Record Reviews
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  | MACIEJ FORTUNA ~ ZOSKA FM 020 (Barcode: 5903240365166) ~ POLAND ~ Jazz-World Fusion Recorded: 2013 Released: 2015
Polish Jazz trumpeter / composer Maciej FortunaFind albums by this artist is consistently building a reputation for himself both on the artistic and professional level; he releases his own records, he develops international collaborations with other musicians, he is active in social networking and organization and so on. In addition he manages to create some superb music on the way and keeps establishing his position in the top echelon of Polish Jazz trumpeters. For a young musician this is definitely very impressive.
Modern Polish Jazz is characterized, among other things, by amalgamation of Polish Folklore motifs with jazz. Such approach enjoyed a lot of popularity in the 1960s and 1970s, when it had its political significance as well, and now, in the second decade of the 21st Century it seems to be in full bloom again. Many top Polish Jazz musicians, like Irek WojtczakFind albums by this artist, Piotr OrzechowskiFind albums by this artist, High Definition QuartetFind albums by this artist (which also features Orzechowski), Marcin MaseckiFind albums by this artist and many others, recorded albums based on this concept Fortuna adds his valuable contribution to this wonderful multicultural puzzle. In this case, similar to what Wojtczak did, Fortuna recorded the music with a quartet which except for him features an all American lineup: saxophonist Mack GoldsburyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Frank ParkerFind albums by this artist. The album presents ten tracks, six of which are traditional Polish Folklore songs / dances and four are original compositions, all by Fortuna, composed especially for this project.
Wojtczak´s album proved that American Jazz musicians can play Polish folklore-based music quite brilliantly and this album does it again. Goldsbury, Unsworth and Parker are all up to the challenge and honestly they play better on this album than on any album I have heard them play earlier on, which of course shows that when seriously challenged, musicians often perform better that usual. As Fortuna says, and I quote: "Following decades of Polish Jazz musicians playing American Jazz, it´s time for American Jazz musicians to play Polish Jazz". I couldn´t agree more.
The music is a Jazz-World Fusion project, but only well trained listeners will be able to recognize the exact origins of the tunes used here, both on the melodic and rhythmic layer. Fortuna´s originals fit in excellently to the overall sound and become an organic part of the project. Fortuna is the main soloist of course, but all the members of the quartet have plenty of opportunity to show their chops and the overall level of musicianship is superb.
Polish Jazz connoisseurs and enthusiast of Jazz-World Fusion explorations should enjoy this album immensely. All I can do is to urge everybody to give it a try ASAP, as it is definitely worth everybody´s attention. Well done, as usual!
| Updated: 07/03/2016Posted: 07/03/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MACK GOLDSBURY ~ LIVE AT COCO`S CADENCE JAZZ 1245 (Barcode: 786497583027) ~ USA ~ Jazz Recorded: 2011 Released: 2012
This album presents a live recording by a quintet, which comprises of four American Jazz players: saxophonist Mack GoldsburyFind albums by this artist, guitarist Shaun MahoneyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Ricky MalichiFind albums by this artist and also features the Polish Jazz trumpeter Maciej FortunaFind albums by this artist. The American players are pretty anonymous, but Fortuna is very well known on the Polish Jazz scene in the last couple of years and made several recordings as a leader, co-leader and sideman recently. The album includes seven compositions, two of which are standards, two are by Mahoney and the remaining three are by Goldsbury, Unsworth and Fortuna contributing one composition each. The recording quality is quite good and the music has a worm ambience and a clearly defined sound.
Stylistically the music is straightforward American mainstream, which of course in not very exhilarating. Fortunately Mahoney plays some really great and sensitive guitar and Fortuna blows beautifully, as always, being by far the best musician in the quintet and his composition is the most ambitious of the original compositions present herein. There is very little innovation or ambitious improvisation here, with the quintet sticking to the melody like flies to honey, which of course is hardly surprising. To put things in the right perspective, this is a respectable showcase of mainstream Jazz, which simply becomes sort of "not very exciting" after a while.
Of course it´s very educational for Fortuna to play with American Jazz musicians, as Jazz in Poland sounds pretty different in most cases. Dues have to be paid and these cats can swing. So no harm done and Fortuna gets another album in his discography, where he shows off his chops. Would I pay money to buy this music? Sorry… I´d have probably enjoyed the evening at the club when this music was recorded, but not much beyond. But hey, that´s just me, if you like mainstream Jazz, this ain´t bad at all.
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  | MACK GOLDSBURY / MACIEJ FORTUNA ~ ACTIVE RUSH FM 014 ~ USA ~ Jazz Recorded: 2011 - 2013 Released: 2013
This album presents a collection of six live and one studio recordings by the American Jazz quartet led by saxophonist Mack GoldsburyFind albums by this artist and including guitarist Shaun MahoneyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Ricky MalichiFind albums by this artist, which also features as a guest soloist the excellent Polish Jazz trumpeter Maciej FortunaFind albums by this artist. This quintet recorded and released a couple of albums earlier on. The album presents seven original compositions, five by Mahoney and one each by Goldsbury and Fortuna.
I have never managed to figure out why Fortuna plays with this quartet, which is an epitome of American mainstream, devoid of any ambition or interest. He is by far a much more talented and skillful player than any of his partners herein and the music he plays with his own ensembles is infinitely more interesting and far-reaching. However, since this is his choice, we should respect it and decide if we want to listen to it or not.
Of course American mainstream spiced up by a brilliant trumpeter can not be all that bad and many Jazz listeners can enjoy this music in full. These are decent tunes and the playing is professional and vigorous, so there is plenty to like if you are into that kind of Jazz. Personally I´d rather wait for the next "proper" recording by Fortuna.
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