Record Reviews
21 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | JACK BRUCE ~ THE 50TH BIRTHDAY CONCERTS MIG 90610 (Barcode: 885513906106) ~ UK ~ Classic Rock Recorded: 1993 Released: 2014
This Box Set is a document of the two concerts organized in order to celebrate the 50th Birthday of British vocalist / bassist / composer Jack BruceFind albums by this artist, one of the greatest figures of Rock / Blues-Rock / Prog-Rock and Jazz-Rock. These concerts took place on November 2nd and 3rd of 1993 and were recorded and videoed for posterity. The Box Sets includes two DVDs which present the music played during the two nights (totaling in almost four hours of unadulterated Jack Bruce genius) and in addition it also includes a third DVD with an extensive collection of interviews with Bruce and his guests recorded at the time and a CD with another hour of music, which is not included on the two concert DVDs. In short about six hours of Jack Bruce, his music and his unique personality, which made his one of the most respected and admired musicians of the 20th Century.
Bruce invited a formidable stable of musicians / friends to come and play with him during these two days, a list of which reads like the who´s who of British Rock and includes: guitarists Clem ClempsonFind albums by this artist and Gary MooreFind albums by this artist, drummers Ginger BakerFind albums by this artist and Simon PhillipsFind albums by this artist, pianist / drummer Gary HusbandFind albums by this artist, organist Bernie WorrellFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist and Art ThemenFind albums by this artist, trumpeter Henry LowtherFind albums by this artist, trombonist John MumfordFind albums by this artist and vocalists Gary "Mudbone" CooperFind albums by this artist and Maggie ReillyFind albums by this artist. Poet / lyricist / vocalist and a lifetime friend of Bruce, the incredible Pete BrownFind albums by this artist also makes an appearance. With such lineup the music is simply exploding with talent and incredible performances.
The music includes a selection of mostly Bruce originals, spanning from the glorious CreamFind albums by this artist days and through all the solo albums Bruce recorded after Cream disbanded. His brilliant compositions prove again that they are completely resistant to the passing of time, and present a fabulous legacy that will stay with us forever.
My personal favorite part of the concert is the last hour on the second DVD, which presents just the trio of Baker, Bruce and Moore, playing a series of Cream favorites, which is simply breathtaking and presents an "alternative" Cream vision, which is in every respect as exciting as the original group with Eric ClaptonFind albums by this artist. The absence of Clapton is in fact a great disappointment and might have been a momentous occasion, but it was corrected twelve years later during the Cream reunion concerts in 2005.
Overall this is a package no lover of Classic Rock will consider to miss, especially in view of the fact that some of the people captured here are no longer with us (Heckstall-Smith, Moore and of course Bruce himself). Since nobody makes music like this any more, this stuff is even more important today for the sake of the new generation, in case it´s not completely lost yet.
| Updated: 26/01/2019Posted: 03/05/2016 | 3DVD+CD 4 Digipak Box Set Remastered Recommend To A Friend |
  | JACK BRUCE / ROBIN TROWER ~ SONGS FROM THE ROAD RUF 1224 (Barcode: 710347122425) ~ UK ~ Blues-Rock Recorded: 2009 Released: 2015
This is a reissue of the live album by British Rock / Blues icons: bassist / vocalist / songwriter Jack BruceFind albums by this artist and guitarists / songwriter Robin TrowerFind albums by this artist, accompanied here by the great drummer Gary HusbandFind albums by this artist. The album was released originally in 2009 as “Seven Moons LiveFind albums with this title”, and is expanded here by the inclusion of a DVD, which documents the concert. The album presents thirteen tracks, mostly co-written by Bruce and Trower and a few older classic songs by Bruce. The DVD adds one track not present on the CD.
The Bruce / Trower cooperation produced three studio albums: “B.L.T.Find albums with this title”, “TruceFind albums with this title” and “Seven MoonsFind albums with this title”, all great examples of British Blues-Rock and the magnificent songwriting talents and instrumental virtuosity by these two musicians. This live album was the last work they recorded together.
The music is a great example of the power trio Rock format, which by the time this album was recorded was almost completely obsolete, but lost absolutely nothing of its validity and power of expression. Trower continues to record and perform in the trio setting until today.
Bruce demonstrates here his incredible vocal abilities, which remain unparalleled. In retrospect this is sadly one of the last of his recordings, which emphasizes the void his death created.
Overall, this is a brilliant piece of Blues-Rock by two of the genre’s most important protagonist, which is of course an essential part of any serious record collection documenting it. For Bruce faithful followers, this is a great opportunity to hear him in his later period, and of course anything he ever recorded is absolute musical gold.
| Updated: 22/01/2024Posted: 22/01/2024 | CD+DVD 2 Recommend To A Friend |
  | DEWA BUDJANA ~ ZENTUARY FAVORED NATIONS 2880 (Barcode: 6908972880160) ~ INDONESIA ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2016
This is the tenth album by Indonesian guitarist / composer Dewa BudjanaFind albums by this artist, this time a double CD effort, recorded with a stellar cast consisting of bassist / Chapman Stick player Tony LevinFind albums by this artist, drummer / keyboardist Gary HusbandFind albums by this artist and drummer / pianist Jack DeJohnetteFind albums by this artist. Several guest artists and the Czech Symphony OrchestraFind albums by this artist appear on selected tracks. Each of the two CDs presents six original compositions, all but one composed by Budjana.
The music is a diverse collection of musical influences, which amalgamates Jazz, Fusion and World Music. Melody based, the individual compositions serve basically as vehicles for the lengthy improvisations and solo parts, which are the focus of this album. The melodic substance is somewhat limited emotionally throughout the album´s duration, quite melancholic and gloomy, with hints of Balinese music, which creates an atmosphere of slow movement and even heaviness, which is overall strengthened by the intensive instrumental multilayered presence; definitely not an easy listening experience.
The individual contributions are of course stellar, as expected. Budjana plays some tasty guitar licks and his cohorts support him amicably, all they way through. Both Husband and DeJohnette contribute forceful rhythmic pulsations, Levin takes case of the bottom sounds and Husband as usual creates layers of wonderful keyboard sounds, which keep this complex music wonderfully together. The sax and vocal contributions by the guest are nice ornamentations.
Overall this is a very good Jazz-Rock-World Fusion effort, which is definitely worth investigation. For Fusion and Guitar fans this is heaven on earth of course. Personally I´d prefer a concise one CD version of this music, as the length does not contribute favorably in this case as far as I am concerned. But of course this is not up to me and Budjana surely knows what he is doing.
| Updated: 03/03/2017Posted: 02/03/2017 | CD 2 Mini-Sleeve Recommend To A Friend |
  | ANTOINE FAFARD ~ AD PERPETUUM UNICORN 5092 (Barcode: 649906856153) ~ CANADA ~ Jazz-Rock Fusion Recorded: 2014 Released: 2014
This is the third album as a leader by Canadian Fusion bassist / composer Antoine FafardFind albums by this artist, recorded in a trio setting with guitarist Jerry De Villiers, Jr.Find albums by this artist and legendary drummer Vinnie ColaiutaFind albums by this artist. Three guest musicians: keyboardist Gerry EtkinsFind albums by this artist, drummer Gary HusbandFind albums by this artist and saxophonist Jean-Pierre ZanellaFind albums by this artist appear on selected tracks. The album presents ten original compositions, nine of which are composed by Fafard and one is co-composed by Fafard and De Villiers.
Fafard is a veteran Fusion player, who led the Montreal based group Spaced OutFind albums by this artist, which released six albums and a couple of DVDs between 2000 and 2008. Spaced Out was floating somewhere between Fusion and Progressive Rock, but Fafard´s solo albums, first of which was released in 2011, are decidedly more Jazz oriented with focus on improvisation and cooperation with world´s leading Fusion players.
Stylistically Fusion is often an extremely limited niche, with most albums in that genre sounding very similar, if not identical, to each other. Of the thousands of Fusion albums recorded since the genre crystallized from the early Jazz-Rock cradle, only a handful are truly inspired, innovative and even fewer are groundbreaking. The main reason is usually the focus on the endless instrumental doodling and show off faster than light soloing, rather than on the musical qualities, melody, harmony, etc. In short most Fusion albums have sadly very little music in them.
This album is, I´m happy to say, an exception to the rule in every conceivable aspect. The compositions are all extremely musical, with solid melodies and diverse rhythm patterns, which keep the listener on his toes. The arrangements call for an attentive interplay and split second coordination between the players and the overall ambience of the music is more lyrical than the usual Fusion setting, which often tends to be rather aggressive.
Of course there are the individual performances by the musicians, which are all first-class. There are many solo spots for everybody, but those are kept short and intensive leaving the listener wishing for more, rather than praying for the torture to be over with. Colaiuta, as usual, drives the music forcefully and his playing is always phenomenal, second after second. His unique feel and extraterrestrial technique are like the icing on a cake on every album he plays on. The drums "duet" he plays with Husband on one of the tracks is sensational. De Villiers plays some superb guitar licks, but again, does not dominate the proceedings like most Fusion guitarist tend to. Fafard plays tasty, melodic bass lines and his solos are classics of the genre.
Overall this is a superb Fusion album, which should make every fan of the genre happy, but also be accessible to more Jazz oriented listeners beyond the strict Fusion circles. Well done indeed!
| | CD 1 Digipak Recommend To A Friend |
  | ANTOINE FAFARD ~ SPHERE TIMELESS MOMENTUM 20161 (Barcode: 600736547413) ~ UK ~ Jazz-Rock Fusion Recorded: 2016 Released: 2016
This is the fourth album by Canadian (resident in UK) bassist / composer Antoine FafardFind albums by this artist, recorded in a trio format with Canadian guitarist Jerry De Villiers, Jr.Find albums by this artist and British keyboardist / drummer extraordinaire Gary HusbandFind albums by this artist. The album presents nine original compositions, six of which were composed by Fafard and three were co-composed by him and De Villiers.
Jazz-Rock Fusion has been the most disappointing and stagnant music genre since the turn of the Millennium, to the dismay of the hordes of the genre´s true fans and die-hard blind followers. Therefore this album is a breath of fresh air, clearly pointing out that Fusion is not dead yet and creativity is still possible within its realms.
This album combines the two vital ingredients every Fusion album must have in order to be successful: great tunes and virtuosic performances. Both are present here in abundance. Fafard´s compositions are all beautifully melodic and rhythmically interesting, and most importantly diverse enough to create a cohesive flow but also to avoid sounding like one long stream of tunes almost identical to each other, which sadly happens all too often on Fusion albums.
Of course the playing is also crucial and although there are only three musicians here, they often sound like an entire orchestra. Fafard plays wonderfully melodic and yet funky bass, which provides the basic layer on which De Villiers plays his solos, building up climax after climax with his virtuosic strings of notes. But it is Husband who really glues the entire musical fabric together both with his incredible keyboards vistas, which create a symphonic effect, and of course drives the whole vehicle with his powerful yet highly sensitive drumming. In fact this is one of the most impressive recordings by Husband which I have heard lately and his contributions here are school book examples what Fusion is all about.
This album proudly follows in the steps of its predecessor, taking Fafard´s work even further towards the recognition he truly deserves as composer and instrumentalist. It is a soaring, exhilarating musical experience from start to finish and definitely deserves the rank of one of the best Fusion albums in a very long time.
It is also great to hear Husband in such great form again! Thank you my friend for your playing on this album, which presents your many talents at their utmost, from the delightful delicacy on acoustic piano to your Titanic strength on the drum kit.
For all Fusion fans, this album is the redemption and the escape from boredom you have all been waiting for!
| Updated: 21/09/2016Posted: 21/09/2016 | CD 1 Digipak Recommend To A Friend |
  | DICK HECKSTALL-SMITH ~ BLUES AND BEYOND BLUE STORM 004 (Barcode: 5050232500422) ~ UK ~ Blues-Rock Recorded: 2001 Released: 2001
This is the last album by British saxophonist / composer Dick Heckstall-SmithFind albums by this artist, recorded before his passing in 2004. The album, produced by Pete BrownFind albums by this artist, includes an incredible list of British musicians, who played with him during his career: guitarists Clem ClempsonFind albums by this artist, Peter GreenFind albums by this artist and Mick TaylorFind albums by this artist, drummers Gary HusbandFind albums by this artist and Jon HisemanFind albums by this artist and vocalists Rab McCulloughFind albums by this artist, Paul JonesFind albums by this artist, Jack BruceFind albums by this artist, Paul WilliamsFind albums by this artist. John MayallFind albums by this artist plays piano and several other musicians also take part in the proceedings. The album presents twelve tracks, most of which are originals by Heckstall-Smith and some are Blues standards.
As the list of names and the album’s title suggest, the album is dedicated to Blues and Blues-Rock material, which of course was always a part of Heckstall-Smith’s background in addition to his Jazz-Rock Fusion, Prog and Jazz activities.
The music is absolutely delightful, as expected, and the guests / friends invited to participate do not disappoint. The album is full of great tunes, brilliant guitar soli and evocative vocals, all within the Blues idiom, spiced with Heckstall-Smith’s idiosyncratic saxophone playing. Of course the album brings fond memories of his activities with Graham Bond OrganizationFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and ColosseumFind albums by this artist, which were icons of the British scene for many years.
Overall, this is a brilliant and sadly little known album by one of the true heroes of the British Blues, Jazz-Rock Fusion and Jazz scenes. It certainly deserves to be heard and if anybody can find a copy of it, it is wholeheartedly recommended!
| Updated: 03/02/2022Posted: 03/02/2022 | CD 1 Recommend To A Friend |
  | GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 1 ABSTRACT LOGIX 027 (Barcode: 700261307053) ~ UK ~ Jazz-Rock Fusion Recorded: 2010 Released: 2010
This is the first of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Steve HackettFind albums by this artist and Steve ToppingFind albums by this artist, keyboardist Jan HammerFind albums by this artist, violinist Jerry GoodmanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Steve PriceFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform twelve pieces, seven of which are original compositions by Husband and one is co-composed by him.
The music, as expected after reading the lineup, ranges from Rock via Fusion to Jazz, presenting a coherent picture of musical virtuosity and compositional elegance. In contrast to many other similar projects based on the same idea of recording an album with many superstars, which usually fail miserably to achieve any substantial musical value, this attempt works wonderfully from start to finish with no dull moments to spare. The stylistic variety and the different atmospheric vistas present a superb collage of intelligent and fascinating music, which is a pleasure to listen to.
As expected, the album is full of exceptional soloing. Husband keeps it all together with his dynamic and powerful rhythm drive, contributing a few keyboard solos on the way. The main point here is the mutual respect these stellar musicians have for each other, putting any competition and ego trips out of the way and concentrating on the final result. Husband turns out to be a wonderful catalyst here, able to create ad hoc lineups that sound as if they were playing together for ages.
In short this is not only Fusion heaven, but a comprehensive overview of the genre in the most open minded approach possible, which encompasses everything between Rock and Free Jazz. Husband´s openness towards similarly remote sub genres was always one of his most remarkable qualities. This is definitely a must for all Fusion lovers, but every connoisseur of good music should be able to enjoy this immensely!
| Updated: 06/07/2016Posted: 06/07/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 2 ABSTRACT LOGIX 033 (Barcode: 700261344836) ~ UK ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012
This is the second of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Ray RussellFind albums by this artist, Wayne KrantzFind albums by this artist, Neil TaylorFind albums by this artist, Alex MachacekFind albums by this artist, Jimmy HerringFind albums by this artist and Mike SternFind albums by this artist, keyboardist Jan HammerFind albums by this artist, saxophonist Sean FreemanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Teymur PhellFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform eleven pieces, five of which are original compositions by Husband and one is co-composed by him.
The music on this set is less diverse stylistically and explores mainly the various possibilities of the Jazz-Rock Fusion idiom, with accents and variations influenced mainly by the presence of the different guitar players on these tracks. Each and every guitarist contributes his very personal stylistic nuances, presenting overall a wonderful kaleidoscope of guitar Fusion pieces. The melodic themes of all these pieces fit very well together, which turns this seemingly unconnected collection of pieces into a coherent album, which is a thrilling listening experience.
As on its predecessor, Husband plays drums and keyboards on the various pieces, always with great taste and his usual virtuosity. His drumming approach is another solidifying element of this entire collection, which again manages to sound like a complete pre-planned album as opposed to a random collection of tunes, in spite of such diverse lineups taking part in the proceedings.
As usual this is Fusion Heaven, not only because of the incredibly high level of individual performances, but mainly because it is all about music and not individual ego trips which often haunt Fusion to its death. Therefore I can only wholeheartedly recommend this album to all Fusion lovers, especially since really good Fusion albums are so incredibly scarce these days. Hats off, Maestro!
| Updated: 09/07/2016Posted: 09/07/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY HUSBAND ~ THE THINGS I SEE ANGEL AIR 182 (Barcode: 5055011701823) ~ UK ~ Jazz Recorded: 2000 Released: 2004
This is a re-release of a wonderful solo piano album by British keyboardist / drummer / composer Gary HusbandFind albums by this artist. The album was originally released on the small American label Art Of LifeFind albums on this label Records and this re-release brings the album to the British / European market. On the album Husband performs ten of his interpretations of music originally composed by British guitarist / composer Allan HoldsworthFind albums by this artist.
Husband admits that the music of Holdsworth influenced his entire musical life even before he became his partner in various endeavors they both participated in. Therefore this album is not just a loving tribute to Holdsworth the composer but also a reflection of many years of their friendship.
Selecting the acoustic piano as the medium to explore the music associated with Holdsworth, which immediately screams electric guitar and Fusion, might seem somewhat bizarre at first, but just a few moments into this album reveal that it was perhaps the imperative choice. Husband transforms the music totally, even when he stays loyal to the original melodies or chord structures, but does so with great respect towards the original creations. Even if some de-composing and re-composing is involved, the spirit of the music is beautifully preserved.
The nakedness of a solo piano performance is of course the definitive challenge and Husband emerges from it victorious on every imaginable platform. His command of the instrument is complete, his sensibility is awe-inspiring and his ability to weave intricate and multilayered threads is astounding. Most of the people who associate the figure of Husband with Fusion and who were never exposed to this album are in for a surprise of their lives.
I have listened to this album many times since it was released, and each and every time it took me completely by surprise, since the depth of emotion and elegance seems to simply grow within this music as the time moves on. This is a very rare quality which only the best of albums are blessed with and in retrospect I am glad that this is one of them, as it truly deserves to be a part of every music connoisseur´s permanent collection. Now, over fifteen years since this music was first conceived and recorded, it is still growing, as are its two protagonists: Husband and Holdsworth. In a word where artistic values are slowly (or perhaps rapidly) dying, these two proud British artists continue to serve as islands of sanity and hope. Not to be missed!
| Updated: 10/07/2016Posted: 10/07/2016 | CD 1 Recommend To A Friend |
  | GARY HUSBAND / DRIVE ~ HOTWIRED ABSTRACT LOGIX 015 (Barcode: 827912084474) ~ UK ~ Jazz Recorded: 2008 Released: 2009
This is a great album by British drummer / keyboardist / composer Gary HusbandFind albums by this artist and his quartet called DriveFind albums by this artist, which also includes trumpeter Richard TurnerFind albums by this artist (who sadly died at the ridiculous young age of 27 from a heart attack three years after this album was recorded), saxophonist Julian SiegelFind albums by this artist and American (resident in London) bassist Michael JanischFind albums by this artist. The album presents nine tunes, six of which are original compositions by Husband, one is by Siegel and two are standards.
Although Husband´s work is usually associated with Jazz-Rock Fusion, and even though this album is even labeled as such on its cover, this music is way more real Jazz than Fusion oriented and often ventures into freely improvised passages, not to mention collective improvisations, all of which have little to do with the usual Fusion drudgery. As a result this album might catch some of Husband´s fans by surprise, but this is modern Jazz at its best folks.
All four musicians are of course incredible instrumentalists, and therefore the level of performances herein comes as no surprise. Although melody based, the music is mostly about individual improvisations and teamwork. Husband sets the pace of course with his polyrhythmic beat and dominant drive, but he leaves a lot of space for everybody to contribute and plays a few nasty piano parts on top if it. The trumpet / saxophone unisono parts and dialogues are full of fire and grace, not to mention the explosive solos. The bass pulsations keep the music on a firm ground and the bass solos curdle your blood. In short this album kicks your bottom from start to finish.
Overall this is a great modern Jazz album, which continues the proud British Jazz tradition of individuality and excellence. I can´t think of a true Jazz fan that would not be impressed by this album and I hope to hear more of similar music in the future. It´s been a while since this album was recorded so another drive would be most welcome.
It´s about time for Gary Husband to get the respect and recognition he truly deserves. He is way to modest and good natured to put his elbows to work, so at least those who appreciate his talents should state their opinions out loud. The fact that Husband plays drums and keyboards and does so with the same deadly proficiency is part of the problem, as people often get confused as to his "true" devotion. Well, get used to this folks, he might be instrumentally schizophrenic, but both parts of his musical personality live perfectly in peace with each other. Keep up the great work Sir!
| Updated: 02/07/2016Posted: 02/07/2016 | CD 1 Digipak Recommend To A Friend |
  | OLGA KONKOVA TRIO ~ THE GOLDILOCKS ZONE LOSEN 134 (Barcode: 7090025831348) ~ NORWAY ~ Jazz Recorded: 2015 Released: 2015
This is the fifth album by the piano trio led by Norwegian (born in Russia) pianist / composer Olga KonkovaFind albums by this artist, which also includes her husband bassist Per MathisenFind albums by this artist and British drummer Gary HusbandFind albums by this artist. The album presents eleven original compositions, ten of which were composed by Konkova and one is co-credited to all the trio members and is largely improvised.. Six of the compositions are parts of a suite, which name gave the album its title.
From the very first notes on this album it´s pretty obvious that Konkova and her team mean "serious business" and have their very individual way to state it. The classic piano trio format, one of Jazz most archetypal settings, is perhaps the ideal environment to express the intricacies of the Jazz idiom, being just the right size on one hand, and not big enough to overcomplicate matters on the other. However, decades of piano trio´s history have shown a remarkable slow progress in the format, with many, often some of the absolutely best piano trios, sounding very alike, even when separated by decades from each other. Of course there are exceptions, but those are, as usual, an affirmation of the rule.
Therefore this trio is a very pleasant surprise exactly due to the fact that it is simply different from most others. The difference is plainly in sight (or rather hearing) on many layers; first acoustically as the presence of an electric bass, which is able to create a dissimilar ambience to its acoustic counterpart, the presence of the Fender Rhodes behind the acoustic piano and the completely unique approach and understanding of the role of the drummer in a piano trio, all of which are present here, and second the melodic layer, which is also very inimitable, far away from conventional "song" oriented compositions, which in this specific case are like "movements", being of a much broader melodic and harmonic scope. These characteristics might cause some consternation at first to an unprepared listener, but shortly after the dust settles the intrinsic beauty of this music become apparent.
Of course the individual contributions of the trio members are, as expected, wonderful. Konkova has a very individual touch and the piano notes she produces are very precisely and clearly stated, in contrast to many pianists who love the overly delicate touch, which produces a mushy sound. She is a sort of minimalist, stating exactly what she considers as absolutely essential and lets the listener´s mind to connect the dots. Mathisen is simply marvelous with his understanding and empathy towards the piano parts, playing along supporting the melody lines and stretching them when appropriate. His sensitivity and virtuosity are simply exceptional. Husband, who is sadly often underappreciated or misunderstood, plays perfectly here, also displaying brilliant sensitivity and smoothly moving between delicate rhythmic parts to a barrage of sound, whenever appropriate.
Overall this is not only a very beautiful album, but at the same time a very interesting and unusual one, presenting a fresh approach to Jazz in general and the piano trio format in particular. Well done Lady and Gentlemen - absolutely wholeheartedly recommended!
| Updated: 04/03/2016Posted: 04/03/2016 | CD 1 Digipak Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ BLACK LIGHT ABSTRACT LOGIX 050 (Barcode: 700261424491) ~ UK ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2015
This is the third studio album by British Jazz guitar maverick John McLaughlinFind albums by this artist, recorded with his 4th DimensionFind albums by this artist band, which includes British keyboardist / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents eight original compositions, all by the leader.
The music is a unique mixture of Jazz-Rock Fusion with World Music elements, with a distinct Indian touch, but also Flamenco touches and other underlying elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist, ShaktiFind albums by this artist and his extensive solo work.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Since this album was released in 2015, the popular rumors circulating until a couple of month before I write these words stated, that this is probably the last studio album by McLaughlin, but in July 2021 McLaughlin delightfully surprised all his followers with the release of the pandemic influenced new album entitled “Liberation TimeFind albums with this title”, which of course will get its own write-up here.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 04/09/2021Posted: 04/09/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ INDUSTRIAL ZEN VERVE 983932 (Barcode: 602498393284) ~ UK ~ Jazz-Rock Fusion Recorded: 2006 Released: 2006
Here it is at last – the finest album recorded in the 21st century! As lofty and far-fetched as this might sound, I’m ready to defend this statement for as long as it takes. This masterpiece by the legendary guitarist is a complex, multi-layered work of art. On one hand it is contemporary in every sense, especially as far as the overall sound is concerned, on the other hand however it is also an amalgam of John McLaughlinFind albums by this artist’s entire life as a musician, including every style, genre, direction and sound he played over the years, all of these synthesized into an integral new entity. For people familiar with McLaughlin’s illustrious career it should be quite easy to recognize the familiar elements: the spontaneity of the Miles DavisFind albums by this artist sessions, the fire of Mahavishnu OrchestraFind albums by this artist, the grace of his solo work on acoustic and electric guitar and of course his sensitivity and openness to other cultures as demonstrated in ShaktiFind albums by this artist and Remember ShaktiFind albums by this artist. Every note here is original and yet every note also has traces and links to something accomplished in the past. As far as the sound and instrumentation are concerned, these are completely new to McLaughlin. As the title of the album suggests, he uses plenty of electronics here – synth-guitar, keyboards and even drums are used to produce a plethora of both foreground and background electronic sounds, somewhat similar to the so-called “Industrial” sound used in Rock, but of course infinitely more complex and interesting. In addition, the album is very rhythmic and percussive, with two drummers and percussion players present simultaneously on most tracks. To achieve the maximal effect McLaughlin uses different players on various tracks and the list is most impressive: Mark MondesirFind albums by this artist, Vinnie ColaiutaFind albums by this artist, Dennis ChambersFind albums by this artist, Gary HusbandFind albums by this artist – drums; Otmaro RuizFind albums by this artist, Gary HusbandFind albums by this artist – keyboards; Bill EvansFind albums by this artist, Ada RovattiFind albums by this artist – sax; Matthew GarrisonFind albums by this artist, Hadrien FeraudFind albums by this artist – bass; Zakir HussainFind albums by this artist – tabla; Shankar MahadevanFind albums by this artist – vocals. This superb group of musicians supports their Master with love and devotion, which is evident, every step of the way. Another very interesting aspect of this album is that it seems McLaughlin is paying homage to the greatest Fusion ensemble in history – Weather ReportFind albums by this artist. Two of the tracks are explicitly named after WR members: “For Jaco” (Jaco PastoriusFind albums by this artist) and “Wayne’s Way” (Wayne ShorterFind albums by this artist) but also the entire sound and feel of the album reflects very closely the feel of WR albums. I had a distinct feeling as if listening to a new album by an expanded version of WR including guitar. Perhaps something that was meant to happen but never did (i.e. WR playing with McLaughlin) finally materializes here? Fusion Karma? Whatever the Gods intended is besides the point here; one thing is sure: to create such divine music McLaughlin surely had to have a measure of godly intervention / inspiration. Bless you John for giving us such a wonderful musical gift. You do make life endurable again with your beacon clearly showing the direction to ships sailing the oceans of musical ennui.
| | CD 1 Essential Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ LIBERATION TIME ABSTRACT LOGIX 065 (Barcode: 700261486185) ~ UK ~ Jazz-Funk Fusion Recorded: 2020 Released: 2021
This an album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist, recorded during the Covid-19 pandemic with many musicians around the world using today’s possibilities to make music together “remotely”. The musicians include British keyboardists / drummer Gary HusbandFind albums by this artist, bassist Sam BurgessFind albums by this artist, saxophonist Julian SiegelFind albums by this artist, American drummer Vinnie ColaiutaFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist, Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and others. The album presents seven original compositions, all by McLaughlin, two of which are short solo piano pieces played by him.
Despite the rumors about retirement, McLaughlin proves to the world that he still is the undisputable numero uno out there, despite being almost eighty years young. His notes are as sharp and precise as ever and his compositions as exciting as one can wish for. The music sounds familiar, like Mother’s food, something that one is never tired of, but is amazingly fresh and energetic, with the album flowing swiftly with never a dull moment.
The album rises some pretty grim reflections, as far as Fusion is concerned, given that the person who basically was one of the genre’s pioneers in the mid-1960s, is still on the very top of the crest, as if nothing happened the fifty-five years that passed by since. I’d even go as far as saying that if one owns all his recordings as leader and sideman, one does not miss anything else as far as Fusion is concerned.
Overall, this is an excellent album in every respect and a great addition to McLaughlin’s recording legacy, which easily represents the Fusion genre in its full glory. Praying for more albums to come…
| Updated: 03/11/2021Posted: 22/10/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ LIVE @ RONNIE SCOTT`S ABSTRACT LOGIX 058 (Barcode: 700261457000) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2017
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes three tracks from the last studio album at the time “Black LightFind albums with this title” and earlier compositions.
The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 03/11/2021Posted: 03/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ NOW HERE THIS ABSTRACT LOGIX 037 (Barcode: 700261359557) ~ UK ~ Jazz-Rock Fusion Recorded: 2012 Released: 2012
This is the second studio album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents eight original compositions, all by McLaughlin.
The music is a unique mixture of Jazz-Rock Fusion with World Music elements, with a distinct Indian touch, but also Flamenco touches and other underlying elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist, ShaktiFind albums by this artist and his extensive solo work.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 26/10/2021Posted: 26/10/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ THE BOSTON RECORD ABSTRACT LOGIX 042 (Barcode: 700261397085) ~ UK ~ Jazz-Rock Fusion Recorded: 2013 Released: 2014
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes a couple of tracks from the last studio album at the time “Now Here ThisFind albums with this title” and earlier compositions.
The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 30/10/2021Posted: 30/10/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN / JIMMY HERRING ~ LIVE IN SAN FRANCISCO ABSTRACT LOGIX 059 (Barcode: 700261467016) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2018
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and American guitarist Jimmy HerringFind albums by this artist and his Invisible WhipFind albums by this artist quintet, with violinist Jason CrosbyFind albums by this artist, keyboardist Matt SlocumFind albums by this artist, bassist Kevin ScottFind albums by this artist and drummer Jeff SipeFind albums by this artist. The resulting Fusion nonet performs eight classic Mahavishnu OrchestraFind albums by this artist tunes, all composed by McLaughlin.
The music is a hyper-powerful explosion of Jazz-Rock Fusion, which pays tribute to the legendary Fusion group founded and led by McLaughlin, which in many respects defined Fusion as we know it, with very few significant developments in the genre that happened in the fifty years that followed since it was at its peak.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. The members of his quartet, as well as the members of Herring’s Invisible Whip all play as if there was no tomorrow and the hair-rising soloing continues as an unstoppable hurricane, which should give all electric guitar oriented Fusion lovers an unforgettable listening experience.
The music sounds remarkably fresh and lost nothing of its originality and ingenuity over time, and this double-trouble powerful approach proves to be extremely effective musically. Yes, they raise a hell of a racket, but what a sublime racket it is!
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 06/11/2021Posted: 06/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ASAF SIRKIS ~ SOLAR FLASH MOONJUNE 117 (Barcode: 692287911720) ~ ISRAEL ~ Jazz-Rock Fusion Recorded: 2018 Released: 2021
This is an album by Israeli drummer / composer Asaf SirkisFind albums by this artist recorded with a great trio including also British keyboardist (and a drummer himself) Maestro Gary HusbandFind albums by this artist and bassist Kevin GlasgowFind albums by this artist. Polish vocalist Sylwia BialasFind albums by this artist guests on three tracks as does British guitarist Mark WingfieldFind albums by this artist. The album presents eight original compositions, all by Sirkis.
I have had the pleasure of knowing Sirkis since his first steps as a musician and his first recordings were on my JazzisFind albums on this label label in the early 1990s and I enjoyed his success as one of the busiest drummers on the European Jazz scene over time. His impressive recorded legacy, both as a leader and sideman, recently mostly associated with the MoonJuneFind albums on this label label, is the best testimony of his great talent.
The music on this album is probably his finest achievement as a composer so far. Most of the compositions are deeply lyrical and melancholic, resembling the music that characterizes Polish Jazz, and his examination of his Polish roots (that we both share) in the three-part “Polish Suite” present on this album, is definitely a deeply moving experience, with his wife’s vocalese emphasizing the East European influence.
The instrumental performances are of course stellar, with Husband’s great sensitivity and Wingfield’s virtuosity combined into an irresistible flow of melodic magic. Sirkis keeps his drumming parts to a minimum, as highly appropriate for this deeply emotional music, which is a sign of his great taste and modesty.
Overall, this is a monster album, full of great music and hair-raising performances by some of the best musicians around, which should keep all true music lovers around the globe perfectly happy. Although rooted in the Jazz-Rock Fusion idiom, it is so diverse and open-minded, that straightforward labeling does not apply to it at all. Hats off, my friend!
| Updated: 16/09/2021Posted: 16/09/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ALAN SKIDMORE ~ THE CALL PROVOCATEUR 1018 (Barcode: 5038491000037) ~ UK ~ Jazz-World Fusion Recorded: 1999 Released: 1999
Legendary British saxophonist / composer Alan SkidmoreFind albums by this artist is one of the pivotal players on the modern British Jazz scene. His immense contribution to the development of the scene is well documented on his numerous recordings as a leader and sidemen in the late 1960s / 1970s and his position in the Pantheon of British Jazz is fully earned. Skidmore is one of the relatively few heroes of the British Jazz revolution to continue an active and successful career through the years, which also included recording of new albums periodically, keeping him constantly in the public eye (or rather ear). This album also reveals Skidmore’s open-mindedness and respect towards cultures and music other than Jazz, constituting a splendid example of contemporary Jazz-World Fusion. During his 1994 stay in South Africa Skidmore met the local drums / percussion ensemble AmampondoFind albums by this artist and fell in love with their music. Five years later he actually fulfilled his dream to record an album with Amampondo, which was recorded in South Africa and includes also Colin TownsFind albums by this artist on keyboards. Some overdubbing was later added to the original recording in the UK, which features Steve MellingFind albums by this artist (piano), Arnie SomogyiFind albums by this artist (bass) and Gary HusbandFind albums by this artist (drums). Skidmore plays incredibly on this album. His tone and vigor completely untouched by time and his improvisational powers at their peak, resembling as always those of John ColtraneFind albums by this artist. In fact it almost jumps out of this music that Coltrane would have probably recorded a similar album if he lived, as he was often researching and absorbing the African roots of Jazz prior to his untimely death. This realization adds another dimension to this sublime music, a prophetic one in that. In all respects this is one of the best Jazz-World Fusion albums I’ve ever heard and surely one I’ve probably enjoyed the most. Skidmore’s saxophone improvisations backed up by the African percussion merge perfectly into a new amalgam, which sounds and feels completely natural and coherent. His virtuoso performances are dazzling, but never flashy or overbearing – just exactly right for each moment. Skidmore again proves to his listeners that he is a Master with unmatched quality and talent. This album deserves to be listened to by every Jazz lover on this planet and embodies an essential recording of human Culture, transcending race, backgrounds and traditions and pointing clearly to the future of music.
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