Record Reviews

JACK BRUCE ~ THE 50TH BIRTHDAY CONCERTS MIG 90610 (Barcode: 885513906106) ~ UK ~ Classic Rock Recorded: 1993 Released: 2014 This Box Set is a document of the two concerts organized in order to celebrate the 50th Birthday of British vocalist / bassist / composer Jack BruceFind albums by this artist, one of the greatest figures of Rock / Blues-Rock / Prog-Rock and Jazz-Rock. These concerts took place on November 2nd and 3rd of 1993 and were recorded and videoed for posterity. The Box Sets includes two DVDs which present the music played during the two nights (totaling in almost four hours of unadulterated Jack Bruce genius) and in addition it also includes a third DVD with an extensive collection of interviews with Bruce and his guests recorded at the time and a CD with another hour of music, which is not included on the two concert DVDs. In short about six hours of Jack Bruce, his music and his unique personality, which made his one of the most respected and admired musicians of the 20th Century. Bruce invited a formidable stable of musicians / friends to come and play with him during these two days, a list of which reads like the who´s who of British Rock and includes: guitarists Clem ClempsonFind albums by this artist and Gary MooreFind albums by this artist, drummers Ginger BakerFind albums by this artist and Simon PhillipsFind albums by this artist, pianist / drummer Gary HusbandFind albums by this artist, organist Bernie WorrellFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist and Art ThemenFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist John MumfordFind albums by this artist and vocalists Gary "Mudbone" CooperFind albums by this artist and Maggie ReillyFind albums by this artist. Poet / lyricist / vocalist and a lifetime friend of Bruce, the incredible Pete BrownFind albums by this artist also makes an appearance. With such lineup the music is simply exploding with talent and incredible performances. The music includes a selection of mostly Bruce originals, spanning from the glorious CreamFind albums by this artist days and through all the solo albums Bruce recorded after Cream disbanded. His brilliant compositions prove again that they are completely resistant to the passing of time, and present a fabulous legacy that will stay with us forever. My personal favorite part of the concert is the last hour on the second DVD, which presents just the trio of Baker, Bruce and Moore, playing a series of Cream favorites, which is simply breathtaking and presents an "alternative" Cream vision, which is in every respect as exciting as the original group with Eric ClaptonFind albums by this artist. The absence of Clapton is in fact a great disappointment and might have been a momentous occasion, but it was corrected twelve years later during the Cream reunion concerts in 2005. Overall this is a package no lover of Classic Rock will consider to miss, especially in view of the fact that some of the people captured here are no longer with us (Heckstall-Smith, Moore and of course Bruce himself). Since nobody makes music like this any more, this stuff is even more important today for the sake of the new generation, in case it´s not completely lost yet.

Updated: 26/01/2019Posted: 03/05/2016

3DVD+CD 4 Digipak Box Set Remastered Recommend To A Friend

ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz Recorded: 1972 - 1974 Released: 2005 Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

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GRAHAM COLLIER ~ DARIUS / MIDNIGHT BLUE / NEW CONDITIONS BGO 895 (Barcode: 5017261208958) ~ UK ~ Jazz Recorded: 1974 - 1976 Released: 2009 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album, which is a third installment and a companion to the two previous BGOFind albums on this label reissues of his early recordings, includes the first three recordings by Collier released on his own record label MosaicFind albums on this label Records, one of the first independently owned Jazz labels in Britain. He composed all the music presented here and plays bass (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Derek WadsworthFind albums by this artist (trombone), Art ThemenFind albums by this artist (saxophone), Ed SpeightFind albums by this artist (guitar), Geoff CastleFind albums by this artist, Roger DeanFind albums by this artist (piano) and John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Collier of often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

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GRAHAM COLLIER ~ SYMPHONY OF SCORPIONS / THE DAY OF THE DEAD BGO 1028 (Barcode: 5017261210289) ~ UK ~ Jazz Recorded: 1976 - 1978 Released: 2011 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist, a dear personal friend of mine who died in 2011, is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album, which is a fourth installment and a companion to the three previous BGO reissues of his early recordings, includes the last two recordings by Collier released on his own record label MosaicFind albums on this label Records, one of the first independently owned Jazz labels in Britain. He composed all the music presented here and plays bass on the first recordings (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist (trombone), Alan WakemanFind albums by this artist, Mike PageFind albums by this artist, Art ThemenFind albums by this artist (saxophone), Ed SpeightFind albums by this artist (guitar), Roger DeanFind albums by this artist (piano), Roy BabbingtonFind albums by this artist (bass) and Alan JacksonFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Both these releases were inspired by the works of British poet and novelist Malcolm LowryFind albums by this artist, one of the most innovative writers of the 20th Century. "The Day Of The DeadFind albums with this title" (originally released as a double LP) includes extended fragments from Lowry´s masterpiece "Under The Volcano" and his other writings, narrated by John CarberyFind albums by this artist on top of the music performed by the band. Both works rank amongst Collier´s greatest achievements and his most adventurous recordings, with a loose composed frame and extensive group improvisations. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

GEORGIE FAME ~ BIRTHDAY BIG BAND THREE LINE WHIP 007 (Barcode: 640999906428) ~ UK ~ Big Band Jazz Recorded: 1998 Released: 2004 This is an album by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist, recorded live during a concert celebrating his fifty-fifth Birthday, recorded with a fabulous Big Band created especially for the occasion and conducted by composer / arranger Steve GrayFind albums by this artist. The eighteen strong Big Band includes some of the top British Jazz instrumentalists: trumpeters Guy BarkerFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Peter KingFind albums by this artist and Art ThemenFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer Ralph SalminsFind albums by this artist and others. Guest artists include guitarist Jim MullenFind albums by this artist and vocalists Madeline BellFind albums by this artist, Zoot MoneyFind albums by this artist and Ben SidranFind albums by this artist. The 2CD album presents twenty-three songs, fourteen of which were composed or co-composed by Fame. The music presents, as appropriate for the occasion, the entire retrospective of Fame’s musical career, including his greatest hits, as well as the entire scope of his stylistic diversity, presenting Fame as a completely original songwriter and interpreter of Jazz / Rhythm And Blues songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics. This album, due to the Big Band arrangements, is one of the most Jazz oriented recordings by Fame, but by far not the only one, as he loved to perform and record with Big Bands, something I was lucky to witness in person several times over the years. Fame is definitely one of the very few vocalists who is able to blend in perfectly with a Jazz Big Band and a Rhythm And Blues combo with the same, impeccable result. The album is an orgy of great tunes, superb instrumental performances and brilliant vocals, which simply cannot leave any music lover cold, unless he is already cold dead. What luck this concert was recorded and eventually released on record (six years later, but of course better late than never). It has been one of my favorite Fame recordings since the day it was released and a superb summary of those first fifty-five years. God Bless!

Updated: 08/05/2023Posted: 15/05/2021

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GEORGIE FAME ~ SEVENTH SON / GOING HOME BGO 700 (Barcode: 5017261207005) ~ UK ~ Jazz Recorded: 1969 - 1971 Released: 2008 Contrary to what most people know about singer / songwriter / keyboards player Georgie FameFind albums by this artist, his true aspiration was always to sing Jazz. Although he arrived on the British scene in the mid-1960s as a Pop singer, with several singles charting over the years, pretty soon he decided that a Pop idol was the last thing he wanted to be and moved away from the Pop image as fast as he could. By the end of the 1960s Fame was already singing in front of Jazz bands and his self-penned material had a distinctive Jazzy feel. This album includes two of Fame’s LPs recorded in 1969 and 1971 respectively, both great examples of his great sensitivity and musicality. On Seventh SonFind albums with this title he is supported by a dreamy Jazz band, which includes such illustrious players as Art ThemenFind albums by this artist, Stan SultzmannFind albums by this artist (saxophone), Derek WatkinsFind albums by this artist (trumpet), Chris PyneFind albums by this artist (trombone), Brian OdgersFind albums by this artist (bass) and John MarshallFind albums by this artist (drums), who play some outstanding solos. The album was produce by Fame’s friend Alan PriceFind albums by this artist, another Pop star with Jazz inspirations. On Going HomeFind albums with this title the supporting band is the Keith MansfieldFind albums by this artist orchestra, another quite jazzy outfit, which played for example behind Maynard FergusonFind albums by this artist, when he lived and recorded in Britain at the same period. Although perhaps only marginally Jazz, these two albums are a great example of the openness the music industry was willing to extend towards the artists, who wanted to do “their own thing”, something that lasted for a very brief period of time. Fame’s worm tone and great feel for the music are definitely worth a recollection and this album is a great trip down the memory lane. Probably for people in the autumn years, like myself, but still great fun.

Updated: 10/04/2020Posted:

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MICHAEL GARRICK ~ A NEW SERIOUS MUSIC RHYTHM AND BLUES 076 (Barcode: 5060331752615) ~ UK ~ Jazz & Poetry Recorded: 1967 - 1969 Released: 2021 This is an archival album by seminal British pianist / composer / bandleader Michael GarrickFind albums by this artist. The album presents two BBC sessions, the first captured on July 23, 1967 which includes five original compositions by Garrick, performed with trumpeter Henry LowtherFind albums by this artist, saxophonists Jim PhilipFind albums by this artist and Art ThemenFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Humphrey LittletonFind albums by this artist. The second session, captured on October 10, 1969 includes six original compositions by Garrick, performed by trumpeter Ian CarrFind albums by this artist, saxophonist Don RendellFind albums by this artist and Themen, Goode, Tomkins and vocalist Norma WinstoneFind albums by this artist and with poetry readings by poets John SmithFind albums by this artist and Jeremy RobsonFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Garrick, which results in the album having no less than twenty-two tracks. During the period between these two sessions Garrick was living a “double life”, dividing his time between the Don Rendell / Ian Carr QuintetFind albums by this artist and his own ensembles, producing some of the most significant new British Jazz, of which he was one of the most important architects, especially so as a composer. His astonishing diversity, which includes “straightforward” (well never really straightforward) Jazz, Free Jazz, Jazz-Choral music, and the Jazz & Poetry explorations, like those portrayed by the second session included here, made him a key figure of the new British Jazz, crystalizing at the time. The music, although captured over five decades ago, is still a full blow in the face to those unfamiliar with Garrick’s multi-layered musical universe. I have been incredibly fortunate to hear Garrick perform live during that period and the long conversations we had together, after the music was over, about music (and poetry) with the baby-faced, always smiling Garrick are forever implanted in my mind. Music lovers interested in that period of Garrick’s activity should try and revisit all the fabulous recordings he made then, like “Poetry And Jazz In ConcertFind albums with this title”, “October WomanFind albums with this title”, “PromisesFind albums with this title”, “Black MarigoldsFind albums with this title”, “Jazz Praises At St Paul`sFind albums with this title”, “The Heart Is A LotusFind albums with this title”, which have been reissued by VocalionFind albums on this label or Garrick’s own Jazz AcademyFind albums on this label label. Any serious British Jazz collection is not complete with these titles missing. Overall this is a milestone album, with previously never released material, which is worth its weight in gold. Although the sound quality of the second session included herein is somewhat distorted at times, this can be easily forgotten in view of the historical importance of the music. Warmly recommended!

Updated: 08/08/2021Posted: 08/08/2021

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MICHAEL GARRICK ~ HOME STRETCH BLUES VOCALION 8426 (Barcode: 765387842628) ~ UK ~ Jazz Recorded: 1972 Released: 2006 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick with his sextet (Garrick – piano and harpsichord, Henry LowtherFind albums by this artist – trumpet, Art ThemenFind albums by this artist – clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and Norma WinstoneFind albums by this artist – vocals) with Don RendellFind albums by this artist – sax on couple of tracks. The music, written as always by Garrick, is divided (by side A and side B of the original album) into two parts: part one includes three great tracks, including a song based on a poem by Alfred TennysonFind albums by this artist and part two is a five-piece suite inspired by a poem by John SmithFind albums by this artist. As usual the music is simple superb, as are the performances by the band members. Norma’s vocalese reaches an absolute peak here and her integration into the group’s overall sound is perfect. This is just about the most perfect example of the British Jazz at the time of its full maturity and a timeless masterpiece. It is a shame this music was unavailable for so long and it makes me really happy to know it can be rediscovered by a new generation of music lovers. A must!

CD 1 Remastered Recommend To A Friend

MICHAEL GARRICK ~ JAZZ PRAISES AT ST PAUL`S JAZZ ACADEMY 11 (Barcode: 5036098005783) ~ UK ~ Jazz Recorded: 1968 Released: 2005 British pianist / composer Michael GarrickFind albums by this artist’s Jazz escapades were always anything but conventional. His participation in the Jazz & Poetry sessions held in the mid 1960s was already a sign of his unusual approach to Jazz, which Garrick considers as part of an overall cultural / artistic milieu. This album is another daring step forward in expanding the confined borders of Jazz by mixing it with liturgical music, something Garrick was to return to several times during his career. The sheer audacity of Garrick’s notion to perform Jazz inside a cathedral, playing the organ as a part of a Jazz ensemble was staggering at the time, and only thanks to the open-mindedness and liberal atmosphere prevailing in Britain at the time such project was eventually successfully executed. The music was recorded live at the St Paul’s Cathedral, featuring Garrick’s sextet (Garrick – organ, Art ThemenFind albums by this artist – saxophone, clarinet and flute, Jim PhilipFind albums by this artist – saxophone, clarinet and flute, Ian CarrFind albums by this artist – trumpet and flugelhorn, Coleridge GoodeFind albums by this artist – bass and John MarshallFind albums by this artist – drums) with a large choir. Although recorded under Spartan conditions with just one microphone (mono) suspended over the performers, the sound is remarkably clear and well balanced. With the cathedral’s natural echo the music sounds even more devotional than initially intended. Miraculously it just all works out perfectly. Released originally as a double LP on the obscure AirboneFind albums by this artist label, it has been a priceless collector’s item for decades, only to become available again on Garrick’s own record label. This is a remarkable piece of British Jazz history.

Updated: 01/01/2016Posted:

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MICHAEL GARRICK ~ MR SMITH`S APOCALYPSE VOCALION 8433 (Barcode: 765387843328) ~ UK ~ Jazz-Classical Fusion Recorded: 1970 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick realizing a most ambitious work, which combines the elements he was always interested in: Jazz, poetry and liturgical music. It is an expansion of the idea of his earlier album PraisesFind albums with this title and presents a full cantata for Jazz sextet (Garrick – organ, Henry LowtherFind albums by this artist – trumpet, Don RendellFind albums by this artist – flute, clarinet and sax, Art ThemenFind albums by this artist – flute, clarinet and sax, Coleridge GoodeFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums), four soloists (including Norma WinstoneFind albums by this artist and the poet John SmithFind albums by this artist, who wrote the poems which serve as the libretto) and a large children’s choir. The entire ensemble was called Garrick`s FairgroundFind albums by this artist for the sake of the album. The music is majestic, as expected for the occasion, but not without humorous moments, typical of Garrick’s intelligent twists and turns. It might sound a bit odd to a typical Jazz listener, but anybody loving good music should enjoy this tremendously. This reissue adds to the original album the ultra-rare single, which was released at the time to promote the album. Overall a rare and pioneering work, ages ahead of its time and one reflecting the scope of Garrick’s talent and musical contribution. A must!

CD 1 Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ THE HEART IS A LOTUS VOCALION 8400 (Barcode: 765387840020) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick leading a sextet (Garrick – piano and harpsichord, Ian CarrFind albums by this artist – trumpet, Art ThemenFind albums by this artist – flute, clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and the divine Norma WinstoneFind albums by this artist – vocals) and on several tracks the ensemble is expanded to a nonet with the edition of Don RendellFind albums by this artist – sax, Jim PhilipFind albums by this artist – flute, clarinet and sax and Coleridge GoodeFind albums by this artist on second bass. Norma’s vocal parts – both when singing lyrics and improvising, using her voice as an instrument – are absolutely stunning and completely innovative. Her presence brings the music to another dimension, adding colors and enhancing the overall effect tremendously. She would become a permanent member of Garrick’s group for a while and their recordings together are some of the best moments of the British Jazz of that period. As usual, Garrick wrote all the music and this time also the lyrics used here. His formal education was after all English Literature, and hence his sensitivity to language and poetry and his writing abilities are no surprise. Beautifully melodic and yet constantly challenging, this is a superb album, which sound today every bit as great as it did at the time it was recorded. A must!

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MICHAEL GARRICK ~ TROPPO VOCALION 8444 (Barcode: 765387844424) ~ UK ~ Jazz Recorded: 1973 Released: 2009 Pianist / composer Michael GarrickFind albums by this artist has been a pivotal figure in the British Jazz for over five decades and his recorded legacy over the years is an enormous source of inspiration and an example of intelligence, finesse and dedication. By the mid-1970s the British Jazz revolution was all but complete and the scene´s decade of glory was also nearing its end, with record sales declining. Therefore this album was to be the last recording Garrick made for the ArgoFind albums on this label label, a subsidiary of DeccaFind albums on this label. His ambition to push the music beyond the well established boundaries, with the music becoming more complex in the process, was a key factor in the company´s decision to cease the fruitful cooperation, which lasted for a decade and produced some of Britain´s best and most important Jazz masterpieces. Following the initial release of this album Garrick would almost completely stop releasing albums for over two decades, until he finally established his own independent Jazz AcademyFind albums on this label label and his output appeared there regularly since, to the delight of his many fans, myself included. The group playing on this recording consists mostly of Garrick´s long time cohorts and the British Jazz scene´s lions: Henry LowtherFind albums by this artist on trumpet and violin, Art ThemenFind albums by this artist on flute and sax, Don RendellFind albums by this artist on flute and sax, bassists Dave GreenFind albums by this artist and Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The divine vocalist Norma WinstoneFind albums by this artist was also an integral part of his band and her performances here are truly sensational. The album was recorded just a few weeks after the death of Joe HarriottFind albums by this artist, Garrick´s dear friend and music-making partner and the album includes a tribute to his genius. This has always been one of my favorite albums and surely one of British Jazz everlasting masterpieces, which remains an essential listening to this very day. Absolute must!

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HENRY LOWTHER / QUARTERNITY ~ NEVER NEVER LAND JAZZ IN BRITAIN 36 (Barcode: 5060774190388) ~ UK ~ Jazz Recorded: 1974 - 1978 Released: 2022 This is a sensational archival album by one of the silent heroes of the British Jazz scene, trumpeter / violinist / composer Henry LowtherFind albums by this artist and his quartet QuarternityFind albums by this artist, with guitarist Phil LeeFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist, which was expanded often to a quintet with saxophonists Art ThemenFind albums by this artist or Alan WakemanFind albums by this artist. This double album collects twelve compositions by Lowther or Lee, one of which appears twice, in a quartet and quintet versions. The music was recorded live between 1974 and 1978, but the sound quality is absolutely impeccable considering the archival nature of these recordings. Lowther’s name appears proudly on well over a hundred albums recorded over the years, including some of the British Jazz most iconic releases, but his recording legacy includes just one (yes ONE) album as a leader, “Child SongFind albums with this title”, recorded in 1970, followed by two albums recorded decades later with his ensemble Still WatersFind albums by this artist (“I.D.Find albums with this title” from 1996 and “Can`t Believe, Won`t BelieveFind albums with this title” from 2018). Therefore, this release fills a gigantic gap in Lowther’s recorded legacy as a leader, and pays tribute to this great musician, along with his fellow musicians of course, all of which are British Jazz icons. With the painful recent passing of Trevor Tomkins, this is even more significant. The music is a classic example of the Modern British Jazz played in the 1970s, emphasizing excellent compositions and brilliant improvisations, which include a pinch of Free Jazz here and there, but mostly sits well within the modern mainstream of the era. Considering the lineup, it is hardly surprising that the music is nothing short of spectacular, in every respect. Lowther, Lee and the saxophonists solo with passion and vigor and the sublime rhythm section keeps things in check, with Green’s incredibly melodic bass lines and Tomkins’ virtuosity present every step of the way. British scene followers should find it interesting to compare Lee’s guitar performances here with his more Prog oriented recordings with GilgameshFind albums by this artist or National HealthFind albums by this artist, which prove his incredible versatility. Lowther’s violin performances here, relatively rarely heard elsewhere, are a proverbial cherry on top of everything. Overall, this is another admirable contribution to the British Jazz recorded legacy made by the dedicated people behind the Jazz In BritainFind albums on this label label who never cease to enrich our lives with these mementos from the glorious past legacy of the British Jazz. Just the thought that these musical treasures would have remained buried forever fills me with great sadness for all the music that suffers that fate, and of course at the same time with great joy that some of it sees the light of day, for which we are, as always, eternally grateful!

Updated: 22/12/2022Posted: 21/09/2022

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STAN TRACEY ~ THE RETURN OF CAPTAIN ADVENTURE TENTOTEN 753 (Barcode: 5060052777539) ~ UK ~ Jazz Recorded: 1975 Released: 2006 This is an expanded reissue of the classic album by British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist. The album was recorded live on November 3rd, 1975 at the 100 Club in London, a Mecca of the London Jazz scene at the time, where I have spent more evenings deep into the night than I can remember, by a fabulous quartet (well all of Stan’s quartet were fabulous) with saxophonist Art ThemenFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist, and was released on LP as “Captain AdventureFind albums with this title” on the SteamFind albums on this label Records label, owned by Stan, in 1976. The LP offered just four tracks captured that night and only thirty years later this magnificent 2CD reissue appeared, offering seven previously unreleased tracks recorded that night, almost tripling the playing time of the music. This reissue was released on the TenToTenFind albums on this label Records label, owned by Stan’s son, drummer Clark TraceyFind albums by this artist. Of the eleven tracks on this album, ten are original compositions by Tracey and one is a standard. The music is absolutely stunning from start to finish, with all members of the quartet playing marvelously and due to the special atmosphere in the club explode into lengthy hair-raising solo performances. No wonder that “Captain Adventure” is considered as Tracey’s second-best album after the groundbreaking “Under Milk WoodFind albums with this title”. Themen shows his virtuosity and amazing improvisational skill, Green is unmistakably steady as a rock and superbly melodic and Spring swings like a clockwork. As a result, this is surely one of the best live British Jazz albums of all time. It is fascinating to see the progress towards Free Jazz made by Tracey and his crew. Although the music is still based on clear melodic themes, the improvisations spread towards a much less defined musical structures, especially in Themen’s soloing. Tracey’s idiosyncratic piano playing, based on series of single notes rather than chords, is present vividly and delightfully for the entire duration of the music. Overall, this is an absolute marvel of an album, a timeless gem that deserves an honorable place in every British Jazz record collection, no questions asked. Sadly, this reissue is already out of print since years, so it might be a while until a copy can be found, but the effort is absolutely worth it. Happy hunting!

Updated: 13/01/2023Posted: 13/01/2023

CD 2 Remastered Bonus Tracks Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend