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4 Reviews Found. Use search to find more reviews or follow the links in the review text.

GENERATION NEXT ~ LIVE AT JAZZ NAD ODRA
SJ 007 (Barcode: 5902596066062) ~ POLAND ~ Jazz

Recorded: 2013 Released: 2013

This is the debut album by the Polish Jazz sextet, which as the name suggests, presents the Father-to Son continuity on the local scene; four of the sextet´s members are second generation of Polish Jazz personalities. Trumpeter Piotr SchmidtFind albums by this artist is a son of Andrzej SchmidtFind albums by this artist, a renowned educator and author of Jazz history books, trombonist Jacek NamyslowskiFind albums by this artist is a son of the legendary saxophonist / composer Zbigniew NamyslowskiFind albums by this artist, Gabriel NiedzielaFind albums by this artist is a son of the celebrated bassist / composer Jacek NiedzielaFind albums by this artist and finally saxophonist Tomasz WendtFind albums by this artist is a son of saxophonist Adam WendtFind albums by this artist. The remaining two members of the sextet are Italian bassist Francesco AngiuliFind albums by this artist and veteran drummer Arek SkolikFind albums by this artist. The sextet performs seven original compositions, two each by Schmidt, Namyslowski and Wendt and one by Niedziela. The material was recorded live at the Jazz Nad Odra Festival and at the Polish Radio´s Warsaw studio.

The idea of forming a musical ensemble based on the fact that the members have something in common, other than the music they play, is always a perilous affair. Just imagine a group of left-handed players, or red-haired players or musicians who like strawberry ice cream? This is perhaps not the case at hand, but on the other hand it is difficult to guess what the purpose of this sextet really is. The music they play is straight-forward mainstream, which is completely déjà-vu and contributes no thrill and no challenge. Yes, they are all excellent players individually, but does their presence together on this album create any special interaction, which would have not happened in different circumstances? Not really.

So here we have it, an unremarkable Jazz recording, which is listenable enough but simply fades away as soon as the music is over. Considering the fact that there are hordes of fabulous young Jazz musicians on the Polish scene, who make outstanding music, this is sadly an example of what should be avoided.
 CD 1 Digipak Recommend To A Friend

LNSD QUARTET ~ UNASKED, UNANSWERED
HEVHETIA 0223 (Barcode: 8588005259040) ~ POLAND ~ Jazz

Recorded: 2020 Released: 2021

This is the debut album by the Polish Jazz ensemble LNSD QuartetFind albums by this artist, which comprises of saxophonist Szymon LukowskiFind albums by this artist, guitarist Gabriel NiedzielaFind albums by this artist, keyboardist Jan SmoczynskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents seven original compositions, five by Lukowski and one each by Smoczynski and Niedziela. The album was recorded at the Studio Tokarnia and engineered by Smoczynski.

The music is quite different from the three albums recorded earlier by Lukowski as a leader, which were all pretty mainstream Jazz oriented, whereas this album offers a different approach, still melody based and musically straightforward, but with a highly unique sound created by the synthesized keyboards, at times almost industrial, Funky / Fusiony guitar sound and busy drumming, which together create a heavy, somewhat muddy / murky / distorted sound, and which takes a while to get adopted to and prompts the listener to check his ears / sound system to make sure that what he hears is what was intended to be heard.

I admit that it took some effort to accept the music for what it is and by the second listening it started to make perfect sense. There is plenty if great music under the murky exterior and the darkish atmosphere of the album has its fortes. Lukowski and Niedziela play some excellent soli here, and Smoczynski is busy enough with creating the ambient background, while Dobrowolski sets the paste with his usual precision and artistry.

Overall, this is a very unusual sounding album, which offers some excellent compositions and great performances, but requires open-mindedness as far as the sound and ambience are concerned. Patience is, as usual, well rewarded! Jazz lovers, who are into novel sound experiments, should have a field day with this album.
Updated: 02/04/2022Posted: 02/04/2022CD 1 Digipak Recommend To A Friend

SOUND PACK ~ ON AIR
SJ 045 (Barcode: 5912596066801) ~ POLAND ~ Jazz

Recorded: 2019 Released: 2019

This is the debut album by the Polish Jazz vocal quartet The Sound PackFind albums by this artist, led by Marcin WawrzynowiczFind albums by this artist, which also includes three female singers: Joanna Swiniarska-SzebeszczykFind albums by this artist, Katarzyna MirowskaFind albums by this artist and Malgorzata BiniekFind albums by this artist. They are accompanied by a splendid instrumental septet, which comprises of trumpeter Dominik MietlaFind albums by this artist, saxophonist Marcin KaletkaFind albums by this artist, trombonist Lukasz RakalskiFind albums by this artist (who was in charge of the excellent instrumental arrangements), guitarist Gabriel NiedzielaFind albums by this artist, pianist Boguslaw KaczmarFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist (who was also in charge of the album´s mix). The vocal arrangements were supplied by veteran Polish Jazz musician / arranger Aleksander MazurFind albums by this artist (more about him later). The album presents ten Jazz standards, nine of which are evergreens known to every Jazz fan around the world and one originates in Poland. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist offering the usual splendid sound quality.

To anybody familiar with Polish Jazz this album immediately brings on the obvious association with the legendary and phenomenal Polish Jazz vocal quartet NOVIFind albums by this artist, which clearly also sets an incredibly tough and perhaps even unfair standard of comparison. After just a few seconds into the music the association becomes a reality, which is not entirely surprising considering the fact that Mazur worked with NOVI on one of their later albums and was involved with arranging for vocal groups for years. Therefore rather than comparing this album with those made by NOVI, I´d like to say that it is good to see (well, hear) finally someone who dares to stand up to the challenges and continue the Polish Jazz vocal quartet legacy.

The album offers excellent vocal arrangements and up to date instrumental approach, which allows for soloing by the individual players. All the performances, vocal and instrumental as one, are first rate and represent the fabulous level of the young Polish Jazz generation. The bluesy guitar parts by Niedziela and lyrical piano parts by Kaczmar are my personal favorites, but again everybody performs splendidly. The vocal parts deliver both lyrics and vocalese with the same level of harmonic perfection.

Some critical notes, however, are also in order: the choice of material is a tad too obvious / trifling, which can be forgiven considering this is a debut outing, and hopefully will be improved on future recordings. Although the singing of lyrics in English is not particularly ostracizing here, the sole song in Polish is an example of how things could be done better?

Overall this is a splendid debut offering, which is a true pleasure to listen to from start to finish and a delightful experience for Jazz vocal group connoisseurs. Looking forward for the next album already, well done Ladies and Gents!
Updated: 13/02/2023Posted: 26/10/2019CD 1 Digipak Recommend To A Friend

MICHAL URBANIAK ORGANATOR ~ D-DAY IN TOMASZOW
FOR TUNE 0171 (Barcode: 5906395808878) ~ POLAND ~ Jazz

Recorded: 2019 Released: 2024

This is a live album by Polish Jazz saxophonist / violinist / composer / bandleader Michal UrbaniakFind albums by this artist, one of the Godfathers of the modern Polish Jazz scene and one of a few Polish Jazz musicians, who managed to develop a career in the US, including even a short stint with Miles DavisFind albums by this artist. The music was a recorded by a quintet, which includes another Polish Jazz legend and Urbaniak’s collaborator for many years, pianist / organist Wojciech KarolakFind albums by this artist, which sadly marks one of Karolak’s last live appearances before his untimely death in 2021. The rest of the quintet comprises of trumpeter Piotr WojtasikFind albums by this artist, guitarist Gabriel NiedzielaFind albums by this artist and American, resident in Poland, drummer Frank ParkerFind albums by this artist. The album presents six tracks, three of which are original compositions by Urbaniak and three are standards. Karolak’s presence hints as to the quintet’s moniker chosen for this quartet.

As appropriate for a live album, the tracks are extended, all bar one lasting for over twelve minutes, which of course offers a splendid opportunity for musicians to solo at length, and which is highly enjoyed by the audience. Urbaniak displays his incredible virtuosity on the violin, which actually was his second instrument, as his early career was devoted to the saxophone. During this concert he plays the saxophone on three tracks. Karolak’s Hammond playing is absolutely delightful, and he was always a completely reliable player of great imagination and most importantly superb taste. The rest of the team also performs splendidly, supporting the two veterans amicably and with obvious respect.

Urbaniak’s compositions are obviously the more interesting material, especially his reference to the fusion of Polish Folklore elements with Jazz, which brought him fame in the 1970s, when he recorded the series of three such Fusion albums (“FusionFind albums with this title”, “AtmaFind albums with this title” and “Fusion IIIFind albums with this title” for ColumbiaFind albums on this label Records in the US), which were revolutionary and visionary at the time and still remain as some of the most rewarding example of this genre. Karolak played on the first two of these albums.

Overall, this is a wonderful snapshot of two Polish Jazz greats in action, which captures them at full swing, to the delight of the concert audience, and now also available as a lasting reminder of their talent. For Polish Jazz lovers this is obviously a must have item, and as usual kudos to the For TuneFind albums on this label label for keeping these memories alive.
Updated: 13/02/2025Posted: 13/02/2025CD 1 Digipak Recommend To A Friend

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