Record Reviews

EABS ~ REFLECTIONS OF PURPLE SUN ASTIGMATIC 028 ~ POLAND ~ Jazz-Funk Fusion Recorded: 2023 Released: 2024 This is the 6th album by Polish Jazz ensemble EABSFind albums by this artist, which comprises of saxophonist Olaf WegierFind albums by this artist, trumpeter Jakub KurekFind albums by this artist, keyboardist Marek PedziwiatrFind albums by this artist, bassist Pawel StachowiakFind albums by this artist and drummer Marcin RakFind albums by this artist. The album presents six tracks, five of which are the ensemble’s interpretation of the tracks included on the legendary album “Purple SunFind albums with this title” by Polish Jazz trumpeter / composer / bandleader Tomasz StankoFind albums by this artist, who died in 2018, and one is a short tribute to Stanko’s drummer Janusz StefanskiFind albums by this artist, who died in 2016, credited to Rak. The album was recorded at Stanko’s flat and includes a booklet with extensive and highly informative liner notes by the ensemble’s manger Sebastian JozwiakFind albums by this artist. The “Purple Sun” album was recorded in Germany in 1973 by the legendary quintet led by Stanko, with included saxophonist / flautist Janusz MuniakFind albums by this artist, who died in 2016, saxophonist / violinist Zbigniew SeifertFind albums by this artist, who died in 1979, bassist Bronislaw SuchanekFind albums by this artist, may he live for many more years, and Stefanski. For various reasons (see the booklet) Suchanek was replaced on this recording by Swiss bassist Hans HartmannFind albums by this artist, who died in 2022. The album presented five compositions (two combined into one track), four composed by Stanko and one by Seifert. Since the album was released only in Germany on an obscure small record label, it remained almost completely unknown to most Polish and international Jazz connoisseurs for many years. The album was never properly reissued / remastered to this very day. Sadly, none of the quintet members, who recorded this album, are with us anymore. The concept of re-recording entire albums is not exactly neither new nor very revolutionary, even when the music is teleported into an entirely different sphere / universe, like in this case. EABS gradually won me over with their consecutive albums, and I learned to accept their Groove and Funky attitude, which, in their case, can result in deeply Artistic music, despite the appearances. I must admit that I had serious doubts in this specific case, as this particular period in Stanko’s musical chronology sets a certain aesthetic peak, as far as my historic perspective of Polish Jazz is concerned, where his highly adventurous searching produced some of the best Improvised Music / Free Jazz on earth at the time. This new interpretation of “Purple Sun” has absolutely nothing of that searching, subversive, groundbreaking charisma that the original album projects. The links between the original album and this offering are left purely to the spiritual / associative levels. I don’t think anybody not informed about the linkage between these two albums would ever guess its existence. So the question is if EABS have jumped the proverbial “one bridge too far” this time? I don’t have a precise answer to be honest. I do love the music, without any reservations: it is well played, it is Groovy and Funky as always, the solos are impressive and everything works just fine, including the urge to get up and dance. They have definitely found their very own style and they are consistent. Only some questions remain: what is the relevance of this music as far as its inspiration is concerned? Does it bring Stanko’s ideas forward by fifty years? Does it play tribute to Stanko’s original music, beyond the conceptual envelope? I honestly don’t know… Overall, this as good EABS album as ever, and people who love their music will enjoy this one as well. They are a talented bunch and it’s always great to hear them play, live or on record. As far as “Purple Sun” is concerned, if this album prompts people to make an effort and listen to the original album, I am more than happy!

Updated: 14/06/2024Posted: 14/06/2024

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KLAN ~ LIVE FINLAND 1972 GAD 039 (Barcode: 5901549197501) ~ POLAND ~ Progressive Rock Recorded: 1972 Released: 2016 This is a sensational archive live recording by the legendary Polish Prog group KlanFind albums by this artist, recorded during their performance in Finland, which sees here the light of day for the first time forty four years later. The album´s booklet tells the story of this performance and the surrounding circumstances contributing to the establishment of the unique lineup of Klan which is heard here, which includes only one original member of Klan, leader guitarists / songwriter Marek AlaszewskiFind albums by this artist, who adopted guitarist Tomasz JaskiewiczFind albums by this artist (from Czeslaw NiemenFind albums by this artist´s backing group) and a formidable rhythm section consisting of bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, both members of the top Avant-Garde Polish Jazz ensemble at the time, led by trumpeter Tomasz StankoFind albums by this artist. Together they perform five original songs, all written by Alaszewski, which are expanded into lengthy instrumental improvisations. The resulting music is one of the most unique phenomena of the period, and considering the fact that it was a one time only event, which makes it even more important, this album becomes a major discovery. It amalgamates Prog-Rock, Jazz-Rock, Avant-Rock and Free Jazz and completely obliterates any boundaries between musical idioms and symbolizes artistic freedom, which was one of the characteristics of the period, when open-mindedness and acceptance ruled, also behind the Iron Curtain. The individual performances, especially those by Suchanek and Stefanski are absolutely stunning. Suchanek plays several brilliant solos and his pulsations all along, which are basically Jazz-based, are a superb example how Jazz and Rock rhythmic patterns can ideally coexist. Stefanski, who had a bit more Rock experience, adds his Jazz skills and drives the quartet forcefully forward, also performing some great solo parts. Both guitarists stay within the Rock territory, although the rhythm section really pushes them to improvise the whole time, much more extensively than under the unusual Rock circumstances. Although the sound quality of this recording is somewhat limited, even after very careful remastering process, the importance of it as a piece of Polish / East European Rock & Jazz history is invaluable. Therefore it is highly recommended to all listeners interested in music made behind the Iron Curtain. Of course anybody following the development of Progressive music in the broad meaning of the idiom should find this most interesting. As usual our thanks to the GADFind albums on this label Records label for unearthing and releasing this piece of history, which would have been most probably lost if not for their efforts.

Updated: 12/04/2019Posted: 06/05/2016

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MIECZYSLAW KOSZ ~ POLISH RADIO JAZZ ARCHIVES VOL.37 POLSKIE RADIO 2429 (Barcode: 5905610870249) ~ POLAND ~ Jazz Recorded: 1967 Released: 1971 This is the thirty-seventh installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made between 1967 and 1971 by the legendary Polish Jazz pianist / composer Mieczyslaw KoszFind albums by this artist, which are previously unreleased solo, duo and trio piano pieces. It is the second collection of recordings by Kosz in this series. The material covers a mixture of Jazz standards, Jazz arrangements of Classical pieces and original compositions by Kosz (six of the eighteen tracks of the album) and two excerpts from radio interviews. Kosz, who was blind since the age of 12, died tragically in 1973, at a ridiculous young age of 29. During the short period he was active on the Polish Jazz scene (1967-1973) he managed to record just one single studio album released as part of the "Polish Jazz" series ("ReminiscenceFind albums with this title" Vol.25) and some radio and concert recordings were released posthumously, but of course his overall legacy is criminally limited. Therefore, every bit of music he managed to record is absolutely priceless. Although often compared to Bill EvansFind albums by this artist due the obvious lyrical similarities, Kosz was infinitely more than a Bill Evans impersonator. He had a unique style, which was a mixture of Classical and Polish Folklore roots and Jazz, which was completely distinctive. He also had a very personal sound and technique, which created the impression that he barely touched the keys even during the most powerful passages. And of course he was also a superb composer, spinning superb melody lines, which often included sophisticated hooks and twists. His expression "only sadness is beautiful" reflects perfectly his tormented personality and private life, as well as most of his compositions. Some of his later compositions encompassed strong Free Jazz elements, which would have probably played a more central role in his music, which sadly remains a speculation. But above all Kosz was a virtuosic pianist, which is immediately apparent to anybody listening to any of his recording. His technique and even more importantly his wonderful feel for Jazz was simply phenomenal. His playing is captivating and mercilessly overwhelming, and in retrospect emphasizes the scale of the loss Polish and European Jazz suffered as a result of his death. The first track, recorded in 1967, is a solo piano piece The next three tracks, recorded in 1968, feature a trio with bassist Janusz KozlowskiFind albums by this artist and drummer Sergiusz PerkowskiFind albums by this artist. The next six tracks, recorded in 1969 and 1970 (three each year), are piano solo pieces The next track, recorded in 1970, is a duo with bassist Bronislaw SuchanekFind albums by this artist. The next five tracks, recorded in 1971, are solo piano pieces. The last two tracks, recorded in 1971, are excerpts from radio interviews. The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers bi-lingual liner notes, fitting the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.

Updated: 05/07/2023Posted: 05/07/2023

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NIEMEN ~ ON STAGE 1970 / 1972 GREEN TREE 170 (Barcode: 4015689001701) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1970 - 1972 Released: 2018 This is an archival album, which presents live recordings by the greatest Polish Rock / Fusion musician of all times, vocalist / keyboardist / songwriter Czeslaw NiemenFind albums by this artist. Two of the tracks were recorded during the 1970 Jazz Jamboree Festival in Warsaw and three other at the 1972 National Festival of Polish Song in Opole. Niemen was at the time at the absolute peak of his artistic creativity as well as at the top of his immense popularity. Four of the tracks time at about ten minutes and one at almost twenty minutes, and all offer extended instrumental improvisations by some of the best Polish Rock and Jazz musicians active at the time. The 1970 tracks feature organist Jacek MikulaFind albums by this artist, guitarist Tomasz JaskiewiczFind albums by this artist, bassist Janusz ZielinskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist as well as a vocal trio and an ensemble comprising of top Polish Jazz musicians: saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, violinists Michal UrbaniakFind albums by this artist and Zbigniew SeifertFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The 1972 tracks feature the core of what was to become the most famous Polish Fusion band SBBFind albums by this artist: bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist and two great Polish Avant-Garde Jazz musicians: bassist Helmut NadolskiFind albums by this artist and trumpeter Andrzej PrzybielskiFind albums by this artist. The music is absolutely stunning, as expected, and even the dubious sound quality of these recordings is not able to spoil the unadulterated pleasure this music is still able to generate almost fifty years after it was initially performed. Niemen was always light years ahead of his contemporaries on both sides of the Iron Curtain, and the fact that he remains still relatively anonymous beyond Eastern Europe, despite his revolutionary contributions and pioneering spirit, is a crying shame. It is a great pity that the entire legacy of Niemen´s recordings made outside of Poland and many of his live recordings remain unreleased and are available only unofficially, like all the Green TreeFind albums on this label titles. His third Box Set, which was to include all these treasures, remains sadly an unfulfilled dream. For all Polish Rock / Fusion enthusiasts as well as for the numerous Niemen fans this is an essential piece of his discography, which is definitely worth having, despite its technical flaws.

Updated: 07/09/2019Posted: 07/09/2019

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TADEUSZ PREJZNER ~ SPACER BRZEGIEM MORZA GAD 046 (Barcode: 5901549197600) ~ POLAND ~ Jazz Recorded: 1972 Released: 2016 This is a reissue, first time on CD, of a cult Polish Jazz album, which presents music performed by an ensemble conducted by composer Tadeusz PrejznerFind albums by this artist, which included some of the top Polish Jazz musicians of the day, like vocalist Ewa WanatFind albums by this artist, trumpeter Tomasz StankoFind albums by this artist, pianist / saxophonist Wlodzimierz NahornyFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, guitarist Janusz SidorenkoFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and a nine piece string section. The ensemble performs thirteen original compositions, five of which were composed by Prejzner, two each by Stanko, Nahorny and Jan Ptaszyn WroblewskiFind albums by this artist and two more by other Polish composers. The music is an attempt to create a "lighter", more relaxed music, with strong ties to Jazz but which a wide range of listeners might enjoy – in short an early form of Smooth Jazz. However, as usual with Polish attempts of such projects, the result is quite spectacular and hardly deserves the dubious reputation of Smooth Jazz. Considering the status of the musicians involved as well as the fact that Polish Jazz musicians did not develop the chaltura (look it up) attitude yet, the resulting music is simply wonderful in every respect. Not only are the compositions beautifully melodic and anything but trivial, but also the execution is stunning and includes many first rate solos which would make any Jazz album proud. Overall this is a wonderful obscure gem, which deserves to be remembered, which is why GADFind albums on this label Records decided to bring it back to life, which is as usual highly appreciated.

Updated: 18/01/2017Posted: 18/01/2017

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S.P.P.T. CHALTURNIK ~ CHALTURNIK (POLISH JAZZ VOL.95 DELUXE) MUZA 1095 (Barcode: 5907783420955) ~ POLAND ~ Jazz Recorded: 1974 Released: 2007 This wonderful album is the debut recording by the S.P.P.T. ChalturnikFind albums by this artist ensemble, invented, founded and led by saxophonist / composer / bandleader Jan Ptaszyn WroblewskiFind albums by this artist. As the title suggest, the idea behind this ensemble is all about humor in Jazz, a relatively rare attitude in modern Jazz but something quite common in traditional Jazz. The ensemble consisted of the crème de la crème of the Polish Jazz scene: saxophonists Zbigniew NamyslowskiFind albums by this artist, Janusz MuniakFind albums by this artist and Tomasz SzukalskiFind albums by this artist, tuba player Zdzislaw PiernikFind albums by this artist, pianist Jan JarczykFind albums by this artist (replaced by Tomasz OchalskiFind albums by this artist on two tracks), bassist Bronislaw SuchanekFind albums by this artist and drummer Jerzy BezuchaFind albums by this artist, with the leader playing saxophone and a "mouth synthesizer" (i.e. a comb) and contributing four of his original compositions. The rest of the music comes from various sources, including even one theme by Tomasz StankoFind albums by this artist (obviously a tongue in cheek towards modern Jazz). Although the humorous approach to the music is easily detected, the perfect performances and the wonderful arrangements turn this album a true gem. These great musicians prove, beyond a shadow of a doubt, that sometimes it pays to take a slightly relaxed approach to music. Great stuff!

CD 1 Digipak Remastered Recommend To A Friend

S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA ~ S.P.P.T. CHALTURNIK / POLISH RADIO JAZZ STUDIO ORCHESTRA POLJAZZ / ANEX 312 (Barcode: 5907513047674) ~ POLAND ~ Jazz Recorded: 1973 - 1975 Released: 2009 The material presented on this album originates from two separate LPs released by the PoljazzFind albums on this label label, each contributing one side of the original LP. The logic behind it is that the original Poljazz releases often included two sides of completely unrelated material, artificially combined for a variety of reasons, mostly economic. These two sides of two separate LPs are connected by the central personality behind the music, the Polish Jazz saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist. Wroblewski was the founder and leader of the band S.P.P.T. ChalturnikFind albums by this artist, which was formed in order to present Jazz with a humorous and tongue in cheek attitude, featuring well known standards as well as original material by the leader. The band included the absolute crème de la crème of the Polish Jazz scene: saxophonists Janusz MuniakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and Tomasz SzukalskiFind albums by this artist, keyboardist Wojciech KarolakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The wonderful arrangements and whimsy performances are all brilliant, especially in view of the fact that they show that Jazz doesn´t have to be treated always so seriously. Wroblewski was also the director of the Polish Radio Jazz Studio OrchestraFind albums by this artist during the years 1968-1978, which was one of the most important incubators and places of refuge for the young Polish Jazz musicians under the Socialist regime, providing them with a steady income. The orchestra performs a very ambitious piece of music composed by the young pianist Jan JarczykFind albums by this artist called "A Double Concerto For Five Soloists And Orchestra", which features as soloists top Polish Jazz players of the time: violinist Zbigniew SeifertFind albums by this artist, saxophonist Tomasz Szukalski and Janusz Muniak and trumpeter Tomasz StankoFind albums by this artist. Legendary American drummer Stu MartinFind albums by this artist also participates in the recording. The music is a very interesting example of early Orchestral Jazz works, which combine contemporary Classical techniques with Free Jazz improvisation. Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

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KRZYSZTOF SADOWSKI ~ AND HIS HAMMOND ORGAN (POLISH JAZZ VOL.21) MUZA 1021 ~ POLAND ~ Jazz Recorded: 1970 Released: 2006 This is the first album on the legendary Polish Jazz series, which is dedicated to the Hammond organ, the godfather of the electronic keyboards and probably the most significant new instrument, which dominated Jazz and Progressive Rock in the late 1960s and early 1970s (although available since the 1930s). Keyboardist Krzysztof SadowskiFind albums by this artist belongs to the first post WWII generation of Polish Jazz musicians, debuting in the 1950s and active on the local scene for many years. He combined his love of Jazz and Rock, playing with the leading ensembles of both genres with equal dedication and success. This album presents his Hammond organ performances in two different environments: Side A of the original LP captures him accompanied just by drummer Andrzej DabrowskiFind albums by this artist and the duo moves through a Rocky set, which includes a BeatlesFind albums by this artist medley. Side B finds him accompanied by the Polish Radio Jazz Studio OrchestraFind albums by this artist, led by saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist and featuring top Polish Jazz players, among them saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and many others. This set is much closer to Jazz and features a beautiful version of Krzysztof KomedaFind albums by this artist´s ballad from "Rosemary´s Baby".

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WLADYSLAW SENDECKI ~ PIANO PROVOCATEUR 1039 (Barcode: 5038491103929) ~ POLAND ~ Jazz Recorded: 2007 Released: 2007 Polish pianist / composer Wladyslaw SendeckiFind albums by this artist is one of the finest representatives of European Jazz. As a child prodigy he started his classical studies at the age of 11 and performances at the age of 15. Once he discovered Jazz, his passion for music concentrated in this field and he became involved with the Polish Jazz scene, playing piano in famous Polish groups like Extra BallFind albums by this artist and Sun ShipFind albums by this artist, both of which pioneered the Polish Jazz-Rock Fusion movement. In 1981 Sendecki left Poland (as did many gifted musicians at the time) first to Sweden and later settled in Switzerland. In 1990 he moved to Germany (Hamburg) and took the resident piano chair with the excellent NDR Big BandFind albums by this artist. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Bronislaw SuchanekFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. This beautiful piano solo album was recorded 20 years after his last recording as a leader and is a most welcome return and a great opportunity for new listeners to get exposed to his great talent. He composed most of the music, including the three parts suite dedicated to painter Marc Chagall and the Art of painting. Three pieces by other composers are also included, reflecting his love of music by other talented composers. The album is an absolutely stunning piece of music, performed with virtuosity and deep musical sensitivity. Sendecki keeps his brilliant technique “in check”, not letting it overshadow his delicate and impressive improvisational exploits. For well-trained listeners, the Polish musical tradition, especially the piano legacy of Frederic ChopinFind albums by this artist, is quite evident (Chopin’s romanticism and soul-searching qualities influence all Polish piano players to this very day). The music flows beautifully from one piece to another and for me it was all over much too soon, which means it will be played again many a time. The sound quality of the album is (not surprisingly) excellent, as all the other recordings on the ProvocateurFind albums on this label label. Piano lovers, Jazz lovers or just plain music enthusiasts should find plenty of content here and even if the Artist’s name is completely unfamiliar to them, it is absolutely worth investigating. I for one am proud to have such a superb musician for a friend. Hopefully we won’t have to wait for 20 years to enjoy another album of his.

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TOMASZ STANKO ~ JAZZMESSAGE FROM POLAND B.FREE 6098 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2016 This is a reissue of a relatively obscure album by the Polish Jazz icon Tomasz StankoFind albums by this artist, released originally by a small independent German label JGFind albums on this label Records. The album was recorded by the first quintet Stanko formed as a leader, shortly after the death of the Godfather of Polish Jazz, pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, with whom Stanko recorded extensively for years. The quintet included the best Polish Jazz musicians at the time: violin virtuoso Zbigniew SeifertFind albums by this artist, flautist / saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. This album is one of three albums this quintet recorded, following the legendary "Music For KFind albums with this title" (from 1970) and proceeding "Purple SunFind albums with this title" (from 1973, with Hans HartmannFind albums by this artist on bass instead of Suchanek), also originally released on a small German label CaligFind albums on this label Records. The album was recorded live and presents just three extensive pieces, the longest almost half an hour in duration. The pieces are credited to Muniak / Stanko, Seifert and Stanko respectively. The music is a brilliant example of early European Free Jazz / Improvised Music, which illustrates the differences between the American approach to Free Jazz and the European Free Jazz aesthetic, with is much more settled and sophisticated already at this early stage. It also shows the development of Stanko and the members of his quintet and their involvement with Free Jazz, proving to be a major step forward from what they played together on their debut album. All the musicians are prominently featured on the album, which in spite of the fact that it was recorded live, offers a crystal clear sound quality and allows the individual instruments to be perfectly audible. Seifert is spiritually closest to Stanko´s explorations and proves to be also an equally brilliant instrumentalist, being able to transform the John ColtraneFind albums by this artist inspirations into the European sphere of aesthetics, which Stanko is pursuing as well. Muniak also contributes very valuable input and the rhythm section offers an exquisite mixture of free time and discipline, which holds this music brilliantly together. In retrospect this is a milestone recording and an essential piece of Polish / European Jazz history, which is worth its weight in gold and should be a part of every serious European Free Jazz collection!

Updated: 22/04/2018Posted: 22/04/2018

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TOMASZ STANKO ~ W PALACU PRYMASOWSKIM POLJAZZ / ANEX 219 (Barcode: 5907513047483) ~ POLAND ~ Jazz Recorded: 1982 Released: 2009 Brilliant album by Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the founding fathers of modern Polish and European Jazz and one of the most important Jazz pioneers in music today. The album includes just two lengthy compositions, the first performed by Stanko´s quintet, which comprises of the violin virtuoso Zbigniew SeifertFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, and the second a solo trumpet performance, which is a rarity in his repertoire and a stunning display of his craftsmanship. The album is full of brilliant solos and telepathic group interplay with endless climaxes which go right down the listener´s spine. This is European Jazz at its best, with intelligent music and virtuosity predominant at every step of the way. I can´t imagine any serious fan of modern / Free Jazz not wanting this album in their collection. Brilliant stuff!

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TOMASZ STANKO QUINTET ~ WOODEN MUSIC I ASTIGMATIC 020 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2022 This is an archival live album by the iconic Polish Jazz trumpeter / composer / bandleader Tomasz StankoFind albums by this artist and his legendary first quintet, which also included saxophonist / flautist Janusz MuniakFind albums by this artist, saxophonist / violinist Zbigniew SeifertFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The music was recorded by Radio Bremen on June 15, 1972 and presents six tracks with uncredited music, entitled simply pieces 1-6. The sound quality, clarity and separation of this recording is better than any other album recorded by this quintet, live or in the studio. The album includes a 32 pages bi-lingual booklet presenting historical background about the quintet and the music and photographs. Stanko formed the quintet in 1968 following his departure from the Krzysztof KomedaFind albums by this artist quintet, and it soon became Poland’s most important, searching and pioneering ensemble on the early 1970s. The quintet activity, which lasted until 1973, marked the first period of Stanko’s career as a leader and his extensive explorations of the Free Jazz / Improvised Music idiom. The quintet performed and recorded more often in Western Europe, especially in Germany, than in Poland and as a result also recorded more albums there than at home. The collective discography of the quintet includes the legendary “Music For KFind albums with this title” (Poland 1970), “Jazzmessage From PolandFind albums with this title” (Germany 1972), “Purple SunFind albums with this title” (Germany 1973), “W Palacu PrymasowskimFind albums with this title” (Poland 1973 / Side A only) and now this album and its successor “Wooden Music IIFind albums with this title”, not yet released at the time of writing. The album, in addition to the fabulous music of course, offers a highly interesting glance at the European Jazz scene at the time and presents the Polish Jazz contribution to the European emancipation from the American domination, in creating a completely new Jazz aesthetics. Other interesting aspects of the music are the hair-raising virtuosity of Seifert, who left the saxophone and concentrated totally on the violin, revolutionizing the violin’s position in Jazz, or the brilliant contributions by Suchanek, who is the absolute centerpiece of the quintet, without whom this music would never sound as coherent as it does here or the sublime polyrhythmic drumming by Stefanski, who was a superb Master of the trade. Overall, this is a brilliant addition to the Polish Jazz discography, nothing short of a holy grail, considering it took half a Century for the music to be discovered and released. Polish Jazz owes a huge gratitude to the German radio stations and record labels, which recorded the music at a time when recording in Poland was extremely limited and many treasures, such as this one, would have never been preserved for eternity. This is an essential piece of European Jazz discography and an album deserving an honorable place in any serious record collection.

Updated: 07/06/2024Posted: 19/01/2023

CD 1 Digipak Remastered Essential Recommend To A Friend

TOMASZ STANKO QUINTET ~ WOODEN MUSIC II ASTIGMATIC 026 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1972 Released: 2023 This is the second archival live album by the iconic Polish Jazz trumpeter / composer / bandleader Tomasz StankoFind albums by this artist and his legendary first quintet, which also included saxophonist / flautist Janusz MuniakFind albums by this artist, saxophonist / violinist Zbigniew SeifertFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The music was recorded by NDR Hamburg on November 9, 1972 and presents four tracks with uncredited music, which are collectively improvised. It is the second volume of the German Radio recordings and the sound quality, clarity and separation of these recordings are better than any other albums recorded by this quintet, live or in the studio. Stanko formed the quintet in 1968 following his departure from the Krzysztof KomedaFind albums by this artist quintet, and it soon became Poland’s most important, searching and pioneering ensemble on the early 1970s. The quintet activity, which lasted until 1973, marked the first period of Stanko’s career as a leader and his extensive explorations of the Free Jazz / Improvised Music idiom. The quintet performed and recorded more often in Western Europe, especially in Germany, than in Poland and as a result also recorded more albums there than at home. The collective discography of the quintet includes the legendary “Music For KFind albums with this title” (Poland 1970), “Jazzmessage From PolandFind albums with this title” (Germany 1972), “Purple SunFind albums with this title” (Germany 1973), “W Palacu PrymasowskimFind albums with this title” (Poland 1973 / Side A only) and now the two “Wooden MusicFind albums with this title” archive albums. The album, in addition to the fabulous music of course, offers a highly interesting glance at the European Jazz scene at the time and presents the Polish Jazz contribution to the European emancipation from the American domination, in creating a completely new Jazz aesthetics. Other interesting aspects of the music are the hair-raising virtuosity of Seifert, who left the saxophone and concentrated totally on the violin, revolutionizing the violin’s position in Jazz, or the brilliant contributions by Suchanek, who is the absolute centerpiece of the quintet, without whom this music would never sound as coherent as it does here or the sublime polyrhythmic drumming by Stefanski, who was a superb Master of the trade. Overall, this is a brilliant addition to the Polish Jazz discography, nothing short of a holy grail, considering it took half a Century for the music to be discovered and released. Polish Jazz owes a huge gratitude to the German radio stations and record labels, which recorded the music at a time when recording in Poland was extremely limited and many treasures, such as this one, would have never been preserved for eternity. This is an essential piece of European Jazz discography and an album deserving an honorable place in any serious record collection.

Updated: 07/06/2024Posted: 07/06/2024

CD 1 Digipak Remastered Essential Recommend To A Friend

BRONISLAW SUCHANEK / DOMINIK WANIA ~ SKETCH IN BLUE NOT ON LABEL (Barcode: 786851249323) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008 This beautiful bass / piano duo album presents a meeting between two generations of great Polish Jazz players. Veteran bassist Bronislaw SuchanekFind albums by this artist was one of the most prominent players on the Polish modern Jazz scene, playing with top names, like Tomasz StankoFind albums by this artist (see the groundbreaking legendary “Music For KFind albums with this title” album). He left Poland during the turbulent years of Socialist regime, first to Sweden and later to USA, where he lives now. He played with other Polish expatriates (Leszek ZadloFind albums by this artist, Wladyslaw SendeckiFind albums by this artist and Janusz StefanskiFind albums by this artist) in the Polski Jazz EnsembleFind albums by this artist, which also visited Israel by my invitation. Dominik WaniaFind albums by this artist is a Polish pianist, with an impressive list of musical achievements in spite of his young age. Wania traveled to Boston, to get his Masters degree in music and there he met Suchanek. This album is a result of their musical cooperation. Both players are virtuoso performers on their respective instruments and their cooperation is in perfect sync, creating great exchange of ideas and interplay. Both musicians contribute equally to the compositional content, each of them by writing four compositions and one composition being co-authored. There are some superb melodies here and of course great performances from start to finish, full of sensitivity and intelligence, typical European Jazz at its best. Wholeheartedly recommended!

CD-R 1 Recommend To A Friend

TOMASZ SZUKALSKI ~ TINA KAMILA (POLISH JAZZ VOL.83 DELUXE) MUZA 1083 ~ POLAND ~ Jazz Recorded: 1986 Released: 2005 This wonderful album is the debut recording as a leader by Polish Jazz saxophonist / composer Tomasz SzukalskiFind albums by this artist, one of the veterans of the local scene. Although Szukalski has been active on the scene for many years and participated in many recordings, the opportunity to make an album under his own name came only relatively late in his career path. This album is quite a surprise in many respects, as it presents Szukalski playing Jazz standards accompanied by the Grand Standard Orchestra led and conducted by Jan Ptaszyn WroblewskiFind albums by this artist. His tenor sounds absolutely marvelous against the orchestra´s strings and the album is one of the most beautifully melodic Polish Jazz releases. Stylistically the album resembles similar sax and strings recordings, such as those by Ben WebsterFind albums by this artist for example, and Szukalski´s virtuosity and incredible feel easily match those of the legendary Jazz Masters. He is accompanied by a great rhythm section with pianist Wojciech KarolakFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The music comprises mostly of Jazz standards, but includes also compositions by Polish Jazz composers like Karolak, Wroblewski, Bronislaw SuchanekFind albums by this artist and one tune by the Szukalski himself. In retrospect this album lost nothing of its power and intrinsic beauty, and any Jazz lover in the world should be able to enjoy it wholeheartedly. Brilliant stuff!

CD 1 Digipak Remastered Recommend To A Friend

DOMINIK WANIA ~ LONELY SHADOWS ECM 2686 (Barcode: 602508695834) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 As astonishing as this might sound and in complete contrast to his extensive recording legacy and the hurricane-like ascent to the position of top Polish Jazz piano chair during a record time of just over a decade, this is only the second album as a leader by pianist / composer Dominik WaniaFind albums by this artist and of course his debut album as a leader for the prestigious ECMFind albums on this label label. Some twelve years ago (2008) my friend, the great Polish Jazz bassist Bronislaw SuchanekFind albums by this artist, sent me a duo album he recorded with a young and anonymous Polish pianist, who was over the pond in Boston getting his Master of Music degree there. The name of the young pianist was Dominik Wania and the album was "Sketch In BlueFind albums with this title", and the rest is history as far as I am concerned. I was immediate smitten with Wania´s playing and followed his development ever since, listening carefully to every recording he made over time and of course tried to hear him perform live whenever I could. The modern Polish Jazz has known many remarkable pianists over the last six decades, who contributed to the development of the local scene. Some of them became famous and made many important recordings, others exploded with youthful brilliance only to disappear soon after without a trace. Each and every one of them had his idiosyncratic language and style of course, some being closer to the American Jazz tradition, other searching for new ways of expression. But in retrospect the arrival of Wania changed the rules of the game entirely, in view of his total originality. Wania studied Classical Music and Jazz Music of course, but he managed to create a completely innovative amalgam of all musical traditions, which is uniquely his own. His fellow musicians attest to the fact that playing alongside Dominik is like being transferred into another state of mind and parallel universe, which is exactly my observation from hearing him perform live. He is every bit there playing with the rest of the band and yet at the same time he floats in the stratosphere high above everything else that is happening on the stage. But of course solo piano performances are something altogether different... About a year before Wania recorded the music for this album he recorded another solo piano album called "TwilightFind albums with this title" with his interpretations of music composed by the great Polish composer Zbigniew PreisnerFind albums by this artist, which strangely was almost completely overlooked upon its release. Although diametrically different from the music on this album, since it was completely pre-composed, Wania´s interpretations soar high and above the basic melody lines and create a completely new entity (see my review of that album), and as such in some respects is spiritually quite related to the music presented herein. This album presents eleven improvised pieces by Wania, characterized by a remarkable humility, fragility and minimalism. Every stroke on the keyboard counts and every pause matters. Wania manages to create a complete universe of sound and silence, which is mesmerizing and magical. The music escapes standard genre classification and could be considered as much Classical as Jazz, being both and none at the same time. Using spontaneously improvised music for this project, Wania managed to create something that might sound completely "composed" to the listener, as a result of its wonderfully coherent structure, tonality and intrinsic continuity. This sublime ability is just one of Wania´s trade secrets, which turn him into a wizard he truly is. Of course this music reflects only some of the many facets of the phenomenon called Wania, since his recorded legacy portrays him in many diverse settings, but nevertheless it fully depicts his originality. No other piano player on this planet plays music the way he does, which of course can be said about just a handful of musicians. As corny as it might sound this is a truly wonderful album, probably one of the most penetrating and enlightening creations of the last decade, which once again proudly shines in the aging ECM catalogue. People love to crown artists as "the next thing", in most cases completely out of proportions, but Wania undoubtedly is an Artist of the future, even though he already offers a glorious legacy as of today. He undoubtedly embodies the European aesthetics more accurately and broadly that most of his peers and the prospect of hearing more of his music in the future is one of those things that make life worth living.

Updated: 22/10/2020Posted: 22/10/2020

CD 1 Slipcase Recommend To A Friend

JAN PTASZYN WROBLEWSKI ~ STUDIO JAZZOWE POLSKIEGO RADIA 1969-78 POLSKIE RADIO 2327-2331 (Barcode: 5907812248222) ~ POLAND ~ Big Band Jazz Recorded: 1969 - 2017 Released: 2020 This is an iconic archival album documenting the recorded legacy of one of the Godfathers of Polish Jazz, saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist. The first four CDs in this 5CD set present recordings by the Polish Radio Jazz Studio OrchestraFind albums by this artist led and conducted by Wroblewski between late 1968 and early 1978, and the last CD presents recordings by his quartet and sextet, recorded between 1979 and 2017. The entire crème de la crème of the Polish Jazz scene in the crucial decade of its development (late 1960s to late 1970s) can be heard on these recordings, including such celebrated names like Tomasz StankoFind albums by this artist, Andrzej TrzaskowskiFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist, Wlodzimierz NahornyFind albums by this artist, Bronislaw SuchanekFind albums by this artist, Janusz StefanskiFind albums by this artist, Jerzy MilianFind albums by this artist, Zbigniew SeifertFind albums by this artist, NOVIFind albums by this artist Singers and many others. Almost all the music on these CDs was composed and arranged by Wroblewski and the members of the orchestra. Wroblewski (born 1936), who is nearing his eighty fifth birthday, is still active today and he wrote the liner notes accompanying this release, reminiscing about the decade during which he fronted the orchestra. The artistry of the Big Band idiom and the sophistication of the arrangements are of course the focal points of the music and although the American Big Bands are an obvious inspiration, the result reaches way beyond the basic model, creating the European Big Band approach, which looks for inspiration in way more complex compositions (like the music of Krzysztof KomedaFind albums by this artist in this case) and experimental soloing, bordering on Free Jazz, which can be heard extensively here. The fact that the members of Komeda’s ensembles play on these recordings speaks for itself and the contributing composers are all pioneers of modern Polish Jazz. The music is, as expected, absolutely brilliant from start to finish, and in retrospect glorifies the level of the Polish Jazz musicianship and talent at the time. It is “criminal” that this music was locked down in the vaults of the Polish Radio for so long, and hopefully the rest of it (at least twice as much as was released now) will be released in the future. The damages made by limitations of the Polish music industry at the time and the monopoly of State owned music enterprises, which controlled and censored the output of recorded music for decades, should be all made right in time, preserving the Cultural treasures hidden from public access. Polish Jazz enthusiasts all over the world should find this album an absolute must have in their collection. The list of participating musicians and the quality of the compositions is certain to satisfy the most demanding listeners and the historical importance is unprecedented. Essential listening!

Updated: 11/02/2021Posted: 11/02/2021

CD 5 Mini-Sleeve Box Set Remastered Essential Recommend To A Friend

JAN PTASZYN WROBLEWSKI ~ SWEET BEAT GAD 004 (Barcode: 5901549197037) ~ POLAND ~ Jazz Recorded: 1972 Released: 2012 A couple of years after they collaborated on the first Polish Easy Jazz album ("Jej PortretFind albums with this title"), saxophonist / composer / arranger / bandleader Jan Ptaszyn WroblewskiFind albums by this artist and saxophonist / keyboardist / composer Wlodzimierz NahornyFind albums by this artist meet again on this, another Easy Jazz recording, this time of the Jazz & Strings variety. This time however, Wroblewski is the primary soloist, fronting a wonderful quintet which includes Nahorny on keyboards, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and percussionist Jozef GawrychFind albums by this artist. The quintet is accompanied by an expanded string section, conducted by Zygmunt MahlikFind albums by this artist. The album includes eleven original compositions, eight by Wroblewski and three by Jerzy WasowskiFind albums by this artist (a wonderful composer of cabaret songs). Wroblewski also wrote all the elaborate arrangements. Although, as intended, the orchestral arrangements are indeed Easy Jazz, the wonderful saxophone solos are anything, but easy, often being quite complex and even slightly Free Form, sometimes in complete contrast to the melodic background. However the overall atmosphere of this album is relaxed and focuses on delivering a musical experience, which can be enjoyed by a variety of listeners, including those who don´t listen to Jazz on a regular basis. Regardless of the concept behind this music, it is very apparent that neither Wroblewski nor any of his colleagues take this project lightly and the level of execution is simply perfect, as are the compositions. Wonderfully melodic, yet far from being banal, these melodies stand the test of time marvelously and sound completely relevant also today. The overall project might sound a bit dated, but that is also its charm, rising waves of nostalgia for times long gone. This superb reissue presents exceptional remastered sound quality and fourteen bonus tracks, previously unreleased, which demonstrate other collaborations between Wroblewski and the Polish Radio string ensemble between 1967 and 1971. Wroblewski composed all of these tracks, with the exception of one standard. These recordings are a wonderful window into the "behind the scenes" of the Polish Jazz scene at the time, where experimentation and individualism might have bees suppressed by State censorship, but never stopped the protagonist from trying. Sadly neglected and almost forgotten over the years, this album truly deserves a second life and GAD Records, as usual, made the right decision to reissue it, making a splendid job as always. I love this stuff!

CD 1 Remastered Bonus Tracks Recommend To A Friend