Record Reviews
22 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | BROTHERHOOD OF BREATH ~ BREMEN TO BRIDGWATER
CUNEIFORM 182/183 (Barcode: 045775018225) ~ UK ~ Jazz
Recorded: 1971 - 1975 Released: 2004
This albums collects three concerts recorded by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist. The first recording captures the ensemble in its early days (1971) whereas the other two come from four years later (1975), towards the end of the life cycle of the first edition of the band, which came to its end with the death of trumpeter Mongezi FezaFind albums by this artist just a month after the last of these concerts was recorded. The collective lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Radu MalfattiFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist, Elton DeanFind albums by this artist, Bruce GrantFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist and Keith BaileyFind albums by this artist– drums. It is interesting to compare the development of the ensemble over this relatively short time period and see how well integrated musically and spiritually the ensemble really was. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
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  | BROTHERHOOD OF BREATH ~ ECLIPSE AT DAWN
CUNEIFORM 262 (Barcode: 045775026220) ~ UK ~ Jazz
Recorded: 1971 Released: 2008
This splendid recording by the legendary British Jazz ensemble Brotherhood Of BreathFind albums by this artist, led by pianist / composer Chris McGregorFind albums by this artist, captures the band at the Berliner Jazztage festival and presents the initial phase in their development as one of the most original and influential bands of the era. The lineup (which kept changing slightly over time) includes: Harry BeckettFind albums by this artist and Marc CharigFind albums by this artist – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Dudu PukwanaFind albums by this artist, Alan SkidmoreFind albums by this artist and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums. The combination of Jazz, Free Improvisation and African music intermixed in a unique way creates a vibrant and challenging musical experience, which had no equal at the time. McGregor’s clever compositions are ideal vehicles for the individual and collective improvisations and the energy and fire this band has to offer transcends time and space, making it accessible to every connoisseur of good music on this planet. The music remains as valid and brilliant as it was at the time of the recording and its great to have it commercially released at last. Warmly recommended!
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  | BROTHERHOOD OF BREATH ~ TRAVELLING SOMEWHERE
CUNEIFORM 152 (Barcode: 045775015224) ~ UK ~ Jazz
Recorded: 1973 Released: 2001
The saga of the British ensemble Brotherhood Of BreathFind albums by this artist and their leader pianist / composer Chris McGregorFind albums by this artist stretches back in time and space to South Africa in the early-1960s, where McGregor founded the first mixed-race Jazz group in the country, the Blue NotesFind albums by this artist. For the Apartheid regime mixed-race groups were hardly a welcome activity and the group suffered many hardships and found it difficult to perform for the white public. In 1964 the group got permission to travel to Europe and eventually arrived in London, where they decided to stay. The Blue Notes played around UK initially as a sextet (McGregor – piano, Dudu PukwanaFind albums by this artist – alto sax, Nick MoyakeFind albums by this artist – tenor sax, Mongezi FezaFind albums by this artist – trumpet, Johnny DyaniFind albums by this artist – bass and Louis MoholoFind albums by this artist – drums) and later as a quintet (after Moyake returned to SA). In spite of the fact that they were one of the most innovative and inspiring Jazz acts at the time, they never achieved proper recognition. The pioneering work of Jazz-World Fusion, with the emphasis on African music, which the group presented, was surely quite ahead of its time. By the early 1970s McGregor managed to form a large ensemble, combining the Blue Notes players with some of the most prominent British Jazz musicians of the time, which was called Brotherhood Of Breath. The resulting ensemble was surely one of the highlights of the British Jazz scene in the early to mid-1970s, offering an incredibly powerful stage act, which included a superb amalgam of modern Jazz, Free, Improvised Music and strong African music influence. The ensemble recorded but a few studio albums, but luckily many of their splendid concerts were recorded by radio stations and festivals, mostly around Europe, where they were always received warmly. This album documents a performance captured by the German Radio Bremen and is a superb example of what they were all about. The lineup (which changed slightly over time) includes: Harry BeckettFind albums by this artist, Marc CharigFind albums by this artist and Mongezi Feza – trumpet, Nick EvansFind albums by this artist and Malcolm GriffithsFind albums by this artist – trombone, Mike OsborneFind albums by this artist, Evan ParkerFind albums by this artist, Dudu Pukwana and Gary WindoFind albums by this artist – saxophone, Chris McGregor – piano, Harry MillerFind albums by this artist – bass and Louis Moholo – drums. Both the individual and collective improvisations are all breathtaking and the entire concert is an orgy of sound and musical creativity. A must to all British Jazz enthusiasts and definitely worth investigating for all open-minded music lovers.
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  | ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE
VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz
Recorded: 1972 - 1974 Released: 2005
Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!
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  | GRAHAM COLLIER ~ SYMPHONY OF SCORPIONS / THE DAY OF THE DEAD
BGO 1028 (Barcode: 5017261210289) ~ UK ~ Jazz
Recorded: 1976 - 1978 Released: 2011
Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist, a dear personal friend of mine who died in 2011, is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century.
This album, which is a fourth installment and a companion to the three previous BGO reissues of his early recordings, includes the last two recordings by Collier released on his own record label MosaicFind albums on this label Records, one of the first independently owned Jazz labels in Britain. He composed all the music presented here and plays bass on the first recordings (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist (trombone), Alan WakemanFind albums by this artist, Mike PageFind albums by this artist, Art ThemenFind albums by this artist (saxophone), Ed SpeightFind albums by this artist (guitar), Roger DeanFind albums by this artist (piano), Roy BabbingtonFind albums by this artist (bass) and Alan JacksonFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles.
Both these releases were inspired by the works of British poet and novelist Malcolm LowryFind albums by this artist, one of the most innovative writers of the 20th Century. "The Day Of The DeadFind albums with this title" (originally released as a double LP) includes extended fragments from Lowry´s masterpiece "Under The Volcano" and his other writings, narrated by John CarberyFind albums by this artist on top of the music performed by the band. Both works rank amongst Collier´s greatest achievements and his most adventurous recordings, with a loose composed frame and extensive group improvisations.
Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!
| | | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | JOHN DANKWORTH ~ MOVIES `N` ME
VOCALION 8469 (Barcode: 765387846923) ~ UK ~ Jazz
Recorded: 1974 Released: 2010
Legendary British saxophonist / composer / arranger / bandleader John DankworthFind albums by this artist was one of the Godfathers of modern British Jazz. Although his career started in mid-1940s he was keen to pursue the sounds of Bee Bop, when those crossed the Atlantic and later pioneered the modern British Big Band sound. In parallel to his Jazz career, Dankworth was active as composer of music for film and TV. This album focuses around these scores and presents them in Jazz arrangements, performed by a dreamy Big Band, which includes the crème de la crème of British Jazz at the time: saxophonist Don RendellFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, trumpeter Kenny BakerFind albums by this artist, pianist Tony HymasFind albums by this artist and many others. The music is excellent of course, as is the performance. British Jazz fans will find this stuff delightful, and Big Band enthusiasts will have a field day with this. I don´t think there is anything else I need to add here, just grab it, if this is your cup of tea!
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  | GEORGIE FAME ~ RIGHT NOW! / THAT`S WHAT FRIENDS ARE FOR / CLOSING THE GAP
BGO 1533 (Barcode: 5017261215338) ~ UK ~ Jazz-Pop Fusion
Recorded: 1978 - 1980 Released: 2024
This is a reissue / remaster 2CD album by British vocalist / organist / songwriter Georgie FameFind albums by this artist, my favorite British vocalist of all time. It includes Fame’s three UK albums released originally on the PyeFind albums on this label label, all recorded between 1978 and 1980. This album offers an excellent sound quality thanks to the careful remastering.
Fame, who managed to develop a stellar career very early in his life, made a consistent transformation from a Pop and Rhythm And Blues artists into a full-fledged Jazz artist later on in his career and recorded an astonishing legacy of superb albums over the years. These tracks clearly show the direction and the strong Jazz influence which was a part of his music from the very start, and are a wonderful trip down the memory lane. Fame was always a sublime songweaver and his original material sounds today every bit as strong as it did almost sixty years ago. He was also a very gifted organist and his organ solos were a part of his irresistible charm.
On the first two albums, which present mostly original songs by Fame, he is supported by a fabulous team of British Jazz musicians, which include bassist Brian OdgersFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, saxophonist Ray WarleighFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist and others. On the third album, which was a rather unusual attempt to embrace Reggae elements, he is accompanied by the Reggae Philharmonic OrchestraFind albums by this artist, which was an ensemble of local Reggae musicians.
Overall, this is a superb collection of early and sadly almost completely forgotten Georgie Fame recordings, which sounds as good as it did almost half a Century ago. Fame’s unique vocals, Jazzy phrasing and incredible melodic sensibilities managed to create an enchanting sound, which to this day remains unbeaten by any of his successors.
| | Updated: 10/12/2024Posted: 10/12/2024 | CD 1 Slipcase Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
| | | CD 2 Slipcase Remastered Recommend To A Friend |
  | MICHAEL GIBBS ~ REVISITING TANGLEWOOD 63: THE EARLY TAPES
JAZZ IN BRITAIN 24 (Barcode: 5060774190227) ~ UK ~ Big Band Jazz
Recorded: 1970 Released: 2021
This is an archival album by British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which presents two radio broadcasts of live sessions, recorded in May and November of 1970. The lineups of the Orchestra / Big Band (thirteen or sixteen members respectively) consists of Top British Jazz musicians at the time, some of which took part in the recording of the seminal “Tanglewood 63Find albums with this title” album, which was recorded shortly after the second session. The collective personnel includes: trumpeters Henry LowtherFind albums by this artist, Nigel CarterFind albums by this artist and Harold BeckettFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Gibbs, tuba player Dick HartFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Jim PhillipFind albums by this artist and Tony RobertsFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Roy BabbingtonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummers John MarshallFind albums by this artist and Clive ThackerFind albums by this artist and finally vibraphonist / percussionist Frank RicottiFind albums by this artist.
The album presents seven tracks, four from the first session and three from the second. Those include all five compositions included on the “Tanglewood 63” album. In addition, it also presents “Country RoadsFind albums with this title”, written by Gary Burton and Steve Swallow, which appeared first on the Burton’s 1968 album by the same name, which included a couple of compositions by Gibbs and one co-composed piece by Gibbs and Burton, and which would have to wait for a couple of years to appear on the 1972 Gibbs “Just AheadFind albums with this title” album. The last track is “June The 15, 1967”, which appeared initially on the Burton’s 1967 “Lofty Fake AnagramsFind albums with this title” album, which also included two compositions by Gibbs, including this one, and which would have to wait for forty-two years to appear on the 2012 Gibbs “Back In The DaysFind albums with this title” album.
The music is, as everything Gibbs ever recorded, absolutely heavenly, both as far as the compositions and the performances are concerned. The formidable team of musicians, under his direction, is able to achieve peaks never earlier encountered in British Jazz orchestral music, and these archival recordings are absolutely fascinating, especially when compared to the final version of most of the music included here, recorded on the “Tanglewood 63” album.
So far, this is definitely my favorite release on the new Jazz In BritainFind albums on this label label, which does a splendid job digging out treasures from dusty vaults, especially so because this album also offers the best sound quality of all their releases so far. So as usual, hats off for the team behind the label and waiting for more of your gems. A bit more attention to details won’t hurt…
| | Updated: 29/06/2021Posted: 28/06/2021 | CD 1 Digipak Recommend To A Friend |
  | HARRY MILLER / ISIPINGO ~ FULL STEAM AHEAD
REEL RECORDINGS 012 (Barcode: 676868177927) ~ UK ~ Jazz
Recorded: 1975 - 1977 Released: 2008
Harry MillerFind albums by this artist brought over from his native South Africa a whole universe of music, which he and several of his South African musical cohorts injected into the British Jazz scene at a time of its greatest glory, not only musically but also socially, when it opened its arms and embraced any worthy influence, be it from India, Middle East, Far East or any other part of the crumbling Empire. Harry was always one of the most revered Masters of the bass and the warm tone and full body of his instrument ornamented countless recordings made by British bandleaders in the 1970s. However, Harry´s heart was always warmest to the amalgam of Free Improvised Jazz based on South African roots. His performances with the Brotherhood Of BreathFind albums by this artist and with his own roots ensemble IsipingoFind albums by this artist are clear evidence of the fact. Sadly Isipingo recorded just one album and therefore this new release, which presents a set of wonderful (mostly studio) recordings, all previously unreleased, is a true delight to every one of the many Harry´s fans around the globe. Made in cooperation with the Miller family label OgunFind albums on this label Records, run by his wife Hazel, this album is a heaven on earth in every respect – the music is delightful, the sound quality excellent and the historical value immeasurable. The lineup of the sextet changes slightly on the tracks present here, including saxophonist Mike OsborneFind albums by this artist, trumpeters Mark CharigFind albums by this artist and Mongezi FezaFind albums by this artist, trombonists Nick EvansFind albums by this artist, Malcolm GriffithsFind albums by this artist and Paul NeimanFind albums by this artist, pianists Stan TraceyFind albums by this artist, Keith TippettFind albums by this artist and Frank RobertsFind albums by this artist, Miller on bass and drummer Louis MoholoFind albums by this artist. The music, all composed by Miller, charges full steam ahead indeed, preserving absolutely all of its vitality and high spirited energy. This album deserves a well respected place in any serious British Jazz album collection and hopefully will be discovered by many new listeners, who missed this wonderful music when it was performed live, being one more testimony to the fact that Harry´s untimely death in 1983 was a tremendous loss for all music lovers.
| | Updated: 29/01/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | ALAN SKIDMORE ~ TCB
VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz
Recorded: 1970 Released: 2011
This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!
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  | SOLID GOLD CADILLAC ~ SOLID GOLD CADILLAC / BRAIN DAMAGE
BGO 0471 (Barcode: 5017261204714) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1972 - 1973 Released: 1999
This is a reissue of the only two albums released in the early 1970s by the short lived British Jazz-Rock ensemble Solid Gold CadillacFind albums by this artist, led by pianist / composer Mike WestbrookFind albums by this artist. The list of participating musicians reads like the Who´s Who of British Jazz / Jazz-Rock at the time: lead vocalist / trumpeter Phil MintonFind albums by this artist, saxophonist / flautist George KhanFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, guitarist Dick MorecombeFind albums by this artist, Westbrook on electric piano and additional vocals, pianist Fiachra TrenchFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer Alan JacksonFind albums by this artist. Guitarist Chris SpeddingFind albums by this artist guests on two tracks on the eponymous debut album. Brian GoddingFind albums by this artist plays guitar and Butch PotterFind albums by this artist plays bass on the second album and Trench does not take part in it. The debut album offers eleven tracks and the second album offers ten tracks, almost all of which were composed by Westbrook.
The music is a zany, eclectic collection of absolutely stupendous music, light years ahead of its time at the time of the recording. It moves between Pop, Rock, Jazz-Rock, Jazz and typical Westbrook cabaret / vaudeville creations, all superbly performed by this elite team of musicians.
My recent review of Kate WestbrookFind albums by this artist´s album "GraniteFind albums with this title" struck a "memory" chord and made me to come back to these two albums, which admittedly I have not listened to in decades. It is absolutely amazing how good this music sounds today, losing nothing of its freshness and ingenuity. The sense of humor and irony are already there, playing a major role in the overall scheme of things, going hand in hand with wonderful musicality and astounding versatility.
Although Solid Gold Cadillac was only a small "sidestep" in Westbrook´s decades long career, in retrospect it proves again that he definitely is a man of the "golden touch", as far as music is concerned, and everything he created over time is able to defend its values over time.
Although this reissue is long time out of print, it is definitely worth seeking out, not only for the Westbrook devotees, but for all British Jazz / Jazz-Rock collectors, who missed this jewel so far. Wholeheartedly recommended!
| | Updated: 16/08/2018Posted: 16/08/2018 | CD 2 Remastered Recommend To A Friend |
  | JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE?
VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz
Recorded: 1969 - 1970 Released: 2006
2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.
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  | JOHN SURMAN ~ JOHN SURMAN
VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz
Recorded: 1968 Released: 2005
Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.
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  | JOHN SURMAN ~ MORNING GLORY
FMR 013 (Barcode: 649849982179) ~ UK ~ Jazz
Recorded: 1973 Released: 1995
In complete contrast to the first stage of British saxophonist John SurmanFind albums by this artist’s career, which lasted for about four years (between 1968 and 1971) and was characterized by almost obsessive recording and touring, he decided to “hold his horses” from that point on and record a limited number of albums each year – a modus operandi he adheres to consistently to this very day. 1972 saw the release of just one Surman album, the revolutionary Westering HomeFind albums with this title - a complete solo project. Similarly, 1973 brought us just one Surman album entitled “Morning Glory”, which was also the (collective) name of the group that recorded the album. Consisting of the top players on the British scene it included Surman on soprano saxophone and bass clarinet (note the fact that he does not play here his primary instrument – the baritone saxophone) with Malcolm GriffithsFind albums by this artist on trombone, Norwegian guitarist Terje RypdalFind albums by this artist, John TaylorFind albums by this artist on acoustic and electric piano, Chris LaurenceFind albums by this artist on bass and John MarshallFind albums by this artist on drums. Musically the album is quite surprising, as it marks Surman’s first venture into the field of Jazz-Rock Fusion (under his flag that is). Although the structure of the music is still very free form and the solos tend to float into free improvisational spheres, the guitar, electric piano and the rhythmic patterns are close to Fusion (which was at the peak of its development at the time). One might call this Free-Fusion, but of course labeling this magnificent music is completely senseless. Surman’s solos are, as usual, brilliant but all the musicians contribute more that a fair share to the album’s overall mastery. Originally released on IslandFind albums on this label, the album was unavailable for many years and having it back in circulation is a marvel. Of course it is an absolute must have for every follower of the British Saxophone Colossus and fan of modern British Jazz. Highly recommended!
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  | MIKE WESTBROOK ~ LOVE SONGS
VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.
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  | MIKE WESTBROOK ~ MAMA CHICAGO
JAZZPRINT 139 (Barcode: 604388687824) ~ UK ~ Jazz
Recorded: 1979 Released: 2007
This magnificent album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is a superb example of European Jazz at its best, combining the Jazz tradition with the European heritage. "Mama ChicagoFind albums with this title" is a Jazz cabaret, constructed and envisaged as a continuation of the European cabaret legacy, established by Kurt WeillFind albums by this artist and Berthold BrechtFind albums by this artist in the early 20th century. Westbrook wrote the music and the lyrics were written by his wife and faithful companion Kate WestbrookFind albums by this artist, a great connoisseur of the European literary tradition. The music is performed by a septet, which includes Westbrook on piano and tuba, Kate on vocals and piccolo flute, trumpeter Phil MintonFind albums by this artist, saxophonists Mick PageFind albums by this artist and Chris HunterFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist and drummer Dave BarryFind albums by this artist. As appropriate for a cabaret, it includes a series of songs, linked together by a theme, which is repeated several times in various forms. Overall it is absolutely stunning both on record and live, which I´ve been privileged to witness on several occasions. Kate´s vocal performances send a current down the listener´s spine time and time again and the instrumental passages, the arrangements and the atmosphere they inspire is spectacular, without being bombastic. This is definitely a masterpiece and another crown jewel in Westbrook´s life-time monument of achievements. Absolutely not to be missed!
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  | MIKE WESTBROOK ~ METROPOLIS
BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz
Recorded: 1971 Released: 1999
If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!
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  | MIKE WESTBROOK ~ THE CORTEGE
ENJA 9587 (Barcode: 063757958727) ~ UK ~ Jazz & Poetry
Recorded: 1982 Released: 2011
This is a reissue of the monumental work by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his 17-piece Orchestra, recorded in 1982, which features some of the most important British Jazz musicians active at the time, many of them Westbrook´s cohorts many years before and after the recording of this masterpiece. This of course includes his lifetime partner vocalist Kate WestbrookFind albums by this artist, and among others guitarist Brian GoddingFind albums by this artist, trumpeter Phil MintonFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Chris BiscoeFind albums by this artist and bassoonist Lindsay CooperFind albums by this artist; in short a dream team by all respects. Originally released as a 3 LPs set it was remastered and released here as a double CD.
"The CortegeFind albums with this title" is a concept album, related to the funeral procession and all it symbolizes, in this case a procession accompanied by music, like the customary New Orleans Jazz funeral which goes back to the cradle of the Jazz idiom, but not stopping there of course, neither conceptually not musically. The lyrics, which are incorporated into the concept, which are poems written by celebrated European poets: Arthur RimbaudFind albums by this artist, Hermann HesseFind albums by this artist, Frederico Garcia LorcaFind albums by this artist, Giuseppe Gioachino BelliFind albums by this artist, John ClareFind albums by this artist and Pentii SaarikoskiFind albums by this artist (included in the album´s booklet both in their original language and in English translations, when appropriate), present an additional layer to the conceptual approach, which presents a three part cycle of life / death / after(life), with all the philosophical, aesthetic and even theological aspects involved. Of course listeners interested only the musical layer of this complex work, are perfectly free to enjoy it as such in the fullest.
Mike´s and Kate´s musical universe was always an amalgam of music and poetry in one way or another, and their approach to music as simply one facet of what we call Culture, being inseparable from its other manifestations, has been very consistent. Their familiarity with the literary world in many different languages and originating from all across Europe is truly phenomenal, and as an avid connoisseur of European Culture myself, I have always admired the Westbrooks for what they were doing. Since the Jazz & Poetry idiom, which this work and many other works by the Westbrooks belong to, is my specialty (bordering on obsession some may say) it is plainly obvious that I absolutely admire this album since I first heard it and unwaveringly continue to do so.
In Westbrook´s prolific recorded legacy this album serves as a turning point in many respects; although some of the albums recorded before "The Cortege" already included literary references, like those dedicated to the work of William BlakeFind albums by this artist ("Tyger (A Celebration of William Blake)Find albums with this title" from 1971 and "The Westbrook Blake (Bright As Fire)Find albums with this title" from 1980), the inclusion of literary contents from this point forward was about to become almost a modus operandi, both for the large scale orchestral and more intimate projects. Blake, of course, is not missing from this album and a rendition of his eternal "Jerusalem" is included herein.
It is fascinating to make a comparison of the orchestral arrangements present on this album with Westbrook´s early orchestral works from the late 1960s and early 1970s, which clearly depicts his ever developing palette as a composer / arranger as well as his shift towards less dominant orchestral sound, which is rarely used in its full might on this album with subtlety and allusion playing a much more significant role.
In many respects "The Cortege" embodies the spirit of European Jazz; it includes a grain of the Jazz tradition, but expands the idiom dramatically, incorporating contemporary European Classical Music elements, Folklore, Rock, Cabaret, and a myriad of other musical and non-musical ingredients. This transformation could be described by a mathematical analogy of expanding a singularity (a point) into a multi-dimensional space.
In retrospect this album is one of the most important European Jazz (and beyond) recordings, which to this day has very few, if any, equivalents and which serves (or rather should serve) as a model of human ingenuity in the world of Art, which is sadly extremely rarely followed by anybody these days.
I can hardly imagine any serious European Jazz connoisseurs who miss this epic album in their collections. In case anybody does miss it, this can be easily rectified, as this remastered edition of the album is still available. Don´t dare to think twice about it!
| | Updated: 28/03/2016Posted: 28/03/2016 | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE
CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz
Recorded: 1968 Released: 2018
This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later.
This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears).
The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017.
The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity.
Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!
| | Updated: 02/02/2023Posted: 09/10/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | NORMA WINSTONE ~ EDGE OF TIME
DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz
Recorded: 1971 Released: 2013
By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others.
Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on.
The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity.
It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing.
This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.
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