Record Reviews
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  | JON ANDERSON ~ ANIMATION (EXPANDED EDITION)
OPIO 01 (Barcode: 604388679423) ~ UK ~ Progressive Rock
Recorded: 1982 Released: 2006
3rd album by the legendary YesFind albums by this artist founding member and singer Jon AndersonFind albums by this artist. Anderson recorded over the years extensively as solo artists in parallel to his work with Yes, accumulating an impressive musical legacy. This album is considered to be his strongest and most consistent release. Recorded by a stellar cast of over 30 musicians, including Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), Simon PhillipsFind albums by this artist, David SanciousFind albums by this artist, Jack BruceFind albums by this artist and many others, with brass and string sections and arrangements, this is one impressive piece of music. As usual in Anderson’s case this is a concept album, based on a story written by him. The convoluted lyrics are as unclear and mystical as ever, to the delight of his fans and a source of mockery by his critics. Whatever one might think about Anderson’s literary talents, the music – composed entirely by him - is excellent, with strong fusion (and even some jazz) undertones, played brilliantly all the way. The new expanded edition adds bonus material recorded at the same session, including the almost 12 minutes long epic track called “The Spell”. An absolute must to all Yes fans and a very strong Prog album overall. Recommended.
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  | NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED
DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz
Recorded: 1973 Released: 2007
The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums.
Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture.
Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved.
Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!
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  | GRAHAM BOND ~ LIVE AT THE BBC AND OTHER STORIES
REPERTOIRE 1279 (Barcode: 4009910127926) ~ UK ~ Jazz-Rock Fusion
Recorded: 1962 - 1972 Released: 2015
This is a Box Set of archival material by British saxophonist / organist / composer / bandleader Graham BondFind albums by this artist, one of the most idiosyncratic and pioneering figures of the British Jazz, Jazz-Rock and Prog scenes. The material collected here consists mostly of recordings made by the BBC, but includes also some ultra-rare home recordings, demos and other ditties, covering the period between 1962 and 1972, which more or less presents Bond´s entire career before his tragic death in 1974, aged just 36 at the time.
Regardless of what various music history sources have to say, Bond is singlehandedly responsible for the creation of the Jazz-Rock idiom around 1963, when he formed the Graham Bond QuartetFind albums by this artist, which featured guitarist John McLaughlinFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist (which were all destined to become superstars in the years to follow). The quartet amalgamated Bond´s experience with the Jazz world, gained while he was a member of the Don RendellFind albums by this artist Quintet, with the exploding Rhythm And Blues phenomenon, creating the earliest manifestation of Jazz-Rock known to man. One session of the Don Rendell Quintet with Bond as its member is included here and it also features as a guest musician saxophonist Dick Heckstall-SmithFind albums by this artist, who would become another of Bond´s close associates when he formed the seminal Graham Bond OrganizationFind albums by this artist in 1965, which was later joined by the celebrated drummer Jon HisemanFind albums by this artist. Following the Organization´s breakup Bond formed the Graham Bond InitiationFind albums by this artist and later on collaborated with the poet / lyricist Pete BrownFind albums by this artist, who wrote also the booklet that accompanies this Box Set. Their recordings together are the last (chronologically) tracks in this collection.
The music included in this collection is of varied quality and sometimes of pretty Lo-Fi sound quality, even after it was carefully restored and remastered, but it is of enormous historic importance, as it documents not only Bond´s career but in fact the entire British Jazz scene, which was experiencing at that time a tremendous upheaval and explosion of new talents and ideological modifications of the very fabric of Jazz, which was parting from the American dominance and creating a new variety of the idiom, which would crystallize as European Jazz, spawning Jazz-Rock in the process.
Bond´s performances on the Hammond Organ are all superbly executed and it makes perfect sense that they influenced an entire generation of British musicians, who invented Progressive Rock next, such a Jon LordFind albums by this artist of Deep PurpleFind albums by this artist, Dave GreensladeFind albums by this artist of ColosseumFind albums by this artist, Brian AugerFind albums by this artist and of course many others. In general the music portrays the atmosphere of the British scene at the time, where genres and classifications were pretty arbitrary and where the Jazz / Rock / Prog idioms were influencing and embracing each other with ease and natural affinity.
Kudos to the German RepertoireFind albums on this label label, which is one of the most important sources of reissues, for the meticulous work done on this set and for bringing this material back to life. This set continues the work done by Repertoire on the previous Graham Bond Box Set called "Wade In The Water – Classics, Origins and OdditiesFind albums with this title", which covers the recordings by Graham Bond Organization. Together these two Box Sets pay tribute to one of the greatest heroes of the British Jazz / Jazz-Rock pioneering figures, who is sadly often forgotten and is rarely given the credit he deserves for his revolutionary creativity.
| | Updated: 08/05/2023Posted: 01/04/2016 | CD 4 Box Set Remastered Recommend To A Friend |
  | GRAHAM BOND ~ SOLID BOND
COLLECTORS` CHOICE 2000 (Barcode: 617742200027) ~ UK ~ Jazz-Rock Fusion
Recorded: 1963 - 1966 Released: 2009
If there ever was a quintessential Jazz-Rock album, which practically not only is the first recorded example of the genre, but also defines it unequivocally, this is it! The music herein was initially released as a double LP for the first time in 1970, but it consists of two sessions recorded earlier by the legendary British saxophonist / organist / vocalist Graham BondFind albums by this artist, the earlier one in 1963 and the later in 1966. These two sessions, diametrically different and yet completely unified in spirit, present a miniscule window into the time-space continuum, which enables us to take a peek at the most feverish period in British music, where invention and pioneering breakthrough were happening on a daily basis. The first of these two sessions is not only the first recording of the emerging Jazz-Rock genre but also the recording debut of one of its future heroes, guitarist John McLaughlinFind albums by this artist. The Graham Bond Quartet, captured live in London´s legendary Klooks Kleek club consisted of Bond (on sax), McLaughlin, Jack BruceFind albums by this artist on acoustic bass and Ginger BakerFind albums by this artist on drums. They played a unique brand of modern jazz, which combined the elements of Free Jazz, Swing and Rock (or Rhythm And Blues), basically inventing the Jazz-Rock Fusion on the fly. Although the music is predominantly Jazzy, Baker´s rhythmic approach, Bond´s phrasing and McLaughlin´s scales all included clear Rock innuendos. During the period separating the first session and the second one, Bond formed the Graham Bond OrganizationFind albums by this artist, which recorded a couple of LPs in 1965 ("The Sound Of 65Find albums with this title" and "There`s A Bond Between UsFind albums with this title") and practically fell apart after Bruce and Baker left to form CreamFind albums by this artist. The second recording features another interim quartet with Bond (this time on organ), saxophonist Dick Heckstall-SmithFind albums by this artist, Bruce (who double-gigged between Cream and some Jazz activities) and the young and upcoming drummer Jon HisemanFind albums by this artist. The music recorded during this session is already full-fledged Fusion, with Jazz being tightly incorporated with Blues, Rhythm And Blues and Rock, similar to the patterns perfected during the Organization days. Some of the material appears on the Organization recordings, other was new, but the overall quality is of course everlasting. Shortly after this recording Heckstall-Smith and Hiseman left Bond to join John MayallFind albums by this artist´s BluesbreakersFind albums by this artist and later formed the mighty ColosseumFind albums by this artist. In retrospect this album, although relatively little known by Jazz-Rock enthusiasts, is a holy grail of the genre and an essential piece of any serious music collection. Unavailable for years, the CD recent reissue is a major contribution to preservation of this superb musical achievement. Essential stuff!
| | Updated: 08/05/2023Posted: | CD 1 Essential Recommend To A Friend |
  | BREAD, LOVE AND DREAMS ~ AMARYLLIS
SUNBEAM 5027 (Barcode: 5051125502714) ~ UK ~ Folk-Rock
Recorded: 1970 Released: 2007
3rd and last album by Scottish duo Bread, Love And DreamsFind albums by this artist, which included singer David McNivenFind albums by this artist, who also wrote most of the material, and female singer Angie RewFind albums by this artist. The group started originally as a trio with another female singer Carolyn DavisFind albums by this artist and they recorded their debut album a year earlier. After Carolyn left to pursue a solo career, the duo engaged in an extensive recording project, which produced enough material for a double album. Unfortunately the record label (Decca) refused to issue a double album (originally intended to be called “Mother Earth”) and as a result the first of the two was released a few month earlier under the title The Strange Tale Of Captain Shannon And The Hunchback From GighaFind albums with this title, taken from the title of the epic song included on that album, and the second a few month later, again taking the title from the epic three-part suite present on this album. The duo was lucky to have some great musicians taking part in the recording sessions, namely Pentangle’s rhythm section of Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist on drums, as well as saxophonist Dick Heckstall-SmithFind albums by this artist from ColosseumFind albums by this artist. Some of the songs were also beautifully arranged and orchestrated. The resulting music is a prime example of British Folk-Rock with some Psychedelic influences as well. Although the original albums sold poorly at the time they were released, in time they achieved a legendary status among British Folk-Rock enthusiast and became rare collectors’ items. Having them back in circulation is a long-awaited dream come true and no Acid Folk fan can call his collection complete without these two albums.
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  | BREAD, LOVE AND DREAMS ~ THE STRANGE TALE OF CAPTAIN SHANNON AND THE HUNCHBACK FROM GIGHA
SUNBEAM 5047 (Barcode: 5051125504718) ~ UK ~ Folk-Rock
Recorded: 1970 Released: 2007
2nd album by Scottish duo Bread, Love And DreamsFind albums by this artist, which included singer David McNivenFind albums by this artist, who also wrote most of the material, and female singer Angie RewFind albums by this artist. The group started originally as a trio with another female singer Carolyn DavisFind albums by this artist and they recorded their debut album a year earlier. After Carolyn left to pursue a solo career, the duo engaged in an extensive recording project, which produced enough material for a double album. Unfortunately the record label (DeccaFind albums on this label) refused to issue a double album (originally intended to be called “Mother Earth”) and as a result the first of the two was released under this title, taken from the title of the epic song included on the album, and the second a few month later as AmaryllisFind albums with this title. The duo was lucky to have some great musicians taking part in the recording sessions, namely PentangleFind albums by this artist’s rhythm section of Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist on drums, as well as saxophonist Dick Heckstall-SmithFind albums by this artist from ColosseumFind albums by this artist. Some of the songs were also beautifully arranged and orchestrated. The resulting music is a prime example of British Folk-Rock with some Psychedelic influences as well. Although the original albums sold poorly at the time they were released, in time they achieved a legendary status among British Folk-Rock enthusiast and became rare collectors’ items. Having them back in circulation is a long-awaited dream come true and no Acid Folk fan can call his collection complete without these two albums.
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  | JACK BRUCE ~ BIRD ALONE
NEPTUNE 114 (Barcode: 5050693101527) ~ UK ~ Classic Rock
Recorded: 1980 Released: 2001
What a delight it is to see (and hear) this piece of history being released. Any previously unknown piece of recording by Jack BruceFind albums by this artist, the legendary composer, singer and bass player and one of the most distinctive voices of our era. This album documents a live performance of the Jack Bruce Band in Denver in 1980. The band included Jack Bruce – vocals, bass & piano, David SanciousFind albums by this artist – keyboards & guitar, Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist) – guitar and Billy CobhamFind albums by this artist (Mahavishnu OrchestraFind albums by this artist) – drums, a dreamy lineup by any standard. The repertoire of the concert spans the entire Jack’s career, from the CreamFind albums by this artist days and through his wonderful solo albums released in the 1970s. His unique voice is in top form and the performances are spirited and inspired. The sound quality might not be top notch, but considering that this is a soundboard recording, which was never intended for release, it’s not too bad. I wouldn’t hesitate even a fraction of a second if to get this one, as the historic importance of this recording surpassed by far any sound imperfections. A must to all Jack Bruce disciples!
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  | JACK BRUCE ~ I`VE ALWAYS WANTED TO DO THIS
ESOTERIC 2073 (Barcode: 5013929717329) ~ UK ~ Progressive Rock
Recorded: 1980 Released: 2008
This wonderful album by bassist / singer / composer Jack BruceFind albums by this artist was unfortunately lost somewhere along the way, drawing little attention, although it is as good in every respect as the rest of the material Bruce recorded through the 1970s as a solo artist and leader of the Jack Bruce BandFind albums by this artist. A beautiful set of songs composed by Bruce and as usual with lyrics supplied by his poet-friend Pete BrownFind albums by this artist comprise the bulk of the material and are exceptionally intelligent and moving. The stellar band accompanying him on this recording includes guitarist Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), keyboardist David SanciousFind albums by this artist and drummer Billy CobhamFind albums by this artist. Bruce delivers the vocals in a completely unique fashion, his operatic abilities evident as always and the instrumental work is spotless and sympathetic. Considering Bruce´s songwriting abilities one wonders why he remains to be known only among a relatively small circle of friends and admirers, rather than being appreciated and treasures more wildly. Well he´s obviously simply too good for his own good. Brilliant stuff and a most welcome reissue!
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  | COLOSSEUM ~ BREAD & CIRCUSES
CASTLE 1345 (Barcode: 5050749413451) ~ UK ~ Progressive Rock
Recorded: 1996 - 1997 Released: 2006
Following the 1994 reunion, which proved to be extremely successful, both artistically and commercially, the pioneering British Jazz-Rock Fusion band ColosseumFind albums by this artist, one of the greatest band ever in the genre´s history, decided to keep the reunited band together for further concerts and even recorded a couple of new albums, of which this is the first one. In retrospect, with the tragic death of saxophonist Dick Heckstall-SmithFind albums by this artist in 2004, this album was destined to be one before the last recording by the original band, which of course included also vocalist Chris FarloweFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album includes eleven original compositions by the band members, performed brilliantly, as always. None of the players seem to have lost any of their passion for music or the ability to perform, which is evident, every step of the way. It seems an appropriate way to say goodbye to the numerous fans around the world and although seals the era, emphasizes what a glorious era it was. A must!
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  | COLOSSEUM ~ LIVE
ESSENTIAL 641 ~ UK ~ Progressive Rock
4th and last album from 1972 by the original band. Originally a double album, now on 1 CD. Colosseum were always considered best when playing live and this album ranks among the best live performances ever captured on record. The tunes are widely stretched, giving all the players ample opportunity to fly and shine. Farlowe gives a performance of his life and the music flows and soars straight to your heart!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE (2CD EXPANDED EDITION)
ESOTERIC 2545 ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2016
This is a reissue of the seminal live album by the legendary British Jazz-Rock Fusion / Blues-Rock Fusion group ColosseumFind albums by this artist, founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who shared earlier common ground as members of John MayallFind albums by this artist´s BluesbreakersFind albums by this artist and Graham Bond OrganizationFind albums by this artist. The final incarnation of the band´s first era, of which this was the last recording, included also vocalist Chris FarloweFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist and bassist Mark ClarkeFind albums by this artist. The original release of this album was a 2LP set and this 2CD edition more than doubles the original album´s playing time, including additional material that was recorded at the same concerts from which the original album was put together.
This reissue is the answer to the question: "How do you take the best possible album and make it better?" The new remaster and the additional material simply turn this iconic album into what is probably the most important recording made at the historic crossroads that produced, after a period of about half a decade of crystallization and construction, two of the tremendous British contributions to music in the 1960s: Blues-Rock Fusion and Jazz-Rock Fusion (the other being Progressive Rock, which also has a few moments on this album).
The complexity and the ingenuity of the music on this album are mind-bugling and in fact it was never matched by any other album of that period. The musicians struggled with the difficulties of playing this music live and compensated for any technical imperfections by the fire and enthusiasm of the performance. In fact the group´s reunion after twenty three years produced other live versions of the same material ("Live Cologne 1994Find albums with this title"), which are technically more perfect than the recordings herein, a fact that can be easily explained by the musical experience acquired during that period of time.
In retrospect this album simply refuses to fade away and still shines like a beacon of musical vitality, sophistication and stylistic crosspollination, which puts most of contemporary music in a miserable and pitiable light. Brainwashed and undereducated listeners of today can´t tell great music from organic waste…
I wonder if we can expect a future 4CD version of this album? After all this has already been reissued three times, so why not again? Still absolutely essential, perhaps even more so than before!
| | Updated: 17/01/2017Posted: 17/01/2017 | CD 2 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE `71
REPERTOIRE 1396 (Barcode: 4009910139622) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in February and March of 1971 during their UK tour, which yielded their legendary “LiveFind albums with this title” album, which to this day is considered as one of the most important live concert recordings of all time, which sadly proved to be the last album by the early version of the band. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes mostly original material, which appeared over time on the studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
The first CD of this 2CD release offers a complete show recorded on February 12, 1971, which as far as I know was previously unissued and is alone worth the price of the album. The show is more relaxed and open to improvisation then the material recorded in March and partly included on the a.m. live album.
The second CD however, is more problematic, since as far as I can see it is identical to the second CD included on the EsotericFind albums on this label reissue “Live (2CD Expanded Edition)Find albums with this title” from 2016, with a confusing, slightly different running order. Why on earth would RepertoireFind albums on this label do this is beyond me.
But as mentioned earlier, every instance of Colosseum material, especially as excellently recorded as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely essential stuff!
| | Updated: 18/02/2021Posted: 18/02/2021 | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX 1969
REPERTOIRE 1460 (Barcode: 4009910146026) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2023
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on April 25, 1969 during the European Broadcasting Union international awards festival Rose d’Or. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they were in the midst of recording their second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents four compositions, including the three-part "Valentine Suite", expanded according to the circumstance, including material from the debut album and the yet unreleased second album. The fifth track was recorded a couple month later, during their appearance at the Monteux Jazz Festival on June 22, 1969. All the performances were also captured on video by the Swiss TV, and are present here on the DVD included in the package.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the over five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of several live archival albums by Colosseum recently released by the German Repertoire Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 03/08/2023Posted: 03/08/2023 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX INTERNATIONAL JAZZ FESTIVAL
REPERTOIRE 1389 (Barcode: 4009910138922) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on June 21, 1969 during the annual International Jazz Festival, one of the most prestigious gigs in Europe at the time. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents six compositions, expanded according to the circumstance, including material from the debut album and the yes unreleased second album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 07/10/2020Posted: 07/10/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT ROCKPALAST 2003
REPERTOIRE 1449 (Barcode: 4009910144923) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2022
This is an archival live 2CD + DVD album by the iconic British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded / filmed by German WDR TV on September 27, 2003 at the Viersen Jazz Festival, which was part of their 2003 tour in Germany. The material was intended for the legendary “Rockpalast” TV show. The reunited (in 1994) band just recorded their new (at the time) album “Tomorrow`s BluesFind albums with this title” and were in absolute top form. The ailing saxophonist Dick Heckstall-SmithFind albums by this artist, who would sadly depart just a few months later, was replaced by the fabulous Barbara ThompsonFind albums by this artist, the wife and life companion of the band’s leader, drummer Jon HisemanFind albums by this artist, and the rest of the superb team included keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist extraordinaire Chris FarloweFind albums by this artist. The album includes several tracks from the new album and a mixture of their classic repertoire, going back right to their debut album. The DVD offers all the audio tracks present on the two CDs and in additional twenty minutes long interview with Hiseman.
The sound and vision quality of the material is absolutely superb and now even enhanced by a careful restoring process, with a stunning result, probably the best among all the many live Colosseum recordings.
The music is of course absolutely Godly from start to finish and Colosseum followers can easily compare this material with their legendary “LiveFind albums with this title” album from 1971, to see that although over thirty years passed by, the band lost absolutely nothing of their fire and power, and managed to polish their show to absolute perfection. The level of the improvisation during the extensive keyboards, guitar, saxophone and drums solos is genial and Farlowe’s vocals are still unbeatable.
With Dick, Barbara and Jon now gone, listening to this album is a deep, almost spiritual experience of longing for friendships lost, and time mercilessly passing for all of us. Great to see the legacy of the greatest band ever still living and new archival material still being released.
Overall, this is an absolutely essential piece of the recorded legacy by this iconic band, which combined Blues, Rock, Jazz and everything in-between better than almost anybody out there, for generations to come. Glittering musical gold!
| | Updated: 26/04/2023Posted: 26/04/2023 | 2CD+DVD 3 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT RUISROCK FESTIVAL, TURKU, FINLAND 1970
REPERTOIRE 1391 (Barcode: 4009910139127) ~ UK ~ Jazz-Funk Fusion
Recorded: 1970 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist, recorded live in August of 1970 during their Scandinavian tour and presents an early recording of the second lineup of the group. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes original material and one piece each by Jack BruceFind albums by this artist and Graham BondFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
This specific concert bursts with energy and enthusiasm, and Hiseman’s lengthy drums solo is an absolute classic. Clempson falls in within the Colosseum modus operandi perfectly from day one and his soloing is sublime as always. With four of the five tracks clicking well over ten minutes in duration, this is a true orgy of improvisation, albeit perfectly well organized. The sound quality of this recording if somewhat iffy, but the remastered material is definitely listenable, compared with the bootleg versions of this album that have been around for ages.
As usual, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| | Updated: 19/06/2021Posted: 19/06/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE BOSTON TEA PARTY
REPERTOIRE 1390 (Barcode: 4009910139028) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Boston on August 13, 1969 during the group´s first US tour. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they embarked on the US tour they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. Therefore it is hardly surprising that they played exclusively (well almost, see below) material from the second, already recorded but not yet released album. The live set presents only three compositions, expanded according to the circumstance, including the entire three-part suite that gave the album its title.
For Colosseum specialists, the version of the suite performed here live is different from the version eventually released on the UK version of the album, with the third part of the suite being "Beware Of The Ides Of Mach" (released on the debut album) to by replaced by "The Grass Is Always Greener" on the studio album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 07/10/2020Posted: 09/09/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE PIPER CLUB, ROME, ITALY 1971
REPERTOIRE 1394 (Barcode: 4009910139424) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in Summer of 1971 and presenting one of the last known recordings of the final lineup of the band, which disbanded just a few months later in October of 1991. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes two original pieces and one piece each by Jack BruceFind albums by this artist and Michael GibbsFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality. The two original tunes (one co-written by Clempson and Hiseman and the other by Hiseman) get over-extended versions on this album, timing well over twenty minutes each, which present the incredible instrumental abilities by the band members, including Hiseman’s unique drumming technique.
The sound quality of this recording if truly iffy, and even the remastered version is not easily listenable, albeit somewhat better than the bootleg versions of this album that have been around for ages. Obviously the source material for this material is simply sub-standard.
And yet, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| | Updated: 08/07/2021Posted: 08/07/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE IN GERMANY
REPERTOIRE 1404 (Barcode: 4009910140321) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1971 Released: 2021
This is an archival album, which collects live recordings by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The 2CD / DVD album covers recordings of live concerts in Germany and Austria, captured between 1969 and 1971. Colosseum was formed in 1968 from the ashes of the Graham Bond OrganizationFind albums by this artist by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist (both members of GBO). The first lineup included also keyboardist Dave GreensladeFind albums by this artist, guitarist / vocalist James LitherlandFind albums by this artist and bassist Tony ReevesFind albums by this artist. Litherland was replaced by Clem ClempsonFind albums by this artist and Reeves was replaced briefly by Louis CennamoFind albums by this artist and later by Mark ClarkeFind albums by this artist and Chris FarloweFind albums by this artist was added as lead vocalist, turning Colosseum into a sextet. Hiseman’s wife, saxophonist / flautist Barbara ThompsonFind albums by this artist guests on one track. The sound quality is fabulous, and the remastering, packaging and enclosed highly informative booklet are top notch.
Colosseum were one of the most imaginative and intelligent early Fusion / Prog bands ever and managed to create a highly unique sound and musical aesthetics. A perfectly balanced amalgam of Jazz, Rock and Blues, which they created, remains largely unmatched to this very day. Their success can be mostly credited to the perfect blend of their musical personalities and immense collection of diverse talents, as well as the leadership of Hiseman, who was one of the most important British musicians of his generation. I was lucky to know Jon and watching him and the band perform was always a revelation.
CD1 of the album covers the material recorded in 1969 and 1970 by the German TV show “Beat-Club” (the first four tracks) and the 1969 concert in Vienna (the next four tracks). CD2 covers the 1971 concert in Frankfurt (four long tracks). The “Beat Club” material is also included in video version on the enclosed DVD.
This album offers an incredible wealth of music, hair-raising instrumental performances and a sublime glimpse at the period when music was at its absolute creative peak. There are but a few groups that managed to achieve the same level of intensity and inventiveness ever since.
For Colosseum fans this album is absolutely essential of course, but the interest goes way beyond just that. British Jazz and Fusion enthusiasts will be also thrilled; as should any music loving person on this planet be as well. This music is beyond recommendation, a true Holy Grail!
| | Updated: 25/11/2021Posted: 25/11/2021 | 2CD+DVD 3 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE05
REPERTOIRE 1382 (Barcode: 4009910138229) ~ UK ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2024
This is a reissue of a 2CD live album by the seminal British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded in 2005. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, went through several personnel changes before disbanding in 1971, after recording several iconic albums. They reunited in 1994 and continued performing and recording albums with a lineup, which included the two founding members and keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the death of Heckstall-Smith in 2004, Hiseman’s wife saxophonist / flautist Barbara ThompsonFind albums by this artist joined the band, and this new lineup recorded this live album.
This album was initially released privately on Temple MusicFind albums on this label in 2007 and then on RuffFind albums on this label Records in Germany in 2010, both editions now long gone from the market. This RepertoireFind albums on this label Records reissue, newly packaged and with a booklet designed by Ana GraceyFind albums by this artist (Barbara’s and Jon’s daughter), celebrates Hiseman’s 80th Birthday Anniversary.
The music is a wonderful example of the band’s live act, which includes music spanning their entire career. Although some of that music appears on other live albums, due to the highly improvised nature of the band’s performances, each and every version of these tunes is completely unique. It also reflects the phenomenal agility of Barbara, who joined the group only a few months earlier (although she did play some gigs with the band before formally joining), and blended perfectly into the act, obviously adding her personal fabric to the tunes.
Each and every live album by Colosseum depicts the incredible talents of all the band members, with the spotlight on their abilities as improvisers, since the band’s material was always heavily influenced by Jazz and the live performances were ideal platforms to “go wild” and play lengthy instrumental solos and vocal extravaganzas.
Overall, this is as brilliant as every other Colosseum album, studio and live alike, and if anybody missed the original release of this album, this is an opportunity to repent and correct mistake. Absolutely not to be missed!
| | Updated: 26/08/2024Posted: 26/08/2024 | CD 2 Slipcase Recommend To A Friend |
  | COLOSSEUM ~ RESTORATION
REPERTOIRE 1430 (Barcode: 4009910143025) ~ UK ~ Blues-Rock
Recorded: 2021 Released: 2022
The legendary British Prog / Fusion band ColosseumFind albums by this artist returns with a new album eight years after their previous studio recording. The lineup, still a sextet, includes three “founding” members: vocalist Chris FarloweFind albums by this artist, guitarist Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist, and three new members: keyboardist Nick SteedFind albums by this artist, saxophonist Kim NishikawaraFind albums by this artist and veteran drummer Malcom MortimoreFind albums by this artist (Gentle GiantFind albums by this artist). The album presents ten songs, most written by the band members, with a couple of songs written by others.
The music is mostly Blues-Rock oriented, and has less (if any) Jazz influences than the previous albums, despite the saxophone present in the lineup. The songs are all solid and highly melodic, but lack the “twist” present in the old Colosseum material.
Farlowe is still a formidable vocalist and Clempson still plays some great guitar solos, but the band is but a shadow of the old Colosseum image. Of course they are better than most contemporary Rock bands, but that is hardly a challenge after all.
Overall, this is a very nice Blues-Rock / melodic Rock album, perfectly executed by veteran musicians, which is a great fun to listen to, but appearing under the Colosseum name is somewhat a misappropriation IMHO. Assumably Colosseum fans will all get a copy…
| | Updated: 09/07/2022Posted: 09/07/2022 | CD 1 Digipak Recommend To A Friend |
  | COLOSSEUM ~ THE GRASS IS GREENER (EXPANDED EDITION)
TALKING ELEPHANT 181 (Barcode: 5028479018123) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1970 Released: 2011
"The Grass Is GreenerFind albums with this title" was the second US release by the superb British band ColosseumFind albums by this artist. Founded in 1968 by drummer Jon HisemanFind albums by this artist, Colosseum was one of the most important and innovative bands active in the UK in the late 1960s / early 1970s. It combined virtuosic performances and imaginative musical writing way ahead of its time; crossing genres elegantly and skillfully, amalgamating Blues, Jazz and Rock in a way no other band had previously attempted and very few others ever managed to do in the years that followed.
This particular album by Colosseum is however especially interesting as far as record collectors and fans of the band are concerned, since it reflects a widely-spread phenomenon, which characterized the record industry at the time. As a result of the "British Invasion", spearheaded by the Beatles and other UK bands in the mid-1960s, the US record market was swamped by UK releases on a regular basis. However, the US record labels often took the liberty to change the UK albums selected to be released in the USA. These changes could involve an alternate cover art and liner notes, a different track order, a different selection of tracks and up to creating new and completely "virtual" albums, which never existed originally, by combining tracks from two or more previously released albums, sometimes even with previously unreleased material.
This album is a great example of the above, as it embodies all of the above methods and as a result becomes a true nightmare for collectors and fans, especially the completists among them. Before "The Grass Is Greener" was released in the US on the DunhillFind albums on this label label, the label already released the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in US, but that release was also completely different from the original UK release and in fact included about half of material from the "Valentyne SuiteFind albums with this title" album, before that album was released in the UK a few months later as the first release on the new VertigoFind albums on this label label – the legendary home of Progressive Rock and Art Rock for years to come. Therefore, by the time Dunhill was planning the release of the second US Colosseum album; including the "Valentyne Suite" in its entirety was obviously out of the question, since so much of the album´s material had already been used on the debut US release. So the label decided to use the remaining three tracks from "Valentine Suite" and asked for some new, previously unreleased material, which the band recorded in two separate sessions late 1969 and early 1970 (after Clem ClempsonFind albums by this artist joined the band, replacing James LitherlandFind albums by this artist). These five new tracks, released only in US on the "The Grass Is Greener" album have made it a much sought after collectors´ item ever since.
Those interested in further pursuing these tracks should note, that four of them: "Bolero", "The Grass Is Greener" (which is an alternate version of the 3rd part of "Valentyne Suite"), "Jumping Off The Sun" (with an overdubbed vocals by Chris FarloweFind albums by this artist) and "Rope Ladder To The Moon" were released in UK in 1971 on the Bronze compilation album "The Collectors Colosseum" (ILPS 9173), which also included an unreleased track from the debut album entitled "I Can´t Live Without You". As for "Lost Angeles", one would have to wait another 33 years, until the 2004 release of the "Valentyne Suite" 2CD expanded edition on SanctuaryFind albums on this label (SMEDD 097) or further 2 years after that for the digipak CD version of that album (SMBCD 386). Both these editions include another lost "Valentyne Suite" era track: "Arthur´s Moustache", which had remained unreleased up to that time.
And of course Colosseum is still very much alive. After reuniting in 1994, they continued touring and recording right up to the present day but that is a completely different tale. However, if you can get to hear them play, don´t miss the opportunity to enjoy one of the best bands that ever existed on this planet.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 26/08/2020Posted: | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | COLOSSEUM ~ THOSE WHO ARE ABOUT TO DIE SALUTE YOU
ESSENTIAL 643 ~ UK ~ Progressive Rock
1st album from 1969 by the best ever UK blues / rock / jazz outfit. Formed by the finest UK jazz and blues players at the time and led by the drummer Jon Hiseman, they were a mean and well oiled playing machine delivering virtuoso performances at neck-breaking speed and mastery. Some great compositions by all band members (especially Dave Greenslade) - this music gets better with time like good wine.
| | | CD 1 Remastered Recommend To A Friend |
  | COLOSSEUM ~ THOSE WHO ARE ABOUT TO DIE SALUTE YOU (DELUXE EDITION)
SANCTUARY 096 (Barcode: 5050749209627) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2004
1st album by ColosseumFind albums by this artist, the best ever UK blues / rock / jazz outfit. Formed by the finest UK jazz and blues players at the time and led by the drummer Jon HisemanFind albums by this artist, they were a mean and well oiled playing machine delivering virtuoso performances at neck-breaking speed and mastery. Some great compositions by all band members (especially Dave GreensladeFind albums by this artist) - this music gets better with time like good wine. This edition adds previously unavailable studio tracks.
| | | CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | COLOSSEUM ~ TIME ON OUR SIDE
RUF 1209 (Barcode: 710347120926) ~ UK ~ Jazz-Rock Fusion
Recorded: 2010 - 2013 Released: 2014
This is the final album by seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The group was founded by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist and for many years included also keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the recording of their last album together “Tomorrow`s BluesFind albums with this title” Heckstall-Smith died in 2004 and saxophonist / flautist Barbara ThompsonFind albums by this artist, Hiseman’s wife, joined the group for its final stretch, which ended with the death of Hiseman in 2018. The last lineup with Thompson recorded this final album over a period of three years, and it also features vocalist Ana GraceyFind albums by this artist (daughter of Thompson and Hiseman) on one track, which she also wrote. The album presents nine studio tracks, all originals by the members of the band except the a.m. track by Gracey, several featuring lyrics by the legendary Pete BrownFind albums by this artist. The CD edition includes one live bonus track, written by Jack BruceFind albums by this artist and Pete Brown.
The music is everything one might expect from a Colosseum album; a great amalgam of Jazz / Rock / Blues, which always represented their musical aspirations. Decades of experience are evident in the brilliant instrumental performances, which are as strong as ever, as are the vocals by Farlowe, Clempson and Clarke. The music might be a bit more relaxed and less experimental than on the early alums, but is still excellent in all respects.
Thompson’s saxophone parts are quite different from those by Heckstall-Smith, which somewhat changed the overall sound of the group, but did not make a radical impact, which would change the general concept. This is definitely a playful work by these veterans, which still sounds great and offers a proper last fanfare to one of the best groups of all time.
Colosseum fans won’t miss this album of course, but it should appeal to all Classic Rock fans around the globe, as nobody makes music like this anymore. Wholeheartedly recommended!
| | Updated: 06/06/2021Posted: 06/06/2021 | CD 1 Recommend To A Friend |
  | COLOSSEUM ~ TOMORROW`S BLUES
CASTLE 1399 (Barcode: 5050749413994) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2006
Following the 1994 reunion, which proved to be extremely successful, both artistically and commercially, the pioneering British Jazz-Rock Fusion band ColosseumFind albums by this artist, one of the greatest band ever in the genre´s history, decided to keep the reunited band together for further concerts and even recorded a couple of new albums, of which this is the second one. In retrospect, with the tragic death of saxophonist Dick Heckstall-SmithFind albums by this artist in 2004, this album was destined to be the very last recording by the original band, which of course included also vocalist Chris FarloweFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album includes nine original compositions by the band members and one standard, performed brilliantly, as always. None of the players seem to have lost any of their passion for music or the ability to perform, which is evident, every step of the way. It seems an appropriate way to say goodbye to the numerous fans around the world and although seals the era, emphasizes what a glorious era it was. A must!
| | | CD 1 Recommend To A Friend |
  | COLOSSEUM ~ TRANSMISSIONS: LIVE AT THE BBC
REPERTOIRE 1346 (Barcode: 4009910134627) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1971 Released: 2020
This is a sensational archival Box Set, which collects the BBC recordings by the first incarnation of the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The 6CD Box Set covers the BBC recordings captured between 1969 and 1971. Colosseum was formed in 1968 from the ashes of the Graham Bond OrganizationFind albums by this artist by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist (both members of GBO). The first lineup included also keyboardist Dave GreensladeFind albums by this artist, guitarist / vocalist James LitherlandFind albums by this artist and bassist Tony ReevesFind albums by this artist. Litherland was replaced by Clem ClempsonFind albums by this artist and Reeves was replaced briefly by Louis CennamoFind albums by this artist and later by Mark ClarkeFind albums by this artist and Chris FarloweFind albums by this artist was added as lead vocalist, turning Colosseum into a sextet. Hiseman’s wife, saxophonist / flautist Barbara ThompsonFind albums by this artist and the entire New Jazz OrchestraFind albums by this artist (NJOFind albums by this artist) guest on selected tracks. The sound quality is fabulous, as usual with BBC recordings, and the remastering, packaging and enclosed highly informative booklet are top notch
Colosseum were one of the most imaginative and intelligent early Fusion / Prog bands ever and managed to create a highly unique sound and musical aesthetics. A perfectly balanced amalgam of Jazz, Rock and Blues, which they created, remains largely unmatched to this very day. Their success can be mostly credited to the perfect blend of their musical personalities and immense collection of diverse talents, as well as the leadership of Hiseman, who was one of the most important British musicians of his generation. I was lucky to know Jon and watching him and the band perform was always a revelation.
This Box Set covers the material included on the band’s first three (or four, depending on how detailed one wants to dig) studio albums and complements perfectly their only live album, which is undoubtedly one of the best live albums ever recorded. In many respects the music included here shows more of the Jazzy aspects of Colosseum than the live album, which is more Blues-Rock oriented. These versions of the tunes are often dramatically different from the versions appearing on the studio album and feature extensive soloing and improvisations.
These six CDs offer an incredible wealth of music, hair-raising instrumental performances and a sublime glimpse at the period when music was at its absolute creative peak. There are but a few groups that managed to achieve the same level of intensity and inventiveness ever since.
For Colosseum fans this Box Set is absolutely essential of course, but the interest goes way beyond just that. British Jazz and Fusion enthusiasts will be also thrilled; as should any music loving person on this planet be as well. This music is beyond recommendation, a true Holy Grail!
| | Updated: 27/05/2021Posted: 26/05/2021 | CD 6 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ UPON TOMORROW
REPERTOIRE 1466 (Barcode: 4009910146620) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1971 Released: 2023
This is a 2CD archival album by the legendary British Progressive Rock / Jazz-Rock Fusion group ColosseumFind albums by this artist, presented as the “long-lost 4th studio album”, but the album’s content is quite a complex matter, as explained below. The lineup of the classic Colosseum lineup includes vocalist Chris FarloweFind albums by this artist, bassist Mark ClarkeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist, saxophonist Dick Heckstall-SmithFind albums by this artist and drummer Jon HisemanFind albums by this artist, except on the first two tracks on CD1, which feature guitarist James LitherlandFind albums by this artist and bassist Tony ReevesFind albums by this artist.
CD1 contains four tracks recorded during two separate filmed concerts, the first a TV appearance (tracks 1-2), captured on March 26, 1969, and the second a part of a series of films about British Rock bands (tracks 3-4), captured on May 14, 1970, both of which have nothing to do with the a.m. “lost” album. The CD includes only audio material, which I find it a bit bizarre, as RepertoireFind albums on this label Records could have probably get hold of a license to the video material as well, unless they plan to release that separately?
CD2 contains eight tracks, the first five of which were supposedly intended as the “lost” album and the remaining are demos of three of those tracks. The material was recorded during the hiatus following the release of the largely successful “LiveFind albums with this title” album, which eventually led to the band falling apart by the end of 1971. The material was recorded in spring / summer of 1971, first at the legendary Lansdowne Studios (see the three demos), and later mixed it at the Advision Studios (see track 5) and finally at Jon’s home studio (see tracks1-4). Colosseum performed some of this material during their concerts in late 1971 and it also appeared on Colosseum related albums, like the debut solo album by Heckstall-Smith or the debut album by TempestFind albums by this artist.
Colosseum were just too good to last, and such superb collection of talents was bound to implode / explode, especially when the British Prog and Fusion was a constant swirl of bands being created and falling apart, often without the opportunity to leave recorded legacy behind. Lucky for us, Colosseum fans, there is a true abundance of music in Hiseman’s extensive archives, and of course we enjoyed the sensational reunion later on.
Overall, as on every other archival Colosseum album, there is plenty of sublime material herein to give us a reason to rejoice, especially since much of it are unreleased studio recordings. For Colosseum fans, this is heaven on earth of course, so let’s simply enjoy it!
| | Updated: 20/02/2024Posted: 20/02/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ VALENTINE SUITE
ESSENTIAL 642 ~ UK ~ Progressive Rock
2nd album from 1969 by the same line-up of the group that produced the debut album. This time the group attempts to record a lengthy suite rather then individual pieces of music and of course succeeds beyond all expectations. The music and the performances are brilliant all the way and mark this as one of the greatest Prog albums of all times.
| | | CD 1 Remastered Recommend To A Friend |
  | COLOSSEUM ~ VALENTYNE SUITE (DELUXE EDITION)
SANCTUARY 097 (Barcode: 5050749209726) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2004
2nd album by the same lineup of ColosseumFind albums by this artist that produced the debut album. This time the group attempts to record a lengthy suite rather then individual pieces of music and of course succeeds beyond all expectations. The music and the performances are brilliant all the way and mark this as one of the greatest Prog albums of all times. This beautiful edition includes both the UK release (Valentyne SuiteFind albums with this title) and the US release (The Grass Is GreenerFind albums with this title), which was earlier and much different, as well as some BBC sessions. Absolutely essential.
| | | CD 2 Slipcase Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM II ~ STRANGE NEW FLESH (EXPANDED EDITION)
CASTLE 1188 (Barcode: 5050749411884) ~ UK ~ Progressive Rock
Recorded: 1975 Released: 2005
1st album by the second incarnation of ColosseumFind albums by this artist. After the original band disbanded in 1971, leader and drummer Jon HisemanFind albums by this artist formed TempestFind albums by this artist (which recorded two splendid albums) and in 1974 formed the new Colosseum with guitar hero Gary MooreFind albums by this artist. The new band had a much “harder” sound than the original band, but still played a mixture of Jazz-Rock, which by that time was already called Fusion. The band also included the excellent keyboards player Don AireyFind albums by this artist and bassist Neil MurrayFind albums by this artist (GilgameshFind albums by this artist) as well as Mike StarrsFind albums by this artist on lead vocals. The combination of five first class musicians produced a band that could play anything between Fusion and Prog with ease and elegance, as this album proves. Although received coldly by the fans of the original Colosseum (probably due to the different sound and the fact that the strong presence of Blues elements was replaced with Rock elements), this is an excellent album in every respect and in retrospect surely deserves much more attention that it did originally. This beautiful new edition almost triples the playing time of the original album by an hour of studio material and a BBC live concert recorded in 1976, all previously unreleased. Highly recommended.
| | | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | CHRIS FARLOWE ~ BURSTING OVER BREMEN
MIG 00882 (Barcode: 885513008824) ~ UK ~ Blues-Rock
Recorded: 1985 Released: 2014
This is a great archival album presenting a live recording by British Blues-Rock vocalist Chris FarloweFind albums by this artist and his band, which was originally recorded by Radio Bremen and waited for almost three decades to become available to the delight of Farlowe´s many fans. During the concert, which was part of the tour promoting Farlowe´s return to the recording studio and the release of the "Out Of The BlueFind albums with this title" album, he was accompanied by an excellent five-piece band which featured guitarist Mo WithamFind albums by this artist, keyboardist Tim HinkleyFind albums by this artist, saxophonist Martin WinnerFind albums by this artist, bassist Tex CornerFind albums by this artist and drummer John PalmerFind albums by this artist.
Throughout his entire career Farlowe always came out at his best live, tearing the stage down. His memorable performance on the original ColosseumFind albums by this artist live album from 1971, one of the seminal Progressive Rock albums of all times, is just one example of his phenomenal vocal abilities, his improvisational streak and his unmatched stage presence. The recording of the Colosseum reunion concert in Cologne in 1994 is another example of his charisma, and the twenty three years that separate these two live albums show Farlowe getting better in time.
This album is also a thrilling experience, lasting about 95 minutes (spread over two CDs), showcasing Farlowe doing what he does the best, i.e. singing his heart out. The incredible quality of this live recording makes the entire experience feel like it is happening in front of the listener´s eyes. The band members support the vocalist admirably, playing soaring solos and keeping the perfect time, like true pros. The material is never far away from the Blues, including some Rhythm And Blues songs but basically the Blues rulez. Several heartbreaking expanded versions of classic twelve bar Blues songs are alone worth the price of the whole album, but overall this is pure gold from start to finish. Just listen to Farlowe exchanging vocal licks with the guitar player and the fact that he is one of the true greats is plainly obvious.
For some inexplicable reason Farlowe seems to be much more popular on the continent and especially in Germany rather than in Britain. I could never get it, although this has been going on for ages. Well whatever the Brits might think about him, he is definitely a Giant and in retrospect his contribution to British Blues-Rock and Rock music are nothing short of spectacular.
This music is such great fun that I can hardly imagine any serious Blues-Rock connoisseur that would dare to miss it. In short grab it while it lasts!
| | Updated: 08/05/2023Posted: 26/04/2016 | CD 2 Digipak Remastered Recommend To A Friend |
  | CHRIS FARLOWE ~ FROM HERE TO MAMA ROSA
REPERTOIRE 1331 (Barcode: 4009910133125) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2017
This is a reissue of the fourth album by the seminal British vocalist Chris FarloweFind albums by this artist, one of the most distinctive voices of the British Isles´ musical history. His career started in the early 1960s and he was at the epicenter of the British Rhythm And Blues explosion with his group The ThunderbirdsFind albums by this artist. He was considered as one of the top three acts of the era, together with Georgie FameFind albums by this artist and the Blue FlamesFind albums by this artist and Zoot MoneyFind albums by this artist and the Big Roll BandFind albums by this artist. Farlowe recorded no less than three albums in 1966, all excellent examples of the Blues and Rhythm And Blues. In time The Thunderbirds morphed into The HillFind albums by this artist, the group that accompanies Farlowe on this album, which included guitarist Steve HammondFind albums by this artist, keyboardist Peter RobinsonFind albums by this artist, cellist Paul BuckmasterFind albums by this artist, bassist Bruce WaddellFind albums by this artist and drummer Colin DavyFind albums by this artist. The original album presented nine tracks, all but one composed by Waddell or co-composed by him. This reissue adds three bonus tracks.
Musically this album is very different from Farlowe´s earlier Rhythm And Blues recordings and it has a distinctive Progressive Rock flavor, which is hardly surprising considering that soon after the recording of this album Farlowe was about to join the mighty ColosseumFind albums by this artist and later also Atomic RoosterFind albums by this artist, two of the most important representatives of the British Progressive Rock and Jazz-Rock Fusion.
The album presents excellent tunes, all beautifully performed, with impressive instrumental soloing, as appropriate for the Prog idiom. Superb Hammond organ parts and of course cello, which was quite unusual in the Rock setting.
In retrospect this is one of those rare gems that almost completely slipped under the radar of the Prog fans over the tears, which can be rectified with this reissue of course. As for Farlowe, some listeners seem to be allergic to his unique vocal capabilities and theatrics, but personally he was always one of my favorite vocalists, with very few equals over the years.
This is definitely one of the best albums of his solo recording legacy, all of which are definitely worth checking out. It´s great to see this album back in circulation and hopefully it won´t be missed out by his many fans this time. This is a little known gem, which deserves to be heard!
| | Updated: 08/05/2023Posted: 05/06/2018 | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | CHRIS FARLOWE ~ LIVE AT ROCKPALAST 2006
MIG 90842 (Barcode: 885513908421) ~ UK ~ Blues-Rock
Recorded: 2006 Released: 2018
This is a live album by legendary British Rock / Blues / Soul vocalist Chris FarloweFind albums by this artist, recorded with the band led by Blues guitarist Norman BeakerFind albums by this artist, which included bassist John PriceFind albums by this artist, keyboardist Dave BaldwinFind albums by this artist, saxophonist Damian HandFind albums by this artist, drummer Paul BurgessFind albums by this artist and guest vocalist Nikolay ArutyunovFind albums by this artist. The 2CD album presents fourteen tracks, which include many Blues and Blues-Rock standards. The DVD presents the same material in video version and a bonus backstage interview.
Farlowe, born in 1940 and aged eighty-three at the time of writing, is a veteran of the British Rock scene, starting his career in the late 1950s and getting first attention with his group The ThunderbirdsFind albums by this artist in the mid-1960s. He joined the legendary group ColosseumFind albums by this artist in 1970 and is still an active lead vocalist of the group, almost fifty-five years later, a truly amazing achievement. He has one of the most distinctive voices and his affinity to the Blues is absolutely unique as are his interpretations of Blues oriented material and he has been one of my all-time favorite vocalists since forever.
This album finds him exactly where likes to be, singing a wonderful set of Blues-Rock material, accompanied by excellent instrumentalist, including Beaker, who is a superb electric Blues player. Sixty-six years young at the time, his vocals are absolutely untouched by time and he sound wonderful as always.
Overall, this is a brilliant Blues-Rock album, one of those which only get better with time, especially when the Blues-Rock scene is thinning out dramatically. Farlowe never made a bad record in his life, and this one is definitely up to par with his abilities. For guitar fans, not familiar with Beaker’s skills, this is quite a shocker, and of course for Farlowe many followers, this is an absolute must in their collection!
| | Updated: 01/08/2024Posted: 01/08/2024 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | CHRIS FARLOWE ~ OUT OF THE BLUE / BORN AGAIN
MIG 00872 (Barcode: 885513008725) ~ UK ~ Blues-Rock
Recorded: 1984 - 1985 Released: 2013
This is a reissue of two albums, his fifth and sixth studio recordings, by the British Blues-Rock vocalist extraordinaire Chris FarloweFind albums by this artist. These albums mark Farlowe´s return to the recording career after an absence that lasted a decade and a half. On both albums Farlowe is supported by a lineup consisting of highly professional musicians, which features guitarists Mo WithamFind albums by this artist and Phil PalmerFind albums by this artist and many other top players of the time. Each of the reissued albums is expanded with bonus tracks.
Despite his extensive career as a solo artist and lead vocalist for such legendary ensembles as Atomic RoosterFind albums by this artist or ColosseumFind albums by this artist, Farlowe somehow never achieved the fame and glory he truly deserves. Many people, for reasons that are beyond me, don´t like the timbre of his voice, which I personally find simply irresistible. Farlowe arrived on the British scene in the early 1960s and his unique voice became immediately his trademark. He flirted with Pop and Rhythm And Blues, but his true vocation was always the Blues. Besides the fact that Farlowe was always a superb vocalist, he also displayed an unusual ability to interpret the songs, using instant vocal improvisation, a very rare ability among his peers. In retrospect he has always been one of my all time favorite Blues-Rock vocalists, alongside Paul Rodgers, and I feel frustrated that so few people are able to hear his greatness.
These two albums present a great collection of Blues-Rock oriented material and they have lost nothing of their charm since the time they were recorded. Sadly they were to become the only studio output by Farlowe during the 1980s, but of course he was to reemerge again in the 1990s and 2000s.
This album is an interesting document of an era, when music was already starting to disintegrate into corporate garbage and collective brainlessness. Lucky for us some people have not lost their wits yet. If you missed this stuff at the time, now is the time to repent!
| | Updated: 08/05/2023Posted: 25/04/2016 | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | CHRIS FARLOWE ~ WAITING IN THE WINGS
MIG 00962 (Barcode: 885513009623) ~ UK ~ Classic Rock
Recorded: 1991 Released: 2013
This is a reissue of an album recorded by the British Blues-Rock vocalist Chris FarloweFind albums by this artist in the early 1990s, following a five years long period of inactivity in the recording studio. The songs on this album were recorded during several studio sessions, featuring different lineups. As a result no less that six guitar players are featured: Micky MoodyFind albums by this artist (Juicy LucyFind albums by this artist), Alvin LeeFind albums by this artist (Ten Years AfterFind albums by this artist), Albert LeeFind albums by this artist (everybody), Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), Geoff WhitehornFind albums by this artist (Procol HarumFind albums by this artist), Phil PalmerFind albums by this artist (a great session player) and Tony CrooksFind albums by this artist (The KickFind albums by this artist with bassist Leo LyonsFind albums by this artist, ex-Ten Years After, who also plays here).
Despite the stellar team of musicians and a very solid collection on songs, the album was rejected by the Major record labels and was finally released on a tiny Spanish label BarsaFind albums on this label Records (originally titled simply "Farlowe") and than on FreestyleFind albums on this label Records in UK (with a different mixes of two songs), but disappeared from the market almost immediately. This reissue adds four bonus tracks, two of which are the original mixes of the two a/m songs and two more, which are live recordings.
Obviously produced for the US market, this album has a much more Rock oriented sound and luster, taking Farlowe away from his Blues-Rock roots. Nevertheless it is still a very solid album as far as Farlowe´s vocal delivery is concerned and for his many fans this album deserves a proud place in their collection. Sadly it will take another five years for Farlowe to record another studio album.
| | Updated: 27/04/2016Posted: 27/04/2016 | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | GREENSLADE ~ AT THE BBC
REPERTOIRE 1468 (Barcode: 4009910146828) ~ UK ~ Progressive Rock
Recorded: 1973 - 1974 Released: 2024
This is an archival album by the British Progressive Rock quartet GreensladeFind albums by this artist, formed by two members of the iconic ColosseumFind albums by this artist, following the band’s demise in 1971: keyboards wizard / composer Dave GreensladeFind albums by this artist and bassist Tony ReevesFind albums by this artist. They were joined by second keyboardist / vocalist Dave LawsonFind albums by this artist and drummer Andrew McCullochFind albums by this artist. The band lasted for only three years and recorded four excellent studio albums. This 2CD album collects their live BBC concerts captured between early 1973 and late 1974, covering material released on the first three albums, presenting a total of twenty tracks.
Dave Greenslade contributed most of the music but some of it was co-composed with Lawson, who also contributed the lyrics. Reeves also contributed some tunes and co-composed others. The band had a very specific and unusual sound and ambience, as it was guitar-less (which was almost unthinkable for a Rock / Prog band), and a double keyboards front line, and a very strong Jazzy swing, which in retrospect might easily earn them an early Fusion connotation, which I personally always liked a lot.
Dave Greenslade played mostly the Hammond organ and Mellotron, while Lawson preferred synthesizers and clavinet, but they often exchanged the instruments, frequently creating a “wall of sound” effect. Reeves was a brilliant bassist, strongly Jazz influenced from his earlier career, and McCulloch was a brilliant, universal drummer, who could play anything with the same ease and elegance. In short they were a rare and dazzling collection of superb instrumentalists, which made Greenslade one of the most interesting British bands in the early 1970s.
Overall, this is an excellent document of the British Prog scene, especially in view of the fact that the group never released a live album (there were some semi-legal live albums released much later). The BBC sound quality is excellent as one might expect and the music flows briskly and interestingly for the entire duration. Although most Prog material recorded at the same time sound dated and smells a bit “musky” today, this music retained much of its initial originality over time. Definitely worth being re-visited!
| | Updated: 10/11/2024Posted: 07/10/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GREENSLADE ~ GREENSLADE
WOUNDED BIRD 2698 (Barcode: 664140269828) ~ UK ~ Progressive Rock
Recorded: 1972 Released: 2006
1st album by the phenomenal Prog group GreensladeFind albums by this artist created by keyboards wizard Dave GreensladeFind albums by this artist, following the demise of ColosseumFind albums by this artist Mk. I. Greenslade joined forces with original Colosseum bassist Tony ReevesFind albums by this artist, a remarkable player with strong jazz background, who played both the electric and acoustic bass with elegance and sensitivity. To complete the group they enlisted the great (and sadly overlooked and under appreciated) drummer Andrew McCullochFind albums by this artist, who played with Manfred MannFind albums by this artist, King CrimsonFind albums by this artist (LizardFind albums with this title) and Arthur BrownFind albums by this artist and since the mid-1970s disappeared from the music scene almost completely. The fourth member of the group was the keyboardist / vocalist Dave LawsonFind albums by this artist (Episode SixFind albums by this artist, StackridgeFind albums by this artist), an excellent musician who handled the complex compositions with flying colors. Greenslade, a prolific composer, wrote most of the material for the group, with some marginal contributions by Reeves and Lawson (who handled the lyrics). He used a wide range of keyboards between acoustic piano, organ and synthesizers, creating complex and beautiful sound layers, amply supported by his fellow band members. The debut album is a classic showcase of Prog at its best: great melodies, superb instrumental work and a wide range of influences including jazz, blues, rock and classical music. A beautiful sleeve work by Roger DeanFind albums by this artist. An absolute must for any serious Prog lover.
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  | DAVE GREENSLADE ~ THE PENTATEUCH OF THE COSMOGONY
BGO 170 (Barcode: 5017261201706) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 1994
2nd solo album by keyboardist Dave GreensladeFind albums by this artist, known to Prog fans as a member of the legendary ColosseumFind albums by this artist and leader of his group GreensladeFind albums by this artist, originally released as a double LP accompanied by a stunningly produced science fiction book written and illustrated by Patrick WoodroffeFind albums by this artist, somewhat resembling the art of Roger DeanFind albums by this artist. This ambitious project remains to this day a great example of cooperation between music and graphic arts. The music written and performed by Greenslade on a plethora of keyboards (with some drum parts played by Phil CollinsFind albums by this artist and John LingwoodFind albums by this artist) marks his departure from the jazzy improvisational style he used previously into more classical / ambient direction, which disappointed many of his fans at the time of this album´s release. However, in retrospect, one must judge this music as part of the entire concept, which was highly innovative at the time. The album / book package definitely retains much of its artistic merit. The lavish CD reissue includes the complete music and a copy of the original book packaged together in a box-set. Definitely worth investigating, if you can get it.
| | | BOOK+CD 1 Oversampling Remastered Recommend To A Friend |
  | DICK HECKSTALL-SMITH ~ BLUES AND BEYOND
BLUE STORM 004 (Barcode: 5050232500422) ~ UK ~ Blues-Rock
Recorded: 2001 Released: 2001
This is the last album by British saxophonist / composer Dick Heckstall-SmithFind albums by this artist, recorded before his passing in 2004. The album, produced by Pete BrownFind albums by this artist, includes an incredible list of British musicians, who played with him during his career: guitarists Clem ClempsonFind albums by this artist, Peter GreenFind albums by this artist and Mick TaylorFind albums by this artist, drummers Gary HusbandFind albums by this artist and Jon HisemanFind albums by this artist and vocalists Rab McCulloughFind albums by this artist, Paul JonesFind albums by this artist, Jack BruceFind albums by this artist, Paul WilliamsFind albums by this artist. John MayallFind albums by this artist plays piano and several other musicians also take part in the proceedings. The album presents twelve tracks, most of which are originals by Heckstall-Smith and some are Blues standards.
As the list of names and the album’s title suggest, the album is dedicated to Blues and Blues-Rock material, which of course was always a part of Heckstall-Smith’s background in addition to his Jazz-Rock Fusion, Prog and Jazz activities.
The music is absolutely delightful, as expected, and the guests / friends invited to participate do not disappoint. The album is full of great tunes, brilliant guitar soli and evocative vocals, all within the Blues idiom, spiced with Heckstall-Smith’s idiosyncratic saxophone playing. Of course the album brings fond memories of his activities with Graham Bond OrganizationFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and ColosseumFind albums by this artist, which were icons of the British scene for many years.
Overall, this is a brilliant and sadly little known album by one of the true heroes of the British Blues, Jazz-Rock Fusion and Jazz scenes. It certainly deserves to be heard and if anybody can find a copy of it, it is wholeheartedly recommended!
| | Updated: 03/02/2022Posted: 03/02/2022 | CD 1 Recommend To A Friend |
  | JCM ~ HEROES
REPERTOIRE 1354 (Barcode: 4009910135426) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2018
This is the only album by the British trio JCMFind albums by this artist comprising of three ex-ColosseumFind albums by this artist members: guitarist Clem ClempsonFind albums by this artist, bassist / vocalist Mark ClarkeFind albums by this artist and drummer Jon HisemanFind albums by this artist. The album presents ten songs and one instrumental, mostly originals by the trio members, a couple of Jack BruceFind albums by this artist songs, one Graham BondFind albums by this artist song and four songs involving guitar heroes that the album is dedicated to: Gary MooreFind albums by this artist, Ollie HalsallFind albums by this artist, Alan HoldsworthFind albums by this artist and Larry CoryellFind albums by this artist.
The music floats between Rock oriented songs and Jazz-Rock Fusion material, all beautifully executed by the three veterans, who prove to be timeless heroes themselves. Clempson still plays some superb guitar licks that very few other guitar players around are able to compete with, Clarke sings with great sensitivity and Hiseman, one the greatest drummers of all time, as well as an excellent recording engineer and producer, does a perfect job as well. Sadly, this was his last recording before his untimely death, shortly after the album was released.
For Colosseum fans, British Prog / Jazz-Rock Fusion enthusiasts, guitar freaks and all good music lovers around the world this album is a breath of fresh air, although it sits firmly in the tradition established well over five decades earlier. The saying “they don’t make music like this anymore” obviously does not apply to this album. Brilliant stuff!
| | Updated: 07/08/2021Posted: 07/08/2021 | CD 1 Digipak Recommend To A Friend |
  | ALEXIS KORNER’S BLUES INCORPORATED ~ BBC SESSIONS VOL.1 1962-1965
RHYTHM AND BLUES 097 (Barcode: 5060331753742) ~ UK ~ Blues-Rock
Recorded: 1962 - 1965 Released: 2024
This is an archival album, which presents recordings by Alexis KornerFind albums by this artist’s Blues IncorporatedFind albums by this artist, made in early 1960s by guitarist / pianist / vocalist / songwriter / bandleader Alexis Korner, the Godfather of British Blues. These recordings were made with a plethora of British Blues, Rock and Jazz musicians, reading like a who´s who of the British Blues / Blues-Rock / Rock And Roll / Jazz and early Jazz-Rock Fusion, comprising of dozens of names, which passed through Korner´s legendary group over time.
As bizarre as it might appear, Korner was a white Jewish boy, born in Paris, who arrived in the UK in 1940, escaping the Nazi persecution, and who in time almost singlehandedly reanimated the interest in the Blues on the local British scene, leading to a phenomenon called the British Blues Revival, which started by the mid-1950s and literally exploded by the mid-1960s, when it became the British Blues Boom. In retrospect this musical idiom proved to be one of the most fundamental cornerstones of British Rock, later spreading also to the European continent. Korner´s charismatic personality and influence were a decisive factor leading to the formation of such musical icons as Rolling StonesFind albums by this artist, FreeFind albums by this artist, John MayallFind albums by this artist´s BluesbreakersFind albums by this artist, CreamFind albums by this artist, ColosseumFind albums by this artist and countless others. Korner continued his career until his untimely death in 1984.
The material collects recordings from six different sessions, a total of twenty-four tracks. The collective personnel taking part in these recordings includes, alongside Korner, vocalists Cyril DaviesFind albums by this artist, Long John BaldryFind albums by this artist and Herbie GoinsFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Graham BondFind albums by this artist, Ray WarleighFind albums by this artist, Mick PyneFind albums by this artist, Nigel StangerFind albums by this artist, Brian SmithFind albums by this artist, Alan SkidmoreFind albums by this artist and Bernie GeorgeFind albums by this artist, trombonist Chris PyneFind albums by this artist, keyboardists Dave StevensFind albums by this artist, Johnny ParkerFind albums by this artist and Brian AugerFind albums by this artist, bassists Jack BruceFind albums by this artist and Danny ThompsonFind albums by this artist, drummers Charlie WattsFind albums by this artist, Ginger BakerFind albums by this artist, Ronnie DunnFind albums by this artist and Terry CoxFind albums by this artist. It does not get any better than this, does it?
Overall, this album is full of magnificent music, presented in chronological order by date of recording, which is an absolute treasure chest and a historic document of the outmost importance. Although the sound quality of some of the tracks, especially the early ones, is a bit shaky, the importance of the music sets everything aside. This is an absolutely essential release to all British Blues connoisseurs!
| | Updated: 02/10/2024Posted: 01/10/2024 | CD 1 Recommend To A Friend |
  | JOACHIM KUHN & JAN AKKERMAN ~ LIVE!
IN-AKUSTIK 868 (Barcode: 4001985008681) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2000
This is a reissue / remaster of a live album by a duo comprising of two legendary European musicians: German Jazz pianist / composer Joachim KuhnFind albums by this artist and Dutch Rock guitarist / composer Jan AkkermanFind albums by this artist (co-founder of FocusFind albums by this artist). The album presents just two tracks, which are different interpretations of the same composition by Kuhn, recorded several weeks apart during the duo’s 1979 European tour, twelve and twenty-one minutes in duration respectively.
The music is a superb example of Improvised Music, which combines Jazz and Rock improvisation “under one roof”, which was quite popular in Europe the 1970s. Kuhn and Akkerman played together on various occasions earlier on, and the duo concerts were a culmination of their musical cooperation.
The idea to present two versions of the same composition, separated by just a few weeks of playing the tune repeatedly, shows how music develops as a result of being performed and shared intimately, especially so if improvisation is at the focus. The album is also a great document of Rock Improvisation, which is quite different from Jazz-Rock Fusion, and which goes back to the 1960s, especially to British Rock, which included Rock Improvisation (unrelated to Jazz), for example in the concert recordings of groups like CreamFind albums by this artist or ColosseumFind albums by this artist.
Overall, this is a fascinating and relatively little known album by two great musicians, who present inter-genre cooperation at its best. Both are virtuosos of their instruments, which is clearly evident herein, and the “Art of the Duo” idiom suits this beautiful album perfectly. Not easy to find by definitely worth finding a copy!
| | Updated: 16/08/2024Posted: 16/08/2024 | CD 1 Remastered Recommend To A Friend |
  | JOHN MAYALL ~ BARE WIRES (EXPANDED EDITION)
DECCA 842178 (Barcode: 602498421789) ~ UK ~ Blues
Recorded: 1968 Released: 2007
8th album by John MayallFind albums by this artist and his BluesbreakersFind albums by this artist, and his most ambitious project by far. The Bluesbreakers’ lineup was extended to a septet and included Mick TaylorFind albums by this artist on guitar, Tony ReevesFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and a brass section which included Chris MercerFind albums by this artist on tenor and baritone saxes, Dick Heckstall-SmithFind albums by this artist on tenor and soprano saxes and Henry LowtherFind albums by this artist on cornet and violin. The entire first side of the LP was dedicated to an extended blues suite (first of its kind ever), with strong jazz influences, hence this album is often quoted as one of the earliest examples of the Jazz-Rock genre. The quality of the songwriting and the performances on this album are truly astounding and to this day it remains as a classic icon of the era. However soon after the album was recorded Mayall decided to disband the Bluesbreakers and opt for an intimate quartet for his new project, retaining only the services of Mick Taylor. Three of the band members (Reeves, Hiseman and Heckstall-Smith) decided to form the legendary ColosseumFind albums by this artist, joining forces with keyboards player Dave GreensladeFind albums by this artist and guitarist James LitherlandFind albums by this artist and the rest is history. So now you know that Colosseum was actually a Bluesbreakers offspring. As for the album, it’s an absolute must for every blues fan and for most lovers of the early Jazz-Rock and Prog genres. Essential!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | JOHN MAYALL ~ THE DIARY OF A BAND (EXPANDED EDITION)
DECCA 841804 (Barcode: 602498418048) ~ UK ~ Blues
Recorded: 1967 Released: 2007
6th & 7th albums by John MayallFind albums by this artist and his BluesbreakersFind albums by this artist, which were actually a double album released on two separate LPs as The Diary Of A Band Vol.1 & Vol.2 (as DeccaFind albums on this label thought that releasing a double album was too bold a step at the time). The material was recorded live during a European tour, which followed the release of CrusadeFind albums with this title and was captured on a simple reel to reel tape machine, which Mayall placed on the stage during all the concerts. Over 60 hours of music were recorded, of which two hours were selected for the release. The Bluesbreakers’ lineup was similar to that which recorded Crusade except for the new brass section man, the fantastic Dick Heckstall-SmithFind albums by this artist on tenor and soprano sax (later ColosseumFind albums by this artist) and the bass position, which was occupied by either Paul WilliamsFind albums by this artist or Keith TillmanFind albums by this artist. The enclosed music is a superb document of the era and one of the most authentic glimpses at the music scene of the late 1960s, as it includes some spoken word and commentary on the performances, caught right at the time when they happened. Mick TaylorFind albums by this artist plays some amazing guitar licks here, as does Dick Heckstall-Smith, especially when he blows both of his horns simultaneously. The entire album is one great trip down the nostalgia lane and the only pity is that all of it was never captured on video (which did not exist at the time unfortunately). I can’t imagine any blues fan not wanting this in his music library.
| | | CD 2 Remastered Recommend To A Friend |
  | NEW JAZZ ORCHESTRA ~ CAMDEN `70
DUSK FIRE 105 (Barcode: 5065001032042) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 Released: 2008
The New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) led by composer / arranger Neil ArdleyFind albums by this artist was Britain’s most prestigious and adventurous big band in the 1960s. Under Ardley’s visionary leadership the band developed the foundations for the modern European Jazz big band sound. Although incorporating the classic American big band tradition of Duke EllingtonFind albums by this artist and the more modern approach of Gil EvansFind albums by this artist, Ardley managed to steer his band into uncharted territory, using his unique approach to instrumentation and bold arrangements.
At the time this album was recorded live at London’s Camden Jazz Festival in May of 1970, Ardley was already moving rapidly towards the exploding Jazz-Rock Fusion genre, creating one of the first, and magnificent at that, examples of Jazz-Rock Fusion big band. Compared to American bands at the time, like Blood, Sweat & TearsFind albums by this artist or ChicagoFind albums by this artist, Ardley’s approach is definitely much more refined and orchestral and uses a wider arsenal of the Jazz vocabulary, being therefore much more sophisticated. Having at his disposal some of the best British Jazz musicians (and then also Jazz-Rock Fusion musicians) he was able to turn the NJO into a “mean” and powerful Jazz-Rock Fusion ensemble, which truly fuses Jazz and Rock to the max.
This of course brings us the players and more specifically to the fact that this version of NJO incorporates in its midst the entire lineup of one of the greatest British Jazz-Rock groups, ColosseumFind albums by this artist. Dick Heckstall-SmithFind albums by this artist (saxophone), Clem ClempsonFind albums by this artist (guitar), Dave GreensladeFind albums by this artist (keyboards), Tony ReevesFind albums by this artist (bass) and Jon HisemanFind albums by this artist (drums) all play here, and even a couple of tracks the band recorded on their albums are present, in a big band arrangement of course. With the members of Colosseum as a core of the band and with other notable players like Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Dave GellyFind albums by this artist and Barbara ThompsonFind albums by this artist (saxophone) and even an ultra-rare appearance of Michael GibbsFind albums by this artist on trombone, this is truly a superb group, able to face any challenge Ardley’s arrangements may present them with.
BTW the presence of the Colosseum members is not incidental, as both Reeves and Hiseman were NJO’s founding members and Heckstall-Smith appeared on the NJO’s second album entitled “Le Dejeuner Sur L`HerbeFind albums with this title”. Seven of the tracks present on that album are also included here, which turns this recording into an updated live version of that timeless classic. The original recording tape of this concert had quite a few technical problems, but was painstakingly and beautifully restored to life with an exceptional sound quality considering the circumstances under which it was recorded. One should be truly grateful to the producer of this immensely important historical material for making it available to us, the fans of NJO, Colosseum and British Jazz in general. This is indispensable legacy of the period and a must to any follower of British Jazz music.
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  | NEW JAZZ ORCHESTRA / NEIL ARDLEY GROUP ~ BBC SESSIONS 1968-1970
RHYTHM AND BLUES 101 (Barcode: 5060331753834) ~ UK ~ Big Band Jazz
Recorded: 1968 - 1970 Released: 2024
This is an archival album, which presents recordings by two Orchestral Jazz ensembles, both led by the brilliant pianist / composer / arranger / bandleader Neil ArdleyFind albums by this artist. The album presents fourteen tracks, six by the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), recorded in 1968 and eight by the Neil Ardley GroupFind albums by this artist, recorded in 1970. Five of the NJO tracks appear in a studio version on their 2nd studio album “Le Dejeuner Sur L`herbeFind albums with this title”. The first seven of the Neil Ardley Group tracks, which were composed by pianist / composer Mike TaylorFind albums by this artist and are a song cycle / Jazz & Poetry suite, were sadly never recorded in the studio and released on an album. Taylor tragically died just a few months before this music was recorded.
The lineup of these two ensembles reads like a Who’s Who of the British Jazz at the end of the 1960s, some still very young at the time, but already experienced musicians, who were going to shape the British Jazz scene in the decades to come. The NJO lineup includes Ardley as the leader / conductor, trumpeters Derek WatkinsFind albums by this artist, Henry LowtherFind albums by this artist and Ian CarrFind albums by this artist, saxophonists Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Barbara ThompsonFind albums by this artist, trombonists Chris PyneFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player George SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. The Neil Ardley Group lineup includes Ardley on piano, vocalist Norma WinstoneFind albums by this artist, Carr, Gelly, Thompson, Ricotti, bassist Chris LaurenceFind albums by this artist and drummer Mike TravisFind albums by this artist. I rest my case…
The music, as expected, is absolutely sensational and reflects the vibrancy and ingenuity of the British Jazz scene at this pivotal period, when the modern British Jazz idiom was molded for decades to come. The specific idiosyncrasies and “Britishness” of the new epoch is simply encapsulated in every note played here. It is also a superb display of the individual talents of these magnificent musicians, those who are still with us and sadly those who departed, like Thompson and Hiseman, who met as members of the NJO and created one of the British Jazz “power couples” or Ardley and Carr, whose giant talents are deeply missed.
Overall, this is an absolute must have album for every British Jazz collector, especially in view of the fact that some of the music captured herein is not available anywhere else. For the cognoscenti, the album offers endless hints and interconnections, like a sensational version of the song “Jumping Off The Sun”, which became an anthem for the legendary ColosseumFind albums by this artist, which was founded by Hiseman and Heckstall-Smith, and included Reeves and Thompson, and so on…
| | Updated: 22/09/2024Posted: 21/09/2024 | CD 1 Recommend To A Friend |
  | HOWARD RILEY ~ DISCUSSIONS
JAZZPRINT 137 (Barcode: 604388682720) ~ UK ~ Jazz
Recorded: 1967 Released: 2007
This debut recording by the legendary UK pianist Howard RileyFind albums by this artist was initially released 40 years ago on a tiny label (OpportunityFind albums on this label, owned by producer Chris WellardFind albums by this artist) and has been unavailable for ages, making it a super-rare collector’s item. Riley has been spearheading the UK free jazz scene since the mid-1960, recording regularly over the years and serving as a beacon of musical enlightenment and vision. His exceptional talents as a pianist and composer are truly unrivaled, with the possible exception of his peer Keith TippettFind albums by this artist.
On this album Riley is accompanied by the brilliant bassist Barry GuyFind albums by this artist (Spontaneous Music EnsembleFind albums by this artist (SME)), another prominent figure on the UK free jazz scene, who recorded with Riley’s trio on more than one occasion. The person behind the drums is probably the greatest surprise to the visitors of this site, as it is no other than Jon HisemanFind albums by this artist - future leader of ColosseumFind albums by this artist, TempestFind albums by this artist and United Jazz + Rock EnsembleFind albums by this artist (Hiseman’s early jazz career is much lesser know).
The trio performs a set consisting of several Riley’s original compositions and a few standards – these well disguised as appropriate for a free jazz setting. Some clearly melodic elements are still present on these tracks, as the adventurous full-blown Avant-Garde was yet to come, but this is a classic of the genre in every sense. The interplay between the three master musicians is phenomenal and considering their tender age (at the time of this recording) this is a monster achievement. Absolutely essential for all free jazz lovers, especially for connoisseurs of the UK branch of the genre.
| | Updated: 12/04/2019Posted: | CD 1 Remastered Recommend To A Friend |
  | MIKE TAYLOR ~ PENDULUM
SUNBEAM 5034 (Barcode: 5051125503414) ~ UK ~ Jazz
Recorded: 1965 Released: 2007
Pianist / composer Mike TaylorFind albums by this artist was the most enigmatic figure on the British Jazz scene in the 1960s. His genius was almost completely unknown to most and just a handful of close friends / musicians had the opportunity to work with him and hear his music. His eccentric personality, which bordered on the mentally unstable and his tragic death at a ridiculous young age cut his career short, leaving a legacy of just two albums, of which this is the first.
Anybody listening to this album will surely realize that this is one of the most daring and earliest modern British Jazz recordings and it parallels (in time and complexity) to the most advanced Avant Garde Jazz experiments happening across the Atlantic. Taylor’s unprecedented and unconventional approach to music was so ahead of its time that it’s truly mind-boggling.
The quartet playing on this recording includes Taylor on piano, Dave TomlinFind albums by this artist on soprano saxophone, Tony ReevesFind albums by this artist on bass and Jon HisemanFind albums by this artist on drums (the last two were of course to form the band ColosseumFind albums by this artist a few years later). The sound of the quartet is somewhat similar to John ColtraneFind albums by this artist’s legendary quartet, but Taylor plays quite differently than McCoy TynerFind albums by this artist of course. The music includes three Jazz standards (on what used to be Side A) and three original compositions by Taylor (on Side B).
The treatment of the standards is an absolute hair-raising experience, with Taylor de-composing / de-structuring the original harmony and re-assembling the pieces together in a completely new way. His original compositions are awesome as well, exposing a new musical universe. The entire album is a knockout from start to finish and listening to it over 40 years after it was recorded should still produce Goosebumps on every sensitive listener’s skin.
BTW people unaware of Jon Hiseman’s early Jazz days should check out his recording with another great British pianist Howard RileyFind albums by this artist on Howard’s debut album DiscussionsFind albums with this title. Taylor was about to record only one more album, called simply TrioFind albums with this title, with Jon Hiseman and Jack BruceFind albums by this artist on bass (Bruce was very much involved with the British Jazz scene before his adventure with CreamFind albums by this artist – see Jack’s debut album Things We LikeFind albums with this title), who was a friend of Taylor, as were the other members of the Graham Bond OrganizationFind albums by this artist. Also it’s really strange that Taylor’s fate was in many ways similar to that of Bond’s, both ending their lives in a suicide / accident, following a long period of mental instability. This album is a central piece of the puzzle forming the birth of modern British Jazz and no serious follower of that scene can afford not to have this album in his collection. Beyond essential!
| | Updated: 06/06/2021Posted: | CD 1 Remastered Essential Recommend To A Friend |
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