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5 Reviews Found. Use search to find more reviews or follow the links in the review text.

NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED
DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz

Recorded: 1973 Released: 2007

The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums.

Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture.

Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved.

Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!
 CD 1 Remastered Essential Recommend To A Friend

AMANCIO D`SILVA ~ KONKAN DANCE
VOCALION 8420 (Barcode: 765387842024) ~ UK ~ Jazz-World Fusion

Recorded: 1974 Released: 2006

Guitarist / composer Amancio D`SilvaFind albums by this artist was born in Goa, India and arrived in London in 1967, where he was immediately absorbed by the burgeoning local Jazz scene. Similarly to many other musicians, who arrived in the ex-Empire’s Capital from the colonial countries (but mostly from India), D`Silva was already “armed” with a vast musical tradition of his native county. The liberal cultural atmosphere of the London scene and the openness to other cultural influences where a major factor in creating a cultural amalgam between the Western Jazz tradition and the Eastern musical treasures. Several players practiced the new Jazz-World Fusion direction, like the John MayerFind albums by this artist / Joe HarriottFind albums by this artist ensemble with the revolutionary Indo-Jazz FusionsFind albums with this title recordings. Although D`Silva participated in a wide variety of sessions, his unique guitar voice always included a subtle Eastern undertone. However, on his solo recording projects, where his own compositions were mainly featured, this influence was much more apparent. He recorded five brilliant solo albums, of which this was the last. For some strange reason the last album was never released at the time and this is the first time this great music can be heard, which of course is a reason to celebrate, as anything recorded by this brilliant musician is an important heritage and a document of the era. The musicians participating in this recording come from the ranks of legendary British Jazz scene: Don RendellFind albums by this artist – saxophone, Stan TraceyFind albums by this artist – piano and Alan BranscombeFind albums by this artist – flute, vibes and electric piano. A sitar and two tabla players add the Indian flavor to the music, which flows beautifully like a river of sound in an enchanted garden. Absolute must!
 CD 1 Remastered Recommend To A Friend

PAUL GONSALVES ~ HUMMING BIRD
VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz

Recorded: 1970 Released: 2005

American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.
Updated: 14/08/2021Posted: CD 1 Remastered Recommend To A Friend

TUBBY HAYES ~ LIVE AT THE FLAMINGO 1958
RHYTHM AND BLUES 092 (Barcode: 5060331753445) ~ UK ~ Jazz

Recorded: 1958 Released: 2023

This is an archival album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents a previously unreleased live recording at the legendary Flamingo club in London, captured during the early days of Hayes’ career, before he achieved the top rank on the British scene. The music is performed by a formidable octet, with trumpeters Les CondonFind albums by this artist and Stuart HamerFind albums by this artist, saxophonists Alan BranscombeFind albums by this artist, Ronnie ScottFind albums by this artist and Hayes, pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Bill EydenFind albums by this artist – a band that in fact existed only once for that particular concert. Three additional musicians guest on selected tracks. The album presents nine tracks, seven of which are standards and two are originals, one by Jimmy DeucharFind albums by this artist and another by Hayes.

The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading.

The music is of course still mostly in the American Bebop tradition, but clearly shows how the British musicians adopted that tradition and added a very specific “British touch” to it, already at that early stage. The individual performances are nothing short of brilliant and the octet arrangements are clever and sophisticated. The club atmosphere is a reminder why the Flamingo was a place to be in late 1950’s London, when one wanted to hear some great music (and for other less cultural reasons).

The recording is mono, but offers quite reasonable sound quality, which enables everything to be heard properly, even if the drums are sometimes a tad too high in the mix, a small price to pay for the splendid music, which lost nothing of its vitality in the sixty-five years since it was recorded.

Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all, especially since he left us tragically way to prematurely.
Updated: 24/10/2023Posted: 19/10/2023CD 1 Recommend To A Friend

HAROLD MCNAIR ~ THE FENCE
HUX 095 (Barcode: 682970000954) ~ UK ~ Jazz

Recorded: 1970 Released: 2007

Saxophonist / flautist / composer Harold McNairFind albums by this artist has been one of the greatest (and sadly unsung) heroes of the British Jazz scene. A brilliant instrumentalist he was one of the busiest studio musicians and took part in countless recording sessions, including those by famous Rock acts. He was a permanent member of DonovanFind albums by this artist’s group and recorded many albums with him. Of course he was also active on the Jazz scene, both as a leader and sideman. He recorded several albums, of which this is the last released while he was still alive, shortly before his life was tragically cut short by lung cancer at a ridiculously young age. His last eponymous album was released posthumously. This beautiful album was recorded with Harold’s musician friends and admirers, all great stars and Jazz heroes themselves: Keith TippettFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Colin GreenFind albums by this artist on guitar, Rick GrechFind albums by this artist and Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist and Tony CarrFind albums by this artist on drums. Harold plays saxes and flute – my preferred instrument in his hands. The music has a slight Caribbean feel, and includes one original composition by Harold. It’s difficult for me to shed the nostalgic attachment to this album, as Harold has been one of my favorite musicians for a very time, but I think the albums stands the test of time beautifully and should be enjoyed by most Jazz loving people around the globe. Bliss!
 CD 1 Remastered Recommend To A Friend

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