Record Reviews
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  | AGA TAURA CONFAB / ENRICO RAVA ~ EL CONVIDADO
SVART / MONDO 381 (Barcode: 6430065589419) ~ ARGENTINA ~ Jazz-World Fusion
Recorded: 1975 Released: 2019
In June of 1975 Italian trumpeter / composer Enrico RavaFind albums by this artist recorded his debut album for the prestigious German ECMFind albums on this label label, entitled "The Pilgrim And The StarsFind albums with this title", which upon its release later that year kick-started his solo career. The album was recorded with an international lineup of ECM stable musicians: American guitarists John AbercrombieFind albums by this artist (who also released his ECM debut the same year) and a marvelous Scandinavian rhythm section consisting of Swedish bassist Palle DanielssonFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist.
A trumpet virtuoso and an exceptionally gifted composer, Rava established himself on the international scene during the entire decade earlier, playing and recording with the elite of Avant-Garde Jazz players of that period both in Europe and in America, which included Steve LacyFind albums by this artist, Roswell RuddFind albums by this artist, Charlie HadenFind albums by this artist, Don CherryFind albums by this artist, Argentinean Gato BarbieriFind albums by this artist (during his stint in Italy), Lee KonitzFind albums by this artist and others. By the early 1970s Rava embraced a more melodic approach to Jazz and started to cooperate with Fusion musicians, a path common to many of his European contemporaries. This led to his participation in the recording of the seminal Jazz-Rock opera "Escalator Over The HillFind albums with this title" by Carla BleyFind albums by this artist as well as the recording of the little known album for the legendary German MPSFind albums on this label label called "Katcharpari RavaFind albums with this title", where he played vis-à-vis Abercrombie and which, when first heard by ECM owner Manfred EicherFind albums by this artist, led to inviting them both to record for ECM in the first place.
What led Enrico Rava to take part in the recording of the obscure album you are holding in your hand, which took place in December of 1975 in Buenos Aires, the Capital of Argentina, you ask? Well it turns out Rava had some family in Buenos Aires, which he was visiting at the time and which is hardly surprising considering the fact that most of Argentina´s inhabitants are descendants of European ethnic groups, with more than 55% of them having Italian origins. Therefore being Italian and having family in Argentina is a highly probable outcome. Quite accidently, Rava already visited Buenos Aires almost a decade earlier, when playing there with the Steve Lacy quartet. A performance by that quartet recorded in Buenos Aires in November of 1966 was released as the album "The Forest And The ZooFind albums with this title" on the ESPFind albums on this label label.
The rest of the story, however, is pure Jazz "improvisation". Upon learning that Rava is in town, local Jazz aficionados swiftly decided to size the day and hook him up with local musician and record an album. It is difficult to know today if Rava and the Argentineans realized that he was already under ECM contract and they needed to ask Eicher to give them permission to make this recording, which was highly unlikely he would. But considering South American attitude towards rules and regulations nobody probably cared too much about it, which of course in retrospect should make us thankful.
The team selected to accompany Rava, named as "Aga Taura ConfabFind albums by this artist", included three Argentinean Jazz musicians: pianist Fernando GelbardFind albums by this artist, bassist Adalberto CevascoFind albums by this artist and drummer Nestor AstaritaFind albums by this artist and an Argentinean Folk percussionist Farias GómezFind albums by this artist, who also contributed vocalese parts. Although less experienced and with no international exposure at the time, they stood their ground formidably and performed alongside Rava without any inferiority complex. Of the five tunes on the album, four are performed by the quintet, where Gelbard plays the Fender Rhodes electric piano, and one is a duet consisting of Rava and Gelbard, who plays acoustic piano. Not surprisingly Rava´s performances are the absolute pinnacle of the session, encompassing different styles and approaches moving between melodic lyricism and Free Form explorations. He knowingly pays tribute to his idols: Miles Davis and Chet Baker, but avoids copying any explicit phrasing and crafts his distinctly own voice.
The spontaneous recording session lasted for a few hours, just long enough to capture five tracks totaling in about forty two minutes of music. The sound quality of the recording turned out to be better than one might expect, with clear, crispy tone and excellent separation, which suited the music perfectly. The music includes a Rava original, which appears only on this album, a standard, a composition by the Brazilian composer João DonatoFind albums by this artist, a composition by Argentinean saxophonist / composer Horacio BorraroFind albums by this artist and finally a composition by the quintet´s percussionist Farias Gómez – a mixed bag which offers a strong World Music influence and plenty of opportunities for the musicians to show their chops.
In retrospect this is definitely a piece of music that deserves to be revisited, not only for nostalgic reasons, but primarily as a historical document of the period, as well as proof of the fact that music knows no boundaries. Due to its rarity the original LP release is a highly sought after collectors item to Jazz aficionados all over the world, not only connoisseurs of Enrico Rava, but also enthusiasts of early Jazz-World Fusion.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 22/05/2020Posted: 22/05/2020 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | BLEY / SHEPPARD / SWALLOW ~ ANDANDO EL TIEMPO
ECM 2487 (Barcode: 602547797117) ~ USA ~ Jazz
Recorded: 2015 Released: 2016
This is the 3rd album by the trio co-led by American Jazz pianist / composer Carla BleyFind albums by this artist, British Jazz saxophonist Andy SheppardFind albums by this artist and American Jazz bass guitarist Steve SwallowFind albums by this artist. The album presents five tracks, the first three being parts of a suite. All the compositions are by Bley. The music was recorded by the great Stefano AmerioFind albums by this artist and offers a sensational sound quality.
The beautifully melodic music is a superb example of Bley’s unique sense of melody and compositional aesthetics, which is her trademark since 1960 on. When she died in 2023, Bley left a vast body of compositions created in over six decades, many of which remain absolute Jazz classics.
The trio offers a tight, precise and beautifully well balanced music-making tool to present the music, complementing each other for the entire duration and exchanging lead parts in tandem. The entire presentation is minimalist and modest, with not one unnecessary note, offering a melancholic journey, full of beauty and reflection.
The trio would record only one more album together, called “Life Goes On”, which would be Bley’s final recording.
Overall, this is a beautiful, delicate piece of music, which summarizes quite faithfully her entire career, not only as performer and composer, but perhaps more importantly as an instigator and catalyst of styles and directions, far beyond her own career.
| | Updated: 29/12/2024Posted: 29/12/2024 | CD 1 Slipcase Recommend To A Friend |
  | CARLA BLEY ~ APPEARING NIGHTLY
WATT 33 (Barcode: 602517255166) ~ USA ~ Jazz
Recorded: 2006 Released: 2008
The Superwoman of American Jazz, pianist / composer / arranger / bandleader Carla BleyFind albums by this artist is undoubtedly the most significant female figure dominating the scene since the late 1950s (yes it does seem incredible). Her numerous compositions constitute an unparalleled songbook, which has been used not only by herself and her various ensembles and bands, but by almost every Jazz musician the world over. Her work is extremely versatile and covers the many different Jazz subgenres as well as Progressive Rock and others. One has to admit that very few other composers have such an ability to write a seemingly simple tune, which turns into a great and timeless melody like she does, and many love her just for that. This superb albums includes some of her recent compositions, which in their approach, styling and general feel play tribute to the great Big Bands of the early 20th Century, particularly the greatest of them all, the Duke EllingtonFind albums by this artist Orchestra. Like Ellington before her, Bley sees in Jazz the contemporary Classical music and she treats it with the same seriousness and zeal. The music is beautifully arranged and breathtakingly performed by a superb collection of musicians, like British saxophonists Andy SheppardFind albums by this artist and Julian ArgüellesFind albums by this artist, Austrian saxophonist Wolfgang PushingFind albums by this artist, American trumpeter Lew SoloffFind albums by this artist, the omnipresent (as far as Bley is concerned) bassist Steve SwallowFind albums by this artist and many other wonderful musicians. The music was recorded live at the legendary Parisian "New Morning" club, and is one of the best live Big Band recordings I´ve ever heard. Overall this is an unbelievable experience, a blessed hour of music of the highest quality, performed gracefully and elegantly and composed by a Genius. What more could one want? An absolute must to anybody with ears, which still work…
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  | BURTON / METHENY / SWALLOW / SANCHEZ ~ QUARTET LIVE
CONCORD 888072313033 (Barcode: 888072313033) ~ USA ~ Jazz
Recorded: 2007 Released: 2009
In the 1960s the celebrated American vibraphonist / composer Gary BurtonFind albums by this artist led a quartet, which also included guitarist Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Roy HaynesFind albums by this artist (and later Bob MosesFind albums by this artist). That quartet recorded a series of brilliant albums, which in retrospect clearly show how pioneering and revolutionary that music was at the time, giving birth to Jazz-Rock Fusion years ahead of anybody else in the US. The young and up-coming guitarist Pat MethenyFind albums by this artist joined that same quartet just a few years later (mid-1970s), adding his unique input to the quartet´s sublime legacy.
This live recording at the legendary Yoshi´s Jazz club in Oakland captures a reunion of the original (1970s) quartet with the exception of the Mexican drummer Antonio SanchezFind albums by this artist, who is of course a member of the much younger generation of Jazz players, but his remarkable qualities suited the occasion perfectly. They perform a series of mostly original compositions by the three veteran group members, which have all been performed at the time by the original quartet. A few compositions originating from outside the quartet, but performed at the time, as also included, those being by Chick CoreaFind albums by this artist, Carla BleyFind albums by this artist, Keith JarrettFind albums by this artist and Duke EllingtonFind albums by this artist.
This quartet treats these compositions quite differently in comparison to the original performances, bringing the arrangements up to date both sonically and stylistically, which awards them a second life. The overall level of performance is of course stellar, which is not surprising considering the aggregation of talent present. It is really great to hear Metheny play Jazz again, which he scarcely does with his own group. Both Burton and Swallow seem to be completely untouched by time and sound in top form. It is truly uplifting to see Jazz veterans being able to create music, which is fresh and valid today, as it was decades ago. Great stuff!
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  | GARY BURTON ~ DREAMS SO REAL – MUSIC OF CARLA BLEY
ECM 1072 (Barcode: 602517758308) ~ USA ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2008
US vibraphonist / composer Gary BurtonFind albums by this artist is one of the pillars of American modern Jazz and his extraordinary legacy of recorded music includes a monumental body of work, spanning decades, styles and an incredible variety of sounds. On this very unique album, Burton and his quintet - which consists of two guitarists: Mick GoodrickFind albums by this artist (one of the greatest and sadly little known guitar virtuosi) and Pat MethenyFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist - play tribute to the great US composer Carla BleyFind albums by this artist. Bley´s compositions have been always a superb example of ingenuity and intelligence as much as deep lyricism and melodic perception. Stylistically in a universe of her own, Bley deserves a very special place on the pedestal of great 20th Century composers and this loving tribute is a proper example of the recognition of her talents. The presence of two electric guitarists on this album gives it a certain slightly Fusion touch, but definitely of the gentle sort, which suits the music perfectly. Brilliant stuff!
| | Updated: 11/07/2025Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | GARY BURTON ~ LOFTY FAKE ANAGRAM / A GENUINE TONG FUNERAL
BGO 723 (Barcode: 5017261207234) ~ USA ~ Jazz
Recorded: 1967 Released: 2006
Vibraphonist / composer Gary BurtonFind albums by this artist is one of greatest American Jazz musicians, with a long and outstanding career and a massive body of work. He is also one of relatively few American Jazz artists, who can be considered as true originals, embracing the Jazz tradition but at the same time constantly expanding the horizons of the music and exploring the terra incognita of the genre. This album takes us back to the early days of Burton’s musical path, when he was leading probably the most forward-thinking Jazz quartet of the day. Together with guitarist extraordinaire Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, the quartet ventured into some of the earliest examples of Jazz-Rock Fusion, years ahead of their contemporaries. The two original LPs, although both recorded in 1967, are quite different from each other. On Lofty Fake AnagramFind albums with this title the quartet explores mostly a series of original tunes by Burton and Swallow, with finesse and elegance, but also with fire and passion. On A Genuine Tong FuneralFind albums with this title Burton combines forces with another great and unorthodox American Jazz representative, pianist / composer Carla BleyFind albums by this artist. The music is her first full-scale Jazz composition for a band, which she calls a “Dark Opera Without Words”. The “without word” part was to bee soon remedied on her next spectacular project, the first true modern Jazz opera Escalator Over The HillFind albums with this title, which included a libretto by Paul HainesFind albums by this artist. For the recording of this music the quartet was expanded to a small orchestra with Carla Bley on piano, Steve LacyFind albums by this artist and the brilliant Argentinean player Gato BarbieriFind albums by this artist on saxophone, Michael MantlerFind albums by this artist (Carla’s close partner) on trumpet, Jimmy KnepperFind albums by this artist on trombone and Howard JohnsonFind albums by this artist on tuba. The music is of course completely unique and unprecedented, with Bley’s masterly usage of orchestration to create moods and sonic vistas, all of it years ahead of its time. Together these two recordings provide a glimpse at the period when American Jazz was still bubbling with creativity and excitement. Brilliant and essential stuff!
| | | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | MICHAEL GIBBS ~ JUST AHEAD
BGO 679 (Barcode: 5017261206794) ~ UK ~ Jazz
Recorded: 1972 Released: 2005
Composer / arranger / bandleader Michael GibbsFind albums by this artist was one of the most prominent figures on the burgeoning British Jazz scene at its peak. He performed (as trombonist), composed and arranged music for many ensembles active at the time, in parallel to leading his own band, which is captured here during a residency at the legendary Ronnie ScottFind albums by this artist’s club in London. The band included the top British Jazz players of the time, most of which played on Michel’s previous two studio recordings: Kenny WheelerFind albums by this artist, Henry LowtherFind albums by this artist, Harry BeckettFind albums by this artist (trumpet), Chris PyneFind albums by this artist, Malcolm GriffithsFind albums by this artist, Geoff PerkinsFind albums by this artist (trombone), Ray WarleighFind albums by this artist, Stan SulzmannFind albums by this artist, Alan SkidmoreFind albums by this artist (saxophone), Dave MacRaeFind albums by this artist, John TaylorFind albums by this artist (piano), Chris SpeddingFind albums by this artist (guitar), Roy BabbingtonFind albums by this artist (bass), John MarshallFind albums by this artist (drums) and Frank RicottiFind albums by this artist (vibes & percussion). The music covers a wide range of styles, from the typical atmospheric and moody compositions by Gibbs, to scorching Jazz-Rock Fusion exemplified mostly by Spedding’s lead guitar parts and even Blues. Gibbs pays a tribute to some of his American pioneering colleagues: Gary BurtonFind albums by this artist, Steve SwallowFind albums by this artist, Carla BleyFind albums by this artist and Keith JarrettFind albums by this artist, whom he befriended during his studies in the US, by including his arrangements of their tunes. Notably Gibbs kept looking across the Atlantic for inspiration, being somewhat different in that respect from most of his British contemporaries, who wanted to emancipate themselves from American influence as much as possible. Nevertheless his unique approach to composition and arrangement was clearly much more advanced than most stuff coming over from America. The raw energy and the virtuosity of the players make this album one of the greatest documents of the era, which remains a timeless masterpiece. A must for British Jazz lovers!
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  | BENJAMIN GISLI TRIO ~ LINE OF THOUGHT
FJORDGATA 019 (Barcode: 644637116019) ~ ICELAND ~ Jazz
Recorded: 2022 Released: 2023
This is the debut album as a leader by Icelandic Jazz pianist / composer Benjamin GisliFind albums by this artist (a.k.a. Benjamin Gisli EinarssonFind albums by this artist), recorded in a classic Jazz piano trio format with Norwegian bassist Andreas SolheimFind albums by this artist and drummer Veslemoy NarvesenFind albums by this artist. The album presents eight tracks, a short solo piano intro and six original compositions by the leader and one composition by Carla BleyFind albums by this artist.
Gisli has been active on the Norwegian scene for a while and recorded a couple of albums as sideman, but this is his first album, with focus on his compositions and performances. Despite their young age, all three musicians are already fine instrumentalists, with obvious schooling and experience, as appropriate for the thriving Norwegian scene these days.
The music is kept in the Nordic climate, with slow, almost lethargic themes developing leisurely, deeply lyrical and intentionally kept in a low key, but a couple of more energetic tracks are also present to keep some emotional balance of the whole affair. The compositions are perhaps somewhat uniform, but considering the fact that this is the first outing, Gisli is certainly a musician worth watching.
Overall, this is an enticing debut album, which shows the potential of the leader and his partners to become valuable members of the Scandinavian Jazz community, which is definitely one of the most sizzling and interesting European Jazz centers. Well done!
| | Updated: 12/08/2023Posted: 12/08/2023 | CD 1 Digipak Recommend To A Friend |
  | PETER LEMER QUINTET ~ SON OF LOCAL COLOUR
ESP 5031 (Barcode: 825481503129) ~ UK ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019
This is an album by British Jazz pianist / composer Peter LemerFind albums by this artist and his quintet, which features saxophonists John SurmanFind albums by this artist and Alan SkidmoreFind albums by this artist, bassist Tony ReevesFind albums by this artist and drummer Jon HisemanFind albums by this artist – all iconic figures of the British Jazz scene. The album presents eight tracks, five by Lemer, one by Surman, one by Carla BleyFind albums by this artist and finally one by John Coltrane. The album was recorded live at the Pizza Express in London, on February 20th, 2018.
But the story behind this album goes back fifty years into the past, when the almost identical lineup of the quintet (with George KhanFind albums by this artist in place of Skidmore) released the album “Local ColourFind albums with this title”, which was recorded a couple of years earlier, on the pioneering independent record label ESPFind albums on this label Disk, founded in 1963 and run by a Jewish NY lawyer and Avant-Garde Music protagonist Bernard StollmanFind albums by this artist, and which yours truly proudly stored in his collection ever since.
That album was the first modern / Avant-Garde British Jazz album to be released in the US, together with several other modern European Jazz albums, including even recordings originating from behind the Iron Curtain. At that time most Americans were completely unaware of the existence of modern Jazz outside of the US. It was also the first recording, which features Surman. Five of the compositions on that album are also present on the album, approached in a completely new and different way.
Despite the fact that the musicians are five decades older this time, they seem not to have lost any of the vigor and passion, and with the added experience of a lifetime the music obviously gained an unprecedented level of depth and finesse. The new album also offers a closure of sorts, as it was the last recording by Hiseman, before his tragic death just four months after this album was recorded.
Overall, this is a fine Avant-Garde Jazz album, beautifully executed by these superb players, which will certainly be a cherished addition to every serious British Jazz collection, and the unusual circumstances surrounding it add to its historic value, serving as a half-Century time bridge between the early days of modern British Jazz and now. Brilliant stuff!
| | Updated: 24/02/2022Posted: 24/02/2022 | CD 1 Digipak Recommend To A Friend |
  | OVER THE HILLS ~ ESCALATOR OVER THE HILL
IMR 008 (Barcode: 3426300098870) ~ FRANCE ~ Jazz
Recorded: 2015 Released: 2015
This is an album by French Jazz nonet called Over The HillsFind albums by this artist, co-led by bassist Bernard SantacruzFind albums by this artist and drummer Bruno TocanneFind albums by this artist. As the title suggests, it is a remake of the iconic Jazz opera “Escalator Over The HillFind albums with this title”, composed by Carla BleyFind albums by this artist with libretto by Paul HinesFind albums by this artist, originally released in 1971. The album presents ten tracks, all composed by Bley and included in the original version of the opera (but appearing in a different order), arranged by members of the nonet.
The original recording of “Escalator Over The Hill” took three years and included some of the greatest talents on the international music scene, like bassist / vocalist Jack BruceFind albums by this artist, guitarist John McLaughlinFind albums by this artist, trumpeter Don CherryFind albums by this artist, vocalists Jeanne LeeFind albums by this artist, Sheila JordanFind albums by this artist and Linda RonstadtFind albums by this artist and many, many others. It was a true spiritual experience, with an Avant-Garde concept and attitude at the helm, reflecting the wonderful atmosphere of freedom that the Arts enjoyed at this period of human Artistic apogee, perhaps the last, surely the last so far.
This remake, recorded forty-five years later, reflects some of the power of the original music, but fails to rekindle the drama and shocking innovation of the original delivery. It is simply way to well organized and beautified / smoothed up in comparison, at least to me. The somewhat hectic, disorganized aura of the original is lost here completely in favor of coherent orchestral arrangements, which are all very skillful of course.
But of course the brilliant music by Bley is still here, and the performances are all first class, creating a very enjoyable listening experience. If any younger listeners are about to discover the original opera thanks to this recording, all is well and the effort was worthwhile. This album is definitely worth being discovered just a token of appreciation for the heroic effort involved in this undertaking.
| | Updated: 31/08/2021Posted: 31/08/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | RGG ~ ONE
NOT ON LABEL (Barcode: 5905912559873) ~ POLAND ~ Jazz
Recorded: 2010 Released: 2011
This is the 5th album by the excellent Polish Jazz piano trio RGGFind albums by this artist, which comprises of pianist Przemyslaw RaminiakFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. Its release marks the trio´s tenth anniversary and adds a new direction to the remarkable body of music already recorded by the trio. In contrast to its predecessor, that included only spontaneously improvised music, most of the music on this album is composed, either by the trio members or other well known Jazz composers like Carla BleyFind albums by this artist and Richie BeirachFind albums by this artist. Of the thirteen compositions presented here only two are free improvisations, which is unusual for them.
All three RGG members are brilliant instrumentalists, but their performances together clearly create an outcome much bigger than the sum of its parts. The level of interplay, cooperation, mutual respect and understanding is truly phenomenal and the resulting music is able to move emotional mountains. To an attentive listener it is quite clear that even when they play relatively close to the original composition, RGG members display a high level of spontaneity, which is present only within the best piano trios in the world, like that of Keith JarrettFind albums by this artist, Gary PeacockFind albums by this artist and Jack DeJohnetteFind albums by this artist.
Another rare quality of RGG is the active involvement of the bass player and drummer in the process of music creation. This is definitely not a pianist with a rhythm section, but an organic three-headed body making music together.
This album can be a great service to the group as an introduction to their universe; surely anybody listening to it will want to explore their music further. People familiar with the Polish Jazz scene will immediately make the inevitable comparison between RGG and the "other" great Polish piano trio: Simple Acoustic TrioFind albums by this artist (or Marcin WasilewskiFind albums by this artist Trio). Comparisons of this sort are futile and have absolutely no sense, as both these trios play great music, each differently from the other. RGG are definitely closer to the Free / Improvised spirit of the music whereas Wasilewski´s trio is more disciplined and conventional, but both are examples of human talent and ingenuity of the highest ranking, which gives us all the immense pleasure of music.
It´s worth to mention that the album was recorded at the Studio Tokarnia, the best sound studio in Poland, and engineered by the studio´s owner (and a gifted musician himself) Jan SmoczynskiFind albums by this artist, which explains the incredible sound quality of this album. This is an absolute must to every Jazz piano trio connoisseur and of course anybody with a right pair of ears to appreciate great music. Not to be missed under any circumstances!
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  | STEFAN SCHULTZE LARGE ENSEMBLE ~ TED THE BELLHOP
WHYPLAYJAZZ 033 (Barcode: 4250459991336) ~ GERMANY ~ Jazz
Recorded: 2014 Released: 2017
This is the second orchestral / Big Band album by the German pianist / composer Stefan SchultzeFind albums by this artist released on the WhyPlayJazzFind albums on this label label and his third recording with the Large EnsembleFind albums by this artist. The music is performed by an eighteen piece orchestra and Schultze composed five of the six extended pieces the album presents. The remaining piece was composed by Carla BleyFind albums by this artist. Schultze himself does not play on this album. The Chinese sheng player Wu WeiFind albums by this artist guests on one track.
The music is a brilliant amalgam of Jazz sub-genres and orchestral sound, which characterizes the European approach to Big Band music, which although powerfully swinging, is able to extend the idiom in many different directions, often simultaneously, encapsulating decades of the Big Band tradition and European instrumental music.
The compositions, although melody based, are very modern and always fascinating. Schultze wrote intricate and masterly woven arrangements, which present the full scale of possibilities of the Big Band and the many balances existing between the orchestra´s sections, the soloists and the overall sound.
The performances by all the musicians involved in this project are absolutely stunning, especially so in view of the complexity of the music and the challenges it presents both to the ensemble players and the soloists.
Overall this is a brilliant album from start to finish, especially so in view of the fact that Big Bands are almost extinct on the contemporary Jazz scene, a sad reflection of the cultural climate today. Both the music and the performances are inspired and highly aesthetic, which makes this album an absolute delight for all Big Band enthusiasts and in fact all Jazz connoisseurs. A must!
| | Updated: 06/06/2017Posted: 06/06/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ANDY SHEPPARD ~ DANCING MAN & WOMAN
PROVOCATEUR 1020 (Barcode: 5038491102021) ~ UK ~ Jazz
Recorded: 1999 Released: 2000
British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For his debut recording on Provocateur (“Learning To WaveFind albums with this title”), Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. On this album, the follow-up release, the quintet is expanded to a septet with the addition of the legendary US electric bass player Steve SwallowFind albums by this artist and young tabla player Kuljit BhamraFind albums by this artist. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
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  | ANDY SHEPPARD ~ LEARNING TO WAVE
PROVOCATEUR 1016 (Barcode: 5019148619413) ~ UK ~ Jazz
Recorded: 1998 Released: 1998
British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For this, his debut recording on Provocateur, Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. Tabla player Shalda SahaiFind albums by this artist is added on three tracks. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
| | | CD 1 HDCD Recommend To A Friend |
  | SIMPLE ACOUSTIC TRIO ~ WHEN WILL THE BLUES LEAVE?
POLONIA 069 (Barcode: 5904542687574) ~ POLAND ~ Jazz
Recorded: 1995 Released: 2008
This is the 2nd album by the superb Polish Jazz trio called Simple Acoustic TrioFind albums by this artist, which consists of pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Recorded just a few months after their brilliant debut album "KomedaFind albums with this title", dedicated to the music of the Godfather of Polish Jazz, pianist / composer Krzysztof KomedaFind albums by this artist, this album is quite different and features the trio´s leader as the main composer in addition to his duties as the focal soloist. Wasilewski composed six of the nine compositions present on this album, Kurkiewicz added one of his own and the other two originate outside the trio, with the title tune being by Ornette ColemanFind albums by this artist and an additional one by Carla BleyFind albums by this artist. Playing their own music allows the trio to stretch out and dare, much more so that on the debut. Of course Komeda´s music can be intimidation and even plain scary to every Polish Jazz musician, in view of Komeda´s legendary status, especially to such young musicians as the trio members at the time of recording the debut. But here they are, free of any (psychological or other) apprehensions, and the music surely indicates that. Of course these musicians are extremely talented and carry the "spark" of Jazz in their soul / heart, so anything they play sounds simply wonderful, even if the youthful energies are sometimes just a bit over the top. Of course a few years later the trio will receive a great lesson in Jazz from their Mentor Tomasz Stanko, with whom they were destined to play and record, a fact that at the time of this recording could only be a dream. But dreams do come true sometimes. In retrospect this is an incredible album by any standard, which (all things considered) withstands the test of time flawlessly and serves as a proof to the fact that the 1990 were not all a loss after all. An absolute must to Polish Jazz fans, piano trio fans and anybody with a pair of clean ears!
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  | JOHN SURMAN ~ ADVENTURE PLAYGROUND
ECM 1463 (Barcode: 731451198120) ~ UK ~ Jazz
Recorded: 1991 Released: 1992
This is a masterful quartet recording by British saxophonist / composer John SurmanFind albums by this artist, accompanied by two American masters: pianist Paul BleyFind albums by this artist and bassist Gary PeacockFind albums by this artist and British drummer extraordinaire Tony OxleyFind albums by this artist. Surman gives a lot of credit to his partners on this album as compositions by all three of them are included herein with one composition coming from outside of the quartet, which is by Carla BleyFind albums by this artist. Surman contributes four of his original composition here. This is one of the most Jazz oriented and certainly Free Jazz oriented albums Surman recorded in the later part of his illustrious career and one of my personal all time favorites. Somehow the best of all the participants is encapsulated on this album; the virtuosity, the imagination, the interplay and the telepathic conversations are overwhelming. Oxley´s rare appearance is especially important and his completely unique approach to rhythm and percussive sounds is brilliantly documented here, particularly in view of the incredible sound quality of this recording, as usual with the ECMFind albums on this label catalogue. This is a masterpiece in every respect, and although most things done by Surman are quite outstanding, this one is particularly brilliant. Anybody with a pair of ears, which have been fairly recently cleaned, should find this irresistible. See also the "In The Evenings Out ThereFind albums with this title" album recorded by the same quartet!
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  | MARCIN WASILEWSKI TRIO ~ EN ATTENDANT
ECM 2677 (Barcode: 602438100057) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2021
This is the 6th album by the Polish Jazz trio led by pianist / composer Marcin WasilewskiFind albums by this artist, which also includes bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. The album presents seven tracks, three of which are parts of the same composition / improvisation cycle co-composed by all three members of the trio, one is by Wasilewski, one by Carla BleyFind albums by this artist, one by Johann Sebastian BachFind albums by this artist and finally one by The DoorsFind albums by this artist.
Although the album was released well over two years ago, somehow a copy never landed on my desk until my recent visit in Warsaw, where I attended a concert by the trio and got a copy of the album, autographed by the musicians, following a chat in the dressing room. Life is hectic and with pandemics, wars and political upheavals, anything can happen…
Together for well over two decades, the trio is not only one of the most firmly established Polish / European Jazz entities, but also a superb example of the unifying force of a stable Artistic environment. Three great and highly creative individuals, who are able to function like a multi-headed organism, in perfect symbiosis.
The music on this album is the most serene, delicate, contemplative and melodic collection of sounds that the trio created since a long time. In perfect contrast to the havoc surrounding my life at present, this is a perfect balsam for the soul, exactly what the doctor prescribed. As far as a classic Jazz piano trio is concerned, these are but a few better examples of the harmony, not only musical but also spiritual, that can be achieved within this format, going as far back as the Bill Evans / Scott LaFaro / Paul Motian trio, with an up to date musical format of course, which includes shades of Free Improvisation entwined within the proceedings.
Overall, this is a truly Masterful piece of contemporary Jazz, one of Wasilewski & Co. best recordings and an absolute must for all Polish / European Jazz enthusiasts. A minimalist outing, with the “less is more” mantra at helm, this album is an immediate classic!
| | Updated: 29/12/2023Posted: 29/12/2023 | CD 1 Slipcase Recommend To A Friend |
  | MARCIN WASILEWSKI TRIO ~ JANUARY
ECM 2019 (Barcode: 602517373457) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2008
This is the debut album on the legendary ECMFind albums on this label label by the great Polish Jazz trio, which used to be called Simple Acoustic TrioFind albums by this artist, led by pianist / composer Marcin WasilewskiFind albums by this artist with bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. If these names seem somewhat familiar to you, no wander, as they were also the members of the superb Polish quartet led by the legendary trumpeter Tomasz StankoFind albums by this artist, which recorded three albums for ECM. However, the ECM recordings are far from being the trio´s recording debut, as they have been active on the local scene in Poland a whole decade earlier and recorded several brilliant albums already.
Always in top form, sensitive and technically perfect, these musicians are pillars of the new generation of Polish Jazz and their music is a true inspiration. The ten pieces presented on this album include classic Jazz compositions by musicians like Carla BleyFind albums by this artist and Gary PeacockFind albums by this artist, but most of the material was composed by the pianist, who is undoubtedly a great composer as well.
This is one of the best piano trios in the world and everything they touch turns to instant musical gold. This album is no different and every Jazz fan on this planet should enjoy it greatly. Wholeheartedly recommended!
Visitors' Comments
Christopher Brice
Oddly, they have changed their name to Marcin Wasilewski Trio but they are building on the two excellent albums as Simple Acoustic Trio; this one arrived today and is stuck in the CD player on "repeat." I look forward to sampling their new album from ECM as soon as Adam brings it to Israel!
| | Updated: 19/09/2018Posted: | CD 1 Slipcase Recommend To A Friend |
  | MARCIN WASILEWSKI TRIO / JOE LOVANO ~ ARCTIC RIFF
ECM 2678 (Barcode: 602508359835) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020
This is the fifth album by Polish Jazz trio led by pianist / composer Marcin WasilewskiFind albums by this artist, which also includes bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. It is only the second time in the trio´s recording career, which stretches back some twenty-five years, when it is expanded to a quartet with the addition of a saxophonist, this time the American Joe LovanoFind albums by this artist. The album presents eleven tracks, four composed by Wasilewski, one by Lovano and two versions of a Carla BleyFind albums by this artist tune. The remaining four tracks are collective improvisations, credited to all four participants.
The music moves between the composed and improvised realms, and remains very intimate, at times minimalist, with Wasilewski sticking to his wonderful lyricism, whenever allowed to do so. The rhythm section is as perfect and complying as humanly possible, with brilliant, albeit usually very short, bass mini-solos by Kurkiewicz and supportive and yet subtle drumming by Miskiewicz. In short everything seems to be perfect as long as the trio is left alone.
However, the unholy alliance with Lovano comes immediately into the picture from the first notes he utters. There is an obvious clash of Cultures, aesthetics and sensibilities here, which is sadly unbreachable. There are very few American Jazz musicians that are able to connect to the European Jazz sensitivities, especially those of Eastern Europe, and Lovano is certainly not one of them. He is a veteran player with vast experience, impressive recording legacy and obvious skills, but he never managed to cross the boundaries of the American Jazz tradition and his playing is completely predictable. As a result he is basically holding the trio back rather than playing along or ideally pushing them forward. Even, or perhaps especially, in the improvised pieces he really has very little inspirational input to offer.
Overall, the album certainly has its moments, the trio is absolutely superb and the original music by Wasilewski is as brilliant as usual, but for me the quartet does not work out that well, and the result is crippled. I am looking forward to the next trio album or hearing them play live, which is always heavenly experience.
And yes I have read dozens of "reviews" hailing this album as a Holy Grail…oh well I am pretty much used to be in the opposition and I still trust my ears.
| | Updated: 30/10/2020Posted: 30/10/2020 | CD 1 Slipcase Recommend To A Friend |
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