Record Reviews

FREE COOPERATION ~ POLISH RADIO JAZZ ARCHIVES VOL.18 POLSKIE RADIO 1668 (Barcode: 5907812246686) ~ POLAND ~ Jazz Recorded: 1985 Released: 2014 This is the eighteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is perhaps one of the most important pieces of the Polish Jazz legacy issued so far as a part of this series. It presents the cult Free CooperationFind albums by this artist ensemble, an informal gathering of top young Polish Jazz musicians active in the 1980s, which in retrospect turned out to be the next generation of the local scene, which carried on the tradition into the difficult next decade, after Poland finally received its political independence. The music of Free Cooperation was an eccentric amalgam of cross-genre explorations, moving between Reggae and Jazz-Rock, through the Jazz Big Band tradition and far out into collective improvisation and even some World Music influences. The music was composed by the ensemble´s members, like keyboardist Wojciech KonikiewiczFind albums by this artist, flautist / saxophonist Aleksander KoreckiFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist and bassist Wojciech CzajkowskiFind albums by this artist. Among the ensemble members we find the legendary trumpeter Andrzej PrzybielskiFind albums by this artist, whose solos on this album are absolutely breathtaking. Other members include trumpeters Antoni GralakFind albums by this artist and Mariusz StopnickiFind albums by this artist, saxophonists Mateusz PospieszalskiFind albums by this artist and Marek KazanaFind albums by this artist, trombonist Bronislaw DuzyFind albums by this artist, electric bassist Marcin PospieszalskiFind albums by this artist, violinist Henryk GembalskiFind albums by this artist and drummers Michal ZduniakFind albums by this artist and Sarandis JuvanudisFind albums by this artist. Piotr BikontFind albums by this artist recited poetry, which accompanied some of the compositions. Listening to the music today, almost three decades after it was recorded, clearly points out how revolutionary and ahead of its time it was, not only as far as the local scene is concerned, but on the entire European Jazz scale. Free Cooperation came to the public attention thanks to their appearance at the 1985 Jazz Jamboree festival, which is documented here on one of the tracks; the other six tracks were recorded at the Polish Radio Studio in Poznan some months earlier. The ensemble was active between 1985 and 1988 and recorded two albums for the PoljazzFind albums on this label label, which are still waiting to be reissued, which is a true shame. In April 2014 the remaining members reactivated Free Cooperation playing a gig in a club in Krakow. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must. Side Note: In 1985 I returned to Poland for the first time after leaving the country in 1967, in order to record the now legendary "The Book Of JobFind albums with this title" project (follow the link to read the entire story). Andrzej Przybielski was one of the musicians participating in that project and he told me about Free Cooperation, which I than saw in person a few days after the recording was over on the stage of the Sala Kongresowa during the a.m. Jazz Jamboree performance, which of course left me flabbergasted. This album is therefore especially dear to my heart.

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NUCLEON ~ GALOFALOT NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2012 Released: 2013 This is the third album by Polish Avant-Garde Jazz group NucleonFind albums by this artist, which consists of saxophonist Aleksander PapierzFind albums by this artist, guitarist Michal DymnyFind albums by this artist, electronics man Tomasz GlucFind albums by this artist and drummer Jakub RutkowskiFind albums by this artist. Two guest musicians: trombonist Bronislaw DuzyFind albums by this artist and Marcin GagolaFind albums by this artist who uses FX (whatever special effects that means) also make an appearance. Their music is an amalgam of Jazz, Improvised Music, Rock, Ambient and Electronics, which somehow manages to sound sane and even make perfect sense. The album includes ten original compositions, which are mostly credited to the entire ensemble. Although the music is obviously rather free and spontaneous, there is enough melodic content and rhythmic sanity, which make it fairly effortless to listen to, albeit perhaps not by less experienced music connoisseurs. This kind of musical creation is all about group improvisation and close cooperation between the musicians, which are splendidly achieved herein. As a result there are a few solos per se and most of the music is worked out between the collective performances. And yet there is melody, stated mostly by the saxophone, harmony and clear rhythmic patterns, which are easy to follow. Paradoxically this truly "strange" music is simply "nice" and pleasant. Nucleon is just one of many superb Improvised Music / Avant-Garde ensembles active currently in Poland, and they certainly represent the renaissance of musical inventiveness, similar to what happened (on a different musical plane) to the early Polish Jazz after WWII. This phenomenon is heartwarming, especially at a time when Culture and Art are on the defense and retreat most of the time. This album requires several listening sessions in order to really get into it, but it only gets better each time it´s played, so the process is really a pleasant experience. I had tremendous fun getting to know this album and enjoyed every minute of it. This is "weird" music in the best meaning of the term and wholeheartedly recommended to every serious music lover. Brace yourself for a ride!

Updated: 12/04/2019Posted:

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