Record Reviews
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  | STANKO – MAKOWICZ UNIT ~ STANKO – MAKOWICZ UNIT FEATURING CZESLAW BARTKOWSKI
B.FREE 6097 ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 1975 Released: 2016
This is a reissue of the little known album by the Polish Jazz ensemble Stanko – Makowicz UnitFind albums by this artist, released originally by a small independent German label JGFind albums on this label Records. It is one of the two albums this ensemble recorded, the other one being the eponymous album released by the legendary Polish label PoljazzFind albums on this label, which to this day was not reissued on CD. On this album the ensemble is a trio with Tomasz StankoFind albums by this artist on trumpet, Adam MakowiczFind albums by this artist on electric piano and Czeslaw BartkowskiFind albums by this artist on drums, whereas the Poljazz album was recorded by a quartet with Pawel JarzebskiFind albums by this artist on bass. Both albums have a completely different set of tunes on them. On this album the ensemble performs seven tunes, two each by Stanko and Makowicz, one credited to all three members of the ensemble and the remaining two being standards one each by John ColtraneFind albums by this artist and Miles DavisFind albums by this artist. The album´s artwork does not specify the date or place of the recording, except for stating that it was recorded in 1975, same as the Poljazz album. Since there is no applause one can assume it is a studio recording. Chronologically this album was recorded shortly before Stanko recorded his first album for ECMFind albums on this label ("BalladynaFind albums with this title" recorded December 1975), which was the jumpstart of his international career.
The music is typical of Stanko´s mid 1970s period, which marked his beautiful amalgamation of melody and Free Jazz excursions, dominated by his "dirty" hoarse sound, which was his trademark for many years. Makowicz, who was one of the leading pianists on the Polish scene at the time, before he left for the US, was an ideal partner for Stanko in this particular setup, using the electric piano he embraced while being a member of the Michal UrbaniakFind albums by this artist´s Fusion groups. Bartkowski, also a leading figure on the Polish scene, was a Master drummer and felt perfectly comfortable in any stylistic setting, supports the duo amicably.
Although the recording quality and the overall sound of this album is not as good as one might have hoped for, it is definitely perfectly acceptable, in contrast to what some "critics" wrote about this album over time. The same, or even more strongly, is valid as far as the musical contents and the playing are concerned, which are absolutely superb. This is one of the most intimate Stanko recordings ever, and his trumpet playing is leading the music boldly and authoritatively.
In retrospect this is a tremendous piece of history of the Polish / European Jazz and of course of Stanko´s contribution to the genre, as the leading Free Jazz trumpeter of the period. For Polish Jazz connoisseurs and Stanko followers this album is an absolute must have of course.
| | Updated: 28/04/2018Posted: 28/04/2018 | CD 1 Digipak Recommend To A Friend |
  | JACEK BEDNAREK / KRZYSZTOF ZGRAJA DUO ~ WALKING COLOR
GAD 047 (Barcode: 5901549197617) ~ POLAND ~ Jazz
Recorded: 1979 - 1982 Released: 2016
This is a reissue (first time on CD) of one of my all time favorite Polish Jazz albums, recorded by the superb duo which comprised of bassist / composer Jacek BednarekFind albums by this artist and flautist / composer Krzysztof ZgrajaFind albums by this artist. The original album, released on the legendary PoljazzFind albums on this label label in 1983, presented seven compositions, six of which were composed by Zgraja and one was composed by Bednarek. As usual with the splendid GADFind albums on this label Records reissues, the album was expanded by seven previously unreleased additional pieces, all of which were recorded at the Polish Radio studio in Katowice, same as the material included on the original album, but during two different recording sessions. The entire album was beautifully remastered from the original master tapes and the album includes an extensive and again, as usual, highly informative bi-lingual booklet with background information about the album´s background.
The music is a wonderful collection of cross-genre compositions, which amalgamate Jazz with World Music influences, contemporary Classical Music and many other musical sources. Beautifully melodic and highly advanced harmonically, this music is completely timeless and sound today as fresh as it was at the time of its recording.
Both Bednarek and Zgraja play brilliantly and their virtuosity is stunning. The ideas and the sound were light-years ahead of their time, as was the concept of the duo, which was completely innovative on the Polish Jazz scene at the time. Sadly they recorded only one more album together (a live recording, which hopefully GAD Records will reissue ASAP), before parting, and never managed to work together again before Bednarek´s untimely death in 1990.
This album is not only an extremely important document of the Polish Jazz history but also a milestone in the "Art of the Duo" idiom and a luminous example of flute performances, which are among the most significant in European Jazz history. Zgraja, who now resides in Germany, still plays, composes and teaches music and is one of the top flute specialists in the world.
In retrospect this reissue again emphasizes the fact that massive amounts of superb music remain hidden and mostly forgotten in vaults and if it wasn´t for labels like GAD Records, they would be probably destined for extinction. Therefore, as usual, I extend my thanks to the label for keeping the Culture of the past alive and kicking!
| | Updated: 07/01/2017Posted: 07/01/2017 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ZBIGNIEW LEWANDOWSKI ~ ZBIGNIEW LEWANDOWSKI
GAD 121 (Barcode: 5903068120770) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2020
This is a reissue of the debut album by Polish Jazz drummer / composer / bandleader Zbigniew LewandowskiFind albums by this artist, originally released on the legendary PoljazzFind albums on this label label. The music was recorded in 1983 during two sessions separated by several months, with two lineups. The first lineup was a quintet which included alongside Lewandowski also iconic trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist, guitarist Pawel ScieranskiFind albums by this artist and bass guitarist Krzysztof ScieranskiFind albums by this artist. The second lineup was extended to an octet and included also saxophonist Andrzej OlejniczakFind albums by this artist, second bass guitarist Mieczyslaw JureckiFind albums by this artist and percussionist Jose TorresFind albums by this artist. The original LP presented six tracks but this remastered edition was expanded by two additional tracks from the first session, previously unissued. All the compositions were by the musicians participating in the recording except for one standard.
The music, influenced by the revolutionary work of Miles DavisFind albums by this artist, has a distinct Fusion tinge, but is very far from an attempt to copy the great Master. Przybielski, aged thirty-nine at the time of the recording, was already Poland´s most idiosyncratic Jazz musician and trumpet Genius. He displays the full range of his abilities, and the fact that the music is Fusion oriented, offers a rare opportunity to hear him in that specific idiom, rather than within his "usual" Avant-Garde environment. His performances on this album are amongst the most extensive documents of his playing, including his weird sense of humor. In retrospect this album emphasizes the devastating loss Polish Jazz suffered with his untimely death in 2011. I had the immense luck and pleasure to produce the album "The Book Of JobFind albums with this title", just a couple of years after this recording was made, which also featured Przybielski at his absolute best.
Baron, only twenty-two years old at the time, also contributes wonderfully to the album´s overall ambience, offering his compositions, most of the arrangements and excellent soloing. The rest of the players were already more experienced and their professionalism and obvious talents are clearly evident in the resulting music.
Overall this is a momentous recording, perhaps one of the most important Polish Jazz albums from the 1980s, and beyond. Polish Jazz / Fusion fans should be grateful to GADFind albums on this label Records for resurrecting this gem and saving it from oblivion. Brilliant stuff!
| | Updated: 23/09/2020Posted: 23/09/2020 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | KARIN KROG / JOHN SURMAN ~ CLOUD LINE BLUE
MEANTIME 11 (Barcode: 7051070000110) ~ NORWAY ~ Jazz
Recorded: 1976 Released: 2004
This is a reissue of the debut album by the fabulous duo of Norwegian vocalist / composer Karin KrogFind albums by this artist and British saxophonist / composer John SurmanFind albums by this artist. The music was recorded in London in 1976, with the participation of keyboardist Janet CookeFind albums by this artist and drummer Stu MartinFind albums by this artist. Surman composed or co-composed all the music with Krog and Martin and played a plethora of analog synthesizers in addition to playing saxophones. The album presents seven tracks, all featuring lyrics by Paul RowlandsFind albums by this artist. The music waited for another three years to be mixed, eventually done by Jan Erik KongshaugFind albums by this artist in Oslo and released in 1979. The album was also released in Poland on the PoljazzFind albums on this label label.
The music is absolutely stunning, completely unique and revolutionary, so much so, that listening to it today, forty-five years after it was recorded, I experienced goosebumps. Krog’s idiosyncratic vocals and vocalese and Surman’s improvisations, are completely inimitable. The most astounding quality of the music is its deeply melodic feel despite the Avant-Garde exterior, which in retrospect characterizes both Krog and Surman for the entire duration of their respective careers.
I vividly remember hearing this music live at the time, as well as haring the duo several times over time, always being completely taken over by the magic they managed to create together. Some musicians are obviously destined to play together, creating a result far greater than just the sum of its parts. This album, and the further recordings by this duo, are all gems and deserve to be heard, especially since they are all absolutely timeless.
It is great that Karen manages to reissue all her recordings on her MeantimeFind albums on this label label, keeping them alive, as they would have disappeared into the depth of the abyss of forgotten music, if it was up to the Major labels.
This album remains to be a giant step in European Jazz and deserves an honorable place in every serious record collection!
| | Updated: 07/06/2021Posted: 07/06/2021 | CD 1 Recommend To A Friend |
  | ZBIGNIEW SEIFERT ~ KILIMANJARO VOL.1
POLJAZZ / ANEX 206 (Barcode: 5907513047353) ~ POLAND ~ Jazz
Recorded: 1978 Released: 2006
Polish violin virtuoso Zbigniew SeifertFind albums by this artist passed on the firmament of the Polish Jazz scene like a bright comet before dying from cancer in 1979 at the ridiculous age of 32. Today, decades later, he is considered as one of the greatest Jazz talents that ever lived and every piece of music recorded by him during his short career achieved a legendary status. Strongly influenced by the music and musical philosophy of John ColtraneFind albums by this artist, Seifert is often called "the Coltrane of violin", mainly because of his exceptional improvisational power, brilliant technique and a totally integrated approach to Jazz, pushing the boundaries with every note uttered from his instrument. Seifert´s compositions, although rooted in European music, provide him with a perfect vehicle for his ambitious explorations and are all timeless masterpieces. This album (and its companion Vol.2) presents a live recording at his home town (Krakow) famous Jazz club "Pod Jaszczurami", made less than a year before his tragic death with a great group consisting of the best players on the local scene: guitarist Jaroslaw SmietanaFind albums by this artist, keyboardist Janusz GrzywaczFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. The music includes two original compositions by Seifert, including the extended piece which gave the album its title. The third piece is a tribute to Seifert´s mentor John Coltrane in the form of Coltrane´s famous composition "Impressions". This is exceptional music, which should be revered by every Jazz enthusiast on this planet with no exception. Absolutely essential!
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  | ZBIGNIEW SEIFERT ~ KILIMANJARO VOL.2
POLJAZZ / ANEX 208 (Barcode: 5907513047377) ~ POLAND ~ Jazz
Recorded: 1978 Released: 2006
Polish violin virtuoso Zbigniew SeifertFind albums by this artist passed on the firmament of the Polish Jazz scene like a bright comet before dying from cancer in 1979 at the ridiculous age of 32. Today, decades later, he is considered as one of the greatest Jazz talents that ever lived and every piece of music recorded by him during his short career achieved a legendary status. Strongly influenced by the music and musical philosophy of John ColtraneFind albums by this artist, Seifert is often called "the Coltrane of violin", mainly because of his exceptional improvisational power, brilliant technique and a totally integrated approach to Jazz, pushing the boundaries with every note uttered from his instrument. Seifert´s compositions, although rooted in European music, provide him with a perfect vehicle for his ambitious explorations and are all timeless masterpieces. This album (and its companion Vol.1) presents a live recording at his home town (Krakow) famous Jazz club "Pod Jaszczurami", made less than a year before his tragic death with a great group consisting of the best players on the local scene: guitarist Jaroslaw SmietanaFind albums by this artist, keyboardist Janusz GrzywaczFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. The music includes two original compositions by Seifert. In addition an extensive interview with Seifert (in Polish) is also included, providing a glimpse at his personality and musical ideology. This is exceptional music, which should be revered by every Jazz enthusiast on this planet with no exception. Absolutely essential!
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  | EXTRA BALL ~ AKUMULA-TORRES
POLJAZZ / ANEX 215 (Barcode: 5907513047445) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2006
Polish Jazz-Rock Fusion band Extra BallFind albums by this artist was the best and most dominant ensemble on the local scene in the late 1970s. Founded by the best young Polish Jazz musicians at the time, members of the second generation of the country´s splendid tradition, they displayed an amazing level of individual talents both as players and composers. Led by guitarist Jaroslaw SmietanaFind albums by this artist, the initial incarnation of the band also included saxophonist Andrzej OlejniczakFind albums by this artist and keyboardist Wladyslaw SendeckiFind albums by this artist. Although the band practically ceased to perform and record by the end of the 1970s, Smietana organized an ad-hoc lineup for the recording of this, the last album by the legendary band, recorded live at the Warsaw Aquarium Jazz club. The lineup includes trumpeter Adam KawonczykFind albums by this artist and bassist Antoni DebskiFind albums by this artist from the last active incarnation of the band, with drummer Jacek PelcFind albums by this artist and Cuban percussionist Jose TorresFind albums by this artist, who lives in Poland. Saxophonist Henry MiskiewiczFind albums by this artist and conga player Adam KawonczykFind albums by this artist guest on the album. Stylistically this album marks a more percussive approach to music mixed with traditional Jazz elements, but is excellent in every sense, as everything the band recorded. An absolute must!
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  | ANDRZEJ KURYLEWICZ / TOMASZ STANKO ~ KOROZJE
POLJAZZ / ANEX 218 (Barcode: 5907513047476) ~ POLAND ~ Jazz
Recorded: 1983 Released: 2009
Two icons of Polish Jazz: pianist / composer Andrzej KurylewiczFind albums by this artist and trumpeter / composer Tomasz StankoFind albums by this artist combine forces on this superb album presenting an unusual setting of piano / trumpet duets. This intimate meeting of Giants is full of beautiful interplays and intelligent music, effortlessly overcoming the limitations of the absence of a rhythm section. The music, although pre-composed is basically improvised on the spot, based mostly on the intimate dialog between these two outstanding musicians. The album requires attentive listening and probably repeated listening sessions to be completely understood, but after all this is typical of all great music. Enthusiasts of Polish Jazz will find this album an integral part of their collection and all lovers of modern Jazz should definitely try it out. Superb stuff!
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  | TOMASZ STANKO ~ W PALACU PRYMASOWSKIM
POLJAZZ / ANEX 219 (Barcode: 5907513047483) ~ POLAND ~ Jazz
Recorded: 1982 Released: 2009
Brilliant album by Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the founding fathers of modern Polish and European Jazz and one of the most important Jazz pioneers in music today. The album includes just two lengthy compositions, the first performed by Stanko´s quintet, which comprises of the violin virtuoso Zbigniew SeifertFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, and the second a solo trumpet performance, which is a rarity in his repertoire and a stunning display of his craftsmanship. The album is full of brilliant solos and telepathic group interplay with endless climaxes which go right down the listener´s spine. This is European Jazz at its best, with intelligent music and virtuosity predominant at every step of the way. I can´t imagine any serious fan of modern / Free Jazz not wanting this album in their collection. Brilliant stuff!
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  | JAN PTASZYN WROBLEWSKI ~ SKLEROPTAK
POLJAZZ / ANEX 301 (Barcode: 5907513047568) ~ POLAND ~ Jazz
Recorded: 1976 Released: 2009
The material presented on this album was recorded in Belgium but presents the great veteran Polish Jazz saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist, who contributed his beautiful compositions and arrangements and plays as the principal soloist. He is accompanied by the Belgian (Radio & TV) BRT Jazz OrchestraFind albums by this artist, directed by Etienne VerschuerenaFind albums by this artist, which includes many wonderful players, including internationally known keyboardist Bob PorterFind albums by this artist and drummer Bruno CastelucciFind albums by this artist.
Wroblewski, who was also the director of the Polish Radio Jazz Studio OrchestraFind albums by this artist during the years 1968-1978, recorded these compositions earlier with that orchestra, but these new renditions sound quite different from the earlier versions, being more "polished" and "rounded". The Polish orchestra was in fact a collection of top soloist whereas the Belgian orchestra is a full-fledged professional Big Band, which is much more about the overall band sound than individual solo spots. As a result the music captured here is a beautiful example of European Big Band sound, which is quite different from the American counterparts.
Overall this is a splendid Big Band album playing excellent music, interesting arrangements and featuring some great solo spots. Although pretty mainstream, this is elegant music, full of European aesthetics, which is completely ageless and sounds now every bit as great when it did at the time of its release. Big Band enthusiasts should have a field day with this excellent piece of music, which is again back in circulation.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | QUARTET ~ THE QUARTET
POLJAZZ / ANEX 302 (Barcode: 5907513047575) ~ POLAND ~ Jazz
Recorded: 1978 Released: 2009
The QuartetFind albums by this artist was formed by the rhythm section of Zbigniew NamyslowskiFind albums by this artist´s so called "third quartet", i.e. pianist Slawomir KulpowiczFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John ColtraneFind albums by this artist legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings.
In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes this live album recorded in 1978 and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz StankoFind albums by this artist from the same period). Therefore the double CD full of superb archival radio and concert recordings by this ensemble, also entitled simply "The QuartetFind albums with this title", released in 2013 by Polskie RadioFind albums on this label is an absolute marvel and a must have for every Polish / European Jazz connoisseur.
Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule.
Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | SUN SHIP ~ AQUARIUM LIVE NO.5
POLJAZZ / ANEX 303 (Barcode: 5907513047582) ~ POLAND ~ Jazz
Recorded: 1978 Released: 2009
Excellent live recording in the legendary Warsaw Jazz club "Aquarium" by the Polish Jazz quartet Sun ShipFind albums by this artist, formed by keyboardist Wladyslaw SendeckiFind albums by this artist following his departure from the great Fusion band Extra BallFind albums by this artist, which he also co-founded some years earlier. Sendecki, as well as his three companions: saxophonist Zbigniew JaremkoFind albums by this artist, bassist Witold SzczurekFind albums by this artist and drummer Marek StachFind albums by this artist are all representatives of the second generation of the Polish Jazz scene, well educated and experienced musicians, who grew up in the shadow of their mentors like Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and others, carrying the great tradition of Polish Jazz further into the future. Somewhat tired of playing Fusion, which was the predominant style of the early 1970s, Sun Ship returns to modern Jazz based on solid melodic compositions and improvisational skill of the band members. The use of synthesizers in addition to the acoustic piano is the only "leftover" from the Fusion days, and most of the music is acoustic. Sendecki´s keyboard wizardry is plainly obvious and his fluid technique and great sense of melody are truly exquisite. Brilliant stuff!
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  | EXTRA BALL ~ AQUARIUM LIVE NO.3
POLJAZZ / ANEX 305 (Barcode: 5907513047605) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2009
Polish Jazz-Rock Fusion band Extra BallFind albums by this artist was the best and most dominant ensemble on the local scene in the late 1970s. Founded by the best young Polish Jazz musicians at the time, members of the second generation of the country´s splendid tradition, they displayed an amazing level of individual talents both as players and composers. Led by guitarist Jaroslaw SmietanaFind albums by this artist, the initial incarnation of the band also included saxophonist Andrzej OlejniczakFind albums by this artist, keyboardist Wladyslaw SendeckiFind albums by this artist, bassist Jan CichyFind albums by this artist and drummer Benedykt RadeckiFind albums by this artist. These live performances are the last recording by the original lineup, except for drummer Marek StachFind albums by this artist, who replaced Radecki. Recorded live at the Warsaw Aquarium Jazz club, this is an amazing performance with a band at their highest peak, but torn internally as to the musical direction, which led to their demise soon after, with Sendecki and Olejniczak forming Sun ShipFind albums by this artist. The inclusion of two Jazz standards clearly points out the tendency of some band members to return to the more traditional Jazz forms rather that continue the Fusion path. Smietana´s superb guitar licks will amaze every Fusion fan, who was never exposed to his performances and Sendecki´s keyboard wizardry is simply astounding. This is an excellent album, which all Fusion lovers on this planet should be proud to have in their collections. An absolute must!
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  | MIECZYSLAW KOSZ ~ MIECZYSLAW KOSZ
POLJAZZ / ANEX 311 (Barcode: 5907513047667) ~ POLAND ~ Jazz
Recorded: 1972 - 1973 Released: 2009
This incredible album presents a series of recordings by the virtuoso Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, one of the greatest hopes of the country´s scene, tragically cut short by his unexpected death at the age of 29. Often compared to Bill EvansFind albums by this artist, Kosz played with wonderful warmth and incredible musicality, combining the best of Jazz with his Classical education, which enabled him fluidity and superb use of harmony. These trio and solo recordings, released posthumously, are the only additional document of his incredible talent, besides the sole album he recorded during his lifetime called "ReminiscenceFind albums with this title", released as part of the Polish Jazz series. He was also a gifted composer, as evident from several of his compositions included on this album, and a great interpreter of Jazz standards, also featured here extensively. The recordings constitute mainly of radio sessions, luckily captured on tape and preserved for eternity, and were originally released as a double LP. This is some of the most exquisite piano trio and solo ever recorded, so don´t hesitate even for a second before grabbing it !
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  | S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA ~ S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA
POLJAZZ / ANEX 312 (Barcode: 5907513047674) ~ POLAND ~ Jazz
Recorded: 1973 - 1975 Released: 2009
The material presented on this album originates from two separate LPs released by the PoljazzFind albums on this label label, each contributing one side of the original LP. The logic behind it is that the original Poljazz releases often included two sides of completely unrelated material, artificially combined for a variety of reasons, mostly economic. These two sides of two separate LPs are connected by the central personality behind the music, the Polish Jazz saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist.
Wroblewski was the founder and leader of the band S.P.P.T. ChalturnikFind albums by this artist, which was formed in order to present Jazz with a humorous and tongue in cheek attitude, featuring well known standards as well as original material by the leader. The band included the absolute crème de la crème of the Polish Jazz scene: saxophonists Janusz MuniakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and Tomasz SzukalskiFind albums by this artist, keyboardist Wojciech KarolakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The wonderful arrangements and whimsy performances are all brilliant, especially in view of the fact that they show that Jazz doesn´t have to be treated always so seriously.
Wroblewski was also the director of the Polish Radio Jazz Studio OrchestraFind albums by this artist during the years 1968-1978, which was one of the most important incubators and places of refuge for the young Polish Jazz musicians under the Socialist regime, providing them with a steady income. The orchestra performs a very ambitious piece of music composed by the young pianist Jan JarczykFind albums by this artist called "A Double Concerto For Five Soloists And Orchestra", which features as soloists top Polish Jazz players of the time: violinist Zbigniew SeifertFind albums by this artist, saxophonist Tomasz Szukalski and Janusz Muniak and trumpeter Tomasz StankoFind albums by this artist. Legendary American drummer Stu MartinFind albums by this artist also participates in the recording. The music is a very interesting example of early Orchestral Jazz works, which combine contemporary Classical techniques with Free Jazz improvisation.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | KAROLAK / URBANIAK / BARTKOWSKI ~ MOVING SOUTH
POLJAZZ / ANEX 314 (Barcode: 5907513047698) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2009
This is the only album recorded by the fabulous Polish Jazz trio, comprising of keyboardist / composer Wojciech KarolakFind albums by this artist, violinist / saxophonist / composer Michal UrbaniakFind albums by this artist and legendary drummer Czeslaw BartkowskiFind albums by this artist. In many respects this is a companion album to the groundbreaking album by the Michal Urbaniak ConstellationFind albums by this artist, which was released as part of the Polish Jazz series ("In ConcertFind albums with this title", Vol.36) and recorded the same year as this album. Both Karolak and Bartkowski were members of Constellation and therefore it´s hardly surprising that stylistically the music is very similar.
The album includes five compositions (one is a three-part suite), four by Karolak and one by Urbaniak, which can be roughly categorized as Jazz-Rock Fusion, but they are so unique and eons ahead of their time that simplistic labeling is not doing them justice. This is truly visionary music, capturing all three musicians at the peak of their creative powers. Although Karolak composed most of the music on this album, Urbaniak´s concept of Fusion / Funk are the primary forces at work here. His use of electronics to enhance the sound of his violin is simply brilliant and completely innovative. Karolak plays also brilliantly, with his Hammond ripping the sound-space to shreds. Bartkowski is driving the music forward like mad, being the Jazziest element of the music, busy but not intrusive, with fantastic polyrhythmic feel and incredible technique.
In retrospect this is one of the most important Polish Fusion albums, which sadly remains mostly unknown even to the local fans and especially so abroad. This reissue creates another chance for this album to be re-discovered, and I recommend to all the Fusion diehard fans to start looking for this gem ASAP!
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | LESZEK ZADLO ~ LESZEK ZADLO ENSEMBLE
POLJAZZ / ANEX 316 (Barcode: 5907513047711) ~ POLAND ~ Jazz
Recorded: 1973 Released: 2009
Polish saxophonist / composer Leszek ZadloFind albums by this artist is undoubtedly one of the greatest Jazz musicians born in that country. A brilliant player and improviser, Zadlo continues the John ColtraneFind albums by this artist legacy of playing the saxophone as if his life depended on it, with total devotion and sublime natural talent. Of course he is also my close personal friend, so don´t expect any objectivity here. This is his debut recording with an ensemble comprising of some fellow Austrian players whom he met during his musical studies in Austria. Following his studies Zadlo settled in Germany, where he lives since the early 1970s, returning often to Poland to partake in the country´s many different Jazz activities, like festivals, workshops, etc. He teaches Jazz and performs vigorously with several groups, recording his works (including on my JazzisFind albums on this label label). This beautiful album is a glimpse of a young, but already mature player; performing music he composed in modern / Free Jazz setting, full of virtuoso performances and uplifting strength. The album was originally released under the title "Inner SilenceFind albums with this title". Anybody interested in Easter European Jazz should find this album fascinating and I can only recommend it wholeheartedly.
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  | ZBIGNIEW NAMYSLOWSKI ~ AIR CONDITION
POLJAZZ / ANEX 317 (Barcode: 5907513047728) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2009
One of the Godfathers of Polish Jazz, saxophonist Zbigniew NamyslowskiFind albums by this artist, remained firmly in the position of the leading Jazz figure in his country for several generations. Starting in the early 1960s as member of the legendary Krzysztof KomedaFind albums by this artist quintet and later leading his own groups, Namyslowski kept his ears open constantly to follow the developments on the ever changing worldwide Jazz scene and his groups always included young talented players, who became his disciples. The group Air ConditionFind albums by this artist included the immensely talented keyboardist Wladyslaw SendeckiFind albums by this artist, guitarist Dariusz KozakiewiczFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and an extended percussion section, and played a kind of Jazz-Funk, which could move an elephant´s ass, not falling behind any of the US groups playing in the same vein. This album was intended for the US market, where it was released (along with several other Polish Jazz albums) by the Inner CityFind albums on this label label, admittedly without much commercial success. As usual, Americans were simply not ready to recognize any kind of Jazz happening outside of their home turf. In retrospect, this album is still a lot of fun and as Funky as they get. Sendecki´s keyboard wizardry is stunning, as always, and the leader plays plenty of nasty sax chops. Recommended!
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  | SLAWOMIR KULPOWICZ ~ THREE ETUDES / PRASAD IN MANGALORE
POLJAZZ / ANEX 319 (Barcode: 5907513047742) ~ POLAND ~ Jazz
Recorded: 1982 Released: 2009
Following the demise of The QuartetFind albums by this artist, Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist founded a new ensemble, which he called In-FormationFind albums by this artist. Over time several different versions of In-Formation existed, including a duo, a piano trio, quartet and even sextet. In-Formation recorded two albums and later took part in the recording of this album, which was eventually released as a Kulpowicz solo album. The album consists of three solo piano pieces recorded for the Polish Radio and three pieces recorded live by In-Formation during the Jazz Jamboree Festival with guitarist Jaroslaw SmietanaFind albums by this artist, bassist Witold SzczurekFind albums by this artist (a.k.a. Vitold RekFind albums by this artist) and percussionists Krzysztof PrzybylowiczFind albums by this artist, Jerzy BartzFind albums by this artist and Jose TorresFind albums by this artist.
All the music was composed by Kulpowicz and is a direct continuation of his John ColtraneFind albums by this artist / McCoy TynerFind albums by this artist influenced style presented earlier by The Quartet. But in time the music becomes more contemplative and also more personal, as evident mostly on the solo piano pieces. In parallel the Indian and other World Music influences are trickling in steadily and can be already clearly heard herein. The In-Formation pieces are truly superb and present the group as a great vehicle for the Kulpowicz compositions. They also expose Smietana as the first rate player he always was, regardless of the setting.
In retrospect this is a great document of the Polish Jazz scene in the early 1980s and an important part of the legacy Kulpowicz left behind him, which should serve as an endless source of inspiration to new generations of Polish Jazz players. Definitely worth investigating!
Side Note: The PoljazzFind albums by this artist label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums by this artist / MuzaFind albums by this artist and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums by this artist reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | JAZZ TRIO ~ FOR THE FUTURE
POLJAZZ / ANEX 320 (Barcode: 5907513047759) ~ POLAND ~ Jazz
Recorded: 1985 Released: 2009
This album features the Polish Jazz trio called simply The Jazz TrioFind albums by this artist (probably the most unreasonable name one can adopt in such circumstances), which consisted of saxophonist Janusz BrychFind albums by this artist, pianist Marek PiatakFind albums by this artist and drummer Michal ZduniakFind albums by this artist. The pianist composed four of the five compositions present here and co-composed the fifth with the saxophonist. Although little know and mostly forgotten, this is, in retrospect, quite an excellent and unusual album, which Polish Jazz connoisseurs should definitely seek out.
The music is a very strange amalgam of melodic, pre-composed intriguing music, mixed with excellent saxophone improvisations, which are very Free Jazz oriented and superbly executed. Sometimes the saxophone parts are overdubbed, which creates an even stronger "wall of sound" effect, common in Free Jazz. Also the absence of bass, which dramatically influences the sound of the music, contributes to the "strangeness" and of course transfers the responsibility of keeping time towards the piano player and the drummer, who is quite unusual as well. The overall result is definitely fresh and surprising, quite different from what was happening on the local scene at the time. Perhaps it was an early precursor of the Yass scene, which was about to explode in Poland shortly after this album was recorded.
The overall level of individual virtuosity as well as the interplay between the three musicians makes this album a hidden gem, which simply begs to be discovered. It is a pity they never recorded together again (as far as I know) as the trio certainly had the potential of becoming one of the hottest groups on the Polish Jazz scene. But, alas, we´ll never know what might have happened. In the meantime let´s enjoy what we can hear!
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | JANUSZ MUNIAK ~ CRAZY GIRL
POLJAZZ / ANEX 322 (Barcode: 5907513047773) ~ POLAND ~ Jazz
Recorded: 1986 Released: 2009
This is the third album as a leader by the veteran Polish Jazz saxophonist / composer Janusz MuniakFind albums by this artist, recorded live with his quartet, which also included pianist Wojciech PuszekFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and American drummer George BucknerFind albums by this artist. They play only four compositions, one of which is an original by Muniak, another is by the Godfather of Polish Jazz, Krzysztof KomedaFind albums by this artist (the title track) and the remaining two are standards.
Although well played the album offers no innovation whatsoever and is simply one more Bebop set, which is quite forgettable. The leader plays some mighty solos, which are, as always in his case, quite incredible and virtuosic, but the overall effect remains pretty unremarkable.
The album also suffers from a pretty amateurish sound quality, which often victimized live Polish Jazz recordings, with mobile recording equipment in the Socialist country being sadly sub-standard. Nevertheless it is a document both of the times and of Muniak´s legacy, and therefore definitely worth listening and enjoying his bravado performances.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
| | Updated: 01/06/2018Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | JANUSZ MUNIAK ~ PLACEBO
POLJAZZ / ANEX 325 (Barcode: 5907513047803) ~ POLAND ~ Jazz
Recorded: 1982 Released: 2009
Polish saxophonist / composer / bandleader Janusz MuniakFind albums by this artist was one of the most important Polish Jazz figures during the early post WWII period, which flourished in the 1960s / 1970s. He was part of the emerging revolutionary movement of Polish Jazz, where he played along such legendary pioneers as Andrzej TrzaskowskiFind albums by this artist, Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist. Since the late 1970s Muniak leads his own groups and records as a leader. This is his second album as a leader and since then he continued to record a plethora of albums over the years, both as a leader and sideman. He also owns his own Jazz club in Krakow, called "U Muniaka", which is one of the oldest continuously active Jazz venues in the country.
This album presents Muniak in a quartet setting, with pianist Wojciech PuszekFind albums by this artist (playing the Fender Rhodes electric piano), bassist Andrzej CudzichFind albums by this artist and drummer Krzysztof ZawadzkiFind albums by this artist. They perform four lengthy originals, all by Muniak, which allow for extended improvisations, mostly by the leader. The presence of the electric piano sets the overall ambience of this recording, pushing it slightly towards Jazz-Rock Fusion, but the leader keeps the situation in check and well within the modern mainstream bounds. Muniak´s performances on both the soprano and tenor saxophones are first rate as are those by the rhythm section, creating together some excellent, but not very innovative modern Jazz, which most Jazz listeners should enjoy.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | ZBIGNIEW WEGEHAUPT ~ SAKE
POLJAZZ / ANEX 326 (Barcode: 5907513047810) ~ POLAND ~ Jazz
Recorded: 1983 - 1984 Released: 2009
Polish bassist / composer Zbigniew WegehauptFind albums by this artist has been a pillar of the Polish Jazz scene for the last three decades, proving time after time his role as a versatile and virtuoso player and a steady anchor for almost all Jazz ensemble leaders in his country. His compositional skills however, although exceptional as well, are rarely documented, which is a great pity. This album, his debut recording as a leader, is the first glimpse of these splendid tunes, recorded with a superb lineup of Polish Jazz musicians, both veterans and members of his age group: saxophonists Andrzej OlejniczakFind albums by this artist and Henryk MiskiewiczFind albums by this artist, pianist Janusz SkowronFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The album features six beautiful compositions, prime examples of modern Jazz writing based in the Jazz tradition, but expanding it with the European influence, which adds many new dimensions to the music. Connoisseurs of the art of bass playing will be delighted with this recording, but every Jazz enthusiast should find it exceptionally satisfying. Wholeheartedly recommended!
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  | MAREK BLIZINSKI ~ WAVE
POLJAZZ / ANEX 327 (Barcode: 5907513047827) ~ POLAND ~ Jazz
Recorded: 1979 - 1980 Released: 2009
This is the only album as a leader recorded by Polish Jazz guitarist Marek BlizinskiFind albums by this artist, who was one of the first Jazz guitar players on the local scene. He was a very in-demand session player and participated in many recordings as well as recording with several groups of which he was a formal member, led by such Polish Jazz luminaries like Michal UrbaniakFind albums by this artist, Wojciech KarolakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and Jan Ptaszyn WroblewskiFind albums by this artist. He was a brilliant improviser and had a wonderful tone, which ornamented many important Polish Jazz recordings.
His solo career, however, never really took off and this was the only album he managed to release as a leader, before his untimely and tragic death at the age of 42. The album consists of two radio sessions, with Blizinski playing on both in a trio format, first with bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist and then with bassist Zbigniew WegehauptFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. Both these rhythm sections are considered to be among the best ones ever active on the local scene. The album includes seven compositions, all of which are standards.
Although well played, both by Blizinski and the rhythm sections, this album does not present his true abilities and sensitivities and in retrospect is unfortunately much less impressive than it could have been. Playing these standards, which present no true intellectual challenge for these experienced musicians, was a poor decision. His numerous recordings with other artists are much more impressive.
Guitar enthusiasts will obviously find here many beautiful moments of mainstream Jazz, with are every bit as good as those recorded across the pond. Definitely worth remembering!
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | JAROSLAW SMIETANA ~ FROM ONE TO FOUR
POLJAZZ / ANEX 328 (Barcode: 5907513047834) ~ POLAND ~ Jazz
Recorded: 1986 Released: 2009
This is the second album as a leader by the fabulous Polish Jazz guitarist / composer Jaroslaw SmietanaFind albums by this artist, who died recently tragically prematurely, succumbing to cruel illness. Smietana was one of the most active players on the local scene and contributed enormously to its development over the years. This album presents him, as the title suggests, in different settings: solo, duo, trio and quartet, playing with some of the best Polish Jazz musicians active at the time: saxophonists Janusz MuniakFind albums by this artist and Piotr BaronFind albums by this artist, bassists Krzysztof ScieranskiFind albums by this artist and Antoni DebskiFind albums by this artist and drummer Jacek PelcFind albums by this artist. They perform eleven compositions, five of which are originals: three by Smietana and one each by Scieranski and Pelc, and the rest of the material is all standards.
This is one of the Jazziest albums recorded by Smietana, with fewer Fusion ventures, and his beautiful Jazz sensitivity is especially apparent herein. But all the other players also contribute very fine examples of intelligent, intimate musical conversations with the leader. Scieranski´s bass and Baron´s saxophone are simply delightful. Smietana experiments with the guitar synthesizers and performs on three quite distinctly sounding guitars, with his delicate touch being definitely one of the finest ever. Also the three duets with veteran saxophonist Janusz Muniak are among the album´s most enchanting moments.
In retrospect this is a very strong album from start to finish with no weak moments or unnecessary "fillers", and a superb legacy which Smietana left for all of us to enjoy. A must for all Polish Jazz fans!
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | MICHAEL J. SMITH ~ GEOMUSIC III-PL
POLJAZZ / APEX 313 (Barcode: 5907513047681) ~ USA ~ Jazz
Recorded: 1976 Released: 2009
This is one of the most unusual (at the time) albums recorded in Poland and one of the first Free Jazz / Improvised Music recordings. It was recorded during a tour in Poland by American born (resident also partly in Europe) Jazz / Contemporary Music composer Michael J. SmithFind albums by this artist, who was accompanied by Poland´s top Jazz personality, saxophonist Zbigniew NamyslowskiFind albums by this artist and bassist Jacek BednarekFind albums by this artist. Namyslowski unexpectedly plays not only saxophone but also cello and flute, which of course is quite surprising. The album consists of seven original compositions, all by Smith.
At the time of the recording Smith was in the early stages of developing his musical ideology, which he called "Geomusic" and several of his recordings were entitled using this idiom. Later on he would become a well known music scholar, composer and innovator, mostly in the fields of electronic music. He is still active today.
The music included here is a wonderful example of early Improvised Music, involving minimal melodic notation and based on careful interaction between the musicians, mutual respect and virtuosity of the participants. Namyslowski, who usually played much more conventional music as far as form and structure were concerned, is the focal personality here and his cello playing is simply outstanding and outrageously original. The music lost absolutely nothing of its originality and pioneering spirit over the years.
Although Free Jazz and Improvised Music are today a substantial part of the Polish Jazz scene, almost four decades earlier it was quite rare and the fact that this music was released at all at the time is a miracle. The new generation of Polish improvisers should dig this album out and give it a proper listen, as it certainly is worth studying, as much as listening today.
Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.
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  | QUARTET ~ THE QUARTET
POLSKIE RADIO 1246-1247 (Barcode: 5907812242466) ~ POLAND ~ Jazz
Recorded: 1977 - 1979 Released: 2013
This is the first installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own.
The Quartet was formed by the rhythm section of Zbigniew Namyslowski´s so called "third quartet", i.e. pianist Slawomir Kulpowicz, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John Coltrane legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings.
In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes one live album recorded in 1978 and released by the PoljazzFind albums on this label label (reissued by the AnexFind albums on this label label) and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz Stanko from the same period). Therefore this double CD full of superb radio and concert recordings by The Quartet is an absolute marvel and a must have for every Polish / European Jazz connoisseur.
Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule.
Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself.
Bringing this music out of the vaults is commendable, although keeping it in the vaults for so long was simply criminal. Such treasures of the Polish Cultural heritage should be exposed in all their glory. Hopefully the people in charge of the Polish Radio archives realize that.
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  | IN-FORMATION ~ IN-FORMATION TRIO
POLSKIE RADIO 1248 (Barcode: 5907812242480) ~ POLAND ~ Jazz
Recorded: 1981 Released: 2013
This is the second installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own.
Following the demise of The Quartet, Kulpowicz founded a new ensemble, which he called In-Formation. Over time several different versions of In-Formation existed, including a duo, the basic piano trio, presented here, quartet and even sextet. In retrospect the trio proved to be the most successful incarnation of the group. It included bassist Witold SzczurekFind albums by this artist (a.k.a. Vitold RekFind albums by this artist) and legendary drummer Czeslaw BartkowskiFind albums by this artist. The same trio also served as the rhythm section of the Tomasz Stanko quartet in the early 1980s, recording with him two most impressive albums: "Music 81Find albums with this title" and "A I JFind albums with this title" (both recorded at the same session).
In-Formation recorded two albums for the PoljazzFind albums on this label label, the second of which is partly (three tracks) also included here. The rest of the album (five more tracks) originates in two radio sessions recorded earlier in the same year. All the music was composed by Kulpowicz and is a direct continuation of his John Coltrane / McCoy TynerFind albums by this artist influenced style presented earlier by The Quartet. Of course the trio´s music is much less intense sonically than the quartet´s massive sound, but not less complex or spiritually evolved. Kulpowicz carries, as expected, most of the load, producing his usual vamped chords and dense cadenzas of amazing fluency and virtuosity. The rhythm section supports him splendidly, with Rek emphasizing the melody riffs and Bartkowski providing the swinging drive carrying the music in fast forward most of the album´s duration.
The piano trio, which is the ultimate Jazz showcase, was quite a neglected Art form at the time this music was recorded. Therefore these recordings are even more special, as there was no other parallel outfit on the Polish Jazz scene at the time. Of course the piano trio would triumphantly return and re-appear on the Jazz scene later on, including of course the local Polish scene, but at that particular time In-Formation trio was completely unique.
This album is not only a great example of the Jazz piano trio Art, but also a very important document of the development of the Polish Jazz scene. Of course it´s an absolute must have for all Polish Jazz connoisseurs and collectors, but every piano trio buff around the globe should find this quite a treat. Great stuff!
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  | SLAWOMIR KULPOWICZ / SHUJAAT KHAN ~ LIVE
POLSKIE RADIO 1250 (Barcode: 5907812242503) ~ POLAND ~ Jazz-World Fusion
Recorded: 2006 Released: 2013
This is the fourth installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own.
Kulpowicz visited India for the first time in 1978, when he was a member of the Zbigniew Namyslowski quartet, which played at the Jazz Yatra in Bombay. At the time he met and befriended a young sitar player Shujaat KhanFind albums by this artist, a descendant of the legendary Khan dynasty of sitar players since hundreds of years. That friendship lasted for almost thirty years as long as Kulpowicz was alive. They played together many times in Poland and abroad. In 1984 Khan visited Poland and recorded a live album with Kulpowicz for the PoljazzFind albums on this label label. The last time they played together was in 2006, when Khan visited Poland again, bringing with him the tabla player Arunangshu ChaudhuryFind albums by this artist. Kulpowicz invited the legendary Polish electric bassist Krzysztof ScieranskiFind albums by this artist and the four played together the music presented on this album, which was recorded live at Warsaw Philharmonic Hall.
Considering the fact that European (including Jazz) and Indian music exist on almost completely separate planes, the amalgamation of the two is extremely difficult to achieve. Except for a very few earlier attempts, most importantly the John MayerFind albums by this artist / Joe HarriottFind albums by this artist Indo-Jazz FusionsFind albums by this artist from the late 1960s / early 1970 and the John McLaughlinFind albums by this artist´s ShaktiFind albums by this artist a decade later, which were groundbreaking and musically just right, most of the other attempts resulted in failures. The music included on this album proves again, that the power of music transcends not only cultural borders but also thousands of years of musical tradition, enabling conversations between musicians originating seemingly from worlds apart.
The album comprises of just three extended pieces, two of which are about half an hour long and the third a quarter of an hour in duration. Named simply "songs", they are improvisations on melodic themes composed by Kulpowicz, performed wonderfully and in perfect harmony by all four musicians. Khan voices the melody at the onset of each piece and then the musicians take extensive solos in turn, with the full quartet returning to the melodic theme several times between the solos. Kulpowicz plays superbly and his solos are simply outstanding statements in the John Coltrane tradition, emphasizing the close relationship between Coltrane´s music and the Indian influences, which are often difficult to be discovered in his music, but come to wonderful realization when performed by Kulpowicz. There is so much passion in his playing that one suspect that his premonition as to his fate was already hunting him.
Khan, who since the early meeting with Kulpowicz achieved a Masterly status in Indian music, is an obvious sitar virtuoso and his solos are also breathtaking. Chaudhury and Scieranski, although a priori destined to fulfill a less dominant role in this music, perform both splendidly and their contributions are invaluable. Scieranski especially is to be prized, as his elegant and delicate bass tones manage to keep a perfect balance with his partners and the music which usually exist without the bass foundation so typical in European music.
The music is beautifully recorded and has an outstanding sound quality, especially in view of the fact that it is a live recording. Musically it is one of the finest examples I have ever come across of cross-cultural amalgam that work naturally as "God intended". An absolute must to World-Music enthusiasts and all connoisseurs of great music, regardless of genre, geography or cultural affiliation. Respect!
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  | FREE COOPERATION ~ POLISH RADIO JAZZ ARCHIVES VOL.18
POLSKIE RADIO 1668 (Barcode: 5907812246686) ~ POLAND ~ Jazz
Recorded: 1985 Released: 2014
This is the eighteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
This album is perhaps one of the most important pieces of the Polish Jazz legacy issued so far as a part of this series. It presents the cult Free CooperationFind albums by this artist ensemble, an informal gathering of top young Polish Jazz musicians active in the 1980s, which in retrospect turned out to be the next generation of the local scene, which carried on the tradition into the difficult next decade, after Poland finally received its political independence. The music of Free Cooperation was an eccentric amalgam of cross-genre explorations, moving between Reggae and Jazz-Rock, through the Jazz Big Band tradition and far out into collective improvisation and even some World Music influences. The music was composed by the ensemble´s members, like keyboardist Wojciech KonikiewiczFind albums by this artist, flautist / saxophonist Aleksander KoreckiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Wojciech CzajkowskiFind albums by this artist.
Among the ensemble members we find the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, whose solos on this album are absolutely breathtaking. Other members include trumpeters Antoni GralakFind albums by this artist and Mariusz StopnickiFind albums by this artist, saxophonists Mateusz PospieszalskiFind albums by this artist and Marek KazanaFind albums by this artist, trombonist Bronislaw DuzyFind albums by this artist, electric bassist Marcin PospieszalskiFind albums by this artist, violinist Henryk GembalskiFind albums by this artist and drummers Michal ZduniakFind albums by this artist and Sarandis JuvanudisFind albums by this artist. Piotr BikontFind albums by this artist recited poetry, which accompanied some of the compositions.
Listening to the music today, almost three decades after it was recorded, clearly points out how revolutionary and ahead of its time it was, not only as far as the local scene is concerned, but on the entire European Jazz scale. Free Cooperation came to the public attention thanks to their appearance at the 1985 Jazz Jamboree festival, which is documented here on one of the tracks; the other six tracks were recorded at the Polish Radio Studio in Poznan some months earlier. The ensemble was active between 1985 and 1988 and recorded two albums for the PoljazzFind albums on this label label, which are still waiting to be reissued, which is a true shame. In April 2014 the remaining members reactivated Free Cooperation playing a gig in a club in Krakow.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
Side Note: In 1985 I returned to Poland for the first time after leaving the country in 1967, in order to record the now legendary "The Book Of JobFind albums with this title" project (follow the link to read the entire story). Andrzej Przybielski was one of the musicians participating in that project and he told me about Free Cooperation, which I than saw in person a few days after the recording was over on the stage of the Sala Kongresowa during the a.m. Jazz Jamboree performance, which of course left me flabbergasted. This album is therefore especially dear to my heart.
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  | EWA BEM ~ TRIBUTE TO MAREK BLIZINSKI
POLSKIE RADIO 1945-1946 (Barcode: 5907812249458) ~ POLAND ~ Jazz
Recorded: 1980 - 2000 Released: 2015
This is a wonderful archival 2CD album by the Polish vocalist Ewa BemFind albums by this artist, which she dedicates to the memory of the superb and tragically prematurely departed Polish Jazz guitarist Marek BlizinskiFind albums by this artist, who died from cancer just a few days before his forty second birthday. Blizinski was the first modern Polish Jazz guitarist of international class and for many years during the 1970s and 1980s was considered the top guitarist on the Polish Jazz scene.
Bem and Blizinski recorded together several times as a duo and these recordings were collected on the album "Dla Ciebie Jestem SobaFind albums with this title", released by the PoljazzFind albums on this label label, which is reissued here as the first CD of this album. The album consists of eleven songs, nine of which were written by Polish composers and lyricists, and two are standards with lyrics translated into the Polish language. In retrospect, although over three decades have passed since this music was recorded, these songs sound remarkably fresh and sparkling, losing none of their original charm. As noted in the liner notes, these duo recordings were inspired by the Ella FitzgeraldFind albums by this artist / Joe PassFind albums by this artist sessions, which produced four superb albums released in the 1970s and 1980s. Blizinski´s virtuosic guitar riffs are beyond reproach, precise and incredibly sensitive, and he proves being not only an exceptional player, but also a most sympathetic musical partner. Bem´s youthful energy and obvious talent come to full fruition on this recording, presenting her as fully mature vocalist in complete control of her vocal abilities. Her interpretations of these songs show that she feels comfortably in a Jazz environment, but easily moves into Cabaret and Pop, with the same seriousness and dedication.
The second CD of this album presents a live recording of a concert from 2000, which was a tribute to Blizinski and which presents new versions of the songs originally recorded on the duo album with Bem being accompanied by four Polish guitarists: Jan BorysiewiczFind albums by this artist, Janusz StrobelFind albums by this artist, Jaroslaw SmietanaFind albums by this artist (who sadly also died from cancer in 2013) and Wojciech WaglewskiFind albums by this artist. The vocal / guitar duos are accompanied by percussionist Jose TorresFind albums by this artist. In addition to the songs from the original album the duos perform also songs written by the guitarists. Everybody seems to be in top form and the music flows splendidly from one song to another with Bem being on top of things at all times. Her vocal abilities are in excellent form during the entire concert and she elegantly moves between genres, whether it is Jazz, Pop or Blues. The entire concert is a very heartfelt tribute to the memory of Blizinski, who of course deserves to be remembered for his invaluable contributions over the years.
The entire album has excellent sound quality and is carefully produced and packaged, bringing back to life an important segment of the Polish Jazz history, and as such is of course most welcome.
| | Updated: 01/01/2016Posted: 01/01/2016 | CD 2 Digipak Remastered Recommend To A Friend |
  | ZBIGNIEW SEIFERT ~ POLISH RADIO JAZZ ARCHIVES VOL.32
POLSKIE RADIO 2145 (Barcode: 5907812248697) ~ POLAND ~ Jazz
Recorded: 1970 - 1978 Released: 2018
This is the thirty-second installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.
The seven tracks presented here were recorded by one of the most iconic Polish Jazz figures: saxophonist / violinist / composer Zbigniew SeifertFind albums by this artist, who sadly died at a ridiculously young age succumbing to cancer. Influenced by the music of John ColtraneFind albums by this artist, Seifert revolutionized the Polish Jazz violin school and achieved international recognition. All the tracks are original compositions by Seifert.
The first five tracks were recorded live on November 14, 1978 at the "Pod Jaszczurami" Jazz club in Krakow, just three months before Seifert´s death. They were recorded by a quintet, which also included guitarist Jaroslaw SmietanaFind albums by this artist (also not with us anymore, another victim of cancer), keyboardist Janusz GrzywaczFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist (my dear and sadly also departed friend) and drummer Mieczyslaw GorkaFind albums by this artist. Grzywacz and Gorka were at the time members of the legendary Polish Jazz-Rock ensemble LaboratoriumFind albums by this artist while Smietana and Wegehaupt were at the time members of another no less legendary ensemble Extra BallFind albums by this artist. The music, although composed by Seifert, gets here a Fusion oriented treatment, as a result of the fact that all members of the quintet except for Seifert were involved with Fusion at the time.
Sadly these five tracks are only a selection from the entire recording session captured by Polish Radio Krakow, which has been previously partially released as a double LP entitled "KilimanjaroFind albums with this title" by the Polish Jazz Society label PoljazzFind albums on this label (available also separately as "Kilimanjaro Vol.1Find albums with this title" and "Kilimanjaro Vol.2Find albums with this title") and later on as a double CD bootleg album in its entirety. Why wasn´t the entire material finally released properly and legally on this album is a mystery and sadly a grave opportunity loss to put things in order once and for all and honestly a mess!
The sixth track originates from a recording Seifert made with the Polish Radio Jazz Studio OrchestraFind albums by this artist directed by Jan Ptaszyn WroblewskiFind albums by this artist in 1972. It presents him as a soloist backed up by an excellent Jazz orchestra, performing one of his early compositions, which is also previously unreleased.
The seventh and last track goes even further back and was recorded in 1970 during the thirteenth edition of the Jazz Jamboree Festival. On this track Seifert plays saxophone and is accompanied by pianist Jan JarczykFind albums by this artist, bassist Jan GonciarczykFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. This track was already released in 2010 by the great Polish reissue label GADFind albums on this label Records on the album "NoraFind albums with this title", dedicated to Seifert´s early recordings, and the inclusion of this track here is redundant and somewhat questionable.
The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
| | Updated: 01/10/2018Posted: 28/09/2018 | CD 1 Digipak Remastered Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ FOLLOW YOU KITE
WARNER MUSIC POLAND 190296307577 (Barcode: 190296307577) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2022
This is a reissue / remaster of an album by the Polish Jazz saxophonist / composer / bandleader and a Godfather figure on the local scene, Zbigniew NamyslowskiFind albums by this artist, recorded with his sextet called Air ConditionFind albums by this artist, which also included keyboardist Wladyslaw SendeckiFind albums by this artist, guitarist Dariusz KozakiewiczFind albums by this artist, bass guitarist Krzysztof ScieranskiFind albums by this artist, drummer Wojciech KowalewskiFind albums by this artist and percussionist Jerzy TanskiFind albums by this artist. The album presents six original compositions, all by the leader.
The album was one of the very few Polish Jazz recordings released at the time, which were not included in the legendary “Polish Jazz” series, and was now released in the new “Polish Jazz Masters” series.
The music is all on the lighter side of the Jazz spectrum, supposedly part of the flourishing Fusion movement, that arrived in Poland a bit later than in Europe and even in other countries behind the Iron Curtain. Namyslowski, deeply rooted in the modern Jazz and Jazz-World Fusion genres, embraced Fusion following his short stint in the US, but that love affair was short lived. The same lineup recorded the same year another album, with included different material, called simply “Air ConditionFind albums with this title”, which was released by the PoljazzFind albums on this label label and also by Inner City in the US.
But as always with Namyslowski, he was able to weave immensely beautiful tunes, with strong melodic lines, which were ideal vehicles for his sidemen to show their chops. The absolute star of this album is the very young and insanely talented keyboardist Wladyslaw Sendecki, who was to become one of top polish Jazz pianists in the years to come. His keyboards parts, especially those played on the acoustic piano, are still absolutely stunning. Although Namyslowski was not a Fusion player, Scieranski was the epitome of Funk, and his bass playing is what gives this album the Fusiony tinge. Kozakiewicz, who is a brilliant Blues / Blues-Rock guitarist, is sadly lost here as this musical environment is not really his cup of tea.
Overall, this is a very nice historic Polish Jazz album, with great tunes and excellent performances by these splendid musicians, which is always great to return to, when in a nostalgic mood. The music lost nothing of its slick musicality and the reissue is a great tribute to Namyslowski, who sadly died in 2022.
| | Updated: 11/04/2023Posted: 11/04/2023 | CD 1 Digipak Remastered Recommend To A Friend |
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