Record Reviews
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  | ADAM BALDYCH ~ MAGICAL THEATRE
ELITE 001 (Barcode: 885767685468) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2010 Released: 2011
The violin holds a very special position in the history of modern Polish Jazz, and except for France, no other European country can pride itself in such splendid heritage as far as the use of violin in Jazz is concerned. The first generation of modern Polish Jazz musicians includes three distinguished Jazz violinists: Michal UrbaniakFind albums by this artist (born 1943), Zbigniew SeifertFind albums by this artist (born 1946) and Krzesimir DebskiFind albums by this artist (born 1953). Each of these virtuosi and exceptional composers made his mark not only on Polish Jazz, but also on European Jazz and World Jazz scenes. Of course each of these three musicians offered a unique and very individual approach to violin, all being innovators and pioneers: Urbaniak contributed greatly to the development of Jazz-Fusion and Jazz-Funk, Seifert to modern and Free Jazz and Debski to the amalgam of Jazz and contemporary Classical music.
Adam BaldychFind albums by this artist (born 1986) is of course a member of a different generation; one might even say a child of a very different era. His predecessors lived and created under the Socialist regime, which of course was far from enabling the freedom of expression and the opportunities to study and develop musical talents, and their life was a story of constant struggle with reality. Baldych grew up in a "new" Poland, liberated, democratic and full of opportunities. That does not mean, of curse, that his life and his path to success was an easy one. Considered a child prodigy, Baldych started his performing and then composing careers very early on, which explains his extremely impressive biography at the age of 25. The list of awards, notable performances, composing credits and recordings could easily satisfy a musician twice his age or more. And yet Baldych considers this album a pivotal point of his career and although not his recording debut, this is certainly a new begging, hopefully of an international career.
Recorded with his band called Damage ControlFind albums by this artist, "Magical TheatreFind albums with this title" is certainly an album, which should expose him to the worldwide audiences. Baldych composed six of the eight compositions present here and co-composed one more, with the last being composed by the band´s keyboardist. The band includes gifted young players, who provide him with excellent support and execute his complex compositions with grace and panache. Full of youthful spirit and energy, the album flows beautifully from one track to the next, changing moods and atmospheres, but always remaining fascinating. There are no dull moments here, no boring parts and no fillers – just one continuous flow of entrancing music, which keeps the listener captivated.
Of course regardless of how good the performers might be, the primary strength of this album lies in the music contained herein. Baldych´s compositions are simply spot on and his unique ability to amalgamate the Jazz tradition, the Polish romanticism and the contemporary sound techniques works perfectly. An experienced listener will be able to discover many delicate musical hints and references in this music, especially in Baldych´s solos, but surely anybody able of enjoying good music will find here starlight qualities.
I´m sure that Michal, Zbigniew and Krzesimir would be proud of the continuator of their splendid heritage. What remains is to hope that as many music connoisseurs as possible will eventually discover this gem and hold it dear to their hearts. I certainly hope it does happen, big time, as it is well deserved!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 19/09/2018Posted: | CD 1 Digipak Recommend To A Friend |
  | ADAM BALDYCH / BALTIC GANG ~ IMAGINARY ROOM
ACT 9532 (Barcode: 614427953223) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2012
This is the first international release by Polish Jazz violinist / composer Adam BaldychFind albums by this artist. Recorded in Berlin, it features Baldych in a sextet / septet setting with some of the best Scandinavian musicians (hence the Baltic GangFind albums by this artist): trumpeter Verneri PohjolaFind albums by this artist (Finland), saxophonist Marius NesetFind albums by this artist (Norway), trombonist Nils LandgrenFind albums by this artist (Sweden) who plays on two tracks and co-produced the album, pianist Jacob KarlzonFind albums by this artist (Sweden), bassist Lars DanielssonFind albums by this artist (Sweden), and drummer Morten LundFind albums by this artist (Denmark). Baldych composed ten of the album´s twelve tunes and co-composed the remaining two (one with Karlzon and the other with Danielsson). The album was released on the German ACTFind albums on this label label, which already features several Polish Jazz artists on its recording artist roster.
Baldych, just 26 years old at the time this music was recorded, has already a most impressive list of achievements behind him and is often referred to as the new hope of Polish Jazz violin, which has a remarkable tradition indeed, with such outstanding masters as Michal UrbaniakFind albums by this artist, Zbigniew SeifertFind albums by this artist and Krzesimir DebskiFind albums by this artist. With this album Baldych certainly earned his final seal of approval, joining the distinguished club of his predecessors.
The music included on this album is a major step in the development of Baldych as a composer. There is a definite style and a personal signature on all the tunes, which share a remarkable tendency towards melancholy, romanticism and deep lyricism. Most of the music is delicate, low key and slow tempo, with long and winding melody lines, a manner quite typical to the great Polish composers, both Classical and Jazz. The presence of the Scandinavian musicians, who are also known for their specific tone, might have influenced the overall sound and atmosphere of the album, but that would be only marginal. Considering also the fact that the tracks are relatively short and the arrangements do not allow expanded improvisations, it is obvious that the focus of this album is the music (compositions) rather that the performances.
The performances are, of course, stellar, which is not surprising considering the level of the musicians involved. Baldych plays superbly, as expected, but much less flashy and extrovert than on his earlier recordings. It is obvious that he reached a mental maturity, which turns him into a total musician, who does not need to prove his ability to the world, but to present a complete musical work of art, which includes composition, arrangement, performance and ambience as a whole. There are plenty of superb musical moments on this album, which of course will be revealed and discovered with repeated listening sessions.
The album is definitely one of the finest recent Polish Jazz recordings and will become part of the Polish Jazz canon for years to come. Baldych, who is just making his first international steps, is destined for glory, which hopefully will be achieved gradually. In the meantime this music is his gift to us, to be enjoyed to the fullest. Chapeau!
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  | KRZESIMIR DEBSKI / TADEUSZ SUDNIK ~ BORELLO
AUDIO CAVE 2023/011 ~ POLAND ~ Jazz-Ambient Fusion
Recorded: 2021 Released: 2023
This is an album by the duo of legendary Polish Jazz musicians: violinist / composer Krzesimir DebskiFind albums by this artist and keyboardist / electronic music pioneer / wizard Tadeusz SudnikFind albums by this artist. The album presents four lengthy tracks, all co-composed by the participants. The first track includes a few phrases by another Polish Jazz legend, trumpeter Tomasz StankoFind albums by this artist, recorded during a telephone conversation between him and Sudnik, shortly before his death, and the track is dedicated to his memory.
The music floats somewhere between Improvised Music, Ambient, Classical Music and Jazz, and eschews any attempt of categorization. Debski offers his expressive violin virtuosity, while Sudnik frames the atmospheric background, harmonies and rhythms, using a wide array of electronic devices and synthesizers. The outcome is quite beyond verbal description and requires to be listened to attentively and patiently, probably more than once, before the music really sinks in.
Although Debski is mostly associated since many years with Classical Music, his improvising abilities prove to be still potent and challenging, fondly reminding the heydays of the legendary String ConnectionFind albums by this artist. Sudnik, although mostly in the shadows, following his appearances in ensembles led by Stanko, remains an innovator and dreamer, always busy with crossing borders. My visit last year in his flat in Warsaw was truly an eye opener and he has a huge collection of unreleased music, which hopefully will be revealed in time. Together, they are able to create music, which transcends genres and is wholly mesmerizing.
Overall, this is a demanding, but highly rewarding piece of cross-genre music, by two Masters of their trade, which deserves to be discovered by all true music lovers, who are constantly searching to expand their horizons. Of course it can be easily embraced as a highly original example of the “Art of the Duo”. Wholeheartedly recommended!
| | Updated: 23/10/2023Posted: 23/10/2023 | CD 1 Digipak Recommend To A Friend |
  | BARTOSZ DWORAK ~ LIVE AT RADIO KATOWICE
PRK 0130 ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014
This is the debut album by young Polish Jazz violinist Bartosz DworakFind albums by this artist recorded live with his quartet which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. They perform six compositions, two of which are original compositions by Bartosz Dworak, one is by Piotr Matusik, two are by Polish Jazz composers Slawomir KulpowiczFind albums by this artist and Zbigniew SeifertFind albums by this artist and the remaining one is by Joey CalderazzoFind albums by this artist.
Bartosz Dworak is the winner of the 1st International Zbigniew Seifert Jazz Violin Competition, which took place in Poland in 2014 and is considered as one of the top young Polish Jazz violinists who continue the glorious legacy of Jazz violin in Poland established by such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew Seifert, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and others.
From the very first notes of this record it is pretty obvious that Dworak is a Polish violinist, as he has the same unmistakable "Polish sound" that characterizes his predecessors and other contemporary Jazz violinist in the country. In his case this specific sound, which floats somewhere between Slavic folksy fiddle and virtuosic lyricism is clearly identifiable. And of course there is the individualism and the virtuosity, which are obviously in their early stages but already clearly noticeable.
From the strength of the two original compositions it is immediately apparent that Dworak should concentrate on playing his own material. His interpretations of the compositions by other musicians are less impressive, except that of his band mate Piotr Matusik. The entire quartet plays smoothly and dynamically, with the rhythm section supporting the two soloists with taste and elegance. Matusik is one hell of a player and steals a significant part of the show in his favor, deserving every bit of it. I´m waiting anxiously to hear his first solo album.
Considering that this is a debut recording one can simply envy these young musicians their talents and obvious musicality. Hopefully Dworak will develop his skills as a composer and engage in more ambitious / challenging adventures when his career takes off, which will inevitably happen. In the meantime this is definitely a most impressive calling card.
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  | BARTOSZ DWORAK ~ POLISHED
HEVHETIA 0091 (Barcode: 8588005257336) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
This is the second album by Polish Jazz violinist / composer Bartosz DworakFind albums by this artist and his quartet, which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. The quartet performs nine original compositions, four by Bartosz Dworak and five by Matusik. Several of these compositions already appeared on the quartet´s debut album, which was a live recording, and get here a more polished (tongue-on-cheek) version.
Dworak proudly joins a long list of Polish Jazz violinists, which keeps growing as the years go by, and includes such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew SeifertFind albums by this artist, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and young lions like Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist. This wonderful legacy can be of course quite overwhelming and daunting, but Dworak seems to have no inferiority complexes whatsoever and gallantly steps into their shoes, doing his own thing.
Although Dworak is the leader of this quartet, the compositional and soloing duties are split quite equally between him and Matusik, who wrote about half of the music and plays superb piano parts, both supporting the violin parts and soloing himself. The rhythm section plays along with the two soloists supporting them amicably but staying mostly in the background, which in this specific music is probably all for the best.
The music is all pretty straightforward melodic mainstream, although at some moments the quartet ventures, albeit only partly, into a less clearly defined set of parameters. Of course, as usual with Polish Jazz violinists, the music is soaked in melancholy and lyrical folkloristic undertones, which brings fond memories of the material recorded by those musicians listed in the second paragraph. All nine tunes are beautifully melodic, which surely opens this album to a very widespread range of audiences, even those beyond the Jazz idiom.
In many respects this album could be considered as a debut, since the semi-formal live recording released earlier was really just a teaser of things to come. And as a debut it certainly is a very impressive effort, in every respect, which keeps the hopes for a new generation of Polish Jazz musicians in general and violinists in particular at their highest. Personally I simply can´t wait for the next album, which will be the decisive proof of maturity. In the meantime we can all enjoy this gem!
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  | HEFI QUARTET ~ LIVE
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2011 - 2013 Released: 2013
This is the third album by young Polish Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist, this one being released under the moniker of his current HeFi QuartetFind albums by this artist, which also includes the fabulous keyboardist Pawel KaczmarczykFind albums by this artist, bassist Tomasz KupiecFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. The music includes one studio track (from 2013), three live radio tracks (from 2012) and six live concert tracks (from 2011), which also feature the veteran violinist Krzesimir DebskiFind albums by this artist. All the music was composed by Wisniowski except one track which is credited to the entire group and one which is a traditional folklore tune.
The music is exciting Modern mainstream with some World Music influences, a bit of Fusion and other ingredients, all well amalgamated compositionally and beautifully executed. The first part of the album (the radio / studio recordings) is mostly calm and relaxed, whereas the second part (the concert recordings) with Debski is much more energetic, loud and expressive, with Debski´s input being quite dominant. Overall the music is truly excellent, but the album suffers a bit from being a somewhat hectic collection of music recorded under different circumstances rather than an integral statement.
Wisniowski also makes a mistake of employing / inviting musicians, who are simply excellent, which sadly makes him the least impressive player of them all, even if he´s the leader. Kaczmarczyk completely "steals" the show with his superb solos, which are all simply brilliant, both technically and emotionally. The rhythm section also performs beautifully, way beyond just supporting the soloist, but actually contributing actively to the process of creating the music. These young musicians have already quite a lot of experience performing and even recordings behind them, which is immediately noticeable. Debski, as already mentioned, is a veteran with a very flamboyant style of playing. As a result the leader´s solos really sound rather pale in comparison.
Nevertheless this is still a very strong album, which many Jazz listeners will enjoy immensely. Not too complex and yet interesting and versatile stylistically, this is definitely something worth listening to and at the same time accessible to a relatively wide range of connoisseurs.
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  | ANDRZEJ OLEJNICZAK ~ NEW SAX CONCERTOS
POLSKIE RADIO 1855-1856 (Barcode: 5907812248550) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2013 Released: 2014
This is a wonderful album by Polish (living in Spain) Jazz saxophonist Andrzej OlejniczakFind albums by this artist, who performs three "borderline" pieces bridging Jazz and Classical music, which feature the saxophone as the leading instrument. The album was recorded live with Olejniczak performing the music with the Polish Radio OrchestraFind albums by this artist conducted by Krzesimir DebskiFind albums by this artist. Drummer Lukasz ZytaFind albums by this artist is featured as co-soloist on one track.
The first piece, entitled "Focus Suite", was written by American composer Eddie SauterFind albums by this artist specifically for saxophonist Stan GetzFind albums by this artist, who recorded the suite in 1961 on the album entitled "FocusFind albums with this title", which to this day remains as one of the most revered Jazz recordings of all times. The original recording features Getz supported by a Jazz piano trio (pianist Steve KuhnFind albums by this artist, bassist John NevesFind albums by this artist and drummer Roy HaynesFind albums by this artist) and a small string ensemble, with the music beautifully arranged by Sauter.
The second piece, entitled "Sax Concerto For Soprano Saxophone And Symphony Orchestra, was written by American composer Mark KussFind albums by this artist in 2006.
The third piece, entitled "Jazz Concerto For Saxophone And Orchestra", was written by Polish violinist / composer / conductor Krzesimir Debski in 2008. Debski and Olejniczak were both members of the legendary Polish Jazz ensemble String ConnectionFind albums by this artist, which was active in the 1980s. The concerto was written for Olejniczak and incorporates many of the themes that appeared on the albums String Connection recorded at the time and the solo saxophone parts are based on transcriptions of the violin solos played by Debski at the time. In many respects this concerto symbolizes the closing of a time loop bringing the two great musicians together again.
The music is excellently performed by Olejniczak, who has a beautiful tone and superb technique. Although most of the music here is composed, there are plenty of opportunities for Olejniczak to express his own improvised passages, making this entire performance a once in a lifetime event. The orchestra is also top notch, supporting the soloist with elegance and obvious sympathy.
Fans of Jazz-Classical fusion will find this music right up their alley, but listeners of both Classical Music and Jazz should find this music worth their attention, especially in view of its aesthetic merits. Warmly recommended!
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  | ANDRZEJ OLEJNICZAK / APERTUS STRING QUARTET ~ DIFFERENT CHOICE
QUADRANT 00022 (Barcode: 4040824081706) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2010 Released: 2010
Veteran Polish saxophonist Andrzej OlejniczakFind albums by this artist, who was a member of such legendary ensembles as Extra BallFind albums by this artist, Sun ShipFind albums by this artist and String ConnectionFind albums by this artist, left Poland in the mid 1980s and disappeared completely from the local scene for many years. He continued his career as a musician and educator in Spain, which is quite successful and fruitful. The idea to record an album featuring the saxophone playing with a string quartet and improvising to its accompaniment fascinated Olejniczak for many years and was finally realized in 2010, when this album was recorded in Poland with the Polish Apertus String QuartetFind albums by this artist. The music was mostly composed and arranged by the great Polish violinist / composer Krzesimir DebskiFind albums by this artist, the leader of String Connection, with Olejniczak contributing three compositions and two additional compositions being by other composers. The overall concept is to create a synthesis between Jazz and contemporary Classical music, with Olejniczak, who plays tenor and soprano saxophones, improvising at length over a pre-arranged background performed by the string quartet. This is definitely "serious" music, which has absolutely nothing to do with the popular sax & strings muzak, a music which requires attentive listening and quite an intellectual effort to follow. Olejniczak is a very experienced improviser and his tangled and convoluted solos are often challenging, and with the complex layers of the music played by the strings the total musical experience might easily prove a bit too much for a casual listener. Serious music connoisseurs however, should be able to enjoy this music profoundly. It does require several listening sessions, but the effort is definitely worth it. Such musical journeys are rare and Olejniczak (and Debski, who is definitely a major force behind this music) deserves praise and respect for pulling it through and making "different choices" indeed. It won´t probably prove to be a very "popular" album, but this is exactly the reason why such music should be made, especially at a time when Artistry is fighting for its very existence. Wholeheartedly recommended!
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  | JANUSZ SKOWRON ~ POLISH RADIO JAZZ ARCHIVES VOL.35
POLSKIE RADIO 2322 (Barcode: 5907812243319) ~ POLAND ~ Jazz
Recorded: 1981 - 1998 Released: 2022
This is the thirty-fifth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The music on this album presents radio recordings of live performances by one of the most prominent Polish Jazz musicians, keyboardist / composer Janusz SkowronFind albums by this artist, who sadly departed recently (February 2019), paying tribute to his artistry. Skowron was active on the scene since the early 1980s and his music embraced diverse environments, playing Jazz and Fusion. The album presents eleven tracks recorded between 1981 and 1998 and are a rather incidental collection spanning his various activities. Skowron composed three of these tracks.
The first track, recorded in 1981, features the quartet led by drummer Kazimierz JonkiszFind albums by this artist, where Skowron played piano, which also included violinist Krzesimir DebskiFind albums by this artist and bassist Andrzej LukasikFind albums by this artist.
Next track, recorded in 1982, features one of Poland’s most important Fusion groups String ConnectionFind albums by this artist, which also included Debski.
Next track, recorded in 1985, features Skowron’s own band, which includes bassist Zbigniew WegehauptFind albums by this artist (departed 2012).
Next track, recorded in 1985, features the quartet led by trumpeter Tomasz StankoFind albums by this artist (departed 2018), which includes drummer Tadeusz FederowskiFind albums by this artist (departed 2018).
Next track, recorded in 1987, features the FreelectronicFind albums by this artist band also led by Stanko, which includes synthesizer player Tadeusz SudnikFind albums by this artist.
Next track, recorded in 1990, features the quartet led by saxophonist Zbigniew NamyslowskiFind albums by this artist (departed in 2022).
Next track, recorded in 1991, features also the Zbigniew Namyslowski quartet.
Next two tracks, recorded in 1992, feature the quartet led by trumpeter Piotr WojtasikFind albums by this artist, which includes saxophonist Tomasz SzukalskiFind albums by this artist (departed 2012).
Next track, recorded in 1995, features the reunited String Connection group.
The last track, recorded in 1998, features a duo of Skowron and Tomasz Stanko.
The fact that six of the musicians playing on this album are no longer with us is a sad reminder of the phenomenon of the first generation of the Polish Jazz scene disappearing.
The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers bi-lingual liner notes, fitting the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.
| | Updated: 25/02/2023Posted: 25/02/2023 | CD 1 Digipak Recommend To A Friend |
  | JAROSLAW SMIETANA ~ A TRIBUTE TO ZBIGNIEW SEIFERT
JSR 0011 (Barcode: 5901119902399) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2009 Released: 2009
This is a stunning tribute album to the Polish violin virtuoso / composer Zbigniew SeifertFind albums by this artist by the great Polish guitarist Jaroslaw SmietanaFind albums by this artist and his band: pianist Piotr WylezolFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist, drummer Adam CzerwinskiFind albums by this artist and percussionist Slawomir BernyFind albums by this artist. Keyboardist Janusz GrzywaczFind albums by this artist guests on two tracks. Smietana invited nine leading Jazz violinists to play along with this fabulous band, performing Seifert´s wonderful compositions. They are: Jerry GoodmanFind albums by this artist (ex-Mahavishnu OrchestraFind albums by this artist, USA), Mateusz SmoczynskiFind albums by this artist (Poland), Didier LockwoodFind albums by this artist (France), Krzesimir DebskiFind albums by this artist (Poland), Christian HowesFind albums by this artist (USA), Mark FeldmanFind albums by this artist (USA), Maciej StrzelczykFind albums by this artist (Poland), Adam BaldychFind albums by this artist (Poland) and Pierre BlanchardFind albums by this artist (France). These nine virtuosi play like there´s no tomorrow and the resulting music is simply a breathtaking trip into Seifert´s world. This is such a conglomerate of talent, that anything said beyond this would be simply superfluous. Simply grab this ASAP, as you are about to take trip of your life – violin heaven indeed!
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  | MATEUSZ SMOCZYNSKI ~ EXPRESSIONS
TMP 002 (Barcode: 5905912553239) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2008
This is the second album as a leader by the young Polish Jazz violinist / composer Mateusz SmoczynskiFind albums by this artist. Recorded with a superb quintet, which includes his brother Jan SmoczynskiFind albums by this artist on piano, guitarist Konrad ZemlerFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, the album presents his talent and obvious virtuosity to the fullest extent. Of the ten compositions included on the album Jan contributed four, Mateusz one, Wojciech another four and the last is credited to all quintet members.
The music is modern Jazz, which has solid roots in Jazz mainstream, but is open to glimpses of Free, which is not surprising since Mateusz points out John ColtraneFind albums by this artist as a major influence. Of course he also continues the Polish Jazz violin tradition, naming Zbigniew SeifertFind albums by this artist (who in turn was also strongly influenced by Coltrane) as another direct influence. However, attentive listening to his brilliant solos brings also memories of the other great Polish violinist, like Michal UrbaniakFind albums by this artist and Krzesimir DebskiFind albums by this artist and of course the French giant Jean-Luc PontyFind albums by this artist. Since recording this album, Mateusz recorded another superb album (again with his brother Jan) in a trio setting ("Simultaneous AbstractionsFind albums with this title"), participated in a Zbigniew Seifert tribute album ("A Tribute To Zbigniew SeifertFind albums with this title") and recorded with the Atom String QuartetFind albums by this artist. All these projects are impeccable pieces of intelligent, rewarding and highly aesthetic music and it seems that Mateusz is heading to the very top of the local (and perhaps also international) scene.
The album was recorded in the Studio Tokarnia owned by the Smoczynski brothers, and engineered and mastered by Jan. From several other Polish Jazz recordings I´ve heard, which were recorded there, one can hear that this is probably the best recording studio in the country and Jan (in addition to his musical abilities) as a great sound engineer. Well, it´s always a pleasure to give credit, where credit is due, as in this case. Altogether this is brilliant piece of music, which any Jazz connoisseur anywhere should cherish. Most warmly recommended!
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  | STRING CONNECTION ~ 2012
POLSKIE RADIO 1419 (Barcode: 5907812244194) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2011
Over 20 years after the Polish Jazz ensemble String ConnectionFind albums by this artist ceased to exist after several years of leading the local Jazz scene, here they are again, reunited, rejuvenated and recharged with new energies. Led by the violin virtuoso / composer Krzesimir DebskiFind albums by this artist, who founded the original group in 1981 and who was also responsible for group´s breakup due to his mounting commitments as a composer for film and contemporary Classical music, the group also includes original members: saxophonist Andrzej OlejniczakFind albums by this artist, keyboardist Janusz SkowronFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and drummer Krzysztof PrzybylowiczFind albums by this artist. Female vocalist Anna JurksztowiczFind albums by this artist guests on two tracks. The music was composed mostly by Debski (six of the eight tunes on the album) with Olejniczak and Scieranski contributing one composition each. All these players are of course masters of their trade and their performances are always top notch, as expected. The music covers a wide spectrum of compositions, from World Music influences to Fusion, with the typical Eastern-European awareness of somewhat quirky melody lines and rhythmic patterns. There are no surprises here or groundbreaking innovations, but a lot of excellent and enjoyable music. For Jazz violin connoisseurs this is a must of course, as Jazz albums with violin are unfortunately a rarity, especially those of such quality like this one. Recommended!
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  | WIESLAW WILCZKIEWICZ ~ FLY ENSEMBLE
GAD 038 (Barcode: 5901549197488) ~ POLAND ~ Smooth Jazz
Recorded: 1981 - 1983 Released: 2016
This album presents a collection of radio recordings by the Polish Jazz ensemble called Fly EnsembleFind albums by this artist, led by guitarist Wieslaw WilczkiewiczFind albums by this artist, who was a member in the legendary Alex BandFind albums by this artist. The ensemble also included several other ex-Alex Band members like keyboardist Marek WalarowskiFind albums by this artist and saxophonist Jerzy MuchaFind albums by this artist, and featured guest artists like violinists Krzesimir DebskiFind albums by this artist and Zbigniew WodeckiFind albums by this artist. The album presents ten instrumental pieces, five of which were composed by Wilczkiewicz, two by Walarowski, and one each by Mucha, Wodecki and American pianist Randy WestonFind albums by this artist.
The music is a superb blend of Jazz / Groove / Funk, with excellent melodies and interesting arrangements, altogether perfectly executed. Although definitely on the easy side of the genre, it is fascinating and intelligent, and still sounds great over three decades later. The musicians involved in these recordings are all top professionals and manage to make the best of it. Although some people might consider this Smooth Jazz, it stands miles above what passes as Smooth Jazz these days and is infinitely more sophisticated.
I had a great time listening to this music, in spite of its easy-going approach and perhaps even because of it. With music getting more and more convoluted over time, the simply stated but elegant phrases on this album are a truly relaxing and entertaining. Thanks to GADFind albums on this label Records for bringing this music back to circulation, as it fully deserves it.
| | Updated: 02/03/2016Posted: 02/03/2016 | CD 1 Remastered Recommend To A Friend |
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