Record Reviews
21 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | NEIL ARDLEY ~ A SYMPHONY OF AMARANTHS
DUSK FIRE 107 (Barcode: 5065001032189) ~ UK ~ Jazz
Recorded: 1971 Released: 2012
This is the criminally overdue reissue of the second album by British Jazz composer / arranger / bandleader Neil ArdleyFind albums by this artist, which also was the second part of his great trilogy, which started with "The Greek VariationsFind albums with this title" and was followed later by "Kaleidoscope Of RainbowsFind albums with this title". It is one of the great gems of the revolutionary British Jazz, which developed in the Golden Decade (1965-1975) and changed to face of music as we know it.
Influenced by Duke EllingtonFind albums by this artist and Gil EvansFind albums by this artist, Ardley was the creator of the innovative Big Band / Orchestral sound, which was one of the magic ingredients of the new British Jazz at the time. Although based on the compositional ideas of Ellington and Evans, Ardley managed to push them way forward into an amalgam with contemporary European Classical music, early atmospheric / ambient music and other elements, creating unique orchestral soundscapes. As the musical director, resident arranger and conductor of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley had at his disposal the crème de la crème of the British Jazz players, and quite naturally he used them to record his own projects as well.
The list of the protagonists behind this recording is of truly epic proportions and includes such luminaries as trumpeters Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Don RendellFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Dave GellyFind albums by this artist (who also wrote the informative liner notes for this reissue), pianists Stan TraceyFind albums by this artist and Karl JenkinsFind albums by this artist, bassist Chris LaurenceFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist. The only one of its kind Ivor CutlerFind albums by this artist recites a famous nonsense poem and the divine Norma WinstoneFind albums by this artist sings Ardley´s music accompanying three classic poems, his first adventure with vocal music.
Overall the album presents a wondrous splendor of musical ideas, marvelously executed by the musicians involved, creating together one of the most beautiful examples of creativity and intelligence, which were the chief ingredients of the music created by Ardley time and again. As an album, this is one of the very few examples of musical perfection, which set the standards for all the others. It is in every respect as perfect today as it was at the time of its recording.
A curious point about this album is the fact that this was the first ever recording to be funded by a grant from the Art Council, which supported a plentitude of great musical projects in the years to come. The album was produced by the legendary Denis Preston, who was in charge of recording a myriad of brilliant early British Jazz albums and without whom the this great music might have never been captured for posterity. The reissue is brilliantly remastered and sounds absolutely spectacular.
This is an unconditional, absolute essential piece of music!
| | | CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | NEIL ARDLEY ~ HARMONY OF THE SPHERES
ESOTERIC 2096 (Barcode: 5013929719620) ~ UK ~ Jazz-Rock Fusion
Recorded: 1978 Released: 2008
Composer / arranger / bandleader Neil ArdleyFind albums by this artist was one of the brightest stars on the firmament of the magnificent British Jazz, which flourished in the 1960s and 1970s. His compositions were often performed by his peers and his magnificent recordings as a leader were musical milestones, cherished and admired to this very day. Sadly, his recorded legacy is rather limited and parts of it remain unreleased on CD, which is a true crime. Therefore any reissue of his music is a true feast and celebration.
This album represent´s Ardley´s late period as active musician, shortly before he left the music scene almost for good, dedicating the later part of his life to writing books. It is also a clear symbol of Ardley´s transition as a composer, moving gradually from traditional Jazz forms to quite revolutionary contemporary Classical / Electronic / Ambient music, which although still contained strong Jazz elements (mainly improvised sections), was nevertheless a completely new compositional entity. As most of his ambitious compositions, the music is presented in a form of an extended suite, which makes a coherent whole and being divided into separate sections to emphasize the internal flow of the music.
Ardley recruited a group of eleven musicians to record the album and as usual turned to his life-long friend and collaborator, trumpeter Ian CarrFind albums by this artist to become the main protagonist. The list of the participants reads like a dream come true of the British Jazz scene and includes reed players Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, drummer Trevor TomkinsFind albums by this artist, keyboardist Geoff CastleFind albums by this artist and vocalists Pepi LemerFind albums by this artist and Norma WinstoneFind albums by this artist. Lesser known but no less talented contributors include bassist Bill KristianFind albums by this artist and drummer Richard BurgessFind albums by this artist. Guitarist John MartynFind albums by this artist is the surprising guest, who closes the list of participating musicians, and although primarily associated with Folk, delivers some heartbreaking guitar solos on this album. People familiar with these names will of course recognize the fact that most of these musicians were associated at one time or another with Ian Carr as members of his NucleusFind albums by this artist ensemble.
In retrospect this album remains a major milestone of British music and a firm reminder of Ardley´s genius. Ardley, who died in 2004 (aged 66) will forever be a landmark figure and hopefully the younger generation will discover his magnificent music thank to reissues, like this one. An absolute must!
| | | CD 1 Remastered Recommend To A Friend |
  | NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS
DUSK FIRE 101 (Barcode: 5060051330889) ~ UK ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2005
Composer / arranger / bandleader Neil ArdleyFind albums by this artist left a remarkable mark on modern British Jazz in the 1960s and 1970s. As the musical director of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley was responsible for creation of the innovative Big Band / Orchestra sound, one of the great ingredients of modern British Jazz. Influenced by Gil EvansFind albums by this artist, another pioneering figure of Jazz orchestration, Ardley took the matters further, adopting rock elements into his scores and creating unique Jazz-Rock Orchestral music. His skills as a composer of large-scale suite-like scores were best documented by a series of recordings of his works.
This album was a third in a series of such works and a final part of an orchestral trilogy, which started with "The Greek VariationsFind albums with this title" and continued with "A Symphony Of AmaranthsFind albums with this title". As usual in his case, the music is a multi-part orchestral suite, performed by a Jazz ensemble with plenty of space for extended improvisations by soloist. Having at his disposal the burgeoning British Jazz community of musicians, Ardley selected the excellent Ian CarrFind albums by this artist’s NucleusFind albums by this artist as the core of this ensemble, expanding it with additional musicians he was used to work with. The list of players is most impressive and includes among others: Ian Carr on trumpet, Brian SmithFind albums by this artist, Barbara ThompsonFind albums by this artist and Stan SultzmannFind albums by this artist on saxophone, Tony CoeFind albums by this artist on clarinet, Dave MacRaeFind albums by this artist and Geoff CastleFind albums by this artist on piano, Roger SuttonFind albums by this artist on bass and Trevor TomkinsFind albums by this artist on drums and vibraphone.
The music moves between atmospheric soundscapes and highly rhythmic Jazz-Rock pieces, with excellent solos in each of the suite’s seven parts. In retrospect the music lost none of its original charm and beauty, and sadly one must admit: “they don’t make music like that any more”. Ardley was to produce one more orchestral masterpiece, called "Harmony Of The SpheresFind albums with this title", by the end of the 1970s, before the changing musical and economic climate eradicated ambitious / artistic music almost completely. He became a very successful writer and best-selling author before he died in 2004.
I hope all of his splendid musical works will be properly reissued, including previously unreleased stuff left in his estate. As for this album, just grab a copy and take the A(rdley) train into musical lands of rare beauty – an experience you’ll never forget.
| | | CD 1 Remastered Recommend To A Friend |
  | NEIL ARDLEY ~ KALEIDOSCOPE OF RAINBOWS LIVE `75
JAZZ IN BRITAIN 21 (Barcode: 5060774190142) ~ UK ~ Jazz-Classical Fusion
Recorded: 1975 Released: 2021
This is an archival album by British keyboardist / composer / bandleader Neil ArdleyFind albums by this artist, which presents a live recording of his orchestral piece entitled “Kaleidoscope Of RainbowsFind albums with this title”, originally commissioned by the London Borough of Camden and supported by the Arts Council of Great Britain (those were the days!), premiered at the legendary Roundhouse in October of 1974 by a Jazz Big Band / Orchestra. The version performed here, one year later, is somewhat revised and expanded, recorded, with Ardley conducting of course, by a smaller and much tighter group of Top British Jazz musicians at the time, all of which took part in the studio recording of the seminal “Kaleidoscope Of Rainbows” album, which was recorded a few months later in 1976 and released the same year. The lineup includes the members of NucleusFind albums by this artist led by trumpeter Ian CarrFind albums by this artist with saxophonist Bob BertlesFind albums by this artist, keyboardist Geoff CastleFind albums by this artist, guitarist Ken ShawFind albums by this artist, bassist Roger SuttonFind albums by this artist and drummer Roger SellersFind albums by this artist. Additionally, the collective lineup adds saxophonists Brian SmithFind albums by this artist, Tony CoeFind albums by this artist and Barbara ThompsonFind albums by this artist, keyboardist Dave MacRaeFind albums by this artist, cellist Paul BuckmasterFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. The lineup that recorded the studio album also included guests: saxophonist Stan SulzmannFind albums by this artist and keyboardist John TaylorFind albums by this artist, who are not present here.
The 2CD album presents sixteen tracks, timing at 103 minutes, which have been later combined and condensed into nine tracks, timing about half of that time, as released on the studio album. Therefore, this album, which presents the full extent of Ardley’s vision for his work, is extremely important and the fact that it is available here for the first time is truly a momentous occasion and a milestone of British Jazz history.
“Kaleidoscope Of Rainbows” is the last part of a triptych of orchestral works by Ardley, which also includes the earlier “The Greek VariationsFind albums with this title” and “A Symphony Of AmaranthsFind albums with this title”. All three pieces are based on a concept of taking a limited musical element and expanding it into a large framework. Ardley would create one more orchestral piece a couple of years later (1978), called “Harmony Of The SpheresFind albums with this title”, before he embraced a career as author and composer of choral music.
The music follows the pattern of earlier Ardley’s works, amalgamating Jazz with World Music elements and heavily influenced by the minimal music concepts of repetition and slowly developing / cyclic repetition, all brilliantly put together and masterly executed by all the participants. Although structurally the music is not Jazz per se, the soloing, improvising and phrasing are indeed very Jazzy (not surprisingly), and with the expanded format of the piece, are more prominently featured here that on the more disciplined studio version.
Ardley, together with Mike WestbrookFind albums by this artist and Michael GibbsFind albums by this artist constitute the triumvirate of the British Jazz orchestral composers / bandleaders, who offered a completely revised alternative to American Big Band Jazz, taking it into entirely new musical spheres, artistic heights and European aesthetic values, which still reverberate in contemporary music.
As usual praise goes to the Jazz In BritainFind albums on this label label for unearthing this music and releasing it on CD. Please keep up the good work, as nobody else has the stamina, energy and passion to do it and these reissues are way too good to remain hidden in the vaults.
| | Updated: 03/07/2021Posted: 03/07/2021 | CD 2 Digipak Recommend To A Friend |
  | NEIL ARDLEY ~ MIKE TAYLOR REMEMBERED
DUSK FIRE 103 (Barcode: 5065001032011) ~ UK ~ Jazz
Recorded: 1973 Released: 2007
The short and tragic life of pianist / composer Mike TaylorFind albums by this artist, an eccentric genius fallen victim to mental illness / drug abuse, which proved self-destructive and led to his death at the age of 29, is surely worthy a script adaptation for a Martin ScorseseFind albums by this artist movie. Sometimes referred to as “the Syd BarrettFind albums by this artist of British Jazz”, Taylor had close ties with a relatively small group of musicians, like Graham BondFind albums by this artist and the members of his Graham Bond OrganizationFind albums by this artist, which included Jack BruceFind albums by this artist and Ginger BakerFind albums by this artist – soon to be founders of CreamFind albums by this artist. Many people will be surprised to learn that three songs co-written by Ginger and Mike appear on Cream’s Wheels Of FireFind albums with this title album (“Pressed Rat And Warthog”, “Those Were The Days” and “Passing The Time”). Another one of his superb songs – “Jumping Off The Sun” – was recorded by ColosseumFind albums by this artist and appears on several of their albums.
Although known intimately by very few people at the time, the legend lives on and periodically the flame of interest is rekindled among the modern British Jazz fans, like in the case of reissue of his only two existing recordings: PendulumFind albums with this title and TrioFind albums with this title. Even fewer people are aware of the spectacular tribute album recorded by Taylor’s musician friends three years after his death. Recorded under the musical direction of another British Jazz legendary figure, composer / arranger / bandleader Neil ArdleyFind albums by this artist, who discovered Taylor’s genius immediately and scored some of his compositions for the New Jazz OrchestraFind albums by this artist when Taylor was still alive. Unfortunately the concert, which was to feature NJO and Mike’s trio never materialized, since Taylor (already very ill at the time) simply missed the gig. Nevertheless Ardley continued to use Taylor’s music as part of the regular NJO repertoire and suggested to Denis PrestonFind albums by this artist, owner of the legendary Lansdowne Studios in London, where most of the pivotal modern British Jazz was recorded, to produce a tribute album to Mike Taylor’s musical genius. Preston, who recorded the two Taylor albums, needed no persuasion and funded the complex and costly project with no hesitation, considering it a most appropriate gesture.
Ardley assembled a group of 20 musicians to record this project, sharing the scoring of the music for a large ensemble with others, who were close to Taylor and new him well, like Howard RileyFind albums by this artist, Barbara ThompsonFind albums by this artist and Dave GellyFind albums by this artist. One of the tracks is based on a previously unreleased Taylor quartet recording, with the ensemble overdubbed on top of the original recording, which makes Taylor’s participation in this project almost “in person” as well as “in spirit”. The list of the participating musicians reads like the who’s who of modern British Jazz and includes among others: Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist on trumpet, Chris PyneFind albums by this artist and David HorlerFind albums by this artist on trombone, Ray WarleighFind albums by this artist and Stan SulzmannFind albums by this artist on saxophone, Peter LemerFind albums by this artist and Alan BranscombeFind albums by this artist on piano, Chris LaurenceFind albums by this artist and Ron MathewsonFind albums by this artist on bass, Jon HisemanFind albums by this artist on drums and of course the divine Norma WinstoneFind albums by this artist on vocals. I can’t think of a more appropriate tribute than this one, full of love, dedication and music genius by all the people involved.
Considering the fact that this album combines the genius of Taylor’s Jazz composition with the genius of Ardley’s Jazz scoring / arranging, we get (in mathematical terms) a genius squared result – a rare event indeed. Recommending this album would be somewhat similar to recommending someone to read some Joyce or see a van Gogh – completely superfluous. I’m sure you get the drift by now!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | NEIL ARDLEY / IAN CARR / MICHAEL GIBBS / STAN TRACEY ~ WILL POWER
VOCALION 8412 (Barcode: 765387841225) ~ UK ~ Jazz
This stunningly beautiful album managed to stay on the top of my personal list for over 30 years now and I love it as much as I did the first time I heard it. It simply represents all the beauty, sophistication and intellectual quality of the British Jazz of the late 1960s / 1970s, perhaps more accurately and more concisely than any other one album. It documents a concert performed at London’s Southwark Cathedral, one of the many events dedicated to Shakespeare’s tercentenary celebrations, and presents four major works written by four great British Jazz composers: Neil ArdleyFind albums by this artist, Ian CarrFind albums by this artist, Michael GibbsFind albums by this artist and Stan TraceyFind albums by this artist, dedicated to Shakespeare’s genius.
The list of performers certainly resembles the “Who’s Who” of British Jazz at the time and includes: Norma WinstoneFind albums by this artist and Pepi LemerFind albums by this artist – vocals, Kenny WheelerFind albums by this artist – trumpet, Tony CoeFind albums by this artist – reeds, Paul BuckmasterFind albums by this artist and Colin WalkerFind albums by this artist – cello, Gordon BeckFind albums by this artist, John TaylorFind albums by this artist and Stan Tracey – keyboards, Ron MathewsonFind albums by this artist – bass, Tony LevinFind albums by this artist – drums and Trevor TomkinsFind albums by this artist – percussion. All the lengthy suites, although quite different from each other, are majestic and respectful to the great poet’s legacy, often touching on Elizabethan era motifs, even if ever so slightly. The ambience of the Cathedral adds to the overall effect and the magic of that performance if caught forever by this extraordinary recording.
Everything that is so great about Jazz – composition, arrangement and performance – is unified here to produce that magical moment, which can never be repeated. I can’t imagine anybody not liking this, and although it’s by far no easy listening, the immediate magnanimity of this music is so apparent that repeated listening could only deepen the experience. Beyond essential!
| | | CD 2 Remastered Essential Recommend To A Friend |
  | NEIL ARDLEY / NEW JAZZ ORCHESTRA ~ ON THE RADIO: BBC SESSIONS 1971
DUSK FIRE 115 (Barcode: 5065001032516) ~ UK ~ Jazz
Recorded: 1971 Released: 2016
This is a wonderful archival album from the seemingly bottomless vault of the BBC recordings, which presents two sessions led by British composer / bandleader Neil ArdleyFind albums by this artist. The first session (six tracks) presents the full glory of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) led and conducted by Ardley and the second session (one track) presents a suite-like composition performed by a small Jazz ensemble, which also includes a string section and electronics. The lineup of the New Jazz Orchestra includes the crème de la crème of the British Jazz players at the time: trumpeters Nigel CarterFind albums by this artist, Bud ParkesFind albums by this artist, Harry BeckettFind albums by this artist, Ian CarrFind albums by this artist and Henry LowtherFind albums by this artist, trombonists Derek WadsworthFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player Dick HartFind albums by this artist, saxophonists Don RendellFind albums by this artist, Barbara ThompsonFind albums by this artist, Brian SmithFind albums by this artist, Dave GellyFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist and percussionist / vibraphonist Frank RicottiFind albums by this artist. The small ensemble includes several NJO members and also features bassist Barry GuyFind albums by this artist and the man in charge of the electronic sounds Keith WinterFind albums by this artist.
For listeners familiar with the NJO recordings the music presented here will not be unanticipated, as it follows the pattern presented on their studio recordings, which is based on intricate and lavish orchestral arrangements and excellent solos by the orchestra members. The live sound and the raw power of the twenty piece orchestra are of course irresistible and illustrate the supremacy of orchestral music over small ensembles as far as the scale of possibilities is concerned. The orchestra performs two compositions by the lamented pianist / composer Mike TaylorFind albums by this artist, who was already deceased when this music was recorded. Another pleasant surprise is the inclusion of a composition by the legendary Jack BruceFind albums by this artist, who played in the earlier lineup of the orchestra. The presentation of the tunes by the no less legendary Humphrey LytteltonFind albums by this artist is the proverbial cherry on the top.
The suite-like piece marks the beginning for Ardley´s interest in electronic music, which started when he met Keith Winter a year before this music was recorded. His future recording will feature synthesizers of course but this early, both technologically and conceptually, meeting between electronic and acoustic sounds is truly fascinating and innovative, especially since it also features a string section.
Overall this album is an invaluable historical document of the time and of the British Jazz history, and well deserved thanks go to Peter MuirFind albums by this artist, the man behind the Dusk FireFind albums on this label / Market SquareFind albums on this label labels and to Dave Gelly for the informative liner notes and his first hand experiences. This is an absolute must to all British Jazz connoisseurs, and in fact to all Jazz lovers around the world, especially the young musicians, who should be aware of how much can be learned from music made in the past. Not to be missed!
| | Updated: 23/05/2018Posted: 31/05/2017 | CD 1 Digipak Remastered Recommend To A Friend |
  | GUILDHALL BIG BAND / JOHN TAYLOR ~ PURE AND SIMPLE
CAM JAZZ 3303 (Barcode: 8024709330321) ~ UK ~ Big Band Jazz
Recorded: 2005 Released: 2007
This is a criminally little known brilliant album by the Guildhall Big BandFind albums by this artist – the home band of the renown Guildhall School of Music & Drama in London – conducted by Scott StromanFind albums by this artist, which plays Big Band arrangements of six compositions by British Jazz pianist / composer John TaylorFind albums by this artist, who was one of the teachers at the school and who played piano on these recordings.
People familiar with the music of Taylor will find these Big Band arrangements as striking as everything else he ever touched, completely different from the traditional Jazz Big Band approach, and to some extent continuing the modern British Big Band / Jazz Orchestra legacy, which was developed from the late 1960s onward by orchestra leaders like Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Neil ArdleyFind albums by this artist and others. As a result these compositions sound quite refreshed and morphed cleverly into the new environment.
The Big Band performs splendidly, despite the complexity of the arrangements, which is hardly surprising considering the extraordinary level of talent by the young generation of British / European young musicians. One would never suspect that this is a band comprised of students, since it sounds as professional and disciplined as a fully fledged veteran working band.
Taylor plays wonderful soli on five of the pieces, which are usual displays of his High Artistry and offer the proverbial cherry on top of this superb album, which is an absolute must to all Taylor followers and British Jazz connoisseurs.
| | Updated: 26/09/2020Posted: 26/09/2020 | CD 1 Recommend To A Friend |
  | KARL JENKINS ~ PENUMBRA II
JAZZ IN BRITAIN 41 (Barcode: 5060774190432) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2022
The great abundance of creativity and recording activity, which blessed the British Jazz scene during the Golden Decade (1965-1975), created, among many other cultural marvels, also the “silent hero” phenomenon, which in case of the great multi-instrumentalist / composer Karl JenkinsFind albums by this artist, is a classic embodiment of that concept. Although firmly present at the epicenter of the music-making turmoil at the time, from Graham CollierFind albums by this artist, via Neil ArdleyFind albums by this artist, NucleusFind albums by this artist, and most prominently Soft MachineFind albums by this artist, Jenkins’ name would hardly be the primary association for most people thinking about the music of that period, despite his enormous contributions – the fate of a “silent hero”. I have faithfully followed his continuous activity over the decades, which shifted primarily into the Classical Music idiom, which included grand pieces like “RequiemFind albums with this title” or intimate beauties like the latest “PianoFind albums with this title”, always with great satisfaction and pleasure.
This wonderful archival release brings us a three-part suite, composed by Jenkins and recorded live in 1971 with a dreamy ensemble, which includes the crème de la crème of the British Jazz-Rock musicians at the time: Jenkins on piano with trumpeter Ian CarrFind albums by this artist, saxophonists Brian SmithFind albums by this artist, Ray WarleighFind albums by this artist and Alan SkidmoreFind albums by this artist, guitarist Chris SpeddingFind albums by this artist, pianist Dave MacRaeFind albums by this artist, bassist Roy BabbingtonFind albums by this artist, drummer John MarshallFind albums by this artist and percussionist Frank RicottiFind albums by this artist, arguably the best ensemble ever put together at that time.
Although relatively short, running just under half an hour, the music is an absolute classic example of what was being created at the time, and as such somewhat similar, at least spiritually and aurally, to many other recordings of the period. The composition is based on a steady riff, which develops slowly and offers splendid opportunity to all the instrumentalists to create hair-raising solo parts. The sound quality is perfect, which makes the music to be audible in great detail.
Overall, this is a superb musical time capsule, brought to us courtesy of the people behind the Jazz In BritainFind albums on this label label, who work tirelessly to unearth the great treasures of the British Jazz, making us, the followers and enthusiasts, ecstatically happy. It is also a much deserved “thank you” note to the contributions bestowed on us by this wonderful musician.
| | Updated: 30/11/2022Posted: 30/11/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | NIKOLA KOLODZIEJCZYK ORCHESTRA ~ CHORD NATION
FOR TUNE 0042 (Barcode: 5902768701487) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2014
This is the debut album by young Polish Jazz pianist / composer / bandleader Nikola KolodziejczykFind albums by this artist, recorded by a twenty five piece orchestra, with members who originate from three different countries, which presents a five-part suite, which in turn is a hybrid of contemporary Classical music, classic mainstream Big Band and Free Jazz / Improvised music. There is no doubt that this is a very ambitious project, brought into reality against all odds and one that refuses to compromise and takes no prisoners.
Although highly motivated and certainly ingenious, this project is not quite as revolutionary or innovative as one might imagine. In fact it continues the European orchestral Jazz tradition, which followed a different path from the American orchestral Jazz tradition, which flourished in the US in the early 20th Century and was than imported into Europe and mimicked for a few decades until the emancipation of the European Jazz in the 1960s. Since than a long line of superb European Jazz orchestras carried the torch towards new horizons, starting with the British orchestras led by Neil ArdleyFind albums by this artist, Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist and many others and than gradually spread across Europe and even behind the Iron Curtain, with such notable bandleaders as Gunter HampelFind albums by this artist, Hans KollerFind albums by this artist, Martial SolalFind albums by this artist, Gustav BromFind albums by this artist and such distinguished ensembles as the NDR Big BandFind albums by this artist, the Vienna Art OrchestraFind albums by this artist and so many others. Many of these European Jazz orchestras often use similar characteristic devices to those used in the process of making the music heard on this album: switching between melodic mainstream Big Band parts and freely improvised passages, using string arrangements and wordless human vocalese, in short the typical palette of contemporary European Jazz orchestral music.
Considering Kolodziejczyk´s age, limited experience, restricted resources and all the obstacles that he had to confront in order to record this album, one must admit that this is a remarkable achievement, not only from the aesthetic perspective but also from the pure organizational one. But of course most listeners are not really interested in the behind the scenes of music making and judge it by what they hear. As far as the music is concerned, Kolodziejczyk presents a collection of sonic plateaus, which intertwine and develop slowly, and are best listened to in the sequence dictated by the album´s tracks and as a whole. The separate parts of the suite do not really stand on their own, as the melodic content of the entire proceedings is relatively limited. To use a metaphor from a different media, the suite makes sense the same way a complete canvas of a painting makes sense, and wouldn´t do so if looked at when sliced into several pieces.
At times one might get the impression that this music is more about "how" than about "what". Kolodziejczyk is obviously enamored with the bag of tricks that are at his disposal as a composer / orchestrator, and with the sound of the orchestra, much more than with the actual compositions, and as a result we get a complex baroque musical structure, supported by quite simple foundations. Sometimes the instinctive urge to show as much of one´s talents as possible, here and now, can prove hazardous. This often happens to young and talented artists and is quite meaningless in a long range, provided that Kolodziejczyk is treating this project as just one of many lessons he has to go through during his long and hopefully very successful career.
All in all this is a very impressive, ambitious and unusual debut album by an obviously talented musician / composer, who presents enormous potential, which hopefully will be fully realized in his future projects. Since orchestral Jazz albums are extremely rare, this is even more of a valuable contribution to the Polish Jazz scene. Thanks to For Tune for finally releasing this album, over three years after it was recorded, it´s certainly better off now in the open for all music lovers to enjoy. I am anxiously waiting for the next project.
| | | CD 1 Recommend To A Friend |
  | NEW JAZZ ORCHESTRA ~ CAMDEN `70
DUSK FIRE 105 (Barcode: 5065001032042) ~ UK ~ Jazz-Rock Fusion
Recorded: 1970 Released: 2008
The New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) led by composer / arranger Neil ArdleyFind albums by this artist was Britain’s most prestigious and adventurous big band in the 1960s. Under Ardley’s visionary leadership the band developed the foundations for the modern European Jazz big band sound. Although incorporating the classic American big band tradition of Duke EllingtonFind albums by this artist and the more modern approach of Gil EvansFind albums by this artist, Ardley managed to steer his band into uncharted territory, using his unique approach to instrumentation and bold arrangements.
At the time this album was recorded live at London’s Camden Jazz Festival in May of 1970, Ardley was already moving rapidly towards the exploding Jazz-Rock Fusion genre, creating one of the first, and magnificent at that, examples of Jazz-Rock Fusion big band. Compared to American bands at the time, like Blood, Sweat & TearsFind albums by this artist or ChicagoFind albums by this artist, Ardley’s approach is definitely much more refined and orchestral and uses a wider arsenal of the Jazz vocabulary, being therefore much more sophisticated. Having at his disposal some of the best British Jazz musicians (and then also Jazz-Rock Fusion musicians) he was able to turn the NJO into a “mean” and powerful Jazz-Rock Fusion ensemble, which truly fuses Jazz and Rock to the max.
This of course brings us the players and more specifically to the fact that this version of NJO incorporates in its midst the entire lineup of one of the greatest British Jazz-Rock groups, ColosseumFind albums by this artist. Dick Heckstall-SmithFind albums by this artist (saxophone), Clem ClempsonFind albums by this artist (guitar), Dave GreensladeFind albums by this artist (keyboards), Tony ReevesFind albums by this artist (bass) and Jon HisemanFind albums by this artist (drums) all play here, and even a couple of tracks the band recorded on their albums are present, in a big band arrangement of course. With the members of Colosseum as a core of the band and with other notable players like Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist (trumpet), Dave GellyFind albums by this artist and Barbara ThompsonFind albums by this artist (saxophone) and even an ultra-rare appearance of Michael GibbsFind albums by this artist on trombone, this is truly a superb group, able to face any challenge Ardley’s arrangements may present them with.
BTW the presence of the Colosseum members is not incidental, as both Reeves and Hiseman were NJO’s founding members and Heckstall-Smith appeared on the NJO’s second album entitled “Le Dejeuner Sur L`HerbeFind albums with this title”. Seven of the tracks present on that album are also included here, which turns this recording into an updated live version of that timeless classic. The original recording tape of this concert had quite a few technical problems, but was painstakingly and beautifully restored to life with an exceptional sound quality considering the circumstances under which it was recorded. One should be truly grateful to the producer of this immensely important historical material for making it available to us, the fans of NJO, Colosseum and British Jazz in general. This is indispensable legacy of the period and a must to any follower of British Jazz music.
| | | CD 1 Remastered Recommend To A Friend |
  | NEW JAZZ ORCHESTRA ~ LE DEJEUNER SUR L`HERBE
DUSK FIRE 110 (Barcode: 5065001032981) ~ UK ~ Jazz
Recorded: 1968 Released: 2014
This is the second and also the last formal album by the seminal British Jazz Orchestra called New Jazz OrchestraFind albums by this artist or NJOFind albums by this artist for short. Directed by the legendary composer / arranger / bandleader Neil ArdleyFind albums by this artist the NJO was probably the most important singular British Jazz ensemble, which shaped the way British and European Jazz developed in the late 1960s.
Despite the fact that the number of people, who are familiar with this epic recording, will hardly fill up an average British pub, it is still one of the best and more importantly revolutionary Jazz albums of all times, certainly as far as British Jazz is concerned. The fact that the album, which was released on LP in 1969 and almost immediately after disappeared from the shelves, had to wait for 45 years for its debut CD reissue confirms its anonymity and obscurity. And yet for the handful of British Jazz enthusiasts it always was the magnum opus of the British Jazz resurgence, when the music emerged for the first time as a truly new Art form, related to but fully independent from the American Jazz tradition.
Why "new"? The origin of the name is not entirely clear but NJO was new indeed; it included a new generation of British Jazz musicians, which arrived on the scene mostly in the 1960s and had very little in common with the older "swing" generation, which completely dominated the British scene up to that period, and which was entirely immersed in the American tradition, strengthened by the presence of American bands in Britain during the WWII period. Several Jazz Big Bands and orchestras were active on the British scene since the 1920s and well into the 1960s, some quite excellent and even extraordinary, but those limited the artistic scope to imitating the trends originating across the big pond. The list of British composers / bandleaders includes Ted HeathFind albums by this artist, Syd LawrenceFind albums by this artist, John DankworthFind albums by this artist and numerous others.
By the time this album was recorded the NJO was about five years old. In 1965 it recorded its debut album called "Western Reunion London 1965Find albums with this title", which beautifully sums up the first phase of its activity, when the orchestra performed mostly new arrangements of American standards, but the overall sound of the band was already quite unique and stunning. This album was recorded by the second incarnation of the NJO, which included Jack BruceFind albums by this artist on bass (who was already a member of CreamFind albums by this artist at the time), with the regular bassist Tony ReevesFind albums by this artist taking the position of the album´s producer. The rest of the band included: trumpeters Derek WatkinsFind albums by this artist, Harry LowtherFind albums by this artist, Harry BeckettFind albums by this artist and Ian CarrFind albums by this artist, trombonists John MumfordFind albums by this artist, Michael GibbsFind albums by this artist, Derek WadsworthFind albums by this artist and Tony RussellFind albums by this artist, tuba player George SmithFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist and drummer Jon HisemanFind albums by this artist.
The album presents eight compositions, five of which are originals composed by NJO members or other British Jazz musicians / composers of the new generation; those are Neil Ardley, Howard RileyFind albums by this artist, Mike TaylorFind albums by this artist, Michael GarrickFind albums by this artist and Michael Gibbs. Two modern American Jazz standards, one by John ColtraneFind albums by this artist and another one by Miles DavisFind albums by this artist are also present, but their arrangements are stunningly removed from the original versions known to most Jazz listeners. The remaining composition is by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist, whose composition receives another highly unusual treatment.
The album emerges triumphantly as a masterpiece of composition, arrangement, performance and intelligent music making, all those on top of its being a first of its kind and a beacon for generations to come. Many other superb Big Band / Orchestral British Jazz recordings will follow (Michael Gibbs, Mike WestbrookFind albums by this artist and others), but as great as they were, none of them achieved the same primordial perfection, which marked the birth of British Jazz as documented herein.
If anybody wanders about the album´s title (and the title of the opening track) and its humorous sleeve design, Google it up, oh ye ignoramuses, or preferably visit the Musée d´Orsay in Paris and look for the original ;)
With the recent parting of Jack Bruce, whom I was honored and lucky to know in person, the reissue of this album is a small solace in his memory and in memory of a generation almost gone…
| | | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | NEW JAZZ ORCHESTRA ~ WESTERN REUNION LONDON 1965
VOCALION 8427 (Barcode: 765387842727) ~ UK ~ Jazz
Recorded: 1965 Released: 2006
The New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist) was a big band directed by bandleader / arranger / composer Neil ArdleyFind albums by this artist and consisted of the best up-coming Jazz players on the British scene at the time: Ian CarrFind albums by this artist – trumpet, Paul RutherfordFind albums by this artist – trombone, Trevor WattsFind albums by this artist – sax, Barbara ThompsonFind albums by this artist – sax, Tony ReevesFind albums by this artist – bass, Jon HisemanFind albums by this artist – drums and many more.
Ardley ran the orchestra with an “iron fist” and in time turned it into a perfectly well oiled ensemble, which was able to perform even the trickiest arrangements with a breeze. His outstanding arrangements of classic Jazz pieces are all masterpieces of rare beauty and sophistication and he manages to get out of the band so much more that an average US big band playing similar material. Of course the soloist, who are all quite outstanding, add another dimension to the overall sound, which is truly heavenly.
This is the first album by NJO and includes mostly standards by American (Miles DavisFind albums by this artist, John LewisFind albums by this artist) and British composers, but one of Ardley’s compositions is also included. Ardley, who was an admirer of Gil EvansFind albums by this artist, developed a distinctive orchestral (rather than traditional big band) sound with NJO, using the various sections of the band to complement each other’s sound and tonality.
The overall effect is absolutely stunning and this is one of my all time favorite big band albums. This is essential listening to all big band fans and recommended to all Jazz listeners out there. A true gem!
| | | CD 1 Remastered Recommend To A Friend |
  | NEW JAZZ ORCHESTRA / NEIL ARDLEY GROUP ~ BBC SESSIONS 1968-1970
RHYTHM AND BLUES 101 (Barcode: 5060331753834) ~ UK ~ Big Band Jazz
Recorded: 1968 - 1970 Released: 2024
This is an archival album, which presents recordings by two Orchestral Jazz ensembles, both led by the brilliant pianist / composer / arranger / bandleader Neil ArdleyFind albums by this artist. The album presents fourteen tracks, six by the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), recorded in 1968 and eight by the Neil Ardley GroupFind albums by this artist, recorded in 1970. Five of the NJO tracks appear in a studio version on their 2nd studio album “Le Dejeuner Sur L`herbeFind albums with this title”. The first seven of the Neil Ardley Group tracks, which were composed by pianist / composer Mike TaylorFind albums by this artist and are a song cycle / Jazz & Poetry suite, were sadly never recorded in the studio and released on an album. Taylor tragically died just a few months before this music was recorded.
The lineup of these two ensembles reads like a Who’s Who of the British Jazz at the end of the 1960s, some still very young at the time, but already experienced musicians, who were going to shape the British Jazz scene in the decades to come. The NJO lineup includes Ardley as the leader / conductor, trumpeters Derek WatkinsFind albums by this artist, Henry LowtherFind albums by this artist and Ian CarrFind albums by this artist, saxophonists Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Barbara ThompsonFind albums by this artist, trombonists Chris PyneFind albums by this artist, Robin GardnerFind albums by this artist and Michael GibbsFind albums by this artist, tuba player George SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. The Neil Ardley Group lineup includes Ardley on piano, vocalist Norma WinstoneFind albums by this artist, Carr, Gelly, Thompson, Ricotti, bassist Chris LaurenceFind albums by this artist and drummer Mike TravisFind albums by this artist. I rest my case…
The music, as expected, is absolutely sensational and reflects the vibrancy and ingenuity of the British Jazz scene at this pivotal period, when the modern British Jazz idiom was molded for decades to come. The specific idiosyncrasies and “Britishness” of the new epoch is simply encapsulated in every note played here. It is also a superb display of the individual talents of these magnificent musicians, those who are still with us and sadly those who departed, like Thompson and Hiseman, who met as members of the NJO and created one of the British Jazz “power couples” or Ardley and Carr, whose giant talents are deeply missed.
Overall, this is an absolute must have album for every British Jazz collector, especially in view of the fact that some of the music captured herein is not available anywhere else. For the cognoscenti, the album offers endless hints and interconnections, like a sensational version of the song “Jumping Off The Sun”, which became an anthem for the legendary ColosseumFind albums by this artist, which was founded by Hiseman and Heckstall-Smith, and included Reeves and Thompson, and so on…
| | Updated: 22/09/2024Posted: 21/09/2024 | CD 1 Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ BLUE BEGINNINGS
JAZZ IN BRITAIN 20 (Barcode: 5060774190234) ~ UK ~ Jazz
Recorded: 1964 Released: 2021
This is an archival album by the first lineup of the seminal British Jazz quintet co-led by saxophonist / flautist Don RendellFind albums by this artist and trumpeter Ian CarrFind albums by this artist, which also included pianist Colin PurbrookFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. The album presents two BBC sessions, the first from April 1964 (two tracks) captured before the quintet recorded their first album “Shades Of BlueFind albums with this title” and the second from November 1964 (six tracks) shortly after the studio recording which took place in October 1964.
The first session presents one live version of a track, which will appear on the studio album and one standard and the second session presents five live versions of the material present on the studio album and one standard. Most of the original material consists of compositions by Rendell and Carr and the title track of the studio album was composed by Neil ArdleyFind albums by this artist of course.
These sessions show vividly the giant step the quintet made between recording the debut album with Purbrook on piano in 1964, which was almost completely conventional and Bee Bop oriented, and the following albums with Garrick on piano, starting with second album recorded in 1965, where the quintet turns into the amazing modern Jazz ensemble passing the equinox which marks the birth of modern British Jazz. Garrick was not only a brilliant and farsighted pianist but also the most prolific composer, which of course strengthened the quintet’s output considerably.
Despite the fact that the music here is pretty conventional, as far as the Jazz tradition is concerned, on the verge of change but not quite yet, the fact that it is the first time it appears on record, this album is worth its weight in gold, not only to British / European Jazz enthusiasts but all modern Jazz lovers around the world. In view of the relatively limited recorded legacy by this legendary quintet, this stuff is absolutely essential!
As usual kudos to the Jazz In BritainFind albums on this label label people, who dared to make this dream of a label to come true.
| | Updated: 18/07/2021Posted: 18/07/2021 | CD 1 Digipak Recommend To A Friend |
  | DON RENDELL / IAN CARR QUINTET ~ WARM UP
JAZZ IN BRITAIN 44 (Barcode: 5060774190487) ~ UK ~ Jazz
Recorded: 1965 Released: 2022
This is an archival 2CD live album by the fabled British Jazz quintet co-led by saxophonist / composer Don RendellFind albums by this artist and trumpeter / composer Ian CarrFind albums by this artist, which also included pianist / composer Michael GarrickFind albums by this artist, bassist Dave GreenFind albums by this artist and recently departed drummer Trevor TomkinsFind albums by this artist, to whom this album is dedicated. Part of the music contained here was previously released on the HarkitFind albums on this label label in 2003, but the entire concert at the Highwayman is now presented in full and sonically restored, accompanied by a 20-pages booklet with photos and an essay by Simon SpillettFind albums by this artist. The album presents twelve tracks, four of which are original compositions by Garrick – the most prolific composer of the quintet, one by Rendell and one by the great Neil ArdleyFind albums by this artist, with the rest being Jazz standards.
I have already written extensively about this magnificent quintet, so there is no need to repeat the obvious – they were the quintessential outfit at the time and champions of the process of establishing the new voice of the British Jazz after years of copying and admiring the American Jazz tradition, finally being able, together with several other contemporaries, to emancipate the music and create an autonomous, recognizable, aesthetically independent way of thinking and composing and most importantly improvising.
Of course, all five members of the quintet were great performers, which means that the music kicks ass for the entire duration, but it deserves several listening sessions in order to recognize all the crucial moments of genius, where they offer innovation rather than just going through the motions. It is great to have the entire concert available, and to fill one more gap in the complex puzzle this quintet managed to create during its relatively short existence.
Overall, this is another triumphant release by the Jazz In Britain label, which is a total labor of love and commitment. I look with great satisfaction at the growing stack of the label’s releases, which is the main source of archival material, producing an ongoing story of British Jazz. This album is a great addition to this growing legacy, and from what the people behind the scenes share with us, this is just a tiny portion of the material that comes their way. We can only hope the creative juices will keep flowing and the CDs coming – hats off to you people. And the album – well, it is a no brainer whatsoever – just grab a copy – satisfaction guaranteed!
| | Updated: 29/01/2023Posted: 28/01/2023 | CD 2 Digipak Remastered Recommend To A Friend |
  | MIKE TAYLOR ~ MANDALA
JAZZ IN BRITAIN 23 (Barcode: 5060774190173) ~ UK ~ Jazz
Recorded: 1965 Released: 2021
This is an archival album by British Jazz pianist / composer Mike TaylorFind albums by this artist, one of the mythical figures of the British Jazz scene, due to his tragic death at a ridiculous young age and an extremely limited recorded legacy. Taylor recorded only two albums (“PendulumFind albums with this title” 1966 and “TrioFind albums with this title” 1967) before he died at the age of 30 in 1969.
The album presents a live recording of five tracks, captured nine months before this lineup recorded Taylor’s debut album “Pendulum”. He is accompanied by saxophonist Dave TomlinFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist. Of the five tracks one is a standard and four are original composition by Taylor, two of which appear on the tribute album “Mike Taylor RememberedFind albums with this title” by Neil ArdleyFind albums by this artist.
Although the music on this album is by far not as revolutionary or groundbreaking as on “Pendulum”, it is a time capsule of a work in progress, which eventually brought the quartet together into the perfection demonstrated on the debut album and which would make Taylor to crystalize his musical ideas to break the barriers of “swing” and John ColtraneFind albums by this artist’s influence, to achieve the Freedom the debut albums so potently demonstrates.
The sound quality of the recording is far from ideal, but certainly good enough to enjoy the music and hear some details. Hiseman is way up in the mix while Reeves is almost inaudible, and the piano is also far behind the saxophone, which takes most of the soloing space. The deconstruction of Thelonious MonkFind albums by this artist’s tune is definitely not as radical as on the debut, but comparing the two versions again shows a path Taylor and his quartet were taking.
Overall this is splendid document of the era and the formative years of independent British Jazz, which is not following the American influence any more than absolutely necessary. Tomlin bravely takes upon himself the front-line responsibilities, with Taylor pushing the music from behind, and obviously exploring new ground. The rhythm section is absolutely perfect for the job, with Reeves’ musicality and Hiseman’s technical brilliance laying out a firm basis for the two soloists.
However, the album also shows clearly how difficult it was to boldly step into the Free / open playing at this time, and the music is at all times strongly bonded to “swinging” at all cost, despite the relative freedom Taylor demonstrates while playing his odd chord sequences behind the swinging foreground.
Overall this is a first class discovery, which blissfully appears on record five and a half decades later, which should make every true British Jazz fan happy. Kudos to Jazz In Britain for digging this one out and bringing it up to the surface!
| | Updated: 06/06/2021Posted: 06/06/2021 | CD 1 Digipak Recommend To A Friend |
  | BARBARA THOMPSON ~ FIRST LIGHT
JAZZ IN BRITAIN 54 (Barcode: 5060774190524) ~ UK ~ Jazz
Recorded: 1971 - 1972 Released: 2023
This is an album collecting three archival live recordings / radio broadcasts by the late British Jazz saxophonist / composer / bandleader Barbara ThompsonFind albums by this artist, which present her in various settings with the crème de la crème of the British Jazz musicians active in the early 1970s. As a result, it is a companion album to the tremendous 14CD Box Set “Live At The BBCFind albums with this title” by Barbara Thompson, released in 2020 by RepertoireFind albums on this label Records, offering material uncovered after the Box Set was released. This album, released by the Jazz In BritainFind albums on this label label, is a completely non-commercial release, with all profits from the album going to the Cure Parkinson’s Trust, a moving gesture by all the people involved, including Barbara’s and Jon HisemanFind albums by this artist’s daughter Ana GraceyFind albums by this artist and Jazz In Britain founder John ThurlowFind albums by this artist. We all still mourn Barbara’s and Jon’s untimely departures of course.
The first two tracks present the Group EFind albums by this artist, which comprised of (in addition to Barbara) vocalist Pepi LemerFind albums by this artist, pianist Peter LemerFind albums by this artist, bassist Johnny DyaniFind albums by this artist and drummer Laurie AllanFind albums by this artist. The music is Avant-Garde Jazz, with superb vocal parts by Lemer, who sadly is often forgotten, but was one of the most interesting Jazz vocalist of the period.
The next three tracks present a suite for a Big Band, called “The Awakening”, co-composed by Barbara and Jon. The band features a dreamy lineup of eleven instrumentalists and a vocalist – no other than my beloved Norma WinstoneFind albums by this artist – which reads like a Who’s Who of the modern British Jazz and is conducted by Neil ArdleyFind albums by this artist. The players are: trumpeters Ian HamerFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Don RendellFind albums by this artist and Barbara Thompson, cellist Charles TunnellFind albums by this artist, pianist Howard RileyFind albums by this artist, vibraphonist Bill Le SageFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Jon Hiseman. The music is absolutely brilliant and very typical of the Big Band recordings recorded at the time by Neil Ardley, Mike WestbrookFind albums by this artist and others. The vocal parts by Winstone are, not surprisingly, my favorite jewels, but the entire suite is simply divine and the fact it was discovered and now released is no less than sensational.
The last five tracks are by Barbara’s group JubiabaFind albums by this artist, which comprised of (in addition to Barbara) trumpeters George ChisholmFind albums by this artist and Ian CarrFind albums by this artist, Wadsworth, Le Sage, Peter Lemer, bassist Roy BabbingtonFind albums by this artist, drummer Martin DrewFind albums by this artist and percussionist Trevor TomkinsFind albums by this artist. It presents the early version of the band, which was essentially dedicated to combining Jazz with World Music influences, mostly Latin. As far as I am aware, this is the earliest recordings by Jubiaba captured on tape.
Overall, this is an absolute jewel from start to finish and an absolute must to all British Jazz enthusiasts, and in retrospect one of the most surprising and important releases by the Jazz In Britain label so far. The Big Band piece alone is a beacon symbolizing the birth of the modern British Jazz, with everything it stands for: ingenuity, originality, groundbreaking musical thinking and enormous talent. Hats off to everybody involved!
| | Updated: 26/07/2023Posted: 26/07/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | NORMA WINSTONE ~ EDGE OF TIME
DUSK FIRE 108 (Barcode: 5065001032998) ~ UK ~ Jazz
Recorded: 1971 Released: 2013
By the time vocalist Norma WinstoneFind albums by this artist recorded this, her first solo album, she was already an integral part of the emerging new British Jazz scene, which completely revolutionized the meaning and the borders of the Jazz Art Form and made it a part of the European Cultural heritage. Since the late 1960s young British Jazz musicians decided to leave behind the clearly defined and pretty limited American Jazz forms and stretch them beyond recognition, creating a new musical universe. Winstone was right at the epicenter of this new creative eruption and her contributions made a significant mark on a large portion of the British Jazz recordings at the time, when she was a member of groups led by Michael GarrickFind albums by this artist or Mike WestbrookFind albums by this artist and sang on albums recorded by John SurmanFind albums by this artist, Kenny WheelerFind albums by this artist, John TaylorFind albums by this artist, Michael GibbsFind albums by this artist, Neil ArdleyFind albums by this artist and others.
Winstone has a unique approach to vocals, which puts the human voice on an equal level with the instruments and allows her to perform using vocalese and other wordless techniques, which becomes as important as singing lyrics, which in most cases she writes herself. This approach earned her a respected position of the "resident" vocalist of the British scene at the time, which was reflected by the numerous albums she appeared on.
The album includes seven original pieces, four of which were composed by pianist John Taylor, two by John Surman and the remaining one by John WarrenFind albums by this artist. The lineup reads like a who´s who of the British Jazz scene at the time and includes saxophonists Art ThemenFind albums by this artist, Mike OsborneFind albums by this artist and Alan SkidmoreFind albums by this artist, trumpeters Henry LowtherFind albums by this artist and Kenny Wheeler, trombonists Malcolm GriffithsFind albums by this artist, Chris PyneFind albums by this artist and Paul RutherfordFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, pianist John Taylor, guitarist Gary BoyleFind albums by this artist, bassist Chris LaurenceFind albums by this artist and drummer Tony LevinFind albums by this artist. The arrangements and settings move between intimate duets to a large scale massive Big Band sound and present the full scale of the Winstone´s vocal abilities and her amazing diversity.
It´s pretty remarkable that in the forty plus years that passed since this album was released it lost absolutely nothing of its vitality, freshness and musical boldness. It still kicks butt and makes your body swing involuntarily, exactly as it did when I heard it for the first time. The fact that this music is available again is a joyful occasion indeed and in the sad days of dying Culture a graceful reminder of what used to be considered as music is most refreshing.
This is a definite classic recording of the British / European Jazz history and a milestone in the history of Jazz vocals and should be an essential part of any serious music collection.
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | ZYKLUS ~ VIRTUAL REALTIES
AMP 017 ~ UK ~ Jazz-Ambient Fusion
Recorded: 1989 - 1991 Released: 1991
This is the only album by British Ambient Jazz quartet ZyklusFind albums by this artist, formed by keyboardist / electronic music composer John L. WaltersFind albums by this artist and keyboardist / composer Neil ArdleyFind albums by this artist, which also included trumpeter Ian CarrFind albums by this artist and guitarist / drummer Warren GrevesonFind albums by this artist. The album presents eight tracks, seven of which are original compositions by the quartet members and one is a re-composition of Thelonious MonkFind albums by this artist’s “Round Midnight”, which is among the most touching renditions of the tune I have ever heard.
This album is one of the most obscure and forgotten British Jazz gems, and is the last recording by Ardley, before he made a career change to become a prolific writer. The music is a pioneering amalgam of Jazz and electronic music, which at the time of its recording was pretty unprecedented. The music includes an arrangement of a fragment of Ardley’s “Kaleidoscope Of RainbowsFind albums with this title” and its general ambience is quite similar to his famous works.
Although Carr did nor compose any music on this album, his brilliant trumpet parts are definitely one of the highlights and his incredible talent to use dynamic in favor of the required effect to suit the music is clearly evident herein. Since he plays the only acoustic instrument, he is in charge of the electro-acoustic balance, which this music is all about. Carr’s enthusiasts might find his playing on this album as some of his most beautiful work ever.
Overall this highly original and unusual album is a gem worth to be discovered, which offers innovative approach to create Ambient Jazz without crossing over to synthesized kitsch, and which kept its aesthetic and Artistic values completely untouched by time.
Probably not easy to find a copy but definitely worth every effort, this album is a must in every comprehensive British Jazz collection.
| | Updated: 01/08/2021Posted: 01/08/2021 | CD 1 Recommend To A Friend |
|
