Record Reviews
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  | ABRAHAMS, MICK / BAND ~ LIVE IN MADRID
INDIGO 2065 ~ UK ~ Blues
Original Jethro Tull guitarist Mick Abrahams left to form Blodwyn Pig and then the Mick Abrahams Band in 1973. This live recording from 1974 captures the group playing what they know and like the best - electric blues. Mick`s virtuosity is in the forefront at all times and his 16+ minutes version of Cat Squirrel is an easy contest to Mr. Clapton. Surely one of the best ever UK blues guitarists gets the exposure he deserves.
| | | CD 1 Remastered Recommend To A Friend |
  | ABRAXAS ~ LIVE – IN MEMORIAM
KUZNIA 01 (Barcode: 5907729991525) ~ POLAND ~ Progressive Rock
Recorded: 2000 Released: 2000
This is the 4th and last album by the marvelous Polish Prog band AbraxasFind albums by this artist, which was definitely the greatest pioneer of the Prog renaissance in the 1990s in their country. Formed and led by the superb vocalist and charismatic leader Adam LassaFind albums by this artist, the band on this album also included guitarist Szymon BrzezinskiFind albums by this artist, keyboardist Marcin BlaszczykFind albums by this artist, bassist Rafal RatajczakFind albums by this artist, drummer Mikolaj MatyskaFind albums by this artist and second (acoustic) guitarist Lukasz SwiechFind albums by this artist. A couple of female backing singers also participate. The concert captured herein was recorded in memory of the Polish radio broadcaster Tomasz BeksinskiFind albums by this artist, perhaps the most significant radio personality in Poland at the time, who promoted exceptional music, including of course the music of Abraxas. His suicide (on Christmas Eve 1999) was a great blow to the many fans, who bestowed his radio programs a cult following. The highly emotional atmosphere of this special concert obviously influenced the musicians tremendously and the performance captured here is absolutely electrifying. The music of Abraxas is highly imaginative and although well set in the Prog tradition, it is completely original. It manages to avoid the triviality and repetitiousness of most Neo-Prog and in retrospect remains one of Poland´s greatest achievement in Rock in general and Prog in particular. Even for people not familiar with the Polish language, this is one hell of a Prog album, almost 80 minutes of unadulterated straight in the gut superb Prog. The recording quality of this live music is one of the best I´ve ever encountered and the gold plated CD reproduces the music wonderfully. An absolute must for any serious Prog fan, anywhere on this planet.
| | Updated: 21/09/2021Posted: | CD 1 Digipak Gold Recommend To A Friend |
  | ACOUSTIC ACROBATS ~ LIVE
LUNA 277 (Barcode: 5900672922776) ~ POLAND ~ Jazz-World Fusion
Recorded: 2011 Released: 2012
This is the debut album by the excellent Polish Jazz-World Fusion ensemble Acoustic AcrobatsFind albums by this artist, which comprises of clarinetist Piotr SkupniewiczFind albums by this artist, accordionists Jacek HolubowskiFind albums by this artist and Boguslaw ZiebaFind albums by this artist, bassist Jacek FedkowiczFind albums by this artist and drummer Adam LesniakFind albums by this artist. The album, recorded live, includes ten original tracks composed by the ensemble members: seven by Holubowski, one each by Zieba and Skupniewicz and the remaining one co-composed by Zieba and Skupniewicz. There is also a bonus track with one of the composition given a studio overhaul with surprising results. The band lists their manager, lighting and transport man occasional vocalist Damian RekasFind albums by this artist as a sixth member, so I´ll comply as well.
The unusual instrumental lineup of the ensemble sets them almost immediately apart from most other Jazz-World Fusion groups. They produce quite an innovative overall sound, with the two accordions collaborating wonderfully, complimented by the great rhythm section, with the clarinet wailing on top. Although the Jazz component is often quite subtle, it is nevertheless the driving force pushing the ensemble at all times and allowing for the extended improvised sections.
The World Music influences are quite varied and include Balkan, Jewish, Klezmer, Latin American and African spices, all used with moderation and good taste. The music is after all original, with distinctive melodies and climates, with the World Music additions ornamenting it rather than dictating the final result. The individual instrumental abilities of these musicians are beyond reproach and often border on virtuosity. The level of interplay and mutual respect is also commendable.
Experience tells that this kind of music sounds the best when heard live and therefore the unconventional decision of releasing a live album as a debut is definitely the correct one. The fact that it also is the least expensive way to record an album is secondary in this case.
Overall this is a first rate album, which is pure fun to listen to, without being simplistic or vulgar. In fact this music is quite complex musically and hides many wonderful moments, which will be revealed by repeated listening.
This is definitely a band worth following, going to hear them play in concerts if possible and now also waiting for their next album. Kudos!
| | | CD 1 Digipak Recommend To A Friend |
  | JAN AKKERMAN ~ LIVE
WOUNDED BIRD 9241 (Barcode: 664140924123) ~ NETHERLANDS ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2009
6th album by Dutch guitarist / composer Jan AkkermanFind albums by this artist, recorded live at the Montreux Jazz Festival shortly after the release of the eponymous predecessor. Backed by an excellent band, which includes the Dutch keyboardist Jasper van`t HofFind albums by this artist, drummer Bruno CastelucciFind albums by this artist, percussionist Neppie NoyaFind albums by this artist and others, Akkerman delivers a blistering set of Jazz-Rock Fusion displaying his amazing technique and energy. Three of the six tunes played are composed by Akkerman and the others are contributions by his band members. Akkerman was at the peak of his powers at the time and this overall excellent album is a great reminder of that period. Definitely a must for all his loyal fans, but of interest also to all Fusion buffs. Recommended!
| | | CD 1 Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ LIVE AT THE ATLANTA INTERNATIONAL POP FESTIVAL
EPIC 510100 (Barcode: 5099751010029) ~ USA ~ Classic Rock
Recorded just a few months (July 1970) before the legendary Fillmore gig, this is the Allman Brothers BandFind albums by this artist at the peak of their powers, playing their hearts out. Amazingly these two sets remained unreleased for such a long time, as in retrospect they rival the legendary Fillmore recordings both in sound and material quality. As a bonus, the almost half hour long Mountain Jam features a third guitarist - one Johnny WinterFind albums by this artist - which turnes this piece into an anthem of 1970`s guitar rock at its best. Absolutely essential not only for Allmans` fans, but in memoriam of the great times that are gone forever!
| | Updated: 18/01/2016Posted: | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ LIVE FROM A&R STUDIOS
ALLMAN BROTHERS BAND 821229111625 (Barcode: 821229111625) ~ USA ~ Blues-Rock
Recorded: 1971 Released: 2016
This is an archival live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, recorded for a radio broadcast on August 26, 1971 at the A&R Studios in NY. The Allmans were in top form, following the explosive success of their seminal / iconic live album “At Fillmore EastFind albums with this title” recorded half a year earlier, and of course completely oblivious of the forthcoming tragedy which was about to strike with the death of Duane AllmanFind albums by this artist just two months later. It presents the first lineup of the group, which included the six founding members: guitarist Duane Allman, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.
The album presents the entire set of that recording session, nine tracks of superb playing by the band, with two extended tracks running eleven and nineteen minutes respectively. The music was carefully restored form the original tapes and the sound quality is as perfect, as the forty-five years old tapes were able to capture it at the time, which is definitely good enough to enjoy the music without any hitch.
During the performance the band pay tribute to their friend, saxophonist King CurtisFind albums by this artist, who was tragically murdered just a few days earlier. They included a medley of two songs in his memory, which is the longest track on this album and which includes what can be considered as the most monumental guitar solo by Duane Allman. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…
Overall, this is a dazzling document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
| | Updated: 26/03/2023Posted: 26/03/2023 | CD 1 Remastered Recommend To A Friend |
  | AMAZING BLONDEL ~ LIVE IN TOKYO
TALKING ELEPHANT 144 (Barcode: 5028479014422) ~ UK ~ Classic Rock
Recorded: 1977 Released: 2009
9th and last album by the wonderful British Folk-Rock / Prog group Amazing BlondelFind albums by this artist, one of the most unique and sophisticated bands to appear on the scene in the 1970s. After recording four wonderful albums for the IslandFind albums on this label label, the band switched to the DJMFind albums on this label label, where they recorded four additional albums before disbanding. With the departure of John GaldwinFind albums by this artist, the duo of Terry WincottFind albums by this artist and Edward BairdFind albums by this artist continued to carry the band´s tradition, utilizing well-known Rock musicians as guest artists and modifying the sound to a more contemporary rockier song format. This album has nothing to do with Japan, as it was recorded in Europe, although the group was quite popular in Japan at the time. This album represents in a way a comeback to the acoustic version of the band, with just Wincott and Baird up front, accompanied by an orchestra at times, doing what they do best. In many respects it is the best effort of the later period of the band and a perfect parting gift. Worth investigation!
| | | CD 1 Recommend To A Friend |
  | AMON DUUL II ~ LIVE IN LONDON
MYSTIC 128 ~ GERMANY ~ Progressive Rock
A live recording from 1972 by the original lineup of this great group, when it was at the peak of its popularity after a series of superb album releases. This set includes lengthy improvisations and is an important document of how the group sounded on stage.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | AMON DUUL II ~ LIVE IN TOKYO
MYSTIC 108 ~ GERMANY ~ Progressive Rock
A superb live recording of the band from 1996 celebrating their 30`s anniversary as a unit. The singer Renate Knaup is still in great shape (perhaps even better then ever) and the players just ride with the wind. Some old and some new songs present a band still at its peak after so many years.
| | | CD 1 Recommend To A Friend |
  | AN ON BAST / MACIEJ FORTUNA ~ LIVE
FM 010 (Barcode: 888174021560) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011.
This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well.
Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments.
The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory.
This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | AN ON BAST / MACIEJ FORTUNA ~ LIVE (LIMITED EDITION)
FM 008 (Barcode: 888174021560) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011.
This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well.
Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments.
The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory.
This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.
| | | CD 1 Digipak Recommend To A Friend |
  | ARENA ~ LIVE & LIFE
VERGLAS 027 ~ UK ~ Progressive Rock
This Limited Edition Box Set includes the 2CD live recording of the complete `Contagion` project, recorded during the 2003 tour following the release of their last album (This is the `Live` part). The companion DVD contaings a 40 minutes documentary following the band and crew on tour, backed with both on and off stage footage (This is the `Life` part). For Arena fans this is an absolute must!
| | Updated: 26/01/2019Posted: | 2CD+DVD 3 Box Set Recommend To A Friend |
  | BRIAN AUGER / TRINITY ~ LIVE AT ROCKPALAST
REPERTOIRE 1474 (Barcode: 4009910147429) ~ UK ~ Jazz-Rock Fusion
Recorded: 2011 Released: 2024
This is a live recording by legendary British Jazz / Fusion keyboards wizard Brian AugerFind albums by this artist, captured on October 20, 2011 in Bonn, Germany. It presents an attempt to relive the brief phenomenal success achieved in the late 1960s by Brian Auger and his TrinityFind albums by this artist with the singer Julie DriscollFind albums by this artist, which produced four quintessential early Fusion / Psychedelia British albums: “OpenFind albums with this title”, “Definitely What!Find albums with this title”, “StreetnoiseFind albums with this title” and “BefourFind albums with this title”. The lineup appearing here includes Auger on keyboards, bassist Les KingFind albums by this artist, Auger’s son Karma AugerFind albums by this artist on drums and his daughter Savannah GraceFind albums by this artist on vocals. The album presents thirteen tracks, most of which are contemporary redemptions of tracks from the a.m. albums. The accompanying DVD offset the video version of the same material.
I must admit that I had a lot of reservations about this project before I had the opportunity to listen to the music, for the obvious reasons. These four albums are an absolute “Holy Grail” of British recorded music, and any attempt to touch them in any form or shape sounds like blasphemy. But, with all due respect, it is Brian Auger’s music after all, so if anybody could be trying to revitalize it, it should be him.
I am relieved and happy to say that these new versions worked out pretty well after all; they are politely different from the originals and they respect the essence of the original music. Auger’s performances are absolutely sensational and his keyboards work lost nothing of its sensational virtuosity and inventiveness. The rhythm section keeps time, a bit less Jazzy and creatively than the original team, but times they are a-changin’. The greatest fear were of course the vocals, as nobody on earth comes close to the vocal abilities of Julie Driscoll, but Savannah skillfully manages to circumvent the challenge by avoiding copying Julie’s vocal groundbreaking innovations, and simply sticking to the tunes, which she does skillfully and without a hitch. She even manages to mimic some of Julie’s idiosyncrasies, which made me smile.
Overall, this is a respectful tribute to some of the greatest music recorded in UK in the late 1960s, brilliantly played by the Godfather of the original project, and for me the greatest organ player of all time. The fact that I managed to enjoy the music wholeheartedly means that is respectful to the origin and offers a first class aesthetic value. Thank you Brian for all the fantastic music you created over time, which made so many music-loving people so happy!
| | Updated: 24/08/2024Posted: 24/08/2024 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
  | ALBERT AYLER ~ LIVE IN GREENWICH VILLAGE: THE COMPLETE IMPULSE! RECORDINGS
IMPULSE! 273 (Barcode: 011105027328) ~ USA ~ Jazz
Recorded: 1965 - 1967 Released: 1998
One of the greatest pioneers of the Free Jazz in the 1960’s, Albert AylerFind albums by this artist is universally recognized for his contributions but remains the most controversial of the period’s figures. There are quite a few reasons for this controversy: his relatively limited output (due to his tragic death in 1970 he recorded just for about 9 years between 1962 and 1970), his background (Ayler arrived at the Free Jazz scene from Rhythm And Blues unlike Ornette ColemanFind albums by this artist or John ColtraneFind albums by this artist who had years of Bebop behind them) and his radical approach to improvisation based less on personal virtuosity and more on expressiveness and attack. In addition Ayler based his improvisations on many world music influences (one of the first US musicians to do so), rather than on the blues and jazz standards. Ayler started his career in Scandinavia, where he lived in the early 1960’s and where he first recorded (similar to many other US jazz musicians, who found the US scene to be unappreciative of their innovations as opposite to the Europeans who were much more open-minded – this being true to this very day). Upon his return to NY, Ayler recorded a series of visionary and now legendary albums for the no less legendary NY based “underground” ESPFind albums on this label label, which was the first American label to provide its artists a total artistic freedom and control of their output. Later on Ayler signed with Impulse!Find albums on this label, where he recorded until his untimely (and mysterious) death. This exquisite album collects all the live recordings Ayler made for Impulse! between 1965 and 1967 in various venues in the NY Greenwich Village. It captures him (and his group) at the absolute peak of his improvisational ability. Strongly influenced by Coltrane’s late period output (one of the pieces here is dedicated to Coltrane and was recorded just after Coltrane’s death) the music presents turmoil of emotions and brilliant group improvisations. Ayler’s group includes his brother Don AylerFind albums by this artist on trumpet, Michael SampsonFind albums by this artist on violin, Henry GrimesFind albums by this artist on bass, Beaver HarrisFind albums by this artist on drums and many other prominent NY Free Jazz players. This is an essential piece of the Free Jazz history and a great portrait of an Artist at his best moment. Brilliant!
| | Updated: 08/05/2023Posted: | CD 2 Digipak Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | BAD COMPANY ~ LIVE 1977 & 1979
RHINO 081227952334 (Barcode: 081227952334) ~ UK ~ Classic Rock
Recorded: 1977 - 1979 Released: 2016
This is an archival live album by the seminal British Rock supergroup Bad CompanyFind albums by this artist. Formed in 1973 by two former members of the legendary FreeFind albums by this artist, vocalist Paul RodgersFind albums by this artist and drummer Simon KirkeFind albums by this artist, who were joined by ex-Mott The HoopleFind albums by this artist guitarist Mick RalphsFind albums by this artist and ex-King CrimsonFind albums by this artist bassist Boz BurrellFind albums by this artist. The original lineup of the band managed to last for a whole decade, during which they recorded six studio albums, but not even one live album, which was highly unusual at the time. This album tries, albeit almost forty years later, to remedy the situation and presents two live shows by the band at its peak form, with the two recordings separated by almost two years, each presenting mostly songs from the albums released at the time, i.e. the first show with songs from "Burnin` SkyFind albums with this title", their fourth album released in 1977 and the second show with songs from "Desolation AngelsFind albums with this title", their fifth album released in 1979.
Bad Company was a formidable live act, as these recordings show, which explains the enormous popularity they enjoyed at the time. They are also a living proof that the basic Rock formula of vocals, lead and bass guitars and drums are completely enough to create vital and extraordinary music, without electronics and other artificial trickery. Rogers, as usual, is simply beyond comparison to any other vocalist at the time and in truth to this very day. The band did not change their musical formula for the entire duration of their existence, which was based on great tunes, often soaked with Blues sensitivity, performed with great skill and total involvement, but eschewing unnecessary pyrotechnics.
In many respects this album is a frozen memory of Rock´s last great moments, as the music was about to turn sour soon after with mindless Pop taking over and Rock disappearing as the musical pulse of the generations. Bad Company managed to survive Punk and New Wave, but they did run out of steam soon after and their sixth album, the last featuring the original lineup, was released when the band practically did not exist any more.
This album pays tribute to the three instrumentalists in the band, who prove their great skills on these live recordings. Ralphs is obviously a superb guitarist, who was able to play great solos and support the flow of the music by supplying incredible riffs. Kirke is a great drummer, probably one of the very few top Blues-Rock drummers, who always exhibited brilliant sensitivity and technique. Burrell, who is sadly no longer with us, was a dazzling bassist and his work always provides the cement which kept the music together.
Since nobody plays great Rock today as Bad Company did at the time, perhaps this album could serve as a source of inspiration to some young musicians to learn how it´s done…In the meantime we have this to remember what Rock was all about once.
| | Updated: 20/01/2017Posted: 20/01/2017 | CD 2 Digipak Remastered Recommend To A Friend |
  | GINGER BAKER ~ LIVE IN LONDON 2009
FLOATING WORLD 6091 (Barcode: 805772609129) ~ UK ~ Jazz-World Fusion
Recorded: 2009 Released: 2011
This is a CD / DVD album by iconic British Rock / Jazz drummer Ginger BakerFind albums by this artist, recorded live at London’s Jazz Café on November 4th, 2009 with an excellent team, which features American guitarist Chris GossFind albums by this artist, Ghanaian percussionist Abass DodooFind albums by this artist, British saxophonist Pete KingFind albums by this artist and Swedish bassist Jonas HellborgFind albums by this artist. The album presents seven tracks, which are a mixture of Jazz standards, original compositions and African Folk songs. The DVD offers the video document of the gig.
The music offers a somewhat semi-formal 70th birthday celebration party, a gig which certainly wasn’t intended for release on an album, but the sound quality is pretty good and the music is everything one would expect from such an informal gathering of great musicians, and is a rare document of the late period of Baker’s career, which ended with his demise in 2019.
Overall, although not spectacular, this is a worthy addition to Baker’s recorded legacy, which was as extensive as one might have hoped for, certainly from the last years of his life, especially when accompanied of a video document. Definitely worth checking out.
| | Updated: 09/03/2024Posted: 09/03/2024 | CD+DVD 2 Recommend To A Friend |
  | GINGER BAKER / AFRICAN FRIENDS ~ LIVE IN BERLIN GERMANY 1978
VOICEPRINT / TMQ 057 (Barcode: 604388738328) ~ UK ~ Jazz-World Fusion
Recorded: 1978 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker playing with his old friend Fela Anikulapo KutiFind albums by this artist and his ensemble Africa 70Find albums by this artist during the Berlin Jazzfest. In many respects this recording is a culmination of Baker´s long association with African music and his Jazz-World Fusion, before his return to more conventional Jazz music. Definitely worth investigating, especially in view of the fact that the sound quality on this album is quite excellent.
| | | CD 1 Recommend To A Friend |
  | GINGER BAKER / AIR FORCE ~ LIVE IN THE STADTHALLE OFFENBACH GERMANY 1970
VOICEPRINT / TMQ 055 (Barcode: 604388738120) ~ UK ~ Jazz-World Fusion
Recorded: 1970 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s revolutionary Jazz-World Fusion ensemble Air ForceFind albums by this artist, which he founded following the demise of CreamFind albums by this artist. Air Force recorded only two albums during its short life-span, and any additional material by the band is invaluable. Baker assembled a formidable group of top British Jazz players of the period, augmented by African vocalists and drummers. The fact that this album features the talents of the legendary saxophonist / organist Graham BondFind albums by this artist is alone worth the price, but other great players are also present: organist / guitarist Ken CraddockFind albums by this artist, saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist, bassist Colin GibsonFind albums by this artist and others. The material is similar to the material present on the two Air Force albums, but several surprises are heard here for the first time, like the group´s version of Cream´s "Sunshine Of Your Love". Most of the pieces include extended improvised parts, with the saxophonist taking solos in tandem. Definitely worth investigating, provided you´re not squeamish about sound quality.
| | | CD 1 Recommend To A Friend |
  | GINGER BAKER / ENERGY ~ LIVE IN MILAN ITALY 1980
VOICEPRINT / TMQ 058 (Barcode: 604388738427) ~ UK ~ Blues-Rock
Recorded: 1980 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s ensemble EnergyFind albums by this artist, which he founded in 1979, marking his return to Rock for a while. Energy recorded only one live album during its short life-span (it was released over a decade later), and any additional material by the band is invaluable. Baker assembled a formidable group featuring the talents of guitarists John MizarolliFind albums by this artist and Whitey DavisFind albums by this artist, keyboardist David LennoxFind albums by this artist and bassist Henry ThomasFind albums by this artist. The material is mostly Blues-Rock based, with Mizarolli playing some incredible solos. Definitely worth investigating, provided you´re not squeamish about sound quality.
| | | CD 2 Recommend To A Friend |
  | GINGER BAKER / SALT ~ LIVE IN MUNICH GERMANY 1972
VOICEPRINT / TMQ 056 (Barcode: 604388738229) ~ UK ~ Jazz-World Fusion
Recorded: 1972 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s ensemble SaltFind albums by this artist, which he founded following the demise of Air ForceFind albums by this artist. Salt never recorded any albums during its short life-span, and therefore this material by the band is invaluable. In Salt Baker assembled a group of British Jazz players, which played in the last Air Force lineup, augmented by African vocalists and drummers, taking an even more radical step towards World-Jazz Fusion. Some great players are present: saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist and others. But the great surprise of this recording is the participation of the legendary Jazz drummer Art BlakeyFind albums by this artist, who "battles" with Baker in a series of drum exchanges. Definitely worth investigating, especially in view of the fact that the sound quality on this album is quite excellent, as it originates from a TV recording made of the concert.
| | | CD 2 Recommend To A Friend |
  | KRZYSZTOF BARANOWSKI ~ LIVE AT RADIO KATOWICE
PRK 0140 ~ POLAND ~ Jazz
Recorded: 2020 Released: 2020
This is the debut album by Polish Jazz guitarist / bassist Krzysztof BaranowskiFind albums by this artist recorded live in a classic piano trio format with pianist Mateusz KaszubaFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents eight pieces, six of which are original compositions by Baranowski and two are standards.
Although Baranowski´s primary instrument is the guitar, the trio won a prize at one of the Polish Jazz festivals and led to recording of this album, which finds him playing the bass on his debut recording, rather than guitar.
The music is all well within modern mainstream Jazz boundaries, based on solid and highly lyrical melodies, typical of Polish Jazz. Baranowski certainly has a lot to offer as a composer and his compositions are well rounded and beautifully crafted. A few shades and touches of Frederic ChopinFind albums by this artist´s toolbox made me smile.
The performance is less spectacular, but certainly up to the excellent standard expected from the young Polish Jazz musicians, I have not heard Kaszuba on any recordings nor have I listened to him live, so my knowledge about him is very limited, but he certainly is an able player, obviously in the early days of his career, showing promising potential and already a remarkable skill. Dobosz on the other hand is already a highly experienced performer, with a bunch of recordings under his arm, which is immediately evident. Baranowski, although a novice as far as recording is concerned, shows an excellent feel and skill in his role as a bassist, which of course immediately raises the interest in his guitar playing.
Overall this is an impressive debut album, which again stresses the fact that young Polish Jazz players pop up on the scene like mushrooms after the rain, with a continuous stream of talent and creativity, which of course is a wonderful blessing.
| | Updated: 07/09/2020Posted: 07/09/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | COUNT BASIE / ORCHESTRA / NEW YORK VOICES ~ LIVE AT MCG
BLUE JACKEL 1002 ~ USA ~ Jazz
After Basie`s death, his Orchestra continues to perform and record, keeping the spirit of `swing` alive, in memory of the Master. This is a brilliant live recording of the Orchestra, with the vocal quartet `New York Voices` featured on several tracks. The sound quality is superb and the music flows and swings like there`s no tomorrow. A gem!
1 last copy in stock!
| | | CD 1 Recommend To A Friend |
  | CONRAD BAUER ~ LIVE IM VOLKERSCHLACHTDENKMAL
EDEL CONTENT 4029759080565 (Barcode: 4029759080565) ~ GERMANY ~ Jazz
Recorded: 1988 Released: 2012
This is a reissue (first time on CD) of the astounding album by the Avant-Garde East German trombonist / composer Conrad BauerFind albums by this artist, which was recorded live at the Monument to the Battle of the Nations in Leipzig and which presents Bauer playing solo trombone and performing four original compositions he wrote. The unique sonic environment of the location, which includes a natural delay and echo, create an almost supernatural effect, similar to the famous solo recordings made inside the Taj Mahal by flautist Paul HornFind albums by this artist and trumpeter Tomasz StankoFind albums by this artist.
Bauer, an absolute virtuoso of the trombone, utilizes the magic environment to create a series of incredible sonic sculptures, which sound like absolutely nothing else in this world. His ability to create such a variety of different sounds from the seemingly limited instrument is simply miraculous and it transforms the trombone in his hands into full fledged improvising instrument by no means inferior to the other brass instruments.
Bauer, who was one of the pioneering East German improvisers, recorded with many diverse ensembles, from Jazz-Rock (FezFind albums by this artist) to Improvised Music (SynopsisFind albums by this artist) and others. Following the unification of Germany Bauer continues to be a prominent member of the German Improvised Music scene.
In the historic perspective this recording was made a year and a half and released less than a year before the Berlin Wall was finally dismantled, marking the end of the DDR. This means that this was one of the last Jazz albums released in the DDR. In retrospect one just can´t stop wondering how such daring and unconventional music was recorded and released by the most oppressive East European State.
This is an absolute essential listening to all trombone players, trombone lovers and of course open-minded listeners who like to take risks in order to make new discoveries. Brilliant stuff!
Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.
Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
| | Updated: 12/04/2019Posted: 14/05/2016 | CD 1 Recommend To A Friend |
  | BEATLES ~ LIVE AT THE BBC – THE COLLECTION
CAPITOL 602537584475 (Barcode: 602537584475) ~ UK ~ Pop & Rock
Recorded: 1963 - 1966 Released: 2013
This Box Set includes some of the numerous recordings the BeatlesFind albums by this artist made for the BBC during their early days, mostly recorded in 1963 and 1964. The material includes songs as well as studio chatter (speech tracks) and interviews. The latest material, which comprises of four individual interviews, was taped in late 1965 and early 1966.
Most of the material included here was never previously released in any form and is of course invaluable to the hordes of Beatle-maniacs, who fifty years later seem to be as zealous to hear and own every piece Beatle-related material, as they were in real time.
In retrospect this material is a fabulous trip down the nostalgia lane, which should make even the most hardened cynics smile here and there. More importantly, however, it shows the Beatles "naked", as they really were without walls of production trickery, studio gadgetry and the omnipresent influence of George MartinFind albums by this artist, who made the Beatles albums into what they eventually became – gems of Pop history.
Live the Beatles were actually pretty embarrassing, which becomes apparent immediately when the music starts. Their instrumental skills are nonexistent; the guitar solos are awkward and primitive, and so on. The only thing that actually works on these recordings are of course the vocal parts and vocal harmonies, which are not bad, but than again myriads of other vocalists at the time were at least as good, many being infinitely better. And even those show false notes here and there, are off key and in wrong tempi; in short anything but perfection.
The material is not that great either; most of it consists of covers of rock classics by contemporary artists and the few self-penned hits are pretty nice, but not extraordinary. In short if anybody wanted a piece of solid evidence to prove that the Beatles were just a pretty "average" group, at least in the early days, needs to look no further.
On the other hand this is a monumental piece of Pop history and another peek at the seemingly endless source of musical material owned by the BBC. God bless the Queen and the BBC for being there and having enough storage capacity to keep it all for posterity.
| | Updated: 26/01/2019Posted: | CD 4 Mini-Sleeve Slipcase Box Set Remastered Recommend To A Friend |
  | BECK, BOGERT & APPICE ~ LIVE IN JAPAN 1973 / LIVE IN LONDON 1974
RHINO 603497833252 (Barcode: 603497833252) ~ UK ~ Classic Rock
Recorded: 1973 - 1974 Released: 2023
This Box Set presents two live concerts by the British / American Rock supergroup / power trio Beck, Bogert & AppiceFind albums by this artist, comprising of British guitarist Jeff BeckFind albums by this artist and American rhythm section comprising of bassist Tim BogertFind albums by this artist and drummer Carmine AppiceFind albums by this artist, both members of the legendary groups Vanilla FudgeFind albums by this artist and CactusFind albums by this artist. The Box Set includes two 2CD sets, the first with the previously Japan only release of a live recording in Japan in 1973, and the second with the previously unreleased live concert at the Rainbow Theatre in London in 1974. The Box set is lavishly packaged and includes a hardcover book, tour book and a poster. The sound quality is absolutely sensational.
The short-lived trio recorded only one eponymous studio album and disbanded before the second album was completed. The material recorded for the second album remains unreleased. The trio was a classic example of the Rock supergroup phenomenon, which started with CreamFind albums by this artist and dominated the scene in the early 1970s. All three musicians where absolute masters of their trade and superb virtuosi, who continued to develop the Rock Improvisation idiom started by Cream. They co-wrote most of their original material, but included also new interpretations of songs originating from the outside of the group.
Despite their immense talents as instrumentalists, they lacked a lead singer of the scale of their instrumental powers and a composer, who would provide them with material, which would reflect their class, like Jack BruceFind albums by this artist, who filled both these functions in Cream. Nevertheless, they still remain as one of the most magnificent examples of Rock’s power trios and the material here is absolutely worth being revisited.
Overall, this is an essential piece of the Classic Rock puzzle, a sublime document of the Rock Improvisation idiom and obviously a great tribute to the legacy of these sublime musicians, two of which are sadly no longer with us. An absolutely essential part of any serious Classic Rock collection!
| | Updated: 11/11/2023Posted: 11/11/2023 | CD 4 Digibook Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | BIG BAND MALOPOLSKI ~ LIVE AT MLYN JAZZ FESTIVAL II
HEVHETIA 0176 (Barcode: 8588005258210) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2018
During the recent HevhetiaFind albums on this label Showcase in Kosice I had the opportunity to talk at length to Ryszard KrawczukFind albums by this artist, the leader / conductor of the Big Band MalopolskiFind albums by this artist, one of the very few active Polish Jazz Big Bands. As usual the conversation revolved around the logistic / financial aspects of keeping a Big Band together these days – a complicated and frustrating task by any standard, and more often than not completely underappreciated. But with all hardships set aside, the Big Band Malopolski is a smooth and mean, well oiled music machine, which can easily look straight in the eye of any other European Jazz Big Band.
The lineup of the Big Band, based partly on the students of the Academy of Music in Krakow, includes some of the best young and upcoming Polish Jazz players, like saxophonists Wojciech LichtanskiFind albums by this artist and Slawomir PezdaFind albums by this artist, trombonist Bartosz PernalFind albums by this artist and many others, who play along older and seasoned musicians. Guest artists are often invited to play and record with the Big Band. The current lineup includes also the vocalist / rapper / beat box performer Andy NinvalleFind albums by this artist, who spices up the Big Band´s performances with incredibly energetic and up to date glimmer.
This, the Band´s second album, presents the current repertoire, which is a mixture of compositions by Polish Jazz veterans, like Michal UrbaniakFind albums by this artist, Jan Ptaszyn WroblewskiFind albums by this artist and Marek BalataFind albums by this artist, American Jazz standard and a composition by the Italian saxophonist / composer Rosario GuilianiFind albums by this artist, all together six wonderful pieces of mainstream Jazz, superbly arranged and ideally suited to the Big Band environment. Polish Jazz vocalist Lora SzafranFind albums by this artist guests on one of the tracks. The performances are perfectly executed, with plenty of space for some excellent soloing and the above mentioned tasty beat box ornamentations, which were enthusiastically received by the audience during the concert I was happy to attend.
Overall this is an excellent Jazz Big Band album, which should satisfy connoisseurs all over the world, especially in view of the fact that Big Band albums are a rarity these days, especially those that are able to keep this Art Form up to date. Warmly recommended!
| | Updated: 14/09/2019Posted: 14/09/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE CAROUSEL BALLROOM 1968
COLUMBIA 886979640924 (Barcode: 886979640924) ~ USA ~ Classic Rock
Recorded: 1968 Released: 2012
This album brings to life an archival recording by Big Brother And The Holding CompanyFind albums by this artist from June 1968, still fronted by Janis JoplinFind albums by this artist who was to leave the group a few months later. The band performed constantly at San Francisco´s main venues: Winterland, Avalon Ballroom and Carousel Ballroom (soon to be Fillmore West). A live recording from Winterland, recorded in April 1968 has been already released by ColumbiaFind albums on this label in 1998 as "Live At The Winterland `68Find albums with this title". This new release adds to the overall picture and historic perspective, presenting a band at the peak of its powers with Joplin simply blowing any other contemporary US singer out of the water. In spite of the rather poor recording quality (which has been a source of endless bitching by a horde of wannabe critics) the music, the artistry, the genius, the tension, the incredible voice of Janis and some unbelievable guitar work by Sam AndrewFind albums by this artist and James GurleyFind albums by this artist makes this release worth its weight in gold for any Janis fan and a true music lover. With their superb "Cheap ThrillsFind albums with this title" album, which was completed just a month earlier (also partly recorded live), but still unreleased at the time of this recording, this album is a preview of things to come and includes most of the material included on "Cheap Thrills". Three track from this album appeared previously on the 1972 "In ConcertFind albums with this title" album, but with a completely different mix. So here we go, a trip lasting over 70 minutes, taking us back to the glorious days, when music was music, and nothing else mattered. Ye brave ones, come aboard!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | BLIND FAITH ~ LIVE IN LOS ANGELES
LONDON CALLING 5056 (Barcode: 5053792505616) ~ UK ~ Classic Rock
Recorded: 1969 Released: 2020
The British supergroup Blind FaithFind albums by this artist existed briefly for just a few months in 1969, but remains an icon of Classic Rock to this very day. Guitarist Eric ClaptonFind albums by this artist and drummer Ginger BakerFind albums by this artist (ex-CreamFind albums by this artist), vocalist / keyboardist Steve WinwoodFind albums by this artist (ex-TrafficFind albums by this artist) and bassist Rick GrechFind albums by this artist (ex-FamilyFind albums by this artist) recorded just one legendary album and then went on a short European tour followed by an American tour, and then disbanded.
This album is a new release of one of several bootlegs recorded during the a.m. tours, and is a bootleg of the bootlegs, as the cover work simply copes two earlier bootleg covers. The title is even more misleading, since Blind Faith never actually performed in Los Angeles, and this album presents the material recorded during their Oakland performance and other material, which of course was previously released.
But bootlegging apart, the music is of course fantastic, and even the sound quality is acceptable, considering the circumstances. Clapton’s lengthy guitar solos are a reminder of the Cream days, Winwood’s heartwrenching vocals and excellent keyboards playing are just right on, Baker is an unstoppable drumming machine and Grech, although low in the mix, is supporting amicably. In short there is everything a hardcore guitar freaks and Classic Rock addicts really love.
Overall, although there is nothing new here, if you don’t have an earlier copy of this bootleg, it is an essential piece of music history.
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 04/04/2021Posted: 04/04/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | BLODWYN PIG ~ LIVE AT THE LAFAYETTE
INDIGO 2067 ~ UK ~ Blues
Blodwyn Pig were formed by Jethro Tull original guitarist Mick Abrahams after he left the group following the recording of their debut album. Mick wanted to stick with the blues and his new group was to be his vehicle just for that. Blodwyn Pig recorded two superb albums in the early 1970`s and then Mick kept the group alive up to this very date with various line-ups. This live recording from 1993 shows perfectly how great Mick`s guitar playing still is 20 years later. Former Jethro Tull drummer Clive Barker also plays here.
| | | CD 1 Remastered Recommend To A Friend |
  | BLOOD, SWEAT & TEARS ~ LIVE & IMPROVISED
COLUMBIA 472212 ~ USA ~ Brass Rock
Blood, Sweat & Tears never recorded a live album while at their prime, so the release of these 1975 recordings from the group`s reunion concerts is really a most welcome addition to their heritage. By that time the only `original` members were David Clayton-Thomas (vocals) and Bobby Colomby (drums), but this lineup is very strong, featuring excellent jazz oriented musicians in the brass section and 3 outstanding guitar players: Steve Kahn, George Wadenius & Mike Stern. The arrangements are more fusion oriented then the early group`s output and these are absolutely delightful moments captured for eternity - what a thrill!
| | Updated: 18/04/2020Posted: | CD 2 Recommend To A Friend |
  | MIKE BLOOMFIELD ~ LIVE AT THE OLD WALDORF
COLUMBIA 491575 (Barcode: 5099749157521) ~ USA ~ Blues
Recorded: 1976 - 1977 Released: 1998
Mike BloomfieldFind albums by this artist was America`s best ever white blues player and his recorded legacy never really expressed fully his extraordinary qualities as a player. This album recorded live is as close to the naked truth as it gets - Mike doing just what he knows best - playing blues straight from his heart. Brilliant stuff!
| | | CD 1 Remastered Recommend To A Friend |
  | BLUES PROJECT ~ LIVE AT THE CAFÉ AU GO GO (EXPANDED EDITION)
ACADIA 8070 (Barcode: 805772807020) ~ USA ~ Blues-Rock
Recorded: 1965 - 1966 Released: 2004
1st album by US group Blues ProjectFind albums by this artist, formed in 1965 by blues fanatic Danny KalbFind albums by this artist and four other Jewish NY youngsters (well who else would play the Blues if not Jewish kids), including the legendary keyboardist Al KooperFind albums by this artist, freshly out of the first electric Bob DylanFind albums by this artist band. The Blues Project became the resident band at the NY club Café Au Go Go, drawing large crowds and swiftly becoming one of the most popular NY bands, with the Blues revival flourishing in the background and Blues-Rock being born. Therefore it´s hardly surprising that the band would record their debut album live at the club, which has become their place of residence, although starting off with a live album was hardly an acceptable norm. They were however always strongest live, as their future albums would prove. Although firmly based in the Blues tradition, the band played a strange amalgam of tunes, which included early Psychedelic adventures, Rock, Jazz and Rhythm And Blues, creating a unique sound and breaking new musical ground on the way. Kalb played some nifty guitar licks, Kooper was always brilliant on organ and electric piano and the other band members contributed their share, which all together sounded quite brilliant. The album includes 2 sessions, the first with the band´s lead singer Tommy FlandersFind albums by this artist, who left the band soon after, and the second without him. This new reissue includes all the tracks recorded during both these sessions, presenting the full document of the band at the time. In retrospect this is all not only great music, but a great trip down the memory lane – no one plays such honest music today. Wholeheartedly recommended!
| | Updated: 08/05/2023Posted: | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JOE BONAMASSA ~ LIVE FROM THE ROYAL ALBERT HALL
PROVOGUE 7274 (Barcode: 8712725727422) ~ USA ~ Blues-Rock
Recorded: 2009 Released: 2009
Considering the fact that nothing significant is happening in Blues in the last few decades since it went electric and combined forces with Rock, it´s always great to hear somebody make a worthwhile contribution. US guitarist / singer / composer Joe BonamassaFind albums by this artist has been steadily building up a reputation as a major figure on the Blues-Rock scene and this live concert, recorded at the legendary London Royal Albert Hall, which hosted the greatest names in Rock music over the years, is ample proof of his outstanding achievements. Supported by an excellent band, which includes a three-piece horn section and with help / guest appearances by stars / veterans like Eric ClaptonFind albums by this artist on guitar and Paul JonesFind albums by this artist on harmonica, this music kicks ass from start to finish. Bonamassa, who wrote at least half of the material included, is a gifted songwriter and his soul is definitely full of the Blues feeling. If you still like the Blues and don´t mind a Rocky kick behind it, you won´t stop drooling while this album plays on!
| | | CD 2 Recommend To A Friend |
  | GRAHAM BOND ~ LIVE AT THE BBC AND OTHER STORIES
REPERTOIRE 1279 (Barcode: 4009910127926) ~ UK ~ Jazz-Rock Fusion
Recorded: 1962 - 1972 Released: 2015
This is a Box Set of archival material by British saxophonist / organist / composer / bandleader Graham BondFind albums by this artist, one of the most idiosyncratic and pioneering figures of the British Jazz, Jazz-Rock and Prog scenes. The material collected here consists mostly of recordings made by the BBC, but includes also some ultra-rare home recordings, demos and other ditties, covering the period between 1962 and 1972, which more or less presents Bond´s entire career before his tragic death in 1974, aged just 36 at the time.
Regardless of what various music history sources have to say, Bond is singlehandedly responsible for the creation of the Jazz-Rock idiom around 1963, when he formed the Graham Bond QuartetFind albums by this artist, which featured guitarist John McLaughlinFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist (which were all destined to become superstars in the years to follow). The quartet amalgamated Bond´s experience with the Jazz world, gained while he was a member of the Don RendellFind albums by this artist Quintet, with the exploding Rhythm And Blues phenomenon, creating the earliest manifestation of Jazz-Rock known to man. One session of the Don Rendell Quintet with Bond as its member is included here and it also features as a guest musician saxophonist Dick Heckstall-SmithFind albums by this artist, who would become another of Bond´s close associates when he formed the seminal Graham Bond OrganizationFind albums by this artist in 1965, which was later joined by the celebrated drummer Jon HisemanFind albums by this artist. Following the Organization´s breakup Bond formed the Graham Bond InitiationFind albums by this artist and later on collaborated with the poet / lyricist Pete BrownFind albums by this artist, who wrote also the booklet that accompanies this Box Set. Their recordings together are the last (chronologically) tracks in this collection.
The music included in this collection is of varied quality and sometimes of pretty Lo-Fi sound quality, even after it was carefully restored and remastered, but it is of enormous historic importance, as it documents not only Bond´s career but in fact the entire British Jazz scene, which was experiencing at that time a tremendous upheaval and explosion of new talents and ideological modifications of the very fabric of Jazz, which was parting from the American dominance and creating a new variety of the idiom, which would crystallize as European Jazz, spawning Jazz-Rock in the process.
Bond´s performances on the Hammond Organ are all superbly executed and it makes perfect sense that they influenced an entire generation of British musicians, who invented Progressive Rock next, such a Jon LordFind albums by this artist of Deep PurpleFind albums by this artist, Dave GreensladeFind albums by this artist of ColosseumFind albums by this artist, Brian AugerFind albums by this artist and of course many others. In general the music portrays the atmosphere of the British scene at the time, where genres and classifications were pretty arbitrary and where the Jazz / Rock / Prog idioms were influencing and embracing each other with ease and natural affinity.
Kudos to the German RepertoireFind albums on this label label, which is one of the most important sources of reissues, for the meticulous work done on this set and for bringing this material back to life. This set continues the work done by Repertoire on the previous Graham Bond Box Set called "Wade In The Water – Classics, Origins and OdditiesFind albums with this title", which covers the recordings by Graham Bond Organization. Together these two Box Sets pay tribute to one of the greatest heroes of the British Jazz / Jazz-Rock pioneering figures, who is sadly often forgotten and is rarely given the credit he deserves for his revolutionary creativity.
| | Updated: 08/05/2023Posted: 01/04/2016 | CD 4 Box Set Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE `75
POLYDOR 065607 (Barcode: 004406560724) ~ UK ~ Progressive Rock
Recorded: 1975 Released: 2003
Previously unreleased live recording of the Jack Bruce Band, which is the only documentation of this period. The band is in superb form after years of performong and features the brilliant legendary US pianist and composer Carla Blay. The virtuosity and skills of the musicians are fully exposed here on the long (sometimes very!) versions of Bruce`s favorites, including `Sunshine Of Your Love`. What a delight!
| | | CD 2 Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE AT ROCKPALAST 1980, 1983 AND 1990
MIG 90862 (Barcode: 885513908629) ~ UK ~ Jazz-Rock Fusion
Recorded: 1980 - 1990 Released: 2019
This Box Set presents a collection of live concert recordings by iconic British bassist / vocalist / songwriter Jack BruceFind albums by this artist, captured by the German TV program Rockpalast. The 5CD / 2DVD collection presents forty-three tracks, recorded on three different occasions, as described below. With a few exceptions all the songs were written by Bruce with lyrics by the poet Peter BrownFind albums by this artist.
CD1 & CD2 were recorded / filmed on October 19th, 1980 and the lineup includes Bruce, guitarist Clem ClempsonFind albums by this artist, American keyboardist / guitarist David SanciousFind albums by this artist and drummer Billy CobhamFind albums by this artist.
CD3 was recorded / filmed on October 16th, 1990 and is a solo performance by Bruce playing piano and singing.
CD4 & CD5 were recorded / filmed on November 1st, 1983 and the lineup includes Bruce, Sancious and drummer Bruce GaryFind albums by this artist.
DVD1 includes the video material of CD1 to CD3 and DVD2 includes the video material of CD4 and CD5.
The music includes most of the songs Bruce recorded during his career and up to that time, including several going back to the CreamFind albums by this artist days. Although there are a few surprises here, each and every appearance by Bruce was completely unique, as his fans and followers are of course aware of. His incredible bass virtuosity is fully covered here, as are his vocal performances, and every minute of Bruce on stage is pure delight.
Overall, this is an incredible piece of archive material by one of the greatest Rock / Jazz-Rock Fusion musicians of all time. Although the sound quality is a bit iffy at times, this monumental collection of Bruce’s live material is an absolute must to his followers. His unique power of expression remains unchallenged and his premature departure robbed us of his talent and personally a Friend for almost fifty years…
| | Updated: 04/03/2024Posted: 04/03/2024 | 5CD+2DVD 7 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE AT THE CANTERBURY FAYRE (DVD)
CLASSIC ROCK 1036 ~ UK ~ Progressive Rock
Jack Bruce is still one of the best players and musicians around and far from being a forgotten rock icon. This live recording from 2002 proves that he can still play a mighty bass and lead a great ensemble of fierce musicians. Material covers Jack`s favorites from all times (Cream as well as solo albums). Dolby Digital 5.1 Surround Sound, 90 minutes.
| | | DVD 1 Recommend To A Friend |
  | BILL BRUFORD / EARTHWORKS ~ LIVE AT THE SHAUBURG BREMEN 1987
MOOSICUS 1215 (Barcode: 885513121523) ~ UK ~ Jazz
Recorded: 1987 Released: 2022
This is an archival live album by the British Jazz drummer / composer / bandleader Bill BrufordFind albums by this artist and the first edition of his sensational quartet called EarthworksFind albums by this artist, which also included saxophonist Iain BallamyFind albums by this artist, pianist Django BatesFind albums by this artist and bassist Mick HuttonFind albums by this artist. The album was recorded by Radio Bremen in November 25, 1987, and offers ten tracks, all original compositions by the quartet members.
Bruford founded Earthworks in 1986 after spending almost twenty years as member of cutting edge Progressive Rock bands like YesFind albums by this artist (of which he was a founding member), King CrimsonFind albums by this artist, GenesisFind albums by this artist, U.K.Find albums by this artist and his own band called simply BrufordFind albums by this artist, returning to his Jazz roots. Earthworks comprised of the crème de la crème of the young British Jazz scene at the time and took the local as well as international scene by storm.
This live recording finds the quartet in absolute top form, over a year after their debut album was recorded and following extensive touring, which allowed them to develop the material and their unique musical approach. In contrast to expectations and speculations, Earthworks was a bona-fide Jazz quartet, which did not follow the Fusion path, which would have been more natural as a continuation of Bruford’s musical path up to that moment. Bellamy and Bates arrived from the sensational Loose TubesFind albums by this artist Big Band, which was one of British Jazz most surprising ensembles during the 1980, and Hutton was already a highly sought after young Jazz bassist on the local scene. Together they were simply unstoppable and the level of their performances was absolutely sensational. They were able to create a complex fury of sound, which was completely unprecedented on the British Jazz scene, and Bruford’s drumming behind Earthworks in as absolute peak of his career.
Overall, this album is a “missing link” in the Earthworks discography, from the period between the debut and the second album “Dig?Find albums with this title”, and of course an essential part in the Bruford discography, which none of his many fans will want to miss.
| | Updated: 17/06/2023Posted: 17/06/2023 | CD 1 Remastered Recommend To A Friend |
  | CAPTAIN BEEFHEART / MAGIC BAND ~ LIVE LONDON `74
VIRGIN 368577 (Barcode: 094636857725) ~ USA ~ Classic Rock
Recorded: 1974 Released: 2006
Although Vliet and his Magic Band left us a sizeable legacy of recorded material, they never released a live album, which is quite strange in many ways. This album was recorded during the European tour, which followed Vliet’s signing with Virgin and the release of the Unconditionally Guaranteed album. As his band fell apart shortly after the recording of the album, Vliet had to put together a new version of the band just before the tour started and rehearse with them both the new material from the album they were promoting, as well as some old favorites – an almost impossible task considering the complexity of the material and the lack of time. Nevertheless, as we can hear here, the results were brilliant, as always, with everything he ever attempted. The concert captured here presents Vliet and the band at top form and the music flows beautifully from start to finish. Earlier version of this recording appeared on CD in semi-bootleg versions, but never in full and never as brilliantly sounding as this one. A must! (Just for the sake of historic perspective, the band who used to open the shows for Captain Beefheart and the Magic Band on this tour were no other than Henry Cow, who also signed with Virgin at that time)
| | | CD 1 Remastered Recommend To A Friend |
  | CARAVAN ~ LIVE 1990
CODE 90 2 ~ UK ~ Canterbury Scene
A memorable recording of this legendary band reunited for the first time for a TV program in 1990 dedicated to the Canterbury Prog scene. Great sound quality and the group proves to be in formidable form enjoying every minute of it.
| | | CD 1 Recommend To A Friend |
  | CARAVAN ~ LIVE AT THE FAIRFIELD HALLS, 1974
DECCA 882902 ~ UK ~ Canterbury Scene
Newly (2002) discovered live recordings from 1974 of this legendary band, which are of course a source of great joy to all the fans. This incredible music was gathering dust in the vaults of a `Major` record company and at last the music lovers can enjoy them. Great sound and the band is in top form all the way!
| | | CD 1 Recommend To A Friend |
  | ED CHERRY / AREK SKOLIK PROJECT+ ~ LIVE AT METRUM JAZZ CLUB
BLUES&JAZZ 004 (Barcode: 5902205589197) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2024
This is a live album by a Jazz quartet co-led by American guitarist Ed CherryFind albums by this artist and Polish drummer Arek SkolikFind albums by this artist, with Polish trumpeter Pawel PalcowskiFind albums by this artist and bassist Maciej KitajewskiFind albums by this artist. The album presents five tracks, all standards.
One of the oldest tricks in the Jazz book is for veteran Jazz players to play with young and gifted upcoming players, which is exactly what happens with Skolik, who has a gift to surround himself by some of the best young Polish Jazz players, which is the case here.
Palcowski appears on a dozen or so albums recorded in the last decade, including a couple of ones as a leader. I have been following his career starting with his school days in the Katowice Music Academy, and he certainly is one of the top Polish mainstream / Bebop Jazz trumpeters today.
Kitajewski, who is even more in demand, since there are never enough great bassists around, also took part in more than a dozen album recordings, including one as a leader. He is a versatile player stylistically, and his projects go often beyond mainstream Jazz, and he is certainly one of the young Polish Jazz musicians worth following.
Cherry (born 1954) and Skolik (born 1970) are both veterans with an impressive record behind them, and they always deliver what their followers want to hear – a swinging mainstream Jazz, which never loses its charm to those who love it.
Overall, this is a nice, well played and well behaved mainstream Jazz album, which delivers to Bebop fans all over the world their portion of exactly what the doctor prescribed. And yes, this is every bit as good as anything played beyond the pond!
| | Updated: 12/04/2024Posted: 12/04/2024 | CD 1 Digipak Recommend To A Friend |
  | CHICAGO ~ LIVE AT 55
MERCURY 602465741728 (Barcode: 602465741728) ~ USA ~ Brass Rock
Recorded: 2024 Released: 2024
This is a live album by the seminal American Brass Rock band ChicagoFind albums by this artist, recorded in November 2024, celebrating the 55th Anniversary of the release of the legendary debut album by the band in 1969. The 2CD album presents thirty-one tracks, which span the band’s output created over the years, including all the memorable material.
Only three founding members of the group: keyboardist Robert LammFind albums by this artist, trumpeter Lee LoughnaneFind albums by this artist and trombonist James PankowFind albums by this artist are still part of the current band’s lineup, which includes newer members as well as a huge cast of guest musicians, including guitarists Steve VaiFind albums by this artist, Robert RandolphFind albums by this artist, Chris DaughtryFind albums by this artist and others. Although some of the new arrangements and the guest appearances sound often a bit schmaltzy, parts of the magic are still there and the music is of course timeless.
Chicago defined the Brass Rock idiom completely and perfectly and no other ensemble managed to create as much creative music over the years. They were also superb instrumentalists, composers and arrangers, which set them apart from other Brass Rock manifestations. Of course Blood, Sweat & TearsFind albums by this artist were also awesome, but they were completely different stylistically and conceptually, although definitely Brass Rock related as well.
Overall, this is a retrospective snapshot of the essential Brass Rock ensemble, somewhat spoiled by contemporary American kitsch, but with over two hours of Godly music, this is definitely worth listening to, and shedding a tear in memory of the great times.
| | Updated: 06/01/2025Posted: 06/01/2025 | CD 2 Mini-Sleeve Recommend To A Friend |
  | STANLEY CLARKE ~ LIVE AT THE GREEK
EPIC 5099747660221 (Barcode: 5099747660221) ~ USA ~ Jazz-Rap Fusion
Recorded: 1993 Released: 1994
This is a live album by American bassist / composer / bandleader Stanley ClarkeFind albums by this artist, recorded in a quintet setting with guitarist Larry CarltonFind albums by this artist, drummer Billy CobhamFind albums by this artist, saxophonist / flautist Jerome Najee RasheedFind albums by this artist (a.k.a. NajeeFind albums by this artist) and keyboardist Deron JohnsonFind albums by this artist. The album presents seven tracks, one each composed by Clarke, Cobham, Carlton and Najee and three standards.
The music is a mixture of Jazz-Rock Fusion and Smooth Jazz, with plenty of space for all these professional musicians to show their chops. Although well played, it is completely expected, predictable and unoriginal, which sadly is often representative of American Jazz in general.
Despite my deep respect and admiration for Clarke, Cobham and Carlton, who produced some truly innovative music in the 1970s, which expanded the Fusion idiom and produced some classic recordings at the time, records like this one are simply disrespectful to their legendary status. But by the 1990s corporate music industry and commercialism already ruled the American music scene completely, so anything could happen.
Overall, this is a completely uneventful recording by great musicians, who should have known better… There are some brilliant moments herein, of course, but those only emphasize the general sad state of affairs.
| | Updated: 15/08/2024Posted: 15/08/2024 | CD 1 Recommend To A Friend |
  | COLOSSEUM ~ LIVE
ESSENTIAL 641 ~ UK ~ Progressive Rock
4th and last album from 1972 by the original band. Originally a double album, now on 1 CD. Colosseum were always considered best when playing live and this album ranks among the best live performances ever captured on record. The tunes are widely stretched, giving all the players ample opportunity to fly and shine. Farlowe gives a performance of his life and the music flows and soars straight to your heart!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE (2CD EXPANDED EDITION)
ESOTERIC 2545 ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2016
This is a reissue of the seminal live album by the legendary British Jazz-Rock Fusion / Blues-Rock Fusion group ColosseumFind albums by this artist, founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who shared earlier common ground as members of John MayallFind albums by this artist´s BluesbreakersFind albums by this artist and Graham Bond OrganizationFind albums by this artist. The final incarnation of the band´s first era, of which this was the last recording, included also vocalist Chris FarloweFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist and bassist Mark ClarkeFind albums by this artist. The original release of this album was a 2LP set and this 2CD edition more than doubles the original album´s playing time, including additional material that was recorded at the same concerts from which the original album was put together.
This reissue is the answer to the question: "How do you take the best possible album and make it better?" The new remaster and the additional material simply turn this iconic album into what is probably the most important recording made at the historic crossroads that produced, after a period of about half a decade of crystallization and construction, two of the tremendous British contributions to music in the 1960s: Blues-Rock Fusion and Jazz-Rock Fusion (the other being Progressive Rock, which also has a few moments on this album).
The complexity and the ingenuity of the music on this album are mind-bugling and in fact it was never matched by any other album of that period. The musicians struggled with the difficulties of playing this music live and compensated for any technical imperfections by the fire and enthusiasm of the performance. In fact the group´s reunion after twenty three years produced other live versions of the same material ("Live Cologne 1994Find albums with this title"), which are technically more perfect than the recordings herein, a fact that can be easily explained by the musical experience acquired during that period of time.
In retrospect this album simply refuses to fade away and still shines like a beacon of musical vitality, sophistication and stylistic crosspollination, which puts most of contemporary music in a miserable and pitiable light. Brainwashed and undereducated listeners of today can´t tell great music from organic waste…
I wonder if we can expect a future 4CD version of this album? After all this has already been reissued three times, so why not again? Still absolutely essential, perhaps even more so than before!
| | Updated: 17/01/2017Posted: 17/01/2017 | CD 2 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE `71
REPERTOIRE 1396 (Barcode: 4009910139622) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in February and March of 1971 during their UK tour, which yielded their legendary “LiveFind albums with this title” album, which to this day is considered as one of the most important live concert recordings of all time, which sadly proved to be the last album by the early version of the band. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes mostly original material, which appeared over time on the studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
The first CD of this 2CD release offers a complete show recorded on February 12, 1971, which as far as I know was previously unissued and is alone worth the price of the album. The show is more relaxed and open to improvisation then the material recorded in March and partly included on the a.m. live album.
The second CD however, is more problematic, since as far as I can see it is identical to the second CD included on the EsotericFind albums on this label reissue “Live (2CD Expanded Edition)Find albums with this title” from 2016, with a confusing, slightly different running order. Why on earth would RepertoireFind albums on this label do this is beyond me.
But as mentioned earlier, every instance of Colosseum material, especially as excellently recorded as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely essential stuff!
| | Updated: 18/02/2021Posted: 18/02/2021 | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX 1969
REPERTOIRE 1460 (Barcode: 4009910146026) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2023
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on April 25, 1969 during the European Broadcasting Union international awards festival Rose d’Or. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they were in the midst of recording their second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents four compositions, including the three-part "Valentine Suite", expanded according to the circumstance, including material from the debut album and the yet unreleased second album. The fifth track was recorded a couple month later, during their appearance at the Monteux Jazz Festival on June 22, 1969. All the performances were also captured on video by the Swiss TV, and are present here on the DVD included in the package.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the over five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of several live archival albums by Colosseum recently released by the German Repertoire Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 03/08/2023Posted: 03/08/2023 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX INTERNATIONAL JAZZ FESTIVAL
REPERTOIRE 1389 (Barcode: 4009910138922) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on June 21, 1969 during the annual International Jazz Festival, one of the most prestigious gigs in Europe at the time. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents six compositions, expanded according to the circumstance, including material from the debut album and the yes unreleased second album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 07/10/2020Posted: 07/10/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT ROCKPALAST 2003
REPERTOIRE 1449 (Barcode: 4009910144923) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2022
This is an archival live 2CD + DVD album by the iconic British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded / filmed by German WDR TV on September 27, 2003 at the Viersen Jazz Festival, which was part of their 2003 tour in Germany. The material was intended for the legendary “Rockpalast” TV show. The reunited (in 1994) band just recorded their new (at the time) album “Tomorrow`s BluesFind albums with this title” and were in absolute top form. The ailing saxophonist Dick Heckstall-SmithFind albums by this artist, who would sadly depart just a few months later, was replaced by the fabulous Barbara ThompsonFind albums by this artist, the wife and life companion of the band’s leader, drummer Jon HisemanFind albums by this artist, and the rest of the superb team included keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist extraordinaire Chris FarloweFind albums by this artist. The album includes several tracks from the new album and a mixture of their classic repertoire, going back right to their debut album. The DVD offers all the audio tracks present on the two CDs and in additional twenty minutes long interview with Hiseman.
The sound and vision quality of the material is absolutely superb and now even enhanced by a careful restoring process, with a stunning result, probably the best among all the many live Colosseum recordings.
The music is of course absolutely Godly from start to finish and Colosseum followers can easily compare this material with their legendary “LiveFind albums with this title” album from 1971, to see that although over thirty years passed by, the band lost absolutely nothing of their fire and power, and managed to polish their show to absolute perfection. The level of the improvisation during the extensive keyboards, guitar, saxophone and drums solos is genial and Farlowe’s vocals are still unbeatable.
With Dick, Barbara and Jon now gone, listening to this album is a deep, almost spiritual experience of longing for friendships lost, and time mercilessly passing for all of us. Great to see the legacy of the greatest band ever still living and new archival material still being released.
Overall, this is an absolutely essential piece of the recorded legacy by this iconic band, which combined Blues, Rock, Jazz and everything in-between better than almost anybody out there, for generations to come. Glittering musical gold!
| | Updated: 26/04/2023Posted: 26/04/2023 | 2CD+DVD 3 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT RUISROCK FESTIVAL, TURKU, FINLAND 1970
REPERTOIRE 1391 (Barcode: 4009910139127) ~ UK ~ Jazz-Funk Fusion
Recorded: 1970 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist, recorded live in August of 1970 during their Scandinavian tour and presents an early recording of the second lineup of the group. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes original material and one piece each by Jack BruceFind albums by this artist and Graham BondFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
This specific concert bursts with energy and enthusiasm, and Hiseman’s lengthy drums solo is an absolute classic. Clempson falls in within the Colosseum modus operandi perfectly from day one and his soloing is sublime as always. With four of the five tracks clicking well over ten minutes in duration, this is a true orgy of improvisation, albeit perfectly well organized. The sound quality of this recording if somewhat iffy, but the remastered material is definitely listenable, compared with the bootleg versions of this album that have been around for ages.
As usual, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| | Updated: 19/06/2021Posted: 19/06/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE BOSTON TEA PARTY
REPERTOIRE 1390 (Barcode: 4009910139028) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Boston on August 13, 1969 during the group´s first US tour. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they embarked on the US tour they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. Therefore it is hardly surprising that they played exclusively (well almost, see below) material from the second, already recorded but not yet released album. The live set presents only three compositions, expanded according to the circumstance, including the entire three-part suite that gave the album its title.
For Colosseum specialists, the version of the suite performed here live is different from the version eventually released on the UK version of the album, with the third part of the suite being "Beware Of The Ides Of Mach" (released on the debut album) to by replaced by "The Grass Is Always Greener" on the studio album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| | Updated: 07/10/2020Posted: 09/09/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE PIPER CLUB, ROME, ITALY 1971
REPERTOIRE 1394 (Barcode: 4009910139424) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in Summer of 1971 and presenting one of the last known recordings of the final lineup of the band, which disbanded just a few months later in October of 1991. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes two original pieces and one piece each by Jack BruceFind albums by this artist and Michael GibbsFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality. The two original tunes (one co-written by Clempson and Hiseman and the other by Hiseman) get over-extended versions on this album, timing well over twenty minutes each, which present the incredible instrumental abilities by the band members, including Hiseman’s unique drumming technique.
The sound quality of this recording if truly iffy, and even the remastered version is not easily listenable, albeit somewhat better than the bootleg versions of this album that have been around for ages. Obviously the source material for this material is simply sub-standard.
And yet, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| | Updated: 08/07/2021Posted: 08/07/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE IN GERMANY
REPERTOIRE 1404 (Barcode: 4009910140321) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 - 1971 Released: 2021
This is an archival album, which collects live recordings by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The 2CD / DVD album covers recordings of live concerts in Germany and Austria, captured between 1969 and 1971. Colosseum was formed in 1968 from the ashes of the Graham Bond OrganizationFind albums by this artist by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist (both members of GBO). The first lineup included also keyboardist Dave GreensladeFind albums by this artist, guitarist / vocalist James LitherlandFind albums by this artist and bassist Tony ReevesFind albums by this artist. Litherland was replaced by Clem ClempsonFind albums by this artist and Reeves was replaced briefly by Louis CennamoFind albums by this artist and later by Mark ClarkeFind albums by this artist and Chris FarloweFind albums by this artist was added as lead vocalist, turning Colosseum into a sextet. Hiseman’s wife, saxophonist / flautist Barbara ThompsonFind albums by this artist guests on one track. The sound quality is fabulous, and the remastering, packaging and enclosed highly informative booklet are top notch.
Colosseum were one of the most imaginative and intelligent early Fusion / Prog bands ever and managed to create a highly unique sound and musical aesthetics. A perfectly balanced amalgam of Jazz, Rock and Blues, which they created, remains largely unmatched to this very day. Their success can be mostly credited to the perfect blend of their musical personalities and immense collection of diverse talents, as well as the leadership of Hiseman, who was one of the most important British musicians of his generation. I was lucky to know Jon and watching him and the band perform was always a revelation.
CD1 of the album covers the material recorded in 1969 and 1970 by the German TV show “Beat-Club” (the first four tracks) and the 1969 concert in Vienna (the next four tracks). CD2 covers the 1971 concert in Frankfurt (four long tracks). The “Beat Club” material is also included in video version on the enclosed DVD.
This album offers an incredible wealth of music, hair-raising instrumental performances and a sublime glimpse at the period when music was at its absolute creative peak. There are but a few groups that managed to achieve the same level of intensity and inventiveness ever since.
For Colosseum fans this album is absolutely essential of course, but the interest goes way beyond just that. British Jazz and Fusion enthusiasts will be also thrilled; as should any music loving person on this planet be as well. This music is beyond recommendation, a true Holy Grail!
| | Updated: 25/11/2021Posted: 25/11/2021 | 2CD+DVD 3 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE05
REPERTOIRE 1382 (Barcode: 4009910138229) ~ UK ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2024
This is a reissue of a 2CD live album by the seminal British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded in 2005. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, went through several personnel changes before disbanding in 1971, after recording several iconic albums. They reunited in 1994 and continued performing and recording albums with a lineup, which included the two founding members and keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the death of Heckstall-Smith in 2004, Hiseman’s wife saxophonist / flautist Barbara ThompsonFind albums by this artist joined the band, and this new lineup recorded this live album.
This album was initially released privately on Temple MusicFind albums on this label in 2007 and then on RuffFind albums on this label Records in Germany in 2010, both editions now long gone from the market. This RepertoireFind albums on this label Records reissue, newly packaged and with a booklet designed by Ana GraceyFind albums by this artist (Barbara’s and Jon’s daughter), celebrates Hiseman’s 80th Birthday Anniversary.
The music is a wonderful example of the band’s live act, which includes music spanning their entire career. Although some of that music appears on other live albums, due to the highly improvised nature of the band’s performances, each and every version of these tunes is completely unique. It also reflects the phenomenal agility of Barbara, who joined the group only a few months earlier (although she did play some gigs with the band before formally joining), and blended perfectly into the act, obviously adding her personal fabric to the tunes.
Each and every live album by Colosseum depicts the incredible talents of all the band members, with the spotlight on their abilities as improvisers, since the band’s material was always heavily influenced by Jazz and the live performances were ideal platforms to “go wild” and play lengthy instrumental solos and vocal extravaganzas.
Overall, this is as brilliant as every other Colosseum album, studio and live alike, and if anybody missed the original release of this album, this is an opportunity to repent and correct mistake. Absolutely not to be missed!
| | Updated: 26/08/2024Posted: 26/08/2024 | CD 2 Slipcase Recommend To A Friend |
  | CHICK COREA / AKOUSTIC BAND ~ LIVE
CONCORD 888072172258 (Barcode: 888072172258) ~ USA ~ Jazz
Recorded: 2018 Released: 2018
This is a 2CD live album by pianist / composer Chick CoreaFind albums by this artist and his Acoustic BandFind albums by this artist trio with bassist John PatitucciFind albums by this artist and drummer Dave WecklFind albums by this artist. Vocalist Gayle MoranFind albums by this artist, Corea’s wife, is featured on one track. The album presents twelve compositions (one repeated twice), six of which are Corea originals and the other six are standards. Recorded in January of 2018, almost exactly four years ago (as of the time of writing), this was one of the last Corea’s albums recorded before his passing in 2021.
Among Corea’s enormous recording legacy, my favorites have always been his classic piano trios, regardless of the stylistic setting, starting with his early Avant-Garde trios, via Trio Music, Trilogy or Akoustic Band, those trios were always spectacular. I always felt that Corea felt the best in a piano trio setting and his most creative performances continuously emerged in that environment.
Corea and the Akoustic Band recorded three albums in the early 1990s and played some concerts in 2004 / 2005, which were filmed and released on video, and this final “reunion” of sorts came as a big surprise and joy of course, as hearing this sublime trio is always an exhilarating experience.
The choice of material is hardly surprising, combining both some of his favorite original compositions and standards that he loved to play. The unity, telepathic conversation, mutual admiration and respect between the trio members is obviously immediately apparent, from the onset of the music to the very last second.
Overall, this album immediately joins the ranks of the top classic piano trio Jazz recordings of all times, presenting an everlasting example of artistry, excellence and aesthetics rarely achieved, but forever admired. No serious Jazz records collection should exist without this album being a part of it, and hopefully the album stays in print long enough for everybody to grab a copy. It was already reprinted once, so please keep it this way. An absolute must!
| | Updated: 07/01/2022Posted: 07/01/2022 | CD 2 Digipak Recommend To A Friend |
  | CHICK COREA / ORIGIN ~ LIVE AT THE BLUE NOTE
STRETCH 9018 (Barcode: 013431901822) ~ USA ~ Jazz
Recorded: 1998 Released: 1998
Chick CoreaFind albums by this artist’s acoustic sextet OriginFind albums by this artist was formed in late 1997 by expanding his acoustic trio (Avishai CohenFind albums by this artist – bass and Adam CruzFind albums by this artist – drums) with the addition of trombonist Steve DavisFind albums by this artist and two reeds players Bob SheppardFind albums by this artist and Steve WilsonFind albums by this artist. After a brief period of rehearsals and one club performance the band was booked to play for six nights (two sets each night) at the NY Blue Note club, which was to be the band’s official premiere. All the music played at Blue Note was recorded, initially mainly for the sake of documentation, but upon listening to the results Corea decided to release this album, which presents just a taste of what happened there. A much more comprehensive recording project, capturing three entire nights (6 sets) was released as a 6 CDs set under the title “The Complete 1998 Live At The Blue Note RecordingsFind albums with this title”. Origin proved to be indeed an “origin”, a new beginning for Chick, who hasn’t led an acoustic sextet for over 20 years. It served as a perfect vehicle to develop and present a set of new compositions, which show an older and seasoned Jazz Master at work. The music is complex, somewhat dark, serious and multi-layered, requiring attentive listening. In many respects it often resembles some contemporary Classical Music influences. The players have plenty of space to develop both individual and collective extended improvisations, which of course are quite brilliant. Corea is not featured as the main soloist and steps back to become just one of the band’s members. All the music presented on this album, except for one standard, was composed by Corea, who re-examines his life’s achievements here, moving skillfully between his various musical activities, as diverse as Latin music and Free Jazz. All together this is a splendid example of modern Jazz at it’s best, with great music and excellent playing all the way. Corea’s fans don’t need any encouragement here and others should definitely investigate.
| | | CD 1 Recommend To A Friend |
  | LARRY CORYELL ~ LIVE AT THE SUGAR CLUB DUBLIN 2016
ANGEL AIR 648 (Barcode: 5055011700482) ~ USA ~ Jazz
Recorded: 2016 Released: 2022
This is a live recording by the legendary American Jazz guitarist / composer / bandleader Larry CoryellFind albums by this artist, captured in a trio setting with Irish bassist Dave RedmondFind albums by this artist and drummer Kevin BradyFind albums by this artist. The music was recorded at Dublin’s Sugar Club in May 2016, just a few months prior to Coryell’s death in early 2017. The 2CD album presents seventeen tracks, five of which are spoken intros. Most of the music includes Jazz standards, but several original compositions by Coryell are also present. During the last two years of his life Coryell visited Ireland several times to perform and also recorded there his last studio album “Last Swing With IrelandFind albums with this title”.
The intimate trio setting and the relaxed club atmosphere allow the listener to enjoy a wonderful display of Coryell’s incredible guitar Artistry, which is second to none. The music is strictly Jazz oriented, and although Coryell became mostly known for his work within the Jazz-Rock Fusion genre, of which he was one of its great precursors, during the last years of his career he returned to more traditional Jazz.
Overall, this is a great Jazz guitar album, full of superb performances by a Giant guitarist, who contributed to the development of the genre during six decades of intensive activity, which resulted in a massive recorded legacy. Although not innovative or groundbreaking, like his earlier recordings, this is a proper document of his great talent, which deserves to be heard, not only by guitar enthusiasts, but by all Jazz lovers.
| | Updated: 24/04/2023Posted: 24/04/2023 | CD 2 Digipak Recommend To A Friend |
  | CREAM ~ LIVE CREAM
POLYDOR 531816 (Barcode: 731453181625) ~ UK ~ Classic Rock
Recorded: 1967 - 1968 Released: 1997
5th album (recorded 1968), released after CreamFind albums by this artist disbanded. It includes material recorded at San Francisco`s Winterland and Fillmore East and presents the group at its full glory, stretching out and jamming with ferrosity and fire rarely present in music. The sound is superb, which is quite understandable as these recording were made by the best sound engineer in the US - Tom DowdFind albums by this artist (he also recorded Disraeli Gears). The album also includes a previously unreleased studio outtake from the Disreali GearsFind albums with this title sessions. A classic live recording and a must!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | CREAM ~ LIVE CREAM VOLUME II
POLYDOR 531817 ~ UK ~ Classic Rock
6th album (recorded 1968), released after the group disbanded. It includes tracks recorded at Oakland`s Coliseum Arena and San Francisco`s Winterland, captured and engineered by Tom Dowd, which means the sound is first class. What else can be said about this stuff except that every second of Cream ever captured on tape is worth having and this album is no exception. Just lay back and enjoy - music of the Gods!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | CREAM ~ LIVE IN SWEDEN AND THE USA
LONDON CALLING BOX 4 (Barcode: 5053792300433) ~ UK ~ Blues-Rock
Recorded: 1967 - 1968 Released: 2021
This is an archival Box Set collecting three live shows by the iconic British supergroup CreamFind albums by this artist, recorded in Detroit in October 1967 on CD1 & CD2, in Stockholm in November 1967 on CD3 and finally in San Diego in October 1968 on CD4. The material is taken from radio broadcasts and offers iffy sound quality. The material on the last CD was also released on the “Goodbye Tour Live 1968Find albums with this title” Box Set, in much better sound quality.
Guitarist Eric ClaptonFind albums by this artist, bassist / vocalist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist managed to revolutionize Rock music during the short time they stayed together, pioneering everything that defines Rock by crystalizing its ingredients: riffs, Blues changes, power trio setting, extended soloing and most of all incredible inventiveness and stamina. Most of the original material in Cream’s repertoire was composed by Bruce, featuring lyrics by the poet Pete BrownFind albums by this artist, but they also played their interpretations of Blues standards.
The music included in this Box Set is a wonderful opportunity to study the modus operandi Cream developed over time, and the time spans of just one year exhibits dramatic alteration in their stylistic approach and depth. The extended Rock improvisations that Cream pioneered, were a significant ingredient of their music, and went way beyond just long guitar solos played by other Rock guitarist, often bordering on early Jazz-Rock Fusion.
Listening to the bass playing reveals the genius of Bruce, who was definitely the greatest virtuoso of the bass guitar in all times. Baker, who learned to play drums from the great British Jazz drummer Phil SeamenFind albums by this artist, was also one of the most unique Rock drummers of all times and his drum soli are absolutely unique to this very day. This album is a great tribute to these two Giants, both sadly no longer with us.
Overall, the music this album presents, despite of being five and a half decades old, is still some of the finest Rock achievements in the entire history of the genre. There is no need to recommend this album to veteran Rock fans, but there a billions of people who never even heard one note of this, which explains why this world looks like it does :) My suggestion to the Jazz lovers among my readers would be to give it a listen and discover not only how it swings, but also where the sources of the Jazz-Rock Fusion Nile originate from.
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 01/02/2022Posted: 01/02/2022 | CD 4 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | CROSBY & NASH ~ LIVE
MCA 008811205225 (Barcode: 008811205225) ~ USA ~ Classic Rock
Recorded: 1975 - 1976 Released: 2000
This is the fourth album (and first live release) by the celebrated team of singer / songwriter friends, American David CrosbyFind albums by this artist and British Graham NashFind albums by this artist. It followed the previous two studio releases ("Wind On The WaterFind albums with this title" and "Whistling Down The WireFind albums with this title") presenting material recorded live during the concerts the duo performed promoting these albums and consisting mostly of songs originally included on them, featuring the same team of musicians that recorded them: guitarist Danny KortchmarFind albums by this artist, keyboardist Craig DoergeFind albums by this artist, bassist Tim DrummondFind albums by this artist, drummer Russell KunkelFind albums by this artist and multi-instrumentalist David LindleyFind albums by this artist. Crosby and Nash are in charge of the vocals, Crosby plays guitars and Nash plays guitars and piano. The album presents eleven songs written by Crosby and Nash (five songs each and one by Crosby / Doerge). This is the remastered edition of the album, first time on CD, with a much improved sound clarity, and two bonus tracks.
The songs are all exquisite, as expected from this talented team, and very much in the same "spirit" and overall these three albums could be in fact considered as one continuous reflection of the duo´s output at that time (1975-1976), which was certainly the most productive in the Crosby & Nash legacy. The duo and the band accompanying the two singers became a true and very tight band, definitely one of the best out there at the time.
As usual the stylistic, personal and cultural differences between Crosby and Nash create a unique amalgam, which combined with their fabulous vocal harmonies results in some of the best Classic Rock music ever recorded. They are simply one of the most perfect partnerships in Rock history. This album emphasizes the incredible rapport between the Artists and the audiences, and their unique ability on stage, which allows them to change and adapt the songs to the atmosphere of each an every venue and the mood of the specific concert. As such it is an electrifying document of Classic Rock performed live, with is almost completely gone these days.
Overall in historic perspective this is a milestone album in every possible meaning of the phrase, which lost absolutely nothing over time in any aspect; it is still beautiful, relevant, and meaningful as a piece of an aesthetics that is long gone. Of all the Crosby, Stills, Nash & Young many sub-groups, Crosby & Nash have been the most consistently excellent outfit. I can´t imagine any decent Classic Rock collection not including this album.
| | Updated: 29/06/2018Posted: 29/06/2018 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | DAVID CROSBY ~ LIVE AT THE CAPITOL THEATRE
BMG 4050538640298 (Barcode: 4050538640298) ~ USA ~ Classic Rock
Recorded: 2018 Released: 2022
This is a live album by the iconic American singer / songwriter / guitarist David CrosbyFind albums by this artist, recorded with a trio called The Lighthouse BandFind albums by this artist, which comprises of vocalist / guitarist Becca StevensFind albums by this artist, vocalist / keyboardist Michelle WillisFind albums by this artist and vocalist / guitarist / bassist Michael LeagueFind albums by this artist. The album offers a CD and DVD, both presenting the same sixteen tracks: several Crosby’s classics and the rest new songs co-written by Crosby and the trio members and only one track originating from outside the quartet, a Joni MitchellFind albums by this artist classic. The sound quality, which is especially important in this mostly acoustic and delicate music, is absolutely stunning.
The album was recorded in December 2018, following the release of two superb Crosby albums: “LighthouseFind albums with this title” and “Here If You ListenFind albums with this title”, which were recorded with the same band, and naturally offers several songs, which appear on these two studio albums.
The music and the performances are absolutely stellar, based first and foremost on the divine vocal harmonies the four vocalists are able to create together, and of course also on Crosby’s unparalleled songwriting. Crosby, who was nearing eighty at the time, seems to be in high spirits and his voice is still steady and strong, and most importantly absolutely clear, with a sense of harmony which led his musical career at all times.
Crosby is a true icon of American Rock, and his combined recorded legacy is certainly one of the most impressive among all his peers. Open-minded and searching, his music is a soundtrack of my generation and I love his contribution deeply and wholeheartedly.
Overall, this is an instant classic album, which encapsulates American Rock at its best. Based on vocal harmonies, which originate in Folk music, and embracing Psychedelia and Rock, this is pure musical ambrosia, which Crosby managed to carry on for his entire life. God bless and please stay with us for many years, singing and playing guitar, as Classic Rock without you, David, would be simply mostly meaningless.
| | Updated: 18/01/2023Posted: 18/01/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DAVID CROSBY ~ LIVE AT THE MATRIX, DECEMBER 1970
KEYHOLE 9024 (Barcode: 5291012902429) ~ USA ~ Classic Rock
Recorded: 1970 Released: 2014
This is an archival album by the iconic American singer / songwriter David CrosbyFind albums by this artist recorded at the legendary Matrix club in San Francisco shortly before Crosby released his debut solo album. Recorded in a tight quartet setting with three members of the Grateful DeadFind albums by this artist: guitarist Jerry GarciaFind albums by this artist, bassist Phil LeshFind albums by this artist and drummer Mickey HartFind albums by this artist, the album presents eight songs, some of which are Blues standards and other are his originals which appear on the above mentioned debut album. Crosby sings the lead vocals and plays guitar. The recording quality is acceptable, but far from being up to par with formal album releases.
The music is a Psychedelic, blues soaked Rock, typical of the time and the place, which reflects the talents of the four musicians involved and the extensive jamming and long guitar improvisations, which were more characteristic of the Grateful Dead than of Crosby´s more concise and beautifully lyrical songs.
Nevertheless the album presents the brilliant songwriting Crosby so wonderfully weaves and his heartfelt vocal delivery, in a raw environment devoid of studio trickery, i.e. WYHIWYG (What you hear is what you get).
As all recordings of this kind, this album is of primary interest to either the devoted fans of Crosby and his music or connoisseurs of the West Cost Psychedelia of the time. In spite of the far from perfect sound and the somewhat incidental set list, there is still a lot of great music here, which is definitely worth being discovered.
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 15/05/2019Posted: 10/07/2018 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS & NASH ~ LIVE IN L.A.
IMMORTAL 8712177052240 (Barcode: 8712177052240) ~ USA ~ Classic Rock
Recorded: 1982 Released: 2007
This is a little known, although seemingly perfectly legal live album by the iconic Classic Rock group Crosby, Stills & NashFind albums by this artist recorded during their 1982 tour which promoted their third studio album "Daylight AgainFind albums with this title". They were accompanied by a great band which included guitarist Michael StergisFind albums by this artist, keyboardists Michael FinniganFind albums by this artist and James Newton HowardFind albums by this artist, bassist George PerryFind albums by this artist, drummer Joe VitaleFind albums by this artist and percussionist Efrain ToroFind albums by this artist. The shows were taped and filmed for a TV special on the Thanksgiving Day weekend in November 1982 at the New Universal Amphitheatre in Los Angeles, CA and later released as a home video also entitled "Daylight Again". This 2CD album originates from the audio recordings and presents twenty one songs. Some of the songs included here were also included on the Crosby, Stills & Nash first formal live album "AlliesFind albums with this title" released in 1983.
The trio and the band are in superb form and go through the material included on their three albums as well as material recorded by the Crosby & Nash duo and their solo albums. The superb vocal harmonies and excellent instrumental work turn this album into a classic display of the combined talents of these superbly gifted musicians that sounds as good decades later as it did at the time of its recording. Some of the songs included here don´t exist in live versions on any other recording by the group.
In retrospect it is a wonderful document of the Crosby, Stills & Nash musical ingenuity, which has almost no equals in quality and class among their musical cohorts over the decades. With superb sound quality, top notch material and brilliant performances this album is a breeze of fresh air among contemporary clatter which is considered music by some people. Wholeheartedly recommended!
| | Updated: 19/01/2019Posted: 19/01/2019 | CD 2 Digipak Recommend To A Friend |
  | CROSBY, STILLS & NASH ~ LIVE IT UP
ATLANTIC 075678210723 (Barcode: 075678210723) ~ USA ~ Classic Rock
Recorded: 1989 - 1990 Released: 1990
This is the fourth studio album by the iconic Classic Rock trio Crosby, Stills & NashFind albums by this artist. This album started as a Crosby & NashFind albums by this artist project, which than evolved into a trio album with Stephen StillsFind albums by this artist. Assisted by a plethora of guest musicians, like keyboardist Craig DoergeFind albums by this artist, bassist Bob GlaubFind albums by this artist, drummer Joe VitaleFind albums by this artist, saxophonist Branford MarsalisFind albums by this artist and others, the trio managed to produce ten splendid new songs, mostly co-written by the trio members, members of the band and other musicians / friends.
Although poorly received both by the critics and the fans at the time, the music is characterized by the usual amazing vocal harmonies, great melodies and superb instrumental work, which is as good as anything they recorded earlier. The 1980s production techniques, synthesized sounds and other atrocities of the time are definitely present, hindering the intrinsic beauty of the music, but to be fair they can be discarded and ignored, certainly in a retrospective glimpse. Perhaps the trio members could have stuck to the acoustic approach and Classic Rock aesthetics, but if they did, they would have been accused of being outdated. You can´t win with the critics.
In historical perspective this album sadly remains overshadowed by the early work of the trio and the fact that it was released at the time when Classic Rock was being pushed out by other (then) contemporary musical trends, which in time led to the annihilation of Rock Music at large. For the true fans and connoisseurs of the trio´s recorded works, this album is an absolute must of course.
| | Updated: 14/02/2019Posted: 14/02/2019 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS, NASH & YOUNG ~ LIVE AT FILLMORE EAST, 1969
RHINO 603497839612 (Barcode: 603497839612) ~ USA ~ Classic Rock
Recorded: 1969 Released: 2024
This is an archival live album by the iconic Rock band Crosby, Stills, Nash & YoungFind albums by this artist, considered as one of the most important and pivotal Rock groups of all time. The group combined four young (at the time) Rock stars: the hippie dreamer David CrosbyFind albums by this artist, the folksy / bluesy Stephen StillsFind albums by this artist, the elegant, intellectual and romantic Brit Graham NashFind albums by this artist and the tough rocker Neil YoungFind albums by this artist, all four blessed with extraordinary voices and sublime songwriting talents. This unique combination of musical personalities already tested and perfected within the Crosby, Stills & NashFind albums by this artist framework was simply matchless by any contemporary Rock group at the time.
This album, recorded on September 20, 1969, before the debut album by the band was released, finds them in the light of the instant fame and glory, due to their stellar Woodstock Festival appearance a month earlier. The previously unreleased material presents seventeen tracks, which follows their show pattern of acoustic set (eleven tracks) and electric set (six tracks), where the quartet is assisted by bassist Greg ReevesFind albums by this artist and drummer Dallas TaylorFind albums by this artist.
The obvious comparison between this recording and the Woodstock performance shows how much progress these musicians made in just one month, perfecting the vocal harmonies and getting the show together. Playing the Woodstock and these Fillmore versions opposite each other is a schoolbook exercise, for the very patient music enthusiasts, and a great fun.
Although this album does not offer anything previously unheard, it is as perfect as any fan of CSN&Y could ask for, with impeccable performances and absolutely stunning sound quality and clarity. As such, it expands the historical document of the era (late 1969), when music making was at the epicenter of the cultural platform and before everything turned sour.
Overall, this is an incredible find, which for people who had been lucky to experience this music in real time is absolutely priceless. If there is Godly Rock music, this is it, no questions asked. Beyond essential!
| | Updated: 19/11/2024Posted: 19/11/2024 | CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend |
  | CUBY AND THE BLIZZARDS ~ LIVE `68
UNIVERSAL 042283465923 (Barcode: 042283465923) ~ NETHERLANDS ~ Blues-Rock
Recorded: 1968 Released: 2004
The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 5th album and their first live recording and features the British Blues legend, vocalist Alexis CornerFind albums by this artist, on two tracks. An absolute must to all Blues-Rock fans and a great document of European music history!
| | | CD 1 Remastered Recommend To A Friend |
  | FRANCO D`ANDREA ~ LIVE IN PERUGIA
PENTAFLOWERS 041 ~ ITALY ~ Jazz
Recorded: 1994 Released: 1995
This is a live solo piano album by Italian pianist / composer Franco D`AndreaFind albums by this artist. The album presents six tracks, two of which are medleys of two tunes, so altogether there are eight original tunes by D`Andrea.
D`Andrea is one of Italy’s most famous Jazz musicians and his extensive career spans almost seven decades (he is 82 years old at the time of writing). He played with many American and European Jazz musicians over the years and his recordings span about two hundred albums. He played with Gato BarbieriFind albums by this artist when the Argentine saxophonist resided in Italy, and took part in the recording of the legendary soundtrack of “Last Tango In ParisFind albums with this title” (1972). He was also a member of the Italian Progressive Rock band PerigeoFind albums by this artist during the 1970s with saxophonist Claudio FasoliFind albums by this artist and bassist Giovanni TommasoFind albums by this artist, both of whom later also had successful careers in Jazz music.
This album presents him as a mature Jazz virtuoso, with a highly personal style and modern approach, which has few equals on the European scene. The music flows brilliantly from one tune to another, with a hyper-energetic tension and intensity, leaving the listens practically breathless.
Overall, this is a spectacular display of the great talent and virtuosic technical ability by one of the most fascinating European pianists of all time and one of my personal favorites. I have not heard this album since it was initially released almost thirty years ago, and it reminds to be strikingly original, and as such wholeheartedly recommended, although probably not easy to find these days.
| | Updated: 26/07/2023Posted: 26/07/2023 | CD 1 Recommend To A Friend |
  | D`RIVERA, PAQUITO ~ LIVE AT MCG
BLUE JACKEL 1003 ~ CUBA ~ Jazz
Cuban master musician Paquito D`Rivera was one of the first to leave his homeland and settle in the USA, where he became one of the most active and well respected jazz figures. This live recording catches him in top form playing and leading the `United Nation Orchestra`, a Big Band he`s leading since its founder Dizzy Gillespie died. Great sound and exceptional playing all the way!
| | | CD 1 HDCD Recommend To A Friend |
  | ANDRZEJ DABROWSKI / ALL STARS ~ LIVE
FOR TUNE 0154 (Barcode: 5906395808700) ~ POLAND ~ Jazz
Recorded: 2018 - 2021 Released: 2022
This is a live album by veteran / iconic Polish Jazz vocalist / drummer Andrzej DabrowskiFind albums by this artist, recorded during a concert celebrating his 80th Birthday. He is accompanied by a formidable sexted comprising of top Polish Jazz musicians: trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist, pianist Andrzej JagodzinskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist. Dabrowski sings nine songs, seven of which are American standards and two are Polish ones, written by Jan Ptaszyn WroblewskiFind albums by this artist and Agnieszka OsieckaFind albums by this artist. A bonus track, the symbolic “My Way” (sung in Polish), recorded at the Polish Radio three years later with different musicians, is added to complete the set.
Dabrowski has been a part of the Polish Jazz scene since its inception and this album is a loving tribute to his lifetime contribution to the Polish Jazz scene and its achievements. Considering the age of the protagonist of this recording, any attempt to say anything about his performances are completely irrelevant, and would simply miss the point by a mile. The musicians gathered here all pay tribute to their colleague, with obvious respect and adoration, and that is all that matters.
Overall, the For TuneFind albums on this label label should be congratulated for releasing this loving tribute, which is a wonderful document of the Polish Jazz scene history. The respect paid to Culture is always highly appreciated.
Side Note:
This For Tune release initiates the new graphic layout of the label’s releases, which combines the decade-long tradition of consistent elegance and class. The move to digipak from the traditional jewel case is a sign of commitment to the collectors, many of which own the entire output of this excellent label, now numbering 155 releases – a true treasure of Polish Jazz.
| | Updated: 09/06/2022Posted: 09/06/2022 | CD 1 Digipak Recommend To A Friend |
  | DADDO ~ LIVE
FA MUSIC 007 (Barcode: 7290006333643) ~ ISRAEL ~ World Music & Folklore
Recorded: 2007 Released: 2007
2nd album by Israeli singer Daddo, who keeps alive the Ladino language and the Jewish Sephardic culture. Fronting a great band, Daddo and her angelic voice bring out the best of those wonderful songs.
| | | CD 1 Recommend To A Friend |
  | MILES DAVIS ~ LIVE IN EUROPE 1967: THE BOOTLEG SERIES VOL.1
COLUMBIA 886979405325 (Barcode: 886979405325) ~ USA ~ Jazz
Recorded: 1967 Released: 2011
The Miles DavisFind albums by this artist second quintet is often considered the ultimate Jazz ensemble of all times. With saxophonist Wayne ShorterFind albums by this artist, pianist Herbie HancockFind albums by this artist, bassist Ron CarterFind albums by this artist and drummer Tony WilliamsFind albums by this artist as his partners, trumpeter / composer Davis was pushing music light-years ahead during the three and a half years this quintet existed (1965-1968). The studio albums recorded by the quintet (see "The Complete Columbia Studio Recordings Of The Miles Davis Quintet 1965-68Find albums with this title") are absolute masterpieces, which are totally timeless and unparalleled in their depth and perfection.
However, it was on stage that this ensemble really created its best work. Sadly, the recorded legacy of live performances by this quintet is not very extensive and therefore this release, which brings us 3 CDs and a DVD of previously unreleased live material by this quintet, is worth its weight in gold to every Davis connoisseur. Recorded (and filmed) during the quintet´s European tour in October / November 1967, this music and the film were all captured within a period of eleven days, which means that we get a clearly focused picture of what they were doing at the time.
After playing together for almost three years, the quintet was at the absolute peek of their creative powers, completely focused and intimately linked together by telepathic musical understanding. Listening to these live performance confirms all this, but also much more. It ultimately shows how creative these players were, even when performing a fixed set of compositions evening after evening. Davis, firmly in the lead, gives the cues to move from one composition to another or a change of tempo, but allows the individual musicians complete freedom. It is this freedom, which is the most striking and significant element omnipresent here, almost shocking in its power. Large portions of this music could be easily taken from a Free Jazz concert, even though the basic concept is still anchored in mainstream.
Collective improvisations often have all five members of the quintet playing at different tempi, scales and themes at the same time, somehow miraculously making a perfect sense. Personally I´ve always found the young Tony Williams to be the most striking personality in this ensemble, with his perception of rhythm more radically different and innovative than the other quintet members. A careful listener will be able to hear Williams play four different rhythms simultaneously, each played by one of his limbs. This barrage of sound is the most striking drumming imaginable, and an almost mystical experience.
It would be ridiculous to recommend this release, at it goes without saying that all modern Jazz listeners should find it absolutely essential and an obligatory part of their collections. Since the subtitle suggests that this is just the first in a series of previously unreleased Miles Davis recordings, all I can say is Halleluiah!
| | Updated: 20/05/2018Posted: | 3CD+DVD 4 Digipak Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ LIVE IN EUROPE 1969: THE BOOTLEG SERIES VOL.2
COLUMBIA 887254185321 (Barcode: 887254185321) ~ USA ~ Jazz
Recorded: 1969 Released: 2013
Although it never reached the acclaimed status of the first and second legendary Miles DavisFind albums by this artist quintets, this was in fact the third quintet, with saxophonists Wayne ShorterFind albums by this artist being the only link to the previous group and pianist Chick CoreaFind albums by this artist, British bassist Dave HollandFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist being the "new boys on the block". Unfortunately, in contrasts to its importance as the interim vehicle, which served Miles during the period of his most radical transformation, this quintet never recorded in the studio, leaving behind only live recordings, most of which were never previously released and appear officially here for the first time.
After all this was the group that Miles toured with in 1969, after completing the seminal "In A Silent WayFind albums with this title" album and while he was recording the world-shattering "Bitches BrewFind albums with this title" tour de force. Shorter, Corea and Holland played on the former album and Shorter, Corea, Holland and DeJohnette played on the latter, so the links are obvious. The material herein presents two live appearances separated by a period of mere four months (July 1969 – November 1969), but musically the gap is enormous, with the earlier recording still anchored in the "In A Silent Way" mood, while the later are all "Bitches Brew" and beyond.
Miles cognoscenti will find here music, which is the closest to Free Jazz he ever played. Miles was never really part of the Free Jazz movement, going in different direction, which was his very own. But this quintet and Corea especially, were at the heart of the Free scene at the time. Corea used Holland and DeJohnette on his sublime "The Complete `Is` SessionsFind albums with this title" album, which was recorded at that exact time, and he and Holland will later form the A.R.C.Find albums by this artist trio and CircleFind albums by this artist quartet, both seminal Free Jazz ensembles. Miles gives Corea and the rest of the quintet space to stretch out, playing his parts splendidly as ever, even though it´s not exactly his "natural habitat", thus portraying him quite differently from the "iron fist" dominant leader status he was usually considered to be.
The music is sublime from start to end, completely untouched by time and filling a large gap in the recorded history of Miles Davis and his music, at its most pivotal period. The fact that we had to wait so long for this stuff to be released is beyond criminal, but as usual "better late than never" is the only solace. There are some slight sound imperfections, but considering this music was recorded live almost 45 years ago, this is completely meaningless. The DVD is sensational as well, both the audio and video contents, and constitutes a highly important document of the Miles Davis saga.
Of course this is an absolute must in any serious Miles Davis collection and hats off to ColumbiaFind albums on this label for keeping this legacy alive, even if the do it for the money. Brilliant stuff!
| | Updated: 20/05/2018Posted: | 3CD+DVD 4 Digipak Remastered Essential Recommend To A Friend |
  | LACO DECZI / CELLULA NEW YORK ~ LIVE IN VSENORY
LOTOS 8594002280567 (Barcode: 8594002280567) ~ SLOVAKIA ~ Jazz
Recorded: 1995 Released: 1996
This is a live album by Slovak trumpeter / composer / bandleader Laco DecziFind albums by this artist, recorded with his US quintet Cellula New YorkFind albums by this artist, which comprised of saxophonist Fred ScerboFind albums by this artist, keyboardist Bryan P. KlarmanFind albums by this artist, bassist Gene HeiterFind albums by this artist and drummer Dean KoschFind albums by this artist. The album was recorded during the quintet’s European tour, captured at the Vsenory resort near Prague. The album presents ten tracks, all original compositions by Deczi.
After being one of the Godfathers of the Czechoslovak Jazz scene since the 1960s, Deczi escaped to the West in 1985, settling in the US. After the Socialist regime was over, he returned regularity to perform in the Czech Republic and Slovakia, always warmly embraced by his old and new fans.
The album presents Deczi and his quintet at full power, playing with vigor and obviously having a lot of fun at it. His trumpet playing is absolutely sensational and I personally love his incredible tone and feel, which has very few competitors worldwide. The music is much Funkier than the recordings made before his departure to the US, which was mostly within the Jazz tradition, and as such sounds much more contemporary. All the quintet members are excellent musicians and the live show flows briskly and sparks with energy.
Overall, this is a great memory capsule of Deczi’s great talent, and although the sound quality of this live recording is not ideal, the music is superb for the entire duration. For Jazz trumpet lovers this is heaven on earth.
| | Updated: 17/02/2025Posted: 17/02/2025 | CD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN BIRMINGHAM 1973
HNE 025 (Barcode: 5013929912526) ~ UK ~ Classic Rock
Recorded: 1993 Released: 2013
This is a remaster / reissue of a live album by the legendary British Rock group Deep PurpleFind albums by this artist, recorded during the last tour by the second and last reunion of the Mk II lineup, promoting “The Battle Rages On…Find albums with this title” album from 1993. Released originally in 2006 as the second part of the 4CD Box Set “Live In Europe 1993Find albums with this title”, this 20th Anniversary Edition was remastered. The Mk II lineup of the group that included vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist are heard here playing together for the final time.
The group is in top form on these recordings, as expected, despite the internal tensions, which led Blackmore to leave the group following the last concert of the tour. The material includes some tracks from their last album and, as usual, a selection of their crowd pleasing favorites, which are completely timeless Classic Rock pieces.
Overall, this is a brilliant document of the last reunion of the MK lineup and the history of one of the greatest Classic Rock groups of all time and British Rock unparalleled Masters. Although Deep Purple released a plethora of live albums, they are one of the very few acts, which produced such variety and diversity in their performances, that each and every one of their live albums is completely unique and worth listening to. As such this is another classic!
| | Updated: 27/12/2022Posted: 27/12/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CALIFORNIA 74
EMI 446779 (Barcode: 094634467797) ~ UK ~ Classic Rock
2nd installment of the “Deep Purple DVD Archive Collection”, presenting the band headlining the famous California Jam Festival. By the time this footage was filmed the band already reached stardom status, seen here as they arrive for the gig on their private jet. This version of Deep purple (Lord, Blackmore, Paice, Coverdale & Hughes) delivered fiery hard rock with vengeance, with very few contenders to their abilities, and this performance proves that beyond any doubt. Blackmore’s ill famous bad temper is displayed here in flagrante delicto as he smashes his guitar into one of the TV cameras. The entire show is a non-stop high-voltage affair as known only in the hay days of Rock. The commentary (see the 1st installment) is also available here. For fans of DP this is a must of course. Dolby Digital 5.0 Surround Sound and DTS, 119 minutes.
| | | DVD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CONCERT 72/73
EMI 317729 (Barcode: 094633177291) ~ UK ~ Classic Rock
Recorded: 1972 - 1973 Released: 2005
1st installent of the (so called) “Deep Purple DVD Archive Collection" series, which EMIFind albums on this label and the band intend to release, and it includes two concerts by Deep PurpleFind albums by this artist: one from 1972 (Copenhagen) and the other from 1973 (New York).
The first concert is filmed in black and white, which has a nice nostalgic effect to it. The sound is cleaned up and upgraded and the visual material pretty decent, so overall this is not too bad, surely better than most similar archival material.
The music of Deep Purple Mk II (Ian GillanFind albums by this artist, Jon LordFind albums by this artist, Ritchie BlackmoreFind albums by this artist, Roger GloverFind albums by this artist & Ian PaiceFind albums by this artist) was heading into heavy rock and although there is quite a bit of instrumental improvisation there (by Lord and Blackmore), the on-stage theatrics look pretty ridiculous in retrospect. They were a hell of a show for sure and they all could play incredibly well, as opposed to many of their contemporaries.
The interesting thing about the DVD is that there is an option to watch it with a “commentary” switched on, which means that you hear a commentator’s voice on top of the soundtrack. The commentary is quite well written, very informative and often even witty / funny – typical British humor mind you. This brings up considerably the educational value of the DVD.
Dolby Digital 5.0 Surround Sound and DTS, 127 minutes.
| | Updated: 06/02/2024Posted: | DVD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN HONG KONG 2001
EAR MUSIC 4029759140214 (Barcode: 4029759140214) ~ UK ~ Classic Rock
Recorded: 2001 Released: 2022
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes a couple of songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 8,177/10,104 :)
| | Updated: 06/11/2022Posted: 06/11/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN LONDON 2002
EAR MUSIC 4029759169659 (Barcode: 4029759169659) ~ UK ~ Classic Rock
Recorded: 2002 Released: 2021
This is an archival album presenting a live concert recording by the iconic British Rock group Deep PurpleFind albums by this artist, captured at the Hammersmith Apollo, London on February 22, 2002. It features the Mk VII lineup of the group with four veteran members going back together since the forming of the Mk II lineup in 1969: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist and the latest addition (since 1996) to the group, American guitarist Steve MorseFind albums by this artist. It is one of the last concerts featuring Lord, who was replaced due to illness by keyboardist Don AireyFind albums by this artist, and the temporary replacement soon after became permanent, followed by Lord’s amicable departure from the group, forming the Mk VIII lineup of the group, which exists till now. The 2CD album presents sixteen songs.
The brilliantly recorded live performance presents Deep Purple as an unstoppable, perfectly oiled Rock machine, performing songs from the entire recording legacy of the group, going back as far as the first album recorded (then) thirty-four years earlier. Everything works like clockwork and if Rock is to be remembered in the distant future by this album alone, full justice would be done to the genre.
As usual, the concert environment allows the musicians to take many liberties, usually not allowed during studio recordings, including long instrumental passages. Gillan introduces all the songs and tells occasional jokes, as usual in his case, holding the audience in the palms of his hands, and both his vocal ability and charisma are undeniable.
Deep Purple have released about fifty or so live albums, so there is plenty to choose from, but a few of those are absolute classics, like “Made In JapanFind albums with this title” for example, and this album is very close to those classics, and as such absolutely essential to the many Deep Purple fans all over the world.
The album is a numbered limited edition and my copy is 198/10,000 ;)
| | Updated: 13/04/2022Posted: 13/09/2021 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN NEWCASTLE 2001
EAR MUSIC 4029759139010 (Barcode: 4029759139010) ~ UK ~ Classic Rock
Recorded: 2001 Released: 2019
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year. The Newcastle here is of course the Australian town not the British one.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes several songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 17,141/20,000 ;)
| | Updated: 13/04/2022Posted: 13/04/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN ROME 2013
EAR MUSIC 4029759144311 (Barcode: 4029759144311) ~ UK ~ Classic Rock
Recorded: 2013 Released: 2019
This is an archival album presenting a live concert recording by the iconic British Rock group Deep PurpleFind albums by this artist, captured at the Ippodromo Delle Capannelle, Rome on July 22, 2013. It features the Mk VIII lineup of the group: vocalist Ian GillanFind albums by this artist, American guitarist Steve MorseFind albums by this artist, keyboardist Don AireyFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. The 2CD album, which is one of the “Soundboard Series” releases, presents twenty-two songs.
The brilliantly recorded live performance presents Deep Purple as an unstoppable, perfectly oiled Rock machine, performing songs from the entire recording legacy of the group, going back as far as the early albums recorded (at the time of the recording) forty years earlier. Everything works like clockwork and if Rock is to be remembered in the distant future by this album alone, full justice would be done to the genre. As usual, the concert environment allows the musicians to take many liberties, usually not allowed during studio recordings, including long instrumental passages.
Deep Purple have released about fifty or so live albums, so there is plenty to choose from, but a few of those are absolute classics, like “Made In JapanFind albums with this title” for example, and this album is very close to those classics, and as such absolutely essential to the many Deep Purple fans all over the world.
The album is a numbered limited edition and my copy is 4,817/20,000 ;)
| | Updated: 19/01/2022Posted: 19/01/2022 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN STUTTGART 1993
HNE 024 (Barcode: 5013929912427) ~ UK ~ Classic Rock
Recorded: 1993 Released: 2013
This is a remaster / reissue of a live album by the legendary British Rock group Deep PurpleFind albums by this artist, recorded during the last tour by the second and last reunion of the Mk II lineup, promoting “The Battle Rages On…Find albums with this title” album from 1993. Released originally in 2006 as the first part of the 4CD Box Set “Live In Europe 1993Find albums with this title”, this 20th Anniversary Edition was remastered. The Mk II lineup of the group that included vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist are heard here playing together for the final time.
The group is in top form on these recordings, as expected, despite the internal tensions, which led Blackmore to leave the group following the last concert of the tour. The material includes some tracks from their last album and, as usual, a selection of their crowd pleasing favorites, which are completely timeless Classic Rock pieces.
Overall, this is a brilliant document of the last reunion of the MK lineup and the history of one of the greatest Classic Rock groups of all time and British Rock unparalleled Masters. Although Deep Purple released a plethora of live albums, they are one of the very few acts, which produced such variety and diversity in their performances, that each and every one of their live albums is completely unique and worth listening to. As such this is another classic!
| | Updated: 29/09/2022Posted: 29/09/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN TOKYO 2001
EAR MUSIC 4029759173151 (Barcode: 4029759173151) ~ UK ~ Classic Rock
Recorded: 2001 Released: 2022
This is a reissue / remaster of two (combined into one, as the two consecutive night concerts were almost identical) of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by the Shin Nihon Philharmonic Select OrchestraFind albums by this artist, conducted by Paul MannFind albums by this artist. Vocalist Ronnie James DioFind albums by this artist guests on five tracks. The material includes a rare performance of the “Concerto For Group And OrchestraFind albums with this title”, some songs originating from outside of the band’s albums and of course some classic songs by the band from their entire repertoire, arranged for orchestral accompaniment, which makes this album particularly unique and special. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 6,319/10,000 :)
| | Updated: 08/11/2022Posted: 08/11/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN VERONA
EAR MUSIC 4029759130147 (Barcode: 4029759130147) ~ UK ~ Classic Rock
Recorded: 2011 Released: 2014
This is a live album by the iconic British Rock group Deep PurpleFind albums by this artist. It features the Mk VIII lineup of the group: vocalist Ian GillanFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist, keyboardist Don AireyFind albums by this artist and drummer Ian PaiceFind albums by this artist. The album was recorded on July 18, 2011 at the legendary Arena di Verona Roman amphitheater, with the group accompanied by a full scale symphonic orchestra, the Neue Philharmonie FrankfurtFind albums by this artist, conducted by Stephen Bentley KleinFind albums by this artist. The 2CD album presents twenty-one tracks, spanning the entire repertoire of the group.
The music is of course familiar to all the fans of the group, but the amazing performances included herein are simply beyond expectation, proving that Deep Purple are still the best live Rock group out there, which has its roots decades ago and an uninterrupted span of making excellent music without compromise, ignoring the world changing around and the true values of music in general and Rock in particular disintegrating. The orchestral accompaniments are of course new and quite unusual, and although Deep Purple recorded with orchestras before, the integration between the orchestra and the group on this album is absolutely unprecedented and fully complementing.
Depp Purple impersonate the Classic Rock definition better that any other existing Rock act today, not only due to their persistence and stamina, but for their ability to keep the music timeless and able to preserve the aesthetic values of creativity, ignoring fads and fashions. Despite the fact that their lineup changed over time and they lost the spiritual leadership of Jon Lord, the managed to overcome the hardships and kept their faith in what they do.
Overall, this album is an amazing display of Classic Rock at its best, superbly recorded and performed by incredibly talented musicians, who know exactly what they are doing. There is no one false note, one disturbance in the continuity and flow of the music, simply perfection itself. Regardless of what some people may think, these dinosaurs still rule the earth!
| | Updated: 08/01/2024Posted: 08/01/2024 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN WOLLONGONG 2001
EAR MUSIC 4029759140252 (Barcode: 4029759140252) ~ UK ~ Classic Rock
Recorded: 2001 Released: 2021
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes a couple of songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 332/10,000 :)
| | Updated: 21/05/2022Posted: 21/05/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | ELI DEGIBRI ~ LIVE AT LOUIS 649
ANZIC 3001 (Barcode: 896434001115) ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2008
3rd album by Israeli (resident in US) saxophonist / composer Eli DegibriFind albums by this artist, one of several young Israeli Jazz players, who established themselves as part of the new vibrant generation of top international players. Degibri is a member of the Al FosterFind albums by this artist quartet / trio and for 3 years was a member of the Herbie HancockFind albums by this artist sextet, credentials that would make any aspiring Jazz musician proud. In parallel he also leads his own ensembles, which perform predominantly his own compositions. This album presents Degibri in an unusual trio setting with Hammond player Gary VersaceFind albums by this artist and drummer Obed CalvaireFind albums by this artist, playing live in a tiny NY Jazz club. The material is all, except for a couple of standards, composed by Degibri, and the trio is obviously having a great time performing. The soaring Hammond (one of my favorite instruments) and soulful saxophone create a somewhat "retro" atmosphere for this entire gig, which is truly delightful and reminiscent of the good old days, when music was played straight from the heart. The great thing about this album is that it can be enjoyed on many levels; it is great fun to listen to, but it also presents plenty of sophistication and insightful moments for a Jazz connoisseur, who listens below the surface and beyond the obvious. I can assure anybody that this album is absolutely worth your attention; Hammond lovers (which have a hard time these days to find new recordings) should jump on this like flies on honey!
| | | CD 1 Digipak Recommend To A Friend |
  | VERED DEKEL ~ LIVE AT SHABLUL JAZZ
NOT ON LABEL ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2007
3rd album by Israeli vocalist / pianist / composer Vered DekelFind albums by this artist, who returned to Israel after spending many years in New York, where she studied, performed and recorded her first two albums. Vered is surely one of Israel’s most gifted female Jazz vocalists, with an unorthodox approach to music and a very unique singing technique. Although deeply rooted in the Jazz tradition, she incorporates twists and turns typical of other genres, especially Rhythm And Blues and even some World Music influences. A great sense of humor (and some cynicism) is evident in her lyrics (in English), but that does not affect the generally happy and spirited atmosphere of this live recording, which was captured at the Tel-Aviv Jazz Club “Shablul”. Guitarist Yair LaronFind albums by this artist, bassist Gil ZoharFind albums by this artist and drummer Nir BrenerFind albums by this artist accompany her here and a couple of young singers supply backing vocals and harmonies to make things even livelier. Vered composed all but one of the tunes, one of which was co-composed by her NY singing partner Miles GriffithFind albums by this artist (with whom she recorded her wonderful first album Expanded InterpretationsFind albums with this title). This is great stuff for people who like vocal Jazz and another great document of the Israeli Jazz scene.
| | Updated: 08/05/2023Posted: | CD 1 Recommend To A Friend |
  | DELANEY & BONNIE & FRIENDS ~ LIVE IN DENMARK 1969
ROX VOX 2165 (Barcode: 5292317216525) ~ USA ~ Classic Rock
Recorded: 1969 Released: 2020
This is an archival live album by American singer / songwriter couple Delaney BramlettFind albums by this artist and Bonnie BramlettFind albums by this artist, known as Delaney & BonnieFind albums by this artist and later on as Delaney & Bonnie & FriendsFind albums by this artist. This album was recorded during the band´s European tour in 1969, capturing two concerts at the Copenhagen Falconer Theater on 10 and 12 of December 1969, immediately following the three shows that were recorded on 1, 2 and 7 of December 1969 during the UK leg of that tour and released in 1970 as the "On Tour With Eric ClaptonFind albums with this title" LP. The music was recorded by a dream team of top American and British musicians, which included Delaney Bramlett on guitar and vocals. Bonnie Bramlett on vocals, Rita CoolidgeFind albums by this artist on vocals, Eric ClaptonFind albums by this artist on lead guitar and vocals, Dave MasonFind albums by this artist on guitar, George HarrisonFind albums by this artist on guitar, bassist Carl RadleFind albums by this artist, keyboardist Bobby WhitlockFind albums by this artist, saxophonist Bobby KeysFind albums by this artist, trumpeter Jim PriceFind albums by this artist, drummer Jim GordonFind albums by this artist and percussionist Tex JohnsonFind albums by this artist. The album presents original songs, which were penned by the Bramletts, as well as classic Rock And Roll numbers. The set list of the two shows is almost identical.
The "On Tour With Eric Clapton" album brought Delaney & Bonnie to the center of attention of many listeners, who missed their two earlier albums entirely, most probably due to the fact that if featured Clapton, who was already a superstar. But the music of Delaney & Bonnie was of course stylistically very different to what earlier Clapton recordings offered and presented an unprecedented mixture of Rhythm And Blues, Soul, Blues and Gospel with Rock and Pop, creating an entire new musical universe. This album turned out to be a huge commercial success, but in retrospect failed to establish Delaney & Bonnie as major artists and their career disintegrated after their divorce in 1973, after they managed to record three more excellent albums.
This album, although less carefully recorded, offers the same fire and genuine
Rock spirit as "On Tour With Eric Clapton" and is an invaluable addition to the rather limited recorded legacy by Delaney & Bonnie & Friends and the rest of the musicians present herein, and as such is a Classic Rock gem.
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 08/05/2023Posted: 07/01/2021 | CD 2 Digipak Remastered Recommend To A Friend |
  | SANDY DENNY ~ LIVE AT THE BBC
ISLAND 984992 (Barcode: 602498499283) ~ UK ~ Folk-Rock
Recorded: 1966 - 1973 Released: 2007
This lavishly and lovingly produced Box Set collects all existing (audio & video) BBC recordings by Folk-Rock heroin Sandy DennyFind albums by this artist, who was not only one of the most distinctive voices of the Golden Age but also a superb songwriter. This collection spans from 1966 to 1973 and covers her solo career, which was before and after her being a member of StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist. Most of the material included here presents Sandy as “naked” as a singer can appear – just her hair-raising vocals and acoustic guitar or piano (only a few tracks include other backing musicians), which of course is for the best as she never really needed anything more. Her angelic and deeply penetrating voice and her theatrical ability to express the lyrics are so powerful that the experience is almost unparalleled. Most of the songs are her own (music & lyrics) and just a few are her arrangements of traditional folk material. The DVD includes the only footage in existence of Sandy performing. The set also includes beautiful photographs and excerpts of Sandy’s diaries. Sandy’s tragically premature death in 1978 put an end to her exquisite input to the world of music and she is sadly missed. I don’t think anything more needs to be said here – this is absolutely brilliant stuff, beyond essential for anybody who truly loves music and a must in any decent music collection.
| | Updated: 26/01/2019Posted: | 3CD+DVD 4 Box Set Essential Recommend To A Friend |
  | DJAM KARET ~ LIVE AT NEARFEST 2001
NEARFEST 0002 (Barcode: 829155000228) ~ USA ~ Progressive Rock
Recorded: 2001 Released: 2004
The Nearfest Prog Festival is often the place where bands get the first major exposure to the wide (at least in the US) audience. In spite of the fact that Djam KaretFind albums by this artist have been recording albums since 1985 they remained relatively unknown for many years (which of course is a shame). Hopefully the crowd present at this concert finally discovered the band and would extend the fan base. They surely loved the band playing, as the standing ovation at the end of the music attests. The music includes a selection of tunes from several Djam Karet albums, but as usual in their case every performance is completely unique. Recommended!
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  | DJAM KARET ~ LIVE AT ORION
CUNEIFORM 119 ~ USA ~ Progressive Rock
7th album from 1998 captures DK at the peak of their form with some electrifying live performances that make your hair stand on your neck. This is a perfect summation of their work and an excellent introduction to the band`s abilities.
| | | CD 1 Recommend To A Friend |
  | OTTO DONNER / FREE FOR ALL ~ LIVE AT FIVE CORNERS
TUM BOX 001 (Barcode: 6430015280243) ~ FINLAND ~ Jazz
Recorded: 2000 - 2002 Released: 2011
This fabulous Box Set collects a series of live recordings by the Godfather of modern Finnish Jazz trumpeter / composer / arranger / conductor / bandleader and music activist Otto DonnerFind albums by this artist and a gathering of Finnish Jazz musicians of diverse ages and stylistic affiliations, called Free For AllFind albums by this artist, which took residence under Donner´s wings at the Jazz Club JUMO located in the Five Corners area of Helsinki, presenting a series of concerts during the first half of 2002, which were recorded and although initially not intended for release, proved to be way to valuable to be left forgotten, and were eventually released in this Box Set about a decade later.
The lineup of the ensemble performing at each of the sessions included in this Box Set changed slightly and the recordings were organized into six CDs according to different unifying thematic concepts, rather than by session. The music includes new arrangements of compositions by Donner and other Finnish Jazz composers or members of the band as well as familiar Jazz standards. The sixth CD includes music and a film about improvisation, which documents Donner and the band, recorded and filmed in 2000.
The musicians performing the music alongside Donner are: saxophonists Rasmus KorsstromFind albums by this artist and Pepa PaivinenFind albums by this artist, trombonists Jari HongistoFind albums by this artist and Markku VeijonsuoFind albums by this artist, pianists Kari IkonenFind albums by this artist, Seppo KantonenFind albums by this artist and Eero OjanenFind albums by this artist, guitarist Jukka OrmaFind albums by this artist, bassists Ville HuolmanFind albums by this artist and Tuure KoskiFind albums by this artist, drummer Tom NekljudovFind albums by this artist and finally vocalist Johanna IivanainenFind albums by this artist.
The music is absolutely stunning, even though performed rather informally and not meant to be saved for posterity. The musicians are all highly professional and the atmosphere of camaraderie and obvious mutual respect is a predominant factor which makes this music sound as great as it does. Stylistically the music spans a wide range from modern mainstream to well organized free explorations, Jazz-Rock Fusion and Orchestral Jazz, and the six hours of playing time are over in an instant. Donner´s immense talent, experience and leadership managed to produce a wonderful document of the strength and diversity of the Finnish Jazz scene at the time, which now is a part of the cultural heritage.
The Box Set is beautifully packaged, using the paintings by Paul OsipowFind albums by this artist and including a highly informative booklet with detailed information about the music and the circumstances of its recording, a true example of a publishing labor of love and an example of how things should be done – hats off!
For Finnish Jazz fans and followers this is an absolute must of course!
| | Updated: 03/09/2020Posted: 03/09/2020 | CD+DVD 6 Mini-Sleeve Box Set Recommend To A Friend |
  | DOORS ~ LIVE AT LONDON FOG 1966
RHINO 081227942151 (Barcode: 081227942151) ~ USA ~ Pop & Rock
Recorded: 1966 Released: 2019
This is an archival release presenting the earliest known live recording by the legendary American Rock group The DoorsFind albums by this artist comprising of vocalist Jim MorrisonFind albums by this artist, organist Ray ManzarekFind albums by this artist, guitarist Robby KriegerFind albums by this artist and drummer John DensmoreFind albums by this artist captured at the LA London Fog night club in May of 1966, before the release of their debut album. The album presents seven songs, only two of which are originals and the rest are Blues standards. Sadly this release does not include the entire collection of songs that were captured on tape during this concert.
This edition is the stripped down to the basics version of the lavish, but completely redundant (and hellishly expensive) 50 Anniversary Deluxe Edition, released in 2016, and offers identical musical contents. The attempts by the record labels to squeeze out the last penny out of the old material are really sickening. This version is finally worth its price.
The music is mostly Blues based and proves that The Doors always were, for the entire relatively brief period of their existence, a Blues band in one form or another. All the elements that made the band one of the most important and artistically most ambitious American Rock band are already present in this virgin recording and in fact it encapsulates their entire id: the magnetic and charismatic vocals by Morrison, which were the focus of their act, the Jazz oriented organ layer by Manzarek which offered a tinge of Psychedelia, the Bluesy guitar parts by Krieger and the solid, rather basic but always right on the money drumming by Densmore.
Although this album offers nothing new as far at The Doors contribution to American Rock is concerned, it is a nice piece of history and definitely a worthwhile addition to the group´s discography for completists. The sound quality, although primitive, is authentic and as such has its charm. I´ve had a good time listening to the music, but I am probably the least objective person on earth as far as the music of that period and everything about it is concerned.
| | Updated: 27/09/2019Posted: 27/09/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DOORS ~ LIVE AT THE ISLE OF WIGHT FESTIVAL 1970
EAGLE 5051300209124 (Barcode: 5051300209124) ~ USA ~ Classic Rock
Recorded: 1970 Released: 2017
This is an archival album by the iconic American Rock group The DoorsFind albums by this artist, which presents the group´s performance at the Isle Of Wight Festival 1970 (August 26th to 31st) on August 30th as a combo CD/DVD set. The CD and DVD contain identical set list of seven tracks, the last of which is a four song medley, and the DVD offers also a bonus interview video piece called "This Is The End". The audio and video material was meticulously remastered. Slightly less than a year after the Woodstock Festival (August 15th to 18th 1969) the Isle Of Wight had a monstrous, estimated as over 600,000 strong attendance and was the biggest gathering of Rock enthusiasts, freaks and dreamers of the period, with an impressive list of performing artists. As far as The Doors are concerned, this is the last video footage of the group performing live. Less than a year after this concert Jim MorrisonFind albums by this artist would be dead and the brief career of one of the most important Rock groups ever would be tragically over.
The Doors´ concert at the Isle Of Wight was definitely not their most impressive, moving or spectacular live performance. The group was already suffering from many problems linked to Morrison´s legal, drug related and mental problems and their career was rapidly deteriorating. Nevertheless everything The Doors played was still among the best Rock music ever made on this planet, and they were always completely different from any other Rock group that ever walked the earth. Morrison was a poet, a dreamer and an extrovert extremist, while keyboardist Ray ManzarekFind albums by this artist, guitarist Robby KriegerFind albums by this artist and drummer John DensmoreFind albums by this artist collectively were one of the most solid and virtually unlimitedly talented instrumental trios in Rock history. As a result every one of the many live recordings by the Doors is completely unique and worth being heard, as is this one. The video material shows Morrison almost completely motionless and paralyzed in comparison to his earlier on stage theatrics, which to people who saw him live (in person or on film) is truly tragic. But in spite of the obvious somber atmosphere, the music is still very much biting and kicking, as always, and the fire is still there.
Overall this album is primarily interesting for the video footage, since musically it offers quite a "standard" Doors set, close to a "best of" selection. The extended instrumental performances on "Light My Fire" are always a great showcase of Manzarek´s and Krieger´s chops, and being basically improvised differ significantly from one performance to another.
For the many Doors followers this is as essential as any other live recorded performance by the group and an important piece of the puzzle of their musical legacy. For casual listeners this is perhaps somewhat less impressive than their other live offerings, which are numerous.
| | Updated: 01/07/2018Posted: 01/07/2018 | DVD+CD 2 Digipak Remastered Recommend To A Friend |
  | DOORS ~ LIVE AT THE MATRIX `67
RHINO 081227988487 (Barcode: 081227988487) ~ USA ~ Classic Rock
Recorded: 1967 Released: 2008
This is finally the formal release of the legendary Matrix tapes capturing the DoorsFind albums by this artist live at the very early days of their career. Just a few months after their first album was released and before "Light My Fire" fired up the charts, they were just one more band playing the California coastal cities. But of course they were definitely not just "one more band" as these, far from perfect tapes, prove instantly. The Doors were the best American Rock band ever, and although they were still perfecting their act then and experimenting with it (something they never stopped to do) the visionary qualities are already there if you listen well enough. Including material from their first album, a few new songs from the second album (still not recorded at the time), and a lot of Blues, which all Doors members loved, to fill the blanks, this show is a time capsule preserving everything the Summer Of Love (although it was only early spring) was all about – intellectual freedom, total devotion to one´s art and complete disregard of authority, establishment and commerciality. i.e. the American Way Of Life. Jim MorrisonFind albums by this artist is the actor and the poet, with music serving as the catalyst for his introvert sufferings, Ray ManzarekFind albums by this artist, with his miserable thin-sounding organ, manages to make magic with the keys on his keyboard, Robby KriegerFind albums by this artist plays the Blues, always, regardless what the tune is and John DensmoreFind albums by this artist keeps the whole lame wheelbarrow moving forward – towards Nirvana. This is, as said earlier, a time capsule, which proves that at that time even a seemingly uneventful gig at a dinky San Francisco club by a struggling young band was infinitely better that anything played in the 21st Century. Go figure?
| | | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | DOORS ~ LIVE AT THE MATRIX, 1967
RHINO 603497835911 (Barcode: 603497835911) ~ USA ~ Classic Rock
Recorded: 1967 Released: 2023
This is an archival album by the legendary American Rock group The DoorsFind albums by this artist, which presents the entire material recorded during the group’s five-night residence in March 1967 at the San Francisco Marina District nightclub, called The Matrix. The 3CD album presents thirty-seven live tracks, all remastered from the original master tapes recorded at the time by the club’s co-owner Peter AbramFind albums by this artist. The material was recorded just a few weeks following the band’s debut album release and a few weeks before their iconic “Light My Fire” single changed American Rock forever. These poorly attended live performances were more “paid rehearsals” than gigs, as far as the group members were concerned, and present the group at the embryonic stage, before fame and glory engulfed and eventually destroyed them.
Part of this material was released on the 2CD album “Live At The Matrix `67Find albums with this title” in 2008, which suffered from poor sound quality and bad editing, and definitely was not taken from the original master tapes, but rather from bootleg releases. This new release offers eight previously unreleased tracks and fourteen tracks taken for the first time from the original master tapes, all new to this release.
These recordings prove that The Doors were a unique combination of superbly talented individuals. Jim MorrisonFind albums by this artist was a prophet, a poet and a charismatic frontman, Ray ManzarekFind albums by this artist was a sublime keyboardist, who could make his primitive organ sound lie a Symphony Orchestra, and who was a Jazz player deep inside, Robby KriegerFind albums by this artist was a superb Blues guitarist with a completely unique sound and John DensmoreFind albums by this artist was a versatile and highly sensitive drummer, who hold this completely unsubordinated band together. Bloody geniuses all of them.
Overall, this is a superb historic document and an essential piece of The Doors puzzle, which proves they were great from day one and didn’t really change much over time, since they could never surpass themselves. Thy always were the ultimate American Rock band in all time, existed briefly for just four years, recorded six Godly albums and disappeared – a career perfectly suitable to what they stood for and lived for – like a comet crossing the sky.
| | Updated: 18/11/2023Posted: 18/11/2023 | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | DR. JOHN ~ LIVE IN EUROPE 1995
SALVO 035 (Barcode: 698458063526) ~ USA ~ Jazz-Pop Fusion
Recorded: 1995 Released: 2014
This is a live album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded at the Montreux Jazz Festival with his regular band consisting of guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist, drummer Herman Ernest IIIFind albums by this artist, percussionist Smiley RicksFind albums by this artist and a brass section comprising of trumpeter Charlie MillerFind albums by this artist, saxophonist Alvin Red TylerFind albums by this artist and baritone saxophonist Ronnie CuberFind albums by this artist. The CD album presents eleven tracks, and the accompanying DVD includes the CD contents and two additional tracks.
The music includes a selection of Dr. John originals and Jazz / Pop standards, with Jazz oriented arrangements. The beautiful throaty voice, keyboards playing and general attitude of Dr. John are absolutely perfect for these Funky songs, and the live performances are full of energy and vigor. Listening to this album is one great thrill from start to finish, and the piano parts are simply delicious. Dr. John is one of the best live performers out there.
Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!
| | Updated: 22/10/2023Posted: 22/10/2023 | CD+DVD 2 Digipak Recommend To A Friend |
  | JULIE DRISCOLL / BRIAN AUGER / TRINITY ~ LIVE ON AIR 1967-68
LONDON CALLING 5031 (Barcode: 5053792503117) ~ UK ~ Jazz-Pop Fusion
Recorded: 1967 - 1968 Released: 2019
This is an archival release of TV and live club performances by the legendary British vocalist Julie DriscollFind albums by this artist and keyboardist / composer Brian AugerFind albums by this artist and his TrinityFind albums by this artist, which were at the peak of their commercial success when these recordings were made. The Trinity lineup changed several times in this period and included guitarists Gary BoyleFind albums by this artist and Vic BriggsFind albums by this artist, bassists Roger SuttonFind albums by this artist, Rick LairdFind albums by this artist and Dave AmbroseFind albums by this artist and drummers Clive ThackerFind albums by this artist, Micky WallerFind albums by this artist and Clem CattiniFind albums by this artist. The album presents twelve tracks recorded in UK and France, which include several versions of the same songs, overall seven songs from the repertoire of Driscoll and Auger albums released at the time. The quality of these historic recording varies but overall is good enough to be listened to and enjoyed in full.
Auger is of course one of the forefathers of Jazz-Rock Fusion and his Hammond performances are second to none to this very day. Deeply rooted in Jazz, Auger managed to create a wonderful amalgam of Jazz / Groove / Soul / Rock, which proved be as popular at the time as the most commercial recordings. He is still active today, five decades later.
Driscoll was one of the most idiosyncratic British Pop stars of all times and her performances in the late 1960s stand proudly side by side by the most important female Rock vocalist of the era. She later married the British Avant-Garde pianist / composer Keith Tippett and changed her vocal style into innovative Avant-Garde vocal Jazz explorations. She is also still active today, five decades later. One of the tracks on this album offers a recording of Driscoll supported by a large orchestra, which is absolutely unique in her discography.
Considering the fact that the recorded legacy of Driscoll, Auger and the Trinity is relatively limited, every scrap of recorded music featuring their unique talents is invaluable.
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 27/07/2019Posted: 27/07/2019 | CD 1 Digipak Remastered Recommend To A Friend |
  | KRZYSZTOF DUDA ~ LIVE
GAD 084 (Barcode: 5903068120145) ~ POLAND ~ Electronic & Ambient
Recorded: 1984 - 1985 Released: 2018
This is the second archival album by Polish electronic music pioneer / composer Krzysztof DudaFind albums by this artist. It presents two live recordings made in the mid-1980s of extended musical suites performed live by the composer inside two churches, using an extensive array of synthesizers, the first lasting over thirty minutes and the second over forty minutes.
Duda, who is a church organist, composed the music initially to be performed using a church organ, but gradually ported it first into a hybrid organ-synthesizers version and finally into a full synthesizers only version, which is captured herein.
The music is an interesting crossover between liturgical church music and ambient / electronic explorations, powerful and soaring, full of beautiful melodic themes and lengthy improvised parts. Although performed by synthesizers, the overall sound is very close to church organ music, but less bombastic and dominating than music performed using the church organ.
This music is completely timeless and lost absolutely nothing of its impressive scope and emotional power over time. For synthesizer connoisseurs this is a potent and enlightening experience, which is also quite unique in its attempt to connect secular and spiritual musical explorations, which are combined cleverly within Duda´s music.
Highly recommended to listeners who are interested in exploring uncharted musical territory!
| | Updated: 06/02/2019Posted: 06/02/2019 | CD 1 Remastered Recommend To A Friend |
  | BARTOSZ DWORAK ~ LIVE AT RADIO KATOWICE
PRK 0130 ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014
This is the debut album by young Polish Jazz violinist Bartosz DworakFind albums by this artist recorded live with his quartet which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. They perform six compositions, two of which are original compositions by Bartosz Dworak, one is by Piotr Matusik, two are by Polish Jazz composers Slawomir KulpowiczFind albums by this artist and Zbigniew SeifertFind albums by this artist and the remaining one is by Joey CalderazzoFind albums by this artist.
Bartosz Dworak is the winner of the 1st International Zbigniew Seifert Jazz Violin Competition, which took place in Poland in 2014 and is considered as one of the top young Polish Jazz violinists who continue the glorious legacy of Jazz violin in Poland established by such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew Seifert, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and others.
From the very first notes of this record it is pretty obvious that Dworak is a Polish violinist, as he has the same unmistakable "Polish sound" that characterizes his predecessors and other contemporary Jazz violinist in the country. In his case this specific sound, which floats somewhere between Slavic folksy fiddle and virtuosic lyricism is clearly identifiable. And of course there is the individualism and the virtuosity, which are obviously in their early stages but already clearly noticeable.
From the strength of the two original compositions it is immediately apparent that Dworak should concentrate on playing his own material. His interpretations of the compositions by other musicians are less impressive, except that of his band mate Piotr Matusik. The entire quartet plays smoothly and dynamically, with the rhythm section supporting the two soloists with taste and elegance. Matusik is one hell of a player and steals a significant part of the show in his favor, deserving every bit of it. I´m waiting anxiously to hear his first solo album.
Considering that this is a debut recording one can simply envy these young musicians their talents and obvious musicality. Hopefully Dworak will develop his skills as a composer and engage in more ambitious / challenging adventures when his career takes off, which will inevitably happen. In the meantime this is definitely a most impressive calling card.
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  | EGGROLL ~ LIVE PROGRESSIVE ACT
NOT ON LABEL ~ ISRAEL ~ Progressive Rock
Recorded: 2005
This is the 1st Israeli Prog DVD. Filmed in late 2003, it documents performances by the Prog band EggrollFind albums by this artist, which started a few years back as a “cover” band, playing music by GenesisFind albums by this artist, King CrimsonFind albums by this artist, Jethro TullFind albums by this artist and others. Their highly professional performances gradually earned the band a solid following and admiration and the band’s many performances around the country served as a catalyst for the local Prog scene, which is flourishing in the last few years. The music includes three lengthy covers (“This As A Brick”, “Starless” and Supper’s Ready”), which reflect the band’s ability as performers, and some original material that the band’s members wrote, as well as a short documentary about the band. This is an important document of the Israeli Prog scene and hopefully more material like this will become available soon. 59 minutes.
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  | EMERSON, LAKE & PALMER ~ LIVE AT THE ISLE OF WIGHT FESTIVAL 1970
SANCTUARY 085 (Barcode: 5050749208521) ~ UK ~ Progressive Rock
The IOW Festival was ELP’s only second gig, which again proves that some groups can be an instant success. Their debut album was to be released only three months after this performance was recorded, but obviously they had their act together already and enough material for at least two albums. The set includes a 35+ minutes long rendition of “Pictures At The Exhibition” and the other tracks come from the debut ELP album and Emerson’s Nice heritage. The performance is truly electrifying, with the 19 years old Palmer brilliant technique and wonderful sense of rhythm in full bloom. Emerson switches between classical and jazz with ease and elegance and everybody seems to have great fun. I must be a sucker for the early days of all the big Prog bands (rather that the later days) and this is for me definitely the best live ELP recording ever, as it is void of any pomposity and artificial grandeur which would haunt the group in later days. The sound quality is surprisingly good and this is definitely an ELP album to have. As bonus, a 15 minutes interview with the band is added, which gives a lot of insight about their early days.
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  | EMERSON, LAKE & PALMER ~ LIVE AT THE ROYAL ALBERT HALL
SANCTUARY 0351 (Barcode: 5050749503510) ~ UK ~ Progressive Rock
Recorded: 1992 Released: 2007
The Emerson, Lake & PalmerFind albums by this artist reunions have been quite a regular event since the group broke up originally in 1979 (or perhaps they never did?), meeting with various degrees of success. The first reunion (in 1991) resulted in recording of the Black MoonFind albums with this title album and a tour. They were all in top form, as can be witnessed by this concert at London’s famous Royal Albert Hall. The concert includes just a couple of tracks from the a.m. new album and most of the material is a selection of their previous material, which is what the crowd was really looking for. Slightly rearranged, classic ELP (and a bit of NiceFind albums by this artist) material sounds as good as ever and any ELP fan will surely find this DVD a pleasure to watch. Keith EmersonFind albums by this artist (as usual) performs some of his stage theatrics, which are always fun to watch and Karl PalmerFind albums by this artist’s virtuoso drumming is a revelation. This is classic Prog stuff and perhaps the best live ELP material available on film. 88 minutes.
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  | EUROPEAN JAZZ ENSEMBLE ~ LIVE AT THE JAZZ CLUB U MUNIAKA
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2023 Released: 2023
This is a wonderful video by the European Jazz EnsembleFind albums by this artist, a quintet comprising of German baritone saxophonist August Wilhelm ScheerFind albums by this artist, Polish (resident in Munich) saxophonist / composer Leszek ZadloFind albums by this artist, Polish pianist Wojciech GroborzFind albums by this artist and young rhythm section: bassist Wojciech SzwugierFind albums by this artist and drummer Wieslaw JamiolFind albums by this artist. During the two hours concert they perform mostly music by John ColtraneFind albums by this artist in the first set and standards in the second set.
The U Muniaka Jazz Club in the old town of Krakow is one of the most legendary and oldest Jazz Clubs in Poland and has a wonderful atmosphere due to its location in an ancient cellar.
Zadlo, my dear Friend since many decades, is undoubtedly the greatest Polish interpreter of Coltrane’s music, and his virtuosity, talent, dedication and decades of experience make him a true phenomenon on stage, as can be witnessed here. But the entire quintet performs brilliantly and fans of Modern Jazz should enjoy this music immensely.
Overall, this is an excellent opportunity to hear the music of John Coltrane performed by European musicians, with a different aesthetic and dynamic approach usually heard on the other side of the pond. This DVD could be quite difficult to find, but making an effort will be definitely worth it!
| | Updated: 15/12/2023Posted: 15/12/2023 | DVD 1 Recommend To A Friend |
  | BILL EVANS ~ LIVE AT ART D`LUGOFF`S TOP OF THE GATE
RESONANCE 2012 (Barcode: 724101961526) ~ USA ~ Jazz
Recorded: 1968 Released: 2012
This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his trio with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The 2CD album presents two full sets played at that date, together seventeen tracks, recorded on October 23, 1968, at the peak of Evans’ creative power. Three of the performed compositions appear in both sets. All the tracks are standards, except for one original composition by Evans. As usual the album features an extended booklet with essays, superb historic photographs and other background information.
The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds to the pleasure of listening to the music. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula.
These recordings, made with his longest lasting trio (six years 1968-1974), show Evans at his best, full of lyricism and sophisticated delicate touch on the keyboard. Gomez’s incredible support on the bass is absolutely stunning, a true soul brother and musical companion to Evans, as is the intricate playing by Morell.
Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his early dates with the Gomez / Morell trio. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.
| | Updated: 15/06/2024Posted: 15/06/2024 | CD 2 Digipak Remastered Recommend To A Friend |
  | FAIRPORT CONVENTION ~ LIVE AT ROCKPALAST
REPERTOIRE 1437 (Barcode: 4009910143728) ~ UK ~ Folk-Rock
Recorded: 1976 Released: 2022
This is an archival live CD / DVD album by the legendary British Folk-Rock group Fairport ConventionFind albums by this artist, captured live in Germany on March 23, 1976 for the TV program Rockpalast. The group included at the time vocalist / violinist Dave SwarbrickFind albums by this artist, bassist / mandolinist Dave PeggFind albums by this artist, drummer Bruce RowlandFind albums by this artist, Breton guitarist Dan ar BrazFind albums by this artist, fiddler Roger BurridgeFind albums by this artist and pianist Bob BradyFind albums by this artist. The album presents nine tracks, mostly written by Swarbrick or traditional songs arranged by him. The CD and DVD present the same material.
The group was supporting their 11th studio album “Gottle O`GeerFind albums with this title”, where most of the songs on this album come from, but some older favorites are also included. The band is in its usual top form and brilliant Folk-Rock feel prevails, mixed with some typical British sense of humor. All these musicians are absolute masters of their respective instruments and listening to them performing brings some mighty fine memories of the times long gone. The great sound quality of this recording add to the overall pleasure.
Overall, this is an excellent time capsule of the British Folk-Rock movement, which ruled the British Isles music scene in the late 1960s and early 1970s, to be later largely forgotten. Any previously unreleased material by Fairport Convention is always a pleasant surprise, so just grab a copy!
| | Updated: 04/04/2024Posted: 04/04/2024 | CD+DVD 2 Remastered Recommend To A Friend |
  | FAMILY ~ LIVE
MYSTIC 176 ~ UK ~ Progressive Rock
Family never released a live album (except those 4 live tracks on `Anyway`), so this is a most wonderful addition to their recording heritage. Recorded in 1971 at the London`s Rainbow (the prime UK venue for Prog and Rock in general), this is the band at their absolute peak playing and singing their hearts out. Same line-up as `Fearless` & `Bandstand`. What a band!
| | | CD 1 Recommend To A Friend |
  | CHRIS FARLOWE ~ LIVE AT ROCKPALAST 2006
MIG 90842 (Barcode: 885513908421) ~ UK ~ Blues-Rock
Recorded: 2006 Released: 2018
This is a live album by legendary British Rock / Blues / Soul vocalist Chris FarloweFind albums by this artist, recorded with the band led by Blues guitarist Norman BeakerFind albums by this artist, which included bassist John PriceFind albums by this artist, keyboardist Dave BaldwinFind albums by this artist, saxophonist Damian HandFind albums by this artist, drummer Paul BurgessFind albums by this artist and guest vocalist Nikolay ArutyunovFind albums by this artist. The 2CD album presents fourteen tracks, which include many Blues and Blues-Rock standards. The DVD presents the same material in video version and a bonus backstage interview.
Farlowe, born in 1940 and aged eighty-three at the time of writing, is a veteran of the British Rock scene, starting his career in the late 1950s and getting first attention with his group The ThunderbirdsFind albums by this artist in the mid-1960s. He joined the legendary group ColosseumFind albums by this artist in 1970 and is still an active lead vocalist of the group, almost fifty-five years later, a truly amazing achievement. He has one of the most distinctive voices and his affinity to the Blues is absolutely unique as are his interpretations of Blues oriented material and he has been one of my all-time favorite vocalists since forever.
This album finds him exactly where likes to be, singing a wonderful set of Blues-Rock material, accompanied by excellent instrumentalist, including Beaker, who is a superb electric Blues player. Sixty-six years young at the time, his vocals are absolutely untouched by time and he sound wonderful as always.
Overall, this is a brilliant Blues-Rock album, one of those which only get better with time, especially when the Blues-Rock scene is thinning out dramatically. Farlowe never made a bad record in his life, and this one is definitely up to par with his abilities. For guitar fans, not familiar with Beaker’s skills, this is quite a shocker, and of course for Farlowe many followers, this is an absolute must in their collection!
| | Updated: 01/08/2024Posted: 01/08/2024 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | FEVER TREE ~ LIVE AT LAKE CHARLES 1978
SHROOM 98004 (Barcode: 659131980424) ~ USA ~ Progressive Rock
Recorded: 1978 Released: 1998
Fever TreeFind albums by this artist were one of the best Psychedelic / early Prog US bands in the late 60`s early 70`s, but as usual their recorded output was neglected and long since forgotten. They reunited the group for a live recording in 1978, which proves how good they really were. A great document keeping the flame alive.
| | | CD 1 Recommend To A Friend |
  | FISHING PERSONS ~ LIVE & DEMO
VITAL 010 ~ JAPAN ~ Jazz-Rock Fusion
Recorded: 2000 - 2003 Released: 2008
1st album by excellent Japanese quintet Fishing PersonsFind albums by this artist, which collects their live performances and demo recordings. The band plays a strange mixture of Prog / RIO / Fusion and Jazz, completely unusual, which was all written by the band´s members. The instrumentation includes sax / flute, keyboards, guitar, bass and drums and the players are all excellent, especially the saxophonist / flautist, who takes a few very interesting solos. I couldn´t find any information about the band, but since the material included here is all several years old, I assume they disbanded in the meantime, which is a pity, as they had great potential. At least we have this document of their activities at the time, which reflects well the vibrant and advanced Japanese scene. Although completely obscure, this album surely deserves to be heard and enjoyed beyond its homeland. Recommended!
| | | CD-R 1 Recommend To A Friend |
  | FLEETWOOD MAC ~ LIVE AT THE BBC
ESSENTIAL 297 ~ UK ~ Blues
An amazing collection of BBC broadcasts by this legendary blues group recorded between 1967-1971. Peter Green and Danny Kirwan handle the guitar parts brilliantly and this is a true blues fiesta. As usual the BBC recordings are of higher quality then studio albums recorded in the parallel period, which makes this album even more worthwhile. Not to be missed by any serious blues fan.
| | | CD 2 Recommend To A Friend |
  | FLEETWOOD MAC ~ LIVE AT THE MARQUEE
RECEIVER 157 ~ UK ~ Blues
This 1966 live recording at the legendary London club is the earliest known recording by this seminal UK blues band. Recorded before the first studio album and even before the final line-up was crystalized, we can hear Green, Spencer and Flieewood playing their hearts out. The recording is pretty Lo-Fi, but considering the historic importance of this material nothing else matters. This is history in the making.
| | Updated: 01/06/2018Posted: | CD 1 Recommend To A Friend |
  | FLOWER KINGS ~ LIVE IN NEW YORK-OFFICIAL BOOTLEG
FOXTROT 023 ~ SWEDEN ~ Progressive Rock
Swedish band The Flower Kings needs no introduction to any Prog lover, with a long streak of extremely successful albums and world touring behind them. This special album captures them live at a NY club performance in 2002. Although a bit rough, this is a great document of Roine & Co. live, especially with the 47 minutes long version of `Garden Of Dreams`. Not to be missed by any TFK fan.
Fan Club Limited Edition
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | FOCUS ~ LIVE AT THE BBC
HUX 051 (Barcode: 682970000510) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1976 Released: 2004
BBC Radio recording by the legendary Dutch Prog band FocusFind albums by this artist. After Jan AkkermanFind albums by this artist left Focus he was replaced by the brilliant Belgian jazz / fusion guitarist Philip CatherineFind albums by this artist. This change was so refreshing, that the band`s material sounded fresh again and his virtuoso performances are the focal point of this album. The bands is full of fire and energy and without a shadow of a doubt this is one the the best Focus recordings ever. What a joy to Focus fans, who are always on the lookout for new material by the band. Highly recommended!
| | | CD 1 Recommend To A Friend |
  | FOCUS ~ LIVE IN AMERICA
CLASSIC ROCK 1079 ~ NETHERLANDS ~ Progressive Rock
Newly re-formed Focus captured live during their US tour. Still led by the energetic (but fatter) Thijs van Leer and without Jan Akkerman, but this group can play the hell out of any competition. The material comes from their new (2002) album, as well as as all the favorite tunes from their 70`s albums. Great music refuses to die! Dolby Digital 5.1 Surround Sound, 90 minutes.
| | | DVD 1 Recommend To A Friend |
  | FOCUS ~ LIVE IN SOUTH AMERICA
SOL & DENEB 15 ~ NETHERLANDS ~ Progressive Rock
Recorded: 2002 Released: 2004
Composer, flutists, keyboards player and bandleader Thijs van LeerFind albums by this artist revived the legendary Dutch band FocusFind albums by this artist in 2002 with three younger musicians: Jan DuméeFind albums by this artist – guitar, Bobby JacobsFind albums by this artist – bass and Bert SmaakFind albums by this artist – drums. The quartet recorded a new studio album (Focus 8Find albums with this title) and later embarked on an extensive American tour, which covered both the North and South continent. This album is a selection of live recording captured at various locations of the South American leg of the tour. The material includes all the fabulous classic material originating from the 1970s albums and can be viewed as a “best of” review of what the original group had to offer. After all Focus managed to create some of the most memorable Prog melodies, and they are all included here (“Syliva”, “Eruption”, “Hocus Pocus”, etc.), performed with freshness and vigor. The sound quality is also surprisingly good and all together this is an excellent tribute to the glory days of this great Prog group. This is a must to all the fans of the group and an excellent introduction to the group illustrious output for those who were too young to enjoy it at the time.
| | | CD 1 Recommend To A Friend |
  | FREE ~ LIVE! (EXPANDED EDITION)
ISLAND 586228 (Barcode: 731458622826) ~ UK ~ Blues-Rock
Recorded: 1970 - 1971 Released: 2002
5th album by FreeFind albums by this artist, Britain’s best ever Blues-Rock band, and their first live release. The united powers of vocalist Paul RodgersFind albums by this artist, guitarist Paul KossoffFind albums by this artist, bassist Andy FraserFind albums by this artist and drummer Simon KirkeFind albums by this artist created an unprecedented and explosive power, which was never to be matched by any of their contemporaries. Free’s rapid rise to stardom eventually brought the group down to its knees, with internal frictions, drug abuse and grueling touring combined. By the time these live recordings were made in 1970, Free were at the very last days of their first stretch and at the end of the tour the group just felt apart. IslandFind albums on this label Records rushed the release of the live material, riding on the publicity created by the group’s split. Although they would re-group a year later and record one more album together, these recordings are truly the group at their peak and their end all at once. In retrospect it might be all for the best, as Free were always best live, as many “posthumous” recording would prove. Their simplicity was their real power and it worked best on stage. This album is a phenomenal document as to what Blues-Rock is all about. Rodgers, with his completely unique husky voice and expressionist genius has no equals (not then and not since), carrying the tunes as if there’s no tomorrow, aiming straight at the listeners heart. Kossoff’s elegant and reserved guitar style ranks amongst the best Blues guitar work there is, and although he avoids flashy long solos, everything he states in just a few bars is just right on the money. Fraser’s bass lines keep the group together and drive the music steadily, providing as if by the way, some of the most remarkable bass riffs ever. Kirke’s drumming is always right on, again avoiding flashy solos but tasteful and extremely musical. Together they just soar and mesmerize, even when the music is not more complex than basic twelve-bar blues. The expanded edition doubles the original duration with previously unreleased live material from the same gigs and one studio alternate take of the studio track that closes the original album. This is definitely an essential document of the group’s heritage, but of the entire era when music was honest, extraordinary and heartbreaking. A must!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON
VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz
Recorded: 2006 Released: 2007
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax).
Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest.
A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.
| | Updated: 01/01/2016Posted: | DVD 1 Recommend To A Friend |
  | AVIV GEFFEN ~ LIVE
HELICON 8287 (Barcode: 7293627828727) ~ ISRAEL ~ Classic Rock
Recorded: 2007 Released: 2008
11th album by Israeli Rock legend Aviv GeffenFind albums by this artist (13th if one counts the two BlackfieldFind albums by this artist albums), and his first edition of live material, which in many respects serves as a summary of his 15 years on the scene. Geffen, much as his father Jonathan GeffenFind albums by this artist before him, was always at the epicenter of both the Israeli musical and political scenes. His early-days rebel behavior, anti-establishment protest and mannerisms created a huge public debate in Israeli in the early 1990s, but his popularity with the Israeli teens was sky-high. The peak of Geffen’s political involvement was reached when he publicly reconciled with Israeli Priminister Itzhak RabinFind albums by this artist, following Rabin’s dramatic peace efforts, which unfortunately happened shortly before Rabin was assassinated. In time Geffen withdrew from political involvement and public life (other than concerts) and in parallel also became more introvert as musician and lyricist. The themes of his songs changed from protest and rebellion to soul-searching and metaphysical journeys. Since 2003 Geffen lives mostly in London, where he met and befriended Steven WilsonFind albums by this artist (Porcupine TreeFind albums by this artist), which led to the creation of their group Blackfield, and where he tries to develop his international career free from the restrictions imposed by the local Israeli scene. This Box Set includes two CDs recorded live during the summer of 2007. The songs – all written and composed by Geffen – span his entire career, with the older material appropriately rearranged and updated musically. Accompanied by a great band, which includes some of Israel’s best rockers, Geffen delivers his songs with passion and great stage presence. Although not a refined singer (some might even say a poor singer), his charisma and musicality transcend his limitations, as it does in many other cases in Rock music. Overall the delivery is very effective and these two disks summarize Geffen’s career to date perfectly. A couple of new songs, previously unrecorded, are also featured. The enclosed DVD is a great treat to Geffen fans, as it includes 21 video clips and live performances filmed between 1992 and 2008, none of which were previously commercially available. A beautiful booklet with the lyrics of all the songs (in Hebrew) and some nice photographs is also included. I can hardly imagine a better tribute to an artist’s career than this Box Set, which should delight all his numerous fans in Israel as well as abroad.
| | Updated: 26/01/2019Posted: | 2CD+DVD 3 Recommend To A Friend |
  | GENERATION NEXT ~ LIVE AT JAZZ NAD ODRA
SJ 007 (Barcode: 5902596066062) ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013
This is the debut album by the Polish Jazz sextet, which as the name suggests, presents the Father-to Son continuity on the local scene; four of the sextet´s members are second generation of Polish Jazz personalities. Trumpeter Piotr SchmidtFind albums by this artist is a son of Andrzej SchmidtFind albums by this artist, a renowned educator and author of Jazz history books, trombonist Jacek NamyslowskiFind albums by this artist is a son of the legendary saxophonist / composer Zbigniew NamyslowskiFind albums by this artist, Gabriel NiedzielaFind albums by this artist is a son of the celebrated bassist / composer Jacek NiedzielaFind albums by this artist and finally saxophonist Tomasz WendtFind albums by this artist is a son of saxophonist Adam WendtFind albums by this artist. The remaining two members of the sextet are Italian bassist Francesco AngiuliFind albums by this artist and veteran drummer Arek SkolikFind albums by this artist. The sextet performs seven original compositions, two each by Schmidt, Namyslowski and Wendt and one by Niedziela. The material was recorded live at the Jazz Nad Odra Festival and at the Polish Radio´s Warsaw studio.
The idea of forming a musical ensemble based on the fact that the members have something in common, other than the music they play, is always a perilous affair. Just imagine a group of left-handed players, or red-haired players or musicians who like strawberry ice cream? This is perhaps not the case at hand, but on the other hand it is difficult to guess what the purpose of this sextet really is. The music they play is straight-forward mainstream, which is completely déjà-vu and contributes no thrill and no challenge. Yes, they are all excellent players individually, but does their presence together on this album create any special interaction, which would have not happened in different circumstances? Not really.
So here we have it, an unremarkable Jazz recording, which is listenable enough but simply fades away as soon as the music is over. Considering the fact that there are hordes of fabulous young Jazz musicians on the Polish scene, who make outstanding music, this is sadly an example of what should be avoided.
| | | CD 1 Digipak Recommend To A Friend |
  | GENTLE GIANT ~ LIVE (PLAYING THE FOOL) / CIVILIAN
BGO 435 (Barcode: 5017261204356) ~ UK ~ Progressive Rock
Recorded: 1977 - 1980 Released: 1999
11th and last studio album from 1980 and the only live (2 LPs) album ever recorded formally while Gentle GiantFind albums by this artist lasted from 1977. The studio album marked definitely the end of this brilliant group, but it has its moments. The live album is excellent and they play all their favorite tunes brilliantly, the only catch being the rather muffled sound quality.
| | | CD 2 Remastered Recommend To A Friend |
  | GENTLE GIANT ~ LIVE IN NEW YORK 1975
GLASS HOUSE 110 ~ UK ~ Progressive Rock
The Glass House label releases all available live GG material, that was previously issued on various bootleg labels. The material is cleaned up and sounds quite decent. Of course every shread of GG material is worth its weight in gold.
This material was recorded in USA in 1975.
| | | CD 1 Remastered Recommend To A Friend |
  | GENTLE GIANT ~ LIVE ROME 1974
GLASS HOUSE 101 ~ UK ~ Progressive Rock
The Glass House label releases all available live GG material, that was previously issued on various bootleg labels. The material is cleaned up and sounds quite decent. Of course every shread of GG material is worth its weight in gold.
This material was recorded in Italy in 1974.
| | | CD 1 Recommend To A Friend |
  | GILLAN, IAN / BAND ~ LIVE AT THE BUDOKAN
REPERTOIRE 4795 ~ UK ~ Classic Rock
A double LP recorded live in Japan in 1982 on 1 CD. Deep Purple and Ian Gillan Band were the most popular rock attractions in Japan for many years and this album shows why. Included are many original Deep Purple songs, like `Smoke On The Water`.
| | | CD 1 Recommend To A Friend |
  | IAN GILLAN / BAND ~ LIVE AT THE RAINBOW 1977
ANGEL AIR 608 ~ UK ~ Classic Rock
The only available footage of the Ian Gillan Band is no surprise to the fans of the band - brilliant and powerful. The tunes are stretched out to give plenty of opportunities for solos. Unfortunately the video material only last 35 minutes, but this DVD also includes a super rare Gillan interview and lots of rare audio material. Cosidering the fact that this is the only opportunity to see them perform it`s definitely worth it.
| | | DVD 1 Recommend To A Friend |
  | GLASS HAMMER ~ LIVE AND REVIVED
ARION 5710 ~ USA ~ Progressive Rock
5th album from 2001. This time not a new work but a release of older material recorded live in 1995 at the Progfest Festival rehearsal (The actual live recording of the festival was unfortunately unusable). This material, together with some unreleased studio tracks from 1994 (so called lost album), was released in 1997 as a limited edition album and was sold out completely. This is a re-release of that album.
| | | CD 1 Recommend To A Friend |
  | MACK GOLDSBURY ~ LIVE AT COCO`S
CADENCE JAZZ 1245 (Barcode: 786497583027) ~ USA ~ Jazz
Recorded: 2011 Released: 2012
This album presents a live recording by a quintet, which comprises of four American Jazz players: saxophonist Mack GoldsburyFind albums by this artist, guitarist Shaun MahoneyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Ricky MalichiFind albums by this artist and also features the Polish Jazz trumpeter Maciej FortunaFind albums by this artist. The American players are pretty anonymous, but Fortuna is very well known on the Polish Jazz scene in the last couple of years and made several recordings as a leader, co-leader and sideman recently. The album includes seven compositions, two of which are standards, two are by Mahoney and the remaining three are by Goldsbury, Unsworth and Fortuna contributing one composition each. The recording quality is quite good and the music has a worm ambience and a clearly defined sound.
Stylistically the music is straightforward American mainstream, which of course in not very exhilarating. Fortunately Mahoney plays some really great and sensitive guitar and Fortuna blows beautifully, as always, being by far the best musician in the quintet and his composition is the most ambitious of the original compositions present herein. There is very little innovation or ambitious improvisation here, with the quintet sticking to the melody like flies to honey, which of course is hardly surprising. To put things in the right perspective, this is a respectable showcase of mainstream Jazz, which simply becomes sort of "not very exciting" after a while.
Of course it´s very educational for Fortuna to play with American Jazz musicians, as Jazz in Poland sounds pretty different in most cases. Dues have to be paid and these cats can swing. So no harm done and Fortuna gets another album in his discography, where he shows off his chops. Would I pay money to buy this music? Sorry… I´d have probably enjoyed the evening at the club when this music was recorded, but not much beyond. But hey, that´s just me, if you like mainstream Jazz, this ain´t bad at all.
| | | CD 1 Recommend To A Friend |
  | GONG ~ LIVE ETC.
VIRGIN 3501 ~ UK ~ Canterbury Scene
Recorded: 1977
In 1977 the (almost) original GongFind albums by this artist re-united for a series of concerts, which were recorded and released on a double LP album. This CD contains all the material except 1 track, which was added to the CD version of Angel`s EggFind albums with this title. The group is in absolutely top form here and this is considered their best live effort ever. The material covers mostly the `Radio Gnome Invisible` trilogy.
| | | CD 1 Recommend To A Friend |
  | GONG ~ LIVE ON TV 1990
CODE 90 1 ~ UK ~ Canterbury Scene
Fantastic performance by the original members of Gong reunited for the first time for a special TV program dedicated to the group. Many favorites of the classic Gong songs get a new treatment here and the humor and brilliance are present as always.
| | | CD 1 Recommend To A Friend |
  | GONGMAISON ~ LIVE AT THE FRIDGE LONDON
VOICEPRINT 007 ~ UK ~ Canterbury Scene
Gongmaison version of Gong existed in the late 1980s and early 1990s. They recorded only one studio album and this DVD is the first filmed document of their performances. Captured at a live gig in 1991, Gongmaison are playing a splendid mixture of psychedelia and jazz. Didier Malherbe is superb on saxes and flutes (and keyboards), but the real suprise is the outstanding violin work by Graham Clarke, who sets the stage on fire every time he takes a solo. Great stuff!
| | | DVD 1 Recommend To A Friend |
  | GRAND, OTIS ~ LIVE ANTHOLOGY
MYSTIC 140 ~ UK ~ Blues
A new collection of live performances by one of the best UK white blues guitarists. Grand continues the great British blues tradition, rising the flag high and mighty. Lots of gutsy solos and a delight to the blues fan.
| | | CD 1 Recommend To A Friend |
  | GREENSLADE ~ LIVE
MYSTIC 136 ~ UK ~ Progressive Rock
The group Greenslade was formed in 1973 by two ex-Colosseum members - keyboards wizard Dave Greenslade and bassist Tony Reeves. They were one of the best keyboards oriented Prog groups ever and released 4 albums. This recording is the only `live` document of their dynamic delivery. Recorded in 1973 and 1975 it features some of their best music.
| | | CD 1 Recommend To A Friend |
  | SHLOMO GRONICH ~ LIVE
HED ARZI 14805 (Barcode: 7293372480522) ~ ISRAEL ~ Progressive Rock
Recorded: 1980 Released: 1993
2nd album by Shlomo GronichFind albums by this artist. Although recorded live as a solo performance, parts of the album were later overdubbed in the studio with added brass. The album showcases Gronich`s brilliant compositions and clearly documents his development as a performer since his debut album. His unique approach to music making places him on the pioneering front of Israeli music.
| | | CD 1 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-03
CAMINO 33 ~ UK ~ Progressive Rock
Recorded during the 2003 `To Wath The Skies` tour all over Europe, this latest addition to the Hackett`s Live Archive series proves again that he is probably one of the most consistently brilliant figures on the Prog scene. The material includes, as usual, some new tunes from the latests albums, as well as some old favorites, performed flawlessly and with passion by Steve and the latest eddition of his band.
| | | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-04
CAMINO 34 ~ UK ~ Progressive Rock
Recorded in Budapest, where Steve performs often lately, always before an enthusiastic audience, this is another superb document of his skills. The material covers mostly the latest releases, but also as usual some old favorites in a new arrangement. The entire band smokes and soars. You just can`t go wrong with Hackett`s releases, no matter how much you try.
| | | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-05
CAMINO 36 ~ UK ~ Progressive Rock
Recorded in April 2005 at the Queen Elizabeth Hall in London, this album presents the Steve Hackett Acoustic Trio (with brother John on flute and Roger King on keyboards), performing a beautiful `unplugged` show with lots of new music composed by Steve. The album features the acoustic side of Steve`s brilliant playing, introverse and delicate, but deeply rewarding. He just can`t go wrong and his consistency is a major asset.
| | | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-NEARFEST
CAMINO 32 ~ UK ~ Progressive Rock
Hackett`s performance at the Nearfest 2002 festival was to many of the festival`s participants the highlight of the entire event. Captured live in its complete form and released on this album, this music becomes a document to be shared my all those, who could not be there, which of course includes thousands of his loyal fans. Great band supporting Hackett and his performances are brilliant as ever.
| | | CD 2 Recommend To A Friend |
  | HAPPY THE MAN ~ LIVE
CUNEIFORM 55014 ~ USA ~ Progressive Rock
Recently discovered live recordings from 1978 present the group at their peak playing extended versions of tunes from their first 2 albums and some new ones. Great sound and a must for all HTM fans.
| | | CD 1 Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE STUDIO CONCERT
VOICEPRINT 379 (Barcode: 604388322022) ~ UK ~ Progressive Rock
Recorded: 1997 Released: 2006
Recorded in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend. This CD includes the audio material on the DVD by the same name, with the addition of one bonus track.
| | | CD 1 Bonus Tracks Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE STUDIO CONCERT
VOICEPRINT 020 ~ UK ~ Progressive Rock
Considering how rare any footage by Annie Haslam / Renaissance is, it is a great feast to have an opportunity to see and listen to this wonderful performance. Filmed in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend.
| | | DVD 1 Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE UNDER BRAZILIAN SKIES
VOICEPRINT 355 ~ UK ~ Progressive Rock
Recorded live during Annie`s 1997 tour of Brazil, this nice album spotlights her solo career years after leaving the legendary Renaissance. The music includes a few Renaissance classics, as well as songs from her later solo albums. Haslam has never lost neither her absolutely wonderful, crystal clear voice, nor her tremendous feeling and ability to express music, which make her one of the greatest performers in Prog.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | TUBBY HAYES ~ LIVE AT THE FLAMINGO 1958
RHYTHM AND BLUES 092 (Barcode: 5060331753445) ~ UK ~ Jazz
Recorded: 1958 Released: 2023
This is an archival album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents a previously unreleased live recording at the legendary Flamingo club in London, captured during the early days of Hayes’ career, before he achieved the top rank on the British scene. The music is performed by a formidable octet, with trumpeters Les CondonFind albums by this artist and Stuart HamerFind albums by this artist, saxophonists Alan BranscombeFind albums by this artist, Ronnie ScottFind albums by this artist and Hayes, pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Bill EydenFind albums by this artist – a band that in fact existed only once for that particular concert. Three additional musicians guest on selected tracks. The album presents nine tracks, seven of which are standards and two are originals, one by Jimmy DeucharFind albums by this artist and another by Hayes.
The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading.
The music is of course still mostly in the American Bebop tradition, but clearly shows how the British musicians adopted that tradition and added a very specific “British touch” to it, already at that early stage. The individual performances are nothing short of brilliant and the octet arrangements are clever and sophisticated. The club atmosphere is a reminder why the Flamingo was a place to be in late 1950’s London, when one wanted to hear some great music (and for other less cultural reasons).
The recording is mono, but offers quite reasonable sound quality, which enables everything to be heard properly, even if the drums are sometimes a tad too high in the mix, a small price to pay for the splendid music, which lost nothing of its vitality in the sixty-five years since it was recorded.
Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all, especially since he left us tragically way to prematurely.
| | Updated: 24/10/2023Posted: 19/10/2023 | CD 1 Recommend To A Friend |
  | WARREN HAYNES BAND ~ LIVE AT THE MOODY THEATRE
PROVOGUE 7383 (Barcode: 8712725738329) ~ USA ~ Blues-Rock
Recorded: 2011 Released: 2012
US guitarist / vocalist / songwriter Warren HaynesFind albums by this artist needs no introduction and any Blues-Rock fan around the world is surely familiar with his work with The Allman Brothers BandFind albums by this artist, Gov`t MuleFind albums by this artist or his solo recordings. He is regarded as one of the best Blues-Rock guitarist out there and his versatility and talent precede him. This superb live recording of his band brigs everything he has to offer in one neat package with four hours of material on two CDs and a DVD, which should keep every Blues-Rock fan more than happy. The six-piece band and guest musicians go through two sets of songs, mostly written by Haynes, with just a few borrowed treasures. This is music straight from the heart and one should take it as it is, without looking for things that aren´t there. Haynes and his guitar are trademarks of contemporary US Blues-Rock and they kick bottoms. Warmly recommended!
| | | 2CD+DVD 3 Digipak Recommend To A Friend |
  | HEFI QUARTET ~ LIVE
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2011 - 2013 Released: 2013
This is the third album by young Polish Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist, this one being released under the moniker of his current HeFi QuartetFind albums by this artist, which also includes the fabulous keyboardist Pawel KaczmarczykFind albums by this artist, bassist Tomasz KupiecFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. The music includes one studio track (from 2013), three live radio tracks (from 2012) and six live concert tracks (from 2011), which also feature the veteran violinist Krzesimir DebskiFind albums by this artist. All the music was composed by Wisniowski except one track which is credited to the entire group and one which is a traditional folklore tune.
The music is exciting Modern mainstream with some World Music influences, a bit of Fusion and other ingredients, all well amalgamated compositionally and beautifully executed. The first part of the album (the radio / studio recordings) is mostly calm and relaxed, whereas the second part (the concert recordings) with Debski is much more energetic, loud and expressive, with Debski´s input being quite dominant. Overall the music is truly excellent, but the album suffers a bit from being a somewhat hectic collection of music recorded under different circumstances rather than an integral statement.
Wisniowski also makes a mistake of employing / inviting musicians, who are simply excellent, which sadly makes him the least impressive player of them all, even if he´s the leader. Kaczmarczyk completely "steals" the show with his superb solos, which are all simply brilliant, both technically and emotionally. The rhythm section also performs beautifully, way beyond just supporting the soloist, but actually contributing actively to the process of creating the music. These young musicians have already quite a lot of experience performing and even recordings behind them, which is immediately noticeable. Debski, as already mentioned, is a veteran with a very flamboyant style of playing. As a result the leader´s solos really sound rather pale in comparison.
Nevertheless this is still a very strong album, which many Jazz listeners will enjoy immensely. Not too complex and yet interesting and versatile stylistically, this is definitely something worth listening to and at the same time accessible to a relatively wide range of connoisseurs.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT THE FILMORE EAST
MCA 111931 ~ USA ~ Classic Rock
This double album documents the legendary Hendix concerts on the New Year`s Eve (December 31, 1969 & January 1, 1970) at the Filmore East with the Band Of Gypsies trio (Hendrix, Cox & Miles). Hendrix was at the peak of his career and performing ability and these incredible music goes to emphasize his genious in full swing. Every note here screams perfection and after so many years this is still unbeatable and uncontrollably beautiful.
| | | CD 2 Remastered Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT WOODSTOCK
SONY 780552 (Barcode: 886978055224) ~ USA ~ Classic Rock
Recorded: 1969 Released: 2010
As imperfect as the Jimi HendrixFind albums by this artist Woodstock appearance is, it is still an iconic moment not only in Rock history but also a turning point in US history. As the closing set of the festival, Hendrix played to a small "leftovers" crowd of the immense human Woodstock gathering, when the almost apocalyptic scenery of garbage and desolation serves as the visual background of his performance in the Woodstock movie. The 1960s were over, for Hendrix, for the US, for the world. The ideology of "Peace and Love", shuttered by the Vietnam War, Cold War, political hypocrisy and false promises of "chasing the buck" were definitely winning. The social unrest and high aspirations to create a "better world" would be also over pretty soon, ultimately making no impact in the big picture. Europe would hold on to the ideology for a bit longer, eventually falling victim to the Golden Calf as well. It was "Apocalypse Now", and Hendrix played the perfect soundtrack for it. With the Jimi Hendrix ExperienceFind albums by this artist gone, he put together an ad-hoc band which would fulfill the Woodstock contract; under-rehearsed and not really an organic musical unit, it did its best, which was far from what it could have been. Nevertheless, Hendrix and his musical genius were sp overwhelming, that the Woodstock performance still manages to stand out as an epic piece of Rock music. This album includes the complete Woodstock performance with the exception of two songs, which were purposely omitted, as they didn´t feature him as the leader, which is perhaps for the best. Is this still a valid piece of music in retrospect? Hell yes! It´s stunning, whichever way one looks at it, remaining as iconic now as it was then. Essential!
| | | CD 2 Essential Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT WOODSTOCK / SMASH HITS
MCA 113074 ~ UK ~ Classic Rock
Hendrix performance at Woodstock is one of the peak moments of the 60´s, as documented in the Woodstock movie. This is another look at the messmerizing moments of one of the most important musical as well as social events of the 20th century comes to its end and the music provides a perfect soundtrack. 57 minutes.
This packages also oncludes as a bonus the Smash Hits compilation audio CD, which was the only collection album released while Hendirix was alive.
| | | DVD+CD 2 Remastered Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ LIVE IN TYGMONT
ALLEGRO 011 ~ POLAND ~ Jazz
Recorded: 2004 Released: 2006
This album presents a live recording captured at the Warsaw´s Tygmont club by pianist / composer Krzysztof HerdzinFind albums by this artist and his trio, with bassist Zbigniew WegehauptFind albums by this artist and drummer Cezary KonradFind albums by this artist. The trio performs six compositions, four of which are originals by the leader and two are standards. The recording has a beautiful realistically captured live sound and an overall superb sound quality.
People familiar with the Polish Jazz scene are surely aware of the fact that Herdzin is one of the busiest and most versatile musicians in the country, who left his mark on a large scale of different musical projects in Contemporary Classical music, Jazz and Popular music. His work as an arranger / orchestrator marks most of the great Pop albums recorded in the last two decades in Poland. Sometimes it seems as if there is hardly anything happening in Polish music, which does not involve Herdzin one way or another. Of course such omnipresence can be dangerous and lead to spreading the talents thin, but one must admit that everything Herdzin touches turns out well, which simply proves his incredible talent, versatility, stamina, perseverance and above all professionalism.
To be fair one must remember that this album presents just one aspect of Herdzin´s activity, i.e. his work as a leader of a classic Jazz piano trio. During his career Herdzin recorded several albums in this format, and I must admit this is the favorite one for me. There are several reasons why I feel that way; firstly the material included herein presents a wide emotional range, from up-tempo numbers presenting Herdzin as a virtuoso pianist performing neck-breaking solos and up to deeply contemplative ballads, where the listener can hear Herdzin the atmospheric painter. Secondly the trio work, which is absolutely stunning, is a superb example of creative cooperation in real time, which after all is what Jazz is all about. The dazzling displays of piano bravura are brilliantly supported at all times by the rhythm section, which at the time of the recording was probably the best in the country. My deeply lamented personal friend Zbigniew Wegehaupt, who left us at a ridiculous young age a year ago, was undoubtedly one of the greatest bassists to emerge on the local scene and drummer Cezary Konrad, with whom Herdzin works often, is probably to top drummer of the second Jazz generation in Poland.
This is a classic piano trio album in every respect, which should satisfy even the sternest and most capricious Jazz connoisseurs. Regardless if your champion is Chick CoreaFind albums by this artist, Bill EvansFind albums by this artist or Herbie HancockFind albums by this artist, you will find something here, which is of course first and foremost Herdzin´s statement, but sits firmly in the same state of mind that these great Masters bestowed upon us. A timeless jewel!
| | | CD 1 Recommend To A Friend |
  | STEVE HILLAGE ~ LIVE HERALD (EXPANDED EDITION)
VIRGIN 373440 (Barcode: 094637344026) ~ UK ~ Progressive Rock
Recorded: 1977 - 1978 Released: 2007
5th album by the legendary guitarist Steve HillageFind albums by this artist and the only live document of his music during the early period of his solo career. Recorded during a period of 18 months when Hillage and his band (three different band lineups are featured) performed frantically all over the world in support of his excellent solo albums, this material was initially released as a double LP. The first 3 sides of the album included live material and the fourth side included new studio material. For the CD reissue the 3 live sides were combined into a single CD (now with bonus live material previously unreleased) and the studio material was moved as bonus tracks of the next album (OpenFind albums with this title), where it rightfully belongs. Hillage composed almost all the music on the album with his life-long musical companion and synthesizer pioneer Miquette GiraudyFind albums by this artist, whom Hillage befriended during his GongFind albums by this artist days. The sound of the band is often quite similar to Gong’s familiar mixture of psychedelic Space-Rock and early ambient influences (which would later develop as Hillage’s main interest) are also quite evident. In retrospect this is quite visionary music, foretelling by almost 20 years the ambient explosion of the late 1990’s. There is a lot happening (musically) here, which means this stuff requires attentive listening to truly comprehend its complexity. This is an important historical document, which sheds a lot of light on the music scene of the late 1970’s, which existed in parallel to the punk dominated mainstream.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | HORNTET ~ LIVE AT RADIO KATOWICE
PRK 0144 ~ POLAND ~ Jazz
Recorded: 2022 Released: 2022
This is the debut album by young Polish Jazz quintet called HorntetFind albums by this artist, which comprises of saxophonist Robert WypasekFind albums by this artist and Szymon ZiolkowskiFind albums by this artist, pianist Bartlomiej LesniakFind albums by this artist, bassist Mikolaj SikoraFind albums by this artist and drummer Piotr PrzewozniakFind albums by this artist. The album presents three original compositions, two by Lesniak and one by Przewozniak, and one standard by Thelonious MonkFind albums by this artist.
The music is all within modern Mainstream Jazz, well played by these talented young musicians, emphasizing the two saxophones frontline, who often play unisono or with slight variations between the two horns, which creates a nice effect but is not enough to keep the listen interested for long. The piano is a tad too busy, when soloing, but the rhythm section does a good job to keep the music together.
The original compositions are a bit simplistic and not entirely coherent, but considering the fact that these young musicians are just starting their career, the result is impressive and promising.
Overall, this is a first glimpse of a quintet of young Polish Jazz musicians, who show a lot of potential and, as usual, exemplify the incredible amount of talent on the Polish Jazz scene. A bit more experience and maturity and these musicians will be “burning” the stage. Hope to hear more in the not so distant future.
| | Updated: 06/10/2022Posted: 06/10/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | HOTS ~ LIVE IN TROJKA
FOR TUNE 0139 (Barcode: 5906395808526) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2019
This is the third album by the Polish Jazz ensemble HoTSFind albums by this artist, led by guitarist / composer Mikolaj PoncyljuszFind albums by this artist, which also includes trumpeter Radek NowakFind albums by this artist, saxophonist Bartosz TkaczFind albums by this artist, bassist Adam ProkopowiczFind albums by this artist and drummer Maciek WojcieszukFind albums by this artist. Pianist Aga DerlakFind albums by this artist joins the ensemble on four tracks. The album was recorded at Studio Three of the Polish Radio and presents six original compositions, all by Poncyljusz, some originating from the ensemble´s earlier recordings and other appearing here for the first time.
The music continues the tradition of modern Polish mainstream Jazz, which characterized the ensemble since its inception, emphasizing the solid compositions by the leader, which are ideal vehicles for all the members of the ensemble to express their individual talents. The addition of Derlak expands the overall ambience of the ensemble and the harmonic layers, which are now shared by two instruments.
The music remains somewhat slow and dynamically limited, with the individual tunes building up the tension very gradually, but since this is the ensemble´s trademark, one has to accept this as a fact and play along, in order to enjoy the music in full.
All the six young Polish Jazz players display the extremely high level of the local scene, with their individual contributions all being beyond reproach. Personally Prokopowicz turns out to be the outstanding musician on this album, with his beautifully melodic and wonderfully solid bass lines being the glue that keeps all this music together. Wojcieszuk, who is the new member of the ensemble, is a more dominant player than his predecessor, which marks a significant improvement in the role of the rhythm section and takes the music to a much agile level.
Derlak´s presence is also a very significant factor to the success of this album. She manages to "fill the holes" with her intelligent piano chords and lifts the overall sound to a new level. Her presence allows Poncyljusz to play much more adventurous solos, where he does not need to worry about the harmonic parts. The years of playing together also come to effect of course and this album is definitely the most enjoyable recording by this ensemble.
Overall this is a splendid display of live Jazz played by the young generation of Polish Jazz musicians, who are the future of the local scene. For listeners who never came across an album by HoTS, this is a splendid opportunity to jump on the wagon, with Derlak definitely serving as the proverbial cherry on top. Warmly recommended!
| | Updated: 13/08/2019Posted: 29/03/2019 | CD 1 Recommend To A Friend |
  | IBRAHIM TRIO ~ LIVE AT MANGGHA - EAST MEETS WEST
NOT ON LABEL ~ POLAND ~ Jazz-World Fusion
Recorded: 2024 Released: 2024
This is the 2nd album by Syrian (resident in Poland) oud player / vocalist / composer Wassim IbrahimFind albums by this artist, this time recorded in a trio setting with two excellent Polish musicians, Hurdy-gurdy player / keyboardist Joachim MencelFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album was recorded live at the beautiful Japanese Culture museum Manggha in Krakow (a must visit when in the city). It presents six lengthy tracks, two composed by Ibrahim, one each by Mencel and Madej, one is by the legendary Lebanese singer / composer Zaki NassifFind albums by this artist and one is a traditional tune. All the music was arranged by the trio members.
The music, although based on wonderful melodic themes, is largely improvised and mostly instrumental, not surprisingly with a strong Middle Eastern flavor. The completely native musical environment for Ibrahim, was splendidly adopted by the two Poles, who sound as if they played football with Ibrahim in the narrow streets of Damascus since childhood. Mencel manages to make the hurdy-gurdy and keyboards sound similar to Middle Eastern reed instruments, and Madej rhythmic approach sound as genuine as if he spent many hours riding camels. Ibrahim is a Master oud player and his vocals are absolutely heartbreaking. In short, I am sorry that I couldn’t be there to listen to this music live, but this album surely captures the magic in full.
With the recent and unexpected changes in Syria, perhaps the prospect for me and Wassim having coffee in Damascus, accompanied by some sublime sweets, like knafeh and baklava, is just one little step closer to reality, Inshallah!
Overall, this is a lovely, deeply moving example of Middle Eastern music, which Ibrahim makes as native and natural as possible, away from his hometown, with the help of his wonderful musician friends. Warmly recommended to all listeners who love the improvised nature of Middle Eastern music and its heartwrenching melodies. Thank you, my Friend!
| | Updated: 09/01/2025Posted: 09/01/2025 | CD 1 Mini-Sleeve Recommend To A Friend |
  | IF ~ LIVE AT THE BBC
REPERTOIRE 1427 (Barcode: 4009910142721) ~ UK ~ Brass Rock
Recorded: 1970 - 1972 Released: 2022
This is a sensational archival album by the superb but relatively forgotten British Jazz-Rock Fusion / Brass Rock ensemble IfFind albums by this artist, which to this very day remains as one of the finest examples of the genre. Sourced from the BBC vaults, the double album presents twenty tracks of original music by the ensemble members, recorded over two years, which span the initial life span of the ensemble, all previously unissued.
Following the ensemble’s formative days in 1969, the core lineup stabilized as a septet, which included vocalist J.W. HodkinsonFind albums by this artist, saxophonists/ flautists Dick MorrisseyFind albums by this artist and Dave QuincyFind albums by this artist (who wrote most of the material), keyboardist John MealingFind albums by this artist, guitarist Terry SmithFind albums by this artist, bassist Jim RichardsonFind albums by this artist and drummer Dennis ElliottFind albums by this artist. That lineup recorded the ensemble’s first four iconic albums, called simply “IfFind albums with this title”, “If 2Find albums with this title”, “If 3Find albums with this title” and “If 4Find albums with this title”, and disbanded by the end of 1972. That lineup is featured on all the tracks on this album.
The ensemble reformed with a different lineup and continued until 1975, releasing four more studio albums. A reunion lineup released a studio album in 2016, called “If 5Find albums with this title”, which was a sad affair.
Although stylistically somewhat similar to the American Brass Rock groups like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist and others, If had a very unique British / European approach, which less emphasis on brass arrangements but way more complex music and sophisticated ensemble sound. For a more detailed comparison, please read my review of the If’s early albums.
Overall, this is a treasure chest of previously unheard material by one of the best British Jazz-Rock ensembles ever, and an absolute must to the genre’s many fans. The sound is a bit iffy, despite the fact that the material was remastered, but the music is outstanding. RepertoireFind albums on this label are doing a remarkable job by bringing the material from the BBC vaults back to life, but their pricing borders on insane and the booklets are a bit trivial and repetitive lately, lacking the proper historical perspective this music deserves. But this is Holy Grail any way one looks at it, so don’t think twice and grab a copy.
| | Updated: 18/09/2022Posted: 17/09/2022 | CD 2 Slipcase Remastered Recommend To A Friend |
  | IQ ~ LIVE FROM LONDON
IGUANA 007 ~ UK ~ Progressive Rock
Filmed in 1985, this DVD is the oldest video document of IQ at the early day of their career, shortly after the release of their 2nd album "The Wake". The band includes the original vocalist Peter Nicholls, who left just a few weeks later. In time IQ were to become one of the leading bands in the Neo-Prog movement and this material shows why they were heading for success. Great melodies and powerful stage act characterized their music from the very beginning. 53 minutes. NTSC
| | Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | ISOTOPE ~ LIVE AT THE BBC
HUX 048 (Barcode: 682970000480) ~ UK ~ Jazz-Rock Fusion
Recorded: 1973 - 1977 Released: 2004
BBC Radio recordings from 1973 and 1974 by IsotopeFind albums by this artist, led by the excellent guitar player Gary BoyleFind albums by this artist, who were one of the best UK early jazz-rock fusion bands. The band unfortunately recorded only a few albums, which were soon deleted. These sessions add another superb example of how great this band was, with Boyle running scales with devilish speed and the rest of the band contributing some fine interplay. In addition 3 tracks from a 1977 BBC session by Boyle`s group are added. A delightful addition to the band`s heritage.
| | | CD 1 Recommend To A Friend |
  | KEITH JARRETT ~ LIVE IN HAMBURG 1972
JAZZ LIPS 761 (Barcode: 8436019587614) ~ USA ~ Jazz
Recorded: 1972 - 1974 Released: 2008
This is an unofficial (politically correct alias for good old bootleg) album by the great American pianist / composer Keith JarrettFind albums by this artist, recorded live in June 14, 1972 with his trio, which also included bassist Charlie HadenFind albums by this artist and drummer Paul MotianFind albums by this artist. The trio performs twelve original compositions, all composed by Jarrett. Jarrett also plays saxophone, flute and percussion on some of these tracks. The album also includes four live tracks recorded a couple of years later in NY, this time with a quintet that includes trumpeter Chet BakerFind albums by this artist, saxophonist Lee KonitzFind albums by this artist, Haden on bass and drummer Beaver HarrisFind albums by this artist, all of which are standards. Also included are two solo piano pieces recorded in 1974, both original compositions / improvisations by Jarrett.
Listeners familiar with Jarrett´s discography can easily pinpoint these tracks as trio versions of the tracks recorded by the so called American Quartet, which included this trio and saxophonist Dewey RedmanFind albums by this artist. They appeared on the album "El JuicioFind albums with this title", recorded in 1971 but released only in 1975 on AtlanticFind albums on this label and on the album "ExpectationsFind albums with this title" recorded in October 1972, i.e. after this live performance, and released on ColumbiaFind albums on this label. The full genealogy of all the tracks is described in the album´s booklet.
The bonus tracks with the quintet are quite unusual, as Jarrett rarely ever played standards at that time and it is the only recording meeting between him and Baker or Konitz.
Jarrett enthusiasts should find this album fascinating at least, as it offers almost two hours of previously unavailable material from the pianist career, which, as usual, is not only excellent musically, but also reveals his performance style and mannerisms in his early period, especially in view of the fact that the American Quartet or the trio did not release any official live material.
The sound quality is a bit Lo-Fi here and there, but considering the historical importance of this music and its rarity, this can be easily forgiven. It would have been nicer to have this music officially released, but considering the revolting politics of the music industry and the nasty habit of keeping unreleased treasures hidden in the vaults, such treasures are bound to pop up sooner and later.
If you can get it (which I doubt) grab it with both hands and cherish it!
| | Updated: 01/06/2018Posted: 30/10/2016 | CD 2 Recommend To A Friend |
  | ADAM JARZMIK ~ LIVE AT RADIO KATOWICE
PRK 0135 ~ POLAND ~ Jazz
Recorded: 2017 Released: 2017
This is the second album by young Polish Jazz pianist / composer Adam JarzmikFind albums by this artist, recorded with the same quintet as his debut album released just a few months earlier, this time recorded "live in the studio". The quintet includes trumpeter Pawel PalcowskiFind albums by this artist, saxophonist Jakub LepaFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Piotr BudniakFind albums by this artist. Guitarist Jakub MizerackiFind albums by this artist guests on one track. The album presents five original compositions, all by Jarzmik, all different from the compositions featured on the debut album, which proves that Jarzmik is a very prolific composer. Considering the rather short playing time of the album (about thirty five minutes) this is rather an EP than a full album.
The music is kept within the contemporary mainstream Jazz, but the compositions on this album are more ambitious and focused than those on the debut, which means that the music flows flawlessly from one track to another, serving as a vehicle for the individual improvised parts. The ensemble sound is very well defined and kept in check, with the saxophone and trumpet stating the melodic themes unisono, before the music is "released" to the soloists to state their parts.
The individual performances are all perfectly executed, considering the fact that this is a live recording and the young age of the musicians involved, and are a faithful testimony of the overall high level of the young Polish Jazz musicians. The track which features the guitar takes off in a slightly different direction, emphasizing the Fusion approach, which might be interesting for future ventures by Jarzmik.
Overall a solid effort, with great music and excellent playing, which should keep most mainstream Jazz fans happy. The album offers nothing groundbreaking or extraordinary, but is definitely worth checking out.
| | Updated: 19/09/2017Posted: 19/09/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SLAWOMIR JASKULKE ~ LIVE GDYNIA SUMMER JAZZ DAYS 2001
ALLEGRO 003 ~ POLAND ~ Jazz
Recorded: 2001 Released: 2002
This is the debut album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist, recorded live in a classic trio / quartet setting with saxophonist Maciej SikalaFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album presents five original compositions; three of which are by the leader and two are by Sikala. The first two numbers are performed by the trio and the other three by the quartet.
Jaskulke is considered as one of the most brilliant representatives of the young generation of Polish Jazz pianists and his achievements during the first decade of the 21st Century are indeed remarkable and include performances around the globe and numerous recordings as leader and sidemen (including those with the veteran Polish Jazz icon Zbigniew NamyslowskiFind albums by this artist). He has also composed music for theatre and cinema.
Anybody listening to this album at the time of its release should have expected great things from Jaskulke, as it is a truly outstanding debut. The trio numbers present Jaskulke as an amazing piano virtuoso, playing in a unique style, which is incredibly percussive and powerful, whereas the quartet numbers present his gentler side as a balladeer, playing beautifully restrained melodic phrases or as an ensemble player of great sensitivity. Such incredible versatility is very rare indeed and when executed with a magic touch like the one he presents here, it is simply marvelous. Considering the fact that Jaskulke was only twenty two years old at the time of the recording one must admit that this is a discovery of an extraordinary talent.
Musically the trio and the quartet are also quite different, with the material written by the leader being much more open and often freely structured, whereas the numbers written by the saxophonist are pretty standard mainstream Jazz compositions, both very good, but not special in any way. In a sense it seems as if these two different settings belong on two separate albums, but what was done can not be undone, so one should enjoy the fact that this marvelous music was captured for posterity and we can listen to it again and again.
The rhythm section performs exactly as expected, changing the volume and presence according to the specific requirements of the moment, always there when one expects them to be, keeping perfect time (which is not always easy here) and modestly displaying another level of virtuosity. Together the ensemble sounds like an unstoppable locomotive, which runs amok, especially in the last tune.
This is definitely an album every Jazz piano lover should listen to, sooner or later, an experience he´ll never regret nor forget. Wholeheartedly recommended!
| | | CD 1 Digipak Recommend To A Friend |
  | JAZZ Q ~ LIVE PLZEN 1980
GAD 262 (Barcode: 5903068124709) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2023
This is an archival live album by the original incarnation of the seminal Czechoslovak Jazz QFind albums by this artist ensemble, founded and led by keyboardist / composer Martin KratochvilFind albums by this artist. The music was recorded by a quartet version of the ensemble, which also included guitarist Frantisek FranclFind albums by this artist, bass guitarist Vladimir PadrunekFind albums by this artist and drummer Pavel TrnavskyFind albums by this artist. The album presents five tracks, four of which were composed by Kratochvil and one by Trnavsky. As usual with GADFind albums on this label releases, the album includes informative in-depth (bi-lingual) liner notes, photographs and detailed information about the recording and historical background about the group.
The music is, as always with Kratochvil´s work, absolutely brilliant. Although dominated by his keyboards, there is plenty of space left for some blood-curdling guitar work by Francl and superb rhythm section work by Padrunek, and the new drummer Trnavsky, which gave the group a much sharper / Rocky feel and sound than ever before. Francl and Padrunek both rejoined the group, having earlier played together on the group’s 3rd album “SymbiosisFind albums with this title”.
This album is especially important, since Jazz Q released relatively little live material from their early period. Since they were phenomenal live performers, every opportunity to hear them live is an absolute delight. The music was recorded during a concert following the release of the 6th album “Hodokvas (Feast)Find albums with this title” and this excellent quartet incarnation of the group was sadly short lived and did not survive until the recording of the 7th and last album “Hvezdon (Asteroid)Find albums with this title” recorded by the original group.
The Jazz Q material firmly belongs to the finest Eastern European Jazz-Rock Fusion material ever recorded, which sounds today every bit as brilliant as it did at the time it was created. The incredible reissues by GAD Records bring this legacy back to life and give an opportunity to younger generation of music lovers to get familiar with these treasures.
Overall this is an absolute must for all Fusion lovers the world over, but lovers of Jazz created behind the iron curtain should find this especially interesting. Not to be missed!
| | Updated: 19/12/2023Posted: 16/12/2023 | CD 1 Remastered Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/15/66 LATE SHOW – SIGNE`S FAREWELL
COLLECTORS` CHOICE LIVE 6004 (Barcode: 617742600421) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the first lineup of the group, which included female vocalist Signe AndersonFind albums by this artist, before she was replaced by Grace SlickFind albums by this artist. In fact this is the very last show Signe played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | | CD 1 Digipak Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/16/66 EARLY & LATE SHOWS – GRACE`S DEBUT
COLLECTORS` CHOICE LIVE 6005 (Barcode: 617742600520) ~ USA ~ Progressive Rock
Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, after she replaced Signe AndersonFind albums by this artist. In fact this is the very first show Grace played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | | CD 1 Digipak Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 11/25/66 & 11/27/66 – WE HAVE IGNITION
COLLECTORS` CHOICE LIVE 6006 (Barcode: 617742600629) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, right after she replaced Signe AndersonFind albums by this artist, now fully integrated into the band. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | | CD 2 Digipak Recommend To A Friend |
  | JETHRO TULL ~ LIVE - BURSTING OUT (THE INFLATED EDITION)
CHRYSALIS 5054197723971 (Barcode: 5054197723971) ~ UK ~ Progressive Rock
Recorded: 1978 Released: 2024
This is a reissue of the 1st live album by the British Prog Masters Jethro TullFind albums by this artist, recorded during the 1978 European tour supporting the “Heavy HorsesFind albums with this title” album, and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all early Jethro Tull releases. The reissue consists of three CDs and three DVDs.
CD1 and CD2 contain the new stereo remix of the original album: eleven tracks, three of which are restored to their full version and five bonus tracks (soundcheck recordings, which are previously unreleased) on CD1 and ten tracks and three bonus tracks (soundcheck recordings, which are previously unreleased). The third CD contains new stereo remix of the audio tracks of the “Live At Madison Square GardenFind albums with this title” broadcast / video, captured later that year, edited to CD (sixteen tracks).
DVD1 and DVD2 contain the same material as CD1 and CD2, remixed in two High-Resolution formats (5.1 DTS, AC3 Dolby Digital Surround Sound and in High Resolution stereo format 96/24 LPCM). They also include the flat transfer 96/24 PCM stereo of the original “Live - Bursting OutFind albums with this title” double LP. The third DVD includes the full 93 minutes Madison Square Garden broadcast and some original TV adverts. If you are confused by all these technical terms, don´t be – it is all complete bullshit piece of hype! Basically you don´t even get the original stereo mix of the original album in a CD form, but you get a bunch of bonus tracks, which honestly contribute very little, if anything at all. A classic rip-off playing on the sentiments of aging fans and collectors.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material and other goodies, which are all beyond reproach.
The group´s lineup on this album consists of Ian AndersonFind albums by this artist, who as usual handles most of the vocals and plays the flute parts and acoustic guitar / mandolin and the lead guitar is magnificently handled by Martin BarreFind albums by this artist, the keyboards are handled by John EvanFind albums by this artist and David PalmerFind albums by this artist and rhythm section features bassist John GlascockFind albums by this artist and drummer Barriemore BarlowFind albums by this artist. On the Madison Square Garden broadcast Glascock is replaced by Tony WilliamsFind albums by this artist.
Musically, the album presents the group as brilliant live performers, superb instrumentalists and extraordinary entertainers, with very few equals. With the end of the 1970s decade Progressive Rock was steadily losing its steam and the artistic / aesthetic end of the genre was imminent, and yet Jethro Tull were going ahead as if they were living on a different planet, which in retrospect might have just been right. They were still at their artistic peak, which continued for years, without any signs of getting worn-out. Perhaps they were, after all, a class of their own.
Side Note
As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| | Updated: 24/07/2024Posted: 24/07/2024 | 3CD+3DVD 6 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | DAWDA JOBARTEH / STEFAN PASBORG ~ LIVE IN TURKU
APRIL 125 (Barcode: 5709498112527) ~ DENMARK ~ Jazz-Rock Fusion
Recorded: 2023 Released: 2024
This is a live album by the duo of Gambian kora player Dawda JobartehFind albums by this artist and Danish Jazz drummer Stefan PasborgFind albums by this artist. The album presents seven tracks, two each composed by Jobarteh and Pasborg, two are Jazz standards and one is a traditional tune. This is the 2nd album by the duo.
The album sounds more like Psychedelic Rock from the 1970s, rather than an amalgam of West African music and Jazz, mainly due to the heavily amplified kora and powerful drumming, but of course the Jazz-World Fusion elements are also there, as expected, somewhat hidden beneath the surface. The result is very unusual and even sensational to a degree, which of course is always a welcome surprise.
Both musicians are Masters of their instruments and obviously enjoy the musical rapport between them, which seems to have no clearly set stylistic boundaries. Personally I sort of miss the natural / acoustic sound of the kora, which is usually deeply lyrical, but I appreciate the attempt to take the instrument into new area, where it sounds more like electric guitar. I am not familiar with other recordings by Jobarteh, so I don’t know if this is his usual approach to this instrument. I also suppose that Pasborg’s drumming style herein is primarily accommodating the Rocky guitar-like excursions.
Overall, this is a highly unusual album, which offers a Jazz-Rock Fusion musical excursion disguised as a Jazz-World Fusion one, but nevertheless remains to be exciting, surprising and educational. Appearances can be deceptive, and in this case they surely are, but all for the good. This album might be as exiting to Jimi HendrixFind albums by this artist fans, as to kora and West African music enthusiasts. Definitely worth investigating!
| | Updated: 23/05/2024Posted: 23/05/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JANIS JOPLIN / BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE WINTERLAND `68
COLUMBIA 485150 ~ USA ~ Classic Rock
Although in retrospect Janis JoplinFind albums by this artist is recognized now as the greatest American rock singer of the 1960’s, her tragically short recording career left a legacy so limited, that every scrap of new material is simply indispensable. Therefore it is a great pity that this incredible concert recording from April 1968 had to wait for 30 years to be heard (the album was released in 1998). The recording was made just after Janis and her band Big Brother And The Holding CompanyFind albums by this artist secured their recording deal with ColumbiaFind albums on this label, but before the legendary “Cheap ThrillsFind albums with this title” album was released. They perform with zest and confidence typical of bands on the verge of stardom, with Janis tearing the room with her shrills and groans that only she was capable of. Firmly based on the blues tradition, the band’s material is spiced with a psychedelic flavor of the San Francisco variety, most of it soon be recorded for the “Cheap Thrills” album. Strangely enough just a few months later Janis decided to leave Big Brother and start her solo career, a move as illogical and uncalculated as all the rest of her decisions in her troublesome and tragic life. She would never again have such a sympathetic and “natural“ group of musicians supporting her and bringing out the best of her abilities. This album is not only a rare and wonderful document of Joplin’s immense talent, but also a document of an era – recorded in the peak of the intense, but short lived San Francisco music explosion. As perfect as it is I keep daydreaming to have this one on DVD – that would really be the ultimate thrill.
| | | CD 1 Remastered Recommend To A Friend |
  | JUNGLE: MAT WALERIAN / MATTHEW SHIPP / HAMID DRAKE ~ LIVE AT OKUDEN
ESP 5009 (Barcode: 825481500920) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2016
This is the second album by Polish (resident in the US) Jazz saxophonist / flautist / composer Mat WalerianFind albums by this artist, recorded live, this time in a trio format with veteran heroes: pianist Matthew ShippFind albums by this artist and drummer Hamid DrakeFind albums by this artist. Same as the debut release a year earlier, the music was recorded during the Okuden Music Concert Series in 2012 and was released by the legendary ESP label. The 2CD set presents thirteen pieces, nine of which were composed by Walerian, one is a traditional tune, one was co-composed by Shipp and Drake and the remaining two were co-composed by all three members of the trio.
Walerian´s debut was one of the strongest album releases of last year (2015) and this follow up is certainly another worthy contestant for this year´s top of the crop. Almost out of nowhere Walerian emerges as one of the most versatile and virtuosic players in the Free Jazz / Improvised Music genre. His rapport with the genre´s veterans, Shipp and Drake, is almost hard to believe and sounds as if they have been playing together for ages. His ability to create a wide range of atmospheres and moods, his usage of a range of instruments and last but not least his ability to write subtle melodic lines, which than serve as vehicles for collective improvisation is nothing short of extraordinary.
The music, although obviously free spirited and unbounded, is also surprisingly calm and relaxed, and always carries a melodic subtext, which makes it easy to follow by the listener. This dichotomy between intellectual freedom of creation and aesthetic oneness creates a wonderful tension, which lifts this music way above the "usual" free form musical encounters, which often propose nothing but weirdness. This wonderful music is simply beautiful as music, regardless of the way it is delivered.
Of course a trio recording is above all a joint venture between the trio members, which in this case works out like a dream. Shipp and Drake must be admired for their deliberate restrain and amicable attitude, which allows Walerian to present his often delicate statements without disturbance. Shipp´s supportive chord structures allow Walerian to spread his wings and blow his heart out, having a steady and reliable basis behind him. In many respects this is similar to McCoy TynerFind albums by this artist´s playing behind John ColtraneFind albums by this artist during the heydays of the Quartet. Drake, who can be a very powerful and dominant drummer, also limits his creative support to supporting the music´s rhythmic layer, ornamenting it rather than leading it. Overall the collective effort is simply perfect for this outstanding piece of music.
As already stated, this album is definitely one of the strongest statements released so far this year and a wonderful example of contemporary Art of music, a manifestation of human ingenuity and talent of rare significance. Obviously this album deserves to be heard by as many music connoisseurs as possible, who will be blessed by its significance if let into their hearts.
| | Updated: 30/05/2017Posted: 27/04/2016 | CD 2 Digipak Recommend To A Friend |
  | PAWEL KACZMARCZYK ~ LIVE
PRK 067 ~ POLAND ~ Jazz
Recorded: 2005 Released: 2005
Brilliant live album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 21 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. This music was recorded one year prior to the recording of the trio´s sensational "formal" debut album called "AudiofeelingFind albums with this title" and was released by the Silesian branch of Polish Radio, and is now a collectors´ item. Of the four tracks present here, three were composed by Kaczmarczyk and the fourth co-composed by all the trio members. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and individual virtuosity. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!
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  | GRZEGORZ KAPOLKA ~ LIVE AT NOSPR
SJ 061 (Barcode: 5902596066772) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2022
This is a live album by veteran Polish Blues guitarist / composer Grzegorz KapolkaFind albums by this artist recorded in a trio format with electric bassist Dariusz ZiolekFind albums by this artist and drummer Alan KapolkaFind albums by this artist. The album presents five (presumably original, as nothing is stated on the albums artwork) compositions by the leader, with a total playing time of about thirty-six minutes, more like an EP than a full album.
The music is classic Blues soaked Fusion, entirely based on the leader’s improvising abilities. The melodic, well-crafted themes are ideal vehicles for the lengthy guitar explorations. Kapolka earned his dues on the local scene working extensively for many years with many ensembles and musicians, earning a lot of respect, and this album clearly shows why.
Since Fusion is an intrinsically highly limited genre and after over fifty years of Fusion guitar playing, which dominates the genre, it seems that everything that is possible to do was already done one time or another, but this album manages to raise a brow and show that we have not heard everything yet. Kapolka certainly has some tricks up his sleeve that are able to surprise even the most “educated” Fusion guitar fans, and his virtuosity is surely worth being discovered.
This album is more of a short document of a concert appearance than a proper well produced studio effort, and as such is perfect for what it is.
Overall, this is spine-chilling exposition of Fusion guitar playing, which should surprise even the veterans of the genre and considering how rare new discoveries in that area are, is wholeheartedly recommended. Guitar freaks heaven on earth!
| | Updated: 28/01/2023Posted: 16/04/2022 | CD 1 Digipak Recommend To A Friend |
  | DOMINIK KISIEL EXPLORATION QUARTET ~ LIVE AT RADIO KATOWICE
PRK 0137 ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018
This is a live recording by young Polish Jazz pianist / composer Dominik KisielFind albums by this artist and his quartet called Exploration QuartetFind albums by this artist, which also includes saxophonist Michal Jan CiesielskiFind albums by this artist, bassist Piotr SzajrychFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents seven original compositions, four composed by Kisiel, two by Ciesielski and one by Golicki.
The music is typical modern young Polish Jazz, based on excellent melody based compositions and superbly performed by these young musicians, who never cease to amaze how well musically advanced they are despite their young age. It is worth to mention that the material present on this album is completely different from the material included on the quartet´s debut studio album recently released on AlpakaFind albums on this label Records, which proves the prolific compositional capacity of the quartet members.
The individual performances are all excellent and the concert setting allows the musicians to stretch out and play long solos without being concerned by time limitation often present in the recording studio. As a result three of the tunes performed here last for over ten minutes in duration.
Kisiel skillfully builds up his solos gradually, with excellent usage of dynamics and harmonics, adorned with his technical skill, which is spotless. Ciesielski also stretches out wonderfully, playing with confidence and beautiful sense of lyricism, at all times supported amicably by Kisiel.
The rhythm section does an excellent job as well, with Golicki showing his maturity and experience gained over the last few years. Szajrych keeps mostly to the basics, as he seems to be the most inexperienced player in the quartet, but his performance is stable and accurate, exactly what one would expected from a solid bassist in a quartet.
Overall this is an excellent effort by the young generation of Polish Jazz players, full of great tunes and superb performances, which is a true fun to listen to and admire their talents and abilities. Definitely well done!
| | Updated: 06/10/2018Posted: 05/10/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | KLAN ~ LIVE FINLAND 1972
GAD 039 (Barcode: 5901549197501) ~ POLAND ~ Progressive Rock
Recorded: 1972 Released: 2016
This is a sensational archive live recording by the legendary Polish Prog group KlanFind albums by this artist, recorded during their performance in Finland, which sees here the light of day for the first time forty four years later. The album´s booklet tells the story of this performance and the surrounding circumstances contributing to the establishment of the unique lineup of Klan which is heard here, which includes only one original member of Klan, leader guitarists / songwriter Marek AlaszewskiFind albums by this artist, who adopted guitarist Tomasz JaskiewiczFind albums by this artist (from Czeslaw NiemenFind albums by this artist´s backing group) and a formidable rhythm section consisting of bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, both members of the top Avant-Garde Polish Jazz ensemble at the time, led by trumpeter Tomasz StankoFind albums by this artist. Together they perform five original songs, all written by Alaszewski, which are expanded into lengthy instrumental improvisations.
The resulting music is one of the most unique phenomena of the period, and considering the fact that it was a one time only event, which makes it even more important, this album becomes a major discovery. It amalgamates Prog-Rock, Jazz-Rock, Avant-Rock and Free Jazz and completely obliterates any boundaries between musical idioms and symbolizes artistic freedom, which was one of the characteristics of the period, when open-mindedness and acceptance ruled, also behind the Iron Curtain.
The individual performances, especially those by Suchanek and Stefanski are absolutely stunning. Suchanek plays several brilliant solos and his pulsations all along, which are basically Jazz-based, are a superb example how Jazz and Rock rhythmic patterns can ideally coexist. Stefanski, who had a bit more Rock experience, adds his Jazz skills and drives the quartet forcefully forward, also performing some great solo parts. Both guitarists stay within the Rock territory, although the rhythm section really pushes them to improvise the whole time, much more extensively than under the unusual Rock circumstances.
Although the sound quality of this recording is somewhat limited, even after very careful remastering process, the importance of it as a piece of Polish / East European Rock & Jazz history is invaluable. Therefore it is highly recommended to all listeners interested in music made behind the Iron Curtain. Of course anybody following the development of Progressive music in the broad meaning of the idiom should find this most interesting. As usual our thanks to the GADFind albums on this label Records label for unearthing and releasing this piece of history, which would have been most probably lost if not for their efforts.
| | Updated: 12/04/2019Posted: 06/05/2016 | CD 1 Remastered Recommend To A Friend |
  | MATEUSZ KOLAKOWSKI / DAVE LIEBMAN ~ LIVE AT JAZZ STANDARD, NEW YORK
FENOMMEDIA 009 (Barcode: 5907604327098) ~ POLAND ~ Jazz
Recorded: 2008 Released: 2009
This is a live recording captured at the NY Jazz Standard club by a duo comprising of young Polish Jazz pianist Mateusz KolakowskiFind albums by this artist and legendary American saxophonist Dave LiebmanFind albums by this artist. Although Kolakowski and Liebman were email buddies for quite a while, they actually met in person just a few moments before this music was recorded, which explains why the majority of the material is based on Jazz standards. Of the six pieces on this album, five are standards (one is even repeated twice, taken from two different sets) and the remaining one is a free on the spot improvisation.
Kolakowski was at the time a Classical Music student and his Jazz tendencies were all self cultivated, which is quite apparent when listening to the music. He not only quotes Classical music themes but his entire approach to harmony and rhythm is strongly based in Classical music. This dichotomy between Classical music and Improvised music has certain charm, but is also a hindrance, which is hard to ignore. Liebman, on the other hand, is Godly, as always, with every note just in the right place and his virtuosity, taste and spirit of cooperation being impeccable.
Since this is a duo album, the decisive factor is the way the two musicians perform together, rather than their individual statements. It seems that the fact this music works out one way or another is due only to the enormous experience and musicality of Liebman, who is able to cope with Kolakowski´s limitations, rather than the duo´s spiritual unity. Nevertheless the overall result is certainly entertaining and worth being listened two, especially in view of its "one of its kind" setting, which can also be educational. The fact that Liebman is always open to work with young and less experienced musicians is truly commendable.
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  | KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965
GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz
Recorded: 1965 Released: 2023
The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels.
The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965.
The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time.
For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years.
The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”.
Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe.
Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 21/02/2024Posted: 21/02/2024 | CD 1 Remastered Recommend To A Friend |
  | WOJCIECH KONIKIEWICZ / FREE FUNK TRIO ~ LIVE AT RURA 1982
GAD 091 (Barcode: 5903068120237) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1982 Released: 2019
This is an archival album presenting a live concert recording by Polish Jazz keyboardist / composer Wojciech KonikiewiczFind albums by this artist and his Free Funk TrioFind albums by this artist, which also included bassist Mieczyslaw JureckiFind albums by this artist and drummer Jacek RatajczykFind albums by this artist. Recorded at the legendary Wroclaw Jazz Club Rura, it presents eight original compositions, all by Konikiewicz.
To properly understand the historic perspective of this recording it is important to remember that this music was recorded just a few months after Martial law was imposed in Poland in December of 1981, in a desperate attempt of the Socialist regime to quench growing social and political unrest in the country. As usual in Poland, political dictatorship was always challenged by the country´s intelligentsia and Artistic circles, and although Cultural activities were severely limited and heavily censored, they became a primary form of resistance to the oppression. Some of that anger and frustration is evidently expressed by these young (at the time) musicians in their display of wild energy and complete disregard of authority, as much musical as political.
The music is a raw mixture of Funk, Punk, Jazz, Rock and Groove, which will become the modus operandi for Konikiewicz for years to come and which was obviously influenced the late period stylistic explorations of Miles DavisFind albums by this artist, who remains a major influence on Konikiewicz to this very day. Fate decided that Davis played at the Jazz Jamboree Festival in Poland just over a year after this music was recorded, immediately after the Martial law was lifted in 1983.
Although the trio format might seem somewhat limiting for such explosive musical adventure, Konikiewicz and his cohorts squeeze the proverbial lemon to the max under the circumstances, giving everything, both musically and emotionally, they have to offer. Konikiewicz on acoustic piano and the Fender Rhodes is in charge of the melodic content, but his percussive playing goes hand in hand with the dynamic rhythm section, which takes care of the groove, with occasional outbursts of frenzy solo parts featuring the fretless bass and the drums.
There is no doubt that the Free Funk Trio was a formative ensemble in the musical career of Konikiewicz. The same kind of attitude present here, which eschews pompous mannerisms and fake pretentiousness, will be his musical compass in the years to come, when he was involved in some the most important Polish Jazz projects during the 1980s and 1990s, alas hardly ever scoring any real-time recognition for his efforts. It was also the same attitude that ostracized him from the established domesticated Polish Jazz establishment, causing him to be active mostly on the fringe scene, refusing to compromise and sell out; an attitude which makes me proud to call him my friend.
Overall this album is an important piece of the Polish Jazz history, which is brought back to life by the excellent GAD Records label, which never fails to nail the forgotten gems and expand our horizons. It is most educational and certainly warmly recommended!
| | Updated: 18/06/2019Posted: 18/06/2019 | CD 2 Remastered Recommend To A Friend |
  | KONITZ / MEHLDAU / HADEN / MOTIAN ~ LIVE AT BIRDLAND
ECM 2162 (Barcode: 602527369877) ~ USA ~ Jazz
Recorded: 2009 Released: 2011
This is a live recording made at the legendary NY Jazz club Birdland by a quartet comprising of four legendary American Jazz musicians: saxophonist Lee KonitzFind albums by this artist (born 1927), pianist Brad MehldauFind albums by this artist (born 1970), bassist Charlie HadenFind albums by this artist (born 1937) and drummer Paul MotianFind albums by this artist (born 1931) – which of course makes Mehldau about half the age of the other players. The quartet plays six standards, keeping the music at a slow and contemplative mood, as appropriate for the occasion but also quite free and stretched out, way beyond what one might have expected. Obviously none of these Masters needs to prove anything to anybody any more and they obviously enjoy themselves immensely throughout. Mehldau is playing perhaps a bit more forcefully than the others, but not aggressively and Haden appears to be at his full might, playing brilliantly. Considering the sad reality that this might be the last recording by any of these veterans, this is something to be definitely well remembered by. Respect!
Visitors' Comments
Christopher Brice
I have to say I found this album very difficult, not just on first playing but for many playings; it sounded to me as if the four musicians were playing in different recording studios, and just happened to be recorded onto one disc - stretched out indeed! I was very surprised because I have heard and loved many recordings of the three veterans playing together live. But the CD player in my car broke down and would not let it out, so I heard the album many more times than I would have bothered with otherwise, and suddenly two days ago it all came together as I listened, and now I would not want to take it out if i could! Truly masterful!!
| | | CD 1 Slipcase Recommend To A Friend |
  | DAWID KOSTKA QUARTET & CHICO FREEMAN ~ LIVE AT AQUANET JAZZ FESTIVAL, POZNAN 2016
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016
This is a live recording by a young Polish Jazz quartet led by guitarist / composer Dawid KostkaFind albums by this artist, which also includes pianist Jacek SzwajFind albums by this artist, bassist Damian KostkaFind albums by this artist and drummer Mateusz BrzostowskiFind albums by this artist. The quartet plays just on one track, which is an original composition by the leader. On the other four tracks the pianist, bassist and drummer are joined by the veteran American saxophonist / composer Chico FreemanFind albums by this artist and play two Freeman originals and two standards. There is also a bonus video track with another Freeman original.
The first track presents an interesting composition by Kostka, which is very promising, but since it is just a sample of the quartet´s ability not much can seriously be said about it.
The four quartet tracks with Freeman are American Bebop, which is absolutely corny and presents zero intellectual challenge to the listeners. Freeman plays very well of curse and so does Szwaj, but that kind of music was exploited already ad nauseam, and makes no sense to be recorded today. Of course such music still has a wide following, especially in America, but it contributes nothing to the development of the Jazz idiom.
What a pity this album does not present the entire performance by the Dawid Kostka quartet playing their own music, and was sacrificed to present young Polish musicians playing along a Big American Star, which did them no good whatsoever!
| | Updated: 01/01/2017Posted: 01/01/2017 | CD 1 Digipak Recommend To A Friend |
  | VLATKO KUCAN QUARTET & TOMASZ STANKO ~ LIVE AT PALO-PALO
TRUE MAZE 9803 ~ BOSNIA & HERZEGOVINA ~ Free Jazz / Improvised Music
Recorded: 1991 Released: 1998
This is a live album by a quartet led by Bosnian (living in Germany) saxophonist / composer Vlatko KucanFind albums by this artist, with German trombonist Michael DannerFind albums by this artist and American (also living in Germany) bassist Jay OliverFind albums by this artist and drummer Bill ElgartFind albums by this artist. The quartet in expanded to a quintet with the addition of the great polish trumpeter Tomasz StankoFind albums by this artist. The album was recorded at the Palo-Palo club in Hannover in 1991 and released only seven years later. It presents six tracks, two each by Kucan and Oliver, one standard and one by a German Free Jazz trombonist / composer Heinz-Erich GodeckeFind albums by this artist. Three of the tracks are over twelve minutes in duration and two are about nine minutes in duration, as appropriate for the event.
The music is typical European Free Jazz / Improvised Music impromptu meeting, and despite the fact that he rhythm section is in Fact American, after playing for many years with European musicians they embraced to more sophisticated approach of careful interplay and developed rather than energetic explosions, which characterize American music of that idiom. The melodic themes are stated at the opening of each tune and returned to following each of the highly improvised passages, and there is plenty of space for all the musicians to express themselves individually, as well as offer some excellent group improvising and interplays in duets, trios, etc. In short, the music is well organized and eschews the chaotic mayhem, which Improvised music often falls into.
For Polish Jazz fans and Stanko followers, this album is a true blast, as it presents some of the finest Free style blowing by Stanko, which he was mostly avoiding on his albums as a leader by that time. This album is rather unknown on the Polish scene, at least I haven’t seen much references to it in Stanko related writings, so it’s about high time to get acquainted with it.
Overall, this is a blast of well-tamed Free Jazz / Improvised Music artistry by some excellent musicians, which is definitely worth to be heard, especially due to the presence of Stanko on this album. Not easy to get hold of, but definitely worth it!
| | Updated: 07/04/2024Posted: 07/04/2024 | CD 1 Digipak Recommend To A Friend |
  | JOACHIM KUHN & JAN AKKERMAN ~ LIVE!
IN-AKUSTIK 868 (Barcode: 4001985008681) ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2000
This is a reissue / remaster of a live album by a duo comprising of two legendary European musicians: German Jazz pianist / composer Joachim KuhnFind albums by this artist and Dutch Rock guitarist / composer Jan AkkermanFind albums by this artist (co-founder of FocusFind albums by this artist). The album presents just two tracks, which are different interpretations of the same composition by Kuhn, recorded several weeks apart during the duo’s 1979 European tour, twelve and twenty-one minutes in duration respectively.
The music is a superb example of Improvised Music, which combines Jazz and Rock improvisation “under one roof”, which was quite popular in Europe the 1970s. Kuhn and Akkerman played together on various occasions earlier on, and the duo concerts were a culmination of their musical cooperation.
The idea to present two versions of the same composition, separated by just a few weeks of playing the tune repeatedly, shows how music develops as a result of being performed and shared intimately, especially so if improvisation is at the focus. The album is also a great document of Rock Improvisation, which is quite different from Jazz-Rock Fusion, and which goes back to the 1960s, especially to British Rock, which included Rock Improvisation (unrelated to Jazz), for example in the concert recordings of groups like CreamFind albums by this artist or ColosseumFind albums by this artist.
Overall, this is a fascinating and relatively little known album by two great musicians, who present inter-genre cooperation at its best. Both are virtuosos of their instruments, which is clearly evident herein, and the “Art of the Duo” idiom suits this beautiful album perfectly. Not easy to find by definitely worth finding a copy!
| | Updated: 16/08/2024Posted: 16/08/2024 | CD 1 Remastered Recommend To A Friend |
  | JOACHIM KUHN / MICHAEL WOLLNY ~ LIVE AT SCHLOSS ELMAU
ACT 9758 (Barcode: 614427975829) ~ GERMANY ~ Free Jazz / Improvised Music
Recorded: 2008 Released: 2009
This is an album by German Jazz piano duo comprising of Joachim KuhnFind albums by this artist (born 1944) and Michael WollnyFind albums by this artist (born 1978). The album presents six tracks, two each composed by Kuhn and Wollny, one co-composed by them and one an interpretation of a Classical composition. Four tracks are piano duos and one each is a piano solo by Kuhn or Wollny.
Despite the generation gap and stylistic differences between these two musicians, they manage to communicate and cooperate remarkably well, creating a series of Improvised Music vistas, which are as cross-genre as humanly possible. Although based on pre-composed motifs, the music is totally a spur of the moment creation, and yet manages to sound completely coherent and even melodic to some extent. This is a somewhat extreme example of the “Art of the Duo”, waiting to be appreciated.
For listeners familiar with Kuhn’s long and illustrious career, such open-mindedness and virtuosic piano playing is nothing new, but at the time this album was recorded Wollny’s career was just taking off and sharing the stage with a legendary figure like Kuhn must have been challenging. Without a doubt he stood up to the challenge without a hitch. For me the highlight of the album is Kuhn’s solo interpretation of Johann Sebastian BachFind albums by this artist’s “Chaconne”, which lasts for over thirteen minutes – an absolute treasure!
Overall, this is a very interesting musical meeting, and for piano lovers especially a truly delightful exploration. Although the music is almost completely improvised, it magically makes perfect sense. For more experienced listeners the comparison between the two Artists is especially fascinating. Perhaps not suitable for a wide range of listeners, but those who are up to a challenge, a true delight!
| | Updated: 26/08/2024Posted: 26/08/2024 | CD 1 Digipak Recommend To A Friend |
  | SLAWOMIR KULPOWICZ / SHUJAAT KHAN ~ LIVE
POLSKIE RADIO 1250 (Barcode: 5907812242503) ~ POLAND ~ Jazz-World Fusion
Recorded: 2006 Released: 2013
This is the fourth installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own.
Kulpowicz visited India for the first time in 1978, when he was a member of the Zbigniew Namyslowski quartet, which played at the Jazz Yatra in Bombay. At the time he met and befriended a young sitar player Shujaat KhanFind albums by this artist, a descendant of the legendary Khan dynasty of sitar players since hundreds of years. That friendship lasted for almost thirty years as long as Kulpowicz was alive. They played together many times in Poland and abroad. In 1984 Khan visited Poland and recorded a live album with Kulpowicz for the PoljazzFind albums on this label label. The last time they played together was in 2006, when Khan visited Poland again, bringing with him the tabla player Arunangshu ChaudhuryFind albums by this artist. Kulpowicz invited the legendary Polish electric bassist Krzysztof ScieranskiFind albums by this artist and the four played together the music presented on this album, which was recorded live at Warsaw Philharmonic Hall.
Considering the fact that European (including Jazz) and Indian music exist on almost completely separate planes, the amalgamation of the two is extremely difficult to achieve. Except for a very few earlier attempts, most importantly the John MayerFind albums by this artist / Joe HarriottFind albums by this artist Indo-Jazz FusionsFind albums by this artist from the late 1960s / early 1970 and the John McLaughlinFind albums by this artist´s ShaktiFind albums by this artist a decade later, which were groundbreaking and musically just right, most of the other attempts resulted in failures. The music included on this album proves again, that the power of music transcends not only cultural borders but also thousands of years of musical tradition, enabling conversations between musicians originating seemingly from worlds apart.
The album comprises of just three extended pieces, two of which are about half an hour long and the third a quarter of an hour in duration. Named simply "songs", they are improvisations on melodic themes composed by Kulpowicz, performed wonderfully and in perfect harmony by all four musicians. Khan voices the melody at the onset of each piece and then the musicians take extensive solos in turn, with the full quartet returning to the melodic theme several times between the solos. Kulpowicz plays superbly and his solos are simply outstanding statements in the John Coltrane tradition, emphasizing the close relationship between Coltrane´s music and the Indian influences, which are often difficult to be discovered in his music, but come to wonderful realization when performed by Kulpowicz. There is so much passion in his playing that one suspect that his premonition as to his fate was already hunting him.
Khan, who since the early meeting with Kulpowicz achieved a Masterly status in Indian music, is an obvious sitar virtuoso and his solos are also breathtaking. Chaudhury and Scieranski, although a priori destined to fulfill a less dominant role in this music, perform both splendidly and their contributions are invaluable. Scieranski especially is to be prized, as his elegant and delicate bass tones manage to keep a perfect balance with his partners and the music which usually exist without the bass foundation so typical in European music.
The music is beautifully recorded and has an outstanding sound quality, especially in view of the fact that it is a live recording. Musically it is one of the finest examples I have ever come across of cross-cultural amalgam that work naturally as "God intended". An absolute must to World-Music enthusiasts and all connoisseurs of great music, regardless of genre, geography or cultural affiliation. Respect!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | MICHAEL LANDAU / GROUP ~ LIVE
PROVOGUE 7209 (Barcode: 8712725720928) ~ USA ~ Jazz-Rock Fusion
Recorded: 2004 - 2006 Released: 2006
Michael Landau is one of the best-kept secrets on the US West Coast scene. Although almost completely anonymous, he is definitely one of the best and most gifted guitar players in US today. He is quite famous to the “insiders” of the music scene as he is featured (as a session player) on an endless list of albums by the biggest names in rock music. His work as a leader is unfortunately hardly available and this new album is a most welcome addition. The album is a showcase of his amazing versatility and staggering technique. The first disc of this 2CD set id dedicated to the electric blues, which Landau performs brilliantly with shades of Hendrix and Vaughan coming to mind immediately. The second discs could not be more different and it includes a superb set of jazz / rock Fusion, with Landau playing some amazing licks. He also composed all the music (sans one track) on this album. If you have never heard of this guy, do yourself a favor and listen to this album. I can assure you won’t be sorry!
| | | CD 2 Recommend To A Friend |
  | JOËLLE LÉANDRE ~ LIVE IN ISRAEL
KADIMA COLLECTIVE 17 (Barcode: 634479851179) ~ FRANCE ~ Jazz
Recorded: 2007 Released: 2008
French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. In 2007 Joëlle visited Israel and her live performances there have been recorded and are now issued on this double CD. The first CD includes 7 solo bass (and voice) performances and the second CD offers her playing in duo, trio and sextet settings with the top Israeli Improvised Music artists: Jean Claude JonesFind albums by this artist – bass, Steve HorensteinFind albums by this artist – baritone and soprano sax, flute, Sameer MakhoulFind albums by this artist – oud and voice, Assif TsaharFind albums by this artist – bass clarinet, Daniel SaridFind albums by this artist – piano, Hagai FershtmanFind albums by this artist – drums, Albert BegerFind albums by this artist – tenor sax and Ariel ShiboletFind albums by this artist – soprano sax. These wonderful musical moments are some of the highlights of the Improvised Music created in Israel, a small but quite lively scene led by Jones and consistently documented on his Kadima CollectiveFind albums on this label label. Connoisseurs of the genre will be quite delighted to hear this stuff.
| | | CD 2 Recommend To A Friend |
  | PIOTR LEMANCZYK QUART-ER ~ LIVE IN KLUB ZAK
SOLITON 580 (Barcode: 5901571095806) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2016
This is a live recording by a quartet led by Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist, which features three American Jazz musicians: saxophonist Walter Smith IIIFind albums by this artist, pianist David KikoskiFind albums by this artist and drummer Colin StranahanFind albums by this artist. Polish trombonist Grzegorz NagorskiFind albums by this artist joins the quartet on three tracks, expanding the lineup to a quintet. The album presents seven tunes, six of which are original compositions by Lemanczyk and one is a standard.
Although Lemanczyk is definitely one of my favorite contemporary Polish Jazz musicians / composers, this album leaves me with mixed feelings, especially in comparison to his earlier recordings as a leader or sideman. Obviously since the majority of the players on this album are American, the music has almost nothing to do with Polish Jazz and should not be considered as such. Even the compositions by Lemanczyk are not able to save the day, and overall this sounds as just like one of thousands of American Jazz recordings which flood the market and are then immediately forgotten.
Of course these musicians can all play very well and have been doing so since many years, but on the other hand they have been playing the same post-Bebop stuff since their student days at the Berklee College of Music (well just two of the Americans studied there). This album might have been recorded anytime between now and fifty years ago, and we wouldn´t be able to tell the difference. In short I can understand the desire to play with renowned musicians, but the fact that those musicians come from the mainstream American scene might prove to be a drawback rather than an advantage.
Of course fans of mainstream American Jazz will find this album as exciting as anything else in that genre, and the two Polish musicians play at least as good as the Americans, if not better. Considering the excellent recording quality and the nice tunes by Lemanczyk, this is still an album worth listening to, but hardly anything that will change the Jazz idiom.
| | Updated: 31/12/2016Posted: 31/12/2016 | CD 1 Digipak Recommend To A Friend |
  | LICHTANSKI SOUND LAB ~ LIVE
PRK 0127 ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013
This is the debut album by a Polish Jazz quartet led by saxophonist Wojciech LichtanskiFind albums by this artist with pianist Michal SzkilFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Szymon MadejFind albums by this artist. The quartet, recorded live in the Katowice studio of the Polish Radio, performs six original compositions, all by Lichtanski. All the musicians are students of the Jazz Institute at the Katowice Academy of Music with ages ranging between 21 and 28 at the time of the recording.
As usual is such cases, it is very hard to believe that this music was created by such young musicians. The level of confidence, skill and most importantly composition present herein is simply outstanding and usually associated with established artists rather than novices. Perhaps this is one of the secret ingredients, which make the contemporary Polish Jazz scene to be one of the best and most exciting in the world. Of course one has to be careful not to boost the egos of these young musicians beyond proportions, but honestly this music is simply too good to be parsimonious with compliments. It is scary to think what these young cats will come up with when they grow up?
Lichtanski´s compositions are quite diverse both stylistically and dynamically, ranging from lyrical ballads characterized by that typical Polish lyricism and sweetly melancholic melody lines, to up-tempo numbers full of vigor and swinging magnificently. Yes, it is mainstream Jazz, but as such it represents the best side of mainstream, far away from the worn-out boring doodling, which is often associated with mainstream Jazz, giving it its bad name.
As performer, Lichtanski has a beautiful tone, which normally takes years to acquire, which is as effective on the listener as a snake charmer. His technique is also quite remarkable. Hs companions are all first-rate players, giving him excellent support throughout. The quartet functions very well as a group, with the musicians listening to each other carefully and respecting their individual space. I´d love to hear more solos by the other quartet members, but I´m sure there will be plenty of opportunity for this in the future, as these musicians are here to stay. The pianist is the most intriguing contributor, with some blood-hurdling effectiveness during his solos, but the rhythm section is also exactly right were it´s needed, strong, precise and imaginative.
In short this is one stunning debut album, which simply lifts up the spirit and leaves the listener longing for the next chapter, full of expectations. Well done indeed lion cubs!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | JON LORD ~ LIVE
EAR MUSIC 4029759159810 (Barcode: 4029759159810) ~ UK ~ Classic Rock
Recorded: 2009 Released: 2023
This is a reissue of a live album by the great British keyboardist / composer Jon LordFind albums by this artist recorded in 2009 in Bucarest, Romania, with a local Symphonic Orchestra and several soloists, including singers Steve BalsamoFind albums by this artist and Polish Kasia LaskaFind albums by this artist, Bulgarian bassist Ivaylo ZvezdomirovFind albums by this artist and drummer Venko PoromanskiFind albums by this artist and Russian guitarist Darin VasilevFind albums by this artist. Balsamo, Laska and Vasilev participated later in the recording of the “Concerto For Group And OrchestraFind albums with this title”, completed shortly before Lord’s death in 2012. The album presents nine tracks, all of which, except one. are composed or co-composed by Lord.
The music is a mixture of Lord’s orchestral music, which was his main field of interest in the last year of his life, and Deep Purple material, arranged for the orchestra and Rock group. The performances are all quite spectacular, and Lord / Deep Purple fans will find this stuff irresistible. Vasilev’s guitar soli are pretty blood curdling, Lord plays some great organ parts and both vocalist are world-class performers, so the result is really spectacular.
Lord’s affinity to Classical Music was always an important part of his musical vision and although performances with Symphonic Orchestras are always costly and complicated affairs, he managed to make some groundbreaking recordings in this area, often bringing Rock listeners to discover Classical Music.
Overall, this is another wonderful piece of music, which documents the splendid career of one of the most colorful and talented British musician, who managed to create many cross-genre projects, all of which were exemplary achievements. It is great to see this album reissued, as the original release was quite limited and disappeared from the market almost immediately after being released. This is an absolute must to all Lord / Deep Purple fans!
| | Updated: 16/08/2023Posted: 16/08/2023 | CD 1 Digipak Recommend To A Friend |
  | JON LORD BLUES PROJECT ~ LIVE
EAR MUSIC 4029759140672 (Barcode: 4029759140672) ~ UK ~ Blues-Rock
Recorded: 2011 Released: 2021
This is a reissue of the only album by British keyboardist / composer / bandleader Jon LordFind albums by this artist and his group Blues ProjectFind albums by this artist, which included some of the finest British musicians associated with Blues and Blues-Rock idioms: guitarist / vocalist Miller AndersonFind albums by this artist, keyboardist / vocalist Zoot MoneyFind albums by this artist, vocalist Maggie BellFind albums by this artist, bassist / vocalist Colin HodgkinsonFind albums by this artist and drummer Pete YorkFind albums by this artist. The album was recorded live and presents twelve tracks, which include original material by the members of the group as well as classic Blues songs by British and American songwriters.
Lord, primarily known as the founder of the seminal Rock group Deep PurpleFind albums by this artist, but also as a respected Classical composer, had a deep affinity towards the Blues and recorded several Blues albums with the Australian band Hoochie Coochie MenFind albums by this artist. This album, recorded in May 2011, almost exactly a year before Lord’s untimely death, is one of his very last recordings.
The music is absolutely divine and the stellar lineup offers some breathtaking vocal and instrumental performances, in the best tradition of the British Blues / Blues-Rock. Lord’s Hammond organ gets a lot of the well-deserved exposure and everybody on the stage seems to have a great time, which projects directly on the music played.
Overall, this is a true blast from start to finish, an unadulterated serving prepared by savvy veterans, who know their stuff inside out and seem to be completely unaffected by time. The album is an absolute must to all British Blues / Blues-Rock fans and a great reminded of the many talents of Jon Lord, who is greatly missed!
| | Updated: 08/09/2021Posted: 08/09/2021 | CD 1 Digipak Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT
EMI 599184 ~ UK ~ Blues
Filmed in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord. Dolby Digital 5.1 Surround Sound, 130 minutes.
| | Updated: 24/02/2021Posted: | DVD 1 Bonus Tracks Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT
EMI 596789 ~ UK ~ Blues
Recorded in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord.
| | Updated: 24/02/2021Posted: | CD 2 Recommend To A Friend |
  | LOUD JAZZ BAND ~ LIVE IN OSLO: 30TH ANNIVERSARY SPECIAL EDITION
LJB 010 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020
As the title suggests, this is a live recording celebrating the 30th anniversary of the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, founded and led by Polish guitarist / composer Miroslaw KaczmarczykFind albums by this artist. The nonet lineup, which is captured on this album, includes also trombonist Oyvind BraekkeFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Pawel PantaFind albums by this artist, drummer Ivan MakedonovFind albums by this artist, percussionist Kenneth EkornesFind albums by this artist and pedal steel guitar player Kjetil RoyslandFind albums by this artist. The concert presents the ensemble performing five original compositions, all by the leader.
The music of the Loud Jazz Band is a highly polished, melodic and mostly lyrical Jazz-Rock Fusion, with a well balanced ratio between the more Jazz oriented brass solos and more Rock oriented guitar and keyboard solos, supported by a superbly slick and well oiled rhythm section. The compositions get expanded treatments, which allow for all the ensemble members to show off their chops. The band is obviously one of the best of its kind in Europe, definitely more ambitious and sophisticated than most. It is a real pleasure to hear this band in action, especially in view of the superb solos performed in the duration, which spice the proceedings enormously.
Although Fusion is usually quite a limited idiom musically, the Loud Jazz Band consistently manage to prove that with talent and right attitude Fusion can be exciting, interesting and intelligent. The combination of the electric Rock elements and the Big Band Jazz sound they create is unique and remains completely relevant, now in their fourth decade of activity. Although the music on this album was released previously on the band´s studio albums, these live renditions are definitely worth hearing.
Overall this is, as usual, an excellent album and for Fusion and Jazz fans a highly recommended piece of excellent music, which yields nothing but pure delight!
| | Updated: 28/03/2020Posted: 28/03/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LOVE ~ LIVE
FRIDAY MUSIC 1094 (Barcode: 829421109426) ~ USA ~ Classic Rock
Recorded: 1978 Released: 2009
Ten years after the original lineup of the legendary US band LoveFind albums by this artist fell apart, mainly as a result of personality clash between the band´s charismatic leader / singer / songwriter Arthur LeeFind albums by this artist and the second singer / songwriter in the band Bryan MacLeanFind albums by this artist, the two protagonists agreed to a short reunion of the band in 1978. This album is the only document of this reunion, recorded at the legendary "Whisky A Go-Go" club and although the quality of the recording is no better that your average bootleg, the historic importance of this meeting overshadows the technical shortcomings. The band plays three of the songs from their revolutionary epic "Forever ChangesFind albums with this title" and other material, composed all by Lee and MacLean, except one cover. The informal atmosphere of the gig and authenticity of the setting bring the listener back to times, when great music could be heard in clubs any day of the week. Any fan of Love will surely love to put his hands on this album.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972
RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| | Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | ADAM MAKOWICZ ~ LIVE EMBERS (POLISH JAZZ VOL.43)
MUZA 1043 ~ POLAND ~ Jazz
Recorded: 1975 Released: 2005
This is the 2nd album in the legendary Polish Jazz series by the brilliant Polish pianist / composer Adam MakowiczFind albums by this artist, his first solo piano recording (a format he loves very much as documented in future recordings) and the first solo piano album in the entire series. By the time this album was recorded, Makowicz was the top piano Player on the local scene and one of the best European Jazz pianists. In the late 1970s Makowicz left Poland and settled in USA, like several other Polish Jazz players, escaping the socialist regime. His wonderful musicality, deep lyricism and typical European way to combine the Jazz tradition with the European Classical tradition (mainly Romanticism) make him a unique voice, which is always worth listening to. On this album he performs mainly his own wonderful music, spiced by his interpretation of a couple of Scott JoplinFind albums by this artist and John ColtraneFind albums by this artist tunes. This is a brilliant album and a must for Jazz piano lovers. Highly recommended!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | HARVEY MANDEL ~ LIVE AT BROADWAY STUDIOS – SAN FRANCISCO
ROCK BEAT 3366 (Barcode: 089353336622) ~ USA ~ Blues-Rock
Recorded: 2001 Released: 2018
This is an archival live album by legendary American Blues guitarist / composer Harvey MandelFind albums by this artist, recorded with keyboardist Dave ScottFind albums by this artist, bassist Joe DevitoFind albums by this artist and drummer John UlenFind albums by this artist. The album presents ten tracks, all of which are original compositions by Mandel, including many of his signature tunes.
Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day.
Mandel’s guitar sound and phrasing are completely unique and as such are highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos. He really deserves to be discovered by the true guitar lovers of all ages, as his relative anonymity is a crying shame.
This live recording offers relatively long explorations, full of brilliant guitar playing, which portrays Mandel’s abilities at their more explosive display, including a fourteen minutes long version of his composition “Wade In The Water”. The sound quality of this album is quite exceptional and offers an unedited document of the performance without any sound manipulation, which makes it very authentic.
Overall, this is an excellent opportunity to get to know or revisit one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when he first appeared on the scene.
| | Updated: 08/06/2023Posted: 08/06/2023 | CD 1 Recommend To A Friend |
  | MARILLION ~ LIVE FROM CADOGAN HALL
EAR MUSIC 4029759064046 (Barcode: 4029759064046) ~ UK ~ Progressive Rock
Recorded: 2009 Released: 2011
This is a live album by legendary British Neo-Progressive band MarillionFind albums by this artist, recorded during the last date of the “Less Is MoreFind albums with this title” tour in December 2009. The 2CD album presents the full concert spanning twenty-one tracks. The video material of this concert was also released on DVD.
The “Less Is More” album was the 16th studio album by Marillion and was an acoustic re-work of songs from their albums recorded since Steve HogarthFind albums by this artist became the band’s vocalist in 1989, starting with their 5th studio album “Seasons EndFind albums with this title”, and includes one previously unreleased song. The live concert includes obviously more songs from these albums.
The lineup includes Hogarth, guitarist Steve RotheryFind albums by this artist, keyboardist Mark KellyFind albums by this artist, bassist Pete TrewavasFind albums by this artist and drummer Ian MosleyFind albums by this artist. Marillion’s ability to maintain a steady personnel since the band’s formative time (except for the vocalist of course) is truly incredible and is one of the reasons that the band manages to keep an unbelievable level of artistry and success at the same time.
These acoustic versions emphasize the melodic qualities of Marillion’s material and the incredible vocal possibilities of Hogarth, which have few competitors.
Overall, this is a beautiful album from start to finish, which is among very few recordings justifying the existence of Prog these days, since the genre suffers from terrible stagnation and lack of direction, making it almost completely obsolete today. For Marillion fans this is an absolute must of course, and most Rock fans should be able to enjoy this music without any hesitation. A tour de force by any standard!
| | Updated: 07/07/2023Posted: 07/07/2023 | CD 2 Recommend To A Friend |
  | MARILLION ~ LIVE FROM LORELEY
EMI 599726 (Barcode: 724359972695) ~ UK ~ Progressive Rock
Recorded: 1987 Released: 2004
Filmed shortly before FishFind albums by this artist left MarillionFind albums by this artist to pursue a solo career, the band being in top form and at a peak of their popularity. The material includes a great selection of their all time favorites, going back to Jester`s Tear and spanning all the other albums released up to that time. Although released on VHS years ago, this film was out of circulation for a long time and is now most welcome back on the shelves. Dolby Digital Stereo, 87 minutes.
| | | DVD 1 Remastered Recommend To A Friend |
  | WYNTON MARSALIS ~ LIVE AT BLUES ALLEY
WOUNDED BIRD 4675 (Barcode: 664140467521) ~ USA ~ Jazz
Recorded: 1986 Released: 2007
Recorded live during a couple of nights at the Washington, D.C. club Blues Alley, this album captures 25 years old trumpeter / composer / bandleader Wynton MarsalisFind albums by this artist and his quartet doing their thing. Marsalis was already a "living legend", after spending the last half decade in the epicenter of public (Jazz and otherwise) eye. Behind him a series of Jazz and Classical Music recordings, received with almost universal applause and a long string of standing ovations at clubs and concert halls, which fallowed his live appearances. It was time to share the excitement of a live performance with a wider audience via a live recording and perhaps prove once and for all that the "living legend" status was not hype, but was based on solid grounds. The quartet, which earlier that year recorded the splendid "J MoodFind albums with this title" album, consisted of Marsalis, pianist Marcus RobertsFind albums by this artist, bassist Robert HurstFind albums by this artist and drummer Jeff WattsFind albums by this artist. The double album presents the music at the natural order of performance (with obvious editing), with each of the two records covering a separate night, two sets each night. This results in some of the tunes to be repeated twice, which of course is highly educational, as the performances are completely different, as appropriate for Jazz. The music, mostly written by Marsalis, with a few standards included as well, is mostly up tempo, which suits better a live performance situation and perhaps purposely allows the leader to "show off", proving his point. Regardless of the background information, hidden agendas and other less relevant factors, the music captured on this album is absolutely outstanding, turning it into one of the best live Jazz albums ever recorded. Wynton plays like a Greek God, with flow, technique, sound and virtuosity unparalleled by any of his peers, hitting the high register with might and sustain worthy of Maynard FergusonFind albums by this artist. The pianist delivers incredible solos, full of sublime contents both lyrically and rhythmically and the bass / drums backbone drives the music at a neck-breaking speed with elegance and zest. Whatever one might think of Wynton Marsalis as a person becomes completely irrelevant in view of the music presented here – he is a phenomenal performer and a great asset to the music, which really is all that matters. Absolutely essential piece of music!
| | | CD 2 Essential Recommend To A Friend |
  | WYNTON MARSALIS ~ LIVE AT THE VILLAGE VANGUARD
COLUMBIA 69876 (Barcode: 074646987629) ~ USA ~ Jazz
Recorded: 1990 - 1994 Released: 1999
This magnificent Box Set presents the Wynton Marsalis Septet recorded live at the most famous Jazz Mecca in the world, the NYC Village Vanguard club on Seventh Avenue in Greenwich Village – probably the oldest Jazz club in the world and a “holy ground”, where endless Jazz recordings have been made. The music was recorded between March 1990 and December 1994 and during those four and a half years the Septet was pretty stable, with just three musicians changing chairs: Eric Reed replaced Marcus Roberts on piano, Victor Goines replaced Todd Anderson on tenor and soprano saxophones / clarinet and finally Ben Wolfe replaced Reginald Veal on bass. The remaining four musicians are present on all recordings: Wynton Marsalis on trumpet, Wessell Anderson on alto saxophone, Wycliffe Gordon on trombone and Herlin Riley on drums. Wynton Marsalis is of course the most respected and adored Jazz virtuoso since the 1980’s and many see him as the successor of Miles Davis in the mighty Jazz Olympus. Marsalis is the epitome of a Jazz master: well bred, well educated, extremely intelligent and outspoken, with parallel highly successful musical careers in Jazz and Classical music and a revered trumpet virtuoso. Very few musicians have such an illustrious calling card to their credit. But above all these advantages Marsalis has also an incredible understanding of the Jazz idiom – both as a scholar (on the intellectual plane) and a performer / composer (on the emotional plane). His interpretations of Jazz standards are always way beyond the primeval melody - expanded and embossed with multiple layers of additional musical threads and polyrhythmic complexity. His ensembles always include the best and most skilled (usually pretty young) players, who under his direction and leadership manage to create some of the most fascinating and well played Jazz music ever. The choice of the septet as a vehicle to create the music Marsalis wants to present here is truly masterly. Seven brilliant musicians are surely plenty to produce an endless variety of solo / duo / trio improvisations at any given moment, as well as produce almost a Big Band sound when playing in unison. Therefore an incredible range of volume and density is possible and the dynamics of the music is constantly changing. Marsalis freely spans the entire stylistic spectrum of Jazz, from New Orleans to Post Bee-Bop, with a dash of free, with the band feeling equally confident all the way through. The entire set includes over 10 hours of some of the most fascinating and moving Jazz music I personally ever encountered and my musical experience would have been so much poorer if I never listened to this marvelous set.
| | Updated: 26/01/2019Posted: | CD 7 Box Set Essential Recommend To A Friend |
  | MATUSIK & GHOSTMAN ~ LIVE
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013
This is a debut album by Polish duo, which pairs keyboardist / composer Piotr MatusikFind albums by this artist and vocalist GhostmanFind albums by this artist (Grzegorz LulekFind albums by this artist). The music was recorded live and it was the duo´s debut performance. The album presents nine original compositions / songs co-credited to both members of the duo.
I have no idea why this album landed on my lap over two years after it was released, but better late than never. I must admit that I fell in love with this music from the first moment and I am still completely stunned by it. Mind you, it is only marginally Jazzy, but nevertheless it is one of the most original musical ventures on the Polish scene in the last few years.
Matusik, who is a very gifted pianist and composer as evident from his other recording projects, uses a plethora of keyboards to accompany the vocalist and skillfully changes the sounds / samples / timbre of his instruments to support his partner amicably, playing on the way some truly beautiful solos. He manages to be a complete and sufficient "one man orchestra", utilizing a drum machine and other tricks of the trade, doing it all with taste and respect.
But the real surprise for me is Ghostman, the vocalist. Not only is he blessed by a wonderful voice, which brings fond memories of the great Al JarreauFind albums by this artist, but he also manages to do something I never heard before and that is to improvise the songs´ lyrics inventing them in a gibberish language, which sounds as if spoken in a language, but in fact has no meaning whatsoever. The listener is convinced he is hearing Portuguese, Spanish, French or Italian but in fact this is all gibberish. Of course since most people do not speak many languages, they are convinced that they simply don´t understand the lyrics, but the devilish trick of fooling them all is Ghostman´s illusion.
Honestly this can´t be accurately described by words and the only way to experience it is to hear it live, which I intend to do on the first opportunity arising. In the meantime listening to this superb music and absolutely stunning vocal shenanigans is all that I can do. If I´d received this album a couple of years earlier I´d have selected it among the top 10 albums of 2013, but alas this was no to happen. Buy I pay my respect now: hats off to both of you! And where is that studio album we all want to hear?
| | | CD 1 Digipak Recommend To A Friend |
  | JOHN MAYALL ~ LIVE AT THE BBC
DECCA 984466 (Barcode: 602498446652) ~ UK ~ Blues
Recorded: 1965 - 1975 Released: 2007
As part of the splendid reissue series of the early John MayallFind albums by this artist and his BluesbreakersFind albums by this artist recordings, this album collects sessions made for the BBC, which are always a revelation and an important document of all UK artists’ output. Thanks to the UK Musicians’ Union agreement with the BBC, a vast number of recordings made on a regular basis documented over the years the development of the musical scene in the UK and many of these recordings are finding their rightful place on recent reissues. The bulk of the material on this album was recorded between 1965 and 1967 and features Eric ClaptonFind albums by this artist or Peter GreenFind albums by this artist as the lead guitarist. The last two tracks are from 1975 and were recorded for TV. Mayall was of course the most important protagonist of the UK blues movement and every piece of previously unheard material is an absolute treasure. Clapton’s and Green’s revolutionary guitar styles are a model for countless guitar players to this very day.
A special note to collectors:
Most of these tracks were included as bonus material on the Bluesbreakers With Eric Clapton (Deluxe Edition)Find albums with this title and A Hard Road (Expanded Edition)Find albums with this title reissues. Therefore this album is mostly for people who don’t own these reissues, or hard-core Mayall collectors.
| | | CD 1 Recommend To A Friend |
  | JOHN MAYALL ~ LIVE IN FRANCE 1967-73
REPERTOIRE 1459 (Barcode: 4009910145920) ~ UK ~ Jazz-Blues Fusion
Recorded: 1967 - 1973 Released: 2023
This is an archival album by the greatest British Blues Artists of all time, the iconic ninety years old Blues legend John MayallFind albums by this artist. The material originates from the French TV archives and presents twenty-two tracks captured during the five most productive years of Mayall’s early career, both on two CDs and a DVD. The list of participants reads like the Who’s Who of the Blues and Jazz-Blues Fusion history of the Golden Decade: guitarists Mick TaylorFind albums by this artist, Jon MarkFind albums by this artist, Harvey MandelFind albums by this artist and Freddie RobinsonFind albums by this artist, bassists Steve ThompsonFind albums by this artist, Alex DmochowskiFind albums by this artist, Larry TaylorFind albums by this artist and Victor GaskinFind albums by this artist, drummers Keef HartleyFind albums by this artist, Colin AllenFind albums by this artist and Paul LagosFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Johnny AlmondFind albums by this artist and Red HollowayFind albums by this artist, violinist Don Sugarcane HarrisFind albums by this artist, trumpeter Blue MitchellFind albums by this artist and others.
During those years Mayall’s groups changed constantly, and with the lineup changes also the stylistic direction changed accordingly, moving from classic Blues towards more open, Jazz influenced acoustic Blues and later Brass-Rock Blues. Mayall was constantly searching for new avenues to explore the Blues realm, gradually moving away from the classic traditional Blues songs towards original material.
This compendium of previously unavailable material is of course an incredible historic document of great value. Although the sonic quality is far from perfect at times, but combined with the video footage brings backs fond memories of a time period, when originality and uncompromised creativity was above all. Mayall’s magnificent contribution to music deserves this kind of documentation and Repertoire Records are certainly one of the best activists in that area.
Overall, this is a magnificent addition to Mayall’s recorded history and an absolute must for his many faithful followers. One can only hope for many such archival releases to follow suit. Thank you John for a lifetime of music!
| | Updated: 30/12/2023Posted: 30/12/2023 | 2CD+DVD 3 Slipcase Remastered Recommend To A Friend |
  | WOJTEK MAZOLEWSKI QUINTET ~ LIVE POLKA
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016
This is a live recording by Wojtek MazolewskiFind albums by this artist and his quintet, which presents live versions of the material recorded for his last studio album entitled "PolkaFind albums with this title". The lineup is not listed on the album´s minimal packaging, so one must assume that it is the same as the lineup which recorded the studio album. The album presents just three compositions from the studio album, with the title track repeated twice, one time lasting for over nineteen minutes and the second time for almost twenty six minutes.
These live versions are dramatically different from the concise studio versions and show the quintet stretching out and playing extensive solo sections, group improvisations and trance like repetitions, which are absent from the studio album. In short this album could be seen as "the other side" of "Polka".
Of course a live album always turns the attention of the listener to the individual players checking out their chops and technical skills. Although these musicians are experienced and talented, they definitely are not up to the challenge to keep the listener captivated for extended periods of time and the album fails in that respect. If one wants listen to long solo bass solos, there are plenty of other bassists to choose from. Perhaps shorter pieces would have worked better? In addition the sound quality of the album is rather hollow and unfocused, which does not help.
The album also shows the punkish attitude of Mazolewski towards his listeners, a hype he has been demonstrating since his Punk and Yass days, which honestly is passé today. The charm of being rebellious works for a while, but eventually what the musician has to offer artistically should kick in, which in Mazolewski´s case somehow does not happen too often lately
It is difficult to understand what the reasoning behind releasing this album was. If it means to serve as an invitation to the quintet´s live shows, it is definitely not the best advertisement that could have been chosen. This album and the latest Pink FreudFind albums by this artist album both find Mazolewski away from his best days that are well remembered.
| | Updated: 05/01/2025Posted: 28/05/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ LIVE @ RONNIE SCOTT`S
ABSTRACT LOGIX 058 (Barcode: 700261457000) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2017
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes three tracks from the last studio album at the time “Black LightFind albums with this title” and earlier compositions.
The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| | Updated: 03/11/2021Posted: 03/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN / JIMMY HERRING ~ LIVE IN SAN FRANCISCO
ABSTRACT LOGIX 059 (Barcode: 700261467016) ~ UK ~ Jazz-Rock Fusion
Recorded: 2017 Released: 2018
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and American guitarist Jimmy HerringFind albums by this artist and his Invisible WhipFind albums by this artist quintet, with violinist Jason CrosbyFind albums by this artist, keyboardist Matt SlocumFind albums by this artist, bassist Kevin ScottFind albums by this artist and drummer Jeff SipeFind albums by this artist. The resulting Fusion nonet performs eight classic Mahavishnu OrchestraFind albums by this artist tunes, all composed by McLaughlin.
The music is a hyper-powerful explosion of Jazz-Rock Fusion, which pays tribute to the legendary Fusion group founded and led by McLaughlin, which in many respects defined Fusion as we know it, with very few significant developments in the genre that happened in the fifty years that followed since it was at its peak.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. The members of his quartet, as well as the members of Herring’s Invisible Whip all play as if there was no tomorrow and the hair-rising soloing continues as an unstoppable hurricane, which should give all electric guitar oriented Fusion lovers an unforgettable listening experience.
The music sounds remarkably fresh and lost nothing of its originality and ingenuity over time, and this double-trouble powerful approach proves to be extremely effective musically. Yes, they raise a hell of a racket, but what a sublime racket it is!
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| | Updated: 06/11/2021Posted: 06/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MCPHEE, TONY ~ LIVE IN POLAND AT BLUES EXPRESS
WYDAWNICTWO 21 008 ~ UK ~ Blues
The legendary UK guitarists, singer, composer and leader of Groundhogs needs no introduction. Since the 1960`s McPhee and his group broke the ground for Blues / Rock and recorded a series of exceptional albums. This album finds a much older and mature McPhee going back to the roots and playing and singing some fine acoustic blues. The material includes mostly well known blues standards and a few compositions by McPhee. On a few tracks he is joinded by local musicians. For acoustic Blues lovers this is a true treat.
| | | CD 1 Recommend To A Friend |
  | FRANKIE MILLER ~ LIVE AT ROCKPALAST
MIG 90592 (Barcode: 885513905925) ~ UK ~ Blues-Rock
Recorded: 1976 - 1982 Released: 2013
This Box Set presents a collection of live concert recordings by the great British Blues-Rock vocalist / guitarist / songwriter Frankie MillerFind albums by this artist, captured by the German TV program Rockpalast. The 3CD collection presents forty-three tracks, recorded on three different occasions, as described below. With a few exceptions all the songs were written by Miller.
CD1 was recorded on August 28th, 1982 and the lineup includes Miller, lead guitarist Ed DeaneFind albums by this artist, keyboardist Mick WeaverFind albums by this artist, bassist Chrissie StewartFind albums by this artist and drummer Malcolm MortimoreFind albums by this artist.
CD2 was recorded on June 3rd, 1976 and the lineup includes Miller, lead guitarist Ray MinhinnitFind albums by this artist, keyboardist James HallFind albums by this artist, Stewart and drummer Graham DeaconFind albums by this artist.
CD3 was recorded on May 6th, 1979 and the lineup includes Miller, Deane, guitarist / accordionist / violinist Steve SimpsonFind albums by this artist, keyboardist Nick JuddFind albums by this artist, bassist Tex CommerFind albums by this artist and drummer Fran BryneFind albums by this artist.
Miller was blessed with an incredible throaty voice, closely similar to that of Paul RodgersFind albums by this artist, Rod StewartFind albums by this artist or Joe CockerFind albums by this artist, also sharing their affinity to the Blues, making him one of the best British Blues-Rock vocalists ever. He recorded a series of excellent albums for the ChrysalisFind albums on this label label, which were reissued in the brilliant Box Set “...That`s Who! - The Complete Chrysalis Recordings (1973-1980)Find albums with this title”, and which is a must to all British Blues-Rock fans. His live performances are full of energy and zest, as this music in this Box Set proves beyond any doubt.
In 1994 Miller suffered a brain aneurysm, who took him out of the performing environment, but he made a remarkable recovery, which took over a decade, and returned to recording music.
Overall, this is a wonderful archival collection of live performances by Miller at his peak, which is a true delight to all Blues-Rock fans, and offers incredible thrill of music performed with joy and passion. Wholeheartedly recommended!
| | Updated: 10/03/2024Posted: 09/03/2024 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | PHIL MILLER / IN CAHOOTS ~ LIVE 86 - 89
CRESCENT 09 ~ UK ~ Canterbury Scene
Recorded: 1986 - 1989 Released: 2008
Legendary guitarist Phil MillerFind albums by this artist and his In CahootsFind albums by this artist ensemble have been active on the Canterbury / Jazz scene since the 1980s, constantly changing lineups but always producing music of the highest quality. A vehicle for presenting Miller’s intricate and highly sophisticated compositions, the ensemble’s recorded legacy through the years – both studio and live – is a great example of European Jazz. This album presents a series of live recordings from the 1980s with a stellar lineup, which includes Miller – guitar and guitar synthesizer, Elton DeanFind albums by this artist – alto saxophone and saxello, Peter LemerFind albums by this artist and Steve FranklinFind albums by this artist – keyboards, Hugh HopperFind albums by this artist and Fred BakerFind albums by this artist – bass and Pip PyleFind albums by this artist – drums. Most of the music, except one tune by Hopper, Dean and Franklin each, was composed by Miller and is as usual exceptional, as are the performances. This is a reissue of the original edition of this album from 1989, which is now a rare collector´s item. Highly recommended!
| | | CD-R 1 Recommend To A Friend |
  | PHIL MILLER / IN CAHOOTS ~ LIVE IN JAPAN
CRESCENT 02 (Barcode: 5020522080224) ~ UK ~ Canterbury Scene
Recorded: 1991 Released: 1993
Guitarist / composer Phil MillerFind albums by this artist and his In CahootsFind albums by this artist ensemble have been a consistently excellent source of great music for many years. This particular lineup is a sextet and includes: Miller – guitar, Elton DeanFind albums by this artist – sax, Jim DvorakFind albums by this artist – trumpet, Peter LemerFind albums by this artist – keyboards, Fred BakerFind albums by this artist – bass and Pip PyleFind albums by this artist – drums. Recorded live during a Japanese tour, this album presents the group performing the wonderful Miller’s compositions in an extended form, with many outstanding solos by all the players. Much of the set is drawn from Phil´s solo album Digging InFind albums with this title and it is interesting to compare the carefully controlled studio versions with these loose, fiery, live ones. Miller always talks about himself first as a composer and only then as a guitarist, and rightly so since although he is an excellent player, he has very few equals as a song-weaver. Excellent stuff!
| | | CD 1 Recommend To A Friend |
  | MILO ENSEMBLE ~ LIVE
MILO 305 ~ POLAND ~ Jazz-World Fusion
Recorded: 2019 Released: 2019
This is a live recording by the ensemble led by Polish (of Greek origin) multi-instrumentalist / composer / band leader Milo KurtisFind albums by this artist, which includes some of the top World Music musicians active in Poland, all of whom are multi-instrumentalists playing authentic acoustic instruments originating from many different corners of the world. They are: saxophonists Misza KinsnerFind albums by this artist and Bartosz SmoragiewiczFind albums by this artist, percussionist Adeb ChamounFind albums by this artist, multi-instrumentalist / vocalist Bart PalygaFind albums by this artist and oud player Mateusz SzemrajFind albums by this artist. The album presents eleven original compositions, eight of which were composed by Kurtis, one was co-composed by him and Smoragiewicz and one each were composed by Smoragiewicz and Palyga. I had the pleasure not only to be present at the Polish Radio Agnieszka Osiecka Studio, where this album was recorded, but even introduced the ensemble to the public before the concert started.
The album faithfully captures the music that was played during that evening, which was mostly improvised on the basis of the pre-composed themes, completely acoustic and deeply spiritual, with Kurtis directing the ensemble but allowing the individual players to venture into extensive improvisations, and eventually bringing them back into the structured framework. Amazingly everything worked out beautifully together and the superb sound quality and separation allows the listener to hear every tiny detail within the complex wall of sound created by the six musicians.
In comparison to the earlier recordings by Kurtis, the music on this album is less Jazz oriented per se and is much more atmospheric, venturing into Improvised Music idiom, but more form the World music direction rather than from the Jazz direction. As a result this album emerges as one of the most successful achievements in his substantial recording legacy. Of course this is not only due to the compositions and direction setting done by the leader but also thanks to the amazing talents of the participation musicians, who offer a vast kaleidoscope of sounds, instruments and influences, more extensive than what Kurtis ever managed to collect within one ensemble.
Overall this is probably the most impressive Jazz-World Fusion album released in Poland in 2019 and a most significant addition to the important recorded legacy of Milo Kurtis, who remains, after many years of activity, to be at the vortex of creativity and activity of the Polish musical scene, hopefully for many years to come. Se efcharistó file mou!
| | Updated: 01/01/2020Posted: 01/01/2020 | CD 1 Digipak Recommend To A Friend |
  | MILO ENSEMBLE ~ LIVE AT PROM KULTURY
MILO 303 ~ POLAND ~ Jazz-World Fusion
Recorded: 2018 Released: 2018
This is a live recording by an ensemble led by Polish multi-instrumentalist / composer / band leader Milo KurtisFind albums by this artist, which comprises of some of the top Jazz-World Music Fusion Polish or resident in Poland musicians: vocalist Rasm Al-MashanFind albums by this artist, oud player Mateusz SzemrajFind albums by this artist, kora player and vocalist Buba Badjie KuyatehFind albums by this artist, saxophonist Mariusz KozlowskiFind albums by this artist and percussionist Adeb ChamounFind albums by this artist. The album presents eight original compositions, five of which were composed by Kurtis, one was co-composed by him and Al-Mashan and one each composed by Kuyateh and Kozlowski.
Kurtis, in addition to being a charismatic bandleader and a colorful personality has also a rare talent of gathering around him excellent musicians, amalgamating their often diverse backgrounds into a stylistic blend, which is simply much more than just a sum of its ingredients. This happened with the NaxosFind albums by this artist ensemble, in which some of these musicians were members, as well as in his earlier ensembles, and it applies to this one with the exact same efficiency. The music on this album combines many seemingly dissimilar World Music elements from Africa, Middle East and other sources, wonderfully weaving them together with Jazz improvisation, producing an irresistible and enchanted musical flying carpet ride.
Each of the ensemble members represents a different aspect of the music and their cooperation, despite the short lived period of preparation, works like magic. Al-Mashan is a soulful vocalist, bringing to life the great tradition of female vocalists from the Arab World, like the diva Umm Kulthum, updating it to the contemporary World Music idiom. Szemraj is an oud virtuoso and he can easily stand shoulder to shoulder with Middle Eastern Masters of the oud. Kuyateh adds a wonderful color and tonal harmony to the proceedings, Kozlowski is the Jazz element and Chamoun superbly creates a polyrhythmic foundation, which keeps the music flowing. Kurtis, as usual, is in charge of the atmosphere and leads the ensemble firmly on track.
Although Jazz-World Fusion music is quite popular in Poland and produces some excellent recordings, only a very few of those come close to the level of this album, which is full of spontaneity, happiness of making music and unpretentious but highly effective and honest music.
Hopefully this ensemble will record a studio album sometime in the future, but in the meantime let´s feast on this little gem of an album, which proves that music is one and universal, that borders are meaningless and that good music goes directly to the heart of people! Don´t miss that one!
| | Updated: 28/07/2018Posted: 28/07/2018 | CD 1 Digipak Recommend To A Friend |
  | MILO ENSEMBLE & NILS PETTER MOLVAER ~ LIVE
MILO 307 ~ POLAND ~ Jazz-World Fusion
Recorded: 2023 Released: 2023
This is a live album by the Polish Jazz-World Fusion Milo EnsembleFind albums by this artist, led by clarinetist / composer Milo KurtisFind albums by this artist, with guest Norwegian trumpeter / composer Nils Petter MolvaerFind albums by this artist. The ensemble includes reeds player / flautist Bartosz SmoragiewiczFind albums by this artist, vocalist Masha NatansonFind albums by this artist, bass saxophonist Misza KinsnerFind albums by this artist, oud player Mateusz SzemrajFind albums by this artist and percussionist Adeb ChamounFind albums by this artist. The album presents ten tracks, six composed by Kurtis, and two each by Molvaer and Smoragiewicz. The music was excellently recorded and offers a splendid sound quality and separation, which enables the listener to hear all the intricate nuances.
Kurtis follows the same formula he devised for the ensemble since its establishment in 2015, as well as the tradition of recording his albums live, which has proven to be highly effective so far. The brilliant chemistry he manages to create, while leading his ensemble during live performances, is second to none and works perfectly to achieve the multiculti amalgam, with the music embracing Mediterranean, Middle-Eastern, Indian and African traditions.
The ensemble’s members are all accomplished musicians, with intimate knowledge of their respective instruments, and considering the fact that they all play several different instruments, the result is very colorful, diverse and exciting for the entire duration.
The presence of Molvaer does not have a dramatic impact on the music, and his melancholic Nordic tendencies, which are usually way more meditative and minimalist on his recordings as a leader, do not take over the general mood here, but integrate well with the rest of the ensemble. However, his trumpet and electronics dominate the two pieces he contributed, with the ensemble carefully taking a step back, which means that his pieces serve as a kind of interludes between the rest of the pieces.
The more Jazz oriented listeners should be delighted by the extensive instrumental improvisations, and in in one case vocal improvisation, which are intensely present on the longer pieces.
Overall, this is another highly successful recording my Kurtis and his ensemble, and although not innovative, it continues the established path faithfully, to the delight of his fans and followers. I am still hoping to hear a studio album by Kurtis and his cohorts, but perhaps sticking to a formula is the best solution. Time will tell…
| | Updated: 14/04/2024Posted: 14/04/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | CHARLES MINGUS ~ LIVE AT MONTREUX 1975
EAGLE 826992041322 (Barcode: 826992041322) ~ USA ~ Jazz
Recorded: 1975 Released: 2018
This is an archival 2CD album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded live at the Montreux Jazz Festival. It presents a quintet recording on CD1, with pianist Don PullenFind albums by this artist, drummer Dannie RichmondFind albums by this artist, saxophonist / flautist / vocalist George AdamsFind albums by this artist and trumpeter Jack WalrathFind albums by this artist. On CD2 the lineup is expanded to a septet with the addition of baritone saxophonist Gerry MulliganFind albums by this artist and trumpeter Benny BaileyFind albums by this artist. The album presents five tracks, four of which last for over ten minutes and one lasts for over half an hour. It is one of the last live recordings by Mingus, before his health issues prevented him from performing. He died less than four years later in 1979 at the ridiculous young age of fifty-six.
The music, mostly composed by Mingus with the exception of one classic standard, reflects his typical modus operandi, with the band playing shifting themes with constantly changing tempi, full of brilliant improvisations, led brilliantly by the leader and his inimitable bass pulsations. The meeting with Mulligan is especially moving and shows the deep personal respect between these two American Jazz Giants, who are able to find a common language despite their contrasting stylistic attitudes.
Overall, this is an important document of one of the greatest and most original American Jazz figures, and despite the fact that many live recordings from this period appeared on the market in the meantime, each of them is absolutely unique and special and all are worth a respectful place in a serious Jazz records collection. Mingus was definitely one of a kind, which nobody can deny.
| | Updated: 12/09/2024Posted: 12/09/2024 | CD 2 Recommend To A Friend |
  | MOODY BLUES ~ LIVE AT THE BBC 1967-1970
DERAM 602498472026 (Barcode: 602498472026) ~ UK ~ Progressive Rock
Recorded: 1967 - 1970 Released: 2007
This is a collection of BBC Radio recordings by the seminal British Prog group The Moody BluesFind albums by this artist. The album presents ten radio sessions, two TV sessions and a concert, which cover the material included on the three albums by the group on the DeramFind albums on this label Records label: "Days Of Future PassedFind albums with this title", "In Search Of The Lost ChordFind albums with this title" and "On The Threshold Of A DreamFind albums with this title" and two albums on their own ThresholdFind albums on this label Records label: "To Our Children`s Children`s ChildrenFind albums with this title" and "A Question Of BalanceFind albums with this title", altogether forty one tracks on two CDs. All the songs bar one were written by the group´s members.
Following a relatively brief flirt with Pop and the release of their debut album "The Magnificent MoodiesFind albums with this title", the group switched to writing their own material and soon became one of the pioneers of British Progressive Rock and Psychedelia, creating a series of seven magnificent groundbreaking albums between 1967 and 1972. Their music was always deeply melodic and at the same time cleverly sophisticated, using the developing recording techniques to create multilayered epic works, often using Classical Music influences and orchestration combine with advanced use of early synthesizers and electronics.
In retrospect the achievements of The Moody Blues have but a few equals as far as contemporary Popular music is concerned and the music they created at the time seems to be unmatched by almost anything done since as far as expanding the musical horizons is concerned.
The live snippets of their music captured on this album thanks to the BBC open-mindedness and liberal approach to documenting the music being created regardless of its popular appeal, is a time capsule of quality and ingeniousness, which we can only admire today and perhaps set as an example, although with little hope of it being followed anytime soon. Brilliant stuff!
| | Updated: 26/05/2019Posted: 26/05/2019 | CD 2 Recommend To A Friend |
  | GARY MOORE ~ LIVE FROM LONDON
PROVOGUE 7605 (Barcode: 810020501032) ~ UK ~ Blues-Rock
Recorded: 2009 Released: 2020
This is an archive album by British guitar virtuoso / vocalist / composer Gary MooreFind albums by this artist, recorded live in December 2009 just over a year before his untimely death in 2011. The album was recorded with keyboardist Vic MartinFind albums by this artist, bassist Peter ReesFind albums by this artist and drummer Steve DixonFind albums by this artist. The album presents thirteen tracks, some being his original compositions, which span his entire career, with an emphasis on Blues, which was always his favorite idiom despite the fact that his career covered a wide range of genres.
The tight band and the incredibly coherent choice of material make this album one of his best ever live recordings. The fire and virtuosity of his soloing fully justify his legendary status as a guitar hero and one of the very best axe man of his generation. The music includes such classic Blues anthems as John MayallFind albums by this artist’s “Have You Heard” and Al KooperFind albums by this artist’s “I Love You More Than You’ll Ever Know”, which alone are the worth the price of the album in gold.
Overall this album is an instant classic, especially for Blues-Rock enthusiasts and a wonderful reminder of Moore’s genius. Although the market is pretty stuffed with live Moore material, this album is an absolute highlight and an essential part of any decent music collection. Wholeheartedly recommended!
| | Updated: 09/08/2021Posted: 09/08/2021 | CD 1 Digipak Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE AT JAZZFEST BREMEN 1988
MOOSICUS 1314 (Barcode: 885513131423) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1988 Released: 2021
This is an archival album by Brazilian drummer / composer / bandleader Airto MoreiraFind albums by this artist and his wife, singer / songwriter Flora PurimFind albums by this artist, recorded live with their quintet, which also included keyboardist Marcos SilvaFind albums by this artist, American saxophonist Gary MeekFind albums by this artist and bassist Robert HarrisonFind albums by this artist. The album presents ten tracks, eight of which are original compositions / songs by the quintet members and two are Brazilian standards.
Airto and Flora (separately and together) were for many years the most important representatives of Brazilian music outside of their native country and contributed immensely to the creation of the Brazilian-flavored Jazz-World Fusion, recording dozens of dazzling albums in that genre, with many of the world’s best Jazz musicians.
Airto is a brilliant drummer and percussionist and Flora is a breathtaking singer and both have been among my favorite musicians since many decades. I have had the pleasure to meet them many times of course. Therefore, any archival material released with their music is always a great joy.
This live recording catches them with an exceptionally tight quintet, which plays like clockwork, and enables everybody to show their best. Flora’s vocals are brilliant as always and the band offers great saxophone and keyboards parts and a brilliant rhythm section work, including a lengthy showcase of Airto’s solo performance.
Overall, this is a wonderful time capsule, which preserves the spirit of Brazilian Jazz-World Fusion at its best, and as such is absolutely worth being released now, despite the fact then the sound quality is somewhat muddy at times. A superb reminder of the great talent of this Royal Jazz Couple.
| | Updated: 20/03/2022Posted: 20/03/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE IN BERKELEY
AIRFLOW 801097003840 (Barcode: 801097003840) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1990 Released: 2012
This is an archival live recording by the Brazilian Jazz “Royal Couple” of percussionist / drummer / vocalist / bandleader Airto MoreiraFind albums by this artist and his wife singer / songwriter Flora PurimFind albums by this artist. The music was recorded in a tight quintet format with bassist Gary BrownFind albums by this artist, keyboardist Helio AlvesFind albums by this artist and saxophonist Widor SantiagoFind albums by this artist. The album presents seven lengthy tracks, two of which are well known pieces associated with the couple’s stint in the Return To ForeverFind albums by this artist group led by Chick CoreaFind albums by this artist. The album offers exceptional sound quality, especially for a live recording.
With four Brazilian musicians on board, the music offers a brilliant Jazz-World Fusion tribute to Brazilian sources. Two of the tracks are trio performances, four others are full quintet performances with Purim on vocals and one is a solo piece by Airto.
Alves proves to be a brilliant pianist, truly shining in the over twenty minutes long rendition of “La Fiesta”, but his performances on all the tracks is nothing short of phenomenal. Another RTF piece “Light As A Feather” also gets a fourteen minutes’ treatment, which causes goosebumps to appear on every listener’s skin, probably even in case of deaf persons.
Although Airto and Flora recorded several live albums together, this is undoubtedly their absolute best, in every respect – the exceptional material, brilliant performances and sublime sound just all fall together perfectly.
Overall, this is a surprising reminder of how great Airto / Flora and their cohorts sounded live, which of course I have experienced in person many times, but never heard on records in such glorious manifestation. For the couple’s many fans, this is an absolute must have, a sublime mixture of Jazz and Brazilian music, which sound still absolutely gorgeous, now thirty-three years later.
| | Updated: 17/05/2023Posted: 17/05/2023 | CD 1 Recommend To A Friend |
  | VAN MORRISON ~ LIVE AT ORANGEFIELD: BE JUST AND FEAR NOT
ORANGEFIELD 5061030860472 (Barcode: 5061030860472) ~ IRELAND ~ Classic Rock
Recorded: 2014 Released: 2024
This is an archival live album by legendary Northern Irish singer / songwriter Van MorrisonFind albums by this artist, recorded in 2014 during his performance at his alma mater Orangefield Secondary School in Belfast, Northern Ireland, just before it was about to close its doors, fifty-five years after he performed there for the first time in 1959. He is accompanied by a splendid group of musicians, which includes keyboardist Paul MoranFind albums by this artist, guitarist Dave KearyFind albums by this artist, bassist Paul MooreFind albums by this artist, drummer Bobby RuggieroFind albums by this artist, a brass section comprising of saxophonist Chris WhiteFind albums by this artist and trombonist Alistair WhiteFind albums by this artist and backing singers. The album presents sixteen tracks, all but two original songs by Morrison. The sound quality of the live recording is brilliant and Morrison and his band are in absolute top form.
Morrison performs some of his favorite songs he wrote over the years, and considering the quality and quantity of the material he managed to accumulate, it is no wonder that the music is absolutely delightful and moving, as obviously the concert could be seen as a retrospective journey, which touches all his admirers, even if these songs were already performed many times. He is simply unbeatable as far as writing great songs and singing them, which go directly to the heart.
Overall, this is an obvious must have for all Morrison fans the world over, especially since this album offers a wonderful flow and festive atmosphere, which can be felt for the entire duration. If you love Morrison, there is no need to think twice as it does not get any better. This album was released on a new record label owned by Morrison, called OrangefieldFind albums on this label Records, which is not widely distributed and can be a bit more difficult to find, so buying directly from the label seems to be the best option. Enjoy!
| | Updated: 08/02/2025Posted: 08/02/2025 | CD 1 Digipak Recommend To A Friend |
  | MOUNT MEANDER ~ LIVE IN BERLIN
GOTTA LET IT OUT 29 ~ LATVIA ~ Free Jazz / Improvised Music
Recorded: 2017 Released: 2019
This is the second album by the international Jazz quartet Mount MeanderFind albums by this artist, which comprises of Latvian saxophonist Karlis AuzinsFind albums by this artist, German pianist Lucas LeidingerFind albums by this artist, Polish bassist Tomo JacobsonFind albums by this artist and German drummer Thomas SauerbornFind albums by this artist. The album presents eight original compositions all attributed collectively to the quartet members, which were recorded live in a Berlin Jazz club.
The music is a continuation of the formula introduced on the quartet´s debut album, which offers a series of conversations between the musicians based around fragmented melodic themes, but mostly freely improvised. It is however much more coherent and offers a wonderful continuity in comparison to the previous effort, which was somewhat hesitant, obviously marking the early days of this musical adventure. It is a wonderful example of contemporary Improvised Music / Free Jazz at its best. It is minimalist and restrained, completely non-aggressive and highly cooperative, but allows for highly expressive soloing by the individual musicians.
All four members of the quartet contribute sublime performances throughout the duration of the album, but it is difficult to ignore the stunning contributions by Auzins, who reaches an emotional apex equal to the great Masters of the genre. His fluidity and inventiveness are absolutely incredible. But the rest of the quartet is definitely up to par with the saxophone magic, each one of them in a different way; Leidinger lays sheets of atmospheric vistas and his delicate touches in the quiet passages are all masterful, Jacobson keeps the pulse of the music steady and gives it an anchor without which it would disintegrate and finally Sauerborn ornaments the rhythmic layer more intuitively than chronometrically. In short this is a magic performance.
Overall this is definitely one of the best European Avant-Garde Jazz albums that landed on my desk so far in 2019. It offers a hope and a beacon for Avant-Garde Jazz and Improvised Music, which sadly more often than not tend to fall apart and become more radical and chaotic than need be in an attempt to try and be original. One can only hope that more music of this quality will be made by these young musicians soon. Hats off Gentlemen!
| | Updated: 28/07/2019Posted: 28/07/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MULASTA TRIO ~ LIVE IN GREEN EYE
BCD 23 (Barcode: 5906881885222) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2008
This is a live recording by the Mulasta TrioFind albums by this artist, which consists of Polish Jazz violinist Tomasz MuchaFind albums by this artist, Finnish bassist Lasse LindgrenFind albums by this artist and Polish drummer Bartek StaromiejskiFind albums by this artist. They perform seven compositions, four of which are originals by Mucha, one is a Finnish tune, one is a standard and finally the last one is a folk tune arranged by Lindgren.
The music is performed almost completely acoustically, which is very different from most contemporary Jazz violin recordings, which sound mostly electric. This acoustic approach is reminiscent of early Jazz violin recordings before violin was almost completely drawn into Fusion. Although improvised and swinging, the overall result is not exactly within the mainstream Jazz boundaries and includes also World Music elements. The atmosphere is very relaxed and the musicians obviously have a great fun playing together.
The essence of the music is based on the intimate exchanges between the violin and the bass, with both instruments playing alongside constantly. This wonderful dialogue is the absolute highlight of this recording. Both Mucha and Lindgren perform with virtuosity and finesse, which definitely deserves to be discovered. Staromiejski respectfully accompanies the two soloists trying not to interfere with their performances and does a perfect job in that respect. Mucha´s compositions are all rounded and wonderfully lyrical, fitting elegantly this setting.
Overall this is a beautiful, graceful and delicate album, which is sadly little known and surely deserves a wider exposure. Although the Polish Jazz violin already holds a proud position in that music´s history, this acoustic variety surely deserves also to be a part of that heritage. I´d surely love to hear more of this kind of music in the future.
| | | CD 1 Digipak Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ LIVE AT KOSMOS, BERLIN
ITM 920007 (Barcode: 4250079750061) ~ POLAND ~ Jazz
Recorded: 1965 Released: 2008
This is an iconic recording by the Polish Jazz quartet led by saxophonist Zbigniew NamyslowskiFind albums by this artist, with German pianist Joachim KuhnFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. Recorded live on November 30, 1965 at the East Berlin Kosmos cinema, this is a quintessential piece of Polish and European modern Jazz history. Of the eight compositions present on this album, seven are by Namyslowski and one is by Kuhn.
In order to fully comprehend the meaning of the music captured here, one must in fact look at (and hear) three separate recordings by the Zbigniew Namyslowski quartet spanning a mere one and a half year period, which fully present the history of the Polish Jazz in the making. Starting with the album "LolaFind albums with this title", recorded in August 1964 in London, which was the first Jazz album recorded and released beyond the Iron Curtain by an East European artists, followed by this album from late 1965 and finally by the album "Zbigniew Namyslowski QuartetFind albums with this title" recorded in January 1966, which was Namyslowski´s first recording released as part of the legendary "Polish Jazz" Series.
In the liner notes accompanying this album German critic / historian Bert NoglikFind albums by this artist describes the historic background and the enormous significance of the modern Polish Jazz, which developed independently, almost isolated from the sources of information and influences, reliant only on sporadic radio broadcasts, few LPs trickling illegally and played till they were flat and ever rarer visits abroad. The fact that the Polish Jazz scene was so incredibly vibrant, inventive and beyond all revolutionary is one of the greatest miracles, which escape any attempt of logical or sociological explanation. But the fact remains that Namyslowski and many other Polish Jazz musicians spontaneously re-invented modern Jazz by daring to go where nobody ventured before.
The presence of the German pianist / composer Joachim Kuhn is another fabulous bonus. Kuhn would of course become one of the great leaders of the German Jazz scene in the years to come, but first he drifted where the great East European Jazz revolution was happening, living in 1964 in Czechoslovakia and playing with the legendary SHQFind albums by this artist led by Karel VelebnyFind albums by this artist and then moved to Poland, where he lived in 1965 and met Namyslowski, only to be invited to sit in the piano chair of his quartet. The following year Kuhn, like many other fellow East German musicians, would move over to the West and develop a fabulous musical career of his own.
The music is, of course, absolutely brilliant and the live setting allows for a considerably less constrained treatment of the themes, allowing for truly expanded improvisations, one of which goes beyond the half hour mark, something which was completely unthinkable earlier on. Again, when examining the three a.m. albums, it is interesting to see how the same compositions developed, which of them survived and which were dropped and most interestingly noting Namyslowski´s fascination with odd meters, which would become his trademark.
Drummer Bartkowski, who is the only musician present on all the three a.m. recordings alongside Namyslowski, is an outstanding example of how these young musicians developed rapidly, almost overnight. His contribution is an integral part of the music. Bassist Kozlowski, who plays on this album, was also present on the studio album recorded a few months later. His performance is also absolutely top notch.
Surprisingly enough, the sound quality is very decent compared to other archival recordings of that period, which enhances the overall experience of listening to these fabulous recordings. In all honesty there have been very few other archival Polish Jazz discoveries, if any at all, which are comparable to this monumental document. The fact that this music was buried for over forty years is a crime, but now that it finally sees the light of day, all serious music connoisseurs should be absolutely delighted. Such gems are as rare as the Koh-i-Noor and should be treated accordingly. Absolutely essential!
| | Updated: 18/07/2020Posted: | CD 2 Slipcase Essential Recommend To A Friend |
  | GRAHAM NASH ~ LIVE
PROPER 161 (Barcode: 805520031615) ~ UK ~ Classic Rock
Recorded: 2019 Released: 2022
This is a live album by legendary British singer / songwriter Graham NashFind albums by this artist, which presents contemporary interpretations of his first two solo albums: “Songs For BeginnersFind albums with this title” (1971) and “Wild TalesFind albums with this title” (1973). All eleven songs from the first album and ten songs from the second album are present in their original order. The album was recorded in 2019 during the Nash US solo tour, on which he performed only these songs, also in their original order.
Nash is accompanied by a formidable set of musicians, which includes guitarist Shane FontayneFind albums by this artist, keyboardist / vocalist Todd CaldwellFind albums by this artist, guitarist / vocalist Thad DeBrockFind albums by this artist, bassist Andy HessFind albums by this artist, drummer Toby CaldwellFind albums by this artist and backing singers Celisse HendersonFind albums by this artist and Grace StumbergFind albums by this artist.
The songs lost absolutely nothing from their original beauty, impact, melodic excellence and intelligent lyrics over the years and are a great reminder of the fact that Nash is one of the greatest songwriters of all times. His vocal abilities are completely intact and his presentation is sublime, as always.
Overall, this is a superb reminder of the fact that music used to be great years ago, and some of its creators are still around to make us remember. These are some of the most beautiful Classic Rock songs ever written, and although Nash left Britain and settled in the US, where his music mates were / are living, he could never take out the “Britishness” out of his songwriting and singing, which was always as charming as humanly possible. This is absolute musical magic!
| | Updated: 07/06/2022Posted: 07/06/2022 | CD 1 Digipak Recommend To A Friend |
  | NEKTAR ~ LIVE IN NEW YORK
ECLECTIC 1206/7 ~ UK ~ Progressive Rock
9th album from 1977 which was recorded live back in 1974 during Nektar`s first US tour in NY. The band play they hearts out here with a mixture of material from all their albums and some one-time only performances. The original album had a dubious sound quality, which is significantly improved here. This is a great historical document of this band`s lasting hesritage.
| | | CD 2 SACD Remastered Recommend To A Friend |
  | NIEMEN ~ LIVE IN HELSINKI 1973
GREEN TREE 169 (Barcode: 4015689001695) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2018
This is an archival album, which presents live recordings by the greatest Polish Rock / Fusion musician of all times, vocalist / keyboardist / songwriter Czeslaw NiemenFind albums by this artist.
The first three tracks on the album were recorded during a concert at the Helsingin Juhlaviikot (Helsinki Festival), Finland captured on August 28, 1972 (not on the 26th as the CD info states) and recorded by Finnish National Broadcasting Company (YLE) and later broadcasted on Finnish Radio and TV. Polish TV years later broadcasted the concert giving the wrong recording year, which is why the wrong date is associated with these tracks here and on YouTube, where the TV recording can be found. Another Polish Rock group, KlanFind albums by this artist, was also invited to that festival and their performance captured on the same day by the YLE can be found on the "Live Finland 1972Find albums with this title" album released by the great archival record label GADFind albums on this label Records – this time completely legally and with restored sound quality.
The two other tracks were recorded at the "Jazz Now!" 1972 Olympic Games concert in Munich, Germany, captured on August 17, 1972 and recorded by the German TV, which can also be found on YouTube. German Jazz critic / author / activist and my Friend and Mentor Joachim BerendtFind albums by this artist was the Artistic Director of the entire "Jazz Now" series (August 17 to 20, 1972) and his love and knowledge of the Polish scene was the reason why Niemen was the only Artist from behind the Iron Curtain invited to take part in this highly prestigious event..
All the tracks feature the core of what was to become the most famous Polish Fusion band SBBFind albums by this artist: bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist, accompanying Niemen´s vocals.
The music is absolutely stunning, as expected, and even the dubious sound quality of these recordings is not able to spoil the unadulterated pleasure this music is still able to generate almost fifty years after it was initially performed. Niemen was always light years ahead of his contemporaries on both sides of the Iron Curtain, and the fact that he remains still relatively anonymous beyond Eastern Europe, despite his revolutionary contributions and pioneering spirit, is a crying shame.
It is a great pity that the entire legacy of Niemen´s recordings made outside of Poland and many of his live recordings remain unreleased and are available only unofficially, like all the Green TreeFind albums on this label titles. His third Box Set, which was to include all these treasures, remains sadly an unfulfilled dream.
For all Polish Rock / Fusion enthusiasts as well as for the numerous Niemen fans this is an essential piece of his discography, which is definitely worth having, despite its technical flaws.
| | Updated: 29/12/2023Posted: 15/12/2019 | CD 1 Recommend To A Friend |
  | NIEMEN ~ LIVE IN OPOLE 1971
PROG ART 001 (Barcode: 4018564220013) ~ POLAND ~ Progressive Rock
Recorded: 1971 Released: 2018
This is an archival album, which presents a live recording of a concert by the greatest ever Polish Rock / Prog musician of all times, vocalist / keyboardist songwriter and bandleader Czeslaw NiemenFind albums by this artist. The material performed at the concert includes two songs from Niemen´s fourth album "EnigmaticFind albums with this title" with music by Niemen and lyrics (poems) by the great Polish poet Cyprian Kamil NorwidFind albums by this artist and two songs from his fifth album "NiemenFind albums with this title" (a.k.a. "The Red AlbumFind albums with this title") with music and lyrics by Niemen. The fifth song is Niemen´s version of an Otis ReddingFind albums by this artist song ("I´ve Been Loving You Too Long"), which was unrecorded at the time and was about to appear on Niemen´s first English-language album "Strange Is This WorldFind albums with this title" in 1972. For the Niemen aficionados the album includes the crowd cheering during a ceremony of Niemen receiving the Gold Album award for "Enigmatic" celebrated by the traditional Polish "100 Years" blessing, which tragically was not even close to Niemen´s destiny.
Niemen is supported by a great band, which includes organist Jacek MikulaFind albums by this artist, guitarist Tomasz JaskiewiczFind albums by this artist, bassist Janusz ZielinskiFind albums by this artist and drummer Andrzej TylecFind albums by this artist and a trio of female background singers, which includes Krystyna PronkoFind albums by this artist, Zofia BorcaFind albums by this artist and Elzbieta LinkowskaFind albums by this artist, all three ex-members of the group RespectFind albums by this artist. This band is much more Rock oriented than the studio lineups, which recorded the two albums, and which include some of the best Polish Jazz musicians and therefore are way more Fusion oriented. Sadly the guitar is mostly lost in the live mix, which is a great pity. The sound is dominated by the organ and overall is quite satisfactory. Two of the songs last for almost twenty minutes, one for ten minutes and the remaining two for eight and five minutes – together almost an hour of Niemen Magic.
The music and the performances are of course stellar and there is no point in going any further into the musical qualities and the historic importance of this recording. For Niemen fans and Polish / East European Classic Rock connoisseurs this is an absolute must of course! This edition of this album is identical to the Green TreeFind albums on this label edition.
This is obviously a bootleg, since none of Niemen´s live recordings are approved by his family, which is a pity. The artwork is riddled by countless spelling mistakes, which is unbecoming for such important document and Niemen´s memory. But all things considered, this is definitely better than this music being unreleased – the proverbial lesser evil.
| | Updated: 13/02/2020Posted: 13/02/2020 | CD 1 Recommend To A Friend |
  | NOYA / JAKUBEK / MASELI ~ LIVE
NOT ON LABEL ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2009 Released: 2012
This album presents a live recording of a trio, which comprises of world famous Indonesian (living in Netherlands) percussionist Nippy NoyaFind albums by this artist and two veteran Polish Jazz musicians: keyboardist Zbigniew JakubekFind albums by this artist and vibraphonist Bernard MaseliFind albums by this artist. The album includes six original compositions, four of which were composed by Maseli and two by Jakubek. Three of these compositions receive extended treatment and carry on for twelve and up to seventeen minutes, while the other three last the usual six / seven minutes. The sound quality is excellent and every detail of the music is perfectly audible, even though it was recorded live.
The music is mostly ambient and atmospheric, with a strong Jazz-Rock orientation, although much more fragile and delicate than the usual output of the genre. A strong World Music influence is also evident. The melodies are stated clearly and are the basis of the extended improvised passages. Jakubek often plays the bass lines using his instruments, so at times the music sounds like being performed by a quartet. The overall atmosphere is reminiscent of several Pat MethenyFind albums by this artist recordings with his group featuring keyboardist Lyle MaysFind albums by this artist.
The music is relaxed and flows gently from one track to another, but manages to stay inside the creative limits of the Jazz parameters, without spilling over into the muzak territory, which is usually where such undertakings eventually arrive at. Both Jakubek and Maseli play some truly great solos here and keep the music interesting, with Noya sticking to his percussive background. This is obviously an album, which belongs to the "lighter" side of Jazz, but it is does neither compromise the participating musicians nor insult the listener.
Not exactly my cup of tea, but I suspect that many listeners will love this album to bits, which is perfectly fine with me. This album is definitely recommended to those folks, who love melodic and well played music, which does not make your teeth ache.
| | | CD 1 Recommend To A Friend |
  | NUCLEUS ~ LIVE AT THE BBC
REPERTOIRE 1410 (Barcode: 4009910141021) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 - 1991 Released: 2021
This is a monumental 13CD archival Box Set by British Jazz-Rock Fusion ensemble NucleusFind albums by this artist, founded and led by trumpeter / composer / author / bandleader Ian CarrFind albums by this artist, one of the key figures on the British Jazz scene for five decades from 1960s on. The Box Set collects 28 radio broadcasts recorded between July 1970 and November 1991, an incredible document of the British Jazz history, the development of the genre in general and Jazz-Rock Fusion in particular. Painstakingly collected, organized, remastered / restored, the music is a priceless tribute to one of the most creative bands active in Britain ever. The Box Set includes an informative booklet with an essay written by Roger FarbeyFind albums by this artist.
The Nucleus lineup included over time the absolute Who’s Who of the British Jazz scene, including many of the first generation of players, who revolutionized British Jazz in the late 1960s. Some of the most prominent figures, who played with the ensemble for many years were saxophonist / keyboardist Karl JenkinsFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer John MarshallFind albums by this artist (who apart from Carr plays on almost all the tracks in this Box Set), saxophonist Brian SmithFind albums by this artist, guitarist Chris SpeddingFind albums by this artist and many others. Many of the ensemble members contributed also their original compositions to the repertoire performed by the ensemble, especially in the early days, with Carr’s compositions dominating the repertoire in the later period.
Although Nucleus, contrary to Farbey’s statement, did not pioneer British Jazz-Rock Fusion as such, the ensemble was one of the key focal points of the genre for many years, even after the genre run out of steam by the mid-1970s. Carr was a prolific composer and Nucleus was for many years the best environment to develop and present his compositions in the most successful way.
As usual with such releases, based on material from the BBC vaults, it is imperative to emphasize the role of the BBC in the development of music in Britain, when it supplied the stable platform for musicians to perform, with the music being broadcast (sometimes worldwide) and eventually archived for posterity. This unmeasurable contribution to British Culture is truly phenomenal.
Considering the fact that the music in this Box Set was taken not only directly from the BBC archives but also from many secondary private sources, often with problematic sound quality, the sonic effect, especially of the early material, is not up to par with today’s standards, but in view of its historic quality is welcome here, although with a slight unease.
Overall, this Box Set is a remarkable effort to document the history of one of the greatest Jazz-Rock Fusion ensembles of all times, and considering the fact that it is mostly previously unreleased, it is a collector’s treasure chest. It is definitely somewhat expensive, but for avid collectors it is worth its weight in gold.
| | Updated: 06/03/2022Posted: 06/03/2022 | CD 13 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | NUCLEUS ~ LIVE IN BREMEN
CUNEIFORM 173/174 (Barcode: 045775017327) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2003
Recorded live in 1971 for radio Bremen, this double album presents Nucleus second line-up, which features some of the best UK Jazz/Rock players at the time (4 of them played with various Soft Machine incarnations - Jenkins, Smith, Babbington and Marshall). With the brilliant guitar work by Ray Russell, this is somewhat similar to `Bitches Brew`, but of course recorded before Miles. A prime example of Fusion at its best!
| | | CD 2 Recommend To A Friend |
  | OBARA INTERNATIONAL ~ LIVE AT MANGGHA
FOR TUNE 0022 ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013
This is the second album by the international quartet led by Polish Jazz saxophonist / composer Maciej ObaraFind albums by this artist, called Obara InternationalFind albums by this artist, which also includes the superb Polish pianist Dominik WaniaFind albums by this artist and a Norwegian rhythm section: bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist. The album, which was recorded live, comprises of six pieces, five of which are original compositions by Obara and the remaining one is by Krzysztof KomedaFind albums by this artist, to whom this group dedicated their debut album, simply called "KomedaFind albums with this title".
The music is placed somewhere between Free Form and contemporary Modern Jazz of the European variety. Most of the tunes get an expanded treatment, which includes extensive solo and group improvisations, and last around ten minutes each except one tune which is almost twice as long and the closing track which is a brief farewell. Although the melodic content is clearly recognizable, it is kept somewhat in the background, as if on a separate plane, and the improvisations are the focal point of this music, changing in tempi and intensity, but always out there on the forefront.
The level of musicianship involved herein is truly admirable and of the highest standing by any standard. This is by far not easy music and the amount of technique, talent and sophistication required in order to play it is simply astounding, not to mention the emotional tension. The entire concert portrays a wonderful flow of energy between the quartet members and of course the combined creative power of the quartet is even greater than the sum of the individual statements. Personally I enjoy the contributions by the pianist most of all. Wania, whom I´ve been watching carefully for a few years now, is definitely one of the greatest promises of Polish Jazz and is destined to get places. His brilliant work on this album, both as a soloist and as an ensemble member, is simply outstanding. Obara is a great player as well, of course, but his melancholy and mellow tone often seem to push the music somewhat backwards into the mainstream conformity. The Norwegian rhythm section is solid and reliable, when needed, and inventive and spontaneous when the music calls for it, in short they play splendidly, as only the Scandinavian rhythm sections can.
Overall this is another musical gem that the Polish For Tune label manages to put out for the world to hear and admire. The sound quality, separation and warmth are incredible considering the fact that this is a live recording. European Jazz connoisseurs are expected to lick their fingers upon exposure to this wonderful music. Well done gentlemen!
BTW Obara´s Polish quartet uses the excellent RGGFind albums by this artist rhythm section: bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, which of course is also a dreamy team, so where is their next album I ask?
| | | CD 1 Recommend To A Friend |
  | OBARA INTERNATIONAL ~ LIVE IN MINSK MAZOWIECKI
FOR TUNE 0080 (Barcode: 5902768701883) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015
This is the third album by the international ensemble led by Polish Jazz saxophonist / composer / bandleader Maciej ObaraFind albums by this artist, which includes also Polish pianist Dominik WaniaFind albums by this artist and the Norwegian rhythm section comprising of bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist, and which was expanded to a quintet with the addition of British trumpeter Tom ArthursFind albums by this artist. The album was recorded live and presents seven original pieces, five of which were composed by Obara and one each by Vagan and Arthurs. The accompanying DVD is a straight-ahead documentation of the concert and offers no additional material.
Listeners familiar with Obara´s extensive recording legacy are of course familiar with his extraordinary qualities, but his work with this ensemble surely finds him at his artistic pinnacle. The music, which ideally balances the concept of composed music with the idiom of Free Jazz and extended improvisation, is a wonderful example of what contemporary European Jazz is all about.
With the addition of Arthurs to its ranks, the ensemble, in its classic Jazz Quintet setting, finally reaches the full power of expression, which enables it to present the full scale of solo and group improvisation. The musical approach if completely open, allowing the musicians to make lengthy individual statements, but also to create internal subset ensembles, like duets or trios, which are spontaneously created jus for a relatively brief duration. This fluctuating lineup and constant mutations are both fascinating musically and demanding intellectually, which of course is the best possible combination of stimuli.
The individual contributions by the ensemble members are all stellar. Arthurs is perhaps the best partner that Obara had so far, matching his powers of creativity and his virtuosic skills. Their work together, exchanging licks and playing unisono, is simply breathtaking. Wania consistently makes his way to the very top of European piano players and his brilliant work as soloist and accompanist is unprecedented. The rhythm section supports the soloists with flair and obvious camaraderie, but keeps a distinct identity and contributes solo statements as well.
Overall this is a classic example of European modern Jazz at its best, which is imaginative, creative and highly advanced. Based on the Jazz tradition, it expands the idiom towards new frontiers, keeping it alive and relevant. This is a one-hour concentrated capsule of Jazz at its best, which should keep every connoisseur of good music happy for a very long time. Brilliant from start to finish, this is a nectar we, Jazz enthusiasts, are always thirsty for.
| | Updated: 22/02/2016Posted: 22/02/2016 | CD+DVD 2 Recommend To A Friend |
  | OLES BROTHERS / ROB BROWN ~ LIVE AT SJC
FENOMMEDIA 008 (Barcode: 5907604327081) ~ POLAND ~ Jazz
Recorded: 2008 Released: 2009
This is a trio album by Polish Jazz heroes, brothers Marcin OlesFind albums by this artist (bass) and Bartlomiej OlesFind albums by this artist (drums) collectively known as Oles BrothersFind albums by this artist, joined by American saxophonist Rob BrownFind albums by this artist, one of the most prolific and active NY scene Free Jazz players. The album comprises of seven original compositions, the opening three being parts of a three-part suite. All the music was composed by Bartlomiej Oles except for one tune composed by Marcin Oles. The album was recorded live and is a part of the "Live Series" of releases on the Oles Brothers owned FenommediaFind albums on this label Records.
The music is typical contemporary Jazz, which allows for a large degree of freedom and extended improvisation but stays within the pre-composed melodic framework. Brown dominates the album with his very busy way of playing, and the rhythm section supports him marvelously, easy changing tempi back and forth between medium to fast, like true professionals.
Although the cooperation between the musicians and the individual statements are without doubt all excellent, personally I enjoy more the moments when the rhythm section plays alone rather than when the saxophone is up front. That laborious wall of sound effect, which is typical of most American Free Jazz players and which unfortunately did not evolve an inch in the last few decades, is already exhausted as far as I am concerned. I mean is anybody able to express more emotion in their music by imitating the prophets like John ColtraneFind albums by this artist or Albert AylerFind albums by this artist or Eric DolphyFind albums by this artist? Brown belongs to a large group of American improvisers, which simply is unable to rejuvenate the idea and move forward. Therefore during the moments when Brown plays sparingly and melodically, as he does on the one before last track, he is truly excellent but when he erupts into the extended, aggressive improvisations, my defense mechanism is fully deployed.
All things considered this is a fine modern Jazz album, mostly due to the excellent work done by the rhythm section, which emphasizes the fact that the language of Jazz knows no geographic or political boundaries and it´s all up to people to make music together regardless of their origins. Not very innovative and sometimes a bit unnerving, but something Free Jazz fans should definitely enjoy immensely.
| | Updated: 02/01/2017Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | OLES BROTHERS / THEO JORGENSMANN ~ LIVE IN POZNAN 2006
FENOMMEDIA 006 (Barcode: 5907604327067) ~ POLAND ~ Jazz
Recorded: 2006 Released: 2007
This is the third album by Polish Improvised Music heroes, brothers Marcin OlesFind albums by this artist (bass) and Bartlomiej OlesFind albums by this artist (drums) collectively known as Oles BrothersFind albums by this artist, with the German clarinetist / composer Theo JorgensmannFind albums by this artist. The music was recorded live and includes eight original compositions: four composed by Bartlomiej Oles and two each by Marcin Oles and Jorgensmann.
The music presents a wonderful Free Jazz / Improvised Music setting, full of great melody lines, exciting improvisations, fiery displays of virtuosic abilities and telepathic conversation between the musicians involved. Jorgensmann is a very dynamic, but non-aggressive player, who sounds wonderfully melodic even if he improvises freely, which creates an exceptionally easy-going atmosphere, rarely present on Free Jazz albums.
The Oles Brothers are famous for being the best Polish rhythm section in Free Jazz / Improvised Music environment and this album clearly shows why. They are not only technically perfect but more importantly superbly musical, and as a result the music doest not offer a soloist supported by a rhythm section setup but rather a trio of equally important parts playing together as one.
Large part of the material included here is a live version of the same material recorded by this trio on their previous album "DirectionsFind albums with this title", which was recorded in a studio. Those two albums are a splendid manifestation of how music is influenced by circumstances, the presence of an audience and so on. Basically these two albums should be combined into a double CD release – perhaps when reissued at some later date.
Overall this is one of those instant "classics" which simply leave nothing out and are pieces of Culture captured for posterity. Wonderful listening experience from start to finish!
| | Updated: 02/01/2017Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | PALLAS ~ LIVE FROM LONDON
IGUANA 012 ~ UK ~ Progressive Rock
Filmed in 1985, this DVD documents the early days of Pallas, one of the founding bands of the Neo-Progressive movement (with Marillion, Solstice & Twelfth Night). Captured here is a dynamic show featuring material from their debut album "Arrive Alive" and their second legendary release "The Sentinel" as well as their then recently released EP "Knightmoves". 59 minutes. NTSC
| | Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | EVAN PARKER / RGG ~ LIVE @ ALCHEMIA
FSR 2017/01 (Barcode: 5905279364172) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2016 Released: 2017
This is a live recording by the legendary British saxophonist Evan ParkerFind albums by this artist performing together with one of the top Polish Jazz trios RGGFind albums by this artist, which comprises of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. Together the ad hoc quartet performs four spontaneously composed pieces, credited to all four members of the quartet. The music was recorded at the celebrated Krakow´s Alchemia club, which since many years is associated with the Polish and international Improvised Music scene.
The courageous experiment of combining forces between Parker and RGG seems, at least in theory, quite unexpected to say the least. Based on their recording history one might contemplate how the music of Parker, which always symbolized the extreme Avant-Garde and total freedom of expression, might be combined with the music of RGG, which although featured some elements of freedom, was always strongly melody based and full of typical Polish lyricism and Romanticism. Apparently, music is able to unite most stylistic gaps and in this particular case simply emerges victorious. As a result we have some of the most "melodic" and relaxed Parker performances ever put on record and the most free oriented music ever recorded by RGG, both wholly amalgamated into a new form of expression.
In spite of the age difference between Parker and the RGG members, there seems to be a complete and profound understanding and mutual respect between the musicians, which allows the music to flow and flourish uninhibited and overwhelmingly moving. As usual in such musical circumstances, the music requires attentive and open-minded listening, but its quality assures a most wonderful aesthetic experience. The personal performances are all, as expected, exhilarating and the challenge of playing with a legend mobilized the RGG members to give absolutely everything they had to give that night.
There is no doubt that this is one of the most challenging and daring Polish Jazz recording lately and a superb way to start 2017, which promises to be as exciting as the incredibly intense 2016. Maciej KarlowskiFind albums by this artist deserves kudos for putting this experiment together and turning his FSRFind albums on this label label into an important player on the Polish record scene. Thanks also to the man with the biggest ears in Poland, Jan SmoczynskiFind albums by this artist, for the wonderful mix and mastering, which result in a superb sound quality this album offers to the listener. Well done!
| | Updated: 12/04/2019Posted: 21/02/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JACEK PELC CITY JAZZ TRIO ~ LIVE INTERACTIONS
JACEK PELC RECORDS 007 (Barcode: 5904013793605) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2022
This is an archival live album by Polish Jazz drummer / composer / bandleader Jacek PelcFind albums by this artist, recorded in a classic piano trio setting with pianist Krzysztof HerdzinFind albums by this artist and bassist Grzegorz NadolnyFind albums by this artist. The album presents nine tracks, eight of which are original compositions by Pelc and one is a standard.
The music is all mainstream oriented modern Jazz, beautifully melodic and well structured, and as expected superbly executed by these highly experienced musicians. Pelc manages to prove again that being a drummer is not in any conflict with being able to compose beautiful lyrical themes, full of Polish melancholy, which are memorable and highly aesthetic.
Herdzin, who appears relatively rarely within the Jazz idiom lately, shows that he was one of the most exciting Polish Jazz piano virtuosi, and his piano playing is truly refreshing herein. Hearing him on this album not only brings fond memories of his artistry, but raises hopes of his desire to return and take his rightful position on the Jazz scene, which he abducted in favor of other explorations.
Nadolny plays wonderfully as well, showing great taste and technique both on the upright and electric bass, always perfectly in tune and right on the beat, he provides the background layer to the music, which couldn’t survive without it.
And last but not least, Pelc with his Masterly drumming technique and endless trickery, which never ceases to amaze, which rightfully award him the position at the very top of the Polish Jazz rhythm magicians guild.
Overall, this is a wonderful Jazz piano trio album, which should delight every fan of that particular niche, but to be honest it speaks to every Jazz lover on this planet, creating a lasting experience, which lingers in the back of the listener’s mind long after the music is over. Absolutely marvelous and well done, my Friend!
| | Updated: 18/05/2022Posted: 18/05/2022 | CD 1 Digipak Recommend To A Friend |
  | PENDRAGON ~ LIVE... AT LAST AND MORE
METAL MIND 0005 ~ UK ~ Progressive Rock
A live concert recorded for the Polish TV in 1996 during the `Masquerade Overture` tour. Pendragon at their best playing and singing their hearts out in front of an enthusiastic crowd. Material includes the album`s songs and some older favourites. Lots of DVD additional material. Dolby Digital 5.1 Surround Sound, 130 minutes.
| | | DVD 1 Recommend To A Friend |
  | DAVE PIKE SET ~ LIVE AT THE PHILHARMONIE
PROMISING MUSIC 44101 (Barcode: 602517545632) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2008
American vibraphonist / composer Dave PikeFind albums by this artist was one of quite a few American Jazz musicians, who left the US and settled in Europe in the late 1960s, stifled by the atmosphere of the US scene at the time, which seemed to them as limiting and confining, especially in comparison to the exciting and flourishing developments happening in Europe at the time. Settling in Germany, Pike formed a quartet with three wonderful German musicians: guitarist Volker KriegelFind albums by this artist, bassist Johann Anton RettenbacherFind albums by this artist and drummer Peter BaumeisterFind albums by this artist, which he called the Dave Pike SetFind albums by this artist.
The quartet was signed by the legendary German MPSFind albums on this label label and recorded a series of albums for the label, of which this was the third and the only live recording. Recorded at a concert, which was presented during the 1969 edition of the Berliner Jazztage Festival, the quartet flies gracefully through a set of original compositions (mostly by Pike and Kriegel), presenting a refreshing use of the vibraphone / guitar dual lead and a splendidly inventive, but solid support by the rhythm section. The compositions are quite different from each other stylistically, but always top-notch, with plenty of space for extended solos. Kriegel proves to be the most inventive player of the quartet and his amazing inventions and brilliant technique clearly show his early steps on his way to become one of Europe’s best Jazz and later Jazz-Rock Fusion players ever.
It is interesting to compare the Dave Pike Set with the Gary BurtonFind albums by this artist quartet, one of the most interesting American Jazz ensembles at the time, which also featured the vibraphone / guitar (Larry CoryellFind albums by this artist) double lead and experimented with time signatures and early Fusion, Psychedelics and World Music excursions. The similarities are truly quite amazing. In retrospect the music lost none of its charm and adventurous nature and remains a splendid example of the European scene at the time.
Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure and a great trip down the memory lane. Hopefully the other MPS recordings by this group will follow soon. Brilliant!
| | Updated: 28/08/2020Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | BUCKY PIZZARELLI / JOHN, PIZZARELLI ~ LIVE AT THE VINEYARD THEATRE
CHALLENGE 70025 ~ USA ~ Jazz
AMG Review: This 1987 concert at New York´s Vineyard Theatre pairs two fine guitarists, Bucky PizzarelliFind albums by this artist and his equally talented son, John PizzarelliFind albums by this artist. The two players fit effortlessly hand in glove, no matter who is soloing at a given time, as they work their way through classic standards ("Three Little Words"), jazz classics ("Do Nothin´ Till You Hear From Me"), pop favorites ("Route 66"), and creative medleys (such as the combination of the famous movement from Rodrigo´s "Guitar Concerto" with Chick CoreaFind albums by this artist´s "Spain"). John Pizzarelli also adds warm vocals to several tracks. Concert and recording producer Richard SudhalterFind albums by this artist also contributed the enlightening liner notes, most of which is a transcript of a compilation of interviews done with both musicians at the time of the performance and some eight years later. With the CD cover declaring it to be a limited edition, it is well worth making a high-priority purchase.
| | Updated: 11/06/2022Posted: | CD 1 Recommend To A Friend |
  | JEAN-LUC PONTY ~ LIVE
WOUNDED BIRD 9229 (Barcode: 664140922921) ~ FRANCE ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2003
French violinist Jean-Luc PontyFind albums by this artist already had a distinguished jazz career behind him when he arrived in the US to join Frank ZappaFind albums by this artist and later Mahavishnu OrchestraFind albums by this artist. After leaving MO Ponty recorded a stream of brilliant fusion albums leading his own group, which featured some of the best fusion players on the scene. His amazing technique and extraordinary sense of melody make him one othe most important players of the genre. This live recording of his group includes two of his most popular tunes: `Aurora` and `Imaginary Voyage` and is a classic recording of the genre.
| | | CD 1 Essential Recommend To A Friend |
  | JEAN-LUC PONTY & WOLFGANG DAUNER ~ LIVE AT THE BERN JAZZ FESTIVAL 2011
MPS 4029759171393 (Barcode: 4029759171393) ~ FRANCE ~ Jazz
Recorded: 2011 Released: 2022
This is an archival live album by the duo comprising of French violinist / composer Jean-Luc PontyFind albums by this artist and German pianist / composer Wolfgang DaunerFind albums by this artist. The album presents eight tracks, four composed by Dauner, three by Ponty and one is a medley of standards. Six tracks are violin / piano duets and one each are violin / piano soli.
Ponty and Dauner met in the late 1960s and performed together often at the time. When Ponty moved to the US, the connection was broken for a long time, and was renewed only in the mid-1990s, when they formed a duo together, which was recorded some years later at the Bern Festival by Swiss Radio. Following Dauner’s death in 2020, Ponty pushed for this performance to be released, and this is the result.
Both Ponty and Dauner are Giants of European Jazz, each active in his own sphere, both originating in traditional Jazz but later on pushing the boundaries of the genre in different sub-genres. Ponty moved directly into Jazz-Rock Fusion and Dauner flirted with Avant-Garde Jazz and later on also with Fusion, both being formidable instrumentalists and superb composers.
The album is a wonderful example of the “Art of the Duo”, which time after time proves that Jazz duos are probably the most challenging and also the most rewarding settings, which enable for the individual musicians to shine and for the duo to explore telepathic communication and mutual respect.
Overall, this album brings to light an unknown chapter in the life of two great European Jazz musicians, and is a true feast of talent and Jazz Art, performed by two true Geniuses. A joy to have this music available and a true must have for European Jazz fans!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 24/03/2022Posted: 24/03/2022 | CD 1 Digipak Recommend To A Friend |
  | BADEN POWELL ~ LIVE IN BERLIN
MPS 4029759103042 (Barcode: 4029759103042) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 2000 Released: 2015
This is an archival 2CD live solo guitar album by Brazilian guitarist / composer Baden PowellFind albums by this artist, recorded shortly before his death in 2000. The album presents sixteen tracks, mostly original compositions by Powell, with the rest of the tracks composed by various Brazilian representatives of the MPB (Musica Popular Brazileira), like Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist, Tom JobimFind albums by this artist, Luiz BonfaFind albums by this artist and others and finally an arrangement of a Classical piece.
Powell was one of the great pioneers of modern Brazilian music and contributed immensely to its worldwide popularity since the mid-1960s. His virtuosity as an acoustic guitar player remains unmatched to this very day. He left Brazil and moved to France in the late 1960s, performing often around Europe and recording for European labels, including the legendary MPS label.
The music is a wonderful amalgam of Jazz and Brazilian elements, creating some of the most exciting displays of Jazz-World Fusion, in addition to blood-curdling display of guitar playing. The intimate setting and superb recording quality make this album a true gem and an exhilarating listening experience.
Overall, this is a staggering display of acoustic guitar performances by a seasoned musician, who knows exactly which strings to pull (pun intended). Powell was a legend and this album shows why he earned such status. For acoustic guitar fans and lover of Jazz with a distinct Brazilian flavor, this is an absolute must!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 03/12/2023Posted: 03/12/2023 | CD 2 Digipak Recommend To A Friend |
  | PRAGUE SUPER QUARTET ~ LIVE
GALEN 20 172 (Barcode: 8594042901842) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2013 Released: 2020
This is an archival live album by a quartet comprising of top Czech Jazz musicians, collectively called Prague Super QuartetFind albums by this artist, which includes saxophonist / flautist Jiri StivinFind albums by this artist (born 1942), pianist Emil ViklickyFind albums by this artist (born 1948), bassist Frantisek UhlirFind albums by this artist (born 1950) and drummer Josef VejvodaFind albums by this artist (born 1945). The album presents eight tracks, five of which are Jazz standards and three are arrangements of Czech Folk songs.
The music is all within mainstream Jazz format, and the main reason for the existence of the quartet is to enable the four Godfathers of Czech Jazz to combine forces and display their experience and extraordinary abilities. Therefore, there are few surprises here, just excellent straightforward Jazz performed by top musicians. Of course Stivin’s flute playing is always extraordinary, as is Viklicky’s lyricism, Uhlir’s virtuosity and Vejvoda’s superb sense of rhythm. It goes without saying that these Czech musicians can play as well as any of their counterparts across the pond, which has of course already been proven countless times.
Overall, this is an excellent mainstream Jazz effort, which should satisfy Jazz lovers across the globe, and perhaps convince some listeners, who never came across Czech Jazz earlier, to look for more music originating in that country, including that played by younger generations.
Side Note
The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge.
For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.
| | Updated: 19/02/2025Posted: 19/02/2025 | CD 1 Mini-Sleeve Recommend To A Friend |
  | PROCOL HARUM ~ LIVE AT THE UNION CHAPEL (COLLECTORS` EDITION)
EAGLE VISION 030 (Barcode: 5034504903098) ~ UK ~ Progressive Rock
Recorded: 2003 Released: 2004
If everything Procol HarumFind albums by this artist ever did was to record their 1967 single “A Whiter Shade Of Pale”, they would have already ensured their position in the Rock’s Hall Of Fame as authors of the definitive, hypnotic and most brilliant Rock song of all times. Of course (and luckily for all Procol Harum’s many admirers, myself included) they managed quite a bit more with a long chain of brilliant albums recorded in the 1960s and 1970s and two reunions: the first one in 1991 and the second in 2003. The 2003 reunion resulted in the recording of a new album called The Well`s On FireFind albums with this title, and a world tour to promote the album. This DVD documents the final concert of the tour upon the band’s return to UK. The unusual setting for the concert – a church – adds a dramatic background to this spectacular event and makes this DVD even more spectacular and theatrical than expected. The band includes two of the band’s founding members Gary BrookerFind albums by this artist on piano & vocals and Matthew FisherFind albums by this artist on organ, accompanied by Matt PeggFind albums by this artist on bass, Geoff WhitehornFind albums by this artist on guitar and Mark BrzezickiFind albums by this artist on drums. With several months of touring behind them the band plays spotlessly and the strength of the material reaches its full glory. The material form the new album is included and of course many of the band’s greatest past achievements, including the full version of “A Whiter Shade Of Pale”, which is quite a rarity. Additional material includes interviews and other bonus stuff. The CD included in this set contains the highlights of the concert. This is a must for all Procol Harum fans and basically for anybody who loves great Rock. Dolby Digital 5.1 Surround Sound and DTS, 139 minutes.
| | | DVD+CD 2 Recommend To A Friend |
  | PROCOL HARUM ~ LIVE: IN CONCERT WITH THE EDMONTON SYMPHONY ORCHESTRA
MUSEA 2105 (Barcode: 3426300021052) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2006
6th album by great British group Procol HarumFind albums by this artist and their first live recording, which was a very ambitious undertaking and consists of a series of Procol Harum earlier compositions arranged especially for a symphony orchestra playing with a rock group. Although not a first attempt of such kind, this was one of the first and by far one of the best such efforts ever attempted. The band´s music suits the Classical idiom better then any music written by their contemporaries to start with.
The band was expanded to a quintet following the addition of bassists Alan CartwrightFind albums by this artist. Led by singer / pianist Gary BrookerFind albums by this artist, with guitarist Dave BallFind albums by this artist, organist Chris CoppingFind albums by this artist and drummer B. J. WilsonFind albums by this artist, the group was at the top of their musical power. Brooker´s gift for composing momentous melodies, combined with excellent lyrics written by Keith ReidFind albums by this artist, who was a de facto member of the group, made them a unique phenomenon, which can be appreciated even better from the perspective of the decades that passed since their inception. The moody, sometimes gothic atmosphere of medieval spookiness and bluesy undertones are simply stunning.
This is a classic example of music, which loses nothing of its qualities over time and an essential piece of the Golden Decade puzzle. A must in any serious Prog collection!
| | Updated: 09/04/2022Posted: | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | PROCOL HARUM ~ LIVE: IN CONCERT WITH THE EDMONTON SYMPHONY ORCHESTRA (EXPANDED EDITION)
ESOTERIC 2650 (Barcode: 5013929475045) ~ UK ~ Classic Rock
Recorded: 1971 Released: 2018
This is a reissue of the first live album by the seminal British Classic Rock group Procol HarumFind albums by this artist, one of the last active representatives of the great music wave that started over five decades ago. This album´s lineup includes two founding members: vocalist / pianist Gary BrookerFind albums by this artist and drummer B. J. WilsonFind albums by this artist with Hammond organist Chris CoppingFind albums by this artist, guitarist Dave BallFind albums by this artist and bassist Alan CartwrightFind albums by this artist. The group is accompanied by the Edmonton Symphony OrchestraFind albums by this artist and the Da Camera SingersFind albums by this artist choir. The album presents five songs, one of which is the five-part suite originating from their second studio album "Shine On BrightlyFind albums with this title", two originate from their third studio album "A Salty DogFind albums with this title" and one each originates from their eponymous debut album and their fourth studio album "HomeFind albums with this title", all composed by Brooker or co-composed with Matthew FisherFind albums by this artist with lyrics by poet Keith ReidFind albums by this artist. All these songs have been re-arranged to include the orchestral and choral parts. The album was produced by the celebrated producer Chris ThomasFind albums by this artist. This remastered and expanded edition adds five bonus tracks (B-side of a single and four tracks taken from the concert rehearsals), two of which are previously unreleased.
Although by far not the first attempt to combine Rock with Symphonic music, this is definitely one of the most successful attempts to do so, mostly due to the very nature of the early Procol Harum music, which was to some extent based on Classical Music themes and influences, making such amalgamation natural and logical. Brooker manages to balance the group´s parts and the orchestral / choral parts into a non-conflicting tapestry of sound, which achieves a striking result.
It is quite difficult to imagine today (2019) how pioneering and forward thinking this album really was at the time, when idioms like cross-genre / multi-cultural / multilateral were not even invented. The music was neatly sub-divided into serious (i.e. Classical Music) and popular (i.e. Pop / Rock) with Jazz being a strange fruit and World Music still being largely undiscovered. Any attempts to create something which defied these "norms" were usually met with suspicion and often outright animosity. But of course these were also the years of great musical discovery (The Golden Decade 1965-1975), as this wonderful album proves.
Overall this is definitely an absolutely essential piece of Rock history and a must in any decent record collection, which any true music connoisseur should be proud to own. A timeless gem!
| | Updated: 09/04/2022Posted: 29/01/2019 | CD 1 Digipak Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | QUEEN ~ LIVE AT WEMBLEY STADIUM
EMI JAPAN 67464-65 ~ UK ~ Classic Rock
Recorded in 1986 at the gigantic Wembley Stadium in London and released `posthumously` (first in 1992 and now in 2003 with 4 additional songs) proves once and for all that Queen was a superior live band. The band is superb all the way through and the fans have a ball of their lifetime. Great sound quality and excellent material make this a must to any Queen collector.
Limited Edition
| | | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ LIVE KILLERS
EMI JAPAN 67461-62 ~ UK ~ Classic Rock
First live (double) album by Queen from 1979. At the time of the recording the group already reached legendary status and filled up the biggest stadiums all around the world. The material includes selections from their debut, 1973´s Queen, up until 1978´s Jazz, the album is a solid mix of early hits and forgotten album tracks. The extatic crowd sings along with their heros and in retrospect this is a wonderful document of the era.
Limited Edition
| | | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | REFUGEE ~ LIVE IN CONCERT - NEWCASTLE CITY HALL 1974
VOICEPRINT 421 (Barcode: 604388327225) ~ UK ~ Progressive Rock
Recorded: 1974 Released: 2007
Considering the fact that the legendary band RefugeeFind albums by this artist, formed in 1973 by two ex-NiceFind albums by this artist members Lee JacksonFind albums by this artist and Brian DavisonFind albums by this artist with the Swiss keyboards wizard Patrick MorazFind albums by this artist, recorded only one studio album and disbanded after less than a year with Moraz leaving to join YesFind albums by this artist, every piece of their recorded legacy is an absolute revelation. Add to this the surprisingly high quality of the recording and you have an amazing piece of Prog history on your hands. The concert includes most of the material from the studio album, but the live versions are extensively expanded to include longer solos and variations. All three musicians perform beautifully with Moraz expressing his virtuosity to the limit (and beyond). A couple of non-album tracks are also present, these of course never previously heard. It is a great pity that these recordings were to be the last recorded documents of Jackson and Davison for over 30 years (until the Nice reunion). The word of Prog would have been even richer if they continued their careers. Moraz was of course to be a central figure on the Prog scene for many years and recorded extensively. This is an absolute essential piece of Prog history and I know very few Prog fans that would miss this item in their collection.
| | | CD 1 Recommend To A Friend |
  | RENAISSANCE ~ LIVE AT CARNEGIE HALL
REPERTOIRE 4506 ~ UK ~ Progressive Rock
7th album from 1976, a 2CD live recording of their most memorable songs with the New York Philharmonic. One of the best `live` albums ever recorded with crystal clear sound and perfect ballance between the group and the orchestra. Annie Haslam is in top form and the orchestral arrangements add a new dimention to the music of Renaissance, which becomes even more melodic and dramatic then ever. A must!
| | | CD 2 Essential Recommend To A Friend |
  | RITE OF STRINGS ~ LIVE AT MONTREUX 1994
MERCURY 602448000743 (Barcode: 602448000743) ~ USA ~ Jazz-World Fusion
Recorded: 1994 Released: 2022
This is a live album by the great acoustic trio Rite Of StringsFind albums by this artist, comprising of French violinist Jean-Luc PontyFind albums by this artist and American guitarist Al Di MeolaFind albums by this artist and bassist Stanley ClarkeFind albums by this artist. The 2CD album presents ten tracks, all composed by the trio members, with one composition repeated twice and featuring Jamaican pianist Monty AlexanderFind albums by this artist on one of the versions. Three of the tracks are solo performances, one by each member of the trio. This album was recorded a year before the trio recorded their eponymous, and so far only studio album. This live recording offers a stunning sound quality.
The music is everything one might expect from these three instrumental virtuosi, who manage to avoid turning this into a competition and rather display a wonderful teamwork using their respective strengths the best possible way.
The music spans a wide range of stylistic explorations, but is mostly dominated by the Jazz-World Fusion influences, which Al Di Meola pursued predominantly at the time and his partners followed contentedly.
Overall, this is a breathtaking display of the instrumental abilities of three giant musicians, who complement each other wonderfully herein. The perform beautiful music and the album is not surprisingly full of pyrotechnical neck-breaking displays of instrumental virtuosity. Personally I prefer this live album to the studio album, which followed, as the live electric atmosphere present on this recording is simply electrifying, acoustically ;)
| | Updated: 30/08/2024Posted: 30/08/2024 | CD 2 Recommend To A Friend |
  | RMS ~ LIVE AT THE MONTREUX JAZZ FESTIVAL 1983
ANGEL AIR 617 (Barcode: 5055011706170) ~ UK ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2003
RMS Find albums by this artist were invited to play at the Montreux Jazz Festival and they invited Gil EvansFind albums by this artist - the legendary pianist and arranger - to play with them, which he did. The group performs some great Fusion material, supported by a brass section, with long and inspired improvisations and great interplay. The sound quality is superb, as well as the video material. Dolby Digital 5.1 Surround Sound, 90 minutes.
| | | DVD 1 Recommend To A Friend |
  | SONNY ROLLINS / HEIKKI SARMANTO ~ LIVE AT FINLANDIA HALL, HELSINKI 1972
SVART 609 (Barcode: 6430080233304) ~ FINLAND ~ Jazz
Recorded: 1972 Released: 2023
By mid-1971 the great American saxophonist / composer Sonny RollinsFind albums by this artist returned to public performances following his “second sabbatical”, and in the summer of 1972 he recorded his first new studio album in six years, starting the thirty years long stint with the legendary MilestoneFind albums on this label Records label, which resulted in twenty-two albums, and which earned him the title of “Saxophone Colossus”.
Finnish pianist / composer Heikki SarmantoFind albums by this artist was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston in 1968. His arrival in America was soon after followed by a hyperactive activity of performing on the local Boston scene, to be extended afterward also to the NY scene, where Sarmanto met, among many other American Jazz musicians, also with Sonny Rollins. When Rollins was invited to perform at the Finland Festival in the summer of 1972, he opted to play a concert with the Heikki Sarmanto trio, with Sarmanto on the Fender Rhodes electric piano, his brother Pekka SarmantoFind albums by this artist on bass and Esko RosnellFind albums by this artist on drums. The historic concert took place at the magnificent Finlandia Hall, an architectural marvel, which was completed only a few months earlier. The concert was recorded by the YLE (Finnish Broadcasting Company), and is presented herein for the first time fifty years after it was recorded. Sarmanto remembers:
“When we talked about the concert at The Finlandia Hall, we both remembered that we had a full house with an enthusiastic audience. We also remembered that Sonny stayed at the classic Hotel Vaakuna and that he bought some 10 pairs of nice bell-bottoms from the Seppälä clothing store in Helsinki.”
The music is everything one might have hoped for, with extensive improvisations and incredible soloing by the musicians. Two standards and one original by Rollins, which last between sixteen and twenty-four minutes, offer ample opportunity to illustrate both the quartet vibe and individual virtuosity. Rollins seems to be especially in high spirits and his powerful and expressive playing, full of sense of humor, is simply marvelous. He even manages to quote some hints of Jean SibeliusFind albums by this artist’ “Finlandia” tone poem as a tribute to the venue. Sarmanto’s electric piano offers a fresh aura and delicate melodious sensitivity, his brother’s bass playing swings and pulsates superbly and Rosnell’s drumming drives the music like a ship with sails full of wind and his solo, which ends the concert, leaves the audience ready for a standing ovation.
American Jazz musicians often performed in Europe and some even relocated to Europe (including Finland) in view of the racist politics and lack of Artistic recognition they were exposed to back home at the time. In most cases American Jazz musicians would come over to Europe with their combos, and the fact that Rollins decided to play with the Finns speaks volumes about his respect for Sarmanto’s talent and personality, that continued for years to come. Sarmanto mentions that:
“Later on, in the early 80s, Sonny´s and Heikki´s collaboration resulted in a major project. Sonny hired Heikki to arrange, orchestrate and conduct Sonny´s “Concerto For Tenor Saxophone and Orchestra”. This massive two-hour work was premiered in Tokyo in 1986 with Yomiuri Nippon Symphony OrchestraFind albums by this artist, conducted by Heikki, Sonny as soloist. The premier was a success, and after Tokyo, Sonny and Heikki took the concerto to Italy, where it was performed at Ravenna and Parma Festivals with Arturo Toscanini OrchestraFind albums by this artist, again with great success!”
The fact that Finnish Jazz fans are able to hear this music now, so many years after it was recorded, is a true marvel and blessing. Thanks to the tireless effort by the SvartFind albums on this label Records label, we are constantly re-introduced to important pieces of Finnish Jazz legacy, which should not be forgotten.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 13/09/2023Posted: 13/09/2023 | CD 1 Remastered Recommend To A Friend |
  | RUBALCABA, GONZALO ~ LIVE IN HAVANA
MESSIDOR 15830 ~ CUBA ~ Jazz
One of the most important figures to emerge from Afro-Cuban jazz in the 1990`s, Rubalcaba is an extraordinary pianist and keyboards player - also known as ´the fastest pianist in the world`. These fantastic sessions were recorded in his home town in 1989 before he reached the cult figure status in the West. Originally released on 2 LPs, now on 1 CD. Absolutely explosive and hyper-energetic, a true marvel.
| | | CD 1 Recommend To A Friend |
  | MITCH RYDER ~ LIVE AT ROCKPALAST 1979 - 2004
MIG 90502 (Barcode: 885513905024) ~ UK ~ Classic Rock
Recorded: 1979 - 2004 Released: 2012
This is an archival live 3CD Box Set by the excellent American Rock vocalist / songwriter / bandleader Mitch RyderFind albums by this artist, captured live in Germany in 1979 and 2004 for the TV program Rockpalast. Ryder started his career in the 1960s and today, some six decades later, is still around performing and releasing albums.
CD1 recorded in 1979 presents thirteen tracks, about half of which are his original songs. He is performing with his American band.
CD2 & CD3 recorded in 2004 (twenty-five years later) present eighteen tracks, most of which are his original songs. He is supported by American guitarist Robert GillespieFind albums by this artist and the (ex) East German Blues-Rock band EngerlingFind albums by this artist.
Ryder, blessed by a great vocal range and volcanic stage energy, with an obvious Blues affinity in the background, is an iconic figure on the American Rock scene, with a vast recording legacy. These live performances are just a glimpse at his abilities. He always has some great guitarist playing in his bands, as is also plainly evident herein.
Overall, this is a great piece of Rock history by one of the best American Rock performers, sadly somewhat underappreciated IMHO, which is always a great pleasure to revisit and more importantly remember. Check it out for yourself!
| | Updated: 10/04/2024Posted: 10/04/2024 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | SANTANA ~ LIVE AT THE FILLMORE 1968
COLUMBIA 485106 ~ USA ~ Jazz-Rock Fusion
Released almost 20 years after this music was recorded, this splendid album captures Santana blowing away the audiences at the legendary Fillmore West in San Francisco. This music was captured before the debut album was released and it shows how `together` the band was in every respect and deeply rooted they were in the art of improvasation (best witnessed on the 30+ minutes jam called `Freeway`). Great sound quality and electrifying playing make this an excellent piece of music.
| | | CD 2 Recommend To A Friend |
  | CARLOS SANTANA / BUDDY MILES ~ LIVE!
COLUMBIA 478089 (Barcode: 5099747808920) ~ USA ~ Progressive Rock
Recorded: 1972 Released: 1995
By the end of 1971 the "Woodstock Era" version of the group SantanaFind albums by this artist, led by guitarist Carlos SantanaFind albums by this artist, was over and the leader decided to search for a new path for his artistic experimentations, which would bring him much closer to Jazz, Fusion and improvisation in general. After recording three brilliant albums, which defined Latin Rock as a genre, Carlos was looking for new musicians to form the second incarnation of Santana, which would be quite different, as we know in retrospect. In the interim period, which lasted just a few short months, Santana joined forces with drummer Buddy MilesFind albums by this artist (ex-Electric FlagFind albums by this artist, ex-Jimmy HendrixFind albums by this artist) creating a band, which played several live concerts, one of which was recorded for posterity and released as this album. The musicians comprise of several members of Santana, including the young guitarist Neal SchonFind albums by this artist, en extended percussion section with the best Latin players and a brass section. The resulting music, although hectic at times, is a great example of greatly talented musicians in process of searching new ways to mix Rock with the improvisational elements. The expanded improvised piece (almost 25 minutes long, which was side B of the original LP) is the most important and obviously the most advanced achievement of this meeting, sounding absolutely nothing like anything else at the time. In retrospect this stuff still sounds fascinating forty years later. A must to all Santana fans and wholeheartedly recommended!
| | | CD 1 Recommend To A Friend |
  | SBB ~ LIVE CUTS: ESBJERG 1979
GAD 189 (Barcode: 5903068122873) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2022
This is an archival 2CD album by the legendary Polish Prog / Fusion ensemble SBBFind albums by this artist, which comprised of vocalist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. It presents a live recording of an entire concert which opened the trio’s 1979 tour in Denmark. This material is previously unreleased.
CD1 presents the first set (eleven tracks) with well-known SBB material, written mostly by Skrzek, except for the last tracks, which is a group improvisation. CD2 presents the second set (seven tracks), which is all a series of group improvisations.
After seven years of performances and several successful albums the trio achieved a telepathic communication between its members and leaned more and more towards improvisation rather than playing straightforward copies of album material. Their concerts were unpredictable and completely unique, which of course sets them apart from most contemporary Prog / Fusion ensembles active at the time.
In time, Skrzek almost completely abandoned the bass guitar and his keyboards completely dominated the sound of the trio, dramatically influencing the overall direction of the music, from Power Trio Blues / Rock of the early days, via Progressive Rock / Fusion period and into the keyboards-drenched sound of the late Ambient period. The grueling concert schedule had its impact as well, which resulted in the group’s first dramatic split in 1980.
Although SBB released a myriad of live albums, of various quality, most of those are unique enough to be interesting, both to the dedicated fans and sporadic listeners. This album offers a nice balance of pre-composed material and improvised pieces and offers good sound quality.
Overall, this is another addition to the colossal recorded legacy by one of Poland’s greatest musical phenomena, which always manages to show something previously unencountered. The cooperation between GADFind albums on this label Records and the SBB vaults, which seem to be bottomless, will surely bring us many more surprises in the future. An absolute must for SBB fans and an eye (ear) opener for music livers unfamiliar with their music.
| | Updated: 08/05/2022Posted: 08/05/2022 | CD 2 Remastered Recommend To A Friend |
  | SBB ~ LIVE JAZZ NAD ODRA 1975
GAD 008 (Barcode: 5901549197075) ~ POLAND ~ Progressive Rock
Recorded: 1975 Released: 2013
This is a live recording by the legendary Polish Prog / Jazz-Rock Fusion group SBBFind albums by this artist, captured during the annual Jazz Nad Odra Festival in Wroclaw, one of Poland´s most important Jazz events running uninterruptedly since its first edition in 1964. Over the years the festival exposed generation after generation of Polish Jazz players to the wide audience, as a result of the competition held every year, which presents the best musicians under the age of thirty. Winning this competition was the first major step in the careers of many of the most important Polish Jazz musicians.
This recording presents the original lineup of SBB with guitarists Apostolis AnthimosFind albums by this artist, keyboardist / bassist Jozef SkrzekFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. They perform original material, which at the time was mostly not yet recorded in the studio and would eventually be released on their second ("Nowy HoryzontFind albums with this title" released 1975) and third ("PamiecFind albums with this title" released 1976) albums. The group was at the time in a transition from their Progressive Rock phase, which started while they were still members of the Czeslaw NiemenFind albums by this artist´s band, into the Jazz-Rock Fusion, which would be their home turf for many years to come. Since there are relatively very few recordings from this period, the very existence of this recording is a miracle and the fact that we can enjoy it now, almost forty years later, is a blessing.
The music comprises mostly of lengthy pieces, which were the group´s trademark, that include extended improvisations and atmospheric passages, building up slowly towards a dramatic climax or even several climatic peaks, one after another. The overall impression this music created was a trans-like state of mind, which drew the listeners into a magic world of dreamy, almost psychedelic reality. Obviously such music making relied heavily on the virtuosic abilities of all the three members of the group. Skrzek, as the primary composer, sets the melodic framework and the moods; Anthimos creates the dramatic guitar arpeggios and musical peaks and Piotrowski brilliantly keeps it all moving forward and invigorates the music with his pulsations.
For many SBB followers, and Polish music lovers this period of the group´s activity is, in retrospective, their most inspired, fascinating and mind-boggling. This music epitomizes the process of constant search for the undiscovered, the manic restlessness and the audacity to step into the unknown, which characterizes it. There is no doubt that this is one of the artistic peaks of Eastern European music, brewed behind the Iron Curtain. And honestly, as far as Prog and Jazz-Rock Fusion are concerned, very few of the things that happened since can stand up to this level.
The sound quality of this material is a bit muffled and with a limited sonic range and clarity, but considering the fact it was recorded live and never intended for release, it is certainly more than adequate. Of course both musically and historically it is absolutely superb and should not be missed by anybody who cares about SBB or Eastern European music from the 1970s. Grab it and enjoy!
| | | CD 1 Remastered Recommend To A Friend |
  | SCHMIDT ELECTRIC ~ LIVE
SJ 020 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2015 - 2016 Released: 2017
This is the second album by the Schmidt ElectricFind albums by this artist ensemble, led by trumpeter Piotr SchmidtFind albums by this artist and also including keyboardist Tomasz BuraFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Sebastian KuchczynskiFind albums by this artist and British guitarist Alex HutchingsFind albums by this artist. The core quintet was expanded for this live recording by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), electronics wizard Joanna SzymalaFind albums by this artist and vibraphonist Bartosz PieszkaFind albums by this artist. The ensemble performs six original compositions, four composed by Schmidt and two by Bura, a short solo trumpet intro by Schmidt and another intro by Szymala, altogether eight tracks. Yours truly was present during the live recording in Katowice, one of the two venues where these live recordings were captured, and therefore a part of my soul is also captured on this album, like every other person who was ever present in the audience during a live recording.
The music is a natural extension to what the released earlier studio debut album offered, i.e. an excellent melodic version of modern Fusion, which flows smoothly from one tune to another, but preserves class and elegance and above all is great fun to listen to. The live ambience allows the musicians to take extended solo parts and show their chops, which they all do to the max. The music is diverse and offers many moods, which of course contributes significantly to the fact that the album keeps the listener on his toes for the entire duration.
It is great to see Schmidt to finally settling down within a domain, which suits him the best in my opinion. This music allows him to express his superb compositional talents and lead a highly professional ensemble, which can make him proud as a leader. His trumpet playing also reaches a refined stage of expressiveness and eloquence, especially effective on the slow tempo ballads, which are absolute goose bumps generators.
The use of turntablism and electronics adds an up to date flavor to the music, without overshadowing the main melodic, harmonic and rhythmic coherence and the strong Jazzy groove. Schmidt manages to create music which can be enjoyed by a wide age range of listeners, which of course is commendable.
Overall a great contemporary Fusion album, full of great melodies, fine arrangements, excellent performances and above all great fun! Wholeheartedly recommended!
| | Updated: 02/10/2022Posted: 07/07/2017 | CD 1 Digipak Recommend To A Friend |
  | SARI SCHORR ~ LIVE IN EUROPE
MANHATON 2053 (Barcode: 5038787205320) ~ USA ~ Blues-Rock
Recorded: 2019 Released: 2020
This is the 3rd album (first live album) by American Blues / Blues-Rock vocalist Sari SchorrFind albums by this artist, recorded during her European tour in 2019. It presents ten tracks with electric backing and a couple of bonus tracks with acoustic versions from a session for the BBC. She writes most of her material by herself. She also recorded an album with British Blues-Rock hero Robin TrowerFind albums by this artist, called "Joyful SkyFind albums with this title", which was released in 2023 and was one of the absolutely best releases of the genre that year.
Schorr is blessed with an incredibly expressive and powerful vocal abilities with almost no competitors on the contemporary scene. Combined with her excellent songwriting, she should dominate the Blues scene, but on the other hand she might simply be too good for her own good, as the recognition is somehow slow to come.
In many respects Schorr’s talent is parallel to that of Janis JoplinFind albums by this artist, upon her arrival on the scene. Supported by excellent musicians she is an unstoppable hurricane of Blues-Rock energy on stage, as this album proves beyond any doubt. I am eagerly waiting for her next album to see how she crystalizes her many talents.
Overall, this is a brilliant live album from start to finish, which is an absolute heaven on earth for Blues-Rock listeners, especially since the genre suffered from decades of absence of female vocalists of such class and talent. Go Lady!
| | Updated: 09/02/2024Posted: 09/02/2024 | CD 1 Digipak Recommend To A Friend |
  | SEBASTIAN HARDIE ~ LIVE IN L.A.
MUSEA 4272 (Barcode: 3426300042729) ~ AUSTRALIA ~ Progressive Rock
Recorded: 1994 Released: 1999
A live reunion album recorded at Progfest 1994. All the original band members play together again, almost 20 years later and prove that they can still do it extremely well. The material is taken from the band`s 2 albums, but modern arrangements and great atmosphere create a fresh and uplifting musical experience.
| | | CD 1 Recommend To A Friend |
  | ZBIGNIEW SEIFERT ~ LIVE IN HAMBURG 1978
MILO 01 (Barcode: 5907513047285) ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 1978 Released: 2006
This is a sensational live recording by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist and his quartet, which includes American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist, German pianist Wolfgang DaunerFind albums by this artist and Yugoslav (also resident in Germany) drummer Branislav KovacevFind albums by this artist, accompanied by the NDR Big BandFind albums by this artist from Hamburg. The album comprises of five tracks, which are simply named "Hamaburg 1" to "Hamaburg 5". The discographical data, such as exact place and date of recording and composition credits are omitted and the album looks and feels like a bootleg, although it is openly sold in Poland.
This music was recorded about a year before Seifert´s untimely death as a victim of cancer. In spite of his terrible sufferings and ordeals related to his rapidly advancing illness, he was at an absolute peak of his musical ability, as this recording plainly demonstrates. He plays vigorously and with incredible passion, and his lengthy solos on this album are among his best ever. Supported by the wonderful quartet and accompanied by the best European Big Band, Seifert is able to immerse himself completely in the music, without any limitations. The result reflects his great love of life and music, which he tried to pursue until the very last moments of his life.
Of course Mariano, Dauner and Kovacev, who were among the finest musicians on the European scene at the time, as well as the outstanding NDR Big Band, are all performing splendidly as well. Stylistically the music includes many elements of Jazz-Rock Fusion and World Music influences, an amalgam that characterized Seifert´s late period. However, his solos are still characterized by the influence of John Coltrane´s legacy, which was the singular most important inspiration on Seifert´s music.
The historic importance of this album is simply invaluable, especially in view of the sadly very limited recorded legacy of Seifert´s works. Seifert managed to record only four albums as a leader during his tragically short lifetime, and the posthumously released material is of secondary importance so far. There are many hours of unreleased music recorded by Seifert waiting to be released, and hopefully those will see the light of day at some stage.
For Polish Jazz fans this album is an absolute must of course, but listeners interested in Jazz violin and anybody who is able to appreciate some of the most moving moments offered within the Jazz idiom should also try to get their hands on this gem ASAP. Absolutely brilliant stuff!
| | | CD 1 Digipak Recommend To A Friend |
  | ZBIGNIEW SEIFERT ~ LIVE RECORDINGS 1973 & 1976
SWR JAZZHAUS 479 (Barcode: 730099047951) ~ POLAND ~ Jazz
Recorded: 1973 - 1976 Released: 2021
This is a sensational archive album by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist. It presents live recordings from the vaults of the German SWR broadcasting corporation. The first four tracks are performed by a duo comprising of Seifert and legendary German trombonist Albert MangelsdorffFind albums by this artist, captured at the 1976 Donaueschingen Musiktage, produced by my Friend and Mentor Joachim BerendtFind albums by this artist. Two of the pieces are spontaneously improvised and the other two are composed one each by Seifert and Mangelsdorff. The fifth track, recorded at the 1973 New Jazz Meeting in Baden-Baden, also produced by Berendt (at his home town), finds Seifert as a member of an international Jazz-Rock Fusion sextet with New Zealand (resident in UK at the time) pianist Dave MacRaeFind albums by this artist, Dutch keyboardists Jasper van`t HofFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, who also composed the tune they perform, German bassist Peter TrunkFind albums by this artist and British drummer John MarshallFind albums by this artist.
The duo tracks are simply sensational, a beautiful example of the “Art of the Duo” idiom and Improvised Music at its best. Mangelsdorff was already a veteran pioneer of the duo (and solo) formats by that time, but as far as Seifert was concert this is certainly a rare occasion to hear him is such naked intimate setting, although a few months earlier Seifert recorded his solo violin album, which was still unreleased at the time.
The sextet track reflects perfectly what Seifert was into at the time, playing and recording with European musicians, who recognized his exceptional talent, and paving his way to the international career he was destined for, which sadly never materialized when his lost his battle with cancer.
The SWR vaults are a treasure chest of superb live music, which is being constantly released on records. In this case the material is especially important due to the relatively limited recorded legacy by Seifert, which means that every bit of his music is priceless, especially when recorded at such high sound quality as the music on this album.
Overall this is an absolute essential piece of the Polish Jazz recorded history, which dedicated fans will nor willingly miss. But it is recommended to all European Jazz fans since it reveals the incredibly high level of creativity and versatility the genre enjoyed in the 1970s. Wholeheartedly recommended!
| | Updated: 29/12/2023Posted: 31/03/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | ARIEL SHIBOLET / BETWEEN THE STRINGS TRIO ~ LIVE AT THE TEL AVIV MUSEUM
KADIMA COLLECTIVE 13 (Barcode: 634479391576) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2007
2nd album by Israeli saxophonist Ariel ShiboletFind albums by this artist, this time in cooperation with the Between The Strings TrioFind albums by this artist (Jean Claude JonesFind albums by this artist – bass, Daniel HoffmanFind albums by this artist – violin and Nori JacobyFind albums by this artist – viola), recorded live at the Tel Aviv Museum. The concert includes three parts, starting with a solo soprano saxophone performance by Ariel, continued by a piece by the string trio and concluded by a quartet performance by Ariel with the trio. Over 61 minutes of purely improvised music, challenging and difficult as always, but deeply rewarding to the disciples of the genre. Ariel’s playing is deeply rooted in the tradition of the late period John ColtraneFind albums by this artist, Steve LacyFind albums by this artist and Eric DolphyFind albums by this artist, based on complete control of the instrument, virtuosity and of course relentless passion. The balance between Ariel and the string trio, as well as their cooperative group improvisation is truly inspiring. Contrary to popular opinion improvised music is definitely still alive and kicking, and the fact that it still thrives here in Israel (although abandoned in other places) makes me especially proud, proving the multi-cultural openness of our society.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | MACIEJ SIKALA ~ LIVE IN CLUB ZAK
SOLITON 762 (Barcode: 5901571097626) ~ POLAND ~ Jazz
Recorded: 2017 Released: 2017
This is a live recording by veteran Polish Jazz saxophonist / composer Maciej SikalaFind albums by this artist, captured in a septet setting with trumpeter Robert MajewskiFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, bass clarinetist Tomasz KlepczynskiFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist – all of which belong to the commonly accepted top league of the local jazz scene. The album presents six original compositions, all assumed to be by Sikala, as the album´s artwork fails to confirm this. The sound quality is excellent despite the fact that this is a club live recording.
The music is all completely mainstream oriented, following the patters set by Bebop and Hard Bop some five or more decades ago. That said, the original compositions are very strong and the performances are all excellent, which means that this music is a real pleasurable listening experience for mainstream Jazz connoisseurs, who after all are the majority of the Jazz crowd. Also the Polish Jazz accents can be heard throughout this music very distinctly, not influential enough to change the character of the music, but appealing enough to make it much more interesting than parallel music performed across the pond.
Although Sikala started his Jazz career within the adventurous Yass idiom as a member of MiloscFind albums by this artist and other experimenting ensembles, in time he "returned" to the American influenced mainstream, retaining his wonderful fluency and improvisational power. All the projects he was involved with over the years and numerous recordings he made always represented a high quality of music and musicianship.
Overall although the music on this album is quite predictable, it is full of wonderful individual statements by the musicians involved in this project and should keep mainstream Jazz fans vey happy. The original compositions are coherent and well woven and the septet playing is nothing short of perfection in this specific musical scenery.
| | Updated: 12/06/2018Posted: 12/06/2018 | CD 1 Digipak Recommend To A Friend |
  | SKALDOWIE ~ LIVE IN GERMANY 1974
KAMELEON 24 ~ POLAND ~ Progressive Rock
Recorded: 1974 Released: 2012
This album by the legendary Polish group SkaldowieFind albums by this artist, founded by brothers: Andrzej ZielinskiFind albums by this artist (vocalist, keyboardist, composer, arranger and leader) and Jacek ZielinskiFind albums by this artist (vocalist, multi-instrumentalist) presents a complete live performance of the group in Cologne, Germany, which was recorded and broadcasted by the WDR. The other group members on this album are: bassist / vocalist Konrad RatynskiFind albums by this artist and drummer Jan BudziaszekFind albums by this artist. The group´s guitarist Jerzy TarsinskiFind albums by this artist did not play on this concert for health reasons, so this is a rare opportunity to hear the group as a quartet.
The music includes the more Prog and Jazz-Rock material by the group, which is performed in extended form, with long instrumental solos. A few shorter well known songs are also included in different arrangements. The most interesting piece is the early version of the group´ opus "Stworzenia Swiata Czesc DrugaFind albums with this title", which lasts for almost twenty minutes. The studio version of this piece was only recorded a couple years later and released on record another two years later.
Although the sound quality of this recording is not ideal, it is quite listenable and considering the fact that almost no other live recordings from that period exist, it is of enormous importance to the group´s fans and followers. Andrzej Zielinski plays some superb Hammond and Fender piano parts, trying to cover up for the missing guitar parts.
Overall this is an interesting piece of Polish Rock / Prog history and will be warmly received by connoisseurs of that scene and of course a must to the diehard fans of the band. Worth investigating!
| | | CD 1 Remastered Recommend To A Friend |
  | SLAPP HAPPY ~ LIVE IN JAPAN – MAY, 2000
VOICEPRINT 523 (Barcode: 604388337422) ~ UK ~ Progressive Rock
Recorded: 2000 Released: 2009
In the early 1970s the trio Slapp HappyFind albums by this artist, which comprises of German vocalist Dagmar KrauseFind albums by this artist, British keyboardist Anthony MooreFind albums by this artist and US guitarist Peter BlegvadFind albums by this artist, was part of the early RIO movement, closely associated with the British group Henry CowFind albums by this artist. The two bands recorded a couple of brilliant albums together and Slapp Happy recorded two albums of their own (on their debut they were supported by the German band FaustFind albums by this artist), which are all considered absolute classic of Avant-Garde rock. When the band re-united in 1997 to record the splendid “Ça VaFind albums with this title” album, expectations were sky-high. The result took many of the band´s fans by surprise, as almost 30 years later Slapp Happy evolved into a completely different band, playing sophisticated, but melodic and hardly Avant-Garde material. Nevertheless the trio members lost none of their magical touch over the years as far as musicianship and composing skills are concerned. This live recording from the group´s Japanese tour finds them in great shape, performing several songs from the re-union album, as well as new versions of songs from their early 1970s recordings. This great set of songs is beautifully performed, with superb sound quality. It is hard to determine if the passing time simply mellowed their once young and tormented souls, but they did grow up and aged well. Since one should allow artists to evolve and change, listening to this album one should "ignore" the band´s past to some degree, giving it a fair chance. With this approach I´m sure this great music can be accepted on its own terms and admired for its own merits. Excellent stuff!
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | SLOW ~ LIVE IN DRESDEN
SLOWMUSIC 04 ~ POLAND ~ Smooth Jazz
Recorded: 2023 Released: 2024
This is the 4th album (1st live) by Polish Jazz ensemble SlowFind albums by this artist (now Slow The BandFind albums by this artist), which comprises of guitarist Tomasz KaczmarczykFind albums by this artist, saxophonist Leszek SzczerbaFind albums by this artist, keyboardist Krzysztof WerminskiFind albums by this artist, bassist Tomasz GrabowyFind albums by this artist, percussionist Slawomir BernyFind albums by this artist and drummer Lukasz SobolakFind albums by this artist. The album presents eleven tracks, eight of which are co-composed by Kaczmarczyk and Werminski and three are composed by Kaczmarczyk. The live recording offers excellent sound quality and a robust funky vibe.
The music continues the same attitude the ensemble assumed from its very early stage, which is playing highly melodic, solidly composed, almost danceable and entertaining music, which does not pretend to be anything beyond what’s out there: a high quality entertainment, without compromising artistic values and avoiding pretentious assumptions. These are all excellent, professional and dedicated musicians, who want to bring to the audience some fun, relaxed music, which is a true pleasure to listen to.
All three soloists offer first-rate soloing, and the guitar parts are certainly as good as those produced by some of the most famous international names. The rhythm section is also absolutely perfect for the job and Berny shows his amazing percussion technique, which is always breathtaking.
Overall, this is an excellent piece of Jazz music from the easier side of the spectrum, which is surely accessible to a wide audience, and which is a great opportunity to relax and enjoy some great tunes without too much brain-hacking. Perhaps some Jazz snobs will, as usual, turn their long noses, but it’s them who are missing all the fun. In these depressing time, this is a true ray of sunshine!
| | Updated: 22/06/2024Posted: 22/06/2024 | CD 1 Digipak Recommend To A Friend |
  | STEVE SMITH / VITAL INFORMATION ~ LIVE! ONE GREAT NIGHT
Q-RIOUS 124 (Barcode: 4260027621244) ~ USA ~ Jazz-Rock Fusion
Recorded: 2007 Released: 2012
This is a live recording the American Jazz / Fusion drummer Steve SmithFind albums by this artist and his quartet Vital InformationFind albums by this artist, which includes veteran keyboardist Tom CosterFind albums by this artist, bassist Baron BrowneFind albums by this artist and the new guitar player Vinny ValentinoFind albums by this artist. The album presents nine original compositions, all by the group members, often co-composed by more than one person, which originate from the "Come On InFind albums with this title" and "VitalizationFind albums with this title" albums. The music was recorded in 2007 during a tour promoting the "Vitalization" album. The set also includes a DVD recording of the music present on the audio album, with one additional track.
Vital Information has been active since the early 1980s and is one of the steadiest and most consistent American Fusion bands and Steve Smith is one of the most respected and revered American drummers with an impressive resume and practically limitless experience.
The album presents an interesting twist on two of the tracks, which is the result of Smith´s studies of Indian rhythms, which he utilizes by using konnakol (Indian vocal, i.e. sung, percussion). The rest of the material is completely straight forward Fusion stuff, perfectly executed by all the musicians, with a lot of Funky beats and incredible feel. The music is quite nice, but does not offer anything that the genre did not present earlier on.
Basically the album epitomizes Fusion (and particularly American Fusion) as a genre that got out of wind decodes ago and has been threading in one place since. In spite the fact that there are incredibly talented musicians involved, the music offers more of the same time after time. Perhaps Fusion is still a viable environment for live music, but on record it lost its impact long time ago.
Fusion fans will find this definitely interesting and worth listening to; as for the rest of the music loving community, it is always great to play this music while driving an open car in hot climates.
| | | CD+DVD 2 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE BAKED POTATO
MOONJUNE 102 (Barcode: 692287910228) ~ UK ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2020
This is the 2nd live album (original, not one of the myriad of archive / bootleg / etc. live releases in circulation) by the iconic British group Soft MachineFind albums by this artist, recorded after a forty-two years’ gap since their debut live album “Alive & Well: Recorded In ParisFind albums with this title” from 1978. It is also their first live album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents twelve tracks, which are mostly parallel to the tracks on the “Hidden DetailsFind albums with this title” studio album, recorded a year earlier, all originals by current or former SM members. As usual in such case, these live versions are somewhat more expanded and feature more improvisations and soloing, than the studio versions of the same tunes.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. The musicianship is absolutely first rate, proving that age is almost meaningless, as far as these brilliant performers are concerned.
| | Updated: 06/07/2024Posted: 06/07/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE HENIE ONSTAD ART CENTRE 1971
REEL RECORDINGS 014/015 (Barcode: 775020975323) ~ UK ~ Canterbury Scene
Recorded: 1971 Released: 2009
This a live recording by the seminal UK band Soft MachineFind albums by this artist recorded in Norway at the very creative peak of the band´s outstanding career. Saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist perform two continuous, mostly improvised sets, each about 45 minutes long, which makes this particular album different from all the other Soft Machine live albums, where the band performs compositions previously recorded in the studio. In addition, the perfect sound quality of this recording, which was done professionally, is undoubtedly the best ever Soft Machine live recording sound captured on tape. In addition, this release is accompanied by a CD-ROM audio-visual documentary about the band and the circumstances of this recording, which is superbly done and highly educative. In short this is truly an outstanding musical document of great value, not only to the band´s fan base but to all enthusiast of British Jazz as well. A must and a feast to our ears!
| | | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | SOFT MACHINE LEGACY ~ LIVE IN ZAANDAM
MOONJUNE 006 ~ UK ~ Canterbury Scene
1st album by Soft Machine LegacyFind albums by this artist recorded live in Holland in 2005. This particular group is especially interesting due to the fact that although all the four members are all ex-Soft MachineFind albums by this artist players, they actually never played together in the same version of the band. The music is nothing short of brilliant, as usual, with a strong jazzy context and both old and new compositions included. For the many fans of the band this is a true treat and an excellent example of great musicians aging well. Recommended!
Limited Edition
| | | CD 1 Recommend To A Friend |
  | SOLARIS ~ LIVE IN LOS ANGELES
SMP 004/5 ~ HUNGARY ~ Progressive Rock
A 2CD live set by this group, considered as one of the best live albums around. Very dynamic with extended treatment of older material and new contents. Great soloing by all the band members, including of course the fabulous flute. Now remastered with bonus tracks.
| | | CD 2 Recommend To A Friend |
  | SPOCK`S BEARD ~ LIVE AT THE WHISKEY AND NEARFEST
RADIANT 006 ~ USA ~ Progressive Rock
7th album from 1999 and the second live album by the Beard. It includes material recorded at the Whisky club in Los Angeles and the 1999 Nearfest Prog Festival. This album shows clearly that the group is as good live as it is in the studio albums and the special energy of a live performance enhaces the already excellent material. A fantastic showcase of brilliance!
| | | CD 2 Recommend To A Friend |
  | TOMASZ STANKO ~ LIVE AT THE MONTREUX JAZZ FESTIVAL 1987
POLONIA 254 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1987 Released: 2000
This live recording at the Montreux Jazz Festival is the last of the glorious 1980s albums by the polish trumpet virtuoso / composer Tomasz StankoFind albums by this artist and his FreelectronicFind albums by this artist ensemble, here consisting of keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist and bassist Witold SzczurekFind albums by this artist. Stanko is in top form and in a great mood, which is evident by the happy atmosphere captured herein. His trumpet soars to incredible heights and the brilliant improvisations chase one another. In retrospect this is a perfect moment captured for posterity, just before the ever-changing Stanko would embark on yet another musical journey with the onset of the 1990s. The 1980s Stanko´s Jazz-Rock period was about to be abandoned and replaced by a return to the Jazz tradition and the new (again) Stanko, which would capture worldwide audiences with his ECMFind albums on this label recordings. But the 1980s period firmly remains as one of Stanko´s most productive and expressive periods and this album is an integral part of that legacy. A must to every Stanko fan!
| | | CD 1 Slipcase Recommend To A Friend |
  | WOJCIECH STARONIEWICZ / A`FREAK-AN PROJECT ~ LIVE IN GDANSK
ALLEGRO 038 (Barcode: 5901157049384) ~ POLAND ~ Jazz-World Fusion
Recorded: 2016 Released: 2019
This is the third album by veteran Polish Jazz saxophonist / composer / bandleader Wojciech StaroniewiczFind albums by this artist and his A`Freak-aN ProjectFind albums by this artist ensemble, which is an octet featuring a saxophone quartet and an extended rhythm section: Staroniewicz on tenor, Przemek DyakowskiFind albums by this artist on tenor, Dariusz HerbaszFind albums by this artist on baritone, Marcin JanekFind albums by this artist on soprano, Dominik BukowskiFind albums by this artist on vibraphone, Janusz MackiewiczFind albums by this artist on bass, Roman SlefarskiFind albums by this artist on drums and Larry Okey UgwuFind albums by this artist on percussion. The album, which was recorded live at Radio Gdansk, presents seven compositions, two of which are originals by Staroniewicz, four are by Krzysztof KomedaFind albums by this artist and one is by McCoy TynerFind albums by this artist, all arranged by Staroniewicz.
This album is in fact a live version of the previous album by the ensemble from 2015, called "A`Freak-Komeda ProjectFind albums with this title", except for the Tyner track. Therefore basically everything I wrote about that album applies also here – just click on the link.
As Staroniewicz says on the album´s artwork, this album is a great opportunity to compare the same music recorded in studio and live, which of course can be very different. The live concert setting offers much more dynamics and excitement and expanded improvisations, but is prone to minor "mishaps", which in retrospect are usually simply charming.
Since the Komeda arrangements are really very special, I recommend to Polish Jazz enthusiasts to put their hands on this album as well and compare these versions with the studio ones, and enjoy a great live album with excellent musicians on board.
| | Updated: 14/01/2020Posted: 14/01/2020 | CD 1 Digipak Recommend To A Friend |
  | STEPPENWOLF ~ LIVE
BGO 412 (Barcode: 5017261204127) ~ USA ~ Classic Rock
Recorded: 1970 Released: 1998
6th album by US Rockers extraordinaire SteppenwolfFind albums by this artist and the only official live recording (originally a double LP) by the classic lineup of the group, which was recorded at various locations in early 1970, when the group was touring supporting their latest studio album "MonsterFind albums with this title". They perform several tracks from the latest album, as well as a selection of their classic material from earlier albums. The group was in top form at the time and their performances are strong and convincing, with John KayFind albums by this artist firmly in the lead. Apart from the musical content, which is excellent, it is also a great opportunity to hear Kay´s commentary when introducing the tunes, which reflects upon the social / political upheaval in the US at the time, with Rock musicians often in the forefront of the struggle. Rock obviously had a serious role as a means of expression and active platform at the time, when most rockers were intelligent enough to have something to say in addition to playing music, times sadly long gone by now. This album can be used as a time machine; just crank up the volume, relax, close your eyes and here you go 40 years back in time, when Rock was Rock and music was music. Enjoy!
| | | CD 1 Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE AT BERKELEY 1971
OMNIVORE 515 (Barcode: 810075113013) ~ USA ~ Classic Rock
Recorded: 1971 Released: 2023
This is an archival live album by American singer / songwriter Stephen StillsFind albums by this artist, recorded on August 20 and 21, 1971 during the tour supporting Stills’ second solo album. with a stellar team of musicians, including bassist Calvin SamuelsFind albums by this artist, drummer Dallas TaylorFind albums by this artist and the legendary Memphis HornsFind albums by this artist. Lifetime friend David CrosbyFind albums by this artist joins Stills on two songs. The album presents fifteen tracks, almost all with songs written or co-written by Stills.
The music includes acoustic material, which features Stills on guitar / piano and vocals, including the spine-chilling duets with Crosby, and also more electric Rock oriented material, which features the full band with the horns. Several songs from the Crosby, Stills & NashFind albums by this artist repertoire are naturally included as well.
Stills is absolutely amazing as a guitarist and vocalist and his output over the years is obviously at the very top of American Rock achievements. He has very few competitors as far as writing brilliant songs, with intelligent lyrics, full of social awareness, which were the soundtrack of my generation.
Not surprisingly, the music lost absolutely nothing of its strength and beauty over the time, and remains at the core of classic Rock. As uplifting as it is, it is also devastating, showing the tragic state of contemporary music, which completely “lost it” in time.
Overall, this is a great document of the era, spotlighting the incredible talents of one of the greatest American Rock heroes, captured for posterity. It takes just one man with his acoustic guitar and incredible charisma to mesmerize thousands of people, no effects, electronics, auto-tuning and all the gadgetry that replaced talent over time. This is as good as music gets, no BS, and let’s not forget it.
| | Updated: 04/06/2023Posted: 04/06/2023 | CD 1 Digipak Remastered Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE AT SHEPHERD`S BUSH
RHINO 081227984694 (Barcode: 081227984694) ~ USA ~ Classic Rock
Recorded: 2008 Released: 2009
In 2015 I had the immense pleasure to catch a concert by Crosby, Stills & NashFind albums by this artist in Rome, which turned out to be one of the greatest musical experiences of my late life. It proved to me that talent knows no age limits and true Art overcomes the hurdles old age places in front of us all. For almost three hours Crosby, Stills & Nash took me back to the heyday of my youth via a music propelled time machine. I wept and laughed, sung along and joined the four thousand strong crowd in an ecstasy of nostalgia, but also in a feeling of togetherness that I can only remember as far back as the Woodstock days, where Crosby, Stills & Nash played their first gig together.
This album presents a solo concert by Stephen StillsFind albums by this artist, captured in 2008, which presents his life spanning career as a singer / songwriter from his early days with Buffalo SpringfieldFind albums by this artist, via Crosby, Stills & Nash (and Young), ManassasFind albums by this artist and his other endeavors. The concert includes fourteen songs, split into two sets: an acoustic and an electric set. The first set presents Stills completely solo just singing and playing his acoustic guitar, while the second set presents him playing the electric guitar and supported by keyboardist Todd CaldwellFind albums by this artist, bassist Kenny PassarelliFind albums by this artist and drummer Joe VitaleFind albums by this artist, all three also singing vocal harmonies. Stills wrote ten and co-wrote one (with Graham Nash) of the songs present here and three are by other songwriters. The album also includes a DVD with the same material.
Albums like these are often criticized by critics as nothing more than a "dinosaur experience", with the artists performing just crowd-pleasers and basically riding on waves of nostalgia. This album is nothing of the sort. Yes Stills performs some of his material that has gained him his legendary status, but he also proves that he is completely relevant today and his music simply does not expire with time. In fact there are very few contemporary music acts that can stand up to such artists as Stills, both as far as vitality and surely quality is concerned.
For the hordes of Stills fans (we are dying but we are still here) this is a must of course, but younger music lovers should also find this interesting, provided of course they have the ability to distinguish between music and the bullshit the media is brainwashing them with. I hope to catch these heroes of my youth live on stage again, even if I have to do it in a wheelchair.
| | Updated: 29/10/2016Posted: 29/10/2016 | CD+DVD 2 Mini-Sleeve Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE IN CONCERT
ROX VOX 1006 (Barcode: 5292317100626) ~ USA ~ Classic Rock
Recorded: 1976 - 1977 Released: 2015
This is a live recording of two concerts by the iconic American singer / multi-instrumentalist / songwriter Stephen StillsFind albums by this artist, which were originally broadcast by the legendary radio show King Biscuit Flower Hour. The concerts were recorded just three months one after the other (October 1976 and January 1977), the first of which was recorded completely solo and the second in a trio setting with bassist George PerryFind albums by this artist and drummer Joe VitaleFind albums by this artist. Together the album presents nineteen songs, most of which were written by Stills, spanning his entire career to date and including material from the Buffalo SpringfieldFind albums by this artist, Crosby, Stills, Nash & YoungFind albums by this artist and his solo albums.
The music showcases the extraordinary qualities of Stills as a singer, brilliant guitarist and of course seminal songwriter. These performances are significantly different from other available recordings of this material and therefore should be highly interesting to the many Stills fans and considering the fine sound quality of this material, it is absolutely worth investigating. It seems Stills is largely underappreciated and somewhat forgotten today, which is a great pity as in retrospect he surely is one of the brightest stars of American Classic Rock – and don´t you forget it!
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | STREETWALKERS ~ LIVE
BGO 606 (Barcode: 5017261206060) ~ UK ~ Classic Rock
Recorded: 1977 Released: 2004
5th and last album by British band StreetwalkersFind albums by this artist, founded by two ex-FamilyFind albums by this artist founding members vocalist Roger ChapmanFind albums by this artist and guitarist John WhitneyFind albums by this artist, after Family disbanded. Recorded during the very last months the band existed and released "posthumously", this album (originally a double LP) splendidly sums up the band´s three years of activity, presenting them at what they did best: kick ass. On stage Streetwalkers were a mean Rock machine, delivering their music with vengeance and perfect professionalism. Chapman´s unequalled vocal delivery is of course the focal point, but the instrumentalists provide a superb background for his genius. The music, mostly written by Chapman / Whitney, is sophisticated enough to be interesting at all times, but also rocky enough to deliver a care-free straight-ahead exterior appeal, which Rock music projects. This is a splendid farewell present to the band´s loyal fans and followers, which unfortunately were not strong enough in numbers to ensure the band´s success, especially in view of the fact that the musical trend at the time was rapidly shifting towards the anti-musical revolution of Punk. In retrospect this is a great showcase of the last glorious days of British Rock. The album is an absolute must to all Family fans, but should appeal to most dedicated British Rock lovers, especially after being unavailable for so long.
| | | CD 1 Slipcase Remastered Recommend To A Friend |
  | STREETWALKERS ~ LIVE AT ROCKPALAST
REPERTOIRE 5327 (Barcode: 4009910532720) ~ UK ~ Classic Rock
Recorded: 1975 - 1977 Released: 2013
This is an archival live 2CD / DVD album by the excellent British Rock group StreetwalkersFind albums by this artist, captured live in Germany in 1975 and 1977 for the TV program Rockpalast. The group was co led by the charismatic vocalist Roger ChapmanFind albums by this artist and guitarist John WhitneyFind albums by this artist, who also co-wrote most of their original material. The group was formed following the legendary FamilyFind albums by this artist disbanded. Streetwalkers recorded four studio albums and one live album, and this release captures them in at their best.
CD1 recorded in 1975 presents nine tracks and the lineup includes guitarist / vocalist Bob TenchFind albums by this artist, bassist Jonathan PlotelFind albums by this artist and drummer Nico McBrainFind albums by this artist.
CD2 recorded in 1977 presents eleven tracks and the lineup includes Tench, bassist Michael FeatFind albums by this artist, drummer David DowleFind albums by this artist and keyboardist Brian JohnstoneFind albums by this artist. Due to time limitations, it misses one of the tracks present on the DVD.
The DVD includes all the material on both CDs and one additional track, as mentioned above.
Chapman and Whitney (with some help from Tench) were incredible songwriters, which is clearly evident herein, and Streetwalkers performed only original songs, as they always had plenty of material to choose from. Chapman’s incredible and highly idiosyncratic vocal performances are definitely some of the finest in British Rock music.
Overall, this is a great piece of Rock history by one of the best British Rock / Blues-Rock performers, which is always a great pleasure to revisit and more importantly remember. The Family / Streetwalkers legacy is truly monumental, sadly somewhat underappreciated IMHO. Check it out for yourself!
| | Updated: 08/04/2024Posted: 08/04/2024 | 2CD+DVD 3 Digipak Slipcase Remastered Recommend To A Friend |
  | SWEET SMOKE ~ LIVE
HARVEST 522683 (Barcode: 724352268320) ~ USA ~ Progressive Rock
Recorded: 1974 Released: 2001
3rd album by Sweet SmokeFind albums by this artist and their last recorded output. It showcases how great this band was live as well as their excellent material and playing abilities. Long instrumental passages with plenty of space for improvisation and a distinctive jazzy feel make this a most pleasurable album to listen to. The material is all new and does not include songs from the studio albums. Excellent stuff!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | TAQ ~ LIVE IN MINSK MAZOWIECKI
RUBICON 001 ~ POLAND ~ Jazz
Recorded: 2005 Released: 2006
TAQFind albums by this artist is a superb international piano trio consisting of Polish virtuoso pianist / composer Marcin MaseckiFind albums by this artist, Canadian bassist / composer Garth StevensonFind albums by this artist and Israeli drummer / composer Ziv RavitzFind albums by this artist. The trio was formed in 2002 when all three were students at the Berklee College of Music in Boston as a result of an unusual rapport that developed between these young and highly talented musicians. Later the trio begun touring and during the 2005 tour in Poland recorded live this, their debut album. In the six years since this album was recorded all three musicians established their careers, which are all pretty unusual and extremely successful, especially in view of the difficult times Jazz is going through. This album clearly points out why: they are all simply different, unique and completely individual in their musical approaches. Masecki is a "crazy" genius, completely ignoring all rules and regulation, re-inventing scales and harmonies, Ravitz revolutionizes Jazz drumming by incorporating Middle-Eastern rhythmic patters and the use of hands rather that sticks or mallets as well as usage of additional percussion instruments. Stevenson is the most "conventional" of the three, which of course is a blessing, as without him the music might have crossed the chaos line easily. In retrospect this is a completely unknown little album, which shines more brightly than most of the other stuff that the promotional apparatus puts on the shelves – a pure gem of an album which should not be ignored under any circumstances!
| | | CD 1 Digipak Recommend To A Friend |
  | TASAVALLAN PRESIDENTTI ~ LIVE IN LAMBERTLAND
SVART 387 (Barcode: 6430065588559) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2019
This is an archival album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This material was recorded live on three separate occasions in the summer of 1972, after the album "LambertlandFind albums with this title" was recorded in the studio in the spring of that year, and offers mostly renditions of the material from that album except for one composition originating from the debut alum by the guitarist (see below). The recordings were done by the YLE (Finnish Broadcasting Company), which similarly to the BBC has bottomless archives of absolutely sensational material recorded over the years, which offers an amazing opportunity to hear past treasures, usually captured with a superb sound quality. All the material on this 2CD album was previously unissued.
The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish LoveFind albums on this label Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.
By the time this material was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist and so did Frank Robson, who was replaced by Eero Raittinen (see above). Tolonen, who started to develop a successful solo career and released his debut album "Tolonen!Find albums with this title" in 1971 (on SonetFind albums on this label), became the group´s resident composer and wrote almost all the music on the "Lambertland" album, except for one piece, which was composed by Poyry. The lyrics were written by bassist Mats HuldenFind albums by this artist, founding member of WigwamFind albums by this artist, "the other" seminal Finnish Prog supergroup at the time.
The music, as usual with live recordings, offers much more expanded versions of the studio material, which feature long and complex instrumental improvisations, and as a result bring this music closer to the Jazz-Rock Fusion idiom than the original album´s Progressive Rock ambience. The strong Jazzy influence is more obvious and allows Tolonen and Poyry to produce plenty of bloodcurdling soloing, superbly supported by the rhythm section and even the vocal parts feature some wordless vocalese. Overall this music is a splendid example what this group was capable off at their absolute best.
For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.
| | Updated: 24/04/2020Posted: 24/04/2020 | CD 2 Remastered Recommend To A Friend |
  | BARBARA THOMPSON ~ LIVE AT THE BBC
REPERTOIRE 1376 (Barcode: 4009910137628) ~ UK ~ Jazz
Recorded: 1969 - 1990 Released: 2020
This is a monumental 14CD Box Set by British saxophonist / flautist / composer / bandleader Barbara ThompsonFind albums by this artist, the mightiest female heroine of the British Jazz scene in the last six decades. The Box Set collects 27 radio broadcasts recorded between February 1969 and June 1990, an incredible document not only of Thompson’s incredible career, but basically of the entire two decades of the most intense British Jazz history. Painstakingly collected, organized and remastered / restored, the music is an orgy of some of the most intense music played on the British Isles at the time.
The music is performed by the absolute Who’s Who of the British Jazz scene at the time, starting with Barbara’s husband Jon HisemanFind albums by this artist, who stood by her side since they married in 1967 for many years until his tragically premature death in 2018. But reading the credits of the participating musicians is like reading an encyclopedia of British Jazz. Thomson appears here as a member of the New Jazz OrchestraFind albums by this artist (NJOFind albums by this artist) and groups led by other musicians, but principally as leader of her own ensembles, including JubiabaFind albums by this artist and ParaphernaliaFind albums by this artist. Many compositions appearing here were her own and many of them are previously unreleased.
Of course it is rather futile to describe such vast amount of music, all of which is obviously brilliant, so rather than doing so I can only recommend to every British Jazz fan to get a copy of this Box Set as long as it is available. It includes hours upon hours of superb musicianship and infinite creativity, that must not be forgotten.
This is also a splendid opportunity to thank the BBC for supporting British Jazz (and British music in general) for so many years, recording the music and broadcasting it consistently and on the way collecting a bottomless vault of musical treasures, which see the light of day often only decades later. A huge portion of British Jazz recordings exist solely due to all this activity.
Overall, this is an absolute treasure chest of music, which deserves to be heard by future generations. It is also a beautiful example of dedication and painstaking work by many people, who contributed to create this release, and of course all deserve our thanks for making it happen.
| | Updated: 19/12/2021Posted: 18/12/2021 | CD 14 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | BARBARA THOMPSON`S PARAPHERNALIA ~ LIVE IN CONCERT (80TH BIRTHDAY EDITION)
REPERTOIRE 1473 (Barcode: 4009910147320) ~ UK ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2024
This is a reissue / remaster of a live album by British Jazz saxophonist / flautist / bandleader Barbara ThompsonFind albums by this artist and her band ParaphernaliaFind albums by this artist, which included keyboardist Colin DudmanFind albums by this artist, bassist Dill KatzFind albums by this artist and drummer (and Barbara’s husband) Jon HisemanFind albums by this artist. The album presents eight tracks, six of which are original compositions by Thompson, one is by Dudman and one is by British keyboardist / composer Peter LemerFind albums by this artist. The album was originally released as a double LP and this is the first time it is released on CD. To commemorate Barbara’s 80th Birthday, this edition was expanded to include a bonus CD, called “The Flute Collection”, which presents a collection of ten tracks, which feature Barbara’s flute performances, recorded with various ensembles in the 1970s, 1980s and 1990s. The album was beautifully and lovingly put together, including the extensive booklet, by Ana GraceyFind albums by this artist, Barbara’s and Jon’s daughter, and includes numerous photographs, press clippings and other memorabilia, to commemorate Barbara’s passing in 2022, which was deeply mourned by her family and friends.
Paraphernalia was Barbara’s vehicle to present her wide range of compositions, which amalgamated many diverse influences, from Classical Music, World Music and of course Jazz in all its splendor of sub-genres. She was a remarkable instrumentalist, with a superb feel and outstanding improvisational abilities. She was an integral part of the British Jazz scene since the 1960s and her numerous recordings as a leader and sidewoman are a beacon of excellency and talent. She is also a great heroine as far as her personal fight with the Parkinson’s disease, which sadly overshadowed her life during the last period of her life.
Overall, this is a great opportunity to re-visit this live album, which reflects the spirit of one of the best British bands active at the time, and enjoy the superb performances by Barbara, Colin, Dill and John, which of course I had the immense pleasure to listen to in person many a time. I am sure many Paraphernalia fans will enjoy listening to this album again and now with the bonus album as a cherry on top, this is truly irresistible. Thanks to Ana and everybody else involved in this project for making this music available again!
| | Updated: 29/07/2024Posted: 29/07/2024 | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | THREE GENERATIONS TRIO ~ LIVE! IN JAZZ CLUB PINOKIO!
GAD 313 (Barcode: 5903068125904) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1992 - 1994 Released: 2024
This is a reissue of an album by the Polish Fusion trio called Three Generations TrioFind albums by this artist, which comprised of guitarist Marek RaduliFind albums by this artist, bass guitarist Wojciech PilichowskiFind albums by this artist and drummer Zbigniew LewandowskiFind albums by this artist. The album was recorded live and presents eleven tracks, five of which are original compositions by Raduli, one is by Pilichowski and the rest are by other composers. This reissue adds one bonus track from another album by Lewandowski.
The trio’s moniker originates due to the age differences between the members, but their performance together finds them completely in sync which each other. Although this album, released privately, was overlooked at the time and disappeared pretty quickly, it is a great example of guitar power trio playing classic Fusion, and this reissue is a welcome occasion for the album to be re-discovered by Fusion fans. Raduli is undoubtedly one of the best Polish guitar players, who sadly never achieved the fame and recognition he deserves. Pilichowski, as heard here, is also a highly talented bassist, but he also almost disappeared from the scene. Lewandowski, who is more associated with the Polish Jazz scene, made occasional reappearances over the time, but again it would have been nice to hear more from him over time.
The problem with Fusion is of course, that its musical scope developed rapidly and soon after got stuck in a limbo, which persists to this very day. This means that as far as Fusion is concerned, this album is as actual today as it was at the time it was recorded three decades ago, for good and for bad.
Overall, this is still a scorching Fusion album, which for the lovers of the genre and guitar aficionados is as perfect as it gets. The sound quality is great and the trio storms the stage, taking no prisoners. Considering how rare this album was before the reissue, this is quite a celebration. Well done as usual, GADFind albums on this label Records, the champion of Polish recorded music archeology!
| | Updated: 03/02/2025Posted: 03/02/2025 | CD 1 Bonus Tracks Recommend To A Friend |
  | THRESHOLD ~ LIVEDELICA (EP)
GEP 1015 ~ UK ~ Progressive Rock
3rd album (mini-album in fact) from 1995 by this UK Metal / Prog group and their first live recording. The material featured comes from the first two albums, but these live versions are much expanded and refined and serve as a great document of the band`s development.
| | | CD 1 Recommend To A Friend |
  | KEITH & JULIE TIPPETT ~ LIVE AT THE PURCELL ROOM
OGUN 034 (Barcode: 5020675572317) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2008 Released: 2010
This is a live album by British Jazz legendary “Couple in Spirit”: vocalist / lyricist / composer Julie TippettsFind albums by this artist and her husband pianist / composer Keith TippettFind albums by this artist. The album presents just one continuous improvised piece lasting for slightly over forty-six minutes.
The music is a brilliant display of improvised music and the “Art of the Duo” idiom, of the epic proportions. The uninterrupted dialogue develops organically, with the couple exchanging ideas and supporting each other splendidly, and one might say telepathically.
Julie utilizes mostly wordless vocalese, which is insanely beautiful, and sadly used by other Jazz vocalists, at least in that extent. Her voice becomes an instrument, which is obviously the most developed instrument out there, completely limitless and unbounded. In addition to her voice, she also plays some oriental percussion instruments, bells and bowls. Similarly, Keith also uses some percussive devices in addition to his piano.
Of course this kind of music, or musical experience, is completely indescribable using words (“Writing about music is like dancing about architecture”), and my meager attempts here have the sole purpose to encourage potential listener to grab a copy of this Masterpiece and give it a listen.
Overall, this is an absolute gem of Improvised Music / Avant-Garde Jazz, especially since it involves the human voice, which is our God given natural tool of expression. It is an absolute must to listeners, who love to be challenged, and a great document of spontaneous music making, which keeps its power beyond the actual moment of creation, resulting in a timeless, lasting Artistic statement.
| | Updated: 23/02/2023Posted: 23/02/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TRANSATLANTIC ~ LIVE IN AMERICA
INSIDEOUT 074 (Barcode: 4001617415122) ~ USA ~ Progressive Rock
Recorded: 2001 Released: 2001
2nd album. In between their debut album and the follow up 2nd studio album the group toured the US extensively and this album brings out the best of those live performances. The material includes much of the sebut album, but of course the tunes are expanded and include ad-hoc improvisations. Additional material includes tributes to past influences, among those Genesis and even the Beatles. Brilliant all the way!
| | | CD 2 Recommend To A Friend |
  | TRIBUTE TO MILES ORCHESTRA ~ LIVE
WARNER MUSIC POLAND 039842388922 (Barcode: 039842388922) ~ POLAND ~ Jazz
Recorded: 1998 Released: 1998
This is the only album by Polish Jazz ensemble Tribute To Miles OrchestraFind albums by this artist (a.k.a. TTMOFind albums by this artist), led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Mariusz MielczarekFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist, drummer Radek MacinskiFind albums by this artist and percussionist (usually keyboardists) Piotr IwickiFind albums by this artist. The album, which was recorded live at the legendary Akwarium club in Warsaw, presents six compositions, five of which are by Miles DavisFind albums by this artist and one is by Konikiewicz (dedicated to Davis).
Musically the album presents the style Miles Davis utilized during the last period of his career, when he switched to Warner Bros. and released the world shattering "TutuFind albums with this title", presenting a combination of Funk and electronic music, which at the time was as innovative as every other giant step Davis took during his career. The Polish Jazz musicians handle the Funk rhythmic challenge formidably and paraphrasing on the "white man can´t jump" - white man definitely can Funk! There are plenty of superb solos and passionate moments, as well as interesting arrangements of earlier Davis compositions transcribed into the Funky style. The remarkable bass playing, which is the basis upon which this music is built, is the core element of its success. But all the participants are contributing extraordinarily and the overall result is way beyond what one might expect.
The most thrilling and astonishing facet of this album is the presence of trumpeter Andrzej Przybielski, who is ordinarily associated with the Free / Avant-Garde Polish scene. This is surely the most "conventional" recording that Przybielski ever took part in and his sound and imitation of the Miles Davis phrasing are simply marvelous. The invitation of Przybielski to participate on this album was a prophetic and bold move by Konikiewicz, who is therefore credited for showing us a face of the legendary trumpeter that we never knew about and is preserved here for posterity.
There is no doubt that the idea behind this album was influenced by the two Miles Davis visits in Poland, in 1983 and in 1988 (I attended that concert), which are generally accepted as life changing experience for the Polish Jazz scene, both collectively as a community and individually as directly influencing the local musicians. The second visit, which happened shortly before Poland was finally released from the grip of the Socialist regime, was a symbol of a changing reality, which at the time was just around the corner (pun intended).
The album suffers from some minor sound quality problems due to the recording conditions, but those are completely negligible in view of the musical contents and the historic significance of this album. The fact that this album disappeared from the shelves almost immediately after it was released and was never reissued is a crying shame.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | TRYO ~ LIVE… VIAJES POR EL CRUDO PATRIMONIO DE UN TRIO ENTRE DOS MUNDOS
ROCK SYMPHONY 006 (Barcode: 7898217289959) ~ CHILE ~ Progressive Rock
Recorded: 2005 Released: 2008
Following five absolutely brilliant albums, the titles of which can be found in the DVD´s title; the Chilean group TryoFind albums by this artist finally release their first DVD, which was filmed in Brazil closely following the release of their last album. Since I´ve already written extensively about this band, there is no need to expand here, just to remind everybody that this is probably one of the top 3 most interesting contemporary bands on our planet, playing music that is transcendent and far beyond anything else done today, crossing genres, styles and making any effort to label and classify completely useless. Hearing – and seeing in this case – is believing. How these three musicians manage to create this wonderful world of music is beyond anybody´s comprehension, but seeing it being done live leaves no doubts as to their abilities. People not familiar with the band´s recorded output can find here a great entry point; those who are already hooked need no prompting to grab this without a moment´s hesitation. A modern masterpiece! Dolby Digital 5.1 Surround Sound, 120 minutes. NTSC
| | | DVD 1 Recommend To A Friend |
  | TURNER, BIG JOE ~ LIVE
MYSTIC 109 ~ USA ~ Blues
Blues is best live and when it`s done by Turner, it`s even better. This 1996 live performance catches him in his best form, singing and playing his heart out. A treat to all blues fans.
| | | CD 1 Recommend To A Friend |
  | TWELFTH NIGHT ~ LIVE FROM LONDON
IGUANA 011 ~ UK ~ Progressive Rock
Filmed in 1984, this is a rare document of the early days of Neo-Prog, which owes its existence to a small group of bands, including Twefth Night (the others were IQ, Pallas and Marillion). This excellently recorded and filmed material presents the group with their second vocalist Andy Sears, just after the release of their live album "Live And Let Live". Sears replaced Geoff Mann, who was the bands front man for several years and was a large part of their success. Two years later (1986) they were to record their only studio album "Art And Illusion" (on Virgin Records) and then split a few month later in 1987. Since there is so very little material available from this band, this is a most welcome addition to their legacy.NTSC
| | Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ LIVE IN CONCERT
TELARC 73698 (Barcode: 089408369896) ~ JAPAN ~ Jazz
Recorded: 2005 Released: 2009
Japanese piano / keyboards virtuoso Hiromi UeharaFind albums by this artist is by now known worldwide as one of the most talented Jazz musicians of the new generation. Her ability to play classic modern Jazz as well as Jazz-Rock Fusion, both with incredible technical dexterity and artistic flair is completely unique and breathtaking. But as good as her studio albums are (and they are truly excellent), nothing presents Hiromi in a truer light than watching her perform live, and this DVD is the closest thing to the live experience many of her fans will ever get. This DVD was recorded around the time Hiromi was promoting her album "SpiralFind albums with this title", playing with her first trio, which included bassist Tony GreyFind albums by this artist and drummer Martin ValihoraFind albums by this artist. There is honestly very little I need to add here, except the fact that this is probably some of the greatest music you will ever hear / watch being performed, so don´t even think twice!
| | | DVD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ LIVE IN MARCIAC
TELARC 34112 ~ JAPAN ~ Jazz
Recorded: 2011 Released: 2011
This is the third DVD by the extraordinary Japanese female pianist / composer Hiromi UeharaFind albums by this artist, and the first outing with her current trio (called The Trio ProjectFind albums by this artist) with the legendary veteran American bassist Anthony JacksonFind albums by this artist and the outstanding British drummer Simon PhillipsFind albums by this artist.
The DVD comprises of seven original compositions by Hiromi and the trio´s interpretation of Ludwig van BeethovenFind albums by this artist´s sonata. Five of these pieces are from her seventh album called "VoiceFind albums with this title" (please follow the link to read more about this album), performed here live and in a slightly different order than on the studio album. Two more pieces originate from her debut album and the remaining one was previously unrecorded.
Seeing Hiromi on stage, which I was fortunate to experience several times already, clearly reaffirms the impression that Hiromi is in a class of her own and that she is blessed by powers of the magnitude of a force of Nature. The moment she steps on the stage the fragile and modest women turns into a Diva with an irresistible personality and overwhelming performing skills, simply stunning her audiences for the entire duration of the concert. She is a complete pianist, able to play in every style and in every genre with the same ease and elegance, regardless if she plays a Classical piece or a Jazz improvisation or a Rocky riff.
Of course a DVD is not exactly being there when this DVD was filmed, but it is as close as those who were not fortunate enough to be there in the flesh will ever get. Enjoy every moment of it!
| | | DVD 1 Recommend To A Friend |
  | HIROMI UEHARA / EDMAR CASTANEDA ~ LIVE IN MONTREAL
TELARC 888072037212 (Barcode: 888072037212) ~ JAPAN ~ Jazz-World Fusion
Recorded: 2017 Released: 2017
This is a live duo album by Japanese pianist / composer Hiromi UeharaFind albums by this artist and Colombian harpist / composer Edmar CastanedaFind albums by this artist, recorded during the 2017 Montreal Jazz Festival. The album presents nine tracks, including a four-part suite, five of which were composed by Uehara, two by Castaneda and two more are by other composers.
Since her arrival on the Jazz scene Hiromi (her stage name) took the world by storm, dazzling fellow musicians and fans by her incredible technique, virtuosity and energy. She is certainly one of the most amazing concert artists, which I have been lucky to witness many times.
Now, two decades later, she has already an impressive recording legacy, including several duo recordings, including one with Chick CoreaFind albums by this artist. This duo album with harpist Castaneda, which is an amalgam of Jazz and South American Folkloristic elements, is full of energy and brilliant exchanges between the two musicians, and despite its somehow unusual sonic vistas, emphasizes the fact that Jazz knows no stylistic limitations.
Castaneda’s harp sounds often more like an expanded guitar and his parts are a perfect companion to Hiromi’s arpeggios and dazzling interplays. This is another example of “Art of the Duo” at it’s very best.
Overall, this is a superb live album by two great musicians, who originate from opposite halves of the globe, but manage to create a perfect cooperative effort together. For Hiromi’s many fans worldwide, this is of course a must, but all lovers of somewhat uncommon Jazz should be delighted.
| | Updated: 26/02/2024Posted: 26/02/2024 | CD 1 Recommend To A Friend |
  | UNITED JAZZ + ROCK ENSEMBLE ~ LIVE IN BERLIN
MOOD 33.620 ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1981 Released: 1988
This is a reissue / remaster of the 4th album (2nd live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The second lineup of the group, which recorded this album, included also two British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents nine tracks, all of which are original compositions by the ensemble members: two each by Dauner, Mariano, Kriegel and Carr and one by Mangelsdorff.
The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. With three trumpeters on board the Big Band sound is even more potent than on the two earlier albums and the brass arrangements are more complex. The overall sound of this album is similar to the sound of the British Jazz ensembles, like NucleusFind albums by this artist or Michael GibbsFind albums by this artist ensembles. This live recording proves how the strong the ensemble was live and how masterfully they handled the complex arrangements and multi-part compositions.
Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings.
Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection.
Side Note
MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums.
The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.
| | Updated: 29/12/2024Posted: 22/12/2024 | CD 1 Remastered Recommend To A Friend |
  | UNITED JAZZ + ROCK ENSEMBLE ~ LIVE IN SCHUTZENHAUS
MOOD 33.609 ~ GERMANY ~ Jazz-Rock Fusion
Recorded: 1977 Released: 1987
This is a reissue / remaster of the 1st album by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The first lineup of the group, which recorded this live album, included also British trumpeter Ian CarrFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note) and was the label’s first release. The album presents seven tracks, all of which are original compositions by the ensemble members: three by Dauner, two by Kriegel and one each by Carr and Mariano.
The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. Hiseman’s incredible steady drumming keeps the large ensemble precisely together, despite the devilishly complex rhythmic patterns. Thompson’s flute parts are simply insane, and this is one of the finest example of the couple’s work together.
Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings.
Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection.
Side Note
MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums.
The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.
| | Updated: 18/11/2024Posted: 18/11/2024 | CD 1 Remastered Recommend To A Friend |
  | UNIVERS ZERO ~ LIVE
CUNEIFORM 220 (Barcode: 045775022024) ~ BELGIUM ~ Progressive Rock
Recorded: 2005 Released: 2006
10th album and the first ever Univers ZeroFind albums by this artist live recording. The complexity of UZ music seems like an insurmountable challenge when recording their music live, but the stable line-up and numerous performances made even this task viable. This beautiful recording catches the perhaps most important contemporary music group at their full glory. The music, which is mostly new arrangements of their previously recorded studio material, emphasizes both the immense talents behind the compositions and the incredibly high standard of musicianship. It is now almost 30 years since UZ appeared on the European musical scene and in all these years they found almost no competition as far and groundbreaking music creation is concerned. Always on the forefront of the Avant-Garde Rock and Contemporary Music scene, UZ remains a beacon of extraordinary strength, pointing towards the musical Mount Olympus. I am not even going to try to recommend this album to anybody – it is so far beyond recommendations.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | UPPERCUT: MATHEW SHIPP / MAT WALERIAN DUO ~ LIVE AT OKUDEN
ESP 5007 (Barcode: 825481500722) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2015
This wonderful album presents a live recording by a duo comprising of American pianist / composer Matthew ShippFind albums by this artist, one of the most important contemporary American Avant-Garde activists, with multi-instrumentalist / composer Mat WalerianFind albums by this artist, a Polish musician resident in the US, who plays saxophone, clarinet and flute. The album was released on the legendary NY label ESPFind albums on this label, one of the most important independent record labels in the history of Avant-Garde Jazz and Rock, founded in 1963 by a Jewish lawyer Bernard StollmanFind albums by this artist (who sadly died just three weeks ago) and its catalogue included some of the most important music recorded in America (and also sporadically in Europe) in the 1960s. The label stopped its activity in 1975 and was dormant for thirty years, resuming activity in 2005 and since releasing many new recordings, such as this one.
This album presents ten compositions, six of which were composed by Walerian and four co-composed by Shipp and Walerian. The music is incredibly fresh and inviting, and although it is definitely free spirited and highly improvised, it also offers a strong melodic content, which makes it accessible to a much wider audiences than the usual Avant-Garde recordings, which can be self-centered and sound cold to listeners. This album is a rare and beautiful example of Avant-Garde music, which transfers well to record, retaining its spirit and intimacy, which is often present live but gets lost when turned into a record.
There is a rare and almost telepathic dialogue between the two musicians, exchanging phrases, notes and rhythmic gestures between them, as if those were rehearsed or preconceived, which is pretty rare. Both musicians play gently and cooperatively, avoiding any power struggles which often characterize duo recordings. This music is fully harmonious and inspirational, a true example of the "Art of the Duo" idea.
The musical qualities of Shipp are of course no secret to the follower of his outstanding career, but Walerian emerges triumphantly as a virtuoso performer, with original ideas and a complete command of his instruments. His playing on this album immediately earns him respect and admiration from connoisseurs of the genre and of course anticipation for his new projects.
Overall this is one of the best Avant-Garde albums I listened to lately, which deserves all the praise it can get and hopefully will reach as many open minded listeners as possible. An absolute delight!
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | MICHAL URBANIAK / GROUP ~ LIVE RECORDING (POLISH JAZZ VOL. 24)
MUZA 924 ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2004
This is a reissue of the first album on the legendary "Polish Jazz" series by the Polish saxophonist / violinist / composer / bandleader Michal UrbaniakFind albums by this artist. This live recording presents this phenomenal Polish Jazz artist in the state of transition. Not only is his music moving away from the modern Jazz into early electric Fusion, but he also changes his primary instrument from saxophone to violin. His quartet includes the great pianist Adam MakowiczFind albums by this artist, who was the first to introduce electric keyboards in the Polish Jazz. In many respects this music is as revolutionary on the Polish jazz scene as the things Miles DavisFind albums by this artist did on the global one. A superb document and a visionary creation.
| | Updated: 08/09/2019Posted: | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | VACHE, WARREN ~ LIVE AT THE VINEYARD
CHALLENGE 70028 ~ USA ~ Jazz
American trumpetter Warren Vache is among the most respected musicians on the scene. He plays mostly traditional / swing jazz and recorded numerous albums. Here caught in a trio with John Bunch on piano and Phil Flanigan on bass, he delivers some really hot swing licks in the tradition of the good old days.
| | | CD 1 Recommend To A Friend |
  | VARIOSPHERES ~ LIVE IN SOLOTHURN
ZBIGNIEW SEIFERT FOUNDATION 2 (Barcode: 5907222048016) ~ POLAND ~ Jazz
Recorded: 1976 Released: 2017
This is an archival release of a live recording by the European quartet VariospheresFind albums by this artist, led by the legendary late Polish Jazz violinist Zbigniew SeifertFind albums by this artist, which also included Belgian pianist Michel HerrFind albums by this artist, Swiss bassist Hans HartmannFind albums by this artist and Polish drummer Janusz StefanskiFind albums by this artist. They perform six compositions, four of which were composed by Seifert, one by Herr and the remaining one is unidentified.
Variospheres, which existed actually in two different lineups, was Seifert vehicle for European touring and of course part of his personal development as a composer and a player. Recorded in January of 1976 this live performance was a beginning of a hyperactive period in Seifert´s life. In that year alone he recorded albums with Joachim KuhnFind albums by this artist ("SpringfeverFind albums with this title" for AtlanticFind albums on this label) and Charlie MarianoFind albums by this artist ("Helen 12 TreesFind albums with this title" for MPSFind albums on this label) and his first album as a leader ("Man Of The LightFind albums with this title" for MPS) as well as his solo violin album ("Solo ViolinFind albums with this title" for EMIFind albums on this label which was released only a couple of years later). Sadly that year also brought the discovery of his illness, which took his life just three years later.
The music is typical of the modern European Jazz of that period, which was heavily involved in post-Coltrane Free improvisation and constant search of new forms of expression. The European scene, on both sides of the Iron Curtain, was buzzing with incredible productivity and discovery, and Seifert and his quartet represent the atmosphere of the period perfectly.
Although the sound quality of this recording is far from perfect, it manages to bring forward the incredible intensity of the music and the total involvement from the musicians. Seifert and Herr deliver lengthy fiery solos and the rhythm section supports the music and drives it ahead, both during the more swinging parts as well as during the freely improvised parts. Seifert´s incredible compositions are always a delight.
The importance of the fact that this music is finally seeing a release, over forty years after it was recorded, is enormous. It adds to Seifert´s relatively limited recorded legacy and sheds light on a very interesting period in European Jazz, which is always more than welcome. For the numerous Polish Jazz and Seifert´s music connoisseurs this is an obvious must, and we should all be grateful to the Zbigniew Seifert FoundationFind albums on this label, run by the incredible Aneta NorekFind albums by this artist, who is also the author of the excellent Seifert´s biography, for faithfully bringing Seifert´s legacy into the limelight!
| | Updated: 22/06/2018Posted: 03/01/2018 | CD 1 Digipak Remastered Recommend To A Friend |
  | FREDERIK VILLMOW ~ LIVE IN COPENHAGEN
AMP 052 (Barcode: 013415901510) ~ GERMANY ~ Jazz
Recorded: 2019 Released: 2019
This is the debut album by the young German (resident in Norway) Jazz drummer Frederik VillmowFind albums by this artist recorded with his quartet which also includes German saxophonist Marc DoffeyFind albums by this artist, Danish pianist Carl WintherFind albums by this artist and Norwegian bassist Julian HauglandFind albums by this artist. The quartet is expanded into a quintet with the addition of the veteran Swedish saxophonist Tomas FranckFind albums by this artist. The music was recorded live at the legendary Jazzhus Montmartre club in Copenhagen and presents seven tracks, five of which are original compositions (three by Villmow and two by Franck) and two are standards.
The music is typical European modern mainstream, mostly post Bebop oriented, based on solid melodic themes, which serve as basis for extended improvisations by the quintet members. The album does not venture into any experimental ground and stays on solid conventional Jazz path.
The focus of the album is on the fiery, scorching soloing by the saxophonists and the pianist, which offers an intense barrage of notes and superb highly energetic virtuosic display of Jazz energy, except for one intimate duo track (sax and bass). The rhythm section supports the soloists formidably and with an obvious display of youthful energy, which suits the music perfectly. The ensemble playing, especially considering the fact that this is a live recording, is excellent and all the musicians seem to be in high spirits obviously enjoying the opportunity to play together.
Overall this is a classic, highly energetic mainstream Jazz album, full of excellent music and heartfelt performances, which should satisfy any true Jazz lover around the globe. Warmly recommended!
| | Updated: 23/09/2019Posted: 23/09/2019 | CD 1 Digipak Recommend To A Friend |
  | RICK WAKEMAN ~ LIVE AT HAMMERSMITH
PRESIDENT 2 ~ UK ~ Progressive Rock
A live recording from 1985. Rick and a great band perform some of his most famous pieces: `Journey To The Centre Of The Earth`, `Arthur`, `Merlin` and `Six Wives`. Very energetic performances and a treat to all Rick`s fans.
| | | CD 1 Recommend To A Friend |
  | RICK WAKEMAN ~ LIVE AT THE BBC
HUX 085 (Barcode: 682970000855) ~ UK ~ Progressive Rock
Recorded: 1976 Released: 2007
By the time the two concerts featuring Rick WakemanFind albums by this artist and his English Rock EnsembleFind albums by this artist were recorded, the young keyboards wizard had already behind him a list of achievements that few others manage to accomplish in a lifetime. Wakeman played on endless studio sessions for the top UK acts, was a members in two seminal Prog bands StrawbsFind albums by this artist and YesFind albums by this artist and composed and recorded a series of musical epics of grand proportions: The Six Wives Of Henry VIIIFind albums with this title, Journey To The Centre Of The EarthFind albums with this title, The Myths And Legends Of King Arthur And The Knights Of The Round TableFind albums with this title, White RockFind albums with this title (the soundtrack for the Winter Olympic Games) and most recently his first album with his English Rock Ensemble: No Earthly ConnectionFind albums with this title. The two concerts recorded for the BBC were a part of Wakeman’s promotion tour of the last album. With Wakeman’s enormous array of keyboards and the six-piece English Rock Orchestra (Ashley HoltFind albums by this artist – vocals, Roger NewellFind albums by this artist – bass, John DunstervilleFind albums by this artist – guitar, Tony FernandezFind albums by this artist – drums, Reg BrooksFind albums by this artist – trombone and Martin ShieldsFind albums by this artist – trumpet) produced a truly awesome, powerful orchestral sound, which suited Wakeman’s dramatic compositions perfectly. The music includes excerpts from all the Wakeman’s solo albums mentioned above, as well as material from the last album. Although the two concerts include some parallel material, each performance is quite unique and therefore none of it is redundant. This is undoubtedly Wakeman’s finest hour ever and considering the great sound quality of these recordings perhaps the best live album he ever made. Quite honestly this album is more or less the essence of Wakeman’s output and except for fanatic Wakeman fans is quite sufficient as his spot in one’s music collection. Definitely most wholeheartedly recommended!
Side Note: Unfortunately things went pretty downhill for Wakeman from that point on. Although he is to this very day one of Rock’s most prolific composers, his totally unrestrained policy on releasing his albums, which resulted in a monstrous (I stopped counting a long time ago but they must be well over 200) amount of albums, which totally destroyed his credibility. Sure there is a lot of great music in those albums, but none of it was innovative or neoteric enough to make any difference. Overproducing can be disastrous and unfortunately Wakeman is a living proof of that.
| | | CD 2 Remastered Recommend To A Friend |
  | WAKO ~ LIVE IN OSLO
ORA FONOGRAM 179 (Barcode: 7090015631798) ~ NORWAY ~ Jazz
Recorded: 2020 Released: 2021
This is the fifth album by the Norwegian Jazz-quartet WakoFind albums by this artist and their first live recording, presenting material recorded during two separate concerts in Oslo, both during 2020. The quartet consists of saxophonist Martin Myhre OlsenFind albums by this artist, pianist Kjetil Andre MulelidFind albums by this artist, bassist Bardur Reinert PoulsenFind albums by this artist and drummer Simon Olderskog AlbertsenFind albums by this artist. The album presents nine tracks, five composed by Olsen and four by Mulelid. Six of the tracks were recorded with an expanded lineup with four guests, which expanded the lineup to an octet, two were recorded by the quartet only and one is a piano solo interlude.
The music is absolutely brilliant from start to finish, amalgamating modern Jazz with Free Jazz improvisations, contemporary Classical Music influences and superb open-mindedness, which combined with the excellent playing technique and at times plain virtuosity, manage to create an uplifting flow of musical consciousness which simply never stops for the duration.
Obviously the pieces performed by the octet offer more opportunity for soloing and the guests, all excellent instrumentalist by themselves, use that environment to show their chops as well. But the music is first and foremost about ensemble performances and faithful presentation of the wonderful compositions, with the individual statements being mostly ornamental.
The album testifies not only to the strength of Wako as a formidable ensemble worth following, but also emphasizes the incredible level of the young generation of Norwegian Jazz musicians, who have made a significant mark on the European scene, far beyond the few famous names that were known worldwide in the 20th Century.
Overall this is a beautiful, challenging and enjoyable album, which should make all modern European Jazz listeners fully satisfied, and since these musicians are also involved in other projects, keep an eye (or better an ear) on them in the days to come. Brilliant stuff!
| | Updated: 04/07/2021Posted: 04/07/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MARCIN WASILEWSKI TRIO ~ LIVE
ECM 2592 (Barcode: 602567384861) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2018
This is the fourth album on the ECMFind albums on this label label by Polish Jazz pianist / composer Marcin WasilewskiFind albums by this artist and his trio, which also includes bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. This is also the first live recording by the trio on that label. The album presents seven compositions (the first two combined into one piece), all composed by Wasilewski except for an interpretation of a song by StingFind albums by this artist and a Herbie HancockFind albums by this artist tune. All of these compositions originate from the trio´s previous album "Spark Of LifeFind albums with this title" except for one that originates from the second album "FaithfulFind albums with this title". As usual for ECM recordings, the album offers excellent sound quality and clarity.
Wasilewski and his trio managed to develop a symbiotic musical relationship in the twenty years they played together and ten albums they recorded together, not to mention their work with the legendary Tomasz StankoFind albums by this artist as members of his "Polish Quartet". These years proved to be fruitful and rewarding in every sense, and established the trio among one of the top European piano trios since the turn of the Millennium.
Wasilewski´s role as a composer also developed steadily over time and he is today a core member of the Polish Jazz musical architects, who define the idiom, combining the Jazz tradition with Polish Folklore sources, the typical Polish melancholy and deeply melodic / harmonic sense of beauty and European finesse. His round and elegant music is the epitome of modern European Jazz, continuing the path set by the Godfathers of Polish / European Jazz. Naturally in time he achieved a highly respected position on the local Jazz scene as one of the leaders of the mid-generation and a highly sought after performer.
The trio functions at all times like one body, with the obvious virtuosity displayed by the leader, but not less importantly by the rhythm section, which fused together create an effect that is greater than the sum of its parts. These live recording enables the numerous fans of the trio to experience an instantaneous connection with the process of music making, which of course is much more intensive than listening to a studio album.
Overall this is a superb piece of Jazz piano trio music, performed by Masters and full of delicate and intricate moments hanging in the air, before the next touch of a key or pluck of a string or strike of a stick take the listener to the next magical moment. Elegant, sophisticated, lofty and above all unpretentious and honest, this music is pennies from heaven to every true Jazz connoisseur! Hats off!
| | Updated: 18/09/2018Posted: 16/09/2018 | CD 1 Slipcase Recommend To A Friend |
  | TREVOR WATTS / MOIRE MUSIC ~ LIVE IN KARLSRUHE
FMR 232 (Barcode: 649849982810) ~ UK ~ Jazz
Recorded: 1989 Released: 2007
Live recording by the Moire MusicFind albums by this artist ensemble, founded by saxophonist Trevor WattsFind albums by this artist after his previous band, AmalgamFind albums by this artist, disbanded. In contrast to Amalgam, Moire Music is a large ensemble, varying in size around 10 members, and often features a brass section, a string section and an expanded percussion section, including African drums. In contrast to Amalgam´s music, which was based mainly on a small group improvisation, this ensemble performs music which is well structured and arranged, but allows plenty of individual improvisation to take place. It also tends to include many World Music elements, incorporating them into the Jazz framework. This particular lineup of the ensemble includes the esteemed saxophone player Simon PicardFind albums by this artist. The drummer is another ex-Amalgam member Liam GenockeyFind albums by this artist. This material was previously unreleased and is a most welcome addition to this band´s recorded legacy. It goes without saying that the music is brilliant, as anything Watts is associated with, I can hardly imagine a Jazz enthusiast who would remain impartial to these performances, while listening to this music and my warm recommendation is self-explanatory. Great stuff!
| | | CD 1 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AND UNRELEASED
COLUMBIA 508058 ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 - 1983
Recent (2002) compilation of never previously released live recordings by Weather ReportFind albums by this artist from the years 1975-1983. Considering the fact that WR recorded only 2 live albums (8:30Find albums with this title and the Japanese only release Live In TokyoFind albums with this title), this is a most welcome edition to their legacy. It features the band in various line-ups and the material includes tracks from studio albums as well as some jazz standards. The overwhelming talent and musicianship are evident throughout and this is a real treasure.
| | | CD 2 Oversampling Remastered Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AT MONTREUX 1976
EAGLE VISION 629 (Barcode: 5034504962972) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2007
Every piece of music by the legendary Fusion pioneers Weather ReportFind albums by this artist is worth it’s weight in gold, and considering this one is a well filmed and well recorded brilliant performance at the Swiss Montreux Jazz Festival, this is truly a priceless addition to the band’s legacy. WR appeared twice at Montreux, this being the first of the two. The lineup is probably the strongest one of the band’s mid-life period, and includes Joe ZawinulFind albums by this artist, Wayne ShorterFind albums by this artist, Jaco PastoriusFind albums by this artist, Alex AcunaFind albums by this artist and Manolo BadrenaFind albums by this artist – the same band that was to record Heavy WeatherFind albums with this title a few months later. Everything that made WR great is evident here – the individual soloing, the incredible interplay and telepathic connection between the players, the great tunes and the total devotion to their music. It must have been pretty hot on the July night, as everybody sweats intensely, and the music is nothing but brilliant. I was lucky to see WR quite a few times, and this DVD is a great evidence of how incredible this band was live, even at times when their studio efforts suffered. This is an absolute must to all WR fans and all Fusion-heads out there. Dolby Digital 5.1 Surround Sound and DTS, 84 minutes.
| | Updated: 17/06/2016Posted: | DVD 1 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971
GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| | Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1975
ART OF GROOVE 80020 (Barcode: 885513800206) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1975 Released: 2010
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured during the Berliner Jazztage Festival, at the transition period between their original incarnation and their entry into the more Funk and Groove oriented period, but just before bassist Jaco PastoriusFind albums by this artist joined the band, which would lock their classic mid-period which lasted between 1976 and 1982. The lineup captured here consists of keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Alphonso JohnsonFind albums by this artist, drummer Chester ThompsonFind albums by this artist and percussionist Alex AcunaFind albums by this artist. That particular lineup in fact never appeared on any album recorded by the band. Therefore this show captured by the German ZDF, presented here on CD and DVD, is of particular interest to Weather Report fans.
The music is right in between the two periods of the band: it features the groovy bass lines that characterize the second period but it also ventures into extensive and pretty Free improvised passages, which are less structured than the music of Weather Report that was about to follow and characterize the first period. As a result this live show is pretty unique and adventurous, as opposed to later live recordings by the band. Both Zawinul and Shorter play some pretty wild solo parts, including Zawinul´s acoustic piano solo, which is almost never present on other live recordings.
In short this is not to be missed by the Weather Report fans, since in addition to the very interesting content the music is relatively well recorded and the balance between the instruments, which most live Weather Report recordings suffer from, if well captured this time. The only disadvantage is the fact that the music last only for just over forty minutes. Definitely some of the best live Weather Report moments are waiting herein to be heard.
| | Updated: 17/06/2016Posted: 17/06/2016 | CD+DVD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN COLOGNE 1983
ART OF GROOVE 80052 (Barcode: 885513800527) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1983 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured by the German WDR at the beginning of final period of their activity and presents the last steady lineup of the group: keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Victor BaileyFind albums by this artist, drummer Omar HakimFind albums by this artist and percussionist Jose RossyFind albums by this artist. The music is spread across two CDs and is excellently recorded, being probably one of the best live Weather Report recordings as far sound quality is concerned.
This revitalized lineup, formed following the departure of Jaco PastoriusFind albums by this artist, created an influx of new creative energies into the group that was slowly going out of steam. This music was recorded before the album "ProcessionFind albums with this title" was recorded in the studio by this lineup, and includes several early version of the album´s tunes, but also rearranged versions of Weather Report favorites. The band is in excellent shape and seems to be very excited and relaxed, which if felt in the music. In addition the album also features a wonderful Zawinul / Shorter duet as well as a short Rossy / Hakim duet, which of course can only be heard on live recordings such as this one.
There is very little live Weather Report material available from this period and therefore this album is a true gem for the many fans of the group, filling many gaps. It is worth to remember that Weather Report never played bad music, contrary to what some people would like you to believe, which this album proves splendidly. Personally I remember hearing them at that time and those memories, compared to memories from gig in earlier periods always stood up to the challenge.
Overall this is a great tribute to the memory of one of the most important Fusion bands of all times, which deserves an honorable place in any decent record collection, especially of course in collections owned by the band´s numerous fans. In short this is a must have if you love or ever loved this band!
| | Updated: 18/06/2016Posted: 18/06/2016 | CD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN OFFENBACH 1978
ART OF GROOVE 80090 (Barcode: 885513800909) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1978 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured when it enjoyed the peak of its popularity. The band in its kernel lineup with keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Jaco PastoriusFind albums by this artist and drummer Peter ErskineFind albums by this artist performs over two hours of their classic material. The show, captured by the German WDR, is presented here on two CDs and a DVD, which includes the same material as the CDs.
As I have already written extensively in my review of the Weather Report´s album "The Legendary Tapes: 1978-1981Find albums with this title", additional releases of the band´s live material are often quite problematic for a variety of reasons: the sound quality, performance quality and other considerations. The numerous fans of the band are therefore faced with the dilemma of craving for more previously unreleased material on one hand and getting recordings which are of problematic quality and basically offer nothing new beyond what was already revealed many times in the past on the other hand.
To put things in perspective, this is still Weather Report – one of the greatest Fusion bands ever, so the music is splendid all the way through, as expected. The only shortcoming of this release is the comparison with very similar live recordings, which present almost identical musical content in somewhat better quality, both sonically and artistically.
For die-hard Weather Report fans this is of course an absolute must have, but others who already own many live albums by the band, might think twice about it. Personally I enjoyed both the audio and the video presentations, but I am definitely far from being objective about something, that dominated the soundtrack of my life for many years.
| | Updated: 17/06/2016Posted: 17/06/2016 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN TOKYO
COLUMBIA 489208 (Barcode: 5099748920829) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2001
Following the release of their eponymous album in 1971 and in spite of the hype and show-biz brouhaha created by ColumbiaFind albums on this label at the time, which presented Weather ReportFind albums by this artist as the first ever jazz super group (a term already used in reference to rock acts), the band found it difficult to secure any US venues to perform live. Europe and Japan of course couldn’t get enough of them and WR spent most of 1971 performing there in front of ecstatic audiences. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which this legendary album was recorded on January 13, 1972. The music was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of the 2nd official WR album I Sing The Body ElectricFind albums with this title, which included the a.m. November studio recordings as side A – all this probably due to the fact that Columbia was anxious to have the next WR album out ASAP and didn’t want to wait for the more studio recordings. So much for the background and now for the music. As usual with WR, the personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Joe ZawinulFind albums by this artist using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles DavisFind albums by this artist´ In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, with the intensity equal to the legendary Miles’ Fillmore concerts. The music is presented in a form of four extended medleys (the longest of which lasts for over 26 minutes), mixing expanded versions of compositions present on the debut album with those recorded during the a.m. November sessions and yet others that appear only here. The group improvisations and the telepathic interplay are fearfully intense. Miroslav VitousFind albums by this artist bravely provides the steady pulsation, which cements the basis on which his companions embark into their sonic ventures. Gravatt is all over the rhythmic patterns and Romao brilliantly fills the spaces. WR strength was always in their live performances, since their studio efforts somehow lacked much of the spontaneity, drive, inspiration and vigor present on stage. This recording, in addition to its heavenly contents, has also a tremendous historic value, as it is the only one in existence documenting the early (and to many the most interesting) stage of the band. It also provides the wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music, during the convoluted period where all boundaries seemed to be irrelevant and the unexpected was expected. There would be very few moments in the years that followed that either WR or any other band for that matter would reach the same level of creative genius or performance intensity. Absolutely essential!
| | | CD 2 Essential Recommend To A Friend |
  | WEST, BRUCE & LAING ~ LIVE `N` KICKIN`
ESOTERIC 2072 (Barcode: 5013929717220) ~ USA ~ Classic Rock
Recorded: 1974 Released: 2008
3rd and last album by the short-lived Anglo-American super-group West, Bruce & LaingFind albums by this artist consisting of guitarist Leslie WestFind albums by this artist and drummer Corky LaingFind albums by this artist from the American band MountainFind albums by this artist and British bassist / vocalist / songwriter extraordinaire Jack BruceFind albums by this artist, of CreamFind albums by this artist fame. The group came together after both the first incarnation of Mountain and the Jack Bruce Band fell apart and was almost a "natural" choice of participants, considering the many parallels between Mountain and Cream, both stylistically and personally via Mountain member and Cream producer Felix PappalardiFind albums by this artist. This live recording is a great document of the level of energy involved in the group´s performances and the virtuosity of its members. Bruce´s bass playing is simply spectacular, as are his vocals and he is especially strong on his own compositions. People who like Cream´s live recordings, with expanded song versions, will enjoy this stuff immensely and the younger people can hear what Rock was all about, when it was truly rocking.
Visitors' Comments
Dr. Rafael Augusto Lara Palmeros
This one is WBL´s “swang song”, the last albumn in the short life of this extraordinary supergroup. Recorded live in Orpheum Theater, in Boston, Masachusetts, the band includes four tracks: “Play with fire”, is a Stone cover and is reminiscent of the “Why Dontcha” cut “Love is worth the Blues”, “The doctor” the live version of one of the studio tracks on their debut albumn.”Politician!” is a good track and “Powerhouse sod” is a version with an absolutely mind bending bass solo by Jack.
I think that this work sholuld have been originally released as two-albumn set, incluiding “November song”,”Sifting sand”,”Out of the fields”, “Polution woman” and others. Four stars of five.
| | | CD 1 Remastered Recommend To A Friend |
  | MIKE WESTBROOK ~ LIVE 1972
HUX 151 (Barcode: 682970001517) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1972 Released: 2017
This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released in 1973 as “LiveFind albums with this title” on the legendary CadillacFind albums on this label label as a five-tracks LP. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios.
For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking.
Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold CadillacFind albums by this artist band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.
| | Updated: 21/01/2023Posted: 21/01/2023 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | MIKE WESTBROOK ~ LIVE 1972 (CADILLAC 50TH ANNIVERSARY EDITION)
CADILLAC 001 (Barcode: 5020675000421) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1972 Released: 2023
This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released on LP in 1973 as “LiveFind albums with this title” and presented only five-tracks. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. Although released previously in 2017 on the now defunct HUXFind albums on this label label, a copy of which is now impossible to find, this edition celebrates the 50th Anniversary of the legendary CadillacFind albums on this label label founded by John JackFind albums by this artist, as it was the first release on that label. It is absolutely delightful to see the British Jazz legacy being kept alive and the Cadillac label getting a second “life”.
For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking.
Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold Cadillac band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.
| | Updated: 06/01/2024Posted: 06/01/2024 | CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend |
  | JOHN WETTON ~ LIVE IN TOKYO 1997
BLUEPRINT 289 ~ UK ~ Progressive Rock
A 2CD live set fom John WettonFind albums by this artist and his band. Great playing and great vocals by the leader, performing some of his best known compositions through the years. Excellent sound quality. For his fans there is never enough material and this one is a valuable addition.
| | | CD 2 Recommend To A Friend |
  | KENNY WHEELER / SONNY GREENWICH ~ LIVE AT THE MONTREAL BISTRO
JUSTIN TIME 114 (Barcode: 068944011421) ~ UK ~ Jazz
Recorded: 1993 - 1997 Released: 1997
This is a little known live recording by the British Jazz trumpeter / composer Kenny WheelerFind albums by this artist with Canadian guitarist Sonny GreenwichFind albums by this artist and other top Canadian Jazz players: pianist Don ThompsonFind albums by this artist, bassist Jim VivianFind albums by this artist and drummer Barry ElmesFind albums by this artist. American drummer Joe LaBarberaFind albums by this artist plays on two tracks. The music was recorded during two Canadian appearances, four years apart, and presents six tracks: one original composition by Wheeler, another one by Thompson, two by Greenwich and two are standards.
The music is all well within mainstream Jazz boundaries, with the original compositions being sufficient to keep the music interesting and the performances by all the participants are certainly solid enough to make the album worth listening too, not only due to Wheeler´s presence.
The relaxed club atmosphere allows the musicians to stretch out and deliver lengthy soli, which are well structured and in case of Wheeler are simply phenomenal, as always.
These are certainly not Wheeler´s most important or significant statements, but they are a nice document of his less demanding appearances with Canadian colleagues, during his visits in his former Homeland. For the many Wheeler´s followers and collectors, this is of course a must.
| | Updated: 19/12/2018Posted: 19/12/2018 | CD 1 Recommend To A Friend |
  | KENNY WHEELER / CHRISTIAN MAURER ~ LIVE AT THE PORGY & BESS
PAO 10720 (Barcode: 9006834107206) ~ UK ~ Jazz
Recorded: 1997 Released: 2000
This is a wonderful live album by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded at the legendary Viennese Jazz club Porgy & Bess with an Austrian quartet led by saxophonist Christian MaurerFind albums by this artist, which also included pianist Helmar HillFind albums by this artist, bassist Christian SteinerFind albums by this artist and drummer Alfred VollbauerFind albums by this artist. Together the quintet performs six compositions: three originals by Wheeler, one original each by Maurer and Vollbauer and one standard.
The excellently recorded music allows an intimate experience of listening to Wheeler and his younger cohorts playing their hearts out. Obviously invigorated by the presence of these young, but by all means very able players, Wheeler is able to stretch out and play a series of wonderfully relaxed expanded soli, which are all as brilliant as expected.
The most interesting piece on the album is the original piece by Vollbauer, which is the most open-form composition on the album and allows Wheeler to show his Free Jazz chops, which he used relatively rarely in the last years of his career. But of course his splendid balladry and mainstream playing is every bit as marvelous and worth being heard.
The immediacy and obviously less formal atmosphere of this live session is a superb opportunity to get a glimpse of a somewhat less polished Wheeler performance in its full splendor, which is obviously worth its weight in gold.
Overall the is a little known gem which is an absolute must for Wheeler´s many connoisseurs, a must in every serious collection of his extended discography and a piece of Jazz history, which deserves to be preserved for posterity.
| | Updated: 23/03/2019Posted: 23/03/2019 | CD 1 Recommend To A Friend |
  | SNOWY WHITE ~ LIVE FROM LONDON
IGUANA 008 ~ UK ~ Blues
Filmed in 1984, this is an excellent and unusual performance by the great UK blues guitarist, who came to fame playing with Pink Floyd and Peter Green. This DVD took me by surprise, as White plays an excellent set in almost fusion style. His guitar playing remains bluesy, but the backup group is very fusion oriented – the result works very well and they all play their hearts out. That Gibson sound! – Unbeatable delight.NTSC
| | | DVD 1 Recommend To A Friend |
  | WHO ~ LIVE AT HULL 1970
POLYDOR 602537113491 (Barcode: 602537113491) ~ UK ~ Classic Rock
Recorded: 1970 Released: 2012
The music appearing on this album was recorded by British Rock legends The WhoFind albums by this artist on February 15, 1970, following their performance on February 14, 1970 (i.e. the previous evening), which produced one of the greatest live albums of all times, the seminal and legendary "Live At LeedsFind albums with this title". The sets of both these concerts are identical (except for one song missing from the Hull set), but the dynamics, ambience and overall atmosphere are quite different. Both concerts were recorded in order to assemble material for the planned live album, but due to technical difficulties, the Hull tapes were discarded and the live album featured material recorded entirely during the Leeds concert. The rest is history…
Some 40 years later it was time to take another look (or listen) at the Hull concert tapes, in order to release both concerts as the "40th Anniversary Super-Deluxe Collectors´ Edition" of "Live At Leeds". Some advanced studio wizardry and digital magic was employed, mostly involving a copy & paste surgery of the bass parts, which were not recorded on the first six songs during the Hull concert, and quite a few other problems. Thanks to the available technology and the dedication of the people involved, the result is truly stunning.
At the time this music was recorded The Who were at the absolute pinnacle of their artistic path, following the success of their groundbreaking Rock Opera "TommyFind albums with this title". They were also in perfect shape as live performers, following years of touring and performing. As a musical unit they displayed a phenomenal, almost telepathic ability to communicate and cooperate. Their individual abilities and talents as musicians were also almost without competition; not only were they one of the best Rock groups at the time, but Roger DaltreyFind albums by this artist was surely one of the top vocalists, John EntwistleFind albums by this artist was one of the top bassist, Keith MoonFind albums by this artist drummers and Pete TownshendFind albums by this artist guitarists. Combined with Townshend´s ability to weave some of the most amazing music made at the time, The Who had truly very little competition.
As mentioned earlier, the contents of this album is almost identical to the "Live At Leeds" album, but that should not deter anybody from listening to this particular recording, as it presents quite different experience. The group seems to be much more relaxed here, which makes the music flow more naturally and more "accurately". The overall ambience is somewhat less noisy and certainly much more intimate. There is very little audience reaction present on the tape, which makes the album sound almost as a "live in the studio" recording. This album is surely a treasure in itself, as much as being a perfect companion to the "Live At Leeds" album.
In short this is a brilliant document from the past, bringing back to life some magnificent music, which is an essential component of Rock history. Thank God for the invention of sound recording!
| | | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | WHO ~ LIVE AT LEEDS (DELUXE EDITION)
MCA 112618 (Barcode: 008811261825) ~ UK ~ Classic Rock
Recorded: 1970 Released: 2002
Recorded in 1970, this is the legendary concert of The WhoFind albums by this artist at Leeds University. Two and a half hours of unadulturated energy and genious by one of the most important and influential rock groups ever. This recording was made shortly after the rock opera Tommy was released, and on this version of the album the group performs the entire piece (no interruptions) live, which to many is a better version then the studio recording. The rest of the material includes Who`s all time favorites, performed with the usual frenzy and vitality. This is Rock And Roll at its best, no doubt about it!
| | Updated: 01/06/2018Posted: | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | WHO ~ LIVE AT SHEA STADIUM 1982
MERCURY 602458372229 (Barcode: 602458372229) ~ UK ~ Classic Rock
Recorded: 1982 Released: 2024
This is an archival live album by the legendary British Rock group The WhoFind albums by this artist, captured live at the NY Shea Stadium on November 13, 1982. The lineup included three original members: vocalist Roger DaltreyFind albums by this artist, guitarist Pete TownshendFind albums by this artist and bassist John EntwistleFind albums by this artist and two new members: drummer Kenney JonesFind albums by this artist (ex-Small FacesFind albums by this artist / FacesFind albums by this artist) and keyboardist Tim GormanFind albums by this artist. The 2CD album presents twenty-five tracks, all but five written by Townshend, presenting a few tracks from their (then new and the last to feature Entwistle) album “It`s HardFind albums with this title” and a selection of songs spanning the entire career of the group.
Following the death of the founding member / drummer Keith MoonFind albums by this artist, the group carried on for a while and recorded a couple of albums, before finally splitting in 1983s. There were several reunions and a couple of albums since, but the activity was relatively sporadic.
The Who were undoubtedly one of the greatest Rock groups of all times, and this album, even if recorded closely to the last apogee of their career, proves it beyond any doubt. They had an awe-inspiring charisma on stage and recorded some of the most iconic Rock albums of all time, being Rock’s “avant-garde” for years in many fields, including their social awareness and groundbreaking musical trends. Their iconic “Live At LeedsFind albums with this title” album remains to be one of the absolutely top live Rock recordings to this very day, and they were truly mighty musicians and songwriters.
Overall, this is a brilliant live Rock album by one of the best Rock groups of all time, superbly recorded and offering a review of the group’s entire recording career. The Who were true Giants, and this album clearly and proudly shows why. It is great to be able to hear this material, which was previously unreleased on CD, and which is a great piece of Rock history!
| | Updated: 04/08/2024Posted: 03/08/2024 | CD 2 Mini-Sleeve Recommend To A Friend |
  | WHO ~ LIVE AT THE FILLMORE EAST 1968
POLYDOR 602567444855 (Barcode: 602567444855) ~ UK ~ Classic Rock
Recorded: 1968 Released: 2018
This is a sensational archival release presenting live recordings by the seminal British Rock group The WhoFind albums by this artist captured at the very end of their first grueling US tour as headliners, recorded at the NY Rock shrine: Bill GrahamFind albums by this artist´s Fillmore East, reopened recently (at the time) in its new location on the Second Avenue on the Lower East Side. With the intention of the music being released as a live album, both concerts on April 5 and 6, 1968 were recorded, but were eventually shelved, seeing the light of the day exactly half a Century later. Of course The Who released eventually their extraordinary live opus "Live At LeedsFind albums with this title" a couple of years later, which is still considered as one of the best live Rock albums of all time, but his music surely deserved to be released as well.
At the time of the recording vocalist Roger DaltreyFind albums by this artist, guitarist Pete TownshendFind albums by this artist, bassist John EntwistleFind albums by this artist and drummer Keith MoonFind albums by this artist had three albums under their belt and were on the verge of stardom, which was about to explode with the release of their fourth album, the legendary Rock Opera "TommyFind albums with this title" a year after the music present here was recorded. After years of playing together they were a lean and mean Rock machine, capable of delivering raw energy of the highest degree, combined with virtuosic performances equally only by the very best of their contemporaries. Daltrey´s theatrical vocals, Townshend´s guitar pyrotechnics, Entwistle´s superb bass parts and Moon´s hyper-energetic drumming are all present here to the delight of the group´s fans and music historians. For the Rock cognoscenti hints of the group´s future direction (i.e. "Tommy") can be already heard here as well.
The entire second CD of this album is dedicated to the extended version of the group´s first hit "My Generation" and their renowned anthem, which lasts for more than thirty three minutes in duration. The instrumental work on that piece puts The Who in the same category as other great Rock improvisers at the time, most notably Cream of course. In retrospect this singular piece of music should be considered a "must hear" for anybody who picks up a guitar or starts a group. Basically Rock moved ahead very little since.
Considering the superb recording quality this album offers, it is very difficult to comprehend why this treasure was hidden away for so long, simply bordering on the Culturally criminal. Better late than never is a poor solace in this case.
Beyond essential!
| | Updated: 11/09/2018Posted: 11/09/2018 | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | WIGWAM ~ LIVE MUSIC FROM THE TWILIGHT ZONE
LOVE 517 ~ FINLAND ~ Progressive Rock
5th album from 1974, originally a 2LP set, captures the group live during a tour in Finnish clubs. This album marks the end of the first incarnation of the group.
| | | CD 1 Recommend To A Friend |
  | WIGWAM ~ LIVE MUSIC FROM THE TWILIGHT ZONE
ESOTERIC 2185 (Barcode: 5013929728523) ~ FINLAND ~ Progressive Rock
Recorded: 1974 Released: 2010
5th album by the Finnish Prog Masters WigwamFind albums by this artist (originally released as a double LP), marking the end of the original lineup of the band and recorded during their farewell concert tour. The band´s core: vocalist Jim PembrokeFind albums by this artist (a British expatriate living in Finland), keyboardist Jukka GustavsonFind albums by this artist, who was the band´s principal composer, bassist Pekka PohjolaFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist is expanded to a quintet with guitarist Pekka RechardtFind albums by this artist joining the group. Soon after these recordings were made Gustavson and Pohjola left the band and it reformed a year later with new musicians replacing them. This album is a superb showcase of Wigwam´s live performances, being the band´s first live recording, as well as showing their musical influences, as the band performs several covers of material written by such diverse musicians as the BeatlesFind albums by this artist and the BandFind albums by this artist, in addition to their own compositions. Several of the tracks are expanded into long instrumental jams, emphasizing the improvisational skills by the band members. With strong Jazzy feel, this album gracefully moves between Prog and Fusion, to the obvious delight of the band´s many fans. In retrospect this album is a great document of the time, capturing the spirit as well as the sound of the most productive period in music history. Essential for all Wigwam fans, but most Prog and Fusion connoisseurs should have a field day with this beauty!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | WILBER, BOB / BECHET LEGACY ~ LIVE AT THE VINEYARD
CHALLENGE 70018 ~ USA ~ Jazz
AMG Review: After the breakup of Soprano Summit in the early ´80s, Bob Wilber formed a group dedicated to reviving the music of his teacher, Sidney Bechet. Wilber (who triples here on soprano, clarinet, and alto) is heard with his intimate quartet (which also includes trumpeter Randy Sandke, guitarist Mike Peters, and bassist John Goldsby) during a live performance on nine selections associated with Bechet. This CD (its contents were released for the first time in 1995) has plenty of passionate and heated swing, with the high points including "Down in HonkyTonk Town," "Promenade aux Champs-Elysees," "China Boy," and "Lady Be Good." Quite enjoyable.
| | | CD 1 Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ LIVE IN NEW YORK 1969
HI HAT 3084 (Barcode: 5297961308411) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2017
This is a live recording by the legendary pioneering Jazz-Rock Fusion trio Tony Williams LifetimeFind albums by this artist, founded by American drummer Tony WilliamsFind albums by this artist and including also organist Larry YoungFind albums by this artist and British guitarist John McLaughlinFind albums by this artist. It presents some of the material that was released on the trio´s debut album "Emergency!Find albums with this title" and some material from their second album "Turn It OverFind albums with this title", which was recorded and released after this concert was recorded with the British bassist Jack Bruce as a fourth member of Lifetime.
The music is of course absolutely stunning, light-years ahead of its time, presenting a futuristic amalgam of Avant-Garde Rock, Jazz and Improvised Music, with a heavy, muddy sound dominating the proceedings kicked forward by Williams´ hyper energetic drumming. Although this music is often considered as some of the most important early Jazz-Rock Fusion, it was in fact more daring and advanced that most of the genre´s output that followed.
McLaughlin was of course exposed to the true Jazz-Rock Fusion cradle at least five or so years earlier, when he was a member of the Graham Bond QuartetFind albums by this artist, which is where this genre was born. His remarkable performances here are simply blood-curdling.
The trio´s genesis is of course connected to the association of its members with Miles DavisFind albums by this artist and his Fusion period, which culminated with the recording of the iconic "Bitches BrewFind albums with this title" album. Lifetime was only one of several iconic groups born from musicians playing with Miles at the time, such as Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist.
Although the sound of this recording is not ideal, neither is the sound of the studio recorded "Emergency!", and considering the rarity and the importance of the music this is a must for Tony Williams Lifetime fans and followers of Fusion history!
Side Note
Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| | Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | WINSTONE / WHEELER / FRESU / TAYLOR / DAMIANI / OXLEY ~ LIVE AT ROCCELLA JONICA
SPLASC(H) 508 (Barcode: 716642050821) ~ UK ~ Jazz
Recorded: 1984 Released: 2003
This is a reissue of a rather obscure live recording by a dreamy Anglo-Italian sextet comprising of British vocalist Norma WinstoneFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist and drummer Tony OxleyFind albums by this artist and Italian trumpeter Paolo FresuFind albums by this artist and bassist Paolo DamianiFind albums by this artist. Together they perform five original compositions, three by Wheeler (two of which are joined into a medley) and two by Damiani, one of which lasts for over twenty three minutes.
The music is typical modern European Jazz, based on solid melodic themes but open to individual interpretations, which are expressed here by the solos performed by all the participants. The melodies are first presented by Winstone using her amazing vocalese statements and then are picked up by the rest of the sextet and subjected to open improvisation.
The album is full of wonderful soloing and the double trumpet lineup is especially attractive with Wheeler and Fresu playing in tandem or jointly, creating some truly amazing statements. Taylor as always lays the harmonic background for the music and adds fiery solos on the way and the rhythm section keeps things moving ahead. Oxley´s drumming is definitely one of the most "straightforward" performances of his ever captured on record.
Winstone´s neck breaking solos are the absolute highlight of this album and her full power of improvisation and amazing virtuosity are beautifully captured here. The informality of a concert setting and the extraordinary drumming by Oxley, which accompanies her vocal solos come together perfectly.
Although the sound quality of the recording, even in this remastered version, is far from perfect, the music is so powerful and unique that the sound imperfections can be easily ignored. Since the sextet came together only once for this specific appearance, the album is a time capsule and a perfect historical document of European Jazz at its best in the mid-1980s. Wholeheartedly recommended!
| | Updated: 13/07/2018Posted: 13/07/2018 | CD 1 Remastered Recommend To A Friend |
  | JOHNNY WINTER ~ LIVE BOOTLEG SERIES VOL. 4
FRIDAY MUSIC 1100 (Barcode: 829421110026) ~ USA ~ Blues-Rock
Recorded: 1975 Released: 2009
The great Blues and Rock guitar hero Johnny WinterFind albums by this artist never truly achieved the recognition he deserves as one of the world´s best players ever. Anybody following his career for the last 40 years is surely convinced by now that there are very few guitar players who equal Johnny´s incredible talent and especially his feel for the Blues. This fourth installment in the series of releases of his live and unofficial recordings is as thrilling as its predecessors, presenting Johnny at his best, which he always is on stage. Here in a trio format with Jon ParisFind albums by this artist on bass and Tom ComptonFind albums by this artist on drums, he delivers his stunning guitar licks with the usual consistency an proficiency, singing along with his wonderful throaty voice. The material includes several Blues standards and some of Johnny´s own compositions. I guess there´s little need to expand any further here; anybody who loves Johnny will grab this album instantly and those who don´t know him, well, they already lost a lifetime of thrilling music. A must!
| | | CD 1 Remastered Recommend To A Friend |
  | JIMMY WITHERSPOON ~ LIVE IN LONDON 1966
RHYTHM AND BLUES 066 (Barcode: 5060331752349) ~ USA ~ Jazz-Blues Fusion
Recorded: 1966 Released: 2021
This is an archival album by the American Blues singer Jimmy WitherspoonFind albums by this artist recorded during his visit in London, accompanied by top British Jazz musicians. The album presents twenty tracks, recorded during three separate sessions. The majority (thirteen) of the tracks were recorded at the legendary London pub “The Bulls Head”, with Witherspoon accompanied by the saxophonist Dick MorrisseyFind albums by this artist’s quartet with pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and iconic drummer Phil SeamenFind albums by this artist. On six additional tracks (two of which are instrumentals only) he is accompanied by saxophonist Peter KingFind albums by this artist and the same rhythm section as above. On one tack he is accompanied by the great Alexis KornerFind albums by this artist’s (who plays guitar) Blues IncorporatedFind albums by this artist with saxophonist Ray WarleighFind albums by this artist, pianist Chris PyneFind albums by this artist, bassist Danny ThompsonFind albums by this artist and drummer Terry CoxFind albums by this artist. Except for three originals by Witherspoon, all the tracks are Blues / Jazz standards.
The music is all a natural mixture of Blues and Jazz, clearly emphasizing the proximity between the two genres. Witherspoon obviously feels very comfortable with his British companions, being used to work with Jazz musicians back home and the Brits are familiar with the repertoire, which altogether makes the music sound completely natural and easy-going.
There are no great surprises here, but the album is an excellent example of the diversity of the British Blues boom that exploded by the mid-1960s and declines almost as rapidly just half a decade later. That great movement included Blues, Jazz and early Rock musicians working shoulder to shoulder to create the British Blues, which took the American tradition of the genre a step further, adding a pinch of European aesthetics to the mixture.
Overall this is a nice reminder of how the music created by visiting American Blues singers / musicians sounded when they were accompanied by British musicians, which happened quite often at the time. For Blues and British Jazz enthusiasts this is definitely an album worth pursuing.
| | Updated: 16/07/2021Posted: 16/07/2021 | CD 1 Recommend To A Friend |
  | WORLD ORCHESTRA ~ LIVE IN GDANSK
UNIVERSAL 028948107599 (Barcode: 028948107599) ~ POLAND ~ Jazz-World Fusion
Recorded: 2011 Released: 2013
The World Orchestra is a brainchild of Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist, who managed to create an international ensemble of dozens of musicians from all over the world, which performs a sort of Jazz-World Fusion music, based on melodic themes with strong ethnic flavors. This album presents a live recording by the World Orchestra, featuring some world-famous World Music artists, like the Bulgarian kaval player Theodosii SpassovFind albums by this artist, Finnish kantele player Sinikka LangelandFind albums by this artist, the Bulgarian Voices AngeliteFind albums by this artist choir and many others. Polish artists included Atom String QuartetFind albums by this artist, pianist Marcin WasilewskiFind albums by this artist and a large orchestra; all in all 84 (according to the liner notes) musicians on one stage. They perform fourteen pieces, most of which were composed by Piotrowski, with a few exceptions.
Although the logistics behind this project must have been staggering and the basic idea of combining musical cultures is definitely commendable, the overall result is very problematic. There is no common bond linking the different pieces together, no thematic thread, not even a loosely devised common denominator. As a result each of the pieces more or less works on its own, but is not connected to anything before and after it and the entire concert becomes a sort of tribute to different folkloristic themes, but not more. Although all the musicians involved are true masters of their respective trade, the lush orchestral arrangements and the ambience of Smooth Jazz floating above create a typical overproduced easy-listening music, which keeps the brain in a state of blissful lethargy.
This kind of domesticated World Music is very popular since it is accessible to large crowds, who would definitely have a problem to stomach some authentic Folklore and need the sugary envelope to be able to swallow it. Of course one can wonder is this is the correct way to bring new musical thrills to people, but that becomes a question of moral / artistic choices.
The CD is accompanied by a DVD of the same concert, which adds no additional music beyond the contents of the CD and is therefore completely redundant.
| | Updated: 26/10/2016Posted: | CD+DVD 2 Digipak Recommend To A Friend |
  | PIOTR WYLEZOL QUINTET ~ LIVE
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2010 Released: 2010
This is a live recording by Polish Jazz quintet led by pianist / composer Piotr WylezolFind albums by this artist, which also includes saxophonist Adam PieronczykFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Krzysztof DziedzicFind albums by this artist. The album presents seven original compositions (one repeated twice as a bonus track), five of which were composed by Wylezol and two by Doruzka.
The music is all within the mainstream Jazz idiom, based on solid melodies, and as usual with Eastern European composers with a distinct share of melancholy. There is little drama on this album with the tunes flowing gently one after another, leaving the listener in a state of blissful relaxation.
The individual performances are all excellent, as expected from musicians of this class. Pieronczyk is one of the top Polish saxophonists with a vast experience and Doruzka is one of top European guitarists, in addition to the talented and also very experienced leader and the excellent rhythm section. There is nothing but professionalism and elegance herein. On the other hand considering the strength of the lineup, one might expect a somewhat more exciting and fulfilling result.
Overall this is a nice live mainstream album, which should keep most Jazz listeners happy, but which in retrospect joins a long list of albums that go gently into that good night and remain consequently desolate.
| | Updated: 04/05/2017Posted: 04/05/2017 | CD 1 Digipak Recommend To A Friend |
  | XL ~ LIVE BALLET
POHJOLA 13 ~ FINLAND ~ Progressive Rock
4th album from 2000 and the first live recording. With some support by the label owner (yes Pekka Pohjola), a DJ and a string ensamble. An incredible mixture of styles and sounds, vibrant and energetic, but intelligent and sophisticated. These cats can play and they show us all that music can not stand still for even one moment.
| | | CD 1 Recommend To A Friend |
  | YES ~ LIVE IN PHILADELPHIA 1979
SANCTUARY 3005 ~ UK ~ Progressive Rock
Classic Yes lineup with Wakeman, Anderson, Howe, Squire and White playing some of the group favorite tunes in front of an extatic audience. Good sound and very solid performance which of course makes any Yes fan happy. Dolby Digital 5.1 Surround Sound, 50 minutes.
| | | DVD 1 Recommend To A Friend |
  | YEZDA URFA ~ LIVE – NEARFEST 2004
DANGER DOG 1001 (Barcode: 884501340991) ~ USA ~ Progressive Rock
Recorded: 2004 Released: 2004
The one-time reunion of the brilliant US Prog group Yezda UrfaFind albums by this artist, which recorded and released a couple of superb albums in the 1970s, resulted in their Nearfest Festival performance, which was recorded and released on this album. Thirty years later their music still sounds brilliant and remains some of the best ever created by a US Prog group. They can still play of course and although the lineup is slightly different from the original group, this one work amicably. This is a fantastic tribute to the old times and a perfectly valid piece of music by itself, which any Prog fan should definitely check out!
| | | CD 1 Recommend To A Friend |
  | LESZEK ZADLO QUARTET ~ LIVE IN HAMBURG `75
FOR TUNE 0170 (Barcode: 5906395808847) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 1975 Released: 2024
By the mid-1970s West Germany became a true Mecca of European Jazz. The great economic resurgence allowed benevolent support of Arts by the German regional and Federal governments, and Jazz became a highly popular and flourishing Artform, bursting with concert activity all around the country. The many indoor and outdoor Jazz festivals, venues ranging from newly constructed concert halls to small clubs and cellars, music schools with Jazz departments and a vast number of thriving independent record labels, like MPSFind albums on this label, ECMFind albums on this label and EnjaFind albums on this label, to mention but a few, all these created a climate, which not only enabled the local musicians to flourish, but also acted like a magnet pulling Jazz musicians from all over the world to move to Germany and take part in the celebration of creating the new European Jazz miracle.
Since Europe was at the time literally split by the Iron Curtain into “West” and “East”, moving to Germany from the USA or other West European countries was a breeze. However, as far as East European Jazz musicians were concerned, such move was, more often than not, only but a dream. That did not mean, of course, that some of them would not try, and eventually also succeed to make such transition.
Born in Krakow in 1945, Polish Jazz saxophonist / flautist / composer / educator Leszek ZadloFind albums by this artist was one of the first Polish Jazz musicians, who managed to make the “West” their new home. He moved first to Austria, in 1966, where he polished his education and performing skills, playing constantly with the best local and visiting international Jazz players. There he recorded his debut album “Inner SilenceFind albums with this title” in 1973. In 1975 Zadlo relocated to Germany, settling in Munich and quickly becoming an integral part of the busy local scene.
This album presents a live recording by Zadlo with an international quartet, which includes American pianist Larry PorterFind albums by this artist, who was one of the many US musicians staying at the time in Germany, and a German rhythm section comprising of bassist Gunter LenzFind albums by this artist and drummer Joe NayFind albums by this artist. The concert was a part of the 1. New Jazz Festival, which took place in Hamburg in June of 1975. The festival’s concerts were presented at two legendary local venues: “Fabrik” and “Onkel Pös Carnegie Hall”, where the music on this album was recorded. The Festival’s lineup included several ensembles, led by important international Jazz artists, like Norwegian Terje RypdalFind albums by this artist, American Dave LiebmanFind albums by this artist, German Eberhard WeberFind albums by this artist and… Polish Tomasz StankoFind albums by this artist, another proud representative of the Eastern European Jazz scene. Parts of the performances by these artists were included on a commemorative album released by the Polydor label later that year. The fact that Leszek Zadlo was invited to take part in this important festival speaks volumes about his status as a part of the evolving European Jazz Avant-Garde.
The music is, as expected, a brilliant example of European Free Jazz / Improvised Music hurricane, exploding with emotions and sublime musicianship. Zadlo’s “infatuation” with the music of John ColtraneFind albums by this artist is obvious, but Zadlo offers his very own voice and interpretation of Freedom, which is perhaps less wild and instinctive, but rather more expressive and balanced, without losing touch with the world around. There is no doubt that Zadlo was at that period of his life perhaps the most “Coltrane oriented” European Jazz musician, all the way as total as the great Master, and with complete and full control of his faculties. Watching Zadlo on stage was like facing a Force of Nature, being totally and utterly swept by flow of his energy, all of which is wonderfully captured herein. His partners in crime are completely up to the task, as expected. It would be a sin to leave this music dormant in the vault and I am extremely happy to see it out in the open.
Love you my Friend, as always!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 06/12/2024Posted: 06/12/2024 | CD 1 Digipak Recommend To A Friend |
  | AGA ZARYAN ~ LIVE AT PALLADIUM
COSMOPOLIS 081/082/083 (Barcode: 5907476693574) ~ POLAND ~ Jazz
Recorded: 2008 Released: 2008
This is the fourth album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and her first live recording, captured at the Warsaw´s Palladium club. She is accompanied by a trio of excellent musicians: guitarist Larry KoonseFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist, who all participated in the recording of her second album "Picking Up The PiecesFind albums with this title", recorded a couple of years earlier in the USA. The album comprises of thirteen tracks, spread over two CDs and a DVD with the video of the concert, which has the same musical content and some bonus material with artists´ interviews. The music originates mostly from the second album, with a couple of earlier songs form the debut album, one instrumental piece, which opens the concert and one previously unrecorded song (by Stevie WonderFind albums by this artist), which closes it.
It takes balls of steel (especially for a woman) to face a large crowd and being able to mesmerize it with such a delicate music, which is based on aesthetics and finesse and requires total silence and complete attention from the listener. There are but a few female vocalists able to perform such magic on stage and Zaryan is certainly at the very top of this exclusive guild. The three master musicians accompanying Aga deserve of course a large piece of the praise, especially Oleszkiewicz, since lengthy parts of the concert are simply duets between him and the singer. His playing is way beyond virtuoso bass performance; it is simply the vehicle carrying this entire show on his shoulders. His empathy and telepathic conversation with Zaryan and the other musicians is simply sensational.
Zaryan´s performances are simply breathtaking from start to finish. She is much more adventurous here than on the studio albums, using her full vocal range as well as creating a panorama of sound effects using her voice. Her total control of tone, expression, volume and theatrics is masterful, as is her ability to switch moods and atmosphere. She simply holds the audience at the palm of her hand.
Although the album brings little new material, it summarizes perfectly the first phase of Zaryan´s career, where she concentrated on her vocal interpretations of Jazz standards. The next phase, which started with the third album, was about to expose her also as lyricist and a Jazz & Poetry artist, taking her right up to the very top of the Polish Jazz scene. When the legendary Blue Note label signed Aga Zaryan as its recording artist, it was a culmination of the first decade of her career, well earned and truly deserved, as this album proves beyond any reasonable doubt.
In retrospect this is a wonderful document, a time capsule preserving magic moments, which are always associated with sublime pleasure, when revisited. I simply can´t imagine anybody could resist Zaryan´s charm and talent for long, so give in and grab this crown jewel as soon as you can – satisfaction guaranteed!
| | Updated: 01/01/2016Posted: | 2CD+DVD 3 Digipak Recommend To A Friend |
  | JAKUB ZOLUBAK TRIO ~ LIVE AT JAZZSTATE
NOT ON LABEL ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2021 Released: 2021
This is the debut album as a leader by Polish Jazz guitarist / composer Jakub ZolubakFind albums by this artist, recorded with his trio which includes bassist Radek LukaszewiczFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. The album was recorded live at the Warsaw SPATiF club during the weekly Jazzstate gig, run by Karolina SzewcFind albums by this artist. The album presents eight tracks, seven of which are original compositions by the leader and one is by Bill FrisellFind albums by this artist.
The music is very subdued and delicate, with melancholic melodic themes, played by the guitar over solid bass and mostly hardly audible drum support, almost all within strict mainstream borders. After a few of these tunes everything starts to sound more or less the same and there is very little development as the time passes by. The guitar work is fine, but somewhat repetitive, and although one might appreciate the effort the album offers very little to get excited about. Stylistically the music fails to make a clear statement, as it is only marginally Jazz oriented, and I suppose most listeners would put it on the Fusion shelf, due to the spacy sound of the electric guitar.
Overall, listeners who like romantic Jazzy guitar tunes, which flow gently sort of “in the background”, might enjoy this. Personally this music does nothing to me and it was an effort to listen to it till the very end. But it is only me…many other critics seem to love this music. Go figure…
| | Updated: 26/12/2021Posted: 25/12/2021 | CD 1 Digipak Recommend To A Friend |
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