Record Reviews

NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz Recorded: 1973 Released: 2007 The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums. Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture. Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved. Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!

CD 1 Remastered Essential Recommend To A Friend

GORDON BECK ~ JUBILATION!: TRIOS, QUARTETS, AND SEPTETS IN SESSION 1964-1984 TURTLE 501 (Barcode: 5013929580107) ~ UK ~ Jazz Recorded: 1964 - 1984 Released: 2018 This is an archival release collecting live recordings made by various ensembles led by the seminal British Jazz pianist / composer / bandleader Gordon BeckFind albums by this artist, one of the key figures of the revolutionary British Jazz movement of the 1960s, who died in 2011. The recordings present Beck in different settings, from solo piano to a septet, spanning two crucial decades in which Beck and the entire British Jazz scene metamorphosed from a copycat of American Jazz to a bold, adventurous and pioneering musical movement with its own values and aesthetics, leading the rest of Europe towards the same process of emancipation. On the recordings included in this release Beck is accompanied by the crème de la crème of the British Jazz heroes; bassists Jeff ClyneFind albums by this artist, Ron MathewsonFind albums by this artist and Mick HuttonFind albums by this artist, drummers Johnny ButtsFind albums by this artist, Tony OxleyFind albums by this artist and Steve ArguellesFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist. Of the twenty eight pieces performed, only three are standards and the rest are original compositions by Beck. The music moves in a multidimensional space-time continuum, between traditional American Jazz and modern European Jazz, between standards and original compositions and between solo piano and ensemble playing, but always beautifully focused on Beck´s superb feel of melody and rhythm and his exquisite perception of harmony. The trio recordings, which open the first of the three CDs included in this Box Set, present a transition, which presents the quantum jumps separated from each other by two years gaps (1964-1966-1968), by which Beck and the trio move from a Bill EvansFind albums by this artist inspired swing perfection to a much more open, almost free playing, emphasized mostly by the change of the drummer from Butts to Oxley, one of the most important Jazz drummers of all time. By the mid 1970s the trio will be brought to perfection with the inclusion of Mathewson, and rechristened to MOBFind albums by this artist (Mathewson / Oxley / Beck) which can be heard on the second CD. The septet recordings, which take the rest of the first CD, are rather atypical in Beck´s career, as he preferred small ensembles, show Beck´s arranging skills, which he was able to perfect as the resident composer / arranger for the Ronnie ScottFind albums by this artist´s all-star band, which included six of the seven members of the septet (John SurmanFind albums by this artist is the missing one). The latest (chronologically) recordings present a quintet session, which is led by the mature musician Beck has become in the meantime, are presented on the third CD. Beck´s solo material is presented on the second and third CDs. Overall the Box Set is full of magnificent music, diverse stylistically, but always perfectly executed, which presents a portrait of a great Artist. Considering that all these recordings are previously unreleased, this in an absolute treasure chest and a historic document of the outmost importance. All the recordings were beautifully remastered and offer a first class listening experience. The Box Set, which was released by the reanimated TurtleFind albums on this label Records, includes an extensive booklet written by Simon SpillettFind albums by this artist, which is intelligent, informative and well researched, a true model for what all releases of this kind should offer those who buy the product. Absolutely essential to all British / European Jazz connoisseurs!

Updated: 16/02/2019Posted: 15/02/2019

CD 3 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

JOHN DANKWORTH ~ THE ZODIAC VARIATIONS / THE $1,000,000 COLLECTION VOCALION 8480 (Barcode: 765387848026) ~ UK ~ Jazz Recorded: 1964 - 1967 Released: 2011 Legendary British saxophonist / composer / arranger / bandleader John DankworthFind albums by this artist was one of the Godfathers of modern British Jazz. Although his career started in mid-1940s he was keen to pursue the sounds of Bee Bop, when those crossed the Atlantic and later pioneered the modern British Big Band sound. This album brings together two of thematic / "concept" Jazz suites written by Dankworth and performed by his Big Band / Orchestra, both being masterpieces of the genre. "The Zodiac VariationsFind albums with this title", recorded both in US and UK, feature some top American Jazz players as soloists: trumpeter Clark TerryFind albums by this artist, trombonist Bob BrookmeyerFind albums by this artist, saxophonist Phil WoodsFind albums by this artist and others. "The $1,000,000 CollectionFind albums with this title" (about famous paintings), recorded three years later, when the British Jazz scene was rapidly developing into a dew dimension, features many of the brilliant young players arriving on the scene, like trumpeters Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist, saxophonists Tony RobertsFind albums by this artist and Tony CoeFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist and many others. Musically this is brilliant stuff, from start to finish of course. British Jazz fans will find this stuff delightful, and Big Band enthusiasts will have a field day with this. I don´t think there is anything else I need to add here, just grab it, if this is your cup of tea!

Updated: 31/05/2017Posted:

CD 2 Remastered Recommend To A Friend

GEORGIE FAME ~ SEVENTH SON / GOING HOME BGO 700 (Barcode: 5017261207005) ~ UK ~ Jazz Recorded: 1969 - 1971 Released: 2008 Contrary to what most people know about singer / songwriter / keyboards player Georgie FameFind albums by this artist, his true aspiration was always to sing Jazz. Although he arrived on the British scene in the mid-1960s as a Pop singer, with several singles charting over the years, pretty soon he decided that a Pop idol was the last thing he wanted to be and moved away from the Pop image as fast as he could. By the end of the 1960s Fame was already singing in front of Jazz bands and his self-penned material had a distinctive Jazzy feel. This album includes two of Fame’s LPs recorded in 1969 and 1971 respectively, both great examples of his great sensitivity and musicality. On Seventh SonFind albums with this title he is supported by a dreamy Jazz band, which includes such illustrious players as Art ThemenFind albums by this artist, Stan SultzmannFind albums by this artist (saxophone), Derek WatkinsFind albums by this artist (trumpet), Chris PyneFind albums by this artist (trombone), Brian OdgersFind albums by this artist (bass) and John MarshallFind albums by this artist (drums), who play some outstanding solos. The album was produce by Fame’s friend Alan PriceFind albums by this artist, another Pop star with Jazz inspirations. On Going HomeFind albums with this title the supporting band is the Keith MansfieldFind albums by this artist orchestra, another quite jazzy outfit, which played for example behind Maynard FergusonFind albums by this artist, when he lived and recorded in Britain at the same period. Although perhaps only marginally Jazz, these two albums are a great example of the openness the music industry was willing to extend towards the artists, who wanted to do “their own thing”, something that lasted for a very brief period of time. Fame’s worm tone and great feel for the music are definitely worth a recollection and this album is a great trip down the memory lane. Probably for people in the autumn years, like myself, but still great fun.

Updated: 10/04/2020Posted:

CD 1 Slipcase Remastered Recommend To A Friend

GEORGIE FAME / ANNIE ROSS / HOAGY CARMICHAEL ~ IN HOAGLAND DRG 5197 ~ UK ~ Jazz Recorded: 1981 Released: 1981 This is a delightful and completely obscure album by British Jazz vocalists Georgie FameFind albums by this artist and Annie RossFind albums by this artist with legendary American songwriter / pianist / vocalist Hoagy CarmichaelFind albums by this artist, whose appearance on this album was his final recording before his death in 1981, soon after this album was recorded. They are accompanied by a superb orchestra, called Famous Flamingo OrchestraFind albums by this artist, featuring the absolute top British Jazz musicians, like saxophonists Peter KingFind albums by this artist and Dick MorrisseyFind albums by this artist, trumpeter Ian HamerFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardist Geoff CastleFind albums by this artist (Fame also plays keyboards), guitarist Martin KershawFind albums by this artist, bassists Darryl RunswickFind albums by this artist and Jim RichardsonFind albums by this artist and drummer Barry MorganFind albums by this artist – an absolute dream team. The album presents thirteen famous songs written by Carmichael and arranged by Harry SouthFind albums by this artist. The music and the performances are absolutely brilliant, as everything Fame put his hands on and with the help of this fabulous team this is a true delight from start to end. They don’t make music like this anymore, sadly… Of course this is on the lighter side of the Jazz spectrum, but who cares, as long as the music plays! Overall, this is a completely unknown album by great Jazz artists, which deserves to be heard, especially if one loves a great Jazz standard sung by two of the best! It took me years to find a copy of this, so I am happy ;) You might as well try to find a copy, as it is definitely worth it!

Updated: 30/03/2023Posted: 30/03/2023

CD 1 Recommend To A Friend

MAYNARD FERGUSON ~ M. F. HORN / M. F. HORN 2 / M. F. HORN 3 BGO 1110 (Barcode: 5017261211101) ~ CANADA ~ Brass Rock Recorded: 1970 - 1973 Released: 2013 This is a reissue of three albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the second, fourth and fifth albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. The first two albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings except the last, i.e. the third album included here, which was produced by Teo MaceroFind albums by this artist and which was mostly recorded in UK and had some minor touches added later in the US. "M. F. HornFind albums with this title" was released as "The World Of Maynard FergusonFind albums with this title" in the US. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. The "M. F. Horn" series of albums reflects that glorious period perfectly! The first two "M. F. Horn" albums and the album "Alive & Well In LondonFind albums with this title" (released as "Maynard FergusonFind albums with this title" in the US), which was "sandwiched" between them, follow a similar formula of presenting a mixture of wonderful arrangements of popular songs and original compositions, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonists Chris PyneFind albums by this artist and Derek WadsworthFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and other top British Jazz players at the time. "M. F. Horn 3Find albums with this title" is somewhat different in the choice of material, as it does not include covers of popular material but includes soundtracks, Jazz standards and no less than three original compositions by pianist Pete Jackson. It is generally considered as the Jazziest album of the "M. F. Horn" series, probably due to the fact that Macero produced it, but in retrospect it is undoubtedly an integral part of the same musical direction and spirit. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value and deserves an honorable place in any serious music collection. An absolute must!

Updated: 29/05/2020Posted: 29/05/2020

CD 2 Slipcase Remastered Recommend To A Friend

MAYNARD FERGUSON ~ THE BALLAD STYLE OF MAYNARD FERGUSON / ALIVE & WELL IN LONDON BGO 1206 (Barcode: 5017261212061) ~ CANADA ~ Brass Rock Recorded: 1969 - 1971 Released: 2016 This is a reissue of two albums by Canadian Jazz trumpeter / composer / bandleader Maynard FergusonFind albums by this artist. These are the first and third albums Ferguson recorded for CBSFind albums on this label in UK after he signed with the label in late 1968, following his move to the UK from India. Both albums were produced by the brilliant arranger / conductor Keith MansfieldFind albums by this artist, who worked with Ferguson on all his UK recordings. Upon his arrival in UK Ferguson made a dramatic shift in his approach to the Big Band Jazz he played for so many years previously. Influenced by what was happening in music at the time, especially the birth of Jazz-Rock Fusion, and the Brass Rock ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist, FlockFind albums by this artist and many others, he was determined to pursue this new direction as well. Obviously the British scene was a highly fertile ground, with many British Jazz musicians already very much involved in that idiom. However his ambitions had to be postponed for a while, due to the fact that CBS was mostly a Pop / MOR repertoire oriented label and wanted, at least until the label heads could be persuaded otherwise, start Ferguson´s CBS stretch with a much more commercial recording, which resulted in the recording of "The Ballad Style Of Maynard FergusonFind albums with this title". The material consisted of eleven arrangements of well known movie themes and other popular songs, but in the capable hands of Mansfield and his superb orchestra, which included some of the best British Jazz musicians at the time, and of course Ferguson´s fabulous trumpet playing characterized by the piercing high notes, the album, although certainly widely appealing, remains a masterpiece of Jazz flavored popular orchestral music. "Alive & Well In LondonFind albums with this title" (a.k.a. "Maynard FergusonFind albums with this title") is a completely different story. It followed the recording of the second album for CBS entitled "M. F. HornFind albums with this title" (a.k.a. "The World Of Maynard FergusonFind albums with this title"), which gave a birth to a series of "M. F. Horn" albums, and which opened a new chapter in Ferguson´s recording legacy, which find him playing a soaring Jazz-Rock / Brass Rock arrangements of popular songs and original material by the members of the orchestra. This album includes eleven popular songs, arranged by Mansfield, Kenny WheelerFind albums by this artist, Adrian DroverFind albums by this artist and John CameronFind albums by this artist and performed by a dreamy band that features such luminaries as trombonist Chris PyneFind albums by this artist, saxophonists Pete KingFind albums by this artist and Brian SmithFind albums by this artist, pianist Pete JacksonFind albums by this artist, percussionist Frank RicottiFind albums by this artist and others. Overall these albums are great piece of the Ferguson´s recorded legacy, which is certainly worth being remembered. The magic Brass Rock / British Big Band period is certainly a pinnacle of his creativity, and a superb addition to the idiom, which has a lasting value. Wholeheartedly recommended!

Updated: 19/04/2020Posted: 17/04/2020

CD 1 Slipcase Remastered Recommend To A Friend

MICHAEL GIBBS ~ JUST AHEAD BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz Recorded: 1972 Released: 2005 Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!

CD 2 Slipcase Remastered Recommend To A Friend

MICHAEL GIBBS ~ REVISITING TANGLEWOOD 63: THE EARLY TAPES JAZZ IN BRITAIN 24 (Barcode: 5060774190227) ~ UK ~ Big Band Jazz Recorded: 1970 Released: 2021 This is an archival album by British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which presents two radio broadcasts of live sessions, recorded in May and November of 1970. The lineups of the Orchestra / Big Band (thirteen or sixteen members respectively) consists of Top British Jazz musicians at the time, some of which took part in the recording of the seminal “Tanglewood 63Find albums with this title” album, which was recorded shortly after the second session. The collective personnel includes: trumpeters Henry LowtherFind albums by this artist, Nigel CarterFind albums by this artist and Harold BeckettFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Gibbs, tuba player Dick HartFind albums by this artist, saxophonists Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, Jim PhillipFind albums by this artist and Tony RobertsFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, bass guitarist Roy BabbingtonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummers John MarshallFind albums by this artist and Clive ThackerFind albums by this artist and finally vibraphonist / percussionist Frank RicottiFind albums by this artist. The album presents seven tracks, four from the first session and three from the second. Those include all five compositions included on the “Tanglewood 63” album. In addition, it also presents “Country RoadsFind albums with this title”, written by Gary Burton and Steve Swallow, which appeared first on the Burton’s 1968 album by the same name, which included a couple of compositions by Gibbs and one co-composed piece by Gibbs and Burton, and which would have to wait for a couple of years to appear on the 1972 Gibbs “Just AheadFind albums with this title” album. The last track is “June The 15, 1967”, which appeared initially on the Burton’s 1967 “Lofty Fake AnagramsFind albums with this title” album, which also included two compositions by Gibbs, including this one, and which would have to wait for forty-two years to appear on the 2012 Gibbs “Back In The DaysFind albums with this title” album. The music is, as everything Gibbs ever recorded, absolutely heavenly, both as far as the compositions and the performances are concerned. The formidable team of musicians, under his direction, is able to achieve peaks never earlier encountered in British Jazz orchestral music, and these archival recordings are absolutely fascinating, especially when compared to the final version of most of the music included here, recorded on the “Tanglewood 63” album. So far, this is definitely my favorite release on the new Jazz In BritainFind albums on this label label, which does a splendid job digging out treasures from dusty vaults, especially so because this album also offers the best sound quality of all their releases so far. So as usual, hats off for the team behind the label and waiting for more of your gems. A bit more attention to details won’t hurt…

Updated: 29/06/2021Posted: 28/06/2021

CD 1 Digipak Recommend To A Friend

MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991 DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion Recorded: 1991 Released: 2018 This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions. Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts. Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him. This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish. The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.

Updated: 29/05/2018Posted: 22/05/2018

CD 2 Mini-Sleeve Remastered Recommend To A Friend

MICHAEL GIBBS / GARY BURTON ~ FESTIVAL 69 TURTLE 503 (Barcode: 5013929580305) ~ UK ~ Jazz Recorded: 1969 Released: 2018 This is an archival release documenting a live concert by pioneering American vibraphonist / composer Gary BurtonFind albums by this artist supported by a Big Band led by British trombonist / composer / bandleader Michael GibbsFind albums by this artist. The concert, which is presented on the first two CDs of this three CDs set, was recorded in November 1969 in Belfast. The third CD presents an earlier (February 1969) recording by the Big Band at the Lancaster University. Both recording were made prior to the release of the Michael Gibbs eponymous debut album in 1970. The first CD presents five tracks performed by the Gary Burton Quartet, which included guitarist Dave PritchardFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bill GoodwinFind albums by this artist, and one track with the quartet supported by the Big Band, which included trombonists Chris PyneFind albums by this artist and Gibbs of course, trumpeters Kenny WheelerFind albums by this artist and Trevor BarberFind albums by this artist, saxophonists Alan SkidmoreFind albums by this artist, Ray WarleighFind albums by this artist and Tony RobertsFind albums by this artist and guitarist Chris SpeddingFind albums by this artist. The second CD presents four tracks with the quartet supported by the Big Band and one final track just by the quartet. The third CD presents the Big Band with a dreamy lineup of saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan Skidmore, trumpeters Henry LowtherFind albums by this artist and Rodney TealFind albums by this artist, trombonists Chris Pyne and Gibbs of course, tuba player Dick HartFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist Mick PyneFind albums by this artist, guitarist Phil LeeFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer John MarshallFind albums by this artist – a true Who´s Who of the British Jazz scene at the time. The Big Band performs eight original compositions by Gibbs (two combined into one track). The Gibbs / Burton association goes back to their common Berklee School of Music days. Burton included many compositions by Gibbs on his albums in the 1960s, but for a variety of reasons they did not manage to record together until the "In The Public InterestFind albums with this title" album released in 1974. In fact almost all of the compositions by Gibbs appearing in this set were already previously recorded by Burton. Therefore this historic recording is another wonderful example of their lasting cooperation, and since it remained unreleased for five decades, it is even more significant. Of course Burton always was a "strange bird" on the American Jazz scene and his aesthetic affiliations were much closer to the European Jazz, which was rapidly developing by the mid-1960s. The pioneering Jazz-Rock Fusion recordings by his quartet, especially those with guitarist Larry CoryellFind albums by this artist, paved the way for the Fusion explosion by the end of the 1960. It is therefore not surprising, that Burton was able to appreciate the quality of Gibbs´ compositions in spite of their complex harmonic and rhythmic structures. The Lancaster University recording is by no mean less interesting and presents the very early stage of Gibbs´ illustrious career as a band leader, parallel to his composing duties. The glorious days of British Jazz when the concept of a functional Big Band was still feasible were sadly rather short lived and therefore any document of the era is simply invaluable. The presence of Jack Bruce on bass, shedding his superstar post-CreamFind albums by this artist image just for the love of Jazz, that he always considered as very close to his heart, was far from sensationalism. In the short period of time, when Bruce was closely involved with the core British Jazz scene, including the recording of his superb "Things We LikeFind albums with this title" album, are truly worth remembering. Overall this set is a splendid piece of the British Jazz at its creative peak, and as such is an essential part of every serious British Jazz collection. The sound, which is far from ideal, has been restored to the best ability of today´s sound technology and the set includes well researched and comprehensive booklet describing the background and circumstances of these recordings, which is very informative. This set is the fifth release by the resurrected TurtleFind albums on this label Records, a Cherry RedFind albums on this label label dedicated to reissues and archive releases of historic British Jazz recordings, which unearth lost and forgotten musical treasures British Jazz connoisseurs simply can´t live without!

Updated: 28/06/2021Posted: 30/09/2018

CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend

ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965 RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock Recorded: 1962 - 1965 Released: 2024 This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time. As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984. The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it? Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!

Updated: 02/10/2024Posted: 01/10/2024

CD 1 Recommend To A Friend

NEW JAZZ ORCHESTRA / NEIL ARDLEY GROUP ~ BBC SESSIONS 1968-1970 RHYTHM AND BLUES 101 (Barcode: 5060331753834) ~ UK ~ Big Band Jazz Recorded: 1968 - 1970 Released: 2024 This is an archival album, which presents recordings by two Orchestral Jazz ensembles, both led by the brilliant pianist / composer / arranger / bandleader Neil ArdleyFind albums by this artist. The album presents fourteen tracks, six by the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), recorded in 1968 and eight by the Neil Ardley GroupFind albums by this artist, recorded in 1970. Five of the NJO tracks appear in a studio version on their 2nd studio album “Le Dejeuner Sur L`herbeFind albums with this title”. The first seven of the Neil Ardley Group tracks, which were composed by pianist / composer Mike TaylorFind albums by this artist and are a song cycle / Jazz & Poetry suite, were sadly never recorded in the studio and released on an album. Taylor tragically died just a few months before this music was recorded. The lineup of these two ensembles reads like a Who’s Who of the British Jazz at the end of the 1960s, some still very young at the time, but already experienced musicians, who were going to shape the British Jazz scene in the decades to come. The NJO lineup includes Ardley as the leader / conductor, trumpeters Derek WatkinsFind albums by this artist, Henry LowtherFind albums by this artist and Ian CarrFind albums by this artist, saxophonists Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Barbara ThompsonFind albums by this artist, trombonists Chris PyneFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player George SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. The Neil Ardley Group lineup includes Ardley on piano, vocalist Norma WinstoneFind albums by this artist, Carr, Gelly, Thompson, Ricotti, bassist Chris LaurenceFind albums by this artist and drummer Mike TravisFind albums by this artist. I rest my case… The music, as expected, is absolutely sensational and reflects the vibrancy and ingenuity of the British Jazz scene at this pivotal period, when the modern British Jazz idiom was molded for decades to come. The specific idiosyncrasies and “Britishness” of the new epoch is simply encapsulated in every note played here. It is also a superb display of the individual talents of these magnificent musicians, those who are still with us and sadly those who departed, like Thompson and Hiseman, who met as members of the NJO and created one of the British Jazz “power couples” or Ardley and Carr, whose giant talents are deeply missed. Overall, this is an absolute must have album for every British Jazz collector, especially in view of the fact that some of the music captured herein is not available anywhere else. For the cognoscenti, the album offers endless hints and interconnections, like a sensational version of the song “Jumping Off The Sun”, which became an anthem for the legendary ColosseumFind albums by this artist, which was founded by Hiseman and Heckstall-Smith, and included Reeves and Thompson, and so on…

Updated: 22/09/2024Posted: 21/09/2024

CD 1 Recommend To A Friend

JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE? VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2006 2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.

CD 1 Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR SEXTET ~ FRAGMENT JAZZ IN BRITAIN 32 (Barcode: 5060774190326) ~ UK ~ Jazz Recorded: 1975 Released: 2022 This is a reissue / remaster of the album recorded by the British pianist / composer John TaylorFind albums by this artist and his sextet, which also included trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The album was originally released on cassette only on the legendary JaguarFind albums on this label label, owned by pianist / composer Gordon BeckFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a superb example of the iconoclastic British Jazz, which reached its peak in the mid-1970s after several years of dramatic development, which characterized the scene since the late 1960s. The British Jazz managed to crystalize its very own sound and feel, which was instantly recognizable, even though it encompassed an astonishing variety of musical styles, ranging from almost mainstream / melody based Jazz to extreme Avant Garde. Of course those individuals / ensembles, which knew how to embrace both the charm of a beautiful melody and the powerful expressiveness of complex improvisation, like the sextet present on this recording, were the most effective. The six individuals playing here were all top British Jazz Artists at the time, each with his own rich legacy already in place by the time this music was recorded. It was an “all stars” ensemble by any standard, but of course there was nothing extraordinary about it, as almost every other ensemble on the scene at the time could be also acknowledged as an “all stars” gathering, since the scene was literally exploding with talent and activity. Over the years John Taylor created an immense body of Jazz compositions and an extensive recorded legacy, which reflect his sublime ability to weave an intricate, yet romantic melody. His life-long cooperation with Wheeler, widely documented on record, was one of the most fruitful Jazz engines in retrospect, but no Taylor discography could be complete without this particular album, which for so many years remained a hidden secret shared by the British Jazz fanatics. The fact that it is now reissued is a true milestone for the excellent Jazz In BritainFind albums on this label label, which never ceases to surprise and delight those of us, who truly love this music. Overall, this is a monumental release as far as British Jazz is concerned, closing a major gap in so many record collections of dedicated fans, all of which are both happy and grateful. The great talent of Taylor, the superb performances by Wheeler and the rest of the sextet members, and most importantly the everlasting magic of the music, which is every bit as fresh as it was at the time it was recorded, all come together to create a “crown jewel” of an album, which no British Jazz fan can ignore. Thank you Gentlemen for your labor of love, which we all enjoy.

Updated: 13/07/2022Posted: 13/07/2022

CD 1 Digipak Remastered Recommend To A Friend

TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz Recorded: 1980 - 1983 Released: 2023 This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist. Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is. The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured. The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s. Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness. Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!

Updated: 12/03/2023Posted: 12/03/2023

CD 2 Digipak Remastered Recommend To A Friend

STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY) RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz Recorded: 1967 - 1968 Released: 2021 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label. The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone. The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 18/08/2021

CD 2 Digipak Recommend To A Friend

STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN) RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz Recorded: 1969 Released: 2020 This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label. The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies. The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance. Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!

Updated: 18/08/2021Posted: 14/08/2021

CD 2 Digipak Recommend To A Friend

KENNY WHEELER ~ KAYAK AH UM 012 (Barcode: 5017771001223) ~ UK ~ Jazz Recorded: 1992 Released: 1992 This is a criminally little known album by the celebrated British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, released on the short-lived and sadly forgotten Ah UmFind albums on this label Records, owned by Nick PurnellFind albums by this artist. Wheeler leads a splendid ensemble, which comprises of the absolute crème de la crème of the British Jazz scene at the time: saxophonists Stan SulzmannFind albums by this artist and Julian ArguellesFind albums by this artist, French horn player John RookFind albums by this artist, trombonists Dave HorlerFind albums by this artist and Dave StewartFind albums by this artist, pianist John TaylorFind albums by this artist, bassist Chris LaurenceFind albums by this artist and American drummer Peter ErskineFind albums by this artist. Trombonist Chris PyneFind albums by this artist and pianist John HorlerFind albums by this artist are added on the four last tracks only. The album presents seven Wheeler originals, the last four of which create a suite. All the music was recorded during a one-day session, which is absolutely amazing considering the complexity of the arrangements, but of course all these musicians were absolute Masters of the trade. The music is obviously absolutely brilliant, as everything Wheeler ever created and most of it was never recorded by Wheeler again with other ensembles. He briefly describes the origin of all the compositions on the album in the liner notes, one of which is a wonderfully crafted tribute to Chick CoreaFind albums by this artist´s compositions, a rather unlikely connection, but nevertheless true. The playing is of course also magnificent from start to finish, with plenty of wonderful solos by the participants and a superb ensemble performance, typical of British Jazz at its absolute best. The music was also excellently recorded with wonderful separation and perfect sound quality, which of curse enhances the listening pleasure even more. Overall this is lost perfect gem which deserves a proud place in any serious British Jazz collection, and although quite difficult to come by these days, it is by all means worth the effort needed to hunt for it. Essential Kenny Wheeler! Side Note British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.

Updated: 11/02/2025Posted: 16/03/2019

CD 1 Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend

JIMMY WITHERSPOON ~ LIVE IN LONDON 1966 RHYTHM AND BLUES 066 (Barcode: 5060331752349) ~ USA ~ Jazz-Blues Fusion Recorded: 1966 Released: 2021 This is an archival album by the American Blues singer Jimmy WitherspoonFind albums by this artist recorded during his visit in London, accompanied by top British Jazz musicians. The album presents twenty tracks, recorded during three separate sessions. The majority (thirteen) of the tracks were recorded at the legendary London pub “The Bulls Head”, with Witherspoon accompanied by the saxophonist Dick MorrisseyFind albums by this artist’s quartet with pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and iconic drummer Phil SeamenFind albums by this artist. On six additional tracks (two of which are instrumentals only) he is accompanied by saxophonist Peter KingFind albums by this artist and the same rhythm section as above. On one tack he is accompanied by the great Alexis KornerFind albums by this artist’s (who plays guitar) Blues IncorporatedFind albums by this artist with saxophonist Ray WarleighFind albums by this artist, pianist Chris PyneFind albums by this artist, bassist Danny ThompsonFind albums by this artist and drummer Terry CoxFind albums by this artist. Except for three originals by Witherspoon, all the tracks are Blues / Jazz standards. The music is all a natural mixture of Blues and Jazz, clearly emphasizing the proximity between the two genres. Witherspoon obviously feels very comfortable with his British companions, being used to work with Jazz musicians back home and the Brits are familiar with the repertoire, which altogether makes the music sound completely natural and easy-going. There are no great surprises here, but the album is an excellent example of the diversity of the British Blues boom that exploded by the mid-1960s and declines almost as rapidly just half a decade later. That great movement included Blues, Jazz and early Rock musicians working shoulder to shoulder to create the British Blues, which took the American tradition of the genre a step further, adding a pinch of European aesthetics to the mixture. Overall this is a nice reminder of how the music created by visiting American Blues singers / musicians sounded when they were accompanied by British musicians, which happened quite often at the time. For Blues and British Jazz enthusiasts this is definitely an album worth pursuing.

Updated: 16/07/2021Posted: 16/07/2021

CD 1 Recommend To A Friend