Record Reviews

MAREK BLIZINSKI ~ WAVE POLJAZZ / ANEX 327 (Barcode: 5907513047827) ~ POLAND ~ Jazz Recorded: 1979 - 1980 Released: 2009 This is the only album as a leader recorded by Polish Jazz guitarist Marek BlizinskiFind albums by this artist, who was one of the first Jazz guitar players on the local scene. He was a very in-demand session player and participated in many recordings as well as recording with several groups of which he was a formal member, led by such Polish Jazz luminaries like Michal UrbaniakFind albums by this artist, Wojciech KarolakFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and Jan Ptaszyn WroblewskiFind albums by this artist. He was a brilliant improviser and had a wonderful tone, which ornamented many important Polish Jazz recordings. His solo career, however, never really took off and this was the only album he managed to release as a leader, before his untimely and tragic death at the age of 42. The album consists of two radio sessions, with Blizinski playing on both in a trio format, first with bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist and then with bassist Zbigniew WegehauptFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. Both these rhythm sections are considered to be among the best ones ever active on the local scene. The album includes seven compositions, all of which are standards. Although well played, both by Blizinski and the rhythm sections, this album does not present his true abilities and sensitivities and in retrospect is unfortunately much less impressive than it could have been. Playing these standards, which present no true intellectual challenge for these experienced musicians, was a poor decision. His numerous recordings with other artists are much more impressive. Guitar enthusiasts will obviously find here many beautiful moments of mainstream Jazz, with are every bit as good as those recorded across the pond. Definitely worth remembering! Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

CD 1 Digipak Remastered Recommend To A Friend

MAREK GRECHUTA ~ DROGA ZA WIDNOKRES POMATON 724352574322 (Barcode: 724352574322) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1972 Released: 2000 This is the third album by Polish singer / songwriter / poet Marek GrechutaFind albums by this artist, one of the most iconic figures on the Polish popular music scene and the most important representative of the Music & Poetry movement in Poland. This is also his first album with the group WIEMFind albums by this artist (an acronym of the Polish phrase "W Innej Epoce Muzycznej"), which Grechuta formed after he left his previous group AnawaFind albums by this artist. The new group comprised initially of guitarist Pawel ScieranskiFind albums by this artist, brilliant bassist Pawel JarzebskiFind albums by this artist and three drummers / percussionists Jozef GawrychFind albums by this artist, Bogdan KulikFind albums by this artist and Tadeusz KalinowskiFind albums by this artist. Later on the group was expanded with some personnel changes and included among others violinist Piotr MicheraFind albums by this artist, guitarist Antoni KrupaFind albums by this artist and drummer Kazimierz JonkiszFind albums by this artist. The album includes eight tracks, all composed by Grechuta, who wrote lyrics to only one of the songs and the remaining lyrics are by some of the Polish poets Grechuta admired: Jan ZychFind albums by this artist, Tadeusz NowakFind albums by this artist, Tadeusz SliwiakFind albums by this artist and others. Musically the album marks a dramatic change in comparison to the acoustic World Music / Psychedelic atmosphere of his previous albums and moves into Jazz-Rock Fusion / Progressive Rock, which is quite understandable considering that all the new band members were previously active in these areas. But the music also amalgamates the lyrical elements dominating Grechuta´s music and the intrinsic melancholy of the poetic lyrics. The instrumental work is rather intimate, with the guitar being the only soloing instrument, playing sweet Bluesy / Jazzy riffs. The absolutely sublime performances on the (acoustic) bass are the album´s backbone, upon which the entire musical contents is completely dependent. The later, expanded version of the group, included much more developed instrumental support to Grechuta´s lyrics, as can be heard on the bonus tracks. Grechuta is a master of his trade and his vocal delivery is simply sublime. Always somewhere in between singing and reciting, his interpretation of the lyrics is exquisitely intelligent and insightful. The band performs also divinely, displaying obvious talents and sensitivity. Such combination of beautiful music performed as perfectly as here is indeed extraordinary. Therefore in retrospect this is one of the best Rock / Prog albums ever recorded in Poland, although less innovative and shocking musically that its predecessor. It stands the test of time beautifully and is an absolute must have for every lover of Polish music. This expanded and remastered edition includes seven bonus tracks recorded by the Polish Radio, all of excellent quality, both sonically and musically. One of the tracks is an extended almost all instrumental version of the epic title track of the previous album, which is truly brilliant. A gem worth having!

CD 1 Remastered Bonus Tracks Recommend To A Friend

ZBIGNIEW NAMYSLOWSKI ~ NAMYSLOVSKI INNER CITY 1048 (Barcode: 077712710480) ~ POLAND ~ Jazz-Funk Fusion Recorded: 1977 Released: 2010 This is a reissue of the first of the two albums by the Polish Jazz saxophonist / composer / bandleader Zbigniew NamyslowskiFind albums by this artist released by the American Inner CityFind albums on this label label. He is accompanied by Polish Jazz musicians: pianist Slawomir KulpowiczFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist. The album presents eight original compositions, all by Namyslowski. Namyslowski, who was one of the Godfathers of the modern Polish Jazz scene and remained one of its prominent leaders for decades, was a musical pioneer, who introduced into Polish Jazz innovations such as Jazz-World Fusion and other attempts to fuse Jazz with different musical genres. He was a prolific composer and an educator, and his groups were one of the most important “stables’, producing generation after generation of young Polish Jazz musicians. The music on this album presents some of his cross-genre explorations, and of course the incredibly high level of the Polish Jazz musicians, which was a complete surprise for American Jazz listeners, who mostly completely dismissed Jazz originating from outside of the US. Namyslowski was brought to the attention of the Inner City label by Michal UrbaniakFind albums by this artist, who recorded an album for the label a short time before this album was released. Overall, this is a brilliant album, which withstands the test of time without any problem. It documents the attempt of Polish Jazz musicians to develop a career in the USA, which in retrospect achieved a very limited success, and led to almost all of them returning to Poland, leaving no impact whatsoever on the American Jazz scene, which of course is hardly surprising. However, it produced some memorable recordings, this being one of them. For Polish Jazz fans this is a gem worth visiting!

Updated: 23/05/2022Posted: 23/05/2022

CD 1 Recommend To A Friend

ZBIGNIEW NAMYSLOWSKI ~ POLISH RADIO JAZZ ARCHIVES VOL.36 POLSKIE RADIO 2422-2423 (Barcode: 5907812247720) ~ POLAND ~ Jazz Recorded: 1974 - 1995 Released: 2023 This is the thirty-sixth installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings of that period. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The music on this album presents radio recordings of live performances by one of Godfathers of Polish Jazz, saxophonist / composer / bandleader Zbigniew NamyslowskiFind albums by this artist, who sadly departed recently (February 2022), paying tribute to his artistry. Namyslowski was active on the scene since the late 1950s and his music embraced diverse environments, playing Jazz in all its forms and idioms, between Traditional Jazz and Jazz-Rock Fusion. The 2CD album presents nineteen tracks recorded between 1974 and 1995 which are a wonderful collection spanning his various activities. Namyslowski composed all but one of these tracks. The first four tracks on CD1, recorded in 1974, feature a quintet with saxophonist / flautist Janusz MuniakFind albums by this artist, pianist Wojciech KarolakFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. The next four tracks on CD1, recorded in 1975, feature a sextet with saxophonist Tomasz SzukalskiFind albums by this artist, Karolak, Jarzebski, drummer Kazimierz JonkiszFind albums by this artist and percussionist Jerzy BartzFind albums by this artist. The first four tracks on CD2, recorded in 1992, feature a quartet with pianist Leszek MozdzerFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist and drummer Cezary KonradFind albums by this artist. The last seven tracks on CD2, recorded in 1995, feature a quintet with the same lineup as the quartet above, with the addition of trumpeter Piotr WojtasikFind albums by this artist. The fact that five of the musicians playing on this album (Namyslowski, Muniak, Karolak, Szukalski and Wegehaupt) are no longer with us is a sad reminder of the phenomenon of the first generation of the Polish Jazz scene disappearing. The series, which was brought back to life after three years of absence, offers an upgraded packaging, which finally offers bi-lingual liner notes, fitting the importance of this music. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. Overall this is an absolutely essential piece of Jazz history which every Jazz fan should consider as a must.

Updated: 25/03/2023Posted: 25/03/2023

CD 2 Digipak Remastered Recommend To A Friend

NOVI ~ CHOPIN MUZA 1295 (Barcode: 5907783422959) ~ POLAND ~ Jazz-Classical Fusion Recorded: 1971 Released: 2010 This is a reissue of the third album by Polish Jazz vocal quartet NOVIFind albums by this artist, led by vocalist / composer Bernard KawkaFind albums by this artist and including vocalist Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. The album, originally entitled "NOVI Sing ChopinFind albums with this title", presents eleven compositions by the Polish National composer Frederic ChopinFind albums by this artist, arranged for the vocal quartet singing a cappella. Obviously following in the footsteps of The Swingle SingersFind albums by this artist, who recorded arrangements of music by Johann Sebastian BachFind albums by this artist and other Classical composers, NOVI undertook this difficult and very ambitious project to sing Chopin´s music in a similar Swing fashion and against all odds succeeded beyond all expectations. This recording immediately achieved a status of a cult album, and although not really a Jazz album per se, was warmly embraced by the Jazz community as part of its milieu. In many aspects the album symbolizes the Polish Culture, as it embodies the idea of Polish Music, which became a part of Polish Cultural Heritage, transforming in time and staying contemporary regardless the changing frame of reference, in this case the Jazz idiom. The vocal performances on this album are absolutely brilliant and remain unmatched by any other vocal group since attempting to tackle Chopin´s compositions, not only on the Polish scene, but globally. This reissue is well remastered from the original studio tapes and presents a wonderful sonic quality, especially in view of the challenging task of recording human voices. It does not correct, unfortunately, the lack of information that has been associated with this album since day one as to the arrangement credits and the name of the bass player who accompanies the vocal quartet (i.e. the album is not strictly an a cappella recording as the vocals are accompanied by a bass player on eight tracks). This is a timeless classic of course and an absolute must have for any Polish music fan, Jazz or otherwise! Side Note: After some intensive investigations I do have now all the missing discographical information, which is mentioned above. The bass player that accompanies NOVI is Pawel JarzebskiFind albums by this artist. As to the vocal arrangements, eight are by Parzynski, two by Mych and one by Kawka. Of course I am not disclosing my sources ;)

Updated: 12/01/2017Posted: 07/01/2017

CD 1 Remastered Recommend To A Friend

NOVI ~ FIVE, FOUR, THREE GAD 025 (Barcode: 5901549197310) ~ POLAND ~ Jazz Recorded: 1974 - 1975 Released: 2015 This is a reissue of the fifth album by the Polish Jazz vocal ensemble NOVIFind albums by this artist, recorded after the ensemble´s founder / leader / primary composer / arranger Bernard KawkaFind albums by this artist left Poland for the greener pastures of the Big Apple, following a whole wave of his compatriots, like Michal UrbaniakFind albums by this artist, Urszula DudziakFind albums by this artist, Adam MakowiczFind albums by this artist and others. Kawka´s departure seemed to have little impact on the remaining three members of the ensemble: Ewa WanatFind albums by this artist, Janusz MychFind albums by this artist and Waldemar ParzynskiFind albums by this artist. They immediately embarked upon the recording of this album, which as usual included original material, composed by Parzynski (seven of the nine compositions on this album) and Mych (the other two compositions). Three of the compositions included also lyrics (in English). The ensemble was accompanied by an instrumental combo, which featured top Polish Jazz musicians: keyboardist Wojciech KarolakFind albums by this artist, guitarist Marek BlizinskiFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, and the Polish Radio Jazz Studio OrchestraFind albums by this artist conducted by Jan Ptaszyn WroblewskiFind albums by this artist. In addition to the original album, this remastered edition includes four bonus tracks, two of which feature the vocalist Tomasz OchalskiFind albums by this artist, who expanded the ensemble to the original quartet lineup for a brief period. The original album was released only three years after it was recorded, which was an example of how political bureaucracy dictated the fate of musicians behind the Iron Curtain. Musically this album was a continuation of the fantastic work they did on the previous releases, but the stress of loosing their leader and the confusion that followed is pretty obvious. The selection of material and inclusion of songs is obviously a step towards commercialism, but the album still presents several top-notch numbers, beautifully and skillfully executed, which stand up to par with their earlier work. But overall the glory days of NOVI were over and although they would record a couple of additional albums, they were moving further away from the revolutionary and innovative vocal achievements of their early days. Considering the fact that this music has been unavailable for such a long time this is definitely another project by GADFind albums on this label Records, which deserves to be praised. NOVI fans will find this an indispensable part of their collection and hopefully we will get a complete set of NOVI reissues sometime in the future.

Updated: 13/10/2016Posted:

CD 1 Remastered Bonus Tracks Recommend To A Friend

OSSIAN ~ KSIEGA CHMUR MILO 110 (Barcode: 5907513047247) ~ POLAND ~ Progressive Rock Recorded: 1979 Released: 2006 3rd album by the great Polish Prog group OssianFind albums by this artist (a.k.a. OsjanFind albums by this artist), which was one of the first East European groups to embrace World Music influences and incorporate them into their highly improvised music. Founded in 1971 by multi-instrumentalists Jacek OstaszewskiFind albums by this artist (flutes and percussion) and Tomasz HolujFind albums by this artist (tabla and percussion), the band was later expanded to include Milo KurtisFind albums by this artist (trombita and percussion, who is of Greek origin), creating some of the most adventurous and mind-blowing music, which of course at the time was truly pioneering and eons before its time. Later incarnations of the group were further expended to include additional musicians. The group´s music consists of long (usually well over 10 minutes) contemplative and largely improvised pieces, performed solely on acoustic instruments. Deeply emotional and drawing its inspiration from the Far East, Middle East, India and Polish Folklore, this is definitely one of the most wonderfully strange musical experiences one can get exposed to. This album was recorded with a quintet lineup with the addition of violinist Zygmunt KaczmarskiFind albums by this artist and percussionist Radoslaw NowakowskiFind albums by this artist, as well as several guest musicians, including the great Polish Jazz bassist Pawel JarzebskiFind albums by this artist, and is definitely the most consistent and coherent recording the group ever made, with the entire album dedicated to a five-piece suite which gives the album its title. A must to all brave-hearted music lovers!

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QUARTET ~ THE QUARTET POLJAZZ / ANEX 302 (Barcode: 5907513047575) ~ POLAND ~ Jazz Recorded: 1978 Released: 2009 The QuartetFind albums by this artist was formed by the rhythm section of Zbigniew NamyslowskiFind albums by this artist´s so called "third quartet", i.e. pianist Slawomir KulpowiczFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John ColtraneFind albums by this artist legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings. In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes this live album recorded in 1978 and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz StankoFind albums by this artist from the same period). Therefore the double CD full of superb archival radio and concert recordings by this ensemble, also entitled simply "The QuartetFind albums with this title", released in 2013 by Polskie RadioFind albums on this label is an absolute marvel and a must have for every Polish / European Jazz connoisseur. Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule. Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself. Side Note: The PoljazzFind albums on this label label, which originally released this album, was active for 20 years (between 1972 and 1991) and was owned by the Polish Jazz Society. Considering the fact that the music industry in the Socialist State was centralized and totally controlled, with just one State owned music company producing all the albums, the possibilities to record and release Jazz albums were extremely limited. Poljazz was conceived and founded in order to allow for many more Jazz (and other) albums to be released independently from the State owned Polskie NagraniaFind albums on this label / MuzaFind albums on this label and as such revolutionized the music industry at the time, being the only such enterprise in Eastern Europe. The Polish label AnexFind albums on this label reissued many of the original Poljazz albums on CD, bringing this fabulous music back to life.

CD 1 Digipak Remastered Recommend To A Friend

QUARTET ~ THE QUARTET POLSKIE RADIO 1246-1247 (Barcode: 5907812242466) ~ POLAND ~ Jazz Recorded: 1977 - 1979 Released: 2013 This is the first installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own. The Quartet was formed by the rhythm section of Zbigniew Namyslowski´s so called "third quartet", i.e. pianist Slawomir Kulpowicz, bassist Pawel JarzebskiFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, with the addition of saxophonist Tomasz SzukalskiFind albums by this artist, one of Poland´s all-time greatest Jazz musicians and a spectacular player of rare quality. Although Szukalski naturally dominated the sound of the ensemble, it was Kulpowicz who was the spiritual leader and the sole composer of all the original material they performed. Spiritually the music was soaked in the John Coltrane legacy, with Szukalski playing lengthy "wall of sound" solos, supported passionately by the rhythm section, with Kulpowicz vamping a la McCoy TynerFind albums by this artist, Jarzebski delivering virtuosic bass parts and Stefanski raising all hell behind it all, which engulfed the overall effect with incredible power and overwhelming strength of expression, similar in character to the Coltrane late period recordings. In spite of the fact that The Quartet was undoubtedly the most important Polish Jazz ensemble in the late 1970s, their recorded legacy is truly pitiful and includes one live album recorded in 1978 and released by the PoljazzFind albums on this label label (reissued by the AnexFind albums on this label label) and their sole studio album, recorded in Finland in 1979 and released by the tiny independent Finnish label LeoFind albums on this label Records (which released also two albums by Tomasz Stanko from the same period). Therefore this double CD full of superb radio and concert recordings by The Quartet is an absolute marvel and a must have for every Polish / European Jazz connoisseur. Following the ensemble´s breakdown in mid-1980, the Polish Jazz scene will never again experience this kind of music, so close in spirit, sound and emotion to the epicenter of Modern Jazz created by Coltrane. The Quartet´s brief three and a half years period was the closest ever moment in which Polish Jazz would become very close to American Jazz of a decade earlier, both in spirit and in practice. The Quartet somehow managed to put aside the omnipresent Polish melancholy and lyricism, which dictates most of the unique music created under the Polish Jazz banner. Usually, when Polish Jazz musicians try to imitate their idols from across the pond, they fail rather miserably, with The Quartet being the only exception, which proves the rule. Young Polish Jazz musicians should study this music note by note – this is universally sublime document of human expression, freedom and power of creation, which happens rarely. Inspired by Coltrane´s music, this creation sparks a life of its own, which stands shoulder to shoulder with the original, without any inferiority complexes whatsoever. It is not a copy of the source; it is a thankful gratitude for the inspiration itself. Bringing this music out of the vaults is commendable, although keeping it in the vaults for so long was simply criminal. Such treasures of the Polish Cultural heritage should be exposed in all their glory. Hopefully the people in charge of the Polish Radio archives realize that.

CD 2 Digipak Remastered Recommend To A Friend

STANKO – MAKOWICZ UNIT ~ STANKO – MAKOWICZ UNIT FEATURING CZESLAW BARTKOWSKI B.FREE 6097 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1975 Released: 2016 This is a reissue of the little known album by the Polish Jazz ensemble Stanko – Makowicz UnitFind albums by this artist, released originally by a small independent German label JGFind albums on this label Records. It is one of the two albums this ensemble recorded, the other one being the eponymous album released by the legendary Polish label PoljazzFind albums on this label, which to this day was not reissued on CD. On this album the ensemble is a trio with Tomasz StankoFind albums by this artist on trumpet, Adam MakowiczFind albums by this artist on electric piano and Czeslaw BartkowskiFind albums by this artist on drums, whereas the Poljazz album was recorded by a quartet with Pawel JarzebskiFind albums by this artist on bass. Both albums have a completely different set of tunes on them. On this album the ensemble performs seven tunes, two each by Stanko and Makowicz, one credited to all three members of the ensemble and the remaining two being standards one each by John ColtraneFind albums by this artist and Miles DavisFind albums by this artist. The album´s artwork does not specify the date or place of the recording, except for stating that it was recorded in 1975, same as the Poljazz album. Since there is no applause one can assume it is a studio recording. Chronologically this album was recorded shortly before Stanko recorded his first album for ECMFind albums on this label ("BalladynaFind albums with this title" recorded December 1975), which was the jumpstart of his international career. The music is typical of Stanko´s mid 1970s period, which marked his beautiful amalgamation of melody and Free Jazz excursions, dominated by his "dirty" hoarse sound, which was his trademark for many years. Makowicz, who was one of the leading pianists on the Polish scene at the time, before he left for the US, was an ideal partner for Stanko in this particular setup, using the electric piano he embraced while being a member of the Michal UrbaniakFind albums by this artist´s Fusion groups. Bartkowski, also a leading figure on the Polish scene, was a Master drummer and felt perfectly comfortable in any stylistic setting, supports the duo amicably. Although the recording quality and the overall sound of this album is not as good as one might have hoped for, it is definitely perfectly acceptable, in contrast to what some "critics" wrote about this album over time. The same, or even more strongly, is valid as far as the musical contents and the playing are concerned, which are absolutely superb. This is one of the most intimate Stanko recordings ever, and his trumpet playing is leading the music boldly and authoritatively. In retrospect this is a tremendous piece of history of the Polish / European Jazz and of course of Stanko´s contribution to the genre, as the leading Free Jazz trumpeter of the period. For Polish Jazz connoisseurs and Stanko followers this album is an absolute must have of course.

Updated: 28/04/2018Posted: 28/04/2018

CD 1 Digipak Recommend To A Friend

MICHAL URBANIAK ~ ATMA UBX 1022 (Barcode: 884502405217) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1974 Released: 2014 This is a reissue of the second US album by Polish Jazz violinist / composer Michal UrbaniakFind albums by this artist, released originally on the ColumbiaFind albums on this label label in 1974. It was recorded by the same group of Polish musicians, who played with Urbaniak since several years: his wife at the time, vocalist Urszula DudziakFind albums by this artist, keyboardist Wojciech KarolakFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. American percussionist Ray MantillaFind albums by this artist also took part in the recording. The album presents ten tracks, all composed by Urbaniak, including the three parts suite that gave the album its title. The music continues the development that Urbaniak presented on his recordings since the early 1970s, creating a unique Fusion of Jazz and Ethnic elements, mostly sourced from Polish Folklore. The distinctive instrumentation and the use of the idiosyncratic explosive vocals by Dudziak resulted in one of the most advanced Fusion albums of all times, which remains completely original and groundbreaking to this very day. Although Urbaniak authored all the music there is no doubt that Dudziak added a crucial element to the final result. Her vocal pyrotechnics are absolutely stunning and without those the music would have never reached the expressive power it offers. Her solo vocals / electronics track reveals her imaginative abilities, which were fully exposed on her solo album "Newborn LightFind albums with this title" recorded in 1972 and later also released in US on Columbia. There is no doubt that this music was light years ahead of its time, and being deeply based in European Jazz experimentation, which at the time of its release was almost completely misunderstood in the US, resulted in commercial failure on the US market, despite its superb musical achievement. In retrospect this album was undoubtedly the absolute peak of Urbaniak´s career, especially as a composer and pioneer of innovative music exploration. All three of the Urbaniak´s Columbia albums ("FusionFind albums with this title", "AtmaFind albums with this title" and "Fusion IIIFind albums with this title") can be combined as one of the most artistically successful album triptychs in Jazz / Fusion history. This is an absolute must to all Fusion fans the world over, now more than ever, as the genre proved to run out of steam decades ago and absolutely nothing comes even close to the quality and the electrifying powers of the music included here. Grab it as long as you can get hold of a copy! Beyond essential!

Updated: 08/09/2019Posted: 08/09/2019

CD 1 Digipak Remastered Essential Recommend To A Friend

MICHAL URBANIAK ~ SOUND PIECES MOOSICUS 1223 (Barcode: 885513122322) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 - 1973 Released: 2023 This is an expanded 3CD reissue / remaster of the two albums, “Paratyphus BFind albums with this title” and “InactinFind albums with this title”, recorded for the small German label SpiegeleiFind albums on this label by the ensemble headed by Polish Jazz saxophonist / violinist / composer / bandleader Michal UrbaniakFind albums by this artist. The ensemble included also Urbaniak´s wife at the time, vocalist Urszula DudziakFind albums by this artist, keyboardist Adam MakowiczFind albums by this artist, bassists Pawel JarzebskiFind albums by this artist (on the 1st album) and Roman DylagFind albums by this artist (on the 2nd album), drummer Czeslaw BartkowskiFind albums by this artist and Yugoslav percussionist Branislav KovacevFind albums by this artist. The 1st album included five tracks, four by Urbaniak and one by Makowicz, and the 2nd album included seven tracks, all composed by Urbaniak. Both albums are now combined as the twelve tracks of CD1. CD2 and CD3 of this album present three tracks each, recorded live by Radio Bremen during a club performance on January 21, 1972, a few months before the two studio albums were recorded, and later released in 1973. The material covers the same material that was later recorded in the studio. The lineup playing live is the same as on “Paratyphus B”, except for Kovacev, who is not present. “Inactin” has several similarities to the live album Urbaniak and his ensemble recorded in 1973 in Poland, released as part of the legendary Polish Jazz series (Vol. 36) and entitled "In ConcertFind albums with this title", which in retrospect was one of Polish Jazz most significant and pivotal recordings and a giant milestone towards the discovery of Jazz-Rock Fusion on the local scene. Those two albums share several of the compositions and almost identical core lineup and most importantly the unique stylistic approach, which mixed Jazz, Rock, Electronics and Free Jazz in a way never previously attempted. The Spiegelei contact, which produced the two albums, happened as a result of the success Urbaniak achieved in Europe touring there extensively in the early 1970s, which culminated with his appearance at the Montreux Jazz Festival in 1971 and winning there a first prize as instrumentalist, at the time still playing the saxophone. The switch to violin, which was Urbaniak´s original instrument, changed his career dramatically and marked the new period in his career. The entire period marks a turbulent time for Urbaniak and Dudziak, with their dramatic emigration to USA soon after. The music Urbaniak´s group created was definitely one of the most innovative and adventurous experiments done at the time, surely by any musicians originating from behind the Iron Curtain. The freedom of expression, which originated in the Free Jazz, mixed with the use of electric instruments and electronic voice enhancements, emerged as some of the most exciting sounds then, and to same extent even today, almost five decades later. Urbaniak used Polish folk motifs and uneven meters to make things even more exciting and Dudziak´s visionary usage of the human voice was eons ahead of its time. In retrospect her performances on this album remain unmatched to this very day, again five decades later. In retrospect the two Spiegelei albums and the three albums Urbaniak recorded for ColumbiaFind albums on this label in the USA during the years immediately after his arrival there remain to this very day as his strongest statements, with the body of work created by him and his groups in the early 1970s being unsurpassed. The album´s liner notes are pretty sketchy and such significant reissue surely deserves much better. Nevertheless, this is an iconic piece of music and as such deserves to be listened to today, after being unavailable for a scandalously long period of time. Overall, this album is a dramatic statement in Jazz history, serving as a beacon to the fact that by the time it was recorded, Jazz development moved from America to Europe, never to return again. This music is so much advanced over anything happening beyond the pond, already at that time, and the fact that it originates from Easter Europe, from behind the Iron Curtain, proves that it has been finally liberated from American supremacy, or even perhaps enslavement. Any Jazz lover, who is not aware of this music, and sadly a vast majority is in that position, has very little understanding as what Jazz Music is all about.

Updated: 16/02/2024Posted: 16/02/2024

CD 3 Mini-Sleeve Remastered Bonus Tracks Essential Recommend To A Friend