Record Reviews

GUSTAV BROM ~ JAZZ GALEN 19 157 (Barcode: 8594042901668) ~ CZECH REPUBLIC ~ Jazz Recorded: 1963 - 1965 Released: 2019 This is a reissue of the sensational debut album by Czech Jazz arranger / bandleader Gustav BromFind albums by this artist, who headed for five decades one the most renowned and highly regarded Jazz Orchestras / Big Bands in the world. This album, originally released in 1965, presents five (one a three-part suite) original compositions by musicians from his orchestra (two by trumpeter Jaromir HnilickaFind albums by this artist, and one each by saxophonist Josef AudesFind albums by this artist, pianist Oldrich BlachaFind albums by this artist and bassist Milan Rezabek)Find albums by this artist, one composition by the legendary modern Czech composer Pavel BlatnyFind albums by this artist and one arrangement (by saxophonist Zdenek NovakFind albums by this artist) of a standard by Oscar PetersonFind albums by this artist. This remastered edition offers a crystal clear sound quality and preserves the specific ambience of the original recording. It is almost impossible to believe that this music was recorded fifty-five years ago, as the music is so incredibly advanced and sophisticated in comparison to contemporary orchestral Jazz and light years ahead of what other Jazz orchestras around the world were playing at the time this music was recoded behind the Iron Curtain. The influence of Gunther SchullerFind albums by this artist´s "Third Stream" is especially obvious on the Blatny´s piece, but also resonates in the other pieces, as do Cool Jazz and the entire American West Coast ambience, but again only lurking somewhere in the background rather than being copied or mimicked. Brom manages to create his very own atmosphere, basically his very own unique statement. The level of the technical proficiency of the orchestra members is no less astounding, and easily matches that of players across the European divide as well as across the pond. The same easily applies to the arrangements and the overall orchestra sound. Brom and his Orchestra managed to record a string of highly successful albums, all of which are warmly recommended, especially those which feature his cooperation with the Polish composer Jerzy MilianFind albums by this artist, but this iconic album, available here on CD for the first time, is a true gem of special significance. For connoisseurs of Orchestral / Big Band Jazz this album is an absolute must and a wonderful example of the European Jazz idiosyncrasy. Side Note The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge. For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.

Updated: 02/06/2020Posted: 02/06/2020

CD 1 Digipak Remastered Recommend To A Friend

GUSTAV BROM ~ POLYMELOMODUS GAD 032 (Barcode: 5901549197402) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion Recorded: 1976 Released: 2015 This is a reissue of the cult album by the Czech arranger / bandleader Gustav BromFind albums by this artist and his Orchestra, released originally in Czechoslovakia in 1977 by the state owned SupraphonFind albums on this label label. During the post-WWII Socialist Era, the Gustav Brom OrchestraFind albums by this artist was the only Big Band from behind the Iron Curtain, which was known in the West and was considered to be one of the top Big Bands in the world. One of the characteristics of the Brom leadership was the fact that the orchestra performed mainly original compositions by the orchestra members. This album includes six pieces, five of which are original compositions by the orchestra members and one is an arrangement of a Steely DanFind albums by this artist song. This is the first time this album is available on CD and it includes one alternate take as a bonus track. The music is a remarkable amalgam of the Big Band sound with Jazz-Rock and Funk genres, which were popular at the time. Very few traditional Big Bands attempted to tackle the influx of new musical directions and therefore this album is so unique in its openness and forward thinking. The original music played by the orchestra is absolutely stunning, combining high-quality melodic themes with brilliant Big Band arrangements and superb execution by the orchestra members, which were all top Czechoslovak Jazz musicians active at the time. It´s remarkable how fresh and contemporary this album sounds today, losing absolutely nothing of its original charm and quality. Some of the Jazz-Rock arrangements present here are supreme classics of the Brass-Rock idiom. Considering the fact that Big Bands are a dying breed today, it´s so great to be able to listen to this marvel again and perhaps learn from it. This is another superb project by the excellent GADFind albums on this label Records label, which consistently earns a reputation of one of the most important reissue specialist labels in the world, under the leadership of the label owner Michal WilczynskiFind albums by this artist. Absolutely wholeheartedly recommended!

Updated: 23/02/2016Posted: 23/02/2016

CD 1 Remastered Bonus Tracks Recommend To A Friend

HANS KOLLER / BIG BAND ~ NEW YORK CITY (MOST PERFECT SOUND EDITION) MPS 9813437 ~ AUSTRIA ~ Jazz Absolutely astounding jazz suite / concerto for Big Band composed by Austrian composer / saxophonist Hans KollerFind albums by this artist and recorded in 1968 (but released only in 1979). The recording was done during a visit in Germany by the brilliant Czech jazz orchestra led by Gustav BromFind albums by this artist (members of the orchestra were all top Czech jazz players, including the phenomenal bassist Jiri MrazFind albums by this artist – who would soon after emigrate to the US and become George MrazFind albums by this artist). The orchestra was “strengthened” for the recording by adding some of the top German jazz players at the time (Emil MangelsdorffFind albums by this artist, Joki FreundFind albums by this artist and others) and the resulting lineup is simply phenomenal. Koller’s music is also outstanding - very modern, with some free elements and devilishly clever polyrhythmic structures. The entire suite has enough drama and substance to amaze even the most sophisticated listener and is years ahead of anything else in that musical domain. It is a prime example of the emergence of European jazz, which points in a new direction, continuing but also significantly altering the American jazz tradition. For any serious jazz aficionado this is a “must have” album essential for comprehension of the development of modern jazz. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet. In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker. Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace. In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically. Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.

Updated: 28/05/2018Posted:

CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend

NIKOLA KOLODZIEJCZYK ORCHESTRA ~ CHORD NATION FOR TUNE 0042 (Barcode: 5902768701487) ~ POLAND ~ Jazz Recorded: 2011 Released: 2014 This is the debut album by young Polish Jazz pianist / composer / bandleader Nikola KolodziejczykFind albums by this artist, recorded by a twenty five piece orchestra, with members who originate from three different countries, which presents a five-part suite, which in turn is a hybrid of contemporary Classical music, classic mainstream Big Band and Free Jazz / Improvised music. There is no doubt that this is a very ambitious project, brought into reality against all odds and one that refuses to compromise and takes no prisoners. Although highly motivated and certainly ingenious, this project is not quite as revolutionary or innovative as one might imagine. In fact it continues the European orchestral Jazz tradition, which followed a different path from the American orchestral Jazz tradition, which flourished in the US in the early 20th Century and was than imported into Europe and mimicked for a few decades until the emancipation of the European Jazz in the 1960s. Since than a long line of superb European Jazz orchestras carried the torch towards new horizons, starting with the British orchestras led by Neil ArdleyFind albums by this artist, Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist and many others and than gradually spread across Europe and even behind the Iron Curtain, with such notable bandleaders as Gunter HampelFind albums by this artist, Hans KollerFind albums by this artist, Martial SolalFind albums by this artist, Gustav BromFind albums by this artist and such distinguished ensembles as the NDR Big BandFind albums by this artist, the Vienna Art OrchestraFind albums by this artist and so many others. Many of these European Jazz orchestras often use similar characteristic devices to those used in the process of making the music heard on this album: switching between melodic mainstream Big Band parts and freely improvised passages, using string arrangements and wordless human vocalese, in short the typical palette of contemporary European Jazz orchestral music. Considering Kolodziejczyk´s age, limited experience, restricted resources and all the obstacles that he had to confront in order to record this album, one must admit that this is a remarkable achievement, not only from the aesthetic perspective but also from the pure organizational one. But of course most listeners are not really interested in the behind the scenes of music making and judge it by what they hear. As far as the music is concerned, Kolodziejczyk presents a collection of sonic plateaus, which intertwine and develop slowly, and are best listened to in the sequence dictated by the album´s tracks and as a whole. The separate parts of the suite do not really stand on their own, as the melodic content of the entire proceedings is relatively limited. To use a metaphor from a different media, the suite makes sense the same way a complete canvas of a painting makes sense, and wouldn´t do so if looked at when sliced into several pieces. At times one might get the impression that this music is more about "how" than about "what". Kolodziejczyk is obviously enamored with the bag of tricks that are at his disposal as a composer / orchestrator, and with the sound of the orchestra, much more than with the actual compositions, and as a result we get a complex baroque musical structure, supported by quite simple foundations. Sometimes the instinctive urge to show as much of one´s talents as possible, here and now, can prove hazardous. This often happens to young and talented artists and is quite meaningless in a long range, provided that Kolodziejczyk is treating this project as just one of many lessons he has to go through during his long and hopefully very successful career. All in all this is a very impressive, ambitious and unusual debut album by an obviously talented musician / composer, who presents enormous potential, which hopefully will be fully realized in his future projects. Since orchestral Jazz albums are extremely rare, this is even more of a valuable contribution to the Polish Jazz scene. Thanks to For Tune for finally releasing this album, over three years after it was recorded, it´s certainly better off now in the open for all music lovers to enjoy. I am anxiously waiting for the next project.

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JERZY MILIAN ~ BLUES FOR PRAHA GAD 007 (Barcode: 5901549197068) ~ POLAND ~ Jazz Recorded: 1965 - 1966 Released: 2013 The Polish GADFind albums on this label Records label has become a treasure chest of archival recordings by Polish Jazz and Rock artists and in the short period of time since 2010, when the label released its first album, it established its position on the market as a dedicated and reliable source of interesting material. This album follows the already established pattern and is the second volume of archival material by legendary Polish Jazz vibraphonist / composer Jerzy MilianFind albums by this artist, one of the forefathers of modern Polish Jazz. The material collected here was recorded in former Czechoslovakia, Poland´s southern neighbor, which had a wonderful Jazz scene as well at the time these recordings were made, i.e. mid-1960s. For many reasons, which fall far beyond the scope of a record review, the cooperation between these two scenes was rather limited, and therefore this album is especially important, as it documents a little known chapter of Eastern European Jazz. Milian established collaboration with Gustav BromFind albums by this artist, the founder and leader of the legendary Gustav Brom OrchestraFind albums by this artist, which was one of the best Jazz Big Bands in Europe at the time. He performed and recorded with the orchestra several times until the brutal Warsaw Pact invasion of Czechoslovakia in 1968, which put an end to the Prague Spring. The material collected here presents four studio tracks recorded by the Czech radio and three live tracks recorded a few months later. Two tracks are Milian originals and one was composed by the Gustav Brom Orchestra´s bassist Milan RezabekFind albums by this artist. The remaining four tracks are standards. The American trumpeter Ted CursonFind albums by this artist, who often visited Eastern Europe and recorded in Poland as well, solos along Milian on one track. All tracks feature extended solos by Milian and are a wonderful testimony to his virtuosic abilities. The orchestra also performs quite splendidly of course, even in the trickiest moments. The music is nor terribly innovative, moving within the established boundaries of Bee Bop and Cool, but is definitely well played. Overall this is yet another glace at the Polish Jazz history, which of course deserves to be remembered. With remastered and restored sound and informative booklet (including text in English), this album is definitely worth checking out by any connoisseur of European Jazz, looking for another perspective.

CD 1 Remastered Recommend To A Friend

VARIOUS ARTISTS ~ JAZZ AUF AMIGA 1956-1962 EDEL CONTENT 4029759080589 (Barcode: 4029759080589) ~ GERMANY ~ Jazz Recorded: 1956 - 1962 Released: 2012 This is a reissue (first time on CD) of the album which documents early Jazz recordings made in East Germany. It collects sixteen tracks recorded between 1955 and 1962 by various East German ensembles, such as Jazz Optimisten BerlinFind albums by this artist, Johannes RediskeFind albums by this artist Quintet, Werner PfullerFind albums by this artist Quintet and others, as well as ensembles led by Czechoslovak bandleader Gustav BromFind albums by this artist. Stylistically the music covers everything between traditional Dixieland Jazz to early modern Jazz, presenting a wide scope of the East German Jazz scene and the excellent level of musicianship involved. This album is not only a collection of great Jazz tracks but more importantly a historical document that keeps these recordings alive for posterity. Recorded at the time when East Germany was almost completely isolated politically and economically from Western Europe, it shows that modern Jazz trends managed to trickle through the country´s borders and were picked up by those wonderful musicians. For people interested in the development of Jazz behind the Iron Curtain, this is a must have, especially in vie of the fact that these recordings have a wonderful sound quality, which is pretty rare for collections of such type. Recommended! Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems. Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!

Updated: 12/06/2016Posted: 12/06/2016

CD 1 Recommend To A Friend