Record Reviews

JOHN DANKWORTH ~ WHAT THE DICKENS! / OFF DUTY! VOCALLION 8491 (Barcode: 765387849122) ~ UK ~ Jazz Recorded: 1963 - 1969 Released: 2012 This is a most welcome reissue of two albums recorded in the 1960s by saxophonist / composer / bandleader John DankworthFind albums by this artist and his orchestra. Considered a Godfather of the British Jazz scene, Dankworth managed to keep his orchestra going for decades, composing, arranging and recording some remarkable music on the way. As these two albums (recorded six years apart) show, Dankworth was always up to date with recent developments in Jazz and was open minded enough to incorporate them into his music. He also had a great ear as to finding the best players and his orchestra always exploded with talent. "What The Dickens!Find albums with this title" comprises of fifteen original compositions by Dankworth, all inspired by characters from the novels written by Charles Dickens. The compositions are all absolutely lovely and the orchestra performs them splendidly with grace, elegance and incredible Jazz feel. The best British Jazz musicians appear as guest soloist on this album and they include such superb players as saxophonists Tubby HayesFind albums by this artist, Dick MorrisseyFind albums by this artist, Peter KingFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist. Trumpeter Kenny WheelerFind albums by this artist was a member of the orchestra at the time. This is some of the best orchestrated Jazz ever recorded and the finesse of these sounds is still nothing less of amazing. "Off Duty!", which was recorded by the end of the 1960s, when Jazz-Rock was already a significant part of the British scene, finds Dankworth and his orchestra playing both his original music (three of the twelve tracks are his compositions) as well as his arrangements of standards and (then) contemporary Pop material, played with a much more Jazz-Rock oriented edge than his earlier "pure" Jazz recordings. The orchestra includes keyboardist Laurie HollowayFind albums by this artist and two brilliant bassists: Herbie FlowersFind albums by this artist and Brian OdgersFind albums by this artist, who give it a brand new sound with a lot of Funk and simply delicious bass lines. The atmosphere is of course much more relaxed and entertaining, but the music, arrangements and performances are stellar. Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz in general and Dankworth´s contribution in particular. Like good wine, this music gets better with time and manages to stay relevant. Recommended, especially for lovers of the Jazz Big Band / Orchestra sound, which appears here at its full grandeur!

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GEORGIE FAME ~ BIRTHDAY BIG BAND THREE LINE WHIP 007 (Barcode: 640999906428) ~ UK ~ Big Band Jazz Recorded: 1998 Released: 2004 This is an album by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist, recorded live during a concert celebrating his fifty-fifth Birthday, recorded with a fabulous Big Band created especially for the occasion and conducted by composer / arranger Steve GrayFind albums by this artist. The eighteen strong Big Band includes some of the top British Jazz instrumentalists: trumpeters Guy BarkerFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Peter KingFind albums by this artist and Art ThemenFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer Ralph SalminsFind albums by this artist and others. Guest artists include guitarist Jim MullenFind albums by this artist and vocalists Madeline BellFind albums by this artist, Zoot MoneyFind albums by this artist and Ben SidranFind albums by this artist. The 2CD album presents twenty-three songs, fourteen of which were composed or co-composed by Fame. The music presents, as appropriate for the occasion, the entire retrospective of Fame’s musical career, including his greatest hits, as well as the entire scope of his stylistic diversity, presenting Fame as a completely original songwriter and interpreter of Jazz / Rhythm And Blues songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics. This album, due to the Big Band arrangements, is one of the most Jazz oriented recordings by Fame, but by far not the only one, as he loved to perform and record with Big Bands, something I was lucky to witness in person several times over the years. Fame is definitely one of the very few vocalists who is able to blend in perfectly with a Jazz Big Band and a Rhythm And Blues combo with the same, impeccable result. The album is an orgy of great tunes, superb instrumental performances and brilliant vocals, which simply cannot leave any music lover cold, unless he is already cold dead. What luck this concert was recorded and eventually released on record (six years later, but of course better late than never). It has been one of my favorite Fame recordings since the day it was released and a superb summary of those first fifty-five years. God Bless!

Updated: 08/05/2023Posted: 15/05/2021

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GEORGIE FAME ~ RELATIONSHIPS THREE LINE WHIP 005 (Barcode: 5020883007342) ~ UK ~ Jazz Recorded: 2001 Released: 2001 This is a delightful album by veteran British vocalist / organist / songwriter Georgie FameFind albums by this artist, my all times favorite British Jazz singer. With a splendid career going back to the early 1960s, Fame moved gradually from Rhythm And Blues and Pop, which dominated his early career, towards Jazz, and became a superb interpreter of standards as well as fabulous writer of original material, which is completely unique and full of deep lyricism and Blues undertones. On this album Fame is surrounded by a superb group of top British Jazz musicians: trumpeter Guy BarkerFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist, guitarist Tristan PowellFind albums by this artist, bassist Geoff GascoyneFind albums by this artist, drummer James PowellFind albums by this artist and percussionist Ralph SalminsFind albums by this artist (the two Powells are of course Fame’s sons). Fame sings and plays keyboards as usual. The album presents twelve tracks (one a medley of two songs), eleven of which are original songs by Fame and two are standards. The music is absolutely delightful from start to finish, as expected, and it is truly heartwarming to see (and hear) an artist in the fifth decade of his career sounding as fresh as ever and full of productive powers, enriched over the time with experience. Combined with the typical “Englishness” and tongue in cheek attitude, this music is just pure delight. Sadly, this is one the very last albums recorded by Fame in the new Millennium, which is a great pity. Some archival recordings of his and collections of his earlier recordings still pop up once in a while, proving that he is definitely not forgotten. For his many fans, this album is an absolute must have of course, and although nor easy to be found these days, it is definitely worth pursuing. A Gem!

Updated: 08/05/2023Posted: 05/03/2021

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GEORGIE FAME ~ THE TWO FACES OF FAME / THE THIRD FACE OF FAME BGO 708 (Barcode: 5017261207081) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2006 Contrary to popular opinion, British singer / songwriter / keyboardist Georgie FameFind albums by this artist was born to be a Jazz singer. Although his early career developed during the fabulous late 1960s and was mostly visible on the Pop scene, with several hit singles, his albums were another story entirely. Backed up by the cream of the crop of British Jazz musicians, Fame delivered his superbly sensitive vocals with elegance, always spiced with a dash of the typical British humor. Looking at the list of musicians playing on these two albums one can find such names as John McLaughlinFind albums by this artist (guitar), Tony OxleyFind albums by this artist (drums), Gordon BeckFind albums by this artist (piano), Jeff ClyneFind albums by this artist (bass), Peter KingFind albums by this artist (sax), Kenny WheelerFind albums by this artist (trumpet), Lynn DobsonFind albums by this artist (sax) and many more – a list that reads like a who´s who of the burgeoning late 1960s UK Jazz scene. Fame tackles quite a few vocal standards on these album, many of the great American songbook classics as well as some newer songs by British composers. Overall these two albums are a great example of how great music lasts forever and the 40 years that passed since they were recorded seem to make it even better, given the shape of contemporary music mayhem. Absolutely delightful!

CD 1 Slipcase Remastered Recommend To A Friend

GEORGIE FAME ~ THREE LINE WHIP THREE LINE WHIP 001 (Barcode: 5017771102623) ~ UK ~ Jazz Recorded: 1993 Released: 1993 This is the first album recorded by British Jazz vocalist / keyboardist / songwriter Georgie FameFind albums by this artist with his two sons: guitarist Tristan PowellFind albums by this artist and drummer James PowellFind albums by this artist, a family trio called Three Line WhipFind albums on this label, which also became the name of Fame’s record label. The trio is augmented by some of the top British Jazz instrumentalists: Trumpeter Guy BarkerFind albums by this artist, saxophonists Peter KingFind albums by this artist, Alan SkidmoreFind albums by this artist and Steve GregoryFind albums by this artist, vibraphonist Anthony KerrFind albums by this artist and bassist Brian OdgersFind albums by this artist. The album presents nine songs (one repeated twice), mostly Fame originals. The music is absolutely lovely, as always, and presents Fame as a completely original songwriter and interpreter of Jazz / Blues / Soul / Pop songs, who had a few equals over time. His feeling for the Blues, which was present in everything he sang and played over the years, was undoubtedly his signature, but in his songwriting Fame contributed some of the most beautiful songs ever written, often with highly whimsical and humorous lyrics. Fame’s last album on his label, the fabulous “Swan SongFind albums with this title” released in 2015, hints as to the possibility of being his last recording, but I still firmly believe and hope that he might bless us with some more of his musical bliss. Please!

Updated: 01/05/2021Posted: 01/05/2021

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GEORGIE FAME / ANNIE ROSS / HOAGY CARMICHAEL ~ IN HOAGLAND DRG 5197 ~ UK ~ Jazz Recorded: 1981 Released: 1981 This is a delightful and completely obscure album by British Jazz vocalists Georgie FameFind albums by this artist and Annie RossFind albums by this artist with legendary American songwriter / pianist / vocalist Hoagy CarmichaelFind albums by this artist, whose appearance on this album was his final recording before his death in 1981, soon after this album was recorded. They are accompanied by a superb orchestra, called Famous Flamingo OrchestraFind albums by this artist, featuring the absolute top British Jazz musicians, like saxophonists Peter KingFind albums by this artist and Dick MorrisseyFind albums by this artist, trumpeter Ian HamerFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardist Geoff CastleFind albums by this artist (Fame also plays keyboards), guitarist Martin KershawFind albums by this artist, bassists Darryl RunswickFind albums by this artist and Jim RichardsonFind albums by this artist and drummer Barry MorganFind albums by this artist – an absolute dream team. The album presents thirteen famous songs written by Carmichael and arranged by Harry SouthFind albums by this artist. The music and the performances are absolutely brilliant, as everything Fame put his hands on and with the help of this fabulous team this is a true delight from start to end. They don’t make music like this anymore, sadly… Of course this is on the lighter side of the Jazz spectrum, but who cares, as long as the music plays! Overall, this is a completely unknown album by great Jazz artists, which deserves to be heard, especially if one loves a great Jazz standard sung by two of the best! It took me years to find a copy of this, so I am happy ;) You might as well try to find a copy, as it is definitely worth it!

Updated: 30/03/2023Posted: 30/03/2023

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TONY KINSEY ~ HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING / TIME GENTLEMEN PLEA VOCALION 4262 (Barcode: 765387426224) ~ UK ~ Jazz Recorded: 1958 - 1963 Released: 2005 British drummer Tony KinseyFind albums by this artist was one of the pillars of the local Jazz scene in the crucial period of late 1950s and early 1960s when British Jazz was absorbing the influences of the American Jazz and transforming them slowly into a new language of European Jazz. Although still very much influenced by American Bebop players, Kinsey and his quintet took the music a step further, replacing the raw energy of Bebop with European sophistication and classic harmony, producing highly intelligent music which was also elegant and although seemingly straight-forward, quite complex at its core. These two albums, from 1963 and 1958 present two of Kinsey´s quintets, both including trumpeter Les CondonFind albums by this artist, but the 1963 quintet includes two young players, which were destined to be crucial figure on the British Jazz scene in the decade that followed, saxophonist Peter KingFind albums by this artist and brilliant pianist Gordon BeckFind albums by this artist. This is great music, richly deserving to be remembered, and this reissue is truly a great opportunity to take a glimpse at this interesting period of early European Jazz. Warmly recommended!

Updated: 01/06/2018Posted:

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COLIN TOWNS ~ ANOTHER THINK COMING PROVOCATEUR 1028 (Barcode: 5038491102823) ~ UK ~ Jazz Recorded: 2001 Released: 2001 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist and his Mask OrchestraFind albums by this artist ensemble are one of the best examples of modern Jazz, which is still groundbreaking and innovative. Towns’ composition and arrangements are always not only skillful and sophisticated, but also completely innovative and even surprising (take it form an old skeptic who has heard it all before). Using the big band in ways previously unexplored is a rare talent indeed and deserves both respect and admiration. This album presents a series of Towns’ original instrumental compositions and two arrangements, one of a classical piece by Claude DebussyFind albums by this artist and the other a John LennonFind albums by this artist / Paul McCartneyFind albums by this artist tune. Partly commissioned by the NDR Big BandFind albums by this artist, with which Towns cooperates on a regular basis, here they are performed by his own band. Varying in style from early New Orleans Jazz, via Psychedelic and up to contemporary World-Jazz Fusion, the album presents an invigorating vista of modern Jazz at its best, full of great melodic content, imagination, daring and masterly performed Art. The players, including legendary veterans such as Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), playing along young British Jazz lions, do everything expected of them and beyond, delivering perfectly coherent and beautifully executed music, which fills the listener’s heart and soul with instant gratification. The enhanced CD also includes a short film with music composed by Towns and performed by the band. Any big band and modern Jazz fan should definitely check out this superb album, and frankly anything else Towns delivers, as talent of his caliber is rare and deserves all the attention it can achieve. Grab it!

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COLIN TOWNS ~ BOLT FROM THE BLUE PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz Recorded: 1990 - 1991 Released: 1991 The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.

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COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion Recorded: 1997 - 1998 Released: 1999 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!

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COLIN TOWNS ~ THE ORPHEUS SUITE PROVOCATEUR 2004 (Barcode: 5038491200420) ~ UK ~ Jazz Recorded: 2004 Released: 2004 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, is renown for his work in a variety of musical settings, which include cinema, TV and Jazz big band. Therefore it is no surprise that the Birmingham Royal Ballet would commission Towns to compose a suite, to be used as the accompaniment for the ballet’s performance. The composer stood up to the challenge admirably, as documented on this album. The music, inspired by the Greek mythological hero Orpheus, is performed by Towns’ Mask OrchestraFind albums by this artist, which includes an expanded percussion section allowing a more rhythmic emphasis in the music. Although intended for the ballet, the music stands perfectly on its own and is able to inspire and touch the listener even without the visual counterpart. The separate pieces of the suite differ from each other in many respects, but sustain a feeling of continuity and conceptual unity. Slightly more percussive at times than Towns’ usual compositions (as appropriate for modern dance) some of the parts are also beautifully melancholic, creating a stunningly dramatic atmosphere of the entire suite. The music is quite complex, presenting the band with challenging obstacles, but the experienced and talented musicians of this caliber conquer the difficulty with flying colors. Distinguished soloist like Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist (trumpet), along with younger but highly skilled players in the band deliver an all round excellent performance. The album includes a bonus track, which was considered, but eventually not included in the ballet performance. All in all this is another momentous achievement for Towns and his band, worthy of an honorable place in any serious Jazz music collection. On a side note, I wonder if the tragic fate of Orpheus, a poet and musician, who tried to cheat death using his artistic skills and perished himself in the process, is not a metaphor one can easily apply to artists even in our times. After all Orpheus did achieve immortality, even if only as a myth, so perhaps the role of all artists lies primarily with whatever is left as their legacy, by which they will be remembered?

CD 1 Bonus Tracks Recommend To A Friend

STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY) RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2021 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label. The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone. The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 18/08/2021

CD 2 Digipak Recommend To A Friend

STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN) RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz Recorded: 1969 Released: 2020 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label. The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies. The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 14/08/2021

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KATE WESTBROOK ~ CUFF CLOUT VOICEPRINT 310 (Barcode: 604388315123) ~ UK ~ Jazz Recorded: 2001 Released: 2003 British vocalist / lyricist Kate WestbrookFind albums by this artist, wife and musical companion of the celebrated pianist / composer Mike WestbrookFind albums by this artist, has been a singular figure on the local Art scene for decades. Her completely unique vocal approach as well as her exceptionally broad understanding and knowledge of the European literary and cultural heritage, make her a singular artistic personality of unparalleled quality. Combined with her knowledge of other European languages (French and German), which enables her to perform music written to accompany literary pieces in these languages and use the original versions, she is a perfect performer and a perfect partner for Mike Westbrook, similar to the role of the great Lotte LenyaFind albums by this artist with her husband Kurt WeillFind albums by this artist. This superb album presents a project originally staged in 1994 but recorded seven year later, in which Kate presents music composed by several of her favorite contemporary composers and to which she wrote original lyrics. Accompanied by a stellar cast of players, which includes among others saxophonists Chris BiscoeFind albums by this artist, Peter KingFind albums by this artist, Barbara ThompsonFind albums by this artist, Kate delivers the texts with true artistry and the overall effect of the music and lyrics is truly overwhelming. Perhaps not for a casual listener, but this project is so elegant and sophisticated that true music lovers will definitely enjoy it to the fullest. Warmly recommended!

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JIMMY WITHERSPOON ~ LIVE IN LONDON 1966 RHYTHM AND BLUES 066 (Barcode: 5060331752349) ~ USA ~ Jazz-Blues Fusion Recorded: 1966 Released: 2021 This is an archival album by the American Blues singer Jimmy WitherspoonFind albums by this artist recorded during his visit in London, accompanied by top British Jazz musicians. The album presents twenty tracks, recorded during three separate sessions. The majority (thirteen) of the tracks were recorded at the legendary London pub “The Bulls Head”, with Witherspoon accompanied by the saxophonist Dick MorrisseyFind albums by this artist’s quartet with pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and iconic drummer Phil SeamenFind albums by this artist. On six additional tracks (two of which are instrumentals only) he is accompanied by saxophonist Peter KingFind albums by this artist and the same rhythm section as above. On one tack he is accompanied by the great Alexis KornerFind albums by this artist’s (who plays guitar) Blues IncorporatedFind albums by this artist with saxophonist Ray WarleighFind albums by this artist, pianist Chris PyneFind albums by this artist, bassist Danny ThompsonFind albums by this artist and drummer Terry CoxFind albums by this artist. Except for three originals by Witherspoon, all the tracks are Blues / Jazz standards. The music is all a natural mixture of Blues and Jazz, clearly emphasizing the proximity between the two genres. Witherspoon obviously feels very comfortable with his British companions, being used to work with Jazz musicians back home and the Brits are familiar with the repertoire, which altogether makes the music sound completely natural and easy-going. There are no great surprises here, but the album is an excellent example of the diversity of the British Blues boom that exploded by the mid-1960s and declines almost as rapidly just half a decade later. That great movement included Blues, Jazz and early Rock musicians working shoulder to shoulder to create the British Blues, which took the American tradition of the genre a step further, adding a pinch of European aesthetics to the mixture. Overall this is a nice reminder of how the music created by visiting American Blues singers / musicians sounded when they were accompanied by British musicians, which happened quite often at the time. For Blues and British Jazz enthusiasts this is definitely an album worth pursuing.

Updated: 16/07/2021Posted: 16/07/2021

CD 1 Recommend To A Friend