Record Reviews

KRYSTIAN BALAWENDER ~ BANGLA JAZZ SOLITON 1283 (Barcode: 5903684232833) ~ POLAND ~ Smooth Jazz Recorded: 2022 Released: 2022 This is the debut album by Polish Jazz trumpeter Krystian BalawenderFind albums by this artist, recorded in a quintet setting with guitarist Andrzej GondekFind albums by this artist, pianist Kajetan BorowskiFind albums by this artist, bassist Marcin JadachFind albums by this artist and drummer Piotr BudniakFind albums by this artist. Vocalist Wojciech MyrczekFind albums by this artist guests on three tracks, adding his own lyrics to the tunes. Several other musicians guest on selected tracks. The album presents eight tracks, all of which are original compositions by the leader (with one track apparently co-composed by Myrczek. I wonder as to the album’s title, since this album has nothing to do with Bangla (i.e. Indian) Jazz? The music is a super nice, Funky Smooth Jazz, splendidly executed by all the musicians involved, which is a great fun to listen to. Balawender is the main soloist and his scorching trumpet sound is reminiscent of Swing bands of the American Jazz Age era, but with a much Funkier, Groovy, up-to-date feel to it. I suppose most hard-ass Jazz critics will dismiss this music outright, but to be honest this is some an absolutely delightful, entertaining and danceable piece of music that I have heard in a long time. It is absolutely non-pretentious and heartfelt, simply stating “let’s have fun” music, with some beautiful music on top. Myrczek is great, as always, and definitely understood what this album is all about :) Overall, this is a really nice, danceable, Funky and Groovy album, which is a delightful listening experience and could be a real hit at a party, where people still dance. I know you people think I am joking, but no – this is honestly great fun you all forgot how to enjoy in Jazz. Please remember that Smooth Jazz done well is better that pretentious Jazz badly played. Just get a copy and let’s see if you can sit still while listening to this. Great idea – congrats and thanks for keeping an open mind!

Updated: 20/01/2023Posted: 20/01/2023

CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ REQUIEM POLSKIE RADIO KATOWICE 142 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2022 The great Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist has been a pillar of the local Jazz scene since the early 1990s, with an impressive recording legacy, which includes some of Polish Jazz classic albums, both as a leader and sideman / accompanist. His musical style is firmly based in the Jazz mainstream, but he also flirts passionately with the Jazz-Classical Fusion idiom. His groundbreaking 1993 album “ChopinFind albums with this title” established the Polish Jazz tradition of interpreting the music of the Polish National composer Frederic ChopinFind albums by this artist, which is still quite popular thirty years later, sadly largely abused and misunderstood by now. The music on this album perfectly depicts the marriage between Jazz and Classical / Sacred music. It incorporates the classic Jazz piano trio, which is Jagodzinski’s modus operandi in the last three decades, with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, with a mixed choir Camerata SilesiaFind albums by this artist, directed by Anna SzostakFind albums by this artist and three renowned Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Agnieszka WilczynskaFind albums by this artist and Wojciech MyrczekFind albums by this artist. The six-part Requiem is loosely based on the traditional Requiem structure and form, but obviously includes strong Jazz elements, as expressed by the trio improvisations and the vocalese parts by the three vocalists, with the choir providing the traditional sacred oriented parts. It is extremely difficult to balance the Classical and Jazz elements within one musical piece, which often leads straight into the kitsch pit. But in this case Jagodzinski and the wonderful performers manage to create a coherent, elegant and harmonious unification, which makes perfect sense musically and aesthetically, with a truly moving effect. As a result, the music is universally appealing to a wide range of music lovers, from both idioms. Overall, this is a beautiful example of cross-genre exploration, which as a result of the talent and experience of its creator and his team emerges as a sublime piece of music, which preserves both traditions and finds a peaceful coexistence, where the result is bigger than just the sum of its parts. Jagodzinski does not disappoint, and his “magic touch” is felt in every note, every nuance and every melodic theme on this album. As usual, I simply raise my hat to you Maestro, and wait for the next time I can hear you performing live, which is always a transcending experience.

Updated: 02/12/2022Posted: 02/12/2022

CD 1 Digipak Recommend To A Friend

NIKA LUBOWICZ / ALL STARS ~ NIKA SINGS ELLA FOR TUNE 0157 (Barcode: 5906395808717) ~ POLAND ~ Pop & Rock Recorded: 2020 Released: 2022 This is the third album by Polish vocalist Nika LubowiczFind albums by this artist, this time recorded by a classic Jazz combo comprising of veteran Polish Jazz players led by Wieslaw PieregorolkaFind albums by this artist, who also arranged most of the tunes. The excellent rhythm section with pianist Andrzej JagodzinskiFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummers Kazimierz JonkiszFind albums by this artist or Marcin JahrFind albums by this artist provide the backbone. Vocalist Wojciech MyrczekFind albums by this artist guests on a couple of tunes. As the album’s title suggests, Lubowicz performs a collection of Jazz standards associated with the repertoire of the great American Jazz vocalist Ella FitzgeraldFind albums by this artist, which of course sets an incredible challenge in view of the Majestic status held by Fitzgerald in the Vocal Jazz tradition. Lubowicz approaches the classic repertoire with a straightforward attitude, sticking to the convention and intelligently avoiding mimicking her model but at the same time eschewing any extravagant innovations. As faithful as the music is to the source, Lubowicz manages to put forward her personality as a vocalist, which is beyond reproach. Her vocalese parts are especially interesting. The instrumental performances are all exactly what one might expect from a collection of such experienced players, with brief, but excellent soli and obvious empathy to the material. The arrangements are very conservative, which in this case is just what the doctor prescribed. Overall, this is a tribute to the tradition of a great Artist and a kind reminder of what Jazz sounded like more than half a Century ago. For the many fans of the great Ella Fitzgerald and classic Vocal Jazz tradition this is a most welcome effort, which will surely be enjoyed immensely.

Updated: 10/09/2022Posted: 10/09/2022

CD 1 Digipak Recommend To A Friend

SABINA MECK ~ LOVE IS HERE FOR TUNE 0090 (Barcode: 5902768701821) ~ POLAND ~ Jazz Recorded: 2014 - 2015 Released: 2016 The new generation of Polish Jazz musicians, which swept the local scene like a tsunami with the onset on the 21st Century, produced a staggering number of superb instrumentalists: trumpeters, saxophonists, pianists, bassists and drummers, but sadly almost no significant discoveries in vocal Jazz arrived on the scene, with just a very few exceptions. There are many possible explanations why this has happened: the crisis in the vocal Jazz idiom in general, the fact that vocalists born in Poland are not native English speakers, yet they tenaciously insist on singing in English even when it works against them, and most importantly the fact that the human voice is not only the most beautiful and limitless instrument, but also the most difficult one. Therefore listening to this album by the young Sabina MeckFind albums by this artist (a.k.a. Sabina MyrczekFind albums by this artist) one can finally release a sigh of relief saying "it´s finally happening". Not only does she sing fabulously but she also wrote all the music and the lyrics on this album, which is almost too good to be true. The whole thing sounds like a classic vocal Jazz album, featuring a set of carefully selected standards; anything but a debut album. Meck selected the accompaniment of a classic piano trio, which is classy, elegant and minimalistic, but also incredibly bold. There is no electric trickery to hide imperfection, but there is a challenging need to combine forces with the trio members at all times. The trio´s performance is by all means as spectacular in every respect as the vocals. The upcoming and still very young Aga DerlakFind albums by this artist on piano is absolutely brilliant as an accompanist and together with the singer they are in a perfect Ying and Yang harmony. The rhythm section, bassist Franciszek PospieszalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist, adds its support amicably and very skillfully, with nothing short of flawlessness. The insiders of the Polish Jazz scene will of course notice immediately that Sabina Meck is the sister of the incredibly talented vocalist Wojciech MyrczekFind albums by this artist. It will be completely unfair to treat her just as "the sister of", since although she shares with her brother the gene pool of the highly gifted Myrczek clan, this album proves that she is a greatly talented Artist in her own right. Hopefully this is just the first of many wondrous albums to come. You’ve got it, my Fair Lady; you certainly have got what it takes! Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 19/09/2018Posted: 06/05/2016

CD 1 Recommend To A Friend

SABINA MECK ~ SLOWO NA T SJ 048 (Barcode: 5912596066849) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the third album by Polish Jazz vocalist / songwriter Sabina MeckFind albums by this artist (a.k.a. Sabina MyrczekFind albums by this artist), recorded in a sextet setting with saxophonist Przemyslaw ChmielFind albums by this artist, guitarist Lukasz KokoszkoFind albums by this artist, pianist Michal JakubczakFind albums by this artist, bassist Piotr NajarowskiFind albums by this artist and drummer Szymon MadejFind albums by this artist. Sabina´s brother vocalist Wojciech MyrczekFind albums by this artist guests on one track. The album presents ten original songs, all written (music and lyrics, all bar one in Polish language) by Meck. The album was recorded at the Monochrome Studio and engineered by Ignacy GruszeckiFind albums by this artist with excellent, as usual, sound quality. The album is a perfect document of the process Meck completed in the first five years of her career, both as vocalist and even more so as songwriter. The choices she made here to sing only original material and finally singing in Polish prove to be the right ones in every respect, as this album is definitely the most advanced and sophisticated achievement she made so far, even though the two previous albums were already remarkable by any standard. The most striking quality of this album is the quality of the compositions, which is nothing short of astounding. Although hey are all full of beautiful melodies, they also dare to explore much less conventional areas, sometimes even bordering on Free. The rhythmic patterns are often unusual and convoluted as well. As a result musically the album enters another dimension entirely, stepping beyond what is expected from "song oriented" music. Meck utilizes all her wonderful vocal abilities augmented by an extensive technical range, singing both lyrics and vocalese, spoken word and theatrical phrasing, each and every time perfectly appropriate to the given musical setting. Singing in Polish allows her to emphasize the dramatic qualities of her lyrics, which adds another layer to the songs´ overall effectiveness. She is beautifully supported by the five instrumentalists, who spice the proceedings with superb soloing and steady rhythmic flow, which is extremely important in this complex music. The young generation of Polish Jazz musicians is so full of wonderfully talented people that we take this level of quality for granted, but in fact this is true miracle. 2019 finally proved to be a remarkably fruitful year for Polish vocal Jazz albums after many decades of relative stagnation. This album is certainly one of most impressive of these albums, deserving as much love and attention as possible. I am happy so see that my high hopes and expectations from Sabina Meck, from the moment I first heard her, proved to be justified and it makes me extremely happy to see her consistently reaching for the stars. You make me proud my Dear!

Updated: 26/12/2019Posted: 26/12/2019

CD 1 Digipak Recommend To A Friend

MYRCZEK & TOMASZEWSKI ~ LOVE REVISITED FOR TUNE 0038 (Barcode: 5902768701432) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by the Polish Jazz duo: vocalist Wojciech MyrczekFind albums by this artist and pianist Pawel TomaszewskiFind albums by this artist. Myrczek recorded his debut album three years earlier while he was still a student at the Katowice Academy of Music, where he is now a member of the faculty. Tomaszewski, a graduate of the same Academy, is a seasoned and much respected pianist with an impressive recorded legacy, mostly as a sideman. The album presents ten classic vocal standards performed by the duo, recorded in a Swiss studio with astounding sonic quality. In many respects this is the most surprising album released on the Polish Jazz scene in 2014. I mean the sheer chutzpah of these two guys fooling around with the holy grail of Jazz vocals? Who do they think they are? The trifling comparison often quoted in the duo´s PR material and other reviews referencing this album to the archetypal Tony BennettFind albums by this artist & Bill EvansFind albums by this artist albums from 1975 & 1977 is completely counterproductive in this case. This music sounds nothing like the referenced albums, which of course is all for the good, since letting the bygones be bygones is the only way to get anywhere. Initially the album has everything working against it. The Polish Jazz male vocalists are few and far between, and with rare exceptions are all quite insignificant. The standards all feature lyrics in English and Polish vocalist singing in English usually simply stink (again with very few exceptions). But most importantly: the concept of this duo, which places a vocalist, who uses conventional (well mostly) techniques against a pianist who plays completely unconventionally, often pretty wildly and freely, is absolutely atypical for a vocals / piano setting. And yet, against all odds, this album is simply a gem from start to finish. Myrczek arises as a gifted vocal magician, able to use a wide vocabulary of possibilities, from crooning sweetness to improvised scat, vocalese and imitating bass lines vocally. It is obvious that he is having a great time and there is no tension (other that creative tension of course) limiting his performances. Although there is not much innovation as far as Jazz singing is concerned, with obvious references ranging from Kurt EllingFind albums by this artist to Bobby McFerrinFind albums by this artist, the overall effect of his singing is simply irresistible. There is also an obvious pinch of humor omnipresent herein, most evident when Myrczek recites a fragment of a book in the Polish language in the middle of one of the songs. Even his English accent and pronunciation are only very slightly off, which can be considered as charming, rather than disturbing. Tomaszewski, in complete contrast to Myrczek, treats the music completely on his own terms, playing anything but what would normally be expected of him and taking liberties with the melodies, the chords and even the time, which although must have been very difficult for Myrczek to sing along with, is wonderfully effective, creating a much more expressive result than the usual vocals / piano setting. Comparing his work on his earlier recordings, including those featuring vocalists, his playing here is the more adventurous and daring than ever. His work on this album definitely marks him as one of the Polish Jazz pianists who deserve a much wider exposure than what he enjoys currently. So here we are again; the Polish Jazz scene is able to come up with another pleasant surprise, which is pretty astonishing, considering the overly excellent level of music released in Poland. The music this album offers is nothing but pure joy, elegance, class and panache, all of the highest caliber. It is definitely one of the nicest releases of 2014, which should stay with the listeners for many years to come. Another surprising element is the fact that this album was released by the For TuneFind albums on this label label, which is usually associated with Avant-Garde and other alternative music forms. It is heartwarming to see that the label recognized the fact that seemingly conventional music can also be challenging and adventurous. The album is the label´s debut on the new "pink" series (the exact meaning of the various colors of their releases is kept in deep secret), and regardless of the "pinkness", will be very had to beat.

Updated: 12/04/2019Posted:

CD 1 Recommend To A Friend

MYRCZEK & SCHMIDT QUINTET ~ MLYNARSKI. BYNAJMNIEJ. SJ 080 (Barcode: 5905489720904) ~ POLAND ~ Jazz & Poetry Recorded: 2024 Released: 2024 This is an album by a Polish Jazz quintet co-led by vocalist Wojciech MyrczekFind albums by this artist and trumpeter Piotr SchmidtFind albums by this artist, which also includes pianist Krzysztof HerdzinFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist. French percussionist Mino CineluFind albums by this artist guests on five tracks and the AUKSO Chamber OrchestraFind albums by this artist, conducted by Marek MosFind albums by this artist, performs the strings arrangements. The album presents nine tracks, composed by various Polish composers and arranged by Herdzin (six tracks), Sabina MeckFind albums by this artist (two tracks) and Joanna SzymalaFind albums by this artist (one track), all with the lyrics by Wojciech MlynarskiFind albums by this artist, a distinguished Polish lyricist, who contributed lyrics to numerous classic Polish songs, whose talent this album celebrates by presenting them in a Jazzy framework. The music is all absolutely perfectly suited to the purpose, with superb arrangements that go hand in hand with these mostly highly lyrical / romantic songs, emphasizing their beauty. Myrczek, often called “the Polish Frank Sinatra” which is not entirely without a basis, is absolutely ideal for the job. Schmidt ornaments the songs by his short, concise but again perfectly crafted soli, and the rest of the participants are all Masters of their trade, and as usual do all in their power to make everything work as planned. Encrusted with the delicate string arrangements, this music is a true “whole package” in every sense. Of course I can only pity all my friends, who are not Polish language speakers, who are obviously destined to miss the pleasure of enjoying these sophisticated, intelligent and masterly woven lyrics by Mlynarski, but on the other hand my better half, whose knowledge of the Polish language is limited to “pierogi” and “prosze Pani”, loves this album and anything else by Myrczek, she just ignores the lyrics and enjoys the velvety voice, so here you are. This honestly is a universal piece of music. Overall, this is a beautiful vocal Jazz album, which borders on “Jazz & Poetry” due to Mlynarski’s sublime lyrics, with superb instrumental parts performed by some of the best Polish Jazz players, masterfully arranged and altogether delightful. What a joy!

Updated: 07/02/2025Posted: 07/02/2025

CD 1 Digipak Recommend To A Friend

WOJCIECH MYRCZEK ~ CELEBRATING THE JOURNEY FOR TUNE 0155 (Barcode: 5906395808694) ~ POLAND ~ Jazz Recorded: 2020 - 2021 Released: 2022 This is the third album by Polish Jazz vocalist Wojciech MyrczekFind albums by this artist recorded with a classic piano trio accompaniment, which features pianist Boguslaw KaczmarFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents nine songs, eight of which are American standards (sung in English) and one is a Polish song, obviously sung in Polish. Myrczek debuted a dozen years ago (2010) and his sophomore album “Love Revisited” was released in 2014, which means that eight years passed since we last heard from him, which on the hyper-busy Polish Jazz scene is almost an eternity. Lucky for Myrczek, as far as male Jazz vocals are concerned, nothing happened during this time to endanger his position at the top of that particular genre, and this album continues exactly where the previous one left us lingering, wishing for more. So yes, Myrczek is still a formidable vocalist, with a velvety voice and superb feel for the Swing. The trio accompanying him is also absolutely unblemished, comprising of some of the busiest relatively young Polish Jazz musicians, all with a considerable recording legacy. Kaczmar, who took part in several excellent vocal Jazz projects during the last few years, is an ideal choice for this kind of music and the rhythm section, despite a limited opportunity to show their chops, performs without a hitch. The question of course is, if riding the same horse will lead our hero safely into the sunset? Many Jazz vocalists succeeded in the past to ride on the wave of accomplishment for decades, without any dramatic modification of their style and aesthetics, but times they a-changin’, and musicians are expected to adopt new artistic paths in time, to keep being relevant. Although Myrczek offers slight stylistic diversion on a couple of tracks herein, this certainly does not go beyond an eyebrow rise. If my advice is worth anything, I’d love to hear an album with Polish songs (there are so many great ones) and more vocalese and elaborate instrumental arrangements, perhaps even a Big Band? One can always dream… Overall, this is a great classic male vocal Jazz album, which is a great fun to listen to and offers some both refined and enjoyable musical moments. Please don’t make us wait for another eternity to hear the next album, and take some risks next time. We will still love you whatever happens!

Updated: 09/06/2022Posted: 09/06/2022

CD 1 Digipak Recommend To A Friend

WOJCIECH MYRCZEK ~ WE`LL BE TOGETHER AGAIN SST 002 ~ POLAND ~ Jazz Recorded: 2010 Released: 2010 This is the debut album by Polish Jazz vocalist Wojciech MyrczekFind albums by this artist, recorded with his quintet which also includes saxophonist Marcin KaletkaFind albums by this artist, pianist Michal WierbaFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. The album, recorded at Polish Radio Katowice, presents seven vocal Jazz standards. Myrczek has a beautiful classic Jazz voice and his talent is immediately apparent even on this early recording, which obviously does not display his full palette, which he learned over time, as evident on his duo album with pianist with Pawel TomaszewskiFind albums by this artist, recorded four years later ("Love RevisitedFind albums with this title"). He does show his ability to learn the tricks of the trade, moving freely between singing lyrics (in English, problematic but tolerable), scat or vocally imitating bass lines. On this album Myrczek still lacks his own personal style and expression, obviously imitating a plethora of influences and searching for the most appropriate path to find his own way. Nevertheless it still is a solid debut album, especially in view of the fact that male vocalists are a rare commodity on the Polish Jazz scene. The instrumental support Myrczek receives from his cohorts is also very solid, nothing sensational but well played and supportive of him as a soloist. Wierba is the most gifted player and the players are all used to play together as members of the Wierba / Schmidt QuintetFind albums by this artist, therefore their performance as a unit is quite predictable. Overall this album is a nice effort, capturing a young vocalist at the early stage of his career, which remains as a nice document of his musical biography.

CD 1 Mini-Sleeve Recommend To A Friend

PIOTR SCHMIDT / ELECTRIC GROUP ~ SILVER PROTECT SJ 005 (Barcode: 5902596066048) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012 This is the debut recording by the Polish Fusion band Electric GroupFind albums by this artist led by the young trumpeter Piotr SchmidtFind albums by this artist and including also keyboardist Tomasz BuraFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Sebastian KuchczynskiFind albums by this artist and vocalist Wojciech MyrczekFind albums by this artist. The album comprises of six original compositions, four of which are by the pianist and two by the leader. In addition to leading this group, Schmidt also co-leads a Jazz quintet with pianist Michal WierbaFind albums by this artist, which uses the same rhythm section as this group. It seems that the Polish Jazz scene is not only capable of grooming excellent piano players, but apparently also brilliant young trumpeters, as evident from the recent wave of extraordinary new releases. This album certainly falls into the same category as far as presenting new trumpet players, but it is quite different in every other sense, most notably being a Fusion recording, a genre which nowadays rarely features the trumpet as the leading instrument, as it used to in its heydays. This album in however not just one more Fusion album, as it includes many other elements, especially Funk, which makes it particularly interesting. The compositions present a diverse musical approach, with excellent melody lines supported by Funky rhythms, memorable vamps and overall superb execution, which is simply heartwarming, especially in view on the musicians´ age. I must admit that its been quite a while since I´ve had the pleasure to listen to such Funky high quality music, which at best brings back fond memories of Herbie HancockFind albums by this artist´s "MwandishiFind albums with this title" period. Schmidt sounds great regardless if he plays a muted trumpet, an electronically processed one (a la echoplex) or simply blows straight forward. Bura is best (in this environment) playing the electric piano rather than synthesizers and the rhythm section is close to stealing the show at times, with those bass slaps that make your ass dance and the extraordinary drumming, which is all over the place and yet so on time. The vocals are used mostly as vocalese, where they are most effective. When they turn to singing lyrics (in English), they quickly become the weakest link of the otherwise excellent effort. Overall this is definitely a most impressive debut recording, which is both fun to listen to and a quality listening experience. I´m really looking forward to hear their next one, hopefully soon. Not to be missed! Schmidt, a native of Silesia, the southwestern Polish region (where I come from as well) is one of a growing number of important Polish Jazz musicians originating there. The region is cultivating an active and first-rate local Jazz scene in the last decade, including clubs and festivals. In short, Silesia rulez!

CD 1 Digipak Recommend To A Friend

ROBERT SWISTELNICKI ~ PIOSENKI MILOSNE WCZESNEJ POSTKOMUNY I POZNEGO KAPITALIZMU I SJ 075 (Barcode: 5905489720409) ~ POLAND ~ Jazz & Poetry Recorded: 2022 - 2023 Released: 2023 This is an album by Polish multi-instrumentalist / songwriter Robert SwistelnickiFind albums by this artist, featuring five top Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Jorgos SkoliasFind albums by this artist, Natalia KordiakFind albums by this artist, Wojciech MyrczekFind albums by this artist and Klara CloudFind albums by this artist (a.k.a. Sylwia Klara ZasempaFind albums by this artist) and instrumentalists: Swistelnicki on piano, vibraphonist Marcin PaterFind albums by this artist, trumpeter Pawel PalcowskiFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and guitarist Pawel UrbanskiFind albums by this artist. Several additional musicians participate on selected tracks. The album presents fifteen tracks, with all lyrics and most compositions by Swistelnicki, except three composed by Palcowski and one by Piotr BudniakFind albums by this artist. The concept is obviously a Jazz & Poetry presentation, although the music floats all over the place, from Blues via mainstream Jazz and a few almost Avant-Garde pieces. The vocal and instrumental performances are all as good as one might expect from these highly experienced singers and talented young musicians, but the scope might have been miscalculated to a degree, especially in comparison to Swistelnicki’s debut album “PiosenkiFind albums with this title”, which is way more coherent. There is simply way too much going on here musically, which combined with the complex and often vague lyrical layer, makes this album difficult to embrace, certainly on the first attempt. Of course one should appreciate the complexity of pulling such a project off. The somewhat murky sound quality does not help as well. Since the Jazz & Poetry idiom is by far one of my favorites, I pondered at length why this specific album failed to win my immediate approval, listening to it repeatedly several times. There is absolutely nothing wrong with it per se, but the abundance of musical ideas, which don’t have a clear continuity of focus is probably what causes my reservations. Also, it is difficult to hear clearly the lyrics, which in a project like this are an absolutely essential ingredient. A booklet with the lyrics might have saved the day perhaps, but alas it is not included. On the positive side, the trumpet playing by Palcowski is nothing short of sensational and the soul-shaking vocals by Skolias are simply exquisite. Overall, this is a highly ambitious Jazz & Poetry project, excellently sung and played by talented musicians, which should be very interesting to the Polish aficionados of the idiom. It is probably a matter of personal taste to decide if it fulfills all the potential expected from such a gathering of distinguished Polish Jazz Artists.

Updated: 30/10/2023Posted: 30/10/2023

CD 1 Digipak Recommend To A Friend

PAWEL TOMASZEWSKI ~ COINCIDENCE FILHARMONIA SZCZECIN 025 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2022 Released: 2023 This is an album by Polish Jazz pianist / composer Pawel TomaszewskiFind albums by this artist, recorded with several leading Polish Jazz instrumentalists and the Szczecin Philharmonic Symphony OrchestraFind albums by this artist conducted by Szymon BywalecFind albums by this artist. The album presents two suites, one two-parts and the other seven-parts, with the second being inspired by a film theme composed by Polish composer Wojciech KilarFind albums by this artist. The quartet comprising of Tomaszewski, saxophonist Marek PodkowaFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Marcin JahrFind albums by this artist play on the entire album, while marimba player Bernard MaseliFind albums by this artist, vocalist Wojciech MyrczekFind albums by this artist and American guitarist Mark LattieriFind albums by this artist play on the first suite and trumpeter Jerzy MalekFind albums by this artist plays on the second suite only. The music is wonderfully melodic, full of typical Polish melancholy and lyricism, which characterizes both Polish Jazz and Polish Cinematic music at their best. The balance between the Jazz instrumental parts and the orchestral accompaniment and statements is absolutely perfect, and offers a pleasant cross-genre listening experience. All the musician are of course Masters of their relative areas, offering excellent soloing and ensemble performances. This delicate and mostly tranquil music is all about balance and harmonic cooperation, which means that there is no space for much individual statements, but rather a collective effort. Of course Tomaszewski’s piano work leads the music consistently all the way through. Overall, this is a very elegant and beautifully performed album, which offers music that is widely accessible to audiences from both Jazz and Classical Music circles. Tomaszewski is an excellent pianist and talented weaver of beautiful compositions, and all the musicians taking part in this project and the orchestra definitely fit the bill perfectly. Highly recommended!

Updated: 05/06/2023Posted: 05/06/2023

CD 1 Digipak Recommend To A Friend