Record Reviews

GARY HUSBAND / DRIVE ~ HOTWIRED ABSTRACT LOGIX 015 (Barcode: 827912084474) ~ UK ~ Jazz Recorded: 2008 Released: 2009 This is a great album by British drummer / keyboardist / composer Gary HusbandFind albums by this artist and his quartet called DriveFind albums by this artist, which also includes trumpeter Richard TurnerFind albums by this artist (who sadly died at the ridiculous young age of 27 from a heart attack three years after this album was recorded), saxophonist Julian SiegelFind albums by this artist and American (resident in London) bassist Michael JanischFind albums by this artist. The album presents nine tunes, six of which are original compositions by Husband, one is by Siegel and two are standards. Although Husband´s work is usually associated with Jazz-Rock Fusion, and even though this album is even labeled as such on its cover, this music is way more real Jazz than Fusion oriented and often ventures into freely improvised passages, not to mention collective improvisations, all of which have little to do with the usual Fusion drudgery. As a result this album might catch some of Husband´s fans by surprise, but this is modern Jazz at its best folks. All four musicians are of course incredible instrumentalists, and therefore the level of performances herein comes as no surprise. Although melody based, the music is mostly about individual improvisations and teamwork. Husband sets the pace of course with his polyrhythmic beat and dominant drive, but he leaves a lot of space for everybody to contribute and plays a few nasty piano parts on top if it. The trumpet / saxophone unisono parts and dialogues are full of fire and grace, not to mention the explosive solos. The bass pulsations keep the music on a firm ground and the bass solos curdle your blood. In short this album kicks your bottom from start to finish. Overall this is a great modern Jazz album, which continues the proud British Jazz tradition of individuality and excellence. I can´t think of a true Jazz fan that would not be impressed by this album and I hope to hear more of similar music in the future. It´s been a while since this album was recorded so another drive would be most welcome. It´s about time for Gary Husband to get the respect and recognition he truly deserves. He is way to modest and good natured to put his elbows to work, so at least those who appreciate his talents should state their opinions out loud. The fact that Husband plays drums and keyboards and does so with the same deadly proficiency is part of the problem, as people often get confused as to his "true" devotion. Well, get used to this folks, he might be instrumentally schizophrenic, but both parts of his musical personality live perfectly in peace with each other. Keep up the great work Sir!

Updated: 02/07/2016Posted: 02/07/2016

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GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 1 ABSTRACT LOGIX 027 (Barcode: 700261307053) ~ UK ~ Jazz-Rock Fusion Recorded: 2010 Released: 2010 This is the first of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Steve HackettFind albums by this artist and Steve ToppingFind albums by this artist, keyboardist Jan HammerFind albums by this artist, violinist Jerry GoodmanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Steve PriceFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform twelve pieces, seven of which are original compositions by Husband and one is co-composed by him. The music, as expected after reading the lineup, ranges from Rock via Fusion to Jazz, presenting a coherent picture of musical virtuosity and compositional elegance. In contrast to many other similar projects based on the same idea of recording an album with many superstars, which usually fail miserably to achieve any substantial musical value, this attempt works wonderfully from start to finish with no dull moments to spare. The stylistic variety and the different atmospheric vistas present a superb collage of intelligent and fascinating music, which is a pleasure to listen to. As expected, the album is full of exceptional soloing. Husband keeps it all together with his dynamic and powerful rhythm drive, contributing a few keyboard solos on the way. The main point here is the mutual respect these stellar musicians have for each other, putting any competition and ego trips out of the way and concentrating on the final result. Husband turns out to be a wonderful catalyst here, able to create ad hoc lineups that sound as if they were playing together for ages. In short this is not only Fusion heaven, but a comprehensive overview of the genre in the most open minded approach possible, which encompasses everything between Rock and Free Jazz. Husband´s openness towards similarly remote sub genres was always one of his most remarkable qualities. This is definitely a must for all Fusion lovers, but every connoisseur of good music should be able to enjoy this immensely!

Updated: 06/07/2016Posted: 06/07/2016

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GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 2 ABSTRACT LOGIX 033 (Barcode: 700261344836) ~ UK ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012 This is the second of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Ray RussellFind albums by this artist, Wayne KrantzFind albums by this artist, Neil TaylorFind albums by this artist, Alex MachacekFind albums by this artist, Jimmy HerringFind albums by this artist and Mike SternFind albums by this artist, keyboardist Jan HammerFind albums by this artist, saxophonist Sean FreemanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Teymur PhellFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform eleven pieces, five of which are original compositions by Husband and one is co-composed by him. The music on this set is less diverse stylistically and explores mainly the various possibilities of the Jazz-Rock Fusion idiom, with accents and variations influenced mainly by the presence of the different guitar players on these tracks. Each and every guitarist contributes his very personal stylistic nuances, presenting overall a wonderful kaleidoscope of guitar Fusion pieces. The melodic themes of all these pieces fit very well together, which turns this seemingly unconnected collection of pieces into a coherent album, which is a thrilling listening experience. As on its predecessor, Husband plays drums and keyboards on the various pieces, always with great taste and his usual virtuosity. His drumming approach is another solidifying element of this entire collection, which again manages to sound like a complete pre-planned album as opposed to a random collection of tunes, in spite of such diverse lineups taking part in the proceedings. As usual this is Fusion Heaven, not only because of the incredibly high level of individual performances, but mainly because it is all about music and not individual ego trips which often haunt Fusion to its death. Therefore I can only wholeheartedly recommend this album to all Fusion lovers, especially since really good Fusion albums are so incredibly scarce these days. Hats off, Maestro!

Updated: 09/07/2016Posted: 09/07/2016

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JOHN MCLAUGHLIN ~ NOW HERE THIS ABSTRACT LOGIX 037 (Barcode: 700261359557) ~ UK ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012 This is the second studio album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents eight original compositions, all by McLaughlin. The music is a unique mixture of Jazz-Rock Fusion with World Music elements, with a distinct Indian touch, but also Flamenco touches and other underlying elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist, ShaktiFind albums by this artist and his extensive solo work. McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. 4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate. Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!

Updated: 26/10/2021Posted: 26/10/2021

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JOHN MCLAUGHLIN ~ THE BOSTON RECORD ABSTRACT LOGIX 042 (Barcode: 700261397085) ~ UK ~ Jazz-Rock Fusion Recorded: 2013 Released: 2014 This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes a couple of tracks from the last studio album at the time “Now Here ThisFind albums with this title” and earlier compositions. The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind. McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. 4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate. Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!

Updated: 30/10/2021Posted: 30/10/2021

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JOHN MCLAUGHLIN ~ BLACK LIGHT ABSTRACT LOGIX 050 (Barcode: 700261424491) ~ UK ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2015 This is the third studio album by British Jazz guitar maverick John McLaughlinFind albums by this artist, recorded with his 4th DimensionFind albums by this artist band, which includes British keyboardist / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a unique mixture of Jazz-Rock Fusion with World Music elements, with a distinct Indian touch, but also Flamenco touches and other underlying elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist, ShaktiFind albums by this artist and his extensive solo work. McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. 4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate. Since this album was released in 2015, the popular rumors circulating until a couple of month before I write these words stated, that this is probably the last studio album by McLaughlin, but in July 2021 McLaughlin delightfully surprised all his followers with the release of the pandemic influenced new album entitled “Liberation TimeFind albums with this title”, which of course will get its own write-up here. Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!

Updated: 04/09/2021Posted: 04/09/2021

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JOHN MCLAUGHLIN ~ LIVE @ RONNIE SCOTT`S ABSTRACT LOGIX 058 (Barcode: 700261457000) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2017 This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes three tracks from the last studio album at the time “Black LightFind albums with this title” and earlier compositions. The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind. McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. 4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate. Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!

Updated: 03/11/2021Posted: 03/11/2021

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JOHN MCLAUGHLIN / JIMMY HERRING ~ LIVE IN SAN FRANCISCO ABSTRACT LOGIX 059 (Barcode: 700261467016) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2018 This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and American guitarist Jimmy HerringFind albums by this artist and his Invisible WhipFind albums by this artist quintet, with violinist Jason CrosbyFind albums by this artist, keyboardist Matt SlocumFind albums by this artist, bassist Kevin ScottFind albums by this artist and drummer Jeff SipeFind albums by this artist. The resulting Fusion nonet performs eight classic Mahavishnu OrchestraFind albums by this artist tunes, all composed by McLaughlin. The music is a hyper-powerful explosion of Jazz-Rock Fusion, which pays tribute to the legendary Fusion group founded and led by McLaughlin, which in many respects defined Fusion as we know it, with very few significant developments in the genre that happened in the fifty years that followed since it was at its peak. McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. The members of his quartet, as well as the members of Herring’s Invisible Whip all play as if there was no tomorrow and the hair-rising soloing continues as an unstoppable hurricane, which should give all electric guitar oriented Fusion lovers an unforgettable listening experience. The music sounds remarkably fresh and lost nothing of its originality and ingenuity over time, and this double-trouble powerful approach proves to be extremely effective musically. Yes, they raise a hell of a racket, but what a sublime racket it is! Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!

Updated: 06/11/2021Posted: 06/11/2021

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JOHN MCLAUGHLIN / SHANKAR MAHADEVAN / ZAKIR HUSSAIN ~ IS THAT SO? ABSTRACT LOGIX 062 (Barcode: 700261477541) ~ UK ~ Jazz-World Fusion Recorded: 2019 Released: 2020 This is an album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist recorded with two Indian musicians: vocalist / composer Shankar MahadevanFind albums by this artist and percussionist Zakir HussainFind albums by this artist. In fact, although not specifically mentioned anywhere on the album’s artwork, this is an album by the Remember ShaktiFind albums by this artist group. The album presents six original songs, five co-composed by McLaughlin and Mahadevan and one co-composed by all three musicians. The most notable point about this album is the fact that McLaughlin does not play conventional guitar here and all his contributions are synthesized guitar sounds, which might come as a surprise to his many fans, but this does not mean that his contributions are any less interesting or wonderful. The music is, not surprisingly, heavily influenced by Indian motives, but the stunningly beautiful compositions, brilliant vocals and overall performance are simply breathtaking. The music is not only a new level of Fusion as far as the music is concerned, but first and foremost a deeply spiritual experience, possible only thanks to the great talents of the participants, their open-mindedness and complete lack of cultural barriers. Mahadevan’s vocal improvisations are an absolute high point of the album and are a sublime example of cross-culture influences, with a distinct similarity to Arabic mawawil, which dominate the Middle East Culture. His virtuosity is often beyond comprehension. Hussain is also a great Master, which he already proved on countless recordings. McLaughlin gracefully takes a step into the shadows, becoming a highly sensitive accompanist, but not dominating the proceedings with his guitar virtuosity. Overall, this album is a heartwrenching musical experience, which stuns with its spirituality and beauty. It might prove to be somewhat difficult to Western listeners, not accustomed to Indian / Arabic vocal acrobatics, but offering an unusual aesthetic experience. Sublime in every aspect!

Updated: 28/11/2021Posted: 28/11/2021

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JOHN MCLAUGHLIN ~ LIBERATION TIME ABSTRACT LOGIX 065 (Barcode: 700261486185) ~ UK ~ Jazz-Funk Fusion Recorded: 2020 Released: 2021 This an album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist, recorded during the Covid-19 pandemic with many musicians around the world using today’s possibilities to make music together “remotely”. The musicians include British keyboardists / drummer Gary HusbandFind albums by this artist, bassist Sam BurgessFind albums by this artist, saxophonist Julian SiegelFind albums by this artist, American drummer Vinnie ColaiutaFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist, Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and others. The album presents seven original compositions, all by McLaughlin, two of which are short solo piano pieces played by him. Despite the rumors about retirement, McLaughlin proves to the world that he still is the undisputable numero uno out there, despite being almost eighty years young. His notes are as sharp and precise as ever and his compositions as exciting as one can wish for. The music sounds familiar, like Mother’s food, something that one is never tired of, but is amazingly fresh and energetic, with the album flowing swiftly with never a dull moment. The album rises some pretty grim reflections, as far as Fusion is concerned, given that the person who basically was one of the genre’s pioneers in the mid-1960s, is still on the very top of the crest, as if nothing happened the fifty-five years that passed by since. I’d even go as far as saying that if one owns all his recordings as leader and sideman, one does not miss anything else as far as Fusion is concerned. Overall, this is an excellent album in every respect and a great addition to McLaughlin’s recording legacy, which easily represents the Fusion genre in its full glory. Praying for more albums to come…

Updated: 03/11/2021Posted: 22/10/2021

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SHAKTI ~ THIS MOMENT ABSTRACT LOGIX 068 (Barcode: 700261493091) ~ UK ~ Jazz-World Fusion Recorded: 2023 Released: 2023 This is an album by the reformed group ShaktiFind albums by this artist, following a forty-six years break since the release of the last of the trio of albums recorded between 1975 and 1977. Led by British Jazz guitar virtuoso John McLaughlinFind albums by this artist and Indian percussionist Zakir HussainFind albums by this artist, the current lineup includes also Indian vocalist Shankar MahadevanFind albums by this artist, violinist Ganesh RajagopalanFind albums by this artist and percussionist Selvaganesh VinayakaramFind albums by this artist. All four Indian musician utilize the konokol vocal technique. The album presents seven original compositions, three by McLaughlin, one each by Hussain, Mahadevan and Vinayakaram, one co-composed by all members of the band and finally one traditional Carnatic tune. The music is a direct continuation of the Shakti concept of amalgamating Classic Indian music and Western Jazz improvisation, but this time there is much less emphasis on McLaughlin’s soloing and way more vocal and percussion contributions. However, the original Shakti spirit is wonderfully preserved and the result is absolutely delightful from start to finish. McLaughlin is still a sublime guitar player, despite the slightly modest presence herein, and when he touches the strings magic happens time and time again. But the Indian players and especially the vocal contributions by Mahadevan are no less exciting, spiritual and aesthetically fulfilling. The konokol vocalese is, as always, delightful as well. One of the McLaughlin tunes is a Gypsy / Flamenco tune, but is here dressed in an Indian regalia, showing how all music is interconnected, regardless of its origins. Overall, although the album does not break and new ground, it is a wonderful reminder of former prominence and cross-cultural pollination. Shakti proves to be one of the greatest Jazz-World Fusion ensembles that ever existed, and McLaughlin is still my favorite guitar player of all time. This album is of course an absolute must to all Shakti, Remember ShaktiFind albums by this artist and McLaughlin fans, but it has a universal musical value to all lovers of truly great music.

Updated: 24/07/2023Posted: 24/07/2023

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HEINZ SAUER ~ IF (BLUE) THEN (BLUE) ACT 4111 (Barcode: 614427411129) ~ GERMANY ~ Jazz Recorded: 2009 Released: 2012 This is a re-edition of a wonderfully intimate album by the veteran (born 1932) German saxophonist / composer Heinz SauerFind albums by this artist, which consists of a series of duo pieces with two brilliant German pianists: Michael WollnyFind albums by this artist (born 1978) and Joachim KuhnFind albums by this artist (born 1944), separated by time as members of two distinct generations, but united by their musical creativity. Each of the pianists performs eight duos with Sauer, which are partly spontaneously improvised and partly based on standards, most of those by Miles DavisFind albums by this artist. Sauer recorded several duo albums with Wollny, but this is first encounter with Kuhn in a duo setting. The music moves between freely improvised pieces and improvisations based on familiar melodic themes, but the overall atmosphere is full of fragile melancholy and introvert meditation. Sauer´s unique sound and blowing technique creates a magic atmosphere, which is supported by the piano as a frame of reference. At times it seems that the saxophone and the piano are both improvising on separate planes and than these planes intersect and collide creating a new multidimensional universe of sounds. This music is a superb manifestation of European Jazz at its most elusive and mystic manifestation, where the musicians play minimalistic phrases separated by moments of silence and weaving a tapestry of complex, subtle pieces, which sound like soundtracks of imaginary movies. It is as aesthetically aloof from the Jazz tradition as humanly possible, and yet it is entirely Jazz based, simply existing on a celestial rather than earthly plane. Overall this is surely one of the most fascinating examples of the "Art of the Duo" Jazz recordings, which deserves an honorary place in every respectable music collection. This kind of music can be listened to repetitively, with a good chance of discovering previously hidden treasures with each consecutive visit. Obviously I recommend it wholeheartedly to all serious Jazz connoisseurs and followers of the European Jazz scene. A true Gem!

Updated: 04/04/2016Posted: 04/04/2016

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JOACHIM KUHN ~ BIRTHDAY EDITION ACT 6017 (Barcode: 614427601728) ~ GERMANY ~ Jazz Recorded: 1987 - 1995 Released: 2014 This album celebrates the 70th Birthday of the German Jazz pianist / composer Joachim KuhnFind albums by this artist. The first album of this 2CD set presents recordings by the Kuhn trio with French bassist Jean-Francois Jenny-ClarkFind albums by this artist and Swiss drummer Daniel HumairFind albums by this artist, recorded live at the Jazzfest Berlin in 1987 and 1995. The second album is a re-edition of the brilliant Jazz symphony "EuropeanaFind albums with this title", composed by the renowned British composer Michael GibbsFind albums by this artist and performed by a dream team of European Jazz musicians, including Kuhn´s trio with Jenny-Clark and Norwegian drummer Jon ChristensenFind albums by this artist and many soloists like German trombonist Albert MangelsdorffFind albums by this artist, French accordionist Richard GallianoFind albums by this artist and others, with the NDR Philharmonic Orchestra. This album was originally recorded in 1994 and released in 1995. Kuhn, who left East Germany in 1966 to join his older brother Rolf KuhnFind albums by this artist, who was already living in West Germany, became in time one of the most prolific and influential German and European Jazz musicians. Kuhn, who started as an avant-gardist and Free Jazz enthusiast went through a Jazz-Rock Fusion phase during the 1970s, being one of the pioneers of that genre at the time, returned to advanced Jazz explorations later on, and is to this day considered as one of the top European Jazz artists. The piano trio album is a superb example of the modern approach to this seemingly simple setting, which treats the instruments on an absolutely equal level, giving them the same opportunity to express their ideas. Of course every trio is only as good as the cooperation between its members, and this particular trio has very few competitors in that department. Of the six pieces the trio plays, four are originals by Kuhn, one is a Humair / Kuhn collaboration and one was composed by the great French Jazz clarinetist Michel PortalFind albums by this artist. It is fascinating to see how the music, which was recorded eight years apart, appears to be as if recorded during the same concert. Such level of perfect integration and telepathic interplay is only achieved by the very best musicians out there and it´s great that ACTFind albums on this label released these live recordings as they are simply too good to be forgotten. The Jazz symphony is of course as different form the trio recordings as the Jazz idiom permits; from an intimate trio into a symphonic grandeur. It is no secret that I have been a loyal follower of the works by Michael Gibbs ever since he appeared on the British scene, and in retrospect his orchestral works have been some of my fondest experiences not only as Jazz pieces, but as examples of grand music in general. The concept of this extraordinary work is to take a musical tour of Western Europe, from the northern Scandinavian countries, via central Europe and then south west to Spain. The symphony is divided into thirteen separate fragments, each one featuring different soloists, which are loosely connected to specific European countries but overall present the diversity of the Continent´s Cultural heritage and aesthetic values as expressed by music. Although these two albums have seemingly almost nothing in common on the surface, they do represent simply a different facets of the same Cultural attitude, based on tradition and grooming as many new ideas as possible, ignoring incompatibilities and obstacles. Gibbs proves again that his exquisite melodies are perfect vehicles for Jazz improvisations, and the superb team gathered to perform this music stands up to the challenge with flying colors. Overall this is a great tribute to the life and music of Joachim Kuhn, but includes also many other aspects of the music we love so much. Even if one already has a copy of "Europeana", it´s still worth to get a copy of this set just for the trio album, which will probably lead to another listening of the Gibbs work as well. Great stuff!

Updated: 13/08/2016Posted: 05/04/2016

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AL JARREAU & NDR BIG BAND ~ ELLINGTON ACT 9060 (Barcode: 614427906021) ~ USA ~ Big Band Jazz Recorded: 2016 Released: 2024 This is an archival live album by American Jazz vocalist Al JarreauFind albums by this artist, recorded with the mighty German NDR Big BandFind albums by this artist during his last European tour, just three months prior to his death. The album presents ten tracks, which are all, as to title suggests, compositions by Duke EllingtonFind albums by this artist or Billy StrayhornFind albums by this artist, brilliantly arranged by the conductor / arranger Jorg Achim KellerFind albums by this artist. The sound quality is not perfect, but the quality of the music compensates everything. Jarreau was not only one of the best and most unique American Jazz vocalist ever, but he was also a superb entertainer, with an exquisite sense of humor, which this album documents perfectly. His contact with the audience, which I was lucky to witness in person several times, was always intimate and full of love for music. His premature death was a truly great loss. The NDR Big Band is, as expected, fabulous all the way through, as appropriate for the best Big Band on earth IMHO. They are great partners for vocalists, as documented on may albums recorded over the years, and this album is no exception. Overall, this is a wonderful vocal Jazz album and a Big Band album combined, especially welcome in view of the fact that Jarreau’s recorded legacy is rather modest, comprising less than twenty studio albums, most recorded in the 1970s and 1980s. Definitely worth being discovered, not only by the Jarreau fans!

Updated: 21/01/2025Posted: 21/01/2025

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JAN ERIK KONGSHAUG ~ THE OTHER WORLD ACT 9267 (Barcode: 614427926722) ~ NORWAY ~ Jazz Recorded: 1998 Released: 1999 This is the debut album by Norwegian Jazz guitarist / composer Jan Erik KongshaugFind albums by this artist, recorded in a quartet setting with three young (at the time of the recording) and upcoming musicians: pianist Svein Olav HerstadFind albums by this artist, bassist Harald JohnsenFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. Together they perform ten pieces, six of which are original compositions by Kongshaug and four are standards. If anybody is wondering if this is the same Jan Erik Kongshaug who is the legendary sound engineer and owner of the Rainbow Studio in Oslo, the answer is yes it is. Jan Erik Kongshaug gave me this album himself when I visited him in his studio and even autographed it, as you can see on the scan of the album´s cover. The album´s title might hint to the guitar playing as being the other world of his illustrious career in sound engineering. The music is beautiful mainstream Jazz, based on superb melodic themes and executed perfectly by the participants and of course fabulously recorded as well. The three young lions, which played and recorded together as a piano trio before this recording, are perfectly synced and balanced together, and play classic Jazz patterns as if they have been doing it for decades. Kongshaug´s guitar will probably surprise many listeners, as it is as professional and inspired as they come, somewhat reminiscent of Barney KesselFind albums by this artist. The most important characteristic of this recording is the elegance and the atmosphere of comradeship between the musicians. This is music made with love and respect, shunning ego and competition, while and simply having fun while doing it. Lovers of classic Jazz guitar playing should have a lot of fun with this album, especially since it avoids all form of flashy guitar pyrotechnics and simply does what is right at every moment, supported by a dream-team rhythm section. Kongshaug´s extremely busy schedule allowed so far for only one more recording session with the same lineup five years later, a review of which will follow shortly.

Updated: 01/11/2016Posted: 01/11/2016

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JOACHIM KUHN TRIO ~ KALIMBA ACT 9456 (Barcode: 614427945624) ~ GERMANY ~ Jazz-World Fusion Recorded: 2006 Released: 2007 This is the debut album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan vocalist and oud / Guembri Master Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist. Kuhn and Bekkas met three years prior to the recording of this album and their immediate friendship proved to be lasting, producing this and several follow up albums. The album presents ten original compositions: four by Kuhn, three by Bekkas and three co-composed. Combining seemingly unbridgeable Cultural origins, from Avant-Garde European Jazz, via African desert music, Middle Eastern, Flamenco and Indian rhythms and back to Improvised Music, the music made by the trio manages to ignore these imaginary chasms, proving that music is One. The mystique of the human brain and the infinite associations it is able to create, often completely spontaneously, never ceases to amaze. Creating a perfect aesthetic harmony of the musical / Cultural elements collected on this album is a miracle; no less dramatic statement could describe this phenomenon. And yet the music works beautifully, not only on the emotional level, but also on the cerebral / analytical plain, which is absolutely amazing. It is fascinating to hear how deeply the idea of improvisation is embedded in West African and Middle Eastern music, despite the differences of the localized approaches. The actual concept of improvising, sometimes for a seemingly endless period of time, on a basic melodic theme, is completely natural in the region, as it is natural in Jazz. As someone who is surrounded with Middle Eastern Culture at home this music sound perfectly homey to me, but surely it can and in fact does work as well for true music lovers around the world. As all recordings by Kuhn, this is an absolute must to all serious lovers of European Jazz, Avant-Garde, Jazz-World Fusion and sublime music in all its forms. Wholeheartedly recommended!

Updated: 16/07/2020Posted: 16/07/2020

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FRESU / GALLIANO / LUNDGREN ~ MARE NOSTRUM ACT 9466 (Barcode: 614427946621) ~ ITALY ~ Jazz Recorded: 2007 Released: 2007 This is an album recorded by three top European Jazz musicians: Italian trumpeter Paolo FresuFind albums by this artist, French accordionist Richard GallianoFind albums by this artist and Swedish pianist Jan LundgrenFind albums by this artist. Together they perform fifteen pieces, three composed by Fresu, four by Galliano, four by Lundgren and of the remaining four two are standards, one is classical piece arranged by Galliano and one a folk tune arranged by Lundgren. All three musicians are revered Jazz virtuosi and have a long career behind them, but on this album the focus is on melody rather than of improvisation. This album is an extreme example of melodic Jazz, which is not very surprising considering that all three participants are considered very melodic players. The choice of material and the way it is played emphasize the sweetness of the melodies and as such marks the album as an extreme case of "commercial" approach to the genre, which in fact proved itself right by the high number of units this album sold and the recording of a second volume with similar musical spirit. It would be very easy to criticize this album for its populism, sellout or even bad taste, but in fact there is basically nothing wrong with this music. Yes it is sweet and sentimental, but it is superbly executed, elegant in its own way and basically even quite entertaining. It certainly popularized the Jazz idiom and brought the names of these superb musicians to the public eye, which might result in the listeners reaching for others, more ambitious albums recorded by them. Even if the music is too sweet and simplistic for some listeners, it is certainly not vulgar nor does it fall to the level of Smooth Jazz or other elevator music creations mostly made in the US. For us, serious Jazz folk, this is a kind of album we give to our Jazz-deaf friends for birthdays and anniversaries, hoping they would come back asking questions and looking for advice.

Updated: 14/08/2016Posted: 14/08/2016

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JOACHIM KUHN TRIO ~ OUT OF THE DESERT ACT 9475 (Barcode: 614427947529) ~ GERMANY ~ Jazz-World Fusion Recorded: 2008 Released: 2009 This is the second album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan vocalist and oud / Guembri Master Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist, this time recorded in Rabat, Morocco and featuring guest Gnawa and Benin musicians. The album presents six original compositions, three each by Kuhn and Bekkas, but the music is largely spontaneously improvised. The music is a brilliant example of cross-Culture / cross-genre pollination, creating Jazz-World Fusion at its best. Kuhn´s openness to a wide range of musical influences during his long and fruitful career, which explored diverse musical genres combined with his Avant-Garde approach, as well as his prolific recorded legacy, is a glorious portrayal of the European Jazz idiom. His fascination with African / Middle Eastern music is not surprising and his affinity and ability to channel his musical ideas into that specific direction is an absolute marvel. It is fascinating to hear how deeply the idea of improvisation is embedded in West African and Middle Eastern music, despite the differences of the localized approaches. The actual concept of improvising, sometimes for a seemingly endless period of time, on a basic melodic theme, is completely natural in the region, as it is natural in Jazz. It is highly recommended to compare this album to the "Out Of The Desert LiveFind albums with this title" album recorded a couple of years later, which combines the trio with the hr-BigbandFind albums by this artist, which will emphasize both the differences and the similarities between this unique project and its expansion into the Jazz idiom, which can be truly educational. Of course all other recordings by this trio are equally fascinating. As all recordings by Kuhn, this is an absolute must to all serious lovers of European Jazz, Avant-Garde, Jazz-World Fusion and sublime music in all its forms. Wholeheartedly recommended!

Updated: 14/07/2020Posted: 14/07/2020

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PAWEL KACZMARCZYK / AUDIOFEELING BAND ~ COMPLEXITY IN SIMPLICITY ACT 9484 (Barcode: 614427948427) ~ POLAND ~ Jazz Recorded: 2009 Released: 2009 This is the first international release by Polish pianist / composer / arranger Pawel KaczmarczykFind albums by this artist and his Audiofeeling BandFind albums by this artist. Hailed since several years as Poland´s most promising young Jazz musician, Kaczmarczyk is a typical representative of the third generation of his country´s post-WWII Jazz scene. Whereas the previous generations were largely consumed with political and sociological issues, fighting for the rightful recognition of Jazz music becoming a part of their country´s cultural identity as well as for their personal freedom of expression and life´s harsh realities under the Socialist regime, the new generation is free to concentrate just on making music, free from being concerned by such heavyweight concerns. It´s therefore fascinating to compare the new generation´s music with that made by their predecessors, forefathers of Polish Jazz. One might consider the obvious cliché about Art being most productive at times of great personal frustration, mishap and anguish, but honestly anybody truly familiar with Art knows that serenity and well being can be as much productive and usually more so. This music is definitely serene; there are no tragic howls and expressions of a tormented soul, as those almost omnipresent in early Polish Jazz. This is "triple-e" music: elegant, eloquent and elitist, and above all European. Kaczmarczyk the composer displays here a level of musical maturity, which is quite astounding, way above what one might expect from such a young person. But we all know that time seems to flow faster these days, so this, combined with his extraordinary talent, will have to suffice as the explanation. Considering the diversity, both stylistically and harmonically, displayed by the compositions included on this album (he composed nine of the eleven tunes on this album, which also includes one collective composition and one pop song by Elton JohnFind albums by this artist and arranged them all), one can safely assume that Kaczmarczyk is destined to become a major Jazz composer. The performances are no less stellar than the compositions. The collective ensemble performing on this album lists twelve musicians, who perform in various lineups ranging from a trio to a septet. They include some of the best young Jazz musicians on the contemporary Polish scene, all highly skilled and sensitive players doing an outstanding job. The emphasis on this album is on ensemble playing rather than on showcasing soloist and even the leader rarely plays in the forefront, except for the short, but beautifully sensitive redemption of Elton´s "Blue Eyes", which has all the characteristics of a Jazz standard anyway. Listening to this album can be compared to eating a multilayered cake – each new layer (track) bursts with new flavors and delights, and finally when the whole cake is consumed it leaves a wonderful aftertaste in one´s mouth for a very long time, the memory of which lasts even longer. This is brilliant stuff and a must to all serious Jazz connoisseurs, wherever they might be.

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WLADYSLAW SENDECKI ~ SOLO PIANO AT SCHLOSS ELMAU ACT 9485 (Barcode: 614427948526) ~ POLAND ~ Jazz Recorded: 2010 Released: 2010 This is a wonderful live recording of a solo piano concert by my friend, the great Polish pianist Wladyslaw SendeckiFind albums by this artist. Sendecki, now living in Germany, is active in various settings in addition to his piano chair with the excellent NDR Big BandFind albums by this artist, probably the best European Big Band at the moment. This solo piano recording follows his previous solo piano album recorded three years earlier and is as beautiful. He plays mostly self-composed material and his incredible virtuosity and sensitivity as a player are truly overwhelming. An absolute must to all piano lovers!

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JOACHIM KUHN TRIO ~ CHALABA ACT 9502 (Barcode: 614427950222) ~ GERMANY ~ Jazz-World Fusion Recorded: 2010 Released: 2011 This is the third album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan Guembri (Arabic acoustic bass) and oud player / vocalist Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist. Expanding the realms of Jazz and turning it into Jazz-World Fusion is the essence of these meetings and the musicians involved are all Masters of their trade, playing together not because it is fashionable to do so, but because they feel a deep personal bonding of musical spirits. The music combines Free Jazz with Middle-Eastern music, which are not that far away from each other anyway, in a new and fresh way, creating a whole which is better than its parts. Masterly played, brilliantly recorded and full of unexpected turns and twists, this is a music one can listen to again and again, always discovering something fresh and new. Wholeheartedly recommended!

Updated: 16/07/2020Posted:

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LESZEK MOZDZER ~ KOMEDA ACT 9516 (Barcode: 614427951625) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 Polish pianist / composer Leszek MozdzerFind albums by this artist enjoys a superstar status in his country and his albums are listened to not only by the hardcore Jazz enthusiasts, but by a wide music-loving audience, which otherwise avoids listening to Jazz recordings. Mozdzer keeps changing his stylistic and aesthetic approach to music in general and Jazz in particular, expanding the boundaries of the genre, often quite dramatically, with excursions into ambient, neo-romanticism and new age, which of course results in much broader circles of potential listeners. But in spite of his chameleonic nature, his abilities as a piano player are beyond reproach: he is a virtuosic and exceptional player in every sense. The instrument seems to surrender itself completely to him and his hands on the keyboard often make an impression of belonging to a superhuman four-armed Shiva. This album finds Mozdzer interpreting the music of another Polish Jazz Legend, pianist / composer Krzysztof KomedaFind albums by this artist. He performs eight of the better known Komeda´s compositions, alone at the piano, which for him is a well-proven setting. He successfully repeats his dazzling achievements, with deeply personal rendition of Komeda´s legacy, which surely will again find many enthusiastic listeners and overall acclaim. However, as much as I like Mozdzer as a musician and this album as a showcase of superb solo performance, I must admit that his interpretation of Komeda´s music is in my opinion completely misguided. As far as I understand Komeda and his work, it is all about essence and spirit, almost minimalistic in nature, allowing for the intellectual interpretation to fill the gaps and build upon the skeletal outlines. Traditionally, Polish Jazz musicians interpreting Komeda, tried to stick to the basics, for what they were: pure essence, with Komeda´s cohort Tomasz StankoFind albums by this artist leading the way as prominently evident in his recordings of Komeda´s music. Mozdzer almost completely covers up Komeda´s brilliant simplicity by dressing the music with layer upon layer of musical adornments and trinkets, which overwhelm the listener, but suffocate the essence. But again, that is only my opinion, which I´m sure will be quite different from what most people think. All things considered, this is still a grand solo piano album!

Updated: 01/12/2021Posted:

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JOACHIM KUHN TRIO / HR-BIGBAND ~ OUT OF THE DESERT LIVE ACT 9521 (Barcode: 614427952127) ~ GERMANY ~ Jazz-World Fusion Recorded: 2010 Released: 2011 This is the fourth album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan vocalist and oud / Guembri Master Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist, accompanied by the hr-BigbandFind albums by this artist (Frankfurt Radio Big Band) and recorded live at the 2010 JazzFest Berlin. It is a continuation of the "Out Of The DesertFind albums with this title" studio album recorded by the same trio in Morocco a couple of years earlier, but offers seven new compositions, six by Kuhn and one by Bekkas. Kuhn also arranged the music to include the wonderful hr-Bigband conducted by Ed PartykaFind albums by this artist. The music is a brilliant example of Jazz-World Fusion at its best. Kuhn´s openness to a wide range of musical influences during his long and fruitful career, which explored diverse musical genres combined with his Avant-Garde approach and the prolific recorded legacy is a glorious portrayal of the European Jazz idiom. His fascination with African / Middle Eastern music is not surprising and his affinity and ability to channel his musical ideas into that specific direction is an absolute marvel. Kuhn and his cohorts play superbly, as expected, and the Big Band arrangements manage to add a new dimension and incredible power to the music, creating one of the most colorful and profound statements of this kind. It is highly recommended to compare this album to the other recordings by this trio, which will emphasize both the differences and the similarities between this unique project and the source it originates from, which can be truly educational. The fascination with the African dessert music is of course share by many European musicians since the 1960s, including Rock stars like Brian JonesFind albums by this artist. Of course, as all recordings by Kuhn, this is an absolute must to all serious lovers of European Jazz, Avant-Garde, Jazz-World Fusion and sublime music in all its forms. Go get it as every day of your life before you heard this album was missing something…

Updated: 18/07/2020Posted: 10/07/2020

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ADAM BALDYCH / BALTIC GANG ~ IMAGINARY ROOM ACT 9532 (Barcode: 614427953223) ~ POLAND ~ Jazz Recorded: 2012 Released: 2012 This is the first international release by Polish Jazz violinist / composer Adam BaldychFind albums by this artist. Recorded in Berlin, it features Baldych in a sextet / septet setting with some of the best Scandinavian musicians (hence the Baltic GangFind albums by this artist): trumpeter Verneri PohjolaFind albums by this artist (Finland), saxophonist Marius NesetFind albums by this artist (Norway), trombonist Nils LandgrenFind albums by this artist (Sweden) who plays on two tracks and co-produced the album, pianist Jacob KarlzonFind albums by this artist (Sweden), bassist Lars DanielssonFind albums by this artist (Sweden), and drummer Morten LundFind albums by this artist (Denmark). Baldych composed ten of the album´s twelve tunes and co-composed the remaining two (one with Karlzon and the other with Danielsson). The album was released on the German ACTFind albums on this label label, which already features several Polish Jazz artists on its recording artist roster. Baldych, just 26 years old at the time this music was recorded, has already a most impressive list of achievements behind him and is often referred to as the new hope of Polish Jazz violin, which has a remarkable tradition indeed, with such outstanding masters as Michal UrbaniakFind albums by this artist, Zbigniew SeifertFind albums by this artist and Krzesimir DebskiFind albums by this artist. With this album Baldych certainly earned his final seal of approval, joining the distinguished club of his predecessors. The music included on this album is a major step in the development of Baldych as a composer. There is a definite style and a personal signature on all the tunes, which share a remarkable tendency towards melancholy, romanticism and deep lyricism. Most of the music is delicate, low key and slow tempo, with long and winding melody lines, a manner quite typical to the great Polish composers, both Classical and Jazz. The presence of the Scandinavian musicians, who are also known for their specific tone, might have influenced the overall sound and atmosphere of the album, but that would be only marginal. Considering also the fact that the tracks are relatively short and the arrangements do not allow expanded improvisations, it is obvious that the focus of this album is the music (compositions) rather that the performances. The performances are, of course, stellar, which is not surprising considering the level of the musicians involved. Baldych plays superbly, as expected, but much less flashy and extrovert than on his earlier recordings. It is obvious that he reached a mental maturity, which turns him into a total musician, who does not need to prove his ability to the world, but to present a complete musical work of art, which includes composition, arrangement, performance and ambience as a whole. There are plenty of superb musical moments on this album, which of course will be revealed and discovered with repeated listening sessions. The album is definitely one of the finest recent Polish Jazz recordings and will become part of the Polish Jazz canon for years to come. Baldych, who is just making his first international steps, is destined for glory, which hopefully will be achieved gradually. In the meantime this music is his gift to us, to be enjoyed to the fullest. Chapeau!

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JOACHIM KUHN TRIO ~ VOODOO SENSE ACT 9555 (Barcode: 614427955524) ~ GERMANY ~ Jazz-World Fusion Recorded: 2011 - 2012 Released: 2013 This is the fifth album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan vocalist and oud / Guembri Master Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist, this time recorded with invited guests: legendary American saxophonist Archie SheppFind albums by this artist and World Music musicians from Morocco including percussionist Kouassi Bessan JosephFind albums by this artist. The album presents six pieces, three of which are original compositions by Kuhn, one by Joseph, one co-composed by Joseph and Kuhn and finally the "Kulu Se Mama" by Juno LewisFind albums by this artist, made immortal by John ColtraneFind albums by this artist. The music is a brilliant example of Jazz-World Fusion at its best. Kuhn´s openness to a wide range of musical influences during his long and fruitful career, which explored diverse musical genres combined with his Avant-Garde approach and the prolific recorded legacy is a glorious portrayal of the European Jazz idiom. His fascination with African / Middle Eastern music is not surprising and his affinity and ability to channel his musical ideas into that specific direction is an absolute marvel. The music is a direct and logical continuation of the stylistic platform the trio managed to create, combining European Avant-Garde Jazz with African and Middle Eastern musical tradition. The presence of Shepp, who plays on three tracks only, strengthens the Jazz element slightly as compared to the earlier recordings by the trio, but has little overall effect on the character of the music. Nevertheless his contributions are perfectly suited to the music and show him to be in full strength despite his advanced age. Of course, as all recordings by Kuhn, this is an absolute must to all serious lovers of European Jazz, Avant-Garde, Jazz-World Fusion and sublime music in all its forms, and as always is wholeheartedly recommended!

Updated: 09/09/2020Posted: 09/09/2020

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ADAM BALDYCH & HELGE LIEN TRIO ~ BRIDGES ACT 9591 (Barcode: 614427959126) ~ POLAND ~ Jazz Recorded: 2015 Released: 2015 This is the third album for the prestigious German ACTFind albums on this label label by Polish Jazz violinist / composer Adam BaldychFind albums by this artist, clearly the most significant representative of the Polish Jazz violin school active today. Contrary to most Jazz musicians, Baldych obviously prefers to create ad hoc associations with various musicians rather than lead his own band, which in his case seems to be the ideal solution in order to fully communicate his enormous versatility. This time he cooperates with the Norwegian piano trio, led by pianist Helge LienFind albums by this artist, which also includes bassist Frode BergFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. The album´s eleven tracks consist of nine original compositions by Baldych and one piece co-composed by Baldych and Lien and additionally an arrangement of a pop tune. Two of the compositions were arranged by Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist. Similarly to his previous album recorded with the Israeli pianist Yaron Herman, the atmosphere and actual material on this album is only marginally Jazzy and covers mostly other music areas like contemporary Classical and World Music. The music is very spacey, intimate and minimalistic in form, based on beautiful melodic themes, which Baldych masterly creates seemingly from thin air. The influence of the Polish Folklore is very significant in Baldych´s playing on this album, more than on any of his earlier recordings and some of the songs sound like famous Polish Folklore dances. Of course this might have happened somewhat subconsciously, but considering Baldych´s sophistication and perfectionism that is quite unlikely. Personally I find the team work on this album a bit limited, certainly in comparison of Baldych´s earlier work. Although the Norwegian trio has an excellent record behind it, their role on this album is almost entirely concerned with accompaniment with very few moments of true group improvisation and interplay. This might have been a conscious decision on the part of Baldych or simply worked out this way, but the result definitely puts the trio on a second plane, with the rhythm section almost never leaving the shadows. Of course the trio does a great job playing alongside Baldych, but personally I miss the electricity in the air which could have uplifted this album to another level. Overall this is a beautiful piece of music, skillfully executed, which should make every fan of violin perfectly happy. Jazz purists might find this a bit too sweet, smooth and melancholic, but to be fair Baldych simply has no competition neither in his own country nor anywhere else at the moment, so he is setting the mark. Baldych will surely come up with a new surprise pretty soon, being always full of ideas and abilities, and his work is always a source of joy and aesthetic pleasure.

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PHILIP CATHERINE ~ THE STRING PROJECT – LIVE IN BRUSSELS ACT 9594 (Barcode: 614427959423) ~ BELGIUM ~ Jazz-Classical Fusion Recorded: 2015 Released: 2015 This is a live recording by Belgian Jazz guitarist Philip CatherineFind albums by this artist with his ensemble comprising of pianist Nicola AndrioliFind albums by this artist, guitarist / bass guitarist Nicolas FiszmanFind albums by this artist, bassist Philippe AertsFind albums by this artist and drummer Hans Van OosterhoutFind albums by this artist, and the Orchestre Royal de Chambre de WallonieFind albums by this artist, conducted by Frank BraleyFind albums by this artist. The album presents twelve pieces, eleven of which are original compositions by Catherine and one is by the French composer Jean-Claude PetitFind albums by this artist. Catherine, who has been one of my favorite guitar Maestros since many decades, decided to perform some of his compositions arranged for a large string orchestra, inviting some of his colleagues from the Jazz and Classical Music fields to write string arrangements for these compositions. The resulting music is a brilliant marriage of Jazz and Classical Music idioms, which is one of the finest of its kind. Catherine´s compositions were always characterized by profound lyricism and reflected his European Classical Music roots, even when presented in a strict Jazz environment. Therefore this project is a completely natural and aesthetically harmonizing idea, which is executed here with perfection and delicate flair. Each of these pieces tells a complete musical story and showcases Catharine´s superb virtuosity, which combines shades of Gypsy Jazz, contemporary European Jazz and even Fusion, all the above visited and conquered during his impressive career. Overall this is a perfect piece of Jazz-Classical Fusion, which should delight all music connoisseurs, guitar enthusiasts and guitar Jazz fanatics. It is an absolute marvel from start to finish!

Updated: 05/09/2020Posted: 05/09/2020

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KUHN & KRUGLOV ~ MOSCOW ACT 9623 (Barcode: 614427962324) ~ GERMANY ~ Avant-Garde Jazz Recorded: 2012 Released: 2014 This is a beautiful album by the duo comprising of German pianist / composer Joachim KuhnFind albums by this artist and the Russian saxophonist Alexey KruglovFind albums by this artist, released as part of the "Duo Art" series by the German ACTFind albums on this label label, which cultivates the "Art of the Duo" Jazz tradition. The unplanned recording which spontaneously followed Kuhn´s concert in Moscow, where he was joined by Kruglov for a few numbers, was recorded next day "live in the studio" with almost all of the music captured at first take. The album presents eight compositions, three each by Kuhn and Kruglov and two by Ornette ColemanFind albums by this artist. The music was spectacularly recorded at the Moscow Radio and offers a breathtaking sound quality. Although separated by a generation gap, Kuhn (born 1944) and Kruglov (born 1979) were able to bridge everything that separated them and become a one-body musical unit, as if they performed together for ages, despite the fact that this was their first meeting. The telepathic conversation between them is truly unprecedented and results in a storming emotional experience, expressed within the music they make together. There is a wonderful balance and rapport within the duo and the two musicians compliment each other perfectly. Whenever Kuhn explores Free Form vistas Kruglov support him playing relatively traditionally and vice versa, and sometimes they both spontaneously improvise together, only to return to the melody at the same precise moment. This meeting was obviously a rare occasion, and the fact this music was captured is a miracle, which of course in not such a rare situation in Jazz, which is after all the Art of the unexpected. Overall this is one of the must spectacular "Art of the Duo" encounters and is a classic example of the idiom, as well as an incredible listening experience, which no true Jazz connoisseur should miss. Absolutely essential!

Updated: 25/09/2020Posted: 10/09/2020

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ADAM BALDYCH & YARON HERMAN ~ THE NEW TRADITION ACT 9626 (Barcode: 614427962621) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by Polish / Israeli duo comprising of violinist Adam BaldychFind albums by this artist and pianist Yaron HermanFind albums by this artist. The album presents nine tracks, five of which were composed by Baldych, two are Classical pieces and the remaining two are Polish Jazz standards. Baldych arranged all the music, except for the closing piece which was co-arranged by him and Herman. It is pretty clear from the very onset of the album that this music is only marginally Jazzy and the intention is to take a few steps back and examine the sources of contemporary music, regardless of their stylistic origins. Both players follow a rather minor and minimalistic approach, stating the melodies and improvising delicately and non-aggressively. One can interpret the album´s title in many ways of course; personally I believe that music fuses all its elements developed over time in a continuous process, and therefore "The New TraditionFind albums with this title" is simply an amalgam of all the traditions that existed beforehand, as this music clearly demonstrates to be possible. Tradition simply re-invents itself inside every Artist anew. Since all the original music on this album was composed by Baldych, he points out the musical direction of this album and therefore the tradition in this case involves his sources: European Classical music, Polish Folklore and of course Polish Jazz. Baldych pays tribute to the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist as well as the great Polish Jazz violinist Zbigniew SeifertFind albums by this artist. Thanks to the great musicality of Herman, he plays along splendidly, not only on the obvious sonic level, but way beyond proving to be a "twin spirit" in every way. Of course we have two great virtuosi players here, so the individual performances are also important, but the musicians clearly try to avoid flashy exhibitionism, sticking to the "less is more" approach at all times. This is no doubt "pretty" music, but it manages not to cross over to the kitschy domain, which always looms in the background of all Jazz-Classical Fusion projects. As usual it is all a matter of personal integrity of the musicians involved. This album should be easily accessible to quite a wide audience, as most Classical music lovers should find it appealing no less than the Jazz buffs. In any case this is music for connoisseurs and those few, who still listen to music seriously and passionately. Our Culture might be in a retreat, but as long as we have people like Adam & Yaron making music, not all is lost.

Updated: 01/03/2019Posted:

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JOACHIM KUHN / MATEUSZ SMOCZYNSKI ~ SPEAKING SOUND ACT 9630 (Barcode: 614427963024) ~ GERMANY ~ Jazz-Classical Fusion Recorded: 2019 Released: 2020 This is another wonderful duo album by German pianist / composer Joachim KuhnFind albums by this artist this time which brilliant young Polish violinist Mateusz SmoczynskiFind albums by this artist. The album was released as part of the "Duo Art" series by the German ACTFind albums on this label label, which cultivates the "Art of the Duo" Jazz tradition. The album presents nine pieces, five of which were composed by Kuhn, one co-composed by him and Smoczynski, one is an adaptation of Classical composition by George GurdjieffFind albums by this artist, one by French accordionist / composer Vincent PeiraniFind albums by this artist and finally one by Rabih Abou-KhalilFind albums by this artist. The music makes it immediately apparent that although obviously improvised, it is first and foremost chamber in character and heavily laden with Classical Music influences. The emerging Jazz-Classical Fusion is one of the finest examples of the idiom, completely unique and aesthetically innovative. Although followers of Smoczynski´s career will not be surprised by this deep relationship with Classical Music, for Kuhn´s followers this is indeed a great surprise, as his ties with Avant-Garde / Improvised Music are way more "natural" that those with Classical Music exposed on this album. Surprisingly Kuhn´s chameleonic ability to fit in every situation works here as well and one might be easily fooled into thinking that he is a veteran Classical pianist, which by the way is exactly what his career was supposed to be in his early days before he discovered Jazz. The age difference between Kuhn (born 1944) and Smoczynski (born 1984) is similarly completely insignificant as well, and both players perform in perfect musical and spiritual unity, as expected from such distinguished Artists. They both toy lovingly with the compositions, taking them often quite far-off from their origins at times and staying close to the notes on other occasions. Kuhn sprinkles the proceedings with brilliant but brief Free Jazz arpeggios, and Smoczynski inserts some Polish Folklore fragments, which makes the music a great fun to listen to. But as usual in the intimate duo setting, the music is first and foremost about the dialogue these two Artists are able to create while performing. As someone who happens to know them both in person, the magic that does take place here is completely natural, as they are both as sweet and loving as they sound. The wonderful photograph included on the album´s artwork says it all – Mateusz is looking with obvious respect and admiration at the Master and Joachim smiles kindly in return, like a grandfather proud of his grandchild. As I have stated so many times, the duo is the ideal musical unit; it is the minimal environment which produces interplay and telepathic communication between the musicians, which is the essence of collective performance. On the other hands it is free of the limitations imposed by performing in a larger environment, which a priori limit the level of the intimacy. This album is such a beautiful expression of the power of a duo that I can hardly think of a better one. I have been lucky to follow closely the career of Mateusz Smoczynski since his early steps on the musical scene and feel a great pride in his success. Obviously seeing Joachim Kuhn, who has been a part of the Soundtrack Of My Life since forever, being active and productive today is a no lesser joy. Bless you both for this sublime music!

Updated: 25/09/2020Posted: 25/09/2020

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JOACHIM KUHN ~ ALLEGRO VIVACE ACT 9750 (Barcode: 614427975027) ~ GERMANY ~ Jazz Recorded: 2003 Released: 2005 This is a solo piano album by veteran German Jazz pianist / composer Joachim KuhnFind albums by this artist, one of the great pioneers of modern European Jazz and one of my favorite musicians since decades. On the album Kuhn plays his interpretations of Classical music by Francois CouperinFind albums by this artist, Johann Sebastian BachFind albums by this artist and Wolfgang Amadeus MozartFind albums by this artist, classic Jazz music by John ColtraneFind albums by this artist and Ornette ColemanFind albums by this artist and finally his original compositions, all with the same passion and unique approach to the instrument. The music was recorded during one studio session and offers a superb sound quality. For many of Kuhn´s fans this album might come as a surprise, as it presents him in one of his calmest and most introvert moments of his career, gently stroking the keyboard, as if hesitating before making his next move, in complete contrast to the usual energetic and almost hyperactive self. As the result of this unique approach the listener is exposed to the contemplative side of Joachim Kuhn, which is a revelation. Obviously Kuhn treats the Classical pieces with a dose of liberty and perspective, which turns out to be way more interesting than a note for note treatment, which would only prove his technical ability to play Classical scores, rather than his ability to understand and feel the music, turning it into his very own on the fly. There is certain amount of frivolity and humor involved of course, which is truly a great fun. His treatment of the Jazz pieces are much closer to what Kuhn is know for, but of course his enormous sensitivity turns that music into a fountain of emotions sprinkling European Jazz aesthetics. Kuhn transforms the Jazz tunes into wonderful mini piano suites, which are superb examples of his ability to cross genres with ease and elegance. Obviously the last part of the album, where Kuhn plays his own music, is the absolute pinnacle, as nothing is better than Kuhn playing Kuhn. Limited only by his own imagination Kuhn stretches out his wings and soars to the sky lifted by his pieces. His virtuosity and improvisational powers come to full bloom here and the concentration of energy and emotion are truly electrifying. Overall this is a beautiful solo piano album, which all connoisseurs of this particular genre should try and get a copy of, and of course cherish. Although Kuhn is a very prolific artist, this is definitely one of his most intriguing recordings and as such is highly recommended.

Updated: 13/11/2016Posted: 13/11/2016

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GEORGE GRUNTZ ~ RINGING THE LUMINATOR ACT 9751 (Barcode: 614427975126) ~ SWITZERLAND ~ Jazz Recorded: 2004 Released: 2005 Although active on the scene for decades, this is the first solo piano album by the great Swiss Jazz pianist / composer / bandleader George GruntzFind albums by this artist. Although primarily know for his work with Big Bands / Orchestras, Gruntz was always first and foremost a piano player, and this album presents him in the most intimate situation possible for a pianist, also with his instrument. The album consists of fifteen tracks, three of which are parts of a three part suite that opens the album and gives it its title and two are two takes of the same tune. Overall the album presents four original compositions (including the suite) and the rest are pieces composed by his favorite composers. The music was recorded at a Zurich church and the sound quality is sensational. The diverse music presents a picture of a mature, complete Artist, with immaculate technique and perfect taste, who controls the instrument as it was an extension of his body. The typical European elegance and sophistication is omnipresent, regardless of the actual piece being played and its original composer´s origin. In contrast to many solo piano albums, which often are quite difficult to swallow simply for the lack of diversity, this album jumps with energy and jubilation, swapping the listen off his feet completely, while jumping stylistically all over the Jazz spectrum with ease and complete nonchalance. In retrospect this is a classic solo piano album, which is simple ageless from day one. In spite of its complexity and incredible erudition, it is completely accessible to a wide audience, even to non-Jazz oriented connoisseurs. In short this is a gem of an album, which should be a part of every respectable Jazz record collection.

Updated: 27/09/2016Posted: 27/09/2016

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JOACHIM KUHN / MICHAEL WOLLNY ~ LIVE AT SCHLOSS ELMAU ACT 9758 (Barcode: 614427975829) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 2008 Released: 2009 This is an album by German Jazz piano duo comprising of Joachim KuhnFind albums by this artist (born 1944) and Michael WollnyFind albums by this artist (born 1978). The album presents six tracks, two each composed by Kuhn and Wollny, one co-composed by them and one an interpretation of a Classical composition. Four tracks are piano duos and one each is a piano solo by Kuhn or Wollny. Despite the generation gap and stylistic differences between these two musicians, they manage to communicate and cooperate remarkably well, creating a series of Improvised Music vistas, which are as cross-genre as humanly possible. Although based on pre-composed motifs, the music is totally a spur of the moment creation, and yet manages to sound completely coherent and even melodic to some extent. This is a somewhat extreme example of the “Art of the Duo”, waiting to be appreciated. For listeners familiar with Kuhn’s long and illustrious career, such open-mindedness and virtuosic piano playing is nothing new, but at the time this album was recorded Wollny’s career was just taking off and sharing the stage with a legendary figure like Kuhn must have been challenging. Without a doubt he stood up to the challenge without a hitch. For me the highlight of the album is Kuhn’s solo interpretation of Johann Sebastian BachFind albums by this artist’s “Chaconne”, which lasts for over thirteen minutes – an absolute treasure! Overall, this is a very interesting musical meeting, and for piano lovers especially a truly delightful exploration. Although the music is almost completely improvised, it magically makes perfect sense. For more experienced listeners the comparison between the two Artists is especially fascinating. Perhaps not suitable for a wide range of listeners, but those who are up to a challenge, a true delight!

Updated: 26/08/2024Posted: 26/08/2024

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JOACHIM KUHN ~ MELODIC ORNETTE COLEMAN ACT 9763 (Barcode: 614427976321) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 2018 Released: 2019 This is a solo piano album by German Jazz pianist / composer Joachim KuhnFind albums by this artist performing music by the iconic American Jazz figure Ornette ColemanFind albums by this artist. The album presents fourteen compositions, all but one by Coleman, and one original by Kuhn, dedicated to Coleman. On the liner notes of the album Kuhn explains the circumstances as follows: "Between 1995 and 2000 I was able to play sixteen concerts with Ornette. Before each concert he would write ten new pieces that we would work out and record during an entire week at his Harmolodic studio in Harlem, New York. Since he wanted me to contribute the chords (sounds) for his melodies, I was directly in the composition process. Once the concert was over, the songs would never be played again." Twenty years later Kuhn selected thirteen out of a hundred and seventy pieces that were created in the manner described above, and recorded them for piano solo, adding his own tribute to Coleman as a conclusion. Only one of these songs was released on record earlier, therefore this album presents a significant amount of previously unreleased music by Coleman. Although Kuhn modestly concealed his part in creating all these compositions (they are all credited to Coleman), his contribution to this music is of course invaluable, as can be experienced by listening to the music herein. It should be noted that Coleman always treated European Jazz musicians with respect and on equal footing, in contrast to many of his American colleagues. Kuhn´s performances are of course exquisite, as always, and his status as a European Jazz icon remains fully warranted by each and every album he ever recorded, this one included of course. Coleman´s many followers and of course European Jazz lovers should be able to enjoy this album without reservation, not only for its significance in Jazz history but first and foremost for the intrinsic beauty of the music it contains. A wonderful gem!

Updated: 09/01/2021Posted: 09/01/2021

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JOACHIM KUHN NEW TRIO ~ BEAUTY & TRUTH ACT 9816 (Barcode: 614427981622) ~ GERMANY ~ Jazz Recorded: 2015 Released: 2016 This is the debut album by German pianist / composer Joachim KuhnFind albums by this artist and his new trio with Canadian (resident in Paris) bassist Chris JenningsFind albums by this artist (born 1978) and German drummer Eric SchaeferFind albums by this artist (born 1976), which continues the classic Jazz trio setting Kuhn shared for over three decades with French bassist Jean-Francois Jenny-ClarkFind albums by this artist and drummer Daniel HumairFind albums by this artist. The album presents twelve relatively short pieces, four of which are original compositions by Kuhn, five are Jazz standards (two by Polish Jazz composer Krzysztof KomedaFind albums by this artist, see below), two are Rock standards (by The DoorsFind albums by this artist) and one is a contemporary Pop song (by Stand High PatrolFind albums by this artist). The trio featuring musicians separated from the leader (born 1944) by a whole generation and more results in a much invigorated approach to the idiom, which seems to present to him no great challenge at all. During his entire career Kuhn had no problem with cross-style / country / age differences, being one of the most diverse and adaptive European musician of all times. For Jazz piano trio lovers this album is, as expected, an absolute must, since Kuhn´s playing remains one of the most illustrious examples of this High Art, and supported respectfully and amicably by excellent younger, but already highly experienced players, Kuhn is ably to stretch his wings and soar to celestial spheres. As to the "Polish angle", the fact that Kuhn decided to include two compositions by Komeda is not accidental. While still living in East Germany and before moving to West Germany, Kuhn spent several months in 1964 living in Prague and in 1965 living in Warsaw, where he met the top Polish Jazz musicians active at the time. He was present as the studio session that produced Komeda´s iconic "AstigmaticFind albums with this title" album and met Zbigniew NamyslowskiFind albums by this artist, which resulted in the recording of the legendary "Live At Kosmos, BerlinFind albums with this title" album. Kuhn took part in Warsaw´s Jazz Jamboree Festivals in 1964 and 1965. Overall this is a classic Jazz piano trio album, and another superb addition to the wonderful recording legacy of the Great European Jazz Master. Highly recommended!

Updated: 18/07/2020Posted: 18/07/2020

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ADAM BALDYCH & HELGE LIEN TRIO ~ BROTHERS ACT 9817 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2017 This is the second album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist recorded with the Norwegian piano trio led by pianist Helge LienFind albums by this artist, with bassist Frode BergFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. They are joined by Norwegian saxophonist Tore BrunborgFind albums by this artist. The album presents nine pieces, eight of which are original compositions by Baldych and one is a classic standard by Leonard CohenFind albums by this artist. The music presents another step in the coherent development in Baldych´s musical path, which has been taking shape in the last few years, leading him away from "conventional" Jazz idiom into contemporary Neo-Romantic Classical Music. Although the element of improvisation is still very prominent, the melodic themes, mostly deeply lyrical and introvert, touch deeply with the characteristic elements of Polish Classical Music and Polish Folklore, somewhat parallel, or rather in continuation of the great Polish Classical tradition going back to Frederic ChopinFind albums by this artist. Perhaps the reference to Chopin might sound a bit over the top here, but people familiar with Chopin´s music will note how Baldych is skillfully able to pluck the soul´s strings that move the Polish People. The Norwegian musicians playing with Baldych are his soul brothers, providing the ideal companionship needed for this delicate journey. The intrinsic melancholy of the Scandinavian (and especially so Norwegian) music goes ideally hand in hand with the direction Baldych intends to put forward. Of course the fact that they are brilliant and highly intelligent musicians also adds to final result. Together they are able to make this by and large minimalist and introvert music sound complete and highly expressive. Overall this is a mature and focused statement by a great composer and a superb performer, which clearly affirms his status as one of the leading European musicians today. The music requires attentive listening, but for open-minded and music-living listeners it offers layer over layer of wonderful musical journeys into the world of contemporary Classical Music, Folkloristic motifs and Jazzy improvisations, all wrapped up in an elegant, highly aesthetic and moving "package". Well done Maestro!

Updated: 22/07/2017Posted: 22/07/2017

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JOACHIM KUHN NEW TRIO ~ LOVE & PEACE ACT 9861 (Barcode: 614427986122) ~ GERMANY ~ Jazz Recorded: 2017 Released: 2018 This is the second album by German pianist / composer Joachim KuhnFind albums by this artist and his new trio with Canadian (resident in Paris) bassist Chris JenningsFind albums by this artist and German drummer Eric SchaeferFind albums by this artist, which continues the classic Jazz piano trio setting Kuhn shared for over three decades with French bassist Jean-Francois Jenny-ClarkFind albums by this artist and drummer Daniel HumairFind albums by this artist. The album presents eleven relatively short pieces, six of which are original compositions by Kuhn, one each is by Jennings and Schaefer, one is a Jazz standard, one is a Rock standards (by The DoorsFind albums by this artist) and finally one is an arrangement of a Classical piece. Musically this album is an obvious follow up to the debut, continuing the formula of mixing original compositions with up-to-date arrangements of older pieces, concentrating on the more settled, lyrical facet of Jazz without compromising the inquisitive nature of Kuhn´s playing and his approach to improvisation. The trio, featuring musicians separated from the leader by a whole generation and more, results in a much invigorated circumstances as far as Kuhn is concerned, which seems to present to him no great challenge at all. During his entire career Kuhn had no problem with cross-style / country / age differences, being one of the most diverse and adaptive European musician of all times. For Jazz piano trio lovers this album is, as expected, an absolute must, since Kuhn´s playing remains one of the most illustrious examples of this High Art, and supported respectfully and amicably by excellent younger, but already highly experienced players, Kuhn is ably to stretch his wings and soar to celestial spheres. Overall this is a classic Jazz piano trio album, and another superb addition to the wonderful recording legacy of the Great European Jazz Master. Highly recommended!

Updated: 23/07/2020Posted: 23/07/2020

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ADAM BALDYCH ~ SACRUM PROFANUM ACT 9881 (Barcode: 614427988126) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2018 Released: 2019 This is an album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist, recorded in a quartet setting with Polish Jazz musicians: pianist Krzysztof DysFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist. It is the first album recorded by Baldych with Polish musicians released on the prestigious ACTFind albums on this label label, which released several earlier albums by Baldych, recorded with international partners. The album presents ten tracks, five of which are original compositions by Baldych, three are medieval / baroque sacred music pieces arranged by Baldych and Dys, one is an ancient Polish hymn and one is by contemporary, deeply spiritual Tatar-Russian avant-gardist Sofia GubaidulinaFind albums by this artist. The album´s title refers to the "concept" which Baldych wishes to present to the listener, based on the philosophical / religious conflict between the sacred and the profane worlds, in which we, human beings, exist simultaneously. The trivial interpretation of that concept would be of course to consider the five sacred pieces as the Sacrum facet of the music and the original pieces as the Profanum, but the truth is way more complicated than such simplistic approach. Baldych obviously treats Classical Music and Jazz with the same measure of spirituality and his life and musical path so far are a classical example of the rite of passage between the diverse musical idioms, which results in his own compositions being certainly no less spiritual / sacred than those a priori designated as such. The entire musical contents of this album can be therefore considered as an amalgamation of the lofty, spiritual ingredients of music and its earthly embodiment, which we are able to actually hear; the notes, harmonies, pulses and melodies. The overall atmosphere is deeply lyrical and spiritual of course and since Baldych personifies the Polish melancholy more profoundly than most, the resulting music is both deeply Polish as it is Universal. The inclusion of the Gubaidulina piece will hopefully awaken interest in the work of this exceptional composer among new listeners, as it is truly amazing. Although obviously deeply involved in Jazz improvisation, this music should be of interest to a wide audience of music connoisseurs, those from the Jazz side of the spectrum, Classical and Sacred Music enthusiasts and all true lovers of great music. It is, as already stated, completely universal and boundless, and as such able to touch the listeners both spiritually and intellectually. Following Baldych´s musical path over the last decade has been a true revelation. Being blessed by enormous talent and unprecedented skill is often not quite enough to ensure an Artistic triumph, but in his case he is also hard working, disciplined and open minded, which enables him to achieve the two fundamental goals leading to Artistic accomplishment: consistency and constantly coherent course of progression. As a result his international career keeps blossoming and his collective recording précis to date is unblemished. Overall this is an amazing piece of Artistry, splendidly conceived, put together and executed by the finest musicians on the Polish Jazz scene, which should be an essential part of any serious music collection. Absolutely not to be missed!

Updated: 01/03/2019Posted: 01/03/2019

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ADAM BALDYCH ~ POETRY ACT 9939 (Barcode: 614427993922) ~ POLAND ~ Jazz Recorded: 2021 Released: 2021 This is the seventh album on the prestigious German ACTFind albums on this label label by Polish Jazz violinist / composer Adam BaldychFind albums by this artist recorded with his Polish quintet, which comprises of saxophonist Marek KonarskiFind albums by this artist, pianist Krzysztof DysFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Italian Master trumpeter Paolo FresuFind albums by this artist expands the quintet into a sextet. The album presents eleven tracks, ten of which are original compositions by Baldych and one is an arrangement of a song composed by the enigmatic BjorkFind albums by this artist. The music was recorded at the fabulous Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the usual exceptional sound quality. Following a dazzling career, which developed over the last decade, Baldych emerges as a pillar of the Polish Jazz violin tradition, joining the ranks of the Giants of the generations that preceded his era. This album sets also Baldych’s status as a composer, perhaps more clearly and distinctly than any of his earlier recordings. The collection of his compositions on this album presents a remarkable stylistic clarity and coherence, which, at least for me, sound completely his own, with specific characteristics, which are now clearly distinguishable. The music is beautifully melancholic, brilliantly melodic and superbly lyrical, following the Polish musical tradition on every level, from Polish Folklore, Classical Music and of course the Polish Jazz tradition. There is an elegant restrain and easy pace inherent in all the pieces, which perhaps is a result of the fact that Baldych does not need to prove anything anymore, as far as his violin virtuosity is concerned, and creating music is his only concern. Despite the fact that the music offers seemingly unrelated pieces, the album sounds remarkably as one aesthetically logical continuum. Although Baldych is surrounded here by first class instrumentalists, the album offers very limited soloing, except for the violin parts of course and occasionally subdued trumpet or saxophone soli. The fact that Fresu agreed to take part in this project, with his personal profile barely audible, speaks highly of his respect towards the essence of the music. Nevertheless, the contributions of all the participants are absolutely brilliant, as expected. Sonically the most surprising accent is a very unusual sound produced by the drums, which sound completely different to what one expects in the Jazz environment. Overall, as someone who had the honor to write the liner notes for Baldych’s debut album more than ten years ago, I feel a great satisfaction as a result of following his career closely and witnessing its splendid progress. The music offers a deeply spiritual sonic experience of rare quality and the album is wholeheartedly recommended as one of the most significant Polish Jazz outings of 2021.

Updated: 11/11/2021Posted: 11/11/2021

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JOACHIM KUHN NEW TRIO / ATOM STRING QUARTET ~ KOMEDA ACT 9972 (Barcode: 614427997227) ~ GERMANY ~ Jazz-Classical Fusion Recorded: 2022 Released: 2023 This is an album by German Jazz pianist / composer Joachim KuhnFind albums by this artist and his (not so) New Trio with Canadian bassist Chris JenningsFind albums by this artist and drummer Eric SchaeferFind albums by this artist and the Polish Atom String QuartetFind albums by this artist, which comprises of violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and violinist Krzysztof LenczowskiFind albums by this artist. As the title suggests, the album is dedicated to the music of the Godfather of Polish modern Jazz, pianist / composer Krzysztof KomedaFind albums by this artist. The album was recorded live at the Berlin Philharmonic, and presents nine tracks, eight of which are Komeda’s compositions and one is a composition by Joachim Kuhn, dedicated to the memory of his older brother (and my Dear Friend) clarinetist / composer Rolf KuhnFind albums by this artist, who sadly departed almost exactly a year ago. The seeds of this album were planted almost sixty years ago: in December of 1965, the twenty-one years old Joachim Kuhn was invited to take part in the most important East European Jazz festival at the time, the annual Jazz Jamboree in Warsaw, where he performed with his trio. Kuhn, who still lived in East Germany (DDR or GDR) at the time, was considered a prodigy and a rebellious pioneer, playing Free Jazz / Improvised Music, which for some strange combination of political circumstances, was allowed at the epicenter of Eastern Block’s stern Cultural censorship and oppression, similar in many ways to what happened at the time in the neighboring Socialist States, as far as Jazz Music was concerned. In Warsaw, Kuhn met many Polish Jazz musicians, most importantly Krzysztof Komeda, who also performed at the festival with his quintet. Komeda invited Kuhn to attend the recording session for his epic debut album “AstigmaticFind albums with this title”, which was held a couple of days after the quintet’s appearance and recorded at the same Philharmonic Hall. As a result, Kuhn was among the first people to hear the album and even to discuss the music with Komeda shortly after it was recorded. Less than a year later Kuhn would join his older brother in West Germany and later move to Paris and Komeda would leave for Hollywood, where his cinematic career promised to explode, only to be dead, following a tragic accident, by April 1969. Their musical paths never crossed again but, as said earlier, the seeds of this album were planted. The link to the Atom String Quartet, Poland’s most versatile, inventive, prestigious and unique string quartet, is also obvious, following the duo album recorded by Joachim Kuhn and Mateusz Smoczynski in 2019, called “Speaking SoundFind albums with this title”, which evidently planted another seed. I have repeatedly criticized the almost brutal, often opportunistic misuse of Komeda’s music and memory by numerous musicians over the years, which not only did not pay tribute to Komeda’s Genius and revolutionary contribution to European Jazz, but in some cases tarnished it completely. Therefore, it gives me deep pleasure to say that this album beautifully fills all the requirements to serve as an appropriate tribute to Komeda and his legacy. The carefully selected material depicts both the revolutionary aspects of Komeda’s Avant-Garde approach to Jazz, but also reflects his wonderful lyricism and deep Polish melancholy, which are the base of most of Komeda’s cinematic music. The album offers the entire content of “Astigmatic” (three compositions) and the "Roman II" piece as examples, which reflect the former as well as the beautiful ballads from the soundtracks of Roman PolanskiFind albums by this artist’s movies like “Rosemary’s Baby” or “Knife in the Water”, which reflect the latter. The idea of using a string quartet as part of the arrangements of Komeda’s music seemed extremely risky at first, especially being exposed in the past to some horrific attempts in that direction, but upon hearing the result my instinctive reservations melted without a trace. Obviously adding individual string instrument soloing is much more straightforward, but Kuhn’s arrangements skillfully utilize the entire quartet to enhance the dramatic effects of the music. Nevertheless, it takes the extraordinary skills of all four “Atoms” to achieve such a level of fusion, like what can be witnessed herein, which emphasizes their unique capabilities. It seems that Kuhn manages to sound more like Komeda would have liked to sound himself. Komeda’s virtues as a composer and visionary overshadow his role as a piano player and he lacked perhaps the virtuosity and spark as a pianist, which Kuhn certainly has plenty of. As a result, Komeda’s music on this album sounds in many respects more invigorated than ever before, perhaps even elevated to another level by sheer concentration of musical talent and sincerity, which dominates this album. Since I have had the pleasure of hearing every album Kuhn ever recorded, I must say that this album is not only one of his best ever, but also one of his most wholehearted ones. It certainly is a kind of a life circle closure for Kuhn, although I do wish him many more years of successful career and happy life. Overall, this is a monumental recording for the true Jazz enthusiasts and lovers of the genre. Polish Jazz fans will find here an exquisite reminder of their beloved and legendary pioneer, German Jazz fans will discover a little known chapter in Kuhn’s life, which left a significant mark on his future career, European Jazz lovers will find here everything European Jazz stands for: versatility, innovation, pursuit of excellence and aesthetics and true love of all forms of music, and finally for all Jazz lovers, a beacon of true talent, which is eternal and omnipresent. This is an absolutely essential piece of music in every serious music collection!

Updated: 04/08/2023Posted: 04/08/2023

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JULIO RESENDE ~ SONS OF REVOLUTION ACT 9980 (Barcode: 614427998026) ~ PORTUGAL ~ Jazz-World Fusion Recorded: 2023 Released: 2023 This is an album by Portuguese pianist / composer Julio ResendeFind albums by this artist and his Fado JazzFind albums by this artist quartet, which also includes lute-like guitarra portuguesa player Bruno ChavieroFind albums by this artist, bassist Andre RosinhaFind albums by this artist and drummer Alexandre FrazaoFind albums by this artist. Vocalist Salvador SobralFind albums by this artist guests on one track. The album presents eleven tracks, all but one composed or co-composed by Resende and the remaining one arranged by him. The music is strongly immersed in the Portuguese Fado music, with relatively little place left for Jazz improvisation, which makes it ideal for the many Fado connoisseurs, but less so for listeners who expect this to be a Jazzier album than it is in fact. Although Resende is the leader and composer of most of the music, the sound of the guitarra portuguesa dominates the proceedings and leaves the piano somewhat on a second plane, which is probably intentional. Fado is a deeply spiritual / gloomy / melancholic music, which is definitely not for everybody and can be trying to an inexperienced listener. Overall, this is definitely an interesting album for Jazz-World Fusion enthusiasts, especially those who are familiar with Portuguese Fado music, which offers fine performances by the quartet members, but requires patience and open-mindedness to get into.

Updated: 02/11/2023Posted: 02/11/2023

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TUBIS TRIO ~ THE TRUTH CHALLENGE 73445 (Barcode: 608917344523) ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is the second album by Polish Jazz piano trio (Tubis TrioFind albums by this artist) led by pianist / composer Maciej TubisFind albums by this artist, with bassist Pawel PuszczaloFind albums by this artist, who replaced the original bassist Marcin LamchFind albums by this artist, and drummer Przemyslaw PacanFind albums by this artist. The album presents ten original compositions, all by Tubis. The album was recorded at the excellent RecPublica Studios in Poland, and presents a superb sonic quality with a somewhat unusual timbre and was released by the prestigious Dutch ChallengeFind albums on this label Records label. This album follows the debut album "Live In LuxembourgFind albums with this title", which was recorded nine and released seven years earlier, and which achieved some international acclaim. The music is in fact only partly directly connected with the Jazz idiom, and belongs to the modern European instrumental music variety, which is strongly based on deeply melodic themes and lengthy lyrical, somewhat introvert improvisations, which use typical European harmonic approach, creating a manner similar to many other contemporary pianists, who record for the ECMFind albums on this label, ACTFind albums on this label and related labels. In most cases the compositions are slow and melancholic, with just a few of the album´s tracks using an up tempo pace. The music is dominated by the piano parts and the rhythm section has limited opportunity to show off, but supports the leader very solidly and amicably. The bass provides the bottom notes all the way and its pulsations are vital to this music. The drums provide a steady rhythmic support, which suits this music perfectly. The instrumental performances are of course first class from start to finish. Overall this is an excellent example of contemporary instrumental music, which is accessible to a wide audience without making any compromises as far as the music quality is concerned. This Polish trio proves again that Poland is a reliable source of great European music, which is on par with anything being created beyond its borders, usually quite ahead of the pack. This is definitely a welcome comeback, which hopefully will not be followed by another long term of silence.

Updated: 27/06/2018Posted: 11/09/2017

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ADAM BALDYCH & LESZEK MOZDZER ~ PASSACAGLIA IMAGINARY MUSIC 001 (Barcode: 5905817210015) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2023 Released: 2023 This is an album by a two Polish Jazz musicians: violinist / composer Adam BaldychFind albums by this artist and pianist / composer Leszek MozdzerFind albums by this artist. The album presents fifteen relatively short tracks, six composed by Baldych, two composed by Mozdzer, four co-composed by them both and finally three Classical compositions, one by Eric SatieFind albums by this artist, one by Medieval 12th Century composer Hildegard von BingenFind albums by this artist and one by Renaissance 16th Century composer Josquin des PrezFind albums by this artist. I have followed closely the development of Baldych’s career from the very early stage, noticing immediately not only his exceptional talent as a musician, but also his determination and understanding of the investment needed to build an international career, which was quite unique among his Polish peers. He asked of me to write the liner notes for one of his early albums, the “Magical TheatreFind albums with this title” from 2011, which I did with pleasure. This might have led to his acceptance as part of the roster of the German ACTFind albums on this label Records label, a step which boosted his international career tremendously. Baldych released a series of highly successful albums on ACT over the years, but this new release marks the next step in building his career, the establishment of his own record label / publishing company, called Imaginary MusicFind albums on this label, with this album being its debut release, and his Wife’s album “ButterflyFind albums with this title” appropriately released hand in hand. Considering the classy, fashionable design and packaging of these products, he certainly knows what he is doing. Classically trained, Baldych obviously feels close to his sources and knows perfectly well how to incorporate them in his music, which is always characterized by a deeply melodic appeal, with the Jazzy improvisations ideally suited to caress and delicately embellish the melodic core. He uses the beautiful sound of his Renaissance violin, in addition to the usual instrument, to extend the palette and uses plucking extensively, which makes the violin sometimes sound almost like a guitar, and again expanding the sound variety. Baldych always had an incredible talent to compose incredibly touching melodies, which are simply irresistible, and which are often heart-melting even in the case of most hardened opposition. While listening to the album I had often a notion that the music was somewhat out of contemporary time-frame, perhaps something one would expect from a Baroque-period collection of pieces. Although there is plenty if improvisation, it remains so “well-hidden”, almost camouflaged, as if being an integral part of the compositions, rather than their extrapolations. This might be a very clever way to bring listeners nor used to improvisation to listen to this music without any predispositions. Overall, this is a sophisticated cross-over between Jazz-Classical Fusion and almost cinematic contextual music, which offers beautiful melodic themes, richly encrusted in delicate improvisations, which should apply a wide range of listeners, mostly not necessarily Jazz oriented ones. It is a step into a different musical dimension from what used to be Baldych’s modus operandi, but not so radically different than it may appear at first glance. Almost meditative at times, it is surely a magical sound experience.

Updated: 28/03/2024Posted: 28/03/2024

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LOPEZ & KADZIELA ~ AUGMENTATION JAZZ ACTIVIST 05 (Barcode: 8428353600524) ~ SPAIN ~ Jazz Recorded: 2016 Released: 2017 This is the debut album by the young European quartet co-led by Spanish (Galician) drummer Carlos LopezFind albums by this artist and Polish saxophonist Maciej KadzielaFind albums by this artist, with Spanish (well, Galician again) pianist Xan CamposFind albums by this artist and Swedish bassist Johannes VahtFind albums by this artist. The album presents eight original compositions, four composed by Lopez, three by Kadziela and one by Vaht. The music is a wonderful example of young contemporary European Jazz, full of vigor and flare, based on melodic compositions but including an extensive degree of freedom, which enables novel improvisation and unexpected time signatures. The melodies are well structures and coherent harmonically, diverse stylistically and often include World Music influences, with some Iberian motifs clearly distinguishable. The individual performances are all excellent, as expected form these well schooled and already quite experienced musicians. Fiery and inspired soloing and superb team work contribute to the overall result, which is a genuine pleasure to listen to. Although most of these ensembles are created ad hoc in the burgeoning environment created at the Copenhagen´s Rhythmic Music Conservatory, where many excellent European musicians study, hopefully this quartet will come together to record and tour, as it is unquestionably too good to be a one time affair. Definitely worth investigation and highly recommended for modern European Jazz connoisseurs!

Updated: 30/03/2018Posted: 30/03/2018

CD 1 Digipak Recommend To A Friend

ANDRZEJ JOZEFOW ~ THREEISM SYNTACTICA 001 ~ POLAND ~ Jazz Recorded: 2013 Released: 2015 This is the debut album by Polish Jazz guitarist / composer Andrzej JozefowFind albums by this artist, recorded in a trio setting with bassist Adam ZuchowskiFind albums by this artist and Chilean drummer Luis Mora MatusFind albums by this artist. The album presents ten tracks, seven of which are originals by Jozefow, one is co-composed by all three trio members, one is a standard and one is a Classical piece by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist. From the very onset of this album it becomes apparent that this is not the "usual" guitar trio album, usually created to show the guitarist´s skills and neck breaking speed. This one is a much more serious and deep affair, dark and introvert, which presents a musical concept and ensemble approach rather rarely found in such projects. Jozefow´s music, which is the core of this album, is very melancholic, ascetic and slowly developing, a set of characteristics usually typical of Classical Music, but it is also inevitably Jazz in the best sense of the idiom. There is a lot of space and freedom in this music, which allows the musicians to spread their wings and soar high above the basic melodic and harmonic structure of the tunes, which keeps the listener on his toes for the entire duration. The execution is also quite extraordinary; Jozefow plays gently, delicately strumming the guitar and sparingly uttering his notes, being a complete antidote of the usual guitar madness. His notes are like delicate strokes of paint on canvas, slowly but consistently exposing the idea. Zuchowski is a wonderful partner in this creating, playing with the bow almost as much as plucking his bass, adding another layer of color to the musical canvas and always being right there when he is needed. Matus also keeps his drums in check, faithfully supporting the subtle musical structures with his tasteful touches, keeping the rhythm on time only when absolutely needed and playing around the rhythms when appropriate. The overall interplay between these three musicians is nothing short of astonishing. This is definitely a most impressive debut album, which surely promises many great things to come. I had the pleasure of meeting Jozefow in person during my recent visit in Gdansk, and he certainly makes an impression of treating his Art and career highly professionally. Therefore I can only wish him the best of luck, which he truly deserves.

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