Record Reviews

(0-58) ~ TRYBY 0-58 001 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2003 Released: 2003 This is the third album by Polish Jazz vocalist Krystyna StankoFind albums by this artist and her second recording with the group (0-58)Find albums by this artist, which paired her as a co-leader with guitarist / composer Maciej GrzywaczFind albums by this artist. The group also included accordionist Cezary PaciorekFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Marcin JahrFind albums by this artist. The album includes eight original compositions, seven of which are by Grzywacz with lyrics by Stanko and one is an instrumental by Lemanczyk, where Stanko uses wordless vocalese only. Musically the album is a striking amalgam of cross-genre explorations, which could be labeled as Jazz-Rock Fusion, but in truth comprises of many other musical influences and sources, from French musette via alternative Rock, RIO, Fusion, Prog and probably quite a few others, all resting firmly in the Jazz tradition. The eclecticism is not only part of the composition but is also reflected in the entirely unusual overall sonic atmosphere, which moves between the accordion inspired jubilation to dark, melancholic and deeply lyrical pieces, especially those featuring Stanko with Grzywacz on acoustic guitar and supported by the incredible bass lines by Lemanczyk and percussive ornamentation by Jahr. The album offers so many incredible musical moments that by and large the listener has barely time to enjoy one piece of music and is immediately thrown into completely new surroundings. The level of performances on this album is simply astounding. Stanko, as usual, presents the lyrics with a theatrical sensitivity and the instrumentalists magically perform a set of chameleonic tricks, changing moods and tempi on the fly, often using those strange odd meters, which make music exciting. The decision to use the accordion is a blessing as this fantastic instrument is able to produce a variety of sounds, so sweet and natural, that no synthesizer can ever come close to. Paciorek is obviously a Master and his solos, as well as his accompaniments are a real joy. Grzywacz is a versatile player with great technique and sensitivity, which is quite evident here and his solos are a classic examples of what Jazz / Fusion guitar playing should be all about. Lemanczyk is a true giant, and his strong acoustic bass lines on this album often sound as if produced by a bass guitar, which is quite incredible, Jahr is an excellent drummer and his all-around experience playing in many different musical areas makes him an ideal contributor on this recording. In retrospect it appears that this is definitely one of the best offerings of the Polish Jazz / Fusion scene in the first decade of the 21st Century and it certainly deserves much more attention and praise than it originally gained at the time of its release. Seemingly out of print, perhaps a reissue us in order? Delightful stuff!

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ANDRZEJ DABROWSKI / ALL STARS ~ LIVE FOR TUNE 0154 (Barcode: 5906395808700) ~ POLAND ~ Jazz Recorded: 2018 - 2021 Released: 2022 This is a live album by veteran / iconic Polish Jazz vocalist / drummer Andrzej DabrowskiFind albums by this artist, recorded during a concert celebrating his 80th Birthday. He is accompanied by a formidable sexted comprising of top Polish Jazz musicians: trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist, pianist Andrzej JagodzinskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist. Dabrowski sings nine songs, seven of which are American standards and two are Polish ones, written by Jan Ptaszyn WroblewskiFind albums by this artist and Agnieszka OsieckaFind albums by this artist. A bonus track, the symbolic “My Way” (sung in Polish), recorded at the Polish Radio three years later with different musicians, is added to complete the set. Dabrowski has been a part of the Polish Jazz scene since its inception and this album is a loving tribute to his lifetime contribution to the Polish Jazz scene and its achievements. Considering the age of the protagonist of this recording, any attempt to say anything about his performances are completely irrelevant, and would simply miss the point by a mile. The musicians gathered here all pay tribute to their colleague, with obvious respect and adoration, and that is all that matters. Overall, the For TuneFind albums on this label label should be congratulated for releasing this loving tribute, which is a wonderful document of the Polish Jazz scene history. The respect paid to Culture is always highly appreciated. Side Note: This For Tune release initiates the new graphic layout of the label’s releases, which combines the decade-long tradition of consistent elegance and class. The move to digipak from the traditional jewel case is a sign of commitment to the collectors, many of which own the entire output of this excellent label, now numbering 155 releases – a true treasure of Polish Jazz.

Updated: 09/06/2022Posted: 09/06/2022

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KRZYSIA GORNIAK ~ MEMORIES NOT ON LABEL (Barcode: 5903205111203) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the eighth (sixth as a leader) album by Polish Jazz guitarist / composer Krzysia GorniakFind albums by this artist, recorded in a classic quartet setting with keyboardists Michal WroblewskiFind albums by this artist or Piotr WrombelFind albums by this artist, bassist Michal JarosFind albums by this artist and drummer Marcin JahrFind albums by this artist. The album presents seven original compositions, all by Gorniak. The music is all based on wonderfully melodic themes and kept elegantly within the mainstream Jazz idiom, but the use of synthesizers and contemporary arrangements effectively eschew unnecessary nostalgic tendencies, presenting an up to date sound and ambiance, which are delightfully embracing. Although obviously on the lighter side of the Jazz spectrum, this music is splendidly put together and aesthetically solid. Gorniak manages to keep her guitar playing strictly within the Jazz boundaries, successfully avoiding slipping towards Fusion, which would have ruined the effort. She skillfully combines playing notes and chords with the right balance between them, always with restrain and stylish distance, which results in a highly effective overall outcome. The beautiful guitar sound she manages to achieve also contributes to the result. The participating musicians are all skillful and highly professional musicians, which of course is immediately apparent. They support her amicably and add splendid solo parts of their own on the way. Considering the delicate and often quite intimate nature of this music, the mutual respect and interplay between the quartet members is a crucial element contributing to the successful result. Both keyboardist offer acoustic piano and synthesizer parts perfectly suited to the melodic continuity, Jaros glues everything together with his virtuosic bass parts and Jahr supplies elegant but firm rhythmic backbone. Overall this is a highly pleasurable, beautifully melodic, serene and relaxed guitar album, which can be enjoyed by a wide range of listeners, not only strict Jazz enthusiasts but also connoisseurs of guitar from other genres. This is a wonderful example of less is more, where the Artist uses only what is absolutely necessary to achieve the optimal result and eschews superfluous gimmickry. A wonderful album from start to finish, Milady!

Updated: 12/06/2020Posted: 12/06/2020

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NIKA LUBOWICZ / ALL STARS ~ NIKA SINGS ELLA FOR TUNE 0157 (Barcode: 5906395808717) ~ POLAND ~ Pop & Rock Recorded: 2020 Released: 2022 This is the third album by Polish vocalist Nika LubowiczFind albums by this artist, this time recorded by a classic Jazz combo comprising of veteran Polish Jazz players led by Wieslaw PieregorolkaFind albums by this artist, who also arranged most of the tunes. The excellent rhythm section with pianist Andrzej JagodzinskiFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummers Kazimierz JonkiszFind albums by this artist or Marcin JahrFind albums by this artist provide the backbone. Vocalist Wojciech MyrczekFind albums by this artist guests on a couple of tunes. As the album’s title suggests, Lubowicz performs a collection of Jazz standards associated with the repertoire of the great American Jazz vocalist Ella FitzgeraldFind albums by this artist, which of course sets an incredible challenge in view of the Majestic status held by Fitzgerald in the Vocal Jazz tradition. Lubowicz approaches the classic repertoire with a straightforward attitude, sticking to the convention and intelligently avoiding mimicking her model but at the same time eschewing any extravagant innovations. As faithful as the music is to the source, Lubowicz manages to put forward her personality as a vocalist, which is beyond reproach. Her vocalese parts are especially interesting. The instrumental performances are all exactly what one might expect from a collection of such experienced players, with brief, but excellent soli and obvious empathy to the material. The arrangements are very conservative, which in this case is just what the doctor prescribed. Overall, this is a tribute to the tradition of a great Artist and a kind reminder of what Jazz sounded like more than half a Century ago. For the many fans of the great Ella Fitzgerald and classic Vocal Jazz tradition this is a most welcome effort, which will surely be enjoyed immensely.

Updated: 10/09/2022Posted: 10/09/2022

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BERNARD MASELI SEPTET ~ GOOD VIBES OF MILIAN FOR TUNE 0151 (Barcode: 5906395808663) ~ POLAND ~ Jazz Recorded: 2017 Released: 2021 This is an album by veteran Polish Jazz vibraphonist / composer Bernard MaseliFind albums by this artist and his septet, which comprises of four vibraphonists (Maseli, Bartosz PieszkaFind albums by this artist, Dominik BukowskiFind albums by this artist and Karol SzymanowskiFind albums by this artist) and a rhythm section (pianist Boguslaw KaczmarFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Marcin JahrFind albums by this artist), a classic “Summit” format, which I utilize since many years in my Singer Jazz Festival, and which was initially devised by my Friend and Mentor Joachim BerendtFind albums by this artist. The album is a tribute to one of the Godfathers of Polish Jazz, vibraphonist / composer / bandleader Jerzy MilianFind albums by this artist, a pillar of modern Polish Jazz and one of the greatest composers, especially of orchestral Jazz, on the European Jazz scene. It presents a live recording of a concert recorded a few years back, which offers seven tracks, six of which were compositions by Milian (one co-composed with Krzysztof KomedaFind albums by this artist, another iconic figure of Polish Jazz) and one composed by Pieszka. The sound quality and clarity is excellent. The artwork features Milian’s wonderful paintings, an Artform Milian embraced after retiring from active performing life, which are reproduces in full color, for the first time in the many years of For TuneFind albums on this label Records history ;) The lines notes by Krzysztof BalkiewiczFind albums by this artist are well written and informative. The music holds no surprises, perfectly executed by the professional team and beautifully weaved by the Master composer, with the expected focus on the vibraphone (and marimba) as the tool of delivery. The vibraphone is a very dominant instrument and the thought of four vibraphone playing simultaneously is pretty scary; fortunately, most of the time it is just one of the four vibraphones (or two of them) that plays at a given moment, which makes the music perfectly audible and balanced. Since the listener is not present at the performance, it would have been nice to have a list of who is soloing on which track, but credits aside, all the players do a perfect job, as does the excellent rhythm section, driving the music steadily and securely. Overall this is an important tribute to the composing Genius of Milian and a very pleasant listening experience. For vibraphone enthusiasts this is of course a true feast. Of course it is also a well-deserved tribute to Polish Jazz history. Well done Gentlemen!

Updated: 29/12/2023Posted: 17/07/2021

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JACEK NIEDZIELA-MEIRA ~ PARTYTURISM SJ 050 (Barcode: 5902596066604) ~ POLAND ~ Jazz-Classical Fusion Recorded: 1997 - 2019 Released: 2020 This 2CD album includes two albums by Polish Jazz bassist / composer Jacek Niedziela-MeiraFind albums by this artist, recorded twenty two years apart. The first CD presents the new album "Sketches For Bass And OrchestraFind albums with this title", recorded in 2019 with pianist Wojciech NiedzielaFind albums by this artist and drummer Marcin JahrFind albums by this artist and the Polish Sinfonia Iuventus OrchestraFind albums by this artist. The second CD presents a reissue of the 1997 album "Sceny Z MacondoFind albums with this title", recorded by the same trio plus saxophonist Piotr BaronFind albums by this artist and the IFR Chamber OrchestraFind albums by this artist. This pairing makes perfect sense as the music offers somewhat similar stylistic character and ambience and brings back to life the older album, which has been unavailable for a long time and deserves to be heard again. Following are my liner notes written for the "Sketches For Bass And Orchestra" album, which generally apply to the older album as well. Musicians have been crossing swords between Classical Music and Jazz for ages, which is hardly surprising. After all many Jazz musicians / composers often originate from Classical Music education, and some Classical musicians are curious or even genuinely interested in Jazz, the freedom it offers and its elusive element of improvisation. The result of such amalgams vary dramatically, producing over time some brilliant pieces of Art, but sadly more often than not a whole bunch of schmaltzy kitsch. To be able to find the thin line that connects these two seemingly incompatible idioms is indeed an Art in itself. The music presented on this album, which was composed, orchestrated, conducted and performed by bassist / composer / author / educator Jacek Niedziela-Meira is not only able to illustrate the ability to magically combine the two idioms, but also demonstrates the incredible diversity of the Polish Jazz scene, which by the turn of the Millennium became a fountain of youth as far as Polish Culture is concerned. Of course the seeds were secretly planted during the dark days behind the Iron Curtain, but the incredible explosion of talent occurred when Poland regained its Freedom and the new generation of Polish Jazz musicians, faithfully educated by the bearers of the torch, Jacek Niedziela-Meira among them, took over the stage. The continuous, almost forty minutes long piece of music, which involves a classic piano trio, bass soloing and orchestral parts, is based on highly melodic themes, intertwined, meshed and weaved into a coherent fabric, which flows swiftly and completely naturally changes moods and ambiences. The solo bass parts often introduce the themes, which are then picked up and expanded by the orchestra and then suddenly, but almost expectedly, switch into swinging piano trio or solo bass parts, those in turn falling back into the orchestral setting. All of the above are not only brilliantly conceived but also exquisitely executed, with obvious panache and elegance, but above all good taste and clear aesthetic vision. This music is not specifically targeted for any genre oriented audience. It can and most probably will delight listeners, who simply love good music, regardless of its idiomatic associations. One can only hope this reaches as many appreciative people, who are able to tell great music from rubbish, as possible. Thank you Jacek for undertaking this mammoth task! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 22/08/2020Posted: 22/08/2020

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JULIA SAWICKA / PROJECT ~ FIELDS OF SOUL NOT ON LABEL (Barcode: 5907529223369) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is the second album by Polish Jazz vocalist Julia SawickaFind albums by this artist and her international band, which includes German trumpeter Hans Peter SalentinFind albums by this artist, Czech guitarists David DoruzkaFind albums by this artist, Slovak keyboardists Klaudius KovacFind albums by this artist and Polish players: saxophonist Tomasz PruchnickiFind albums by this artist, keyboardist Krzysztof DysFind albums by this artist, bassist Roman ChraniukFind albums by this artist and drummer Marcin JahrFind albums by this artist. A string trio is also used. The album is beautifully packaged in a hardcover digipak, which is exquisitely designed and features some breathtaking aerial photography, obviously a high-class labor of love. The album is subtitled: "Unconventional versions of popular songs by StingFind albums by this artist", which says it all; the ten songs included have been all written (or co-written in one case) by Sting, appear here arranged in a Jazzy manner and are beautifully performed by the ensemble, which comprises of first-class musicians and does not disappoint. So far so good. However, tackling Sting´s material can be a perilous undertaking, for many reasons; Firstly his songs are quite Jazzy in their original versions, as anybody familiar with Sting´s songbook and career should be aware of, and therefore Jazzing them up might prove to be superfluous. Secondly Sting´s songs are extremely complex, tricky and above all personal, which makes any attempt to perform them by others almost completely impossible. The gravest mistake was leaving the original English lyrics, which presents an insurmountable challenge for a non-native English speaker performing the vocals. Such ambitious project should have taken the additional step of translating the lyrics into Polish, which probably would have made it so much better. As a result the album certainly presents nothing, which is "unconventional", as stated in its marketing subtitle, being simply one more tribute album of Jazzed up Pop or Rock material, which is certainly nothing new, even on the Polish Jazz scene. Secondly the vocals suffer badly from the English pronunciation, phrasing and articulation, which unfortunately are below par and plainly stand in the way of the vocalist in order to express her best abilities. All things considered this is still a nice album, mostly due to the great instrumental parts and solos, providing one can somehow isolate the vocals and not be bothered too much by them. Sawicka is probably quite a talented vocalist, but this album is not working in her favor. I´d certainly love to hear more of her work under different circumstances. In the meantime I´ll keep listening to Sting au naturel.

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MICHAL SOLTAN ~ MALOGRANIE ART HORSE 002 (Barcode: 5902659800329) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2017 Released: 2017 This is the debut solo album by Polish guitarist / vocalist / songwriter Michal SoltanFind albums by this artist, who is known to Polish Jazz / Fusion fans from his work with Imagination QuartetFind albums by this artist and the two albums they released earlier on. On this album Soltan is accompanied by many established Polish Jazz / Fusion musicians, the list of which is way too long to be detailed here, as well as a string quartet and guests from US. I should however give credit to the superb rhythm section, which keeps this music rolling: keyboardist Milosz OlenieckiFind albums by this artist (who also co-arranged the music with Soltan) bassist Lukasz MakowskiFind albums by this artist and drummer Marcin JahrFind albums by this artist (who plays on most of the tracks). The album presents ten original songs (one features wordless vocalese), all written and composed by Soltan, and one bonus track which goes back to the IQ days and presents the vocalese song in an instrumental version. The music is a delightful collection of beautiful songs, all carefully weaved and beautifully executed. Bordering somewhere between Jazz, Funk and ambitious Pop, the music is uncompromisingly sophisticated, rich and elegant. Combined with the intelligent texts, vocalese and instrumental solos (especially the unisono vocalese / guitar solos by Soltan himself) the album flows like a dream and seems to be over in a jiffy. The craft of songwriting, which often seems to be completely lost these days, comes alive in these songs like a dream. Soltan is not a spectacular vocalist (neither was Bob DylanFind albums by this artist or Marek GrechutaFind albums by this artist), but he does not has to be, since his songs call for expressive delivery, perfect diction and above all a heartfelt feeling of the music and the texts. Soltan has all the above in abundance and they all obviously work wanders, as this album is a true gem from start to finish. The instrumental arrangements are also perfect, all done sparingly and almost entirely acoustically, with short but superbly focused solos and careful consideration of what is right for each song. Although the instrumental parts are almost entirely Jazzy, they do not take control of the overall sound and feel of the music and remain as elegant ornamentation. The focus remains on the songs and the meaningful lyrics, which is exactly right here. Albums like this one are sadly very rare these days, and almost never manage to catch my attention for a span long enough to fall in love with the songs like in this case. Even if the songs have a tinge of sadness and melancholy, but also a great sense of humor, they are like the proverbial "honey on the heart"; unadulterated intellectual and emotional pleasure! Thank you Michal for the effort to share your world with us! Of course this album is an absolute must for all true music lovers, especially the hopeless romantics ;)

Updated: 02/12/2017Posted: 02/12/2017

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PAWEL TOMASZEWSKI ~ COINCIDENCE FILHARMONIA SZCZECIN 025 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2023 This is an album by Polish Jazz pianist / composer Pawel TomaszewskiFind albums by this artist, recorded with several leading Polish Jazz instrumentalists and the Szczecin Philharmonic Symphony OrchestraFind albums by this artist conducted by Szymon BywalecFind albums by this artist. The album presents two suites, one two-parts and the other seven-parts, with the second being inspired by a film theme composed by Polish composer Wojciech KilarFind albums by this artist. The quartet comprising of Tomaszewski, saxophonist Marek PodkowaFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Marcin JahrFind albums by this artist play on the entire album, while marimba player Bernard MaseliFind albums by this artist, vocalist Wojciech MyrczekFind albums by this artist and American guitarist Mark LattieriFind albums by this artist play on the first suite and trumpeter Jerzy MalekFind albums by this artist plays on the second suite only. The music is wonderfully melodic, full of typical Polish melancholy and lyricism, which characterizes both Polish Jazz and Polish Cinematic music at their best. The balance between the Jazz instrumental parts and the orchestral accompaniment and statements is absolutely perfect, and offers a pleasant cross-genre listening experience. All the musician are of course Masters of their relative areas, offering excellent soloing and ensemble performances. This delicate and mostly tranquil music is all about balance and harmonic cooperation, which means that there is no space for much individual statements, but rather a collective effort. Of course Tomaszewski’s piano work leads the music consistently all the way through. Overall, this is a very elegant and beautifully performed album, which offers music that is widely accessible to audiences from both Jazz and Classical Music circles. Tomaszewski is an excellent pianist and talented weaver of beautiful compositions, and all the musicians taking part in this project and the orchestra definitely fit the bill perfectly. Highly recommended!

Updated: 05/06/2023Posted: 05/06/2023

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ADAM WENDT AND FRIENDS ~ RHYTHM & JAZZ SOLITON 862 (Barcode: 5901571098623) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is an album by veteran Polish Jazz saxophonist / composer Adam WendtFind albums by this artist recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassist Zbigniew WrombelFind albums by this artist and drummer Marcin JahrFind albums by this artist. American trumpeter Randy BreckerFind albums by this artist guests on two tracks and guitarist Dean BrownFind albums by this artist on one track. The album presents nine original compositions, all by Wendt. The album was beautifully recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist and offers a truly spectacular sound, The music, as the title suggests, is all mainstream Jazz that emphasizes the Rhythm And Blues stream in American Jazz popular in the 1950s and 1960s. It is pretty astounding how American this music sounds, although it is completely "Made in Poland"! When blindfold tested this music might have been identified as a "lost" Cannonball AdderleyFind albums by this artist album. For the Jazz cognoscenti the Adderley´s great hit "Mercy, Mercy. Mercy" comes immediately to mind when this music plays, but we should remember it was written by Joe ZawinulFind albums by this artist, who was as European as they come. Niedziela´s vamping on this album and his piano parts are a great tribute to Zawinul. The execution is absolutely perfect in every respect – the sound, the beat, the feel and everything else sounds like top American musicians at work. But considering the fact that these are original compositions, one can only take the hat off in full respect and admiration. Although this album does not overall offer anything new or unexpected, it presents a truthful reproduction and a tribute to the lighter side of American Jazz, with originally contributed music, which does hold its ground perfectly. For the many enthusiasts, who still love this kind of Jazz, this album is a true delight and an irrefutable proof that "White Man Can Jump", especially if they are Polish.

Updated: 08/05/2023Posted: 29/12/2018

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JAN PTASZYN WROBLEWSKI ~ MOI PIERWSI MISTRZOWIE BOOGIE 007 (Barcode: 5903292108902) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is a live recording by one of Polish Jazz Godfathers, saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist and his sextet, which also includes trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, pianist Wojciech NiedzielaFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist, all renowned Polish Jazz musicians. As the album´s title suggests, Wroblewski (born 1936) pays tribute to three Polish Jazz icons, with whom he played as a young musician: Krzysztof KomedaFind albums by this artist (born 1931), Andrzej TrzaskowskiFind albums by this artist (born 1933) and Andrzej KurylewiczFind albums by this artist (born 1932). Sadly all three are no longer with us. Of the six tracks on the album, three were composed by Komeda, two by Trzaskowski and one by Kurylewicz. In the liner notes Wroblewski lists the many differences between these three legendary figures and his personal experiences from the encounters with them. The music is kept well within the mainstream modern Jazz idiom, perfectly and flawlessly performed by all the musicians involved, but somehow lacking the excitement and exhilaration one might expect but such classy company and such ambitious task. The arrangements of the remarkable compositions presented herein are also not in par with the expectations, especially the Komeda tunes, which sound as if they were simplified and sound way too "smooth" in comparison to their original form, as intended by the composer. Overall this is a first class collection of classic Polish Jazz compositions, played by a highly professional sextet, which sadly fails to reach the level of depth and sincerity these tunes deserve. Of course mainstream Jazz enthusiasts will find this album to be perfectly adequate, but for me a feeling of a missed opportunity is lingering as this music plays in the background. The individual solo spots, which are quite impressive in some cases, fail to save the day. I´m sure Wroblewski and his cohorts will rise to the challenge again next time.

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JAN PTASZYN WROBLEWSKI ~ ON THE ROAD VOL.1 FOR TUNE 0160 (Barcode: 5906395808755) ~ POLAND ~ Jazz Recorded: 2003 - 2020 Released: 2022 As the title suggests, this is the first volume of an archival live album by the Polish Jazz Colossus and Godfather of the local Jazz scene, saxophonist / composer / bandleader Jan Ptaszyn WroblewskiFind albums by this artist, born in 1936. The album presents five tracks recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassists Jacek Niedziela-MeiraFind albums by this artist or Andrzej SwiesFind albums by this artist and drummer Marcin JahrFind albums by this artist. The first three tracks were recorded in 2003 and the other two in 2020. Four tracks are original compositions by Wroblewski and one is a standard. The music is all mainstream oriented, combining elements of Bebop and typical Polish Jazz lyricism, based on beautiful melodic themes, which Wroblewski has been spinning for decades with great skill and craftsmanship. Despite his age, his saxophone playing remains masterful and unblemished. Although the first and the second recording are separated by seventeen years, there is no noticeable / audible difference in his performing ability. I had ample ability to hear the Master perform live during these years, and was always amazed by his longevity and imperishable gift of handling his instrument. The four musicians accompanying Wroblewski, all much younger than him, reflect the incredible level of the local talent, carrying the torch he and a few others ignited decades earlier. Their performances are all impeccable. This beautifully produced and released album is an obvious tribute to the Man behind the notes, a symbol and a living history of the Polish Jazz movement. The album’s booklet (bilingual) includes an interview with the Master, which sheds light on his personal relationship with Jazz, which is a fascinating read. Overall, this is a loving tribute to a man, who symbolizes the Polish Jazz scene for decades and who contributed enormously to its development, admired by his peers as much as the by the younger generations of Polish Jazz musicians. Luckily he can enjoy this gift of love and admiration, while still with us.

Updated: 07/01/2023Posted: 07/01/2023

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JAN PTASZYN WROBLEWSKI ~ ON THE ROAD VOL.2 FOR TUNE 0162 (Barcode: 5906395808779) ~ POLAND ~ Jazz Recorded: 2003 - 2020 Released: 2023 As the title suggests, this is the second volume of an archival live album by the Polish Jazz Colossus and Godfather of the local Jazz scene, saxophonist / composer / bandleader Jan Ptaszyn WroblewskiFind albums by this artist, born in 1936. The album presents five tracks recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassists Jacek Niedziela-MeiraFind albums by this artist, Maciej GarbowskiFind albums by this artist or Andrzej SwiesFind albums by this artist and drummer Marcin JahrFind albums by this artist. The tracks were recorded between 2003 and 2020. One track is an original composition by Wroblewski and the rest are standards. Everything I wrote about the first volume of this album (“On The Road Vol.1Find albums with this title”) still applies, so I am simply repeating it again below, in case someone reads this first. The music is all mainstream oriented, combining elements of Bebop and typical Polish Jazz lyricism, based on beautiful melodic themes, which Wroblewski has been spinning for decades with great skill and craftsmanship. Despite his age, his saxophone playing remains masterful and unblemished. Although the first and the second recording are separated by seventeen years, there is no noticeable / audible difference in his performing ability. I had ample ability to hear the Master perform live during these years, and was always amazed by his longevity and imperishable gift of handling his instrument. The five musicians accompanying Wroblewski, all much younger than him, reflect the incredible level of the local talent, carrying the torch he and a few others ignited decades earlier. Their performances are all impeccable. This beautifully produced and released album is an obvious tribute to the Man behind the notes, a symbol and a living history of the Polish Jazz movement. Overall, this is a loving tribute to a man, who symbolizes the Polish Jazz scene for decades and who contributed enormously to its development, admired by his peers as much as the by the younger generations of Polish Jazz musicians. Luckily he can enjoy this gift of love and admiration, while still with us.

Updated: 01/06/2023Posted: 01/06/2023

CD 1 Digipak Recommend To A Friend