Record Reviews
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  | FINGERS ~ THE COMPLETE FINGERS REMEMBER MINGUS
JAZZ IN BRITAIN 55 (Barcode: 5060774190692) ~ UK ~ Jazz
Recorded: 1979 - 1993 Released: 2024
This is an expanded reissue / remaster of an album by British Jazz quintet FingersFind albums by this artist, led by bassist Dave GreenFind albums by this artist, which also included saxophonists Lol CoxhillFind albums by this artist and Bruce TurnerFind albums by this artist, pianist Michael GarrickFind albums by this artist and drummer Alan JacksonFind albums by this artist. The original album was recorded in 1979 and released on the legendary SpotliteFind albums on this label label in 1983, which needless to say has been in my collection since then. It included only five tracks, some of which were edited to fit on the LP, which are here expanded to include the complete recording session on CD1 and CD2, total eleven tracks including alternate tracks. CD3 presents eight unreleased tracks, originating from BBC broadcasts or other sources, recorded between 1979 and 1993 (see details on the album’s artwork).
Although the music herein, either that by Charles MingusFind albums by this artist or by other composers, is basically mainstream oriented, the unique “Fingers’ treatment” it receives here turns is into an orgy of improvisation, which more often than not ventures into the Free territory, especially when Coxhill is in the lead. The atmosphere of the session is somewhat similar to what one might hear on Mingus’ albums, so the resulting music is a tribute with a British twist, which fans of Mingus and those familiar with his music should enjoy immensely.
These are some of the finest British Jazz players after all, so it’s hardly surprising that the performances are stellar. Under the steady bass grip by Green, the music manages to swing even when the melody wanders far away, only to return like a wave. Some spectacular soli, which are lost on the original abridged edition, are here to bring a wide smile upon the listener’s lips. The relaxed, almost informal atmosphere of the session, serves the music well, as the result proves.
Overall, this is another brilliant release by the Jazz In BritainFind albums on this label label, which does not rest on its laurels, keeping us on edge awaiting the next showdown. Thy good people behind the labels have of course access to more great music that they can possibly handle, so it all comes down making the right choices, which so far has been impeccably done. Thanks, as always, for the music, which never fails to bring a tear in the corner of an eye.
| | Updated: 01/07/2024Posted: 01/07/2024 | CD 3 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend |
  | MICHAEL GARRICK ~ A LADY IN WAITING
JAZZ ACADEMY 01 ~ UK ~ Jazz
Recorded: 1993 Released: 1994
British pianist / composer Michael GarrickFind albums by this artist enjoyed a most fruitful and prolific career during the Golden Decade of British Jazz between mid-1960s and mid-1970s, releasing a series of groundbreaking and exquisite albums, which firmly established his position as one of the scene’s leaders. However, by the end of 1970s Garrick and many of his illustrious colleagues suffered the fate of the changing cultural climate, with record labels no longer willing to release highly prestigious but low selling albums containing quality music. For the next two decades Garrick was to record only sporadically and although he continued to compose and sometimes perform his music, most of it remains unrecorded. In order to find an outlet for his music, Garrick established in 1993 his own record label called Jazz AcademyFind albums on this label, which was primarily dedicated to record his works. Thanks to this wise decision, we can now all enjoy the fruits of his labor. This album is the first release on Garrick’s label, and it’s hardly surprising that he decided to make his initial recording for the new label in the piano trio format, the most intimate and revealing platform for Jazz pianists. The trio, with Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums, both veteran Garrick’s cohorts performs beautifully, in perfect harmony and almost telepathic interplay, as expected. The choice of material is also very interesting. Although Garrick very rarely plays standards, having so much of his own wonderful music to chose from, this album does include six Garrick’s renditions (out of the 15 tunes included on the album) of music composed by others. In fact it is quite educational to compare these with some of the many existing versions of these tunes. Under Garrick’s fingertips these tunes really get a completely unique new life. The original material includes six movements from Garrick’s suite “The Royal Box”, which was also recorded in a Big Band version. Overall this is a perfect piano trio album, played by three equally brilliant musicians and one that can be played again and again with no fear whatsoever of getting bored by the music. Of course one would expect nothing less from this musical world-class Giant. A must!
| | | CD 1 Recommend To A Friend |
  | MICHAEL GARRICK ~ BLACK MARIGOLDS
VOCALION 8411 (Barcode: 765387841126) ~ UK ~ Jazz
Recorded: 1966 Released: 2005
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence.
This album presents Garrick in three different settings, emphasizing his immense versatility as a composer and player. As usual, he wrote all the music included here. The main body of the music is played by a magnificent septet, which comprised of the best Jazz players on the British scene at the time: Garrick – piano, Ian CarrFind albums by this artist – trumpet, Joe HarriottFind albums by this artist – sax, Don RendellFind albums by this artist – sax, Tony CoeFind albums by this artist – sax, Dave GreenFind albums by this artist – bass and Trevor TomkinsFind albums by this artist – drums. Garrick’s exquisite compositions and the exemplary performances by the players are just perfect.
Then come several pieces, which continue Garrick’s involvement with the Jazz & Poetry movement, which feature poet John SmithFind albums by this artist reciting his poetry accompanied by smaller ensembles (mainly trio, where Colin BarnesFind albums by this artist plays the drums). Smith wrote specific pieces of poetry to be performed with specific Jazz players, creating a unique experience in the process.
Last come a few pieces where Garrick turns to two atypical for Jazz instruments - harpsichord and celeste – using them in a trio format, emphasizing again his restless pioneering fever. Overall a beautiful album, full of surprises and wonderful moments and a superb document of the era and Garrick’s musical legacy.
| | Updated: 01/01/2016Posted: | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GARRICK ~ COLD MOUNTAIN
VOCALION 8415 (Barcode: 765387841522) ~ UK ~ Jazz
Recorded: 1972 Released: 2006
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick in the most intimate (and my favorite) Jazz format – the piano trio – with Dave GreenFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums. Garrick, as usual, wrote all the music, which is sublime from start to finish. His playing is also absolutely marvelous, full of lyricism and humorous spark, virtuosity and inspiration. The rhythm section provides solid and sympathetic support at all times, and overall this is one of my favorite piano trio recordings ever. Garrick manages to concentrate his enormous abilities as a player and composer on this album, which was recorded at a peak of his 1970s activity (the album Home Stretch BluesFind albums with this title was recorded at the same session). There is nothing more that needs to be said here except that if you don’t own this album, you have a huge gap in your musical education. Essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | MICHAEL GARRICK ~ HOME STRETCH BLUES
VOCALION 8426 (Barcode: 765387842628) ~ UK ~ Jazz
Recorded: 1972 Released: 2006
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick with his sextet (Garrick – piano and harpsichord, Henry LowtherFind albums by this artist – trumpet, Art ThemenFind albums by this artist – clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and Norma WinstoneFind albums by this artist – vocals) with Don RendellFind albums by this artist – sax on couple of tracks. The music, written as always by Garrick, is divided (by side A and side B of the original album) into two parts: part one includes three great tracks, including a song based on a poem by Alfred TennysonFind albums by this artist and part two is a five-piece suite inspired by a poem by John SmithFind albums by this artist. As usual the music is simple superb, as are the performances by the band members. Norma’s vocalese reaches an absolute peak here and her integration into the group’s overall sound is perfect. This is just about the most perfect example of the British Jazz at the time of its full maturity and a timeless masterpiece. It is a shame this music was unavailable for so long and it makes me really happy to know it can be rediscovered by a new generation of music lovers. A must!
| | | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GARRICK ~ MOONSCAPE
TRUNK 022 (Barcode: 666017162621) ~ UK ~ Jazz
Recorded: 1964 Released: 2007
Pianist / composer Michael GarrickFind albums by this artist has been one of the great pioneers of modern British Jazz and his 1960s / 1970s recordings on the ArgoFind albums on this label label (now reissued on VocalionFind albums on this label) constitute some of the best examples of the wonderful period, when Jazz was at its absolute creative peak. Garrick did made an early recording in 1964 with his trio (Garrick – piano, Dave GreenFind albums by this artist – bass and Colin BarnesFind albums by this artist – drums), which was privately issued with 99 copies pressed. Over the years this 10-inch LP became not only legendary but also one of the most expensive Jazz collector’s items reaching astronomical prices on the market with only a few originals surviving the tides of time.
Therefore having this album available again on CD is a marvel, thanks to Jonny TrunkFind albums by this artist and his very special TrunkFind albums on this label Records label. As the original tapes were of course lost in time, the CD was mastered from a pristine copy of the LP with spectacular results - the sound is just beautiful. As to the music, well I’m not objective being Garrick’s fan for many years, but this is a monumental piece of music – one of the earliest examples of modern European Jazz, which steps way beyond anything in existence at the time.
The compositions (all by Garrick) were inspired by poetry, as Garrick was at the time involved with the Jazz & Poetry movement, and show his incredible talent for melody and the ability to “twist” a tune in a most wonderful fashion. Marvelous stuff! I can’t imagine any Garrick or early modern British Jazz fan not wanting this one.
| | Updated: 01/01/2016Posted: | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GARRICK ~ PARTING IS SUCH
JAZZ ACADEMY 03 ~ UK ~ Jazz
Recorded: 1994 - 1995 Released: 1995
Following the establishment of his own record label Jazz AcademyFind albums on this label in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. This is Garrick’s second piano trio recording on his label, with (as usual) Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums. Michael’s son Chris GarrickFind albums by this artist on violin guests on one track and veteran saxophonist Don RendellFind albums by this artist (Garrick’s former “boss” in the Don Rendell – Ian CarrFind albums by this artist quintet) guests on another. The choice of material is similar to the previous trio album, with a few standards, which are given excellent new interpretations by Garrick, and a selection of Garrick’s originals, spanning his entire career – in short some old, some new and some borrowed – all exquisitely performed in a way only he can accomplish. Overall the album is more melancholic that usual, as the album’s theme is parting after all, which also means parting with those not longer with us. Three of Garrick’s compositions are in fact requiems to departed musicians, including the beautiful waltz dedicated to Bill Evans. Two more pieces from Garrick’s “The Royal Box" suite (which was recorded by his Big Band earlier) also make their appearance here. This is another masterpiece by the great Master and a must for any of his fans; something one can listen repeatedly, always discovering new aspects of the music. Brilliant stuff!
| | | CD 1 Recommend To A Friend |
  | MICHAEL GARRICK ~ PROMISES
VOCALION 8440 (Barcode: 765387844028) ~ UK ~ Jazz
Recorded: 1965 Released: 2008
Following the release of “October WomanFind albums with this title”, British pianist / composer Michael GarrickFind albums by this artist and his quintet were asked to record a new album soon after. Unfortunately the original quintet member, trumpeter Shake KeaneFind albums by this artist, left UK to join the Kurt EdelhagenFind albums by this artist’s radio Big Band in Germany – one of the best Jazz Orchestras on the continent – where he was to stay for the next four years. Garrick swiftly recruited a replacement, turning to his “half boss” (in the Don RendellFind albums by this artist / Ian CarrFind albums by this artist quintet) trumpeter Ian Carr to step into Keane’s shoes with a few days notice just before the recording. Since his writing was becoming more complex and elaborate, Garrick also expanded his quintet into a sextet with the addition of saxophonist / clarinetist Tony CoeFind albums by this artist. Legendary saxophonist Joe HarriottFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Colin BarnesFind albums by this artist, the original quintet members, completed the lineup. The album includes all original music, composed by Garrick, with the exception of one arrangement of a George GershwinFind albums by this artist tune. Of the 10 tracks present, 7 are played by the sextet and 3 by a piano trio, where bassist Dave GreenFind albums by this artist replaces Goode. The music is absolutely marvelous, with Garrick’s writing reaching maturity and self-confidence. The performances are stellar, with Harriott playing perhaps more beautifully than on any other album. The entire album is complete uninterrupted musical bliss from start to finish and a remarkable example of early European Jazz of the highest quality. Even the most dedicated Garrick followers will have to admit that this is definitely one of his best achievements, a magic moment captured for posterity for us to enjoy and revere. Essential stuff!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | MICHAEL GARRICK ~ THE HEART IS A LOTUS
VOCALION 8400 (Barcode: 765387840020) ~ UK ~ Jazz
Recorded: 1970 Released: 2005
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This album presents Garrick leading a sextet (Garrick – piano and harpsichord, Ian CarrFind albums by this artist – trumpet, Art ThemenFind albums by this artist – flute, clarinet and sax, Dave GreenFind albums by this artist – bass, Trevor TomkinsFind albums by this artist – drums and the divine Norma WinstoneFind albums by this artist – vocals) and on several tracks the ensemble is expanded to a nonet with the edition of Don RendellFind albums by this artist – sax, Jim PhilipFind albums by this artist – flute, clarinet and sax and Coleridge GoodeFind albums by this artist on second bass. Norma’s vocal parts – both when singing lyrics and improvising, using her voice as an instrument – are absolutely stunning and completely innovative. Her presence brings the music to another dimension, adding colors and enhancing the overall effect tremendously. She would become a permanent member of Garrick’s group for a while and their recordings together are some of the best moments of the British Jazz of that period. As usual, Garrick wrote all the music and this time also the lyrics used here. His formal education was after all English Literature, and hence his sensitivity to language and poetry and his writing abilities are no surprise. Beautifully melodic and yet constantly challenging, this is a superb album, which sound today every bit as great as it did at the time it was recorded. A must!
| | | CD 1 Remastered Recommend To A Friend |
  | MICHAEL GARRICK ~ TROPPO
VOCALION 8444 (Barcode: 765387844424) ~ UK ~ Jazz
Recorded: 1973 Released: 2009
Pianist / composer Michael GarrickFind albums by this artist has been a pivotal figure in the British Jazz for over five decades and his recorded legacy over the years is an enormous source of inspiration and an example of intelligence, finesse and dedication. By the mid-1970s the British Jazz revolution was all but complete and the scene´s decade of glory was also nearing its end, with record sales declining. Therefore this album was to be the last recording Garrick made for the ArgoFind albums on this label label, a subsidiary of DeccaFind albums on this label. His ambition to push the music beyond the well established boundaries, with the music becoming more complex in the process, was a key factor in the company´s decision to cease the fruitful cooperation, which lasted for a decade and produced some of Britain´s best and most important Jazz masterpieces. Following the initial release of this album Garrick would almost completely stop releasing albums for over two decades, until he finally established his own independent Jazz AcademyFind albums on this label label and his output appeared there regularly since, to the delight of his many fans, myself included. The group playing on this recording consists mostly of Garrick´s long time cohorts and the British Jazz scene´s lions: Henry LowtherFind albums by this artist on trumpet and violin, Art ThemenFind albums by this artist on flute and sax, Don RendellFind albums by this artist on flute and sax, bassists Dave GreenFind albums by this artist and Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The divine vocalist Norma WinstoneFind albums by this artist was also an integral part of his band and her performances here are truly sensational. The album was recorded just a few weeks after the death of Joe HarriottFind albums by this artist, Garrick´s dear friend and music-making partner and the album includes a tribute to his genius. This has always been one of my favorite albums and surely one of British Jazz everlasting masterpieces, which remains an essential listening to this very day. Absolute must!
| | | CD 1 Remastered Recommend To A Friend |
  | PAUL GONSALVES ~ HUMMING BIRD
VOCALION 8404 (Barcode: 765387840426) ~ USA ~ Jazz
Recorded: 1970 Released: 2005
American tenor saxophonist Paul GonsalvesFind albums by this artist belongs to the same school of big tone / lush virtuosi like Coleman HawkinsFind albums by this artist and Ben WebsterFind albums by this artist, who spent most of his playing career with Big Bands, lead by Count BasieFind albums by this artist, Duke EllingtonFind albums by this artist and Dizzy GillespieFind albums by this artist. Therefore this particular album is especially interesting, as it captures Gonsalves in a small combo situation and additionally his fellow musicians are all young British players, who were used to play modern Jazz, rather than American mainstream. The “old timer” proves that he can stand up to the challenge with flying colors and delivers his usual fluent solos, invigorated by the flow of energy present in the studio. He is accompanied by a group of splendid musicians, which includes trumpeter Kenny WheelerFind albums by this artist, trombonist Dave HorlerFind albums by this artist, pianists Stan TraceyFind albums by this artist and Alan BranscombeFind albums by this artist, bassists Dave GreenFind albums by this artist and Kenny NapperFind albums by this artist and drummer Benny GoodmanFind albums by this artist. The material includes mostly Jazz standards with one original composition by Stan Tracy. Good mainstream Jazz, but lovers of the British scene will surely enjoy the contributions by Wheeler and both pianist in an unusual setting.
| | Updated: 14/08/2021Posted: | CD 1 Remastered Recommend To A Friend |
  | GREAT WEE BAND ~ LIGHT BLUE
TRIO 589 (Barcode: 5060052775894) ~ UK ~ Jazz
Recorded: 2011 Released: 2011
This is the second (and last) album by the Great Wee Band quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. Saxophonist Stan SultzmannFind albums by this artist guests on three tracks. The quartet was founded in 1999, some ten years before their debut studio album was recorded, and released a demo live album in 2002. The album presents eleven tracks, nine of which are standards and one each is an original by Lowther and Mullen.
The music is all mainstream Jazz oriented, with no surprises as to the stylistic direction, obviously played for fun and camaraderie by musicians who know each other for years. This enables the listener to concentrate on hearing the intricacies of the performances by the individual musicians, which are truly delightful. Lowther on trumpet and flugelhorn delivers many outstanding solos, as does Mullen on his guitar, and the rhythm section plays amicably and always exactly on time, as appropriate for the veterans of their statue.
Overall, this is a great opportunity to hear these musicians in an intimate, relaxed and friendly environment, often presenting a lesser known facet of their careers. This is classic mainstream Jazz with a British aftertaste, which is always a charming experience.
| | Updated: 11/04/2023Posted: 11/04/2023 | CD 1 Recommend To A Friend |
  | GREAT WEE BAND ~ THE SOUND OF MUSIC
TRIO 584 (Barcode: 5060052775849) ~ UK ~ Jazz
Recorded: 2009 Released: 2010
This is the debut album by the Great Wee BandFind albums by this artist quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. The quartet was founded in 1999, some ten years before this studio album was recorded, and released a demo live album in 2002. The album presents eight tracks, seven of which are standards and one is an arrangement of a Classical piece.
The music is all mainstream Jazz oriented, with no surprises as to the stylistic direction, obviously played for fun and camaraderie by musicians who know each other for years. This enables the listener to concentrate on hearing the intricacies of the performances by the individual musicians, which are truly delightful. Lowther on trumpet and flugelhorn delivers many outstanding solos, as does Mullen on his guitar, and the rhythm section plays amicably and always exactly on time, as appropriate for the veterans of their statue.
Overall, this is a great opportunity to hear these musicians in an intimate, relaxed and friendly environment, often presenting a lesser known facet of their careers. This is classic mainstream Jazz with a British aftertaste, which is always a charming experience.
| | Updated: 11/01/2023Posted: 11/01/2023 | CD 1 Recommend To A Friend |
  | DAVE GREENSLADE ~ GOING SOUTH
MYSTIC 137 ~ UK ~ Progressive Rock
A new album from 1999 by the keyboards wizard Dave Greenslade, who is the leader of the group bearing his name. This is a typical keyboards oriented solo work, similar in format to the Wakeman efforts, but the compositions are more interesting and well developed.
| | | CD 1 Recommend To A Friend |
  | DAVE GREENSLADE ~ THE PENTATEUCH OF THE COSMOGONY
BGO 170 (Barcode: 5017261201706) ~ UK ~ Progressive Rock
Recorded: 1979 Released: 1994
2nd solo album by keyboardist Dave GreensladeFind albums by this artist, known to Prog fans as a member of the legendary ColosseumFind albums by this artist and leader of his group GreensladeFind albums by this artist, originally released as a double LP accompanied by a stunningly produced science fiction book written and illustrated by Patrick WoodroffeFind albums by this artist, somewhat resembling the art of Roger DeanFind albums by this artist. This ambitious project remains to this day a great example of cooperation between music and graphic arts. The music written and performed by Greenslade on a plethora of keyboards (with some drum parts played by Phil CollinsFind albums by this artist and John LingwoodFind albums by this artist) marks his departure from the jazzy improvisational style he used previously into more classical / ambient direction, which disappointed many of his fans at the time of this album´s release. However, in retrospect, one must judge this music as part of the entire concept, which was highly innovative at the time. The album / book package definitely retains much of its artistic merit. The lavish CD reissue includes the complete music and a copy of the original book packaged together in a box-set. Definitely worth investigating, if you can get it.
| | | BOOK+CD 1 Oversampling Remastered Recommend To A Friend |
  | JOE HARRIOTT / AMANCIO D`SILVA ~ HUM DONO
VOCALION 8505 (Barcode: 765387850524) ~ UK ~ Jazz-World Fusion
Recorded: 1969 Released: 2015
This is a long overdue reissue of the only album recorded by the quartet co-led by two of modern British Jazz pioneers: saxophonist Joe HarriottFind albums by this artist and guitarist Amancio D`SilvaFind albums by this artist, which also included bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist. Vocalist Norma WinstoneFind albums by this artist and trumpeter Ian CarrFind albums by this artist appear as guest. The album consists of six tracks, five of which are original compositions by D`Silva and one is a standard. The original album was produced by the celebrated producer Denis PrestonFind albums by this artist and was recorded at the legendary Lansdowne Studios. This reissue was remastered by Michael J. DuttonFind albums by this artist and the sound quality and clarity are simply stunning. The liner notes include a reprint of the original liner notes printed on the album´s sleeve and a retrospective essay by Stephano D`SilvaFind albums by this artist, Amancio´s son.
Of the many British Jazz albums released by the end of the 1960s, this one is surely one of the most significant and prophetic in so many ways. The exploding British Jazz scene went through a rapid revolutionary movement towards independence from the American Jazz legacy, spearheading the birth of European Jazz, which would become the next evolutionary step for the Jazz Art Form. There are many reasons why Britain proved to be the most fertile ground for this quantum leap, but one of the most significant of these reasons was certainly the fact that Britain (and London in particular) became a natural harbor for immigrants arriving from all corners of the former Empire, making it the first, as we now call it, multiculti environments, amalgamating cultural influences originating from many different locations around the globe. Music, of course, would be one of the most profoundly influenced element of the British culture, to be touched by the influx of those sounds and rhythms and by the end of the 1960s World Music was alive and kicking in Britain, long before the actual term was coined.
Joe Harriott, born in Jamaica and Amancio D`Silva, born in India, were just two of many prominent British Jazz musicians, who were integrated into the local scene upon their arrival in Britain and naturally put in their own cultural heritage into the amalgam, which eventually emerged as modern British Jazz. This album is a splendid example of early Jazz-World Fusion, but certainly not the first of its kind. Harriott recorded a series of brilliant and revolutionary albums with another Indian immigrant, John Mayer, in the years preceding this recording. D`Silva recorded his debut album a few months earlier, which displayed similar World-Music influences. There were many other examples telling a similar story of integration and mutual inspiration.
Harriott, who is primarily hailed as one of Free Jazz pioneers / inventors displays the gentler side of his musical personality on this album. His solos are of course much more developed and free-spirited than those performed by conventional Jazz players, but he stays well within the melodic and harmonic boundaries outlined by D`Silva´s compositions. The brief standard, which features Harriott in a duet with Spring, is the only reference to Harriott´s free style abilities.
D`Silva showcases his highly individual style as a guitarist, which is clearly influenced by a plethora of Indian music characteristics. His compositions, which are all exceptionally beautiful, exemplify a perfect marriage between European lyricism and harmony and Indian spirituality and rhythmic trance. This will be also heard on his later recordings, all of which are classics in their own right.
Green, one of British Jazz most prolific and respected bassists, contributes his strong and steady pulsations, which keep the music well anchored and balanced. Spring, a brilliant and original player, performs some true drum magic on this album, which is both intelligent and inspired, especially in view of the rhythmic challenges and odd tempi he needs to deal with. Winstone, the absolute Diva of British Jazz, adds some lovely wordless vocals, which complete the compositions with a veil of mystery and sensuality. She participates on three of the tracks and her contribution is simply invaluable. The great Carr, who plays on just a couple of tracks, adds his superb solos, which are like gleaming jewels; something that happens every time he blows his flugelhorn.
All in all this is a most welcome reissue of a monumental milestone in the British Jazz history, which should be a part of every serious record collection owned by people who truly love Jazz. Hopefully VocalionFind albums on this label will release all the other albums recorded by D`Silva at that crucial period, which are all criminally forgotten and unavailable on the market. Oliver & Michael, please!
| | | CD 1 Remastered Recommend To A Friend |
  | HENRY LOWTHER / JIM MULLEN QUARTET ~ FUNGII MAMA
NOT ON LABEL 444 ~ UK ~ Jazz
Recorded: 2002 Released: 2002
This is a live album by the quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. Saxophonist Simon PicardFind albums by this artist guests on one track. The quartet was later renamed as The Great Wee BandFind albums by this artist and released two further albums under that moniker on TrioFind albums on this label Records. The album presents seven tracks, all of which are standards. This album was never officially released and exists only as a CD-R promo, which is extremely difficult to find, but offers excellent sound quality. Thanks to Tim HillayFind albums by this artist for sending me a copy of this Holy Grail :)
The music is a wonderful example of a relaxed, but highly satisfying mainstream Jazz, beautifully performed by the quartet members. It is also a splendid opportunity to hear extended trumpet soloing by Lowther, who rarely gets so much exposure on the albums he plays on as a sideman. The same goes for Mulllen’s guitar, here in its Jazziest incarnation, as opposed to the more Fusiony or even Rocky side of his playing, which appears on most of his recordings. Green is, as usual, in superb form and his elegant bass lines are simply delightful and Butterfield keeps the swing of things right in place.
Overall, this is a delightful document of British Jazz, played in a pub with no fuss or pretense, offering a glimpse of elegance and relaxed joy of playing, which the musicians and the public seem to enjoy as one. For Lowther’s many admirers, this is a great showcase of his playing, which of course is worth listening to, and a worthy item in his discography. Beg or steal, but find a copy ;)
| | Updated: 09/01/2023Posted: 09/01/2023 | CD 1 Recommend To A Friend |
  | HENRY LOWTHER / QUARTERNITY ~ NEVER NEVER LAND
JAZZ IN BRITAIN 36 (Barcode: 5060774190388) ~ UK ~ Jazz
Recorded: 1974 - 1978 Released: 2022
This is a sensational archival album by one of the silent heroes of the British Jazz scene, trumpeter / violinist / composer Henry LowtherFind albums by this artist and his quartet QuarternityFind albums by this artist, with guitarist Phil LeeFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist, which was expanded often to a quintet with saxophonists Art ThemenFind albums by this artist or Alan WakemanFind albums by this artist. This double album collects twelve compositions by Lowther or Lee, one of which appears twice, in a quartet and quintet versions. The music was recorded live between 1974 and 1978, but the sound quality is absolutely impeccable considering the archival nature of these recordings.
Lowther’s name appears proudly on well over a hundred albums recorded over the years, including some of the British Jazz most iconic releases, but his recording legacy includes just one (yes ONE) album as a leader, “Child SongFind albums with this title”, recorded in 1970, followed by two albums recorded decades later with his ensemble Still WatersFind albums by this artist (“I.D.Find albums with this title” from 1996 and “Can`t Believe, Won`t BelieveFind albums with this title” from 2018). Therefore, this release fills a gigantic gap in Lowther’s recorded legacy as a leader, and pays tribute to this great musician, along with his fellow musicians of course, all of which are British Jazz icons. With the painful recent passing of Trevor Tomkins, this is even more significant.
The music is a classic example of the Modern British Jazz played in the 1970s, emphasizing excellent compositions and brilliant improvisations, which include a pinch of Free Jazz here and there, but mostly sits well within the modern mainstream of the era. Considering the lineup, it is hardly surprising that the music is nothing short of spectacular, in every respect. Lowther, Lee and the saxophonists solo with passion and vigor and the sublime rhythm section keeps things in check, with Green’s incredibly melodic bass lines and Tomkins’ virtuosity present every step of the way. British scene followers should find it interesting to compare Lee’s guitar performances here with his more Prog oriented recordings with GilgameshFind albums by this artist or National HealthFind albums by this artist, which prove his incredible versatility. Lowther’s violin performances here, relatively rarely heard elsewhere, are a proverbial cherry on top of everything.
Overall, this is another admirable contribution to the British Jazz recorded legacy made by the dedicated people behind the Jazz In BritainFind albums on this label label who never cease to enrich our lives with these mementos from the glorious past legacy of the British Jazz. Just the thought that these musical treasures would have remained buried forever fills me with great sadness for all the music that suffers that fate, and of course at the same time with great joy that some of it sees the light of day, for which we are, as always, eternally grateful!
| | Updated: 22/12/2022Posted: 21/09/2022 | CD 2 Remastered Recommend To A Friend |
  | HENRY LOWTHER / STILL WATERS ~ CAN`T BELIEVE, WON`T BELIEVE
VILLAGE LIFE 171013 (Barcode: 5060092190169) ~ UK ~ Jazz
Recorded: 2017 Released: 2018
Following the recent release of the archival album by the legendary British trumpeter / composer / bandleader Henry LowtherFind albums by this artist, called “Never Never LandFind albums with this title”, I decided to explore his bewilderingly limited discography as a leader, which apart from his debut album “Child SongFind albums with this title” from 1970, includes only three other albums with his name on them. Henry was graciously kind to send me a copy pf this here album, I managed to buy a copy of “I.D.Find albums with this title” from the drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, and the last one, called “Fungii MamaFind albums with this title”, recorded by a quartet co-led by Lowther and guitarist Jim MullenFind albums by this artist, seems sadly unobtainable (anybody with a spare copy?).
“Can`t Believe, Won`t BelieveFind albums with this title” was recorded by a quintet, which comprises of Lowther, saxophonist Pete HurtFind albums by this artist, pianist Barry GreenFind albums by this artist, legendary bassist Dave GreenFind albums by this artist and Clarvis. The album presents eight tracks, six of which are original compositions by Lowther, one is by Hurt and one is a standard.
The music is absolutely brilliant, from start to finish, sublimely melodic, radiantly executed by the quintet and astonishingly characteristic of the “British Jazz” sound, that dominated the early days of the idiom. Although perhaps somewhat nostalgic and sentimental, it is rather simply mature, encapsulating decades of experience, as well as the ability to play without a need to prove anything, a status Lowther rightfully earned a long time ago.
I must say that it has taken me completely by surprise and as someone who is supposed to know a thing or two about British Jazz, the fact that I discovered this absolute gem only now, is truly shameful. The only way to repent is to spread the word and recommend everybody to grab a copy of this hidden treasure, while they last.
Overall, this is an absolute marvel of an album, which for a lack of a better word I’d call “sweet”, which simply distillates the emotions I enjoyed while listening to the music. A British Jazz classic by every standard, this album is an absolute must in every serious British Jazz collection - beyond essential!
| | Updated: 22/12/2022Posted: 22/12/2022 | CD 1 Digipak Recommend To A Friend |
  | HENRY LOWTHER / STILL WATERS ~ I.D.
VILLAGE LIFE 97122 (Barcode: 5024777971221) ~ UK ~ Jazz
Recorded: 1996 Released: 1997
This is the criminally little known debut album by the legendary British trumpeter / composer / bandleader Henry LowtherFind albums by this artist and his Still WatersFind albums by this artist quintet, which comprises of Lowther, saxophonist Julian ArguellesFind albums by this artist, pianist Pete SabertonFind albums by this artist, legendary bassist Dave GreenFind albums by this artist and drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label on which the album was released. The album presents nine tracks, seven of which are original compositions by Lowther, one is an arrangement of a Classical piece and one is a standard.
The music is as marvelous as one might expect from Lowther and his cohorts, relaxed and beautifully melodic, splendidly performed by the quintet members. Lowther’s lyrical compositions cry “British Jazz” with every note and the quiet ambience, influenced by the fact that the music was recorded in a Church, is typical of the early period of the genre, which Lowther lovely carries over along the pathway of his career.
Arguelles proves to be an ideal “partner in crime” to the gentle explorations of the melodic ventures, showing remarkable restrain and harmonious cooperation with Lowther, especially potent during their unisono passages. The sublimely delicate piano parts and amicable rhythm section approach turn the music into a tranquil, slow paced ride, which is delightful from start to finish.
As astounding as it might sound, this is one of the remarkable few recording by Lowther as a leader, and it makes me exceedingly happy to be able to listen to this music now, so many years after it was released, and bring it to the attention of the many faithful followers of Lowther’s career and Genius.
Overall, this is an absolute must have album in any serious British Jazz collection. It seems the album is out of print by now, but perhaps the label might be persuaded to press some more copies of this jewel. In any case try to hunt down a copy and you won’t regret it!
| | Updated: 24/12/2022Posted: 24/12/2022 | CD 1 Recommend To A Friend |
  | DON RENDELL / IAN CARR ~ CHANGE IS
BGO 613 (Barcode: 5017261206138) ~ UK ~ Jazz
Recorded: 1969 Released: 2004
5th and last album by the seminal Don RendellFind albums by this artist / Ian CarrFind albums by this artist Quintet, probably the most important British Jazz ensemble in the 1960s, which played a key role in establishing the “British sound” in Jazz, breaking away from the constrains of American Jazz traditionalism. The quintet comprised of brilliant instrumentalists and composers and after playing together for about five years they achieved a telepathic understanding of each other’s mannerisms and preferences, allowing them to perform in unparalleled unison and harmony. Don Rendell on saxophones and flute, Ian Carr on trumpet and flugelhorn, Michael GarrickFind albums by this artist on piano, Dave GreenFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums were together a mean and lean, unstoppable music machine, creating some of the most daring and adventurous Jazz music ever heard.
However, as hinted by the album’s title, by the time this album was recorded the quintet reached the end of its life cycle. Both Garrick and Carr were extremely busy musically, composing and performing music outside the quintet’s frame, with Garrick leading his own ensemble and recording prolifically and Carr founding his own ensemble, the legendary NucleusFind albums by this artist, which was to become the definitive Jazz-Rock Fusion point of reference. Two of the compositions found on this album would soon be recorded as title tracks on albums by Garrick (Cold MountainFind albums with this title) and Nucleus (Elastic DreamFind albums with this title), clear evidence of the fact that the quintet was reaching the end of its days. Another indication of the imminent changes was the fact that the album includes, for the first time, guest musicians who augmented the quintet on several tracks. They were: Mick PyneFind albums by this artist on piano, Jeff ClyneFind albums by this artist on bass, Guy WarrenFind albums by this artist on percussion and Stan RobinsonFind albums by this artist on saxophone, musicians who would soon play with the new ensembles formed after the quintet folded.
It is somewhat unfortunate that the following decade would be extremely flourishing for both Carr and Garrick, but Rendell was to slowly step back from the limelight and record only sporadically. But all that aside, the final recording by the Rendell / Carr quintet is a masterpiece of British Jazz in every respect, full of superb compositions and brilliant performances – an album that deserves a honorable position in every serious music collection. Essential!
| | Updated: 28/06/2021Posted: | CD 1 Slipcase Remastered Essential Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ BBC JAZZ CLUB 1965/66
RHYTHM AND BLUES 064 (Barcode: 5060331752202) ~ UK ~ Jazz
Recorded: 1965 - 1966 Released: 2020
This is an archival album by the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents three BBC sessions, one from 1965 and two from 1966, all together sixteen tracks (and seven short introductions by Rendell or Humphrey LittletonFind albums by this artist). On the first session Colin PurbrookFind albums by this artist replaces Garrick and on the second session Jeff ClyneFind albums by this artist replaces Green.
These sessions were recorded around the time the quintet recorded and released their first two albums: “Shades Of BlueFind albums with this title” and “Dusk FireFind albums with this title”, and the second session presents five live versions of the material present on the second album. Most of the material consists of original compositions by Rendell, Carr and Garrick, the last being the most prolific contributor to the quintet’s material. A great tune by Howard RileyFind albums by this artist, another by Pat SmytheFind albums by this artist and a couple of standards are also present.
These sessions show vividly the giant step the quintet made between recording the debut album with Purbrook on piano in 1964, which was almost completely conventional and Bee Bop oriented, and the second album with Garrick on piano recorded in 1965, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz.
Considering the splendid sound quality of these recordings, the fact that it is the first time they appear on record and that they also include previously never heard material by the quintet, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential!
| | Updated: 08/07/2021Posted: 06/07/2021 | CD 1 Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ BBC JAZZ CLUB 1965/66 II
RHYTHM AND BLUES 075 (Barcode: 5060331752585) ~ UK ~ Jazz
Recorded: 1965 - 1966 Released: 2021
This is the second archival album by the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents three BBC sessions, two from 1965 and one from 1966, all together seventeen tracks. On the second session vibraphonist Mike CarrFind albums by this artist guests on two tracks. The first session is Garrick’s debut appearance as a member of the quintet.
These sessions were recorded between the time the quintet recorded their first album “Shades Of BlueFind albums with this title” (recorded in October 1964) and their second album “Dusk FireFind albums with this title” (recorded in March 1966), and it is not surprising that the second and third sessions presents some early live versions of the material eventually recorded for the second album. Most of the material consists of original compositions by Rendell, Carr and no less than seven compositions and one co-composition with Carr) by Garrick, who became the most prolific contributor to the quintet’s material.
These sessions show vividly the giant step the quintet made between recording the debut album with Colin PurbrookFind albums by this artist on piano, which was almost completely conventional and Bee Bop oriented, and the second album with Garrick on piano, recorded just a year and a half later, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz.
Considering the splendid sound quality of these recordings, the fact that it is the first time they appear on record and that they also include previously never heard material by the quintet, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential!
Side Note for Michael Garrick’s fans:
Of the seven Garrick’s composition on this album, only one (“Prayer”) appeared on the “Dusk Fire” album. The other six compositions can be found on the following albums: “October WomanFind albums with this title” is the title track from his album recorded in November 1964 with his own quintet before he joined the Rendell / Carr quintet. “Ursula” is a track from his album “Black MarigoldsFind albums with this title”, which will be recorded in January / February 1966. “Trane’s Mood” originates from the iconic “Poetry And Jazz In Concert 250Find albums with this title” album and can also be found on the “Live At The Union 1966Find albums with this title” album. “The Sixth Seal” only appeared recently on the Jazz In BritainFind albums on this label label’s LP “At Short NoticeFind albums with this title”, which is in desperate need of a CD release. “She’ll Be Back” and “Secrets” seem to make the only appearance on this album, unless the names of the tunes are mistaken.
| | Updated: 04/08/2021Posted: 04/08/2021 | CD 1 Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ BLUE BEGINNINGS
JAZZ IN BRITAIN 20 (Barcode: 5060774190234) ~ UK ~ Jazz
Recorded: 1964 Released: 2021
This is an archival album by the first lineup of the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Colin PurbrookFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents two BBC sessions, the first from April 1964 (two tracks) captured before the quintet recorded their first album “Shades Of BlueFind albums with this title” and the second from November 1964 (six tracks) shortly after the studio recording which took place in October 1964.
The first session presents one live version of a track, which will appear on the studio album and one standard and the second session presents five live versions of the material present on the studio album and one standard. Most of the original material consists of compositions by Rendell and Carr and the title track of the studio album was composed by Neil ArdleyFind albums by this artist of course.
These sessions show vividly the giant step the quintet made between recording the debut album with Purbrook on piano in 1964, which was almost completely conventional and Bee Bop oriented, and the following albums with Garrick on piano, starting with second album recorded in 1965, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz. Garrick was not only a brilliant and farsighted pianist but also the most prolific composer, which of course strengthened the quintet’s output considerably.
Despite the fact that the music here is pretty conventional, as far as the Jazz tradition is concerned, on the verge of change but not quite yet, the fact that it is the first time it appears on record, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential!
As usual kudos to the Jazz In BritainFind albums on this label label people, who dared to make this dream of a label to come true.
| | Updated: 18/07/2021Posted: 18/07/2021 | CD 1 Digipak Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ WARM UP
JAZZ IN BRITAIN 44 (Barcode: 5060774190487) ~ UK ~ Jazz
Recorded: 1965 Released: 2022
This is an archival 2CD live album by the fabled British Jazz quintet co-led by saxophonist / composer Don RendellFind albums by this artist and trumpeter / composer Ian CarrFind albums by this artist, which also included pianist / composer Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and recently departed drummer Trevor TomkinsFind albums by this artist, to whom this album is dedicated. Part of the music contained here was previously released on the HarkitFind albums on this label label in 2003, but the entire concert at the Highwayman is now presented in full and sonically restored, accompanied by a 20-pages booklet with photos and an essay by Simon SpillettFind albums by this artist. The album presents twelve tracks, four of which are original compositions by Garrick – the most prolific composer of the quintet, one by Rendell and one by the great Neil ArdleyFind albums by this artist, with the rest being Jazz standards.
I have already written extensively about this magnificent quintet, so there is no need to repeat the obvious – they were the quintessential outfit at the time and champions of the process of establishing the new voice of the British Jazz after years of copying and admiring the American Jazz tradition, finally being able, together with several other contemporaries, to emancipate the music and create an autonomous, recognizable, aesthetically independent way of thinking and composing and most importantly improvising.
Of course, all five members of the quintet were great performers, which means that the music kicks ass for the entire duration, but it deserves several listening sessions in order to recognize all the crucial moments of genius, where they offer innovation rather than just going through the motions. It is great to have the entire concert available, and to fill one more gap in the complex puzzle this quintet managed to create during its relatively short existence.
Overall, this is another triumphant release by the Jazz In Britain label, which is a total labor of love and commitment. I look with great satisfaction at the growing stack of the label’s releases, which is the main source of archival material, producing an ongoing story of British Jazz. This album is a great addition to this growing legacy, and from what the people behind the scenes share with us, this is just a tiny portion of the material that comes their way. We can only hope the creative juices will keep flowing and the CDs coming – hats off to you people. And the album – well, it is a no brainer whatsoever – just grab a copy – satisfaction guaranteed!
| | Updated: 29/01/2023Posted: 28/01/2023 | CD 2 Digipak Remastered Recommend To A Friend |
  | COLIN TOWNS ~ BOLT FROM THE BLUE
PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz
Recorded: 1990 - 1991 Released: 1991
The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.
| | | CD 2 Recommend To A Friend |
  | STAN TRACEY ~ FROM STAN, WITH LOVE (WITH LOVE FROM JAZZ / WE LOVE YOU MADLY)
RESTEAMED 115 (Barcode: 5060138617155) ~ UK ~ Jazz
Recorded: 1967 - 1968 Released: 2021
This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “With Love From JazzFind albums with this title” and “We Love You MadlyFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Bobby WellinsFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Jackie DouganFind albums by this artist (Lennie BushFind albums by this artist and Ronnie StephensonFind albums by this artist replace Green and Dougan on the last track) and presents eight original compositions by the leader. The second album was recorded by an eighteen-piece Big Band (called Big Brass), which included some of the top British Jazz musicians at the time, such as trumpeters Derek WatkinsFind albums by this artist, Kenny BakerFind albums by this artist and Ian CarrFind albums by this artist, trombonist Chris PyneFind albums by this artist, saxophonists Joe HarriottFind albums by this artist, Don RendellFind albums by this artist, and Tony CoeFind albums by this artist, clarinetist Acker BilkFind albums by this artist, Tracey on piano, Bush on bass and drummer Barry MorganFind albums by this artist. As the title suggests, the album is dedicated to American pianist / composer / bandleader Duke EllingtonFind albums by this artist and presents six compositions by him, one by Billy StrayhornFind albums by this artist and one by Tracey, all also arranged by him. The first album was recorded October12 and 31, 1967 and the second August 20 and 21, 1968 and released a year later (respectively) on the EMI / ColumbiaFind albums on this label label.
The first album is a wonderful example of Tracey’s quartet work, based on his idiosyncratic compositions, often truly romantic in nature, which defined his style characterized by his singular chord vamping. This was the last recording with Wellins, who was replaced on future albums by Peter KingFind albums by this artist. Tracey and Wellins has a telepathic communication between them and played like musical twins, which of course is audible here as well. The last track is a surprising excursion into African rhythms, which finds Tracey playing the vibraphone.
The Big Band album is a complete different cup of tea, with Tracey showing off his genius as arranger / Big Band leader, which always were his undeniable passions in addition to his composing and playing the piano. His love and respect to Ellington the composer is plainly apparent and his arrangements are highly unusual, almost diametrically different from the original Ellington recordings, which of course is a brilliant lesson in the differences between the American and British / European approach to using the Big Band as a musical tool. The original composition closing the album is a proverbial cherry on top of course. Personally this is one of my most loved Tracey recordings, but hey I love them all of course.
Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!
| | Updated: 18/08/2021Posted: 18/08/2021 | CD 2 Digipak Recommend To A Friend |
  | STAN TRACEY ~ THE RETURN OF CAPTAIN ADVENTURE
TENTOTEN 753 (Barcode: 5060052777539) ~ UK ~ Jazz
Recorded: 1975 Released: 2006
This is an expanded reissue of the classic album by British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist. The album was recorded live on November 3rd, 1975 at the 100 Club in London, a Mecca of the London Jazz scene at the time, where I have spent more evenings deep into the night than I can remember, by a fabulous quartet (well all of Stan’s quartet were fabulous) with saxophonist Art ThemenFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist, and was released on LP as “Captain AdventureFind albums with this title” on the SteamFind albums on this label Records label, owned by Stan, in 1976. The LP offered just four tracks captured that night and only thirty years later this magnificent 2CD reissue appeared, offering seven previously unreleased tracks recorded that night, almost tripling the playing time of the music. This reissue was released on the TenToTenFind albums on this label Records label, owned by Stan’s son, drummer Clark TraceyFind albums by this artist. Of the eleven tracks on this album, ten are original compositions by Tracey and one is a standard.
The music is absolutely stunning from start to finish, with all members of the quartet playing marvelously and due to the special atmosphere in the club explode into lengthy hair-raising solo performances. No wonder that “Captain Adventure” is considered as Tracey’s second-best album after the groundbreaking “Under Milk WoodFind albums with this title”. Themen shows his virtuosity and amazing improvisational skill, Green is unmistakably steady as a rock and superbly melodic and Spring swings like a clockwork. As a result, this is surely one of the best live British Jazz albums of all time.
It is fascinating to see the progress towards Free Jazz made by Tracey and his crew. Although the music is still based on clear melodic themes, the improvisations spread towards a much less defined musical structures, especially in Themen’s soloing. Tracey’s idiosyncratic piano playing, based on series of single notes rather than chords, is present vividly and delightfully for the entire duration of the music.
Overall, this is an absolute marvel of an album, a timeless gem that deserves an honorable place in every British Jazz record collection, no questions asked. Sadly, this reissue is already out of print since years, so it might be a while until a copy can be found, but the effort is absolutely worth it. Happy hunting!
| | Updated: 13/01/2023Posted: 13/01/2023 | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | STAN TRACEY ~ WISDOM IN THE WINGS (FREE AN` ONE / THE SEVEN AGES OF MAN)
RESTEAMED 114 (Barcode: 5060138617148) ~ UK ~ Jazz
Recorded: 1969 Released: 2020
This is a reissue of two seminal albums by the iconic British Jazz pianist / composer / bandleader Stan TraceyFind albums by this artist: “Free An` OneFind albums with this title” and “The Seven Ages Of ManFind albums with this title”, coupled together as a 2CD set. The first album is a quartet recording with Tracey, saxophonist Peter KingFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Bryan SpringFind albums by this artist and presents five original compositions by the leader. The second album was recorded by a sixteen-piece Big Band, which included some of the top British Jazz musicians at the time, such as trumpeter Derek WatkinsFind albums by this artist, trombonists Chris PyneFind albums by this artist and Michael GibbsFind albums by this artist, saxophonists Peter King, Tony CoeFind albums by this artist and Alan SkidmoreFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, the rhythm section from the quartet and others and presents eight original compositions by the leader, also arranged by him. Both albums were recorded in late 1969 (September 10 and October 8 respectively) and released the following year on the EMI / ColumbiaFind albums on this label label.
The quartet album is a brilliant example of Tracey’s openness towards the “new winds” that were stirring up the British Jazz scene, with strong Avant-Gardist / Free Jazz influences ventilating the scene. In complete contrast to many of his veteran contemporaries, Tracey had no problem whatsoever with these trends and flirted with them openly, as long as he was either enjoying or in control, as many of his recordings, like those with Mike OsborneFind albums by this artist or Keith TippettFind albums by this artist, clearly show. This quartet was not playing Free as such, but fiery improvisations and less strict rhythmic patterns are clearly audible, and the general carefree atmosphere testifies.
The Big Band album is a complete different pair of galoshes, with Tracey showing off his genius as composer / arranger / Big Band leader, which always way one of his undeniable fortes (not that he had any weaknesses as a musician that I am aware of). The compositions are simply brilliant, the arrangements unique and the Big Band, exploding with talent, is riding the wind, soaring like there is no tomorrow. Considering the fact that this album was recorded in one day, it is truly amazing that the Big Band performs all these complex arrangements with awe-inspiring ease and elegance.
Overall, these are two absolute British Jazz treasures, and their absence from the record market was a travesty. We should be grateful to Clark TraceyFind albums by this artist (Stan’s son) for bringing them back to life on the family’s ReSteamedFind albums on this label label, hopefully seeing more of these gems getting the same treatment soon. Absolutely essential!
| | Updated: 18/08/2021Posted: 14/08/2021 | CD 2 Digipak Recommend To A Friend |
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