Record Reviews

ALAN COHEN ~ RUNNIN` WILD / BLACK, BROWN & BEIGE VOCALION 4252 (Barcode: 765387425227) ~ UK ~ Jazz Recorded: 1972 - 1974 Released: 2005 Two brilliant albums by British arranger / conductor / bandleader Alan CohenFind albums by this artist, which he recorded with his orchestras, paying tribute to Jazz tradition and especially its Big Band heroes. Both albums were originally released on the ArgoFind albums on this label label. "Runnin` WildFind albums with this title", recorded in 1974, is a tribute to Paul WhitemanFind albums by this artist, who dominated the early (1920s) jazz scene in the US, leading an orchestra, which incorporated the best Jazz players of the time. "Black, Brown & BeigeFind albums with this title", recorded in 1972, is a tribute to Duke EllingtonFind albums by this artist, who started in the early 1940s to compose a series of superb Jazz suites, of which this was the first and which was unfortunately never properly recorded in its entirety by its creator. Cohen managed to assemble the pieces of the puzzle 30 years later and this is the first time we´re able to hear this magnificent piece of music as intended. Cohen´s orchestras included the best players on the burgeoning British Jazz scene at the time: Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist and Michael GibbsFind albums by this artist (trombone) Alan SkidmoreFind albums by this artist and Art ThemenFind albums by this artist (saxophones), Alan JacksonFind albums by this artist (drums) and many more. The divine Norma WinstoneFind albums by this artist contributes a wonderful vocal part on one track. Together these two albums are a wonderful glimpse at the Jazz history, presenting wonderful music, performed with inspiration and love. Brilliant stuff!

CD 2 Remastered Recommend To A Friend

GRAHAM COLLIER ~ SYMPHONY OF SCORPIONS / THE DAY OF THE DEAD BGO 1028 (Barcode: 5017261210289) ~ UK ~ Jazz Recorded: 1976 - 1978 Released: 2011 Composer / arranger / bandleader / bassist Graham CollierFind albums by this artist, a dear personal friend of mine who died in 2011, is one of the Godfathers of modern British Jazz, and his contribution to the genre as a musician, educator and writer are monumental. Although initially schooled in the US (Collier was the first student from the UK to be awarded a scholarship at the Berklee School of Music in Boston in the 1960s), he was in fact one of the pioneers of the European Jazz, accepting the American Jazz tradition as a basis for further development and exploration based on the European cultural heritage. His innovative approach as a composer and arranger were immensely influential not only on the local British scene, but also throughout the entire Europe, especially his usage of irregular meters and time signatures. Over the years Collier composed and recorded a colossal body of work, which includes some of the greatest music of the 20th Century. This album, which is a fourth installment and a companion to the three previous BGO reissues of his early recordings, includes the last two recordings by Collier released on his own record label MosaicFind albums on this label Records, one of the first independently owned Jazz labels in Britain. He composed all the music presented here and plays bass on the first recordings (something he was to abandon in the future) and the lineups of the three ensembles include some of the greatest players on the British scene at the time: Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Malcolm GriffithsFind albums by this artist (trombone), Alan WakemanFind albums by this artist, Mike PageFind albums by this artist, Art ThemenFind albums by this artist (saxophone), Ed SpeightFind albums by this artist (guitar), Roger DeanFind albums by this artist (piano), Roy BabbingtonFind albums by this artist (bass) and Alan JacksonFind albums by this artist, John WebbFind albums by this artist (drums). Many of these players were to become future leaders of course, as Collier’s ensembles served as an excellent breeding ground for young players, similar to what happened on the Blues scene with John MayallFind albums by this artist’s ensembles. Both these releases were inspired by the works of British poet and novelist Malcolm LowryFind albums by this artist, one of the most innovative writers of the 20th Century. "The Day Of The DeadFind albums with this title" (originally released as a double LP) includes extended fragments from Lowry´s masterpiece "Under The Volcano" and his other writings, narrated by John CarberyFind albums by this artist on top of the music performed by the band. Both works rank amongst Collier´s greatest achievements and his most adventurous recordings, with a loose composed frame and extensive group improvisations. Collier is often called the Charles MingusFind albums by this artist of European Jazz, and the parallels are obvious. The music is of course absolutely stunning, from start to finish, and brilliantly performed. Every moment on this album is just right, brilliant and timeless, which makes it not only a perfect document of the era, but also a piece of music that retains its intrinsic values forever. Absolutely essential!

CD 2 Slipcase Remastered Essential Recommend To A Friend

MIKE COOPER ~ OH REALLY?! / DO I KNOW YOU? / TROUT STEEL / PLACES I KNOW / THE MACHINE GUN CO. BGO 1371 (Barcode: 5017261213716) ~ UK ~ Jazz-Blues Fusion Recorded: 1968 - 1972 Released: 2019 This is a reissue of the first five albums by the British guitarist / vocalist / songwriter Mike CooperFind albums by this artist. The first album was originally released on PyeFind albums on this label Records and the other four on the subsidiary DawnFind albums on this label Records. This remastered edition adds also three bonus tracks released originally on singles. The first two albums present Cooper playing Blues / Folk / Country oriented material, mostly self-penned, on which he accompanied himself on acoustic guitar. On the second album he was joined by the legendary bassist Harry MillerFind albums by this artist and a female vocalist on a few tracks. However, on the next three albums – the last two of which were recorded during the same session and were intended initially to be released as a double album – he is joined by a dreamy team of the crème de la crème of British Jazz musicians at the time, which includes arranger Michael GibbsFind albums by this artist, saxophonists Mike OsborneFind albums by this artist, Alan SkidmoreFind albums by this artist, Geoff HawkinsFind albums by this artist, Stan SulzmannFind albums by this artist, and Tony CoeFind albums by this artist, pianist John TaylorFind albums by this artist, bassists Roy BabbingtonFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Alan JacksonFind albums by this artist, vocal Diva Norma WinstoneFind albums by this artist and many others, a truly unprecedented gathering. Those albums are dominated by Cooper´s idiosyncratic songwriting, guitar playing and singing, and still deeply rooted in the Blues, but the instrumental parts offer some blood-curdling goodies, which no British Jazz fan wants to miss. Considering how obscure and impossible to find these albums are this monumental reissue is a true godsend, done in the best tradition of BGOFind albums on this label Records´ mission to unearth music that should be given another chance. Absolutely not to be missed!

Updated: 02/09/2020Posted: 01/09/2020

CD 3 Digipak Remastered Bonus Tracks Recommend To A Friend

FINGERS ~ THE COMPLETE FINGERS REMEMBER MINGUS JAZZ IN BRITAIN 55 (Barcode: 5060774190692) ~ UK ~ Jazz Recorded: 1979 - 1993 Released: 2024 This is an expanded reissue / remaster of an album by British Jazz quintet FingersFind albums by this artist, led by bassist Dave GreenFind albums by this artist, which also included saxophonists Lol CoxhillFind albums by this artist and Bruce TurnerFind albums by this artist, pianist Michael GarrickFind albums by this artist and drummer Alan JacksonFind albums by this artist. The original album was recorded in 1979 and released on the legendary SpotliteFind albums on this label label in 1983, which needless to say has been in my collection since then. It included only five tracks, some of which were edited to fit on the LP, which are here expanded to include the complete recording session on CD1 and CD2, total eleven tracks including alternate tracks. CD3 presents eight unreleased tracks, originating from BBC broadcasts or other sources, recorded between 1979 and 1993 (see details on the album’s artwork). Although the music herein, either that by Charles MingusFind albums by this artist or by other composers, is basically mainstream oriented, the unique “Fingers’ treatment” it receives here turns is into an orgy of improvisation, which more often than not ventures into the Free territory, especially when Coxhill is in the lead. The atmosphere of the session is somewhat similar to what one might hear on Mingus’ albums, so the resulting music is a tribute with a British twist, which fans of Mingus and those familiar with his music should enjoy immensely. These are some of the finest British Jazz players after all, so it’s hardly surprising that the performances are stellar. Under the steady bass grip by Green, the music manages to swing even when the melody wanders far away, only to return like a wave. Some spectacular soli, which are lost on the original abridged edition, are here to bring a wide smile upon the listener’s lips. The relaxed, almost informal atmosphere of the session, serves the music well, as the result proves. Overall, this is another brilliant release by the Jazz In BritainFind albums on this label label, which does not rest on its laurels, keeping us on edge awaiting the next showdown. Thy good people behind the labels have of course access to more great music that they can possibly handle, so it all comes down making the right choices, which so far has been impeccably done. Thanks, as always, for the music, which never fails to bring a tear in the corner of an eye.

Updated: 01/07/2024Posted: 01/07/2024

CD 3 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

MICHAEL GARRICK ~ A LADY IN WAITING JAZZ ACADEMY 01 ~ UK ~ Jazz Recorded: 1993 Released: 1994 British pianist / composer Michael GarrickFind albums by this artist enjoyed a most fruitful and prolific career during the Golden Decade of British Jazz between mid-1960s and mid-1970s, releasing a series of groundbreaking and exquisite albums, which firmly established his position as one of the scene’s leaders. However, by the end of 1970s Garrick and many of his illustrious colleagues suffered the fate of the changing cultural climate, with record labels no longer willing to release highly prestigious but low selling albums containing quality music. For the next two decades Garrick was to record only sporadically and although he continued to compose and sometimes perform his music, most of it remains unrecorded. In order to find an outlet for his music, Garrick established in 1993 his own record label called Jazz AcademyFind albums on this label, which was primarily dedicated to record his works. Thanks to this wise decision, we can now all enjoy the fruits of his labor. This album is the first release on Garrick’s label, and it’s hardly surprising that he decided to make his initial recording for the new label in the piano trio format, the most intimate and revealing platform for Jazz pianists. The trio, with Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums, both veteran Garrick’s cohorts performs beautifully, in perfect harmony and almost telepathic interplay, as expected. The choice of material is also very interesting. Although Garrick very rarely plays standards, having so much of his own wonderful music to chose from, this album does include six Garrick’s renditions (out of the 15 tunes included on the album) of music composed by others. In fact it is quite educational to compare these with some of the many existing versions of these tunes. Under Garrick’s fingertips these tunes really get a completely unique new life. The original material includes six movements from Garrick’s suite “The Royal Box”, which was also recorded in a Big Band version. Overall this is a perfect piano trio album, played by three equally brilliant musicians and one that can be played again and again with no fear whatsoever of getting bored by the music. Of course one would expect nothing less from this musical world-class Giant. A must!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ BIG BAND HARRIOTT JAZZ ACADEMY 10 (Barcode: 5036098005080) ~ UK ~ Jazz Recorded: 2004 Released: 2004 Jamaican by birth, British saxophonist / composer Joe HarriottFind albums by this artist was one of the brightest stars of early European modern Jazz scene. Harriott moved to Britain in 1951 and soon became one of the most prominent saxophone players in the country. Initially a Bebop player, Harriott soon moved away from the traditional approach to Jazz and started experimenting with Free Form Jazz, being one of the pioneers of Free Jazz in Europe. Tragically and prematurely dead at the age of 44 (in 1973), Harriott’s immense contribution to British and worldwide Jazz was sadly recognized only many years after his passing. He recorded relatively few solo albums, but each of those is a true masterpiece. In the mid-1960s he was a member of British pianist / composer Michael GarrickFind albums by this artist’s superb quintet, recording several groundbreaking albums with him. He was also a great pioneer of the World-Jazz Fusion and a co-founder of the Indo-Jazz ensemble with violinist / composer John MayerFind albums by this artist. Harriott was not only a great musician, but also a very insightful, open-minded individual. He was resentful for the disregard towards European (or rather any non-US) Jazz by American critics and music lovers, which the following quote clearly demonstrates: “I would like to see Jazz grow and absorb all other idioms and not be treated as if it were an isolated Art Form… I also have a pet hate that one couldn’t think for oneself unless one emigrated to a place like the United States.” On his gravestone the following epitaph is engraved: “Parker? There’s them over here can play a few aces too…” Michael Garrick of course never forgot neither Harriott nor his exquisite music. This album is a greatest homage one musician can pay to another – revitalize his music and bring it again to the attention of those, who might have never heard it. Garrick says about this album in his liner notes: “This is not so much Joe Harriott revisited as Joe Harriott reborn, re-embodied into a broader dimension.” The album includes twelve Harriott compositions, lovingly scored and arranged by Garrick for a Jazz Big Band, which includes some of the best Jazz players in the British Isles, including veteran drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist. The last track is a special requiem composed by Garrick in Harriott’s memory. Harriott’s brilliant music indeed sounds reborn here and although transformed, it retains the free spirit originally intended by the composer. A brilliant and essential album!

CD 1 Essential Recommend To A Friend

MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz Recorded: 2006 Released: 2007 Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax). Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest. A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.

Updated: 01/01/2016Posted:

DVD 1 Recommend To A Friend

MICHAEL GARRICK ~ PARTING IS SUCH JAZZ ACADEMY 03 ~ UK ~ Jazz Recorded: 1994 - 1995 Released: 1995 Following the establishment of his own record label Jazz AcademyFind albums on this label in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. This is Garrick’s second piano trio recording on his label, with (as usual) Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums. Michael’s son Chris GarrickFind albums by this artist on violin guests on one track and veteran saxophonist Don RendellFind albums by this artist (Garrick’s former “boss” in the Don Rendell – Ian CarrFind albums by this artist quintet) guests on another. The choice of material is similar to the previous trio album, with a few standards, which are given excellent new interpretations by Garrick, and a selection of Garrick’s originals, spanning his entire career – in short some old, some new and some borrowed – all exquisitely performed in a way only he can accomplish. Overall the album is more melancholic that usual, as the album’s theme is parting after all, which also means parting with those not longer with us. Three of Garrick’s compositions are in fact requiems to departed musicians, including the beautiful waltz dedicated to Bill Evans. Two more pieces from Garrick’s “The Royal Box" suite (which was recorded by his Big Band earlier) also make their appearance here. This is another masterpiece by the great Master and a must for any of his fans; something one can listen repeatedly, always discovering new aspects of the music. Brilliant stuff!

CD 1 Recommend To A Friend

MICHAEL GARRICK ~ PETER PAN JAZZDANCE SUITE JAZZ ACADEMY 09 (Barcode: 801082016725) ~ UK ~ Jazz Recorded: 2003 Released: 2003 Following the establishment of his own record label Jazz Academy in 1993, British pianist / composer Michael GarrickFind albums by this artist started to record again on a regular basis and quite prolifically at that, to the delight of his many fans, myself included. He continued to records with small ensembles (trio, quartet, etc.), but in parallel he also started to score and record his new works for extended orchestras / Big Bands, this album being a superb example of his work in that field. Garrick’s life-long love affair with the written word (poetry, prose and even religious texts), especially British literature, has always been a prominent part of his output. From his early-days involvement with the Jazz & Poetry movement and throughout his entire career his work was always related one way or another to literature. Therefore it’s hardly surprising that Garrick should write a complete suite based on a book, in this case the classic children’s (or is it?) tale of Peter Pan. Garrick even includes here a set of poems written by him, which he and the lovely Anita WardellFind albums by this artist recite (she also sings). The suite is performed by an Jazz orchestra, which includes some twenty players, mostly Garrick “regulars” in his orchestral projects, including the rhythm section of Paul MoylanFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums (both members of current Garrick’s trio and quartet). Garrick’s writing and arrangements are an obvious tribute to the Godfather of orchestral Jazz, Duke EllingtonFind albums by this artist. The music is lyrical and somewhat melancholic and Garrick’s score uses the orchestra cleverly to play around with the various moods the music goes through. The sound is mostly laid back as Garrick seldom makes the orchestra blast in its full potential power - less in definitely more in his case. Plenty of great solos of course, as all the musicians are first class players. Overall it’s a delightful musical experience, full of surprises and hidden treasures, with lots of typical Garrick’s tasteful humor. A must!

Updated: 01/01/2016Posted:

CD 1 Recommend To A Friend

HOWARD RILEY ~ ANGLE / THE DAY WILL COME HUX 141 (Barcode: 682970001418) ~ UK ~ Jazz Recorded: 1968 - 1970 Released: 2014 This is a reissue of the second and third albums by British Jazz pianist / composer Howard RileyFind albums by this artist, both recorded in a trio format with bassist Barry GuyFind albums by this artist and drummer Alan JacksonFind albums by this artist. Saxophonist / flautist Barbara ThompsonFind albums by this artist plays on one track of the debut album, which presents eight original compositions, all by Riley. The second album presents twelve original compositions, six each by Riley and Guy. These two albums were originally released in 1969 and 1970 respectively, by CBSFind albums on this label (the European branch of ColumbiaFind albums on this label). This reissue is in fact a reissue of the 1999 remastered editions of these two albums, which disappeared from the market immediately following their release. Together with these two albums, CBS, initially under the Realm Jazz moniker and later just as CBS, released also several albums by other British Jazz musicians such as the first two albums by drummer / composer Tony OxleyFind albums by this artist, the first three albums by guitarist Ray RussellFind albums by this artist and debut albums by vibraphonist Frank RicottiFind albums by this artist and saxophonist Elton DeanFind albums by this artist, as well as albums by groups like Rock WorkshopFind albums by this artist, Soft MachineFind albums by this artist and others. All these are exceptional examples of completely non commercial / highly artistic music released by a Major record label, a phenomenon which reflected the spirit of that particular era and lasted for a very brief period of time, sadly never to be repeated again By the time this music was recorded, i.e. by the late 1960s, British Jazz underwent a dramatic transformation, a quantum leap no less, from imitation to innovation. After copying the American Jazz tradition for decades, the post WWII generation rebelled and rapidly found its own methods of expression, embracing such diverse influences as contemporary European Classical music, World-Music and Rock and amalgamating them into a new identity, which would become first modern British Jazz and soon after copied all over Europe, including even the countries behind the Iron Curtain, modern European Jazz. In the aftermath of these remarkable events British Jazz scene was encompassing a diverse rage of stylistic alternatives, from Jazz-Rock and Jazz-World Fusions, via modern mainstream to a whole range of alternative / Avant-Garde experimentation including Free Jazz and Improvised Music. It takes just a brief moment into the first album to realize that Riley belongs to the Avant-Garde oriented group of British musicians, who value freedom of expression and individuality more than convention and acceptance. Even on these two early albums he is already well advanced in his experimentation, keeping melody only as an entry point to his music, which is entirely based on the dialogue (or in this case trialogue) and collective improvisation, rather than on following the chord progressions of standards and keeping regular time signatures. Guy, who was just over twenty years old when this music was recorded, proves to be an ideal partner, a born adventurer and complete nonconformist. His bass playing on these two albums is an encyclopedic textbook of improvised music moves for fellow bassists, developed completely spontaneously and subconsciously. But it is Jackson, who is the biggest surprise on these albums, considering his almost entirely conventional background before these sessions as one of Britain´s most sought after modern mainstream drummers. His wonderful integration with Riley and Guy here is simply sensational and a superb proof of his open-mindedness and musicality. In the years that followed these sessions Riley would record many more wonderful albums in many different settings, but these two albums would always symbolize his individuality and prophetic vision. The early signs of his exceptional abilities, which were about to push the boundaries of music and contribute to its development, influencing generations of players, are clearly evident herein, turning these albums into instant classics. The most startling realization one is faced with, while listening to these two albums, is the fact that not only the music did not age or lost any of its relevance, but it still is right there on the forefront of the musical Art Form, exactly where it was almost fifty years ago. These iconic recordings have earned their position in the Pantheon of British Jazz right from the moment they were recorded, and their unavailability during most of the time that passed since was a crime against culture, somewhat repented by this current reissue.

Updated: 12/04/2019Posted:

CD 2 Remastered Essential Recommend To A Friend

HOWARD RILEY ~ BBC SESSIONS 1968-1970 RHYTHM AND BLUES 100 (Barcode: 5060331753827) ~ UK ~ Free Jazz / Improvised Music Recorded: 1968 - 1970 Released: 2024 This is an archival album, which presents recordings by the brilliant British Jazz pianist / composer Howard RileyFind albums by this artist, recorded with his trio with bassist Barry GuyFind albums by this artist and drummers Jon HisemanFind albums by this artist or Alan JacksonFind albums by this artist. The album presents thirteen tracks, five with the trio with Hiseman recorded in 1968 and eight with the trio with Jackson recorded between 1969 and 1970. Most of the material was composed by Riley or Guy, but there are also a couple of standards and one tune by Annette PeacockFind albums by this artist. The material originates from the first three albums by the trio: “DiscussionsFind albums with this title”, “AngleFind albums with this title” and “The Day Will ComeFind albums with this title”, all essential British Jazz recordings. Riley is by far my favorite British Jazz Avant-Gardist, and his extensive recorded legacy is one of the pillars of the genre. He is mostly known for his work in the classic Jazz piano trio format, like the two trios preset here and the later trio with Guy and Tony OxleyFind albums by this artist. But he recorded in other ensembles with the crème de la crème of the British scene over the years and practically all his albums are instant classics. Sadly, my impression is that he never received the proper recognition as one of the Godfathers of the genre and many of his albums are almost completely unknown. For me, Riley is one of the most remarkable Jazz Artists, blessed by a remarkable ability to think out of the box. Although that specific quality should be integral to all Free Jazz / Improvised Music / Avant-Gardists, in fact is rather a rare quality, and many musicians belonging to these genres repeat patterns rather than inventing them. From the very early days of his career, like on these sessions, Riley’s approach to improvising was completely innovative and unlike anything / anybody else. His playing, completely Free on one hand, is also superbly melodic, on the other, despite how far he moves away from the source / original melody. This is particularly easy to spot in his interpretations of standards, but even more fascination while playing his original compositions. This album is a wonderful document, especially in view of the fact that this music is previously unreleased and offers a superb addition / extension to the three a.m. studio albums by Riley, which are of course also timeless gems. Although reissued, they are not easy to find, and absolutely worth the effort. Overall, this is an absolute must for every British Jazz lover and Avant-Garde Jazz enthusiast, anywhere on this planet. It offers some of the cleverest, most sophisticated and aesthetically satisfying music, which lost nothing of its power and zetz over time, and is still a stunning listening experience!

Updated: 25/09/2024Posted: 25/09/2024

CD 1 Recommend To A Friend

SOLID GOLD CADILLAC ~ SOLID GOLD CADILLAC / BRAIN DAMAGE BGO 0471 (Barcode: 5017261204714) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 - 1973 Released: 1999 This is a reissue of the only two albums released in the early 1970s by the short lived British Jazz-Rock ensemble Solid Gold CadillacFind albums by this artist, led by pianist / composer Mike WestbrookFind albums by this artist. The list of participating musicians reads like the Who´s Who of British Jazz / Jazz-Rock at the time: lead vocalist / trumpeter Phil MintonFind albums by this artist, saxophonist / flautist George KhanFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, guitarist Dick MorecombeFind albums by this artist, Westbrook on electric piano and additional vocals, pianist Fiachra TrenchFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer Alan JacksonFind albums by this artist. Guitarist Chris SpeddingFind albums by this artist guests on two tracks on the eponymous debut album. Brian GoddingFind albums by this artist plays guitar and Butch PotterFind albums by this artist plays bass on the second album and Trench does not take part in it. The debut album offers eleven tracks and the second album offers ten tracks, almost all of which were composed by Westbrook. The music is a zany, eclectic collection of absolutely stupendous music, light years ahead of its time at the time of the recording. It moves between Pop, Rock, Jazz-Rock, Jazz and typical Westbrook cabaret / vaudeville creations, all superbly performed by this elite team of musicians. My recent review of Kate WestbrookFind albums by this artist´s album "GraniteFind albums with this title" struck a "memory" chord and made me to come back to these two albums, which admittedly I have not listened to in decades. It is absolutely amazing how good this music sounds today, losing nothing of its freshness and ingenuity. The sense of humor and irony are already there, playing a major role in the overall scheme of things, going hand in hand with wonderful musicality and astounding versatility. Although Solid Gold Cadillac was only a small "sidestep" in Westbrook´s decades long career, in retrospect it proves again that he definitely is a man of the "golden touch", as far as music is concerned, and everything he created over time is able to defend its values over time. Although this reissue is long time out of print, it is definitely worth seeking out, not only for the Westbrook devotees, but for all British Jazz / Jazz-Rock collectors, who missed this jewel so far. Wholeheartedly recommended!

Updated: 16/08/2018Posted: 16/08/2018

CD 2 Remastered Recommend To A Friend

JOHN SURMAN ~ HOW MANY CLOUDS CAN YOU SEE? VOCALION 8428 (Barcode: 765387842826) ~ UK ~ Jazz Recorded: 1969 - 1970 Released: 2006 2nd solo release by saxophonist / composer John SurmanFind albums by this artist and one of the most pivotal recordings of the era, which defines modern British Jazz. If Surman was still searching for a clear direction on his debut album, recorded just a year earlier, he surely found it here. This is phenomenal music, from start to finish. The basis of the group that recorded this album is Surman’s quartet with Surman on baritone and soprano sax and bass clarinet, John TaylorFind albums by this artist on piano, Barre PhillipsFind albums by this artist on bass and Tony OxleyFind albums by this artist on drums. On two tracks the lineup is expanded with the addition of other great players like Harry BeckettFind albums by this artist on trumpet, Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and Alan SkidmoreFind albums by this artist on saxophones and Chris PyneFind albums by this artist and Malcolm GriffithsFind albums by this artist on trombone and a few others. Surman’s previous rhythm section with Harry MillerFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums is present on one track. The music was all composed by Surman except one track, which was composed by his collaborator, also baritone saxophonist John Warren (see their album together Tales Of The AlgonquinFind albums with this title). In short, this is one of the greatest recordings of the modern British Jazz formative years and a must in any serious record collection.

CD 1 Remastered Essential Recommend To A Friend

JOHN SURMAN ~ JOHN SURMAN VOCALION 8402 (Barcode: 765387840228) ~ UK ~ Jazz Recorded: 1968 Released: 2005 Saxophonist / composer John SurmanFind albums by this artist is a true icon of the British / European Jazz scene for over four decades. The immense body of work Surman produced over the years, starting with his numerous UK recordings in the late 1960s and 1970s and then through his association with the German ECMFind albums on this label label, reflect the absolute pinnacle of European Jazz. John’s incredible improvisational ability and masterly technique on several reed instruments made him a most welcome contributor to scores of pivotal albums recorded in the formative years of British modern Jazz, with such illustrious names as Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Graham CollierFind albums by this artist, John McLaughlinFind albums by this artist (ExtrapolationFind albums with this title) and many others. His work is always characterized by pioneering achievements, embracing new technology and new musical forms and constantly changing, like a true musical chameleon. This album is his debut as a leader and might come as quite a surprise to listeners, who are familiar with his more contemporary works. The album presents two quite distinctive sides of his musical personality at the time, appropriately divided between what used to be Side A and Side B of the original LP. Surman plays the baritone saxophone exclusively on this album, demonstrating his command of the instrument. On Side A he leads a sextet with Mike OsborneFind albums by this artist (his close associate at the time) – alto sax and Harry MillerFind albums by this artist – bass, exploring some Caribbean / calypso rhythms and playing music not composed by himself (Sonny RollinsFind albums by this artist is the composer of one of the four tracks). On Side B the ensemble is expanded to an eleven-piece band, including Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist – trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist – trombones, Dave HollandFind albums by this artist – bass, Alan JacksonFind albums by this artist – drums and others. The music is a wonderful three-piece suite composed by Surman, a prime example of the British modern Jazz, with superb solos and free-form passages, culminating in a powerful big band orgy of sound. Definitely something any Surman fan will be happy to add to his collection and a beautiful piece of the puzzle representing Surman’s musical legacy.

CD 1 Remastered Recommend To A Friend

JOHN SURMAN / ALAN SKIDMORE / TONY OXLEY ~ JAZZ IN BRITAIN `68-`69 VOCALION 8418 (Barcode: 765387841829) ~ UK ~ Jazz Recorded: 1968 - 1969 Released: 2006 Saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist and drummer Tony OxleyFind albums by this artist are three of the most distinguished representatives of the burgeoning British Jazz scene in the late 1960s and 1970s. Each of them has a most impressive recorded legacy from that period and of course in the years to follow. This album, initially released in 1972, collects five stunning and previously unreleased outtakes, recorded at several sessions involving these three musicians, most of which originate from the sessions for Skidmore’s debut album. Each and every one of these tracks is absolutely superb, and considering the fact these are outtakes, this is ample evidence of the unbelievably high standard of the music at the time. The first track presents the unaccompanied saxophone trio comprising of Alan Skidmore (tenor), Mike OsborneFind albums by this artist (alto) and John Surman (baritone), which would later become known as S.O.S.Find albums by this artist and record albums under that name. On the next track the lineup is expanded to an octet with the addition of Harry BeckettFind albums by this artist (flugelhorn), Malcolm GriffithFind albums by this artist (trombone), John TaylorFind albums by this artist (piano), Harry MillerFind albums by this artist (bass) and Alan JacksonFind albums by this artist (drums). The third track is actually recorded in two parts, with a personnel change between the two parts: part one is a quartet (Surman, Taylor, Miller & Jackson), that features a rare appearance of Surman on piano, and part two a quintet (Skidmore, Wheeler, Taylor, Miller & Oxley) introducing Kenny WheelerFind albums by this artist (trumpet) and Tony Oxley (drums). The remaining two tracks are recorded by the same quintet. Surman composed three of the pieces and his fellow saxophonist John WarrenFind albums by this artist composed another one. The music is absolutely divine from start to finish in every respect – the compositions, the solos and the interplay are all breathtaking. My personal favorite is the incredible work by Oxley, by far one of the most innovative and inventive drummers in Jazz. Oxley’s approach at the time is somewhat similar to the incredible work done by the young Tony WilliamsFind albums by this artist, when he joined the Miles DavisFind albums by this artist quintet. Overall this is one the finest examples of British Jazz ever recorded and an absolutely essential document of the era.

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JOHN SURMAN / JOHN WARREN ~ TALES OF THE ALGONQUIN VOCALION 8410 (Barcode: 765387841027) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Canadian born saxophonist / composer John WarrenFind albums by this artist and British Jazz giant John SurmanFind albums by this artist were “soul brothers” in many respects: both played primarily the baritone saxophone, both composed fabulous modern Jazz and both played together on many of the period’s pivotal albums. This joint effort was the culmination of their work together, which remains as one of the greatest European Jazz albums of all times. Warren composed all the music, which includes four shorter pieces and the extended five-part suite, which gives the album its title, all performed by a Big Band, comprising of the creme de la creme of British Jazz musicians at the time. It includes trumpeters Kenny WheelerFind albums by this artist and Harry BeckettFind albums by this artist, sax players: Mike OsborneFind albums by this artist, Stan SultzmannFind albums by this artist, Alan SkidmoreFind albums by this artist, John Surman and John Warren, pianist John TaylorFind albums by this artist, bass players: Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist and drummers: Alan JacksonFind albums by this artist and Stu MartinFind albums by this artist (and other less known players). The compositions, arrangements, orchestration and performances are all stellar from start to finish and the overall quality of the music is completely outstanding and miles ahead of any competition. It is interesting to compare this album with any Big Band recording made at the same time in America and see that the Brits left their American counterparts aeons behind by that time. I have been harshly criticized many times (by Americans of course) for saying that although Americans invented Jazz, Europeans perfected it. Anybody listening to this album and still not admitting this to be true must be completely deaf. To me this is a perfect album, one of very few that deserves to be called “perfect” in every respect. Beyond essential!

CD 1 Remastered Essential Recommend To A Friend

MIKE WESTBROOK ~ LIVE 1972 HUX 151 (Barcode: 682970001517) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2017 This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released in 1973 as “LiveFind albums with this title” on the legendary CadillacFind albums on this label label as a five-tracks LP. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking. Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold CadillacFind albums by this artist band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.

Updated: 21/01/2023Posted: 21/01/2023

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MIKE WESTBROOK ~ LIVE 1972 (CADILLAC 50TH ANNIVERSARY EDITION) CADILLAC 001 (Barcode: 5020675000421) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2023 This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released on LP in 1973 as “LiveFind albums with this title” and presented only five-tracks. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. Although released previously in 2017 on the now defunct HUXFind albums on this label label, a copy of which is now impossible to find, this edition celebrates the 50th Anniversary of the legendary CadillacFind albums on this label label founded by John JackFind albums by this artist, as it was the first release on that label. It is absolutely delightful to see the British Jazz legacy being kept alive and the Cadillac label getting a second “life”. For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking. Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold Cadillac band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.

Updated: 06/01/2024Posted: 06/01/2024

CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

MIKE WESTBROOK ~ LOVE SONGS VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz Recorded: 1970 Released: 2005 Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.

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MIKE WESTBROOK ~ MARCHING SONGS VOL.1 & 2 RIGHTEOUS 23:12 (Barcode: 5013929981225) ~ UK ~ Jazz Recorded: 1969 Released: 2009 This magnificent piece of music by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is an iconic recording in the history of modern British Jazz. The huge band, which recorded this music, includes absolutely everybody who was anybody on the scene at the time: saxophonists John SurmanFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Malcolm GriffithFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Harry MillerFind albums by this artist and Barre PhillipsFind albums by this artist, drummers Alan JacksonFind albums by this artist and John MarshallFind albums by this artist; these being only some of the 30 participants. The music is an extended suite (originally released on 2 LPs) with the main theme being an anti-war protest, as appropriate at the time when the Vietnam was in the center of everybody´s attention. The music was composed almost entirely by Westbrook, with a few sections composed by Surman. There is no point in explaining the significance of this music and its pioneering nature (which I have already done many times here), suffice to say that this is an absolute masterpiece in every respect and no decent Jazz record collection should exclude this historical milestone. Absolutely essential!

Updated: 10/03/2023Posted:

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MIKE WESTBROOK ~ METROPOLIS BGO 454 (Barcode: 5017261204547) ~ UK ~ Jazz Recorded: 1971 Released: 1999 If the 1960s served as a period of establishment of the British Jazz scene, with scores of extremely talented instrumentalists and composers coming to prominence, surely the 1970s marked the “emancipation of British Jazz from American slavery”, a phrase brilliantly defined by British trumpeter / composer / musicologist / writer Ian CarrFind albums by this artist. One of the distinct heroes and champions of this new path was undoubtedly pianist / composer Mike WestbrookFind albums by this artist, whose compositions for large Jazz ensembles were the British answer and equivalent to the body of work composed by the great Duke EllingtonFind albums by this artist. MetropolisFind albums with this title marks a high point in a series of brilliant works composed by Westbrook and recorded by large ensembles comprising of the creme de la creme of British Jazz musicians. Westbrook sublimely expands the Ellingtonian framework with the inclusion of multi-layered sound ambience, group improvisation and Rock rhythms, creating a completely innovative and spectacular musical phenomenon, somewhat comparable to contemporary Classical music, but firmly based in Jazz idioms and traditions. “Metropolis” was recorded by an ensemble, which included 23 musicians, each and every one of which are absolute Masters of their trade, including Westbrook on piano, Mike OsborneFind albums by this artist, Ray WarleighFind albums by this artist, Alan SkidmoreFind albums by this artist, George KhanFind albums by this artist and John WarrenFind albums by this artist on saxophones, Kenny WheelerFind albums by this artist, Harry BeckettFind albums by this artist and Henry LowtherFind albums by this artist on trumpets, Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist on trombone, John TaylorFind albums by this artist on electric piano, Gary BoyleFind albums by this artist on guitar, Harry MillerFind albums by this artist and Chris LaurenceFind albums by this artist on bass, Alan JacksonFind albums by this artist and John MarshallFind albums by this artist and drums and the divine Norma WinstoneFind albums by this artist on vocals – more or less the entire core of modern British Jazz. The music is of course magnificent, full of pathos and expression with not a single dull moment from start to finish, and the performances absolutely chilling with one solo chasing another. There are few Jazz albums that come close to this masterpiece and although it is relatively little known by Jazz fans worldwide (as most great music) it is an absolute classic and a must for any serious listener, equivalent to hundreds of other less meaningful albums. Absolutely essential!

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MIKE WESTBROOK ~ THE LAST NIGHT AT THE OLD PLACE CADILLAC 016 (Barcode: 5051078961828) ~ UK ~ Jazz Recorded: 1968 Released: 2018 This is a wonderful archival release of a live concert played by pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Concert BandFind albums by this artist, recorded at Ronnie ScottFind albums by this artist´s Old Place on May 25, 1968 – the very night when the Old Place on Gerrard Street finally closed its doors for good. The band comprised of saxophonists Mike OsborneFind albums by this artist, Bernie LivingFind albums by this artist, George KhanFind albums by this artist and John SurmanFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, Westbrook on piano, bassist Harry MillerFind albums by this artist and drummer Alan JacksonFind albums by this artist. The album presents eleven tracks, most of which are original compositions by Westbrook and all of which were released on the "ReleaseFind albums with this title" album recorded by the same band less than three months later. This album documents the wonderful freedom the band members enjoyed within the band, and especially so during this very special occasion. The recording presents extended soloing by the band members, that was not present on the much more concise studio versions of these compositions, and allows a rare glimpse at the atmosphere prevailing at the Old Place, which was London´s melting pot of all things Jazz related, side by side with the Little Theatre Club run by drummer John StevensFind albums by this artist. As someone who was lucky to witness that period at first hand, I must admit that the fifty years that passed since have not managed to erase the intensity of the magic that was in the air and the feeling that a completely new music was being born right in front of your eyes (and ears). The album is accompanied by informative liner notes by Westbrook and others and is also a tribute to John JackFind albums by this artist, the omnipresent man behind the British Jazz scene and founder of CadillacFind albums on this label Records, who sadly departed in September 2017. The sound quality of the recording is not ideal, but is certainly good enough to faithfully reconstruct the atmosphere of the concert and enable us to enjoy the music, as it was performed. The fact that this music was recorded at all and survived fifty years of storage is another miracle. We are all very lucky that this recording was unearthed and will be now preserved for posterity. Of course this is an absolute must for all British Jazz enthusiasts and Westbrook followers!

Updated: 02/02/2023Posted: 09/10/2018

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