Record Reviews

NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius. The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording. Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!

CD 2 Remastered Essential Recommend To A Friend

GORDON BECK ~ APPLEBY BLUES (LIMITED EDITION) ART OF LIFE 1025 (Barcode: 804640102526) ~ UK ~ Jazz Recorded: 2005 Released: 2007 This live recording of the Gordon BeckFind albums by this artist trio at the Appleby Jazz Festival is a great proof of the fact that the legendary pianist is still at the top of his form in spite of his age. Vibrant and brilliant as always, Beck flies through a set original compositions and standards with grace and sensibility, rarely found elsewhere. Back is supported by an excellent rhythm section: the excellent young bass player Jeremy BrownFind albums by this artist and brilliant veteran drummer Tony LevinFind albums by this artist (who like Beck played in the Tubby HayesFind albums by this artist groups). Together they present a superb Jazz piano trio music, which sparkles with technical perfection and musicality. Levin’s extraordinary drumming is a perfect match for Back’s talents and his solo spots are quite amazing. The recording quality is also exceptionally fine, with every little detail perfectly audible. All together this is a perfect Jazz piano trio album, which every lover of that format will love and play repeatedly. Wholeheartedly recommended!

CD 1 Oversampling Recommend To A Friend

GORDON BECK / GYROSCOPE ~ PROGRESS JAZZ IN BRITAIN 12 (Barcode: 5060774190777) ~ UK ~ Jazz Recorded: 1973 - 1974 Released: 2024 This is an archival album by the British pianist / composer / bandleader Gordon BeckFind albums by this artist, which collects the available recordings of the short-lived GyroscopeFind albums by this artist ensemble from 1973 and 1974. The work on this project goes back a few years, to the early days of the Jazz In BritainFind albums on this label label, and after being delayed for various reasons, was finally released in 2024. The convoluted story of the “making of…” is described in the wonderfully informative extended booklet, included with the 3CD album. The album presents eighteen lengthy tracks, sourced from rehearsals, live gigs and radio broadcasts. Four of these tracks were previously released on cassette only on Beck’s JaguarFind albums on this label Records label as “One, Two, Three… Go!Find albums with this title”, and the rest are all previously unreleased. Gyroscope consisted of Beck on piano / electric piano, saxophonist / flautist Brian SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Saxophonist / flautist Stan SulzmannFind albums by this artist replaced Smith in late 1973. The music, as expected, is absolutely brilliant, which is not surprising to anybody familiar with Beck’s work as leader and sideman. His extensive recorded legacy, which spans over thirty albums, is full of sublime music, which has always been one of my personal British Jazz favorites. His 1980s / 1990s releases on French OwlFind albums on this label and JMSFind albums on this label labels are among my favorites, but everything he recorded was blessed by his incredible talent and good taste. These early 1970s recordings are especially interesting for two reasons: Firstly, the extensive use of the electric piano: Beck was enamored with the instrument and managed to create way more than one would expect was possible from the limited (in comparison to the acoustic piano) instrumented, being a true innovator, which is plainly audible on this album. Secondly, the stylistic freedom, which was somewhat typical at the time especially in British Jazz, which allowed an unrestrained mixture of Jazz subgenres to united “under one roof” so to speak. As a result, we can hear on this album Latin, Funk, Modern Jazz, Modal, post-Bebop and even some Free Jazz touches, which swiftly move from one to the other, in complete fluency and harmony. Overall, this is a true gem of an album, worth the long wait, which is richly rewarded by the sublime musical content. For me it is one of the most important Jazz In Britain releases so far, not only because of my personal love of everything Gordon Beck related, but because it offers a comprehensive, well researched and put together piece of British Jazz history. As such, it is of course absolutely essential to all British Jazz lovers!

Updated: 12/01/2025Posted: 12/01/2025

CD 3 Mini-Sleeve Remastered Recommend To A Friend

BRECKER BROTHERS ~ THE COMPLETE ARISTA ALBUMS COLLECTION SONY 886979796225 (Barcode: 886979796225) ~ USA ~ Jazz-Rock Fusion Recorded: 1975 - 1980 Released: 2012 Brothers Randy BreckerFind albums by this artist (trumpet / flugelhorn) and Michael BreckerFind albums by this artist (saxophone) are collectively and individually symbols of the American Jazz, Fusion and Funk scenes. They can be credited as co-inventors and pioneers of the American Jazz-Rock Fusion in the late 1960s and early 1970s (DreamsFind albums by this artist, Blood, Sweat & TearsFind albums by this artist), especially as defining the Brass-Rock movement. By the mid-1970s they founded one of the most iconic and influential ensembles, calling it simply Brecker BrothersFind albums by this artist (or Brecker Bros.Find albums by this artist), which added Funk to the already well defined Fusion genre, creating a unique voice of unparalleled sophistication, feel and vitality, which had little, if any competition. The Brecker Brothers band existed originally for about six years, recording six marvelous albums between 1975 and 1980 (a reunion band recorded two more albums in early 1990s) The lineup changed over time and in retrospect included the absolute cream of the crop of American Fusion and Funk musicians active at the time: saxophonist David SanbornFind albums by this artist, guitarists Bob MannFind albums by this artist, Steve KhanFind albums by this artist, Barry FinnertyFind albums by this artist and others, keyboardists Don GrolnickFind albums by this artist, George DukeFind albums by this artist and others, bassists Will LeeFind albums by this artist, Neil JasonFind albums by this artist and Marcus MillerFind albums by this artist, drummers Harvey MasonFind albums by this artist, Christopher ParkerFind albums by this artist, Terry BozzioFind albums by this artist, Steve GaddFind albums by this artist and others. These names really tell the story, and the collective talents combined with the extraordinary compositions by Randy and Michael and the intricate arrangements created some of the unforgettable music, which still sounds as goof today as it did at the time it was recorded. This Box Set collects all the original six albums, released on the Arista label, and adds a couple of little known albums recorded live at the Montreux Jazz Festival in 1978, originally called "Blue MontreuxFind albums with this title" and "Blue Montreux IIFind albums with this title", which find Randy and Michael in the company of other Jazz luminaries: pianist Warren BernhardtFind albums by this artist, guitarists Steve Khan and Larry CoryellFind albums by this artist, vibraphonist Mike MainieriFind albums by this artist, bassists Tony LevinFind albums by this artist and Eddie GomezFind albums by this artist and drummer Steve JordanFind albums by this artist, performing some Brecker Brothers material and other original compositions, all perfectly executed. With Michael´s tragic death in 2007, hearing the Brecker Brothers again is no longer possible, so this Box Set is a great tribute to a closed chapter in the history of American music, which should be remembered, as it is timeless and essential. Changing fads and fashions slide away, leaving the solid gold shining…

Updated: 26/01/2019Posted:

CD 8 Mini-Sleeve Remastered Essential Recommend To A Friend

DEWA BUDJANA ~ ZENTUARY FAVORED NATIONS 2880 (Barcode: 6908972880160) ~ INDONESIA ~ Jazz-Rock-World Fusion Recorded: 2015 Released: 2016 This is the tenth album by Indonesian guitarist / composer Dewa BudjanaFind albums by this artist, this time a double CD effort, recorded with a stellar cast consisting of bassist / Chapman Stick player Tony LevinFind albums by this artist, drummer / keyboardist Gary HusbandFind albums by this artist and drummer / pianist Jack DeJohnetteFind albums by this artist. Several guest artists and the Czech Symphony OrchestraFind albums by this artist appear on selected tracks. Each of the two CDs presents six original compositions, all but one composed by Budjana. The music is a diverse collection of musical influences, which amalgamates Jazz, Fusion and World Music. Melody based, the individual compositions serve basically as vehicles for the lengthy improvisations and solo parts, which are the focus of this album. The melodic substance is somewhat limited emotionally throughout the album´s duration, quite melancholic and gloomy, with hints of Balinese music, which creates an atmosphere of slow movement and even heaviness, which is overall strengthened by the intensive instrumental multilayered presence; definitely not an easy listening experience. The individual contributions are of course stellar, as expected. Budjana plays some tasty guitar licks and his cohorts support him amicably, all they way through. Both Husband and DeJohnette contribute forceful rhythmic pulsations, Levin takes case of the bottom sounds and Husband as usual creates layers of wonderful keyboard sounds, which keep this complex music wonderfully together. The sax and vocal contributions by the guest are nice ornamentations. Overall this is a very good Jazz-Rock-World Fusion effort, which is definitely worth investigation. For Fusion and Guitar fans this is heaven on earth of course. Personally I´d prefer a concise one CD version of this music, as the length does not contribute favorably in this case as far as I am concerned. But of course this is not up to me and Budjana surely knows what he is doing.

Updated: 03/03/2017Posted: 02/03/2017

CD 2 Mini-Sleeve Recommend To A Friend

ELTON DEAN ~ THE VORTEX TAPES SLAM 203 (Barcode: 5028386020325) ~ UK ~ Free Jazz / Improvised Music Recorded: 1990 Released: 1992 This is a live album by British Jazz saxophonist / composer Elton DeanFind albums by this artist, recorded at the legendary London’s Vortex club during the five days of the last week of September 1990, each night with a different lineup, four of which are quartets and one is a sextet. The list of the participating musicians reads like the Who’s Who of the British Free Jazz / Improvised Music scene at the time and includes pianists Keith TippettFind albums by this artist and Howard RileyFind albums by this artist, saxophonists Trevor WattsFind albums by this artist, Jerry UnderwoodFind albums by this artist and Simon PicardFind albums by this artist, trombonists Nick EvansFind albums by this artist and Paul RutherfordFind albums by this artist, bassists Marcio MattosFind albums by this artist and Paul RogersFind albums by this artist, drummers Louis MoholoFind albums by this artist, Mark SandersFind albums by this artist, Nigel MorrisFind albums by this artist and Tony LevinFind albums by this artist. The fact that Dean managed to invite all these great musicians to play with him during one week speak volumes about his position on the scene and the respect he earned over the years. The album presents five tracks, three of which are over ten minutes in duration. All the music was composed by Dean. The music is absolutely in sync with what one might have expected from such esteemed players, Free Jazz oriented, full of passion and incredible dialogues between these musicians, who often played with each other in various settings. The incredible intensity of the music still allows for excellent individual contributions to be clearly heard. The sextet (four saxophones) track is a wonderful example of group improvisation, where the mutual respect is fully observed and the saxophone quartet is featured as an organic micro-orchestral unit, later joined by the rhythm section. There is so much superb music on this album, that writing about it is actually pretty redundant, and should simply encourage to grab a copy of this gem, before it completely disappears from the market. British Jazz enthusiasts and even listeners who are aware of Elton Dean only through his association with Soft MachineFind albums by this artist, should make to bold step forward and embrace this facet of Dean’s incredible talent. Overall, this is a monumental document of the British Free Jazz scene by the end of the 1990s, when it was at its absolute peak. The tornado swirl on the album’s cover reflects the power and spirit of the music perfectly and fans of this kind of music should find this album indispensable. Lucky for us this music was captured on tape and released, staying with us for posterity. A true force of Nature!

Updated: 24/06/2023Posted: 24/06/2023

CD 1 Recommend To A Friend

AL DI MEOLA ~ SCENARIO CBS 5099702571821 (Barcode: 5099702571821) ~ USA ~ Jazz-Rock Fusion Recorded: 1983 Released: 1983 This is the 6th studio album by American guitarist / composer Al Di MeolaFind albums by this artist, recorded in 1983 and his last release on ColumbiaFind albums on this label Records. Most of the tracks were recorded by Di Meola and keyboardist Jan HammerFind albums by this artist, who play all the instruments. Bassist Tony LevinFind albums by this artist and drummer Bill BrufordFind albums by this artist play on one track and drummer Phil CollinsFind albums by this artist plays on another track. The album presents nine tracks, four of which were composed by Di Meola, two by Hammer and three co-composed by them both. Although the music on this album is not diametrically different from earlier Di Meola efforts, being a mixture of superb melodies, Jazz licks, Fusion Groove and Folkloristic accents, the sound of the album is dominated by synthesizers and early electronic devices, which was the curse of the 1980s. The presence of Hammer as the main co-contributor / composer also influenced the result, and Hammer’s passion with electronic music is omnipresent here. The resulting music sadly sounds dated today, despite the obvious talents of its creators. As a result, this is the least successful album by Di Meola in retrospect, with his guitar playing hardly present and the World Music influences appearing only sparingly. Perhaps the pressures form the record label to produce a more commercial product were behind the scenes. Happily, Di Meola returned back on track with his following albums. Overall, this is a reminder of the closing chapter of Di Meola’s stint with Columbia, which does not maintain the same vitality and freshness as his earlier albums, which still sound quite brilliant today. Of course for Di Meola completists, this album worthy its place in the collection, but not essential to general public.

Updated: 01/03/2024Posted: 01/03/2024

CD 1 Recommend To A Friend

EUROPEAN JAZZ ENSEMBLE ~ 30TH ANNIVERSARY TOUR 2006 KONNEX 5225 (Barcode: 4017867031876) ~ GERMANY ~ Jazz Recorded: 2006 Released: 2009 The European Jazz EnsembleFind albums by this artist is a "cooperative" group of top European Jazz musicians, which tours and records together for the last 30 years. Over time, an incredible parade of talent passed through the ranks of this group, each of the musicians being a leader and acknowledged instrumentalist / composer of the highest statue. The list of the players on this album, for example, is truly scary for anyone familiar with European Jazz: Alan SkidmoreFind albums by this artist, Stan SulzmannFind albums by this artist, Gerd DudekFind albums by this artist and Charlie MarianoFind albums by this artist (the only non-European by birth but very much so by spirit) on saxophone, Jiri StivinFind albums by this artist on flute, Manfred SchoofFind albums by this artist and Pino MinafraFind albums by this artist on trumpet, Joachim KuhnFind albums by this artist on piano, Ali HaurandFind albums by this artist on bass, and Daniel HumairFind albums by this artist and Tony LevinFind albums by this artist on drums. These brilliant musicians perform a set of no less brilliant compositions, with predictably brilliant arrangements – what can I say, the album is just one nasty piece of superb music, kicking badly from start to finish. Although basically the performances are by a big band, in truth the individual soloist are given plenty of opportunity to stretch out, backed up only by the rhythm section, which makes this album likeable even for people, who have a slight adversity to big band albums (God only knows why). Regardless of ones specific likes and dislikes might be, this is a kind of recording that any true Jazz fan can not ignore. The subtle musical trickery, known only by the European Jazzers, is so obvious here, that I´d recommend this album to every American big band fan, to learn what really can be achieved with such potent "instrument". Brilliant! (Oh yes, I already said so…).

Updated: 18/07/2020Posted:

CD 1 Digipak Recommend To A Friend

EUROPEAN JAZZ ENSEMBLE ~ MEETS THE KHAN FAMILY M.A MUSIC 807 ~ GERMANY ~ Jazz-World Fusion Recorded: 1992 Released: 1992 This is a live album by the European Jazz EnsembleFind albums by this artist, a collective of Jazz musicians led by German bassist Ali HaurandFind albums by this artist (who died in 2018), which included in its various configurations since 1976 the absolute crème de la crème of European Jazz representatives. The lineup on this album comprises, in addition to Haurand, of trumpeters Thomas HebererFind albums by this artist, Manfred SchoofFind albums by this artist and Rainer WinterschladenFind albums by this artist, saxophonists Ernst-Ludwig PetrowskyFind albums by this artist, Gerd DudekFind albums by this artist and Stan SulzmannFind albums by this artist, guitarist Philip CatherineFind albums by this artist, pianists Joachim KuhnFind albums by this artist and Rob van den BroeckFind albums by this artist, vocalist Uschi BruningFind albums by this artist and drummer Tony LevinFind albums by this artist (of the twelve musicians two are British, one Belgian and one Dutch, and the rest are Germans). On this album they invited three Indian musicians, members of the extended Khan family: Ustad Zamir Ahmed KhanFind albums by this artist on sitar, Irshad Hussain KhanFind albums by this artist on tabla and Ustad Munir KhanFind albums by this artist on sarangi. The album presents four tracks, two lasing over fifteen minutes and two over twenty minutes, one each composed by Danish trumpeter Allan BotschinskyFind albums by this artist (a former member of the ensemble), Sultzmann, Kuhn and Schoof. The music is a wonderful example of Jazz-World Fusion, with the entire ensemble and the guests offer a group improvisation based on pre-composed themes, but expanding the music way beyond the original melodies, as expected. The ensemble plays some parts in a Big Band manner, but most of the time the music involves group improvisations between the ensemble members and the guests, often flying far and away from the initial source. Since all the musicians on this album are superb instrumentalists, the level of the performances is nothing short of stunning. All the albums by this ensemble are excellent documents of the diversity and complexity of the European scene, and here they are able to create new cross-genre musical explorations. Overall, this is a very interesting and rather unique Jazz-World Music album, which presents a meeting between Big Band Jazz and Indian traditional music, which usually is performed in a much more intimate lineup. These musicians prove again that music has no stylistic borders, and gifted musicians are able to communicate within any musical environment without any obstacles. Wholeheartedly recommended!

Updated: 17/08/2024Posted: 16/08/2024

CD 1 Recommend To A Friend

FLETCHER / BRICE / JOZWIAK ~ NICK OF TIME SLAM 295 (Barcode: 5028386029526) ~ UK ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by British Jazz trio consisting of saxophonist / flautist Mike FletcherFind albums by this artist, bassist Olie BriceFind albums by this artist and Polish (residing in UK) drummer Tymoteusz JozwiakFind albums by this artist. The album presents six original pieces, all co-composed by the three trio members. Jozwiak arrived in UK to study with the legendary British Jazz drummer Tony LevinFind albums by this artist, now sadly departed, and stayed on. He met Fletcher and Brice in 2013 and they struck an immediate rapport as musical partners, which led to this recording. The music is a typical Free Jazz / Improvised Music setting, which presents three individual musicians trying to find a common ground and cooperate sonically in order to create an expression, which is a sum of their individual inputs. Judging by the result they definitely both enjoyed this meeting and managed to produce some excellent music together. Although obviously improvised, the music includes enough melodic contents to keep listeners from beyond the strict Avant-Garde scene receptive to this music. Fletcher´s playing is remarkably mellow and non aggressive and both Brice and Jozwiak engage with the front soloist constantly and yet manage to remain at least partly in the background, which saves the music from becoming cacophonous. Obviously Fletcher draws most of the listener´s attention, but his playing without the support of his two cohorts would have been most probably much less impressive. Brice builds up a respected position among the Improvised Music community members in the last few years, appearing on several very strong recording dates, like the trio with Polish saxophonist / clarinetist Mikolaj Trzaska called "Inem Gortn", which should be most interesting to people listening to this album. He is surely a player worth watching in the years to come, following his impressive start-up achievements. Jozwiak is relatively anonymous as of now, but judging by his performances herein, we´ll definitely hear more about him in years to come. Overall this is an interesting and aesthetically pleasing debut presenting ambitious music, which is definitely worth hearing. The album was released on the small independent label called SlamFind albums on this label Records, which was founded and is operated by British baritone saxophonist George HaslamFind albums by this artist, and which in the last 25 years released some of the most fascinating Avant-Garde music recorded on the British Isles.

Updated: 12/04/2019Posted:

CD 1 Recommend To A Friend

FUNK FACTORY ~ FUNK FACTORY WOUNDED BIRD 0116 (Barcode: 664140011625) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1975 Released: 2007 1st and only album by a one-time recording project organized by the brilliant Polish Jazz musician Michal UrbaniakFind albums by this artist and his wife Urszula DudziakFind albums by this artist, following their move to the USA and after recording of several exquisite albums for the Columbia label. The album is to a large extent a cheek-in-tongue joke by Urbaniak in response to the "accusations" by his fellow American colleagues, that Eastern European musicians are not "funky". Here we have a proof that Urbaniak and his cohorts can play Funk as well as any American musician, and perhaps even better, as his Funk is so much more sophisticated and multilayered than anything else recorded in that style. Together with Urbaniak and Dudziak a couple of two other talented Polish musicians also take part in this project: virtuoso keyboardist Wlodek GulgowskiFind albums by this artist and singer Bernard KafkaFind albums by this artist, founder and leader of the superb Polish vocal group NOVIFind albums by this artist. In addition to the four Poles, a sensational American rhythm section was assembled, with bassists Anthony JacksonFind albums by this artist and Tony LevinFind albums by this artist, drummers Steve GaddFind albums by this artist and Gerald BrownFind albums by this artist and guitarists Barry FinnertyFind albums by this artist and John AbercrombieFind albums by this artist. Urbaniak burns his electric violin with the usual passion and virtuosity and Dudziak performs magic with her voice. The music was all written by Urbaniak, Gulgowski and Kafka, so here we have Polish Funk, which funks away all that´s funky. Although completely obscure, this is a great album, which hopefully can now be discovered by a wider audience after being reissued on CD. A must for all Polish Jazz enthusiasts!

CD 1 Recommend To A Friend

TUBBY HAYES ~ FREE FLIGHT JAZZ IN BRITAIN 05 (Barcode: 5060774190012) ~ UK ~ Jazz Recorded: 1972 Released: 2020 This is an archive album by iconic British Jazz multi-instrumentalist / composer Tubby HayesFind albums by this artist recorded live with his quartet, which included pianist Mick PyneFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Subtitled “The Ron Mathewson Tapes Vol. 3”, it presents an informal cassette tape recording of a gig at the Ronnie ScottFind albums by this artist’s club made on 17th or 18th October 1972, just nine month prior to his Hayes’ death at the ridiculous young age of thirty-eight, kept by the bassist, who recently donated his archives to Jazz in Britain Ltd. incorporating the British Jazz Sound Archive, a new not-for-profit organization whose aim is to collect, curate, preserve, celebrate and promote the legacy of British Jazz musicians. The archive collects, curates and preserves off-air and other recordings of British Jazz performances. This CD is their fifth release. The 2CD album presents eight tracks, five lengthy ones (about fifteen minutes in duration), one shorter (eight minutes) and two incomplete tracks, obviously a result of the cassette reaching its end before the set was over. Five of the tracks are standards and three are Hayes originals. The album also includes extensive liner notes by Simon SpilllettFind albums by this artist, a Hayes specialist and author of the definitive Hayes biography “The Long Shadow of The Little Giant: The Life, Work and Legacy of Tubby Hayes”. Hayes was obviously a superb instrumentalist, recognized as a champion not only in UK, but also over the pond, where his virtuosity simply could not be ignored despite the usual condescending attitude towards European Jazz musicians by their American colleagues. Hayes was after all first and foremost deeply rooted in the American Jazz tradition and his more modernist approach, developed in the last period of his activity, was relatively limited in comparison to other British Jazz innovators, who were slaughtering Holly Cows by the herd. The music is basically pretty placid, with excellent performances by all the musicians, but nothing really out of the ordinary. The chatter and background noise add to the authenticity of the live recording and the sound quality is listenable, so this is definitely a pleasurable listening experience and a valuable document of the British Jazz scene at the time, but it does not add anything that is not available on the plethora of posthumous releases by Hayes already available on the market.

Updated: 28/06/2021Posted: 31/03/2021

CD 2 Digipak Remastered Recommend To A Friend

ALAN SKIDMORE ~ TCB VOCALION 8481 (Barcode: 765387848125) ~ UK ~ Jazz Recorded: 1970 Released: 2011 This is the 2nd album by British saxophonist / composer Alan SkidmoreFind albums by this artist, one the pillars of modern British Jazz, who was a prominent figure on the late 1960s / 1970s Jazz scene, contributing some of the greatest moments of that illustrious era. Skidmore´s input over the years is absolutely invaluable and fortunately he is one of the musicians from that period, who still plays today, as brilliantly as always. The album also captures Skidmore´s 2nd quintet, with trombonist Malcolm GriffithsFind albums by this artist, pianist John TaylorFind albums by this artist (the only common link with the 1st quintet), bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. On four of the seven tracks of this album the quintet is expanded into a septet with the addition of two superb saxophonists: Mike OsborneFind albums by this artist and John SurmanFind albums by this artist. Of the seven compositions Skidmore contributed only one, two are by Surman, two others are by the great John WarrenFind albums by this artist, another one is by Osborne and the last one is by Taylor. The music is typical of the time, brilliant modern Jazz, revolutionary in concept, brilliantly performed by these Master musicians. Over 40 years since this music was recorded and it still sounds absolutely stunning and honestly Jazz did not move forward significantly since then. An absolute must to all British Jazz connoisseurs and modern Jazz enthusiast!

CD 1 Remastered Recommend To A Friend

STICK MEN / DAVID CROSS ~ PANAMERICA – LIVE IN LATIN AMERICA STICK MAN 1911 (Barcode: 4260139121502) ~ USA ~ Progressive Rock Recorded: 2018 Released: 2019 This monumental Box Set presents recordings by the "Progressive Rock" trio Stick MenFind albums by this artist (American Chapman Stick player Tony LevinFind albums by this artist and drummer Pat MastelottoFind albums by this artist and German touch guitarist Markus ReuterFind albums by this artist), expanded for the occasion to a quartet with the addition of the British violinist David CrossFind albums by this artist (all four associated to some extent with the legendary King CrimsonFind albums by this artist of course), captured during the quartet´s Latin America tour in 2018 (sixteen concerts in ten countries). The Box Set consists of no less than five CDs, three of which present selections illustrating different aspects of the music created by the quartet, appropriately sub-titled "Improvs", "Suites" and "Soundscapes", and the remaining two present one of the concerts in its entirety. Although usually classified as Progressive Rock, the music of Stick Men and Cross has very little to do with what can be considered as classic Prog defined in the late 1960s / early 1970s. Over time is has become much closer affiliated with Avant-Garde Rock, Jazz, Ambient, Electronic and even contemporary Classical Music than Prog, so anybody expecting to hear something like the classic Prog stuff will be completely disenchanted. These musicians refused to stand still and perpetuate stale formulas (as most so called contemporary Prog bands do), moving ahead and embracing the possibilities opened up by new instruments, sound technology and the expansion of musical horizons and creating a completely new and original universe of musical expression. Rather than based on the conventional musical approach of melody, harmony and rhythm, this music is all about atmosphere, soundscapes, flux and associations, which are invoked in the listener´s brain while listening to this music. There are no rules and no limitations, other than the possibilities embedded in the instruments played. The music is mostly spontaneously improvised, like in the Jazz Improvised Music idiom, but distinctly different as a result of the Rock roots obviously present herein. However, this music comes with a price tag ;) It is definitely no for the weak hearted or for the superficial listeners. The two minutes long average attention span of today´s listeners won´t cut it in this case. This music develops slowly, sometimes painfully so, building up complex structures and convoluted relations, demanding unscrupulous concentration. Don’t try to play this music while driving! Overall this Box Set is a marvelous document not only of the actual tour and the music played while it lasted, but more importantly a document capturing the development of the Stick Men phenomenon and the process of the development of contemporary music in general. Beautifully conceived, performed, recorded, edited, packaged, photographed and finally released, this is a true gem and a must to all searching music lovers! Thanks to my buddy Leonardo PavkovicFind albums by this artist, the head of MoonJuneFind albums on this label Records, the person behind much of the ambitious music still created made these days, against all odds, for sending me this musical treat. I am much obliged Sir!

Updated: 24/09/2020Posted: 19/09/2020

CD 5 Mini-Sleeve Slipcase Box Set Recommend To A Friend

STAN SULZMANN ~ ON LOAN WITH GRATITUDE JAZZ IN BRITAIN 48 (Barcode: 5060774190500) ~ UK ~ Jazz Recorded: 1974 - 1977 Released: 2023 This is an expanded and long overdue reissue / remaster of the debut album as a leader by British Jazz saxophonist / flautist Stan SulzmannFind albums by this artist, recorded in a quartet setting with keyboardist John TaylorFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Tony LevinFind albums by this artist. Bassist Chris LaurenceFind albums by this artist appears on one track. The album was originally released on the MosaicFind albums on this label label, owned by Graham CollierFind albums by this artist and presented just three tracks, one of which was a three-part suite. Sadly, the studio tapes were lost and the music was transferred from a vinyl copy. This expanded 2CD edition adds no less than eight bonus tracks, recorded before the album recording and taken from tape archives, which include early versions of two of the tracks on the album, including the suite. All the music was composed by Sulzmann. The music, to which I have often returned to over the years, is absolutely sensational, as expected. Sultzmann and his cohorts were among the finest British Jazz players / composers of the period and by the mid-1970s were all at their full capacity, producing brilliant, vibrant and highly original music, probably the best British Jazz ever. The Mosaic label was one of the first independent / musician-owned British Jazz labels and offered an opportunity to release original music by other musicians, in addition to presenting the music by its owner. Sadly, several of the albums released at the time, remain still unreleased on CD to this very day, waiting for the good people of the Jazz In BritainFind albums on this label label to follow the example set by this wonderful reissue. In addition to the brilliant performances (and compositions of course) by the leader, the album also features extensive contributions by the great and sadly departed John Taylor, whose performances herein are absolutely delightful, and for his many followers this album is an essential addition to his splendid legacy. The Mathewson / Levin rhythm section is also a great reminder of their contribution to the British Jazz scene, each in his very own way, and both also sadly not with us anymore, and a tribute to their memory. Overall, this is another “straight between the eyes” class of release, overdue but not forgotten gem, which now can now be discovered by new generations or all those less fortunate British Jazz lovers, who don’t own the original vinyl release. Just keep them coming you archive magicians!

Updated: 10/09/2023Posted: 10/09/2023

CD 2 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

JOHN TAYLOR ~ DECIPHER MPS 4029759124252 (Barcode: 4029759124252) ~ UK ~ Jazz Recorded: 1973 Released: 2017 This is a reissue (first time on CD) of the second album by iconic British Jazz pianist / composer John TaylorFind albums by this artist and his only album released on the MPSFind albums on this label label. The album was recorded in a classic piano trio setting with bassist Chris LaurenceFind albums by this artist (misspelled Lawrence on the albums artwork, which happened often) and drummer Tony LevinFind albums by this artist. The album presents six original compositions, all by Taylor. The album is a continuation of Taylor´s music recorded on his debut album "Pause, And Think Again", recorded a couple of years earlier, but the intimate trio format, as opposed to the larger ensemble with brass players featured on the debut, allows him to focus primarily on presenting his skills as a composer and pianist. The music is a phenomenal display of modern British / European Jazz which combines the Jazz tradition with modernism and European tradition, which flourished tremendously at the time this music was recorded. The amalgam of melodic themes with complex improvisation reaches here an artistic apogee, present only on the absolute top recordings of the period. Laurence and Levin, who also played on the debut album, are ideal partners in this endeavor. Although both still young at the time, they were an integral part of the burgeoning British Jazz scene and their contributions to the development of the genre are immeasurable. The ability to keep time and at the same time allow for time fluctuations and rhythmic irregularity, always back to straight time like clockwork, is absolutely exceptional. In retrospect this album epitomizes the role of the piano trio in modern European Jazz and is absolutely as valid and precious today as it was at the time of its recording. It is a completely essential piece of history and a milestone statement, which should be cherished and remembered. The fact that it is available again is a major reason to celebrate by Jazz connoisseurs of all ages. It is hard to imagine any serious British Jazz collection without this gem! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted: 23/02/2018

CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend

JOHN TAYLOR ~ PAUSE, AND THINK AGAIN FMR 024 (Barcode: 786497181421) ~ UK ~ Jazz Recorded: 1971 Released: 1995 British pianist / composer John TaylorFind albums by this artist was an integral part of the British modern Jazz revolution in the late 1960s / 1970s and continues to be a dominant figure on the British scene to this day. He was a member of the John SurmanFind albums by this artist’s group and his immense contributions to Surman’s early recordings earned him respect and admiration among his peers and music lovers. He was also a member of Harry BeckettFind albums by this artist’s group and appears on the first 3 albums Beckett recorded as well as on early albums by Alan SkidmoreFind albums by this artist, Kenny WheelerFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and many more. Taylor’s brilliant technique and wonderful feel for modern Jazz make him an model for a modern Jazz hero and his incredible work over the years firmly confirms the high hopes he promised during the early days of his career. This album is Taylor’s debut recording as a leader and focuses on his abilities as a composer. Produced by Surman, it was originally released on the legendary TurtleFind albums on this label label. The album was recorded by a sextet, which includes Taylor on piano with Kenny Wheeler on trumpet, Chris PyneFind albums by this artist on trombone, Stan SulzmannFind albums by this artist on alto saxophone, Chris LaurenceFind albums by this artist on bass and Tony LevinFind albums by this artist on drums. Surman guests on soprano saxophone as does the divine Norma WinstoneFind albums by this artist, who contributes one vocal track with her lyrics. The music, all written by Taylor, is absolutely amazing. Not only in its melodic and rhythmic structures, but also being amazingly diverse stylistically. Although there are five tracks on the album, two of them are in fact “double treats”, combining two different compositions, resulting in seven original compositions written for this album. Taylor cleverly uses the entire palette of modern Jazz, with the composition ranging is style from serenely melodic to frantically and freely improvised. Of the seven compositions, only one is a piano trio and the rest all feature one of the musicians as a soloist. Surman is featured on the free style piece and his solo there ranks amongst his finest ever. Winstone, as usual, adds her magical siren’s mysticism on the tune that closes the album. Of all the British modern Jazz albums recorded at the time, this one is perhaps the most “perfect” one, encompassing and representing the period and the music it created. All the elements of this enchanting music just come together here in a most sensitive way making the total rise above the sum of the ingredients. Not only do all the musicians play perfectly and the music is impeccable, but also the spirit of adventure and the drive to discovery are omnipresent. I can’t even begin to emphasize how important this album is and how vital it is for every modern Jazz enthusiast to savor and cherish. Beyond essential!

Updated: 20/05/2016Posted:

CD 1 Digipak Remastered Essential Recommend To A Friend

JOHN TAYLOR SEXTET ~ FRAGMENT JAZZ IN BRITAIN 32 (Barcode: 5060774190326) ~ UK ~ Jazz Recorded: 1975 Released: 2022 This is a reissue / remaster of the album recorded by the British pianist / composer John TaylorFind albums by this artist and his sextet, which also included trumpeter Kenny WheelerFind albums by this artist, saxophonist Stan SulzmannFind albums by this artist, trombonist Chris PyneFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The album was originally released on cassette only on the legendary JaguarFind albums on this label label, owned by pianist / composer Gordon BeckFind albums by this artist. The album presents eight original compositions, all by the leader. The music is a superb example of the iconoclastic British Jazz, which reached its peak in the mid-1970s after several years of dramatic development, which characterized the scene since the late 1960s. The British Jazz managed to crystalize its very own sound and feel, which was instantly recognizable, even though it encompassed an astonishing variety of musical styles, ranging from almost mainstream / melody based Jazz to extreme Avant Garde. Of course those individuals / ensembles, which knew how to embrace both the charm of a beautiful melody and the powerful expressiveness of complex improvisation, like the sextet present on this recording, were the most effective. The six individuals playing here were all top British Jazz Artists at the time, each with his own rich legacy already in place by the time this music was recorded. It was an “all stars” ensemble by any standard, but of course there was nothing extraordinary about it, as almost every other ensemble on the scene at the time could be also acknowledged as an “all stars” gathering, since the scene was literally exploding with talent and activity. Over the years John Taylor created an immense body of Jazz compositions and an extensive recorded legacy, which reflect his sublime ability to weave an intricate, yet romantic melody. His life-long cooperation with Wheeler, widely documented on record, was one of the most fruitful Jazz engines in retrospect, but no Taylor discography could be complete without this particular album, which for so many years remained a hidden secret shared by the British Jazz fanatics. The fact that it is now reissued is a true milestone for the excellent Jazz In BritainFind albums on this label label, which never ceases to surprise and delight those of us, who truly love this music. Overall, this is a monumental release as far as British Jazz is concerned, closing a major gap in so many record collections of dedicated fans, all of which are both happy and grateful. The great talent of Taylor, the superb performances by Wheeler and the rest of the sextet members, and most importantly the everlasting magic of the music, which is every bit as fresh as it was at the time it was recorded, all come together to create a “crown jewel” of an album, which no British Jazz fan can ignore. Thank you Gentlemen for your labor of love, which we all enjoy.

Updated: 13/07/2022Posted: 13/07/2022

CD 1 Digipak Remastered Recommend To A Friend

PATRICK WILLIAMS ~ COME ON AND SHINE MPS 4029759097266 (Barcode: 4029759097266) ~ USA ~ Jazz-Funk Fusion Recorded: 1977 Released: 2014 This is a reissue of a little known early album by the great American composer Patrick WilliamsFind albums by this artist, who is one of the leading cinematic composers for the American movie and TV industries, but also a great Jazz aficionado, especially as a leader of Big Bands and composer of Jazz-Classical Fusion recordings. This album presents not one, but two different Jazz Big Bands, one from the East Coast (NY) and one from the West Coast (LA), performing seven original compositions by Williams, one by Hans Georg Brunner-Schwer and one standard, all arranged by Williams. The lineups of these bands read like a who´s who of the American Jazz scene at the time and include among others trumpeters Marvin StammFind albums by this artist and Lew SoloffFind albums by this artist, saxophonists Lou MariniFind albums by this artist and Ronnie CuberFind albums by this artist, keyboardist Dave GrusinFind albums by this artist, guitarist Steve KhanFind albums by this artist, bassist Tony LevinFind albums by this artist, drummer Grady TateFind albums by this artist and also the Belgian harmonica virtuoso Toots ThielemansFind albums by this artist. The music is a mixture of Jazz and Funk / Groove, which was at the peak of its popularity at the time, not very ambitious musically but excellently performed and in retrospect still entertaining today. The Big Band arrangements are a classic example of the American school regarding Big Band arrangements. Overall a nice stroll down the memory lane… Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 27/05/2018Posted: 04/10/2016

CD 1 Slipcase Remastered Recommend To A Friend

NORMA WINSTONE ~ EDGE OF TIME DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz Recorded: 1971 Released: 2013 By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others. Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on. The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity. It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing. This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.

CD 1 Digipak Remastered Recommend To A Friend