one refreshing and delightful musical experience that I’d hate my friends to miss; so nothing else remains to be said other that recommending this album wholeheartedly. You won’t regret it!
| | | CD 1 HDCD Recommend To A Friend |
  | MICHAEL GIBBS ~ THE ONLY CHROME WATERFALL ORCHESTRA
AH UM 009 ~ UK ~ Big Band Jazz
Recorded: 1975 Released: 1991
This is a reissue / remaster of an album by British Jazz composer / arranger / bandleader Michael GibbsFind albums by this artist, originally released in 1975 on the BronzeFind albums on this label label. It is one of the earliest “reissues”, before the concept became widespread, undertaken simply to correct the blunder of releasing the album on a strictly Rock label, which made it to disappear almost instantly from circulation. The idea of reissuing it on the tiny, but legendary Ah UmFind albums on this label label meant to bring the overlooked gem to the Jazz audiences, where it really belonged. The move was only partially successful, since Ah Um had a very limited marketing abilities and soon disappeared from the market, taking one of the most important British Orchestral / Big Band Jazz albums into the abyss again. The album was reissued again a few years later by the proper archival BGOFind albums on this label label, where it is hopefully still available.
Gibbs recorded the album with an incredible Orchestra / Big Band, which comprised of a fourteen-piece brass section, which included the crème-de-la-crème of the British Jazz scene at the time, including Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Ray WarleighFind albums by this artist, Stan SultzmannFind albums by this artist, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, to mention just the most prominent Masters, a string section, the Belgian guitarist Philip CatherineFind albums by this artist and a bunch of Americans, which included saxophonist Charlie MarianoFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist – a true “dream come true” setting. The music presents a seven-part suite like continuum, with five parts composed by Gibbs, one co-composed by him with Moses and Swallow and finally one composed by Catherine.
The music, which was light-years ahead of its time, presents a dreamy multi-layered musical journey, full of exquisite melodies, complex harmonies, World Music influences, in short a plethora of musical worlds meshed together, with brilliant orchestral performances and breathtaking soli, mostly by Catharine, Coe and Mariano.
I have cherished this album since the day I had it on the day of its release, and tried to herald its qualities repeatedly over time, sadly due to its obscurity few people shared my enthusiasm over the years. As much as I admire everything Gibbs created over the years, and he certainly managed to produce a substantial body of work over the years, this album was always my favorite piece of his work.
Overall, this is one of the most important and significant Orchestral / Big Band recordings of British Jazz, which lost absolutely nothing of its grandeur, class and depth over time, and which manages to elate my state of being every time I listen to it. Thank you so much my Friend, for your lasting contribution to my sanity ;)
Side Note
British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.
| | Updated: 22/05/2025Posted: 22/05/2025 | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991
DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion
Recorded: 1991 Released: 2018
This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions.
Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts.
Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him.
This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish.
The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.
| | Updated: 29/05/2018Posted: 22/05/2018 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69
TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz
Recorded: 1969 Released: 2018
This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970.
The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet.
The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track).
The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant.
Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures.
The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering.
Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative.
This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!
| | Updated: 28/06/2021Posted: 30/09/2018 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | MICHEL GIBBS ORCHESTRA ~ BY THE WAY
AH UM 016 (Barcode: 5017771102029) ~ UK ~ Jazz
Recorded: 1993 Released: 1993
This is an album by British Jazz trombonist / composer / arranger / bandleader Michael GibbsFind albums by this artist and his Anglo-American Orchestra commemorating the orchestra´s 25th Anniversary. The members of the orchestra include many of the top British Jazz players, like trumpeter Kenny WheelerFind albums by this artist, saxophonist Evan ParkerFind albums by this artist, pianist John TaylorFind albums by this artist, drummer John MarshallFind albums by this artist and the young (at the time) saxophonist Julian ArguellesFind albums by this artist and guitarists Mike WalkerFind albums by this artist and John ParricelliFind albums by this artist. The Americans include saxophonist Charlie MarianoFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist. The album presents eleven original compositions, all by Gibbs, which span the entire 25 years period, some of which already appeared on earlier recordings and other that are performed here for the first time.
Gibbs´ followers will find this album consistent with his earlier recordings and with his unique orchestral approach and sound colors. Gibbs treats the orchestra like a palette and paints bright sound vistas with zest and vivid imagination. As usual the pieces allow for extensive soloing, which on this album reaches many remarkable peaks. Gibbs´ affinity to Rock is also evident, as is his tendency to feature the guitar as one of the main ingredients of the orchestra with plenty of soloing, which on this album is performed by Walker, who has a profound Bluesy feel and sensitivity.
Overall this is another superb album by a great Master of the orchestral Jazz idiom, who had very few parallels over the years and still dominates the scene today. This music lost nothing of its power or beauty over time and is a great document of the period, similar to the recently released album with the Gibbs Orchestra featuring John ScofieldFind albums by this artist from 1991 ("Symphony Hall, Birmingham 1991Find albums with this title").
This is one of the most obscure albums by Michael Gibbs, probably due to the fact that it was released by the short lived small independent British Ah UmFind albums on this label label, founded by musician / producer Nick PurnellFind albums by this artist, and has been available for many years. Wholeheartedly recommended and if you can dig it out somehow, don´t even think twice – grab it as it is worth its weight in gold!
Side Note
British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.
| | Updated: 11/02/2025Posted: 29/05/2018 | CD 1 Recommend To A Friend |
  | JIMMY GIUFFRE ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE
CAM JAZZ 1016 (Barcode: 8052405140425) ~ USA ~ Jazz
Recorded: 1985 - 1993 Released: 2012
This superb Box Set collects all the albums recorded by the legendary American clarinetist / saxophonist / composer Jimmy GiuffreFind albums by this artist on the twin Italian independent labels: Black SaintFind albums on this label and Soul NoteFind albums on this label. Giuffre needs no introduction to any serious Jazz connoisseur; suffice to say that his prolific output and a career stretching over five decades is a superb example of an Artists constantly developing and changing his perspective on his Art form. In his early days Giuffre played Swing and later on Cool, but since his revolutionary 1960s recordings he entered the Free Jazz realm, contributing some of its most interesting moments. The music included here includes three of his late recordings in a quartet with keyboardist Pete LevinFind albums by this artist, bassist Bob NieskeFind albums by this artist and drummer Randy KayeFind albums by this artist. The fourth album is in a trio format with legendary pianist Paul BleyFind albums by this artist and no less legendary bassist Steve SwallowFind albums by this artist, closing the circle of the early 1960s trio they played in together. Remastered, mini-sleeved, and with a great bargain price – this Box Set an absolute must for any serious Jazz collector.
Side Note
The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label.
The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented.
However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty.
These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!
| | Updated: 12/04/2020Posted: | CD 4 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | CHRIS LAURENCE ~ NEW VIEW
BASHO 18 (Barcode: 832929001826) ~ UK ~ Jazz
Recorded: 2005 - 2006 Released: 2006
Bassist Chris LaurenceFind albums by this artist has been one of the great "silent" heroes of the British Jazz scene for decades, providing his exquisitely solid, yet delicate and always sophisticated bass lines to countless Jazz albums, including many of the pivotal recordings of the late 1960s / early 1970s, which revolutionized European Jazz and emancipated it for the overwhelming stylistic and conceptual US supremacy. But his genius is also recognized and respected beyond the Jazz field, and he has an active career both as a Classical player and studio musician in the Pop / Rock world, where he contributed his talent playing behind some of the biggest names in the music business.
And yet, for all these years, Laurence never recorded as a leader, something that has been finally remedied by this superb release. For this session he opted for an intimate setting of a piano-less quartet, which includes yet another "silent" hero and a veteran of the British Jazz scene – vibraphonist / percussionist Frank RicottiFind albums by this artist, who also participated in countless pivotal recordings, sometimes alongside Laurence. Sadly both Laurence and Ricotti have never really received the proper recognition for the enormous contribution they both made to the British Jazz, with books and on-line sources mentioning them mostly in-passing. Hopefully this will be remedied sometime in the near feature (and before obituaries need to be written). But back to the music; Ricotti´s vibraphone is the ideal companion to Laurence´s bass playing and sets the tone to the laid-back, delicate and slightly melancholic atmosphere that underlines this album´s overall feel. The two other members of the quartet are no strangers, as they have recorded with Laurence before, both being representatives of the second generation of British Jazz heroes: guitarist John ParricelliFind albums by this artist and drummer Martin FranceFind albums by this artist. Parricelli plays both electric and acoustic guitars and his playing on this album is actually the best I´ve heard so far, even superior to the performances on his solo recordings. His licks ornament the music, using just the precise amount of notes needed, leaving flashy excursions aside, which is exactly what is appropriate here. France does a splendid job keeping everything together rhythmically; again exactly what a great drummer needs to do first and foremost.
It goes beyond saying that Laurence´s bass lines are a delight from start to finish, which is only to be expected and Ricotti´s vibraphone performance matches the (unfortunately very few) Masters of that beautiful instrument. The music chosen comes from the songbooks of great British Jazz composers, with whom Laurence recorded in the past, like Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist, John SurmanFind albums by this artist and John TaylorFind albums by this artist. Fellow US musicans – Steve SwallowFind albums by this artist and Andy LaverneFind albums by this artist - also get their share and even one Joni MitchellFind albums by this artist tune is included (Joni´s close ties with the Jazz world are obvious). If all this is not enough, there is also a cherry on top of the proverbial cake: the divine Norma WinstoneFind albums by this artist adds her sublime (as usual) vocals to a couple of the tunes, another gesture of gratitude for the sake of old times. So, please, buy this album and by doing so you will not only get some superb music, but you will pay some long-overdue tribute to this man´s talents and his life-long dedication to the music we love!
| | Updated: 30/05/2025Posted: | CD 1 Digipak Recommend To A Friend |
  | PRINTMAKERS ~ WESTERLY
BASHO 46 (Barcode: 832929004629) ~ UK ~ Jazz
Recorded: 2013 Released: 2015
This is a beautiful debut album by the British Jazz ensemble The PrintmakersFind albums by this artist, which comprises of top Jazz musicians spanning several generations: the wonderful vocalist / lyricist Norma WinstoneFind albums by this artist, pianist / composer Nikki IlesFind albums by this artist, saxophonist Mark LockheartFind albums by this artist, guitarist Mike WalkerFind albums by this artist, bassist Steve WattsFind albums by this artist and drummer James MaddrenFind albums by this artist. The album presents ten tunes, three of which were composed by Iles with lyrics by Winstone, two with music by Ralph TownerFind albums by this artist and lyrics by Winstone, one tune each composed by John TaylorFind albums by this artist and Iles, both without lyrics, a song by Steve SwallowFind albums by this artist and finally two are the ensemble´s interpretations of familiar Pop songs, one each by Paul SimonFind albums by this artist and Joni MitchellFind albums by this artist. The music was recorded live in a room of a country house and offers superb sound quality. The album is dedicated to the memory of the great Kenny WheelerFind albums by this artist.
The music is everything one might expect from this formidable lineup: superb vocals and excellent playing from start to finish, elegant, somewhat restrained and always exactly with the right dose of emotional involvement and professional musicality. There is an obvious affinity and respect between the participants and a harmonious teamwork, which truly pays off. On the two tunes that do not feature lyrics, Winstone performs her fabulous vocalese parts, which are her trademark since many years.
There is plenty of opportunity for great solo parts by Lockheart, Iles and Walker, and the rhythm section keeps the music flowing gently but precisely in time and in perfect harmony. Although the entire album is characterized by a relaxed, calm atmosphere, the music is rich and full of intrinsic vitality. Stylistically one might consider this to be "mainstream Jazz", but this music has absolutely nothing in common with the American version of mainstream Jazz, which of course is all for the best.
It is great to see Winstone active and at full power, as if for her time is standing absolutely still. Having enjoyed her work for five decades, I can say that her music making is a safe heaven of good taste and aesthetic excellence, one of a very few of such kind.
This album is relatively little known by Jazz connoisseurs, and therefore it is wholeheartedly recommended to all true music lovers and British Jazz enthusiasts to grab a copy as long as it is still in circulation.
| | Updated: 29/05/2018Posted: 29/05/2018 | CD 1 Digipak Recommend To A Friend |
  | GEORGE RUSSELL ~ SEVEN CLASSIC ALBUMS
REAL GONE JAZZ 353 (Barcode: 5036408140425) ~ USA ~ Jazz
Recorded: 1959 - 1962 Released: 2012
This is a reissue of the early recordings by the legendary American pianist / composer / arranger / music theorist George RussellFind albums by this artist This set collects recordings made between 1959 and 1962, which present Russell playing with small orchestral ensembles and small combos, introducing elements of his Lydian Chromatic Concept and later Modal Jazz.
The six albums included here are: "New York, N.Y.Find albums with this title" from 1959, "Jazz In The Space AgeFind albums with this title" from 1960, "StratusphunkFind albums with this title" from 1960, "George Russell Sextet In K.C.Find albums with this title" from 1961, "Ezz-TheticsFind albums with this title" from 1961, "The Stratus SeekersFind albums with this title" from 1962 and "The Outer ViewFind albums with this title" from 1962.
The musicians participating in these recordings include some of the most important American Jazz players at the time, like saxophonists John ColtraneFind albums by this artist and Eric DolphyFind albums by this artist, pianists like Bill EvansFind albums by this artist and Paul BleyFind albums by this artist, bassists Chuck IsraelsFind albums by this artist and Steve SwallowFind albums by this artist and drummers Joe HuntFind albums by this artist and Pete La RocaFind albums by this artist, to mention just a few.
Overall this is a fascinating collection of great Jazz music performed by some of the best players at the time, and which has additionally also an enormous historical value. I can’t imagine any true Jazz fan missing this set!
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.
There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.
The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
| | Updated: 27/05/2018Posted: 02/10/2016 | CD 4 Remastered Recommend To A Friend |
  | ANDY SHEPPARD ~ DANCING MAN & WOMAN
PROVOCATEUR 1020 (Barcode: 5038491102021) ~ UK ~ Jazz
Recorded: 1999 Released: 2000
British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For his debut recording on Provocateur (“Learning To WaveFind albums with this title”), Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. On this album, the follow-up release, the quintet is expanded to a septet with the addition of the legendary US electric bass player Steve SwallowFind albums by this artist and young tabla player Kuljit BhamraFind albums by this artist. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
| | | CD 1 HDCD Recommend To A Friend |
  | STEVE SWALLOW ~ DAMAGED IN TRANSIT
XTRAWATT 11 (Barcode: 044006779225) ~ USA ~ Jazz
Recorded: 2001 Released: 2003
This is a live album by American bassist / composer Steve SwallowFind albums by this artist, recorded in an all American trio setting with saxophonist Chris PotterFind albums by this artist and drummer Adam NussbaumFind albums by this artist. The album presents nine tracks, all composed by Swallow. The music was recorded during the trio’s tour in France.
The music is rather unusual for Swallow, as it offers mostly straightforward swinging Jazz, which presents plenty of opportunity for Swallow to perform lengthy solos on his bass guitar. But naturally the focus of the music is on Potter, who is in charge of the melodic contents, with Nussbaum keeping the music swinging vigorously. The nine tracks sound like one continuous piece, even though they were recorded at different dates and locations.
The saxophone trio, which is usually a rather tough format for listeners, sounds very tight together and basically offers a sound of a full ensemble, able to perform a coherent continuity and not lacking anything more in order to sound whole. Most of the material is up-tempo, which is definitely a demanding challenge for the trio members, but they don’t seem to mind and pass the test with flying colors.
Overall, this is an excellent album of vigorous post-Bebop Jazz, spectacularly performed by these excellent musicians. Although I usually prefer Swallows more complex and introvert compositions, this is a great document of his abilities as straight-ahead Jazz player. For the many fans and followers of Swallow’s artistry, this is definitely a must-have album.
| | Updated: 19/01/2025Posted: 19/01/2025 | CD 1 Recommend To A Friend |
  | STEVE SWALLOW ~ HOME
ECM 1160 (Barcode: 602567434870) ~ USA ~ Jazz & Poetry
Recorded: 1979 Released: 2019
This is a reissue of the debut album as a leader by American bassist / composer / bandleader Steve SwallowFind albums by this artist and his second release on the ECMFind albums on this label label, following the duo album with Gary BurtonFind albums by this artist entitled “Hotel HelloFind albums with this title”, released five years earlier. The album was recorded in a sextet setting with vocalist Sheila JordanFind albums by this artist, pianist Steve KuhnFind albums by this artist, saxophonist Dave LiebmanFind albums by this artist, synthesizer player Lyle MaysFind albums by this artist and drummer Bob MosesFind albums by this artist, and it presents ten tracks, all composed by Swallow, with lyrics by the American poet Robert CreeleyFind albums by this artist.
The music is strongly melodic and often outright romantic, perfectly suiting the “Jazz & Poetry” idiom and the idiosyncratic poetry by Creeley, who was a magician of the poetic expression and could tell a story in just a very few words. Jordan, my favorite American Jazz vocalist, is absolutely perfect for the role of the storyteller, and albeit the fact that the lyrics are often minimalist, she sets the mood for the entire album.
The music is quite mainstream oriented, with most of the melodic content carried by Kuhn, who is brilliant as always. Surprisingly, Liebman plays some of the most well-behaved saxophone solos of his career on this album, without pushing the boundaries. Mays stays mostly in the background, as does Moses, but Swallow’s round bass lines are firmly present.
Overall, this is a very well-played and sung “Jazz & Poetry” album, with excellent contributions by all the participants, but does not break any new ground or demands a particular intellectual effort to enjoy the music for what it is.
| | Updated: 11/10/2024Posted: 11/10/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TAYLOR / SWALLOW / MIRABASSI ~ NEW OLD AGE
EGEA 104 (Barcode: 8015948001042) ~ UK ~ Jazz
Recorded: 2002 Released: 2005
This is a wonderful album by the international Jazz trio comprising of British pianist / composer John TaylorFind albums by this artist, American bass guitarist / composer Steve SwallowFind albums by this artist and Italian clarinetist / composer Gabriele MirabassiFind albums by this artist. The album presents nine original compositions, composed (three each) by the trio members.
The music is a delightful collection of sublime melodies, beautifully performed in a relaxed and intimate setting by Master musicians. Despite the presence of the electric bass, the aural atmosphere is completely acoustic and the superb recording allows hearing every little nuance and every note played.
There are many musical influences, which produce the final result achieved here, like Classical Chamber Music and Folkloristic melody lines, all intertwined and correlated by these gifted musicians, who obviously enjoy immensely the mutual exchanges and playful attitude. There is a clear focus on the trialogue cooperation, rather than on individual soloing, but of course the album offers plenty of sublime and heartwarming performances, as expected from these Masters.
The album was released on the Italian EGEAFind albums on this label label, which is one of several excellent Italian labels, which offer numerous British and British-Italian Jazz recordings, like CAM JazzFind albums on this label and several smaller ones, all of which are worth following for listeners interested in first class European Jazz recordings.
Overall, this is a beautiful album, which offers profound musical energies full of typical European Jazz aesthetics and masterful playing by highly talented musicians. Perhaps a tad demanding for the average Jazz listener, but this is obviously a highly rewarding musical experience, which of course is wholeheartedly recommended.
| | Updated: 31/01/2023Posted: 31/01/2023 | CD 1 Slipcase Recommend To A Friend |
  | JOHN TAYLOR ~ ANGEL OF THE PRESENCE
CAM JAZZ 7778 (Barcode: 8024709777829) ~ UK ~ Jazz
Recorded: 2004 Released: 2005
This is the debut album by the last trio led by British Jazz pianist / composer John TaylorFind albums by this artist with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist. The album presents eight pieces, four composed by Taylor and two each by Kenny WheelerFind albums by this artist and Steve SwallowFind albums by this artist. The music was recorded "live in the studio" at the fabulous Bauer Studios in Ludwigsburg and offers a sublime sound quality.
The trio recorded four albums between 2004 and 2006, which are all breathtakingly beautiful and constitute a pinnacle of Taylor´s recording career in the last period of his life ending with his premature death in 2015.
The music is a classic example of Jazz piano trio mastery, which has but a few equals in the Century long history of Jazz music. Just a few other great trios managed to find a perfect balance between the piano and the rhythm section, like the one offered here. With each and every note perfectly audible and perfectly uttered, the music becomes a flux of emotional and intellectual stimulation of the highest possible level. Taylor´s playing was always a fountain of lyricism, and with age his touch of the keyboard become somewhat more sparing as if each note meant everything there was to say at a given moment.
Of course the trio became a perfect vehicle as a result of common respect and telepathic understanding between all three members, becoming way more than just the sum of its ingredients. Danielsson and France become natural extensions of Taylor´s musical personality, and the unison proves to be unbeatable.
The choice of material reflects Taylor´s lifelong friendships with Wheeler and Swallow and their common creative legacy well documented on their recordings together, which of course are highly recommended.
Overall this is one of the finest Jazz piano trio recordings, not only in Taylor´s discography, but in Jazz history in general, which means it truly is an indispensable ingredient of any serious music collection. Absolutely essential!
| | Updated: 05/09/2020Posted: 05/09/2020 | CD 1 Essential Recommend To A Friend |
  | JASPER VAN`T HOF / CHARLIE MARIANO ~ BRUTTO TEMPO
INTUITION 750447330924 (Barcode: 750447330924) ~ NETHERLANDS ~ Jazz
Recorded: 2000 Released: 2001
This is an album by the international trio comprising of Dutch keyboardist / composer Jasper van`t HofFind albums by this artist, American (resident in Germany) saxophonist / composer Charlie MarianoFind albums by this artist and American bassist / composer Steve SwallowFind albums by this artist. The album presents nine original compositions, four by van`t Hof, two by Mariano and three by Swallow, and one Classical piece arranged by Mariano.
Although involving two Americans, the music is soaked with European aesthetics, which of course is hardly surprising since Mariano lived in Europe since 1971 and Swallow played and recorded with numerous European musicians over time. The intimate trio format is ideal to express the wonderful affinity between these musicians, and enables close exchange of ideas and mutual inspiration.
The music is characteristic Chamber Jazz, influenced by Classical motifs and constructs and World Music themes, but at the same time highly improvised and exploding with ideas for the entire duration. Of course all three musicians are virtuosi, which this intimate setting emphasizes to the max. Although this album is little known to Jazz enthusiasts beyond Europe, it is one of the finest examples of what these three musicians ever recorded, together and separately, and deserves a much wider recognition.
Overall, this is a wonderful hidden gem of European Jazz which should make very true Jazz lover deeply moved by the exquisite music it includes, which is timeless and cross-cultural. It’s been quite a while since I heard this album last and rediscovering it was an immense pleasure!
| | Updated: 04/07/2025Posted: 04/07/2025 | CD 1 Recommend To A Friend |
  | KENNY WHEELER ~ ONE OF MANY
CAM JAZZ 5042 (Barcode: 016728504225) ~ UK ~ Jazz
Recorded: 2006 Released: 2011
This is an intimate trio recording by the British trumpeter / composer Kenny WheelerFind albums by this artist with his lifelong musical partner British pianist John TaylorFind albums by this artist and American bassist Steve SwallowFind albums by this artist (who plays electric bass). The three veterans play nine original compositions, all by Wheeler (one of which is repeated twice in duo and trio versions). The music was exquisitely recorded at the legendary Bauer Studio in Ludwigsburg (Germany) in 2006 but released only five years later. A year earlier (2005) Wheeler recorded three albums in the same studio: a quartet date "What Now?Find albums with this title", a duo with Taylor and a string quartet "Other PeopleFind albums with this title" and another duo with Taylor "On The Way To TwoFind albums with this title", all released on the Italian CAM JazzFind albums on this label label.
The music is typical "chamber" Wheeler setting, with the emphasis on his melodic ballad compositions. As always, the music is superbly executed by the telepathic Wheeler / Taylor duo, which this time gets a wonderful rhythmic and harmonic support from Swallow. His bass guitar often sounds here like a guitar and its beautiful tone adds another layer to the usual duo performances. In fact this is probably one of the most beautiful recordings by Swallow, who after all appears on hundreds of albums.
Aged 76 at the time of the recording, Wheeler is in perfect control of his instrument and his playing technique, delivering clear and moving statements like only he could, without trying to dazzle. His intrinsic modesty and honesty are behind his strength and power of expression.
The collected Kenny Wheeler recordings released on the CAM label document the wonderfully fruitful period of his long career, which sadly was also his last. They present a portrait of a mature Artist, who played the music he loved, accompanied by superb musicians, whom he respected and trusted. It is also a wonderful portrait of the mature European Jazz at its best, full of finesse, elegance and sophistication, a music Wheeler was a great pioneer of five decades earlier.
This is an instant and timeless Jazz classic of course, a piece of music one can relay on every time it is played, regardless of how many times one has already listened to it. An absolute must!
| | Updated: 10/04/2020Posted: 22/09/2018 | CD 1 Recommend To A Friend |
  | NORMA WINSTONE & JOHN TAYLOR ~ IN CONCERT
ENODOC 005 (Barcode: 5036614000049) ~ UK ~ Jazz
Recorded: 1988 Released: 2018
This is a reissue of an album by the British Jazz "royal couple" vocalist Norma WinstoneFind albums by this artist and pianist John TaylorFind albums by this artist, released originally only on cassette. The album was recorded live at the Guildhall School of Music in London and presents eight tracks, three of which are standards (one is a medley of two songs), four are compositions by Steve SwallowFind albums by this artist, Egberto GismontiFind albums by this artist and Ralph TownerFind albums by this artist (two) to which Winstone wrote words or vocal parts, and one is a composition by Taylor featuring Winstone´s breathtaking vocalese extravaganza. The album offers a wonderfully natural sound quality.
This intimate duo setting is perhaps the best "real time" document of the decades-long musical cooperation of the couple and an archetypical example of the vocals / piano "Art of the Duo" idiom, as well as an embodiment of the British Jazz spirit, which these two marvelous musicians have always personified.
The individual performances by Winstone and Taylor are of course stellar, as expected. She is perfect both as a singer of lyrics and improviser using vocalese, and her divine sense of melody and rhythm are a class of its own. He touches the keyboards with precision and wonderful dynamics, and above all with incomparable elegance and fluidity.
But it is the amalgam of the creative flow created by these two personas which is simply unstoppable, resulting in an effect way beyond the sum of the individual contributions. The telepathic communication and emotional unity of the couple is absolutely astounding, serving as a timeless example of the effectiveness of the "less is more" principle.
I can hardly think of an album that deserves the "classic" status more than this one. A hidden gem that listeners had to wait for thirty years to be able to enjoy, is finally here and offers sixty minutes of pure musical delight and an essential piece of British Jazz legacy.
British Jazz fans and all true music lovers around the globe should find this irresistible and one can hope this music will reach a much wider audience than at the time of its original release. Beyond essential!
| | Updated: 09/04/2020Posted: 09/04/2020 | CD 1 Digipak Essential Recommend To A Friend |
  | Z3 ~ PALE FIRE
WHYPLAYJAZZ 014 (Barcode: 4050486906163) ~ AUSTRIA ~ Jazz
Recorded: 2013 Released: 2014
This is the debut album by the trio called Z3Find albums by this artist, led by Austrian pianist / composer Philip ZoubekFind albums by this artist and including German clarinetist Benjamin WeidekampFind albums by this artist and Swiss bassist Christian WeberFind albums by this artist. The album presents seven original compositions, all by Zoubek.
Zoubek points to the legendary Jimmy GiuffreFind albums by this artist trio with pianist Paul BleyFind albums by this artist and bassists Steve SwallowFind albums by this artist as the source of inspiration to create this trio, and many points of reference are indeed present, although there is no attempt to directly follow or copy the work of Giuffre and his cohorts. The piano "plays the first fiddle" on this album, clearly navigating the music towards a melodic progression, which is followed by the clarinet and bass in a series of tête-à-tête and ménage a trios encounters. The overall atmosphere is completely relaxed and non-aggressive, which always helps in an Improvised Music environment, creating a true close encounter between the trio members.
Weidekamp plays magnificently here and his beautiful tone reminds me of the performances by my beloved Harold RubinFind albums by this artist. Short phrases and delicate breathing-like uttering, little melodic statements and fragile triplets create an ornate aura around the piano stating the melody and the overall result is simply magical.
Weber, who is one of the busiest and most prolific bassists on the European Improvised Music scene, with three solo albums and dozens of recordings to his credit, displays a certain measure of respect and distance, playing sparingly but superbly on time and exactly where his contribution is needed. This kind of subtle support is amongst the most difficult contributions a musician can offer to his partners.
Together the trio creates a continuous flow of excellent and fascinating music, which keeps the listener on his toes from start to finish. In fact this is definitely one of the best releases on the first-rate WhyPlayJazzFind albums on this label label to date. There is definitely nothing pale about the fire found on this album, I assure you!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
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