Record Reviews

FREE COOPERATION ~ POLISH RADIO JAZZ ARCHIVES VOL.18 POLSKIE RADIO 1668 (Barcode: 5907812246686) ~ POLAND ~ Jazz Recorded: 1985 Released: 2014 This is the eighteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is perhaps one of the most important pieces of the Polish Jazz legacy issued so far as a part of this series. It presents the cult Free CooperationFind albums by this artist ensemble, an informal gathering of top young Polish Jazz musicians active in the 1980s, which in retrospect turned out to be the next generation of the local scene, which carried on the tradition into the difficult next decade, after Poland finally received its political independence. The music of Free Cooperation was an eccentric amalgam of cross-genre explorations, moving between Reggae and Jazz-Rock, through the Jazz Big Band tradition and far out into collective improvisation and even some World Music influences. The music was composed by the ensemble´s members, like keyboardist Wojciech KonikiewiczFind albums by this artist, flautist / saxophonist Aleksander KoreckiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Wojciech CzajkowskiFind albums by this artist. Among the ensemble members we find the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, whose solos on this album are absolutely breathtaking. Other members include trumpeters Antoni GralakFind albums by this artist and Mariusz StopnickiFind albums by this artist, saxophonists Mateusz PospieszalskiFind albums by this artist and Marek KazanaFind albums by this artist, trombonist Bronislaw DuzyFind albums by this artist, electric bassist Marcin PospieszalskiFind albums by this artist, violinist Henryk GembalskiFind albums by this artist and drummers Michal ZduniakFind albums by this artist and Sarandis JuvanudisFind albums by this artist. Piotr BikontFind albums by this artist recited poetry, which accompanied some of the compositions. Listening to the music today, almost three decades after it was recorded, clearly points out how revolutionary and ahead of its time it was, not only as far as the local scene is concerned, but on the entire European Jazz scale. Free Cooperation came to the public attention thanks to their appearance at the 1985 Jazz Jamboree festival, which is documented here on one of the tracks; the other six tracks were recorded at the Polish Radio Studio in Poznan some months earlier. The ensemble was active between 1985 and 1988 and recorded two albums for the PoljazzFind albums on this label label, which are still waiting to be reissued, which is a true shame. In April 2014 the remaining members reactivated Free Cooperation playing a gig in a club in Krakow. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must. Side Note: In 1985 I returned to Poland for the first time after leaving the country in 1967, in order to record the now legendary "The Book Of JobFind albums with this title" project (follow the link to read the entire story). Andrzej Przybielski was one of the musicians participating in that project and he told me about Free Cooperation, which I than saw in person a few days after the recording was over on the stage of the Sala Kongresowa during the a.m. Jazz Jamboree performance, which of course left me flabbergasted. This album is therefore especially dear to my heart.

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GREEN REVOLUTION ~ REWOLUCJA ZIELONA GAD 203 (Barcode: 5903068123030) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1987 - 1988 Released: 2022 This is an archival album by the Polish Fusion / Funk / Brass Rock ensemble Green RevolutionFind albums by this artist, led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist and including vocalist Jorgos SkoliasFind albums by this artist, trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonists Marek KazanaFind albums by this artist and Michal KulentyFind albums by this artist, guitarist Krzysztof SzmigieroFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist and Zbigniew HeflichFind albums by this artist. The album presents five compositions, all by Konikiewicz, who also wrote the lyrics to four of the tracks and programmed the drum machines. One track uses lyrics written by Polish poet Miron BialoszewskiFind albums by this artist. The album was previously unreleased and was the second album recorded by the ensemble, which was active between mid-1980s and mid-1990s. The album symbolizes the musical philosophy of Konikiewicz, which completely disregards fads and fashions, ready to incorporate every possible genre and style, as long as it is honest and bullshit free, which of course ostracized him from the Polish Jazz mainstream / establishment, a fact which never seemed to worry him too much or influence his modus operandi. The list of musicians participating in the album’s creation is a wonderful collection of “strange birds”, mostly from the Polish Avant-Garde underground, which flourished at the time, all of which were brilliant musicians destined to remain in the shadows. It took many years to earn them the proper recognition, which in some case is still much belated. The music, despite its complexity and multilayered density, is remarkably accessible and enjoyable to a wide audience, incorporating Funk, Fusion, Reggae and even some early Rap with Jazz, sometimes as advanced as Free Jazz. Fused together it all makes perfect sense and offers a great listening experience, and must have been a blast when performed live on stage. All the players offer some great soli, and the Brass players are of course legendary, which makes every note they recorded a valuable addition to their rather limited recorded legacy. Konikiewicz, who at any given time was involved in several musical projects in parallel, continued his activity over the years to come, often against the stream, but always true to himself, creating a lot of remarkable music over time, which in the last years is finally being given the attention it deserves. This unknown gem of Polish Jazz history is long overdue to see the light of day, but completely relevant and fresh today – highly recommended!

Updated: 27/04/2022Posted: 27/04/2022

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LIDIA POSPIESZALSKA ~ INAIJE MTJ 11844 (Barcode: 5906409118443) ~ POLAND ~ Jazz Recorded: 2007 Released: 2018 This is a reissue of the debut album by Polish singer / songwriter Lidia PospieszalskaFind albums by this artist recorded in 2007 with a formidable team of excellent musicians, many from the Polish Jazz scene, including her husband / bassist Marcin PospieszalskiFind albums by this artist and many other members of the Pospieszalski musical clan, as well as keyboardist Joachim MencelFind albums by this artist, drummer Kamil CudzichFind albums by this artist and others. The album presents ten original songs, all composed or co-composed by Pospieszalska with her husband, and one arrangement of a traditional Folk song. It is worth mentioning that the album was also recently beautifully reissued on vinyl. Although I try to keep my ears close to the ground as far as the Polish music scene is concerned, I admit that I was completely unaware of this album at the time of its release, and the recent vinyl reissue prompted me to listen to it for the first time. Shame on me of course. Although not a strictly Jazz album, the music has a strong Jazzy feel and many of the exquisite instrumental arrangements are soaked with Jazz undercurrents and instrumental soloing. Therefore, the album can be easily considered as a vocal Jazz album, honestly more than many other albums that claim to by just that, even if it includes some Blues, Funk, Brass Rock and Groove influences and even Rap parts. Music knows no genre limits, as we all know. It is pretty amazing how fresh and relevant this album sounds today, fifteen years after it was recorded, which means that excellent music ages well, especially when there is little competition all around. Pospieszalska has a wonderful gift of songweaving and her melodies go straight into the heart of the listener. Combined with the intelligent lyrics these songs are both a great fun to listen to and a pleasant aesthetic offering, which is captivating. Overall, this is a wonderful piece of music, and it is great to have it available again. It’s never too late to grab a copy and enjoy this album, which is a true gem. Thank you, my Dear, for this gift of music.

Updated: 17/08/2022Posted: 17/08/2022

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LIDIA POSPIESZALSKA ~ PODROZE NA CHMURZE MTJ 11808 (Barcode: 5906409118085) ~ POLAND ~ Jazz & Poetry Recorded: 2017 Released: 2017 This is the second album by Polish singer / songwriter Lidia PospieszalskaFind albums by this artist recorded with no less than twenty excellent musicians, many from the Polish Jazz scene, including her husband / bassist Marcin PospieszalskiFind albums by this artist and many other members of the Pospieszalski musical clan. The album presents fourteen original songs, all composed (or in one case co-composed) by Pospieszalska. I admit that I was completely unaware of this album at the time of its release, and due to the recent vinyl reissue of her debut album “InaijeFind albums with this title” from 2007, she sent me a copy of this album along with the vinyl, which made me decide to write about it, since its anonymity is a crying shame. Although not a Jazz album per se, the music has a strong Jazzy feel and many of the instrumental arrangements are soaked with Jazz undercurrents. Combined with the vocalese (not all songs have lyrics), the music is, after all not surprisingly, very close to Jazz and the album can be easily considered as Jazz & Poetry – my favorite sub-genre as everybody already knows. But the most astonishing facet of this album are the exquisite compositions, all of which are heartfelt and deeply touching. It is very rare that all of the songs on an album are of such superb musical quality like those present here, which is a miracle of sorts. I have listened to this album on “repeat” several times, and was simply flabbergasted by the charm and magic of these songs. Pospieszalska is also a great performer, perhaps not a vocal virtuoso, but certainly offers sublime sensitivity in her delivery. This, in addition to the superb instrumental parts by some of the most talented musicians on the Polish scene, create a beautiful album, that deserves to be heard by all sensitive, artistically inclined listeners. Overall, this is a wonderful surprise, a deeply moving piece of music, which sadly remains little known, despite its amazing quality. Well, It’s never too late to grab a copy and fall in love with this gem of an album. Thank you, my Dear, for this gift of music.

Updated: 04/08/2022Posted: 04/08/2022

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TIE BREAK ~ THE END AGORA 5903111494148 (Barcode: 5903111494148) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2014 - 2018 Released: 2019 This is an album by the legendary Polish ensemble Tie BreakFind albums by this artist, which features four founding members of the ensemble: trumpeter Antoni GralakFind albums by this artist, saxophonist Mateusz PospieszalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Marcin PospieszalskiFind albums by this artist and also American (resident in Poland) drummer Frank ParkerFind albums by this artist. The album presents nine tracks, all co-composed by the ensemble members, five of which also include lyrics which are chanted (rather than sung) by the ensemble in a Greek chorus manner. The music was recorded during three separate sessions between 2014 and 2018. Following the release of the marvelous "Tie Break (Box Set)Find albums with this title" in 2014, which summed up the ensemble´s output recorded between 1984 and 1995, it seemed that the fate of Tie Break was sealed, but apparently the protagonists thought otherwise and continued to make music together, which is collected here. Following this pattern, one might hope that the ominous title of this album is also only temporary, as Tie Break definitely has still more energy and creativity than most young contemporary ensembles. The music is, not surprisingly, completely unique; a zany mixture of Rock, Funk, Punk, World Music and Jazz worthy of epic Frank ZappaFind albums by this artist and his Mothers Of InventionFind albums by this artist proportions. This music is bolder than most contemporary Rock, Funkier that today´s Funk, way Punkish than anything in Punk history and still Free Jazzier than most. The overall sound of the ensemble manages to create a wall of sound effect, which allows every tiny detail of the multi-layered complexity to be heard clearly and distinctly. The music has elements of marching funeral bands, Balkan wedding music, Polish Folklore and countless other relations, which can only be discovered as a result of repeated listening sessions. In short there never was anything in the Polish music history close to Tie Break, and following this album, the gap becomes even deeper. Although the ingredients of which the music of Tie Break is made of is not Avant-Garde as such, the unique combination and the obvious "oppositional" attitude to everything mainstream is still deeply implanted in this music and it is obviously refusing to be tamed. The album pays tribute to all the numerous members of the ensemble over the years and other outside of the mainstream great Polish musicians like the lamented Andrzej PrzybielskiFind albums by this artist, including the founding member Krzysztof MajchrzakFind albums by this artist, whom I had the pleasure to meet a few weeks ago and reminiscence early days of the ensemble and many other things with. In short this is a brilliant piece of music, full of creativity, ingeniousness and pure joy, completely unique and striking, unconventional and as musically anti-establishment as music can be. I refuse to interpret the album´s title literally and already long for the next chapter in Tie Break´s journey! The End of boredom is definitely here!

Updated: 21/12/2019Posted: 20/12/2019

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TIE BREAK ~ TIE BREAK (BOX SET) NOT ON LABEL ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 1984 - 1995 Released: 2014 This incredible Box Set is a long overdue tribute and homage to Tie BreakFind albums by this artist, one of Poland´s most important ensembles in the country´s modern music history, a cult phenomenon known mostly only to insiders and a cradle of the Polish rebellious musical underground, which kept the flame of uncompromised Artistic expression burning for decades, while the rest of the scene was drowning in opportunistic nothingness and anticultural shite. Of course analyzing the importance of Tie Break is impossible without explaining the political, social, economic and historical background of Poland during the period spanning about three decades from the early 1970s to the late 1990s, which is the period when the ensemble was active in one form or another. However, as usual, a scope of a music review is definitely way too limited to even attempt such a challenging task, therefore my references to these subjects will be naturally limited. It is important to remember that these were the most tumultuous years for the Polish People, and amongst them Polish Artists, which saw a gradual but dramatic transformation from the darkest pits of Socialist Regime to a free Democratic society, a process of unparalleled National trauma and Social upheaval. Tie Break hails from Czestochowa, a provincial Polish town (which happens to be the birthplace of my Father), famous as one of Poland´s most important religious centers, with the Pauline Monastery of Jasna Gora and its Black Madonna painting drawing millions of Catholic pilgrims every year from the world over. Even during the darkest times of the Socialist Regime the town kept being flooded by pilgrims, to the dismay of the ruling party officials. In order to change the town´s image a huge steel mill and other industrial enterprises were constructed in the area, which caused a rapid expansion of the town (and of course massive pollution). In retrospect Czestochowa had its share of unholy activities, with dozens of Beat and Rock groups active in the city since the late 1960s, and the early days of Tie Break are largely a result of this background, leading to the formation of the ensemble in the late 1970s. Music was, after all, a most popular method of escapism for young people living at the time on both sides of the Iron Curtain. The need to escape reality was as strong in the case of deep economic depression in the West as it was in the case of oppressive ideology in the East. The group went through many personnel changes during its early days, but eventually the core crystallized around four musicians: trumpeter Antoni GralakFind albums by this artist, saxophonist Mateusz PospieszalskiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Marcin PospieszalskiFind albums by this artist. The booklet accompanying this Box Set lists twenty three musicians, who cooperated with the ensemble for various periods of time over the years. The music of Tie Break was a completely unique and immediately recognizable amalgam of Rock, Funk, Jazz, Avant-Garde and World Music influences, which was light-years ahead of its time and kept developing constantly during the time of its existence. In parallel to their activities with Tie Break, the ensemble members also took part in other revolutionary enterprises on the local scene, like the legendary Free CooperationFind albums by this artist ensemble or the Young PowerFind albums by this artist ensemble, and appeared under different monikers playing more Rock oriented material, such as the SvoraFind albums by this artist group with vocalist Stanislaw SojkaFind albums by this artist or the WooBooDooFind albums by this artist group. And yet in spite of their obvious talents and brilliant music-making the musicians of Tie Break and the ensemble itself were left to vegetate on the very outskirts of the local scene, with obvious animosity and dislike from almost everybody connected to the music scene: media, record labels, press and even fellow Jazz musicians, especially those mainstream veterans who felt threatened by their innovative and uncompromising approach to music. Tie Break had to wait for over ten years to record their debut album, the eponymous live album recorded in 1988 and released a year later, and recorded only four proper albums altogether during their career. Although their music was mostly instrumental, they used sometimes lyrics in an imaginary gibberish language. Their fourth and last album was an outstanding Jazz & Poetry project, which featured the great vocalist of Greek origin, Jorgos SkoliasFind albums by this artist, singing poems written by the priest / poet Jan TwardowskiFind albums by this artist. Listening to the music of Tie Break brings on in retrospect the obvious influences that shaped the ensemble´s creations: first and foremost the improvisational freedom of John ColtraneFind albums by this artist, which seems to be the most significant ingredient linking the ensemble members, but there are also obvious shades of the late Miles DavisFind albums by this artist bands with their heavy Funk, as well as contemplative Indian music, tribal chants and other folkloristic elements. And of course above all there is the omnipresent spice of craziness, madness, artistic folly and zaniness, which turn the music from being just great into being divine. Some music critics credit Tie Break for being precursors of Yass, but personally I don´t support this line of thought. Yass was motivated mainly by protest and revolt against old ways (of Jazz), whereas Tie Break were simply inventing new Jazz in a most positive way they could think off, in complete disregard of commercialism, opportunism and fads of fashion, as appropriate for true anarchists, and as most anarchist they never achieved fame and fortune, but they managed to expand the borders of our culture more than most others, for which they deserve our eternal gratitude. This Box Set includes remastered versions of the four Tie Break albums and three additional CDs with archive and radio recordings by Tie Break, Svora and WooBooDoo. Beautifully packaged and accompanied by a gorgeous booklet with original artwork and in-depth interviews with Tie Break members, this is obviously a labor of love and finally a much deserved retrospective of one of Poland´s most meaningful musical contributors. This is an absolute must to any serious Polish Jazz or Polish Culture connoisseur.

Updated: 12/04/2019Posted:

CD 7 Digipak Box Set Remastered Bonus Tracks Essential Recommend To A Friend

TRIBUTE TO MILES ORCHESTRA ~ LIVE WARNER MUSIC POLAND 039842388922 (Barcode: 039842388922) ~ POLAND ~ Jazz Recorded: 1998 Released: 1998 This is the only album by Polish Jazz ensemble Tribute To Miles OrchestraFind albums by this artist (a.k.a. TTMOFind albums by this artist), led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Mariusz MielczarekFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist, drummer Radek MacinskiFind albums by this artist and percussionist (usually keyboardists) Piotr IwickiFind albums by this artist. The album, which was recorded live at the legendary Akwarium club in Warsaw, presents six compositions, five of which are by Miles DavisFind albums by this artist and one is by Konikiewicz (dedicated to Davis). Musically the album presents the style Miles Davis utilized during the last period of his career, when he switched to Warner Bros. and released the world shattering "TutuFind albums with this title", presenting a combination of Funk and electronic music, which at the time was as innovative as every other giant step Davis took during his career. The Polish Jazz musicians handle the Funk rhythmic challenge formidably and paraphrasing on the "white man can´t jump" - white man definitely can Funk! There are plenty of superb solos and passionate moments, as well as interesting arrangements of earlier Davis compositions transcribed into the Funky style. The remarkable bass playing, which is the basis upon which this music is built, is the core element of its success. But all the participants are contributing extraordinarily and the overall result is way beyond what one might expect. The most thrilling and astonishing facet of this album is the presence of trumpeter Andrzej Przybielski, who is ordinarily associated with the Free / Avant-Garde Polish scene. This is surely the most "conventional" recording that Przybielski ever took part in and his sound and imitation of the Miles Davis phrasing are simply marvelous. The invitation of Przybielski to participate on this album was a prophetic and bold move by Konikiewicz, who is therefore credited for showing us a face of the legendary trumpeter that we never knew about and is preserved here for posterity. There is no doubt that the idea behind this album was influenced by the two Miles Davis visits in Poland, in 1983 and in 1988 (I attended that concert), which are generally accepted as life changing experience for the Polish Jazz scene, both collectively as a community and individually as directly influencing the local musicians. The second visit, which happened shortly before Poland was finally released from the grip of the Socialist regime, was a symbol of a changing reality, which at the time was just around the corner (pun intended). The album suffers from some minor sound quality problems due to the recording conditions, but those are completely negligible in view of the musical contents and the historic significance of this album. The fact that this album disappeared from the shelves almost immediately after it was released and was never reissued is a crying shame.

Updated: 12/04/2019Posted:

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