Record Reviews
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  | ARTI & MESTIERI ~ FIRST LIVE IN JAPAN
MOONJUNE 012 (Barcode: 692287901226) ~ ITALY ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2006
Italian Prog / Fusion ensemble Arti & MestieriFind albums by this artist was formed in the early 1970s and has been active on the scene continuously, releasing new albums from time to time. The band´s leader, drummer Furio ChircoFind albums by this artist, is definitely one of Fusion´s most extraordinary figures, often compared to Billy CobhamFind albums by this artist (at his prime). The keyboardist Beppe CrovellaFind albums by this artist is also an outstanding player, using an array of analog instruments. Together the band sounds like a combination of the best 1970s Fusion bands (Mahavishnu OrchestraFind albums by this artist, FlockFind albums by this artist, Return To ForeverFind albums by this artist, etc.), but with a distinct Italian touch, evident mostly in the beautiful melodic lines. This live recording captures the current lineup of the band (a septet with vocals, violin, sax, guitar, keyboards, bass and drums) performing in front of an ecstatic Japanese audience. The material includes two long mini-suites, which present the material from the band´s first two legendary albums from the 1970s: "TiltFind albums with this title" and "Giro Di Valzer Per DomaniFind albums by this artist", as well a selection of newer compositions. The band´s overall sound is purposely "retro", which of course is even more delightful. This is an absolute must, not only for the many fans of this legendary band, but for every Prog / Fusion enthusiasts. When we (often) say "they don´t make music like this any more", this album is one of the very few exceptions to the rule. Don´t even think twice!
| | | CD 1 Digipak Recommend To A Friend |
  | BIG BAND WEIZ ~ CONTRASTS
ATS 0961 (Barcode: 9005216009619) ~ AUSTRIA ~ Big Band Jazz
Recorded: 2019 Released: 2022
This is an album by the veteran Austrian Jazz Big Band WeizFind albums by this artist, led by Christoph PfeifferFind albums by this artist. The album commemorates the Big Band’s 40th Anniversary and a decade of Pfeiffer’s leadership. It presents ten tracks, the first six being a three-part Indo-Jazz suite called “Far East”, composed by woodwinds player / composer Georg GratzerFind albums by this artist, who appears as a guest soloist on the album. The remaining four tracks include two arrangements of standards, one composition of vocalist Wolfgang SangFind albums by this artist, who also appears as a guest and finally one composition of American drummer Billy CobhamFind albums by this artist, who appears on that track, which was recorded live.
The music and the sound of the Big Band are highly idiosyncratic, quite different from what one would expect to hear in that genre. It follows the tradition of European Big Band Jazz, which treats the mighty orchestral sound of a Big Band completely unlike the American tradition, concentrating on the multilayered possibilities a large ensemble provides, and exploring a multitude of musical sub-genres within the Big Band environment.
In the album’s liner notes Gratzer mentions the Indo-Jazz explorations, which go back as far as 1950s, which means he is familiar with the legacy of the sub-genre. His approach to Indo-Jazz is quite radically different from his predecessors, concentrating more on the rhythmic aspects of the Indian Music, and using Indian scales and melody lines less prominently that earlier attempts. The fact that no Indian musicians participate in the recording also influences the final result. However, the result is very interesting and coherent, offering a new manner to treat that subject, which listeners interested in Indo-Jazz should enjoy immensely.
The rest of the music is more “conventional” and diverse, but all highly professional and enjoyable, proving that a Big Band originating from a beautiful small Austrian town can be as good as any Big Band in the world. Of course the Austrian Big Band tradition, which is incredible, helps.
Overall, this is a highly interesting, enjoyable, beautifully arranged and played European Big Band Jazz at its best, which should keep every fan of the genre happy. The Indo-Jazz suite adds additional interest to Jazz-World Fusion enthusiasts. Warmly recommended!
| | Updated: 03/08/2022Posted: 03/08/2022 | CD 1 Digipak Recommend To A Friend |
  | STEPHAN BRAUN / MATEUSZ SMOCZYNSKI ~ KEEP ON TURNIN`
ZBIGNIEW SEIFERT FOUNDATION 6 (Barcode: 5907222048061) ~ GERMANY ~ Jazz
Recorded: 2019 Released: 2020
This is the debut album by the Jazz duo comprising of German cellist Stephan BraunFind albums by this artist and Polish violinist Mateusz SmoczynskiFind albums by this artist. The album presents eleven pieces, two of which are original compositions (one each), one is a standard and the rest are arrangements of Funk / Fusion compositions, arranged by Braun (except for two arranged by Smoczynski).
The limited instrumentation does not seem to have any meaning as far as the duo is concerned, and with the help of some percussive trinkets and little electronics the duo sounds like a full orchestra, very far from the timid image of the string instruments.
The idea to concentrate on the well known Funk / Fusion pieces, originally performed by such masters of genre like Billy CobhamFind albums by this artist, Brecker BrothersFind albums by this artist, Steps AheadFind albums by this artist, John ScofieldFind albums by this artist and others, is especially surprising and creates a delightful and completely different treatment of the familiar music presented in a new environment. The newly arranged music does not miss an iota of the original Funkiness and feel and still sounds like it could move mountains. Smoczynski, not surprisingly, pays tribute to his idol, the Polish violin virtuoso Zbigniew SeifertFind albums by this artist, by including one tune from Seifert´s iconic album "Man Of The LightFind albums with this title".
Obviously these radical new arrangements and instrumentation disclose new aspects of the music, which might have been previously hidden from the ear, as well as showcase the incredible virtuosity of the two participants, which is unparalleled. The album proudly joins the highly respected idiom of "Art of the Duo", which often produces more enthralling music than much larger ensembles.
Overall this is a brilliant piece of highly unusual music, superbly executed and intelligently put together, which emphasizes the sophistication of European Jazz at its best. Hopefully this recording will not be the only record of this duo´s abilities and talents. Hats off Gentlemen!
| | Updated: 08/01/2021Posted: 08/01/2021 | CD 1 Digipak Recommend To A Friend |
  | JACK BRUCE ~ BIRD ALONE
NEPTUNE 114 (Barcode: 5050693101527) ~ UK ~ Classic Rock
Recorded: 1980 Released: 2001
What a delight it is to see (and hear) this piece of history being released. Any previously unknown piece of recording by Jack BruceFind albums by this artist, the legendary composer, singer and bass player and one of the most distinctive voices of our era. This album documents a live performance of the Jack Bruce Band in Denver in 1980. The band included Jack Bruce – vocals, bass & piano, David SanciousFind albums by this artist – keyboards & guitar, Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist) – guitar and Billy CobhamFind albums by this artist (Mahavishnu OrchestraFind albums by this artist) – drums, a dreamy lineup by any standard. The repertoire of the concert spans the entire Jack’s career, from the CreamFind albums by this artist days and through his wonderful solo albums released in the 1970s. His unique voice is in top form and the performances are spirited and inspired. The sound quality might not be top notch, but considering that this is a soundboard recording, which was never intended for release, it’s not too bad. I wouldn’t hesitate even a fraction of a second if to get this one, as the historic importance of this recording surpassed by far any sound imperfections. A must to all Jack Bruce disciples!
| | | CD 2 Recommend To A Friend |
  | JACK BRUCE ~ I`VE ALWAYS WANTED TO DO THIS
ESOTERIC 2073 (Barcode: 5013929717329) ~ UK ~ Progressive Rock
Recorded: 1980 Released: 2008
This wonderful album by bassist / singer / composer Jack BruceFind albums by this artist was unfortunately lost somewhere along the way, drawing little attention, although it is as good in every respect as the rest of the material Bruce recorded through the 1970s as a solo artist and leader of the Jack Bruce BandFind albums by this artist. A beautiful set of songs composed by Bruce and as usual with lyrics supplied by his poet-friend Pete BrownFind albums by this artist comprise the bulk of the material and are exceptionally intelligent and moving. The stellar band accompanying him on this recording includes guitarist Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), keyboardist David SanciousFind albums by this artist and drummer Billy CobhamFind albums by this artist. Bruce delivers the vocals in a completely unique fashion, his operatic abilities evident as always and the instrumental work is spotless and sympathetic. Considering Bruce´s songwriting abilities one wonders why he remains to be known only among a relatively small circle of friends and admirers, rather than being appreciated and treasures more wildly. Well he´s obviously simply too good for his own good. Brilliant stuff and a most welcome reissue!
| | | CD 1 Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE AT ROCKPALAST 1980, 1983 AND 1990
MIG 90862 (Barcode: 885513908629) ~ UK ~ Jazz-Rock Fusion
Recorded: 1980 - 1990 Released: 2019
This Box Set presents a collection of live concert recordings by iconic British bassist / vocalist / songwriter Jack BruceFind albums by this artist, captured by the German TV program Rockpalast. The 5CD / 2DVD collection presents forty-three tracks, recorded on three different occasions, as described below. With a few exceptions all the songs were written by Bruce with lyrics by the poet Peter BrownFind albums by this artist.
CD1 & CD2 were recorded / filmed on October 19th, 1980 and the lineup includes Bruce, guitarist Clem ClempsonFind albums by this artist, American keyboardist / guitarist David SanciousFind albums by this artist and drummer Billy CobhamFind albums by this artist.
CD3 was recorded / filmed on October 16th, 1990 and is a solo performance by Bruce playing piano and singing.
CD4 & CD5 were recorded / filmed on November 1st, 1983 and the lineup includes Bruce, Sancious and drummer Bruce GaryFind albums by this artist.
DVD1 includes the video material of CD1 to CD3 and DVD2 includes the video material of CD4 and CD5.
The music includes most of the songs Bruce recorded during his career and up to that time, including several going back to the CreamFind albums by this artist days. Although there are a few surprises here, each and every appearance by Bruce was completely unique, as his fans and followers are of course aware of. His incredible bass virtuosity is fully covered here, as are his vocal performances, and every minute of Bruce on stage is pure delight.
Overall, this is an incredible piece of archive material by one of the greatest Rock / Jazz-Rock Fusion musicians of all time. Although the sound quality is a bit iffy at times, this monumental collection of Bruce’s live material is an absolute must to his followers. His unique power of expression remains unchallenged and his premature departure robbed us of his talent and personally a Friend for almost fifty years…
| | Updated: 04/03/2024Posted: 04/03/2024 | 5CD+2DVD 7 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | STANLEY CLARKE ~ LIVE AT THE GREEK
EPIC 5099747660221 (Barcode: 5099747660221) ~ USA ~ Jazz-Rap Fusion
Recorded: 1993 Released: 1994
This is a live album by American bassist / composer / bandleader Stanley ClarkeFind albums by this artist, recorded in a quintet setting with guitarist Larry CarltonFind albums by this artist, drummer Billy CobhamFind albums by this artist, saxophonist / flautist Jerome Najee RasheedFind albums by this artist (a.k.a. NajeeFind albums by this artist) and keyboardist Deron JohnsonFind albums by this artist. The album presents seven tracks, one each composed by Clarke, Cobham, Carlton and Najee and three standards.
The music is a mixture of Jazz-Rock Fusion and Smooth Jazz, with plenty of space for all these professional musicians to show their chops. Although well played, it is completely expected, predictable and unoriginal, which sadly is often representative of American Jazz in general.
Despite my deep respect and admiration for Clarke, Cobham and Carlton, who produced some truly innovative music in the 1970s, which expanded the Fusion idiom and produced some classic recordings at the time, records like this one are simply disrespectful to their legendary status. But by the 1990s corporate music industry and commercialism already ruled the American music scene completely, so anything could happen.
Overall, this is a completely uneventful recording by great musicians, who should have known better… There are some brilliant moments herein, of course, but those only emphasize the general sad state of affairs.
| | Updated: 15/08/2024Posted: 15/08/2024 | CD 1 Recommend To A Friend |
  | BILLY COBHAM ~ INNER CONFLICTS
WOUNDED BIRD 9174 ~ USA ~ Jazz-Rock Fusion
7th album from 1977. On this one Cobham returns to the `Spectrum` formula, with a big group of musicians which looks like the who´s who of US fusion. Two giutar players are present, Scofield and Steve Khan, and a large brass section and percussion section. Somewhat dark atmosphere, mixed with the powerful and energetic pulse, creates a unique sound which is quite impressive even today.
| | | CD 1 Recommend To A Friend |
  | BILLY COBHAM ~ SHABAZZ
WOUNDED BIRD 8139 ~ USA ~ Jazz-Rock Fusion
4th album from 1975. This is a live recording of the group with the same personell as on the 3rd album. They play 2 new long pieces and 2 pieces from the debut album `Spectrum`. The band is in top form and everybody has ample opportunity to solo. Live fusion, when played as well as on this album, is a total musical experience!
| | | CD 1 Recommend To A Friend |
  | DREAMS ~ DREAMS / IMAGINE MY SURPRISE
BGO 0940 (Barcode: 5017261209405) ~ USA ~ Jazz-Rock Fusion
Recorded: 1970 - 1971 Released: 2010
The fantastic US Jazz-Rock ensemble DreamsFind albums by this artist, which unfortunately recorded only two albums, both included here, was one of the best examples of the American branch of Brass-Rock, a relatively short-lived sub genre of Jazz-Rock, which also included such superb ensembles like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist and a few others. Dreams originated in NY and had a somewhat flexible lineup of associated musicians, but the importance of these two albums is mainly due to the fact that they provided a debut recording opportunity to some of the genre´s most iconic figures: brothers -Michael BreckerFind albums by this artist (saxophone) and Randy BreckerFind albums by this artist (trumpet) - and drummer Billy CobhamFind albums by this artist. Other Dreams members were already established figures on the scene, like bassist Doug LubahnFind albums by this artist (DoorsFind albums by this artist), guitarist John AbercrombieFind albums by this artist and keyboardist Don GrolnickFind albums by this artist. Other group members were keyboardist / guitarist Jeff KentFind albums by this artist, trombonist Barry RogersFind albums by this artist, vocalist Edward VernonFind albums by this artist, bassist Will LeeFind albums by this artist and guitarist / trumpeter Bob MannFind albums by this artist. Musically the group mixed genres freely, with Jazz, Funk, Rock and Soul adopted at will and beautifully arranged to create some of the most memorable sounds of the period. The music is just perfect; although spontaneous and improvised, every note is just exactly where it belongs, every drum beat precisely on time, every phrase brilliantly placed, every tempo change and every instrumental solo and above all the overall interplay are just what a music fun needs – pure genius. It is hard to believe that a bunch of young musician was capable of producing such magnificent music, but then on the other hand considering that Dreams seeded Mahavishnu OrchestraFind albums by this artist, Brecker BrothersFind albums by this artist and many other heroes of the Jazz and Fusion scene, perhaps one should not wonder. I own both these albums since the day they were released and have listened to them repeatedly over the years, always enjoying myself immensely and it was me who suggested to BGOFind albums on this label to reissue them – I´m glad they did! Now many more potential listeners have the opportunity to hear them as well – enjoy as this is essential stuff!
| | Updated: 28/02/2024Posted: | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | GEORGE DUKE ~ FACES IN REFLECTION
PROMISING MUSIC 44103 (Barcode: 602517546479) ~ USA ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2008
American keyboardist / composer George DukeFind albums by this artist first came to prominence in the late 1960s, when he recorded with the French violinist Jean-Luc PontyFind albums by this artist, who was invited to record in the US following his festival appearances. The association with Ponty opened quite a few doors for Duke, eventually leading to his stint with Frank ZappaFind albums by this artist, as well as his recording contract with the legendary MPSFind albums on this label label. He recorded 8 albums for the label between 1971 and 1976, of which this was the 3rd. Duke was a strange choice for MPS, as it concentrated mainly on presenting the European Jazz scene (the only exception was a series of albums recorded by Oscar PetersonFind albums by this artist), with strong Avant-Garde and later European Jazz-Rock Fusion, which was much more advanced that its American counterpart. Although Duke was closely associated with the US Jazz-Rock Fusion scene in the 1970s, playing with such prominent musicians like Stanley ClarkeFind albums by this artist, Billy CobhamFind albums by this artist and many others, his Fusion approach was strongly based on Blues, Funk and Soul, his “native” musical areas. Therefore his MPS recordings can be considered as some of the most commercial and accessible recordings ever released by this label. On this album Duke uses a trio (John HeardFind albums by this artist – bass and Leon Ndugu ChanclerFind albums by this artist – drums) and plays a wide array of synthesizers. He composed all but one of the tunes (the only composition, which isn’t his is by the Brazilian genius Milton NascimentoFind albums by this artist, and points towards Duke’s fascination with Brazilian music, which would flourish later in his career). There is no doubt about Duke’s brilliant technique as a player and his use of synthesizers is revolutionary at that time, but the compositions are definitely on the lighter side of Jazz and his vocals (however sparsely used) completely unnecessary. As much as I like Duke’s playing and many of his recordings, this is not one of his absolute highlights, even if it is much better that most of his later recordings starting from the 1980s and up to now. Nevertheless it is still a solid and enjoyable album worthy of being remembered. Of course many of his fans will enjoy this quality reissue with beautifully remastered sound and superb packaging.
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | FUSION SYNDICATE ~ A SPEEDWAY ON SATURN`S RINGS
PURPLE PYRAMID 4022 (Barcode: 889466402227) ~ USA ~ Jazz-Rock Fusion
Recorded: 2012 - 2023 Released: 2023
This is the second album by the Fusion SyndicateFind albums by this artist, a brainchild of American guitarist / composer / producer Fernando PerdomoFind albums by this artist, who assembled a group of Fusion / Prog superstars to record (mostly) his compositions with various lineups, which change from track to track. The collective lineup includes guitarists Al Di MeolaFind albums by this artist and Jan AkkermanFind albums by this artist, keyboardists Rick WakemanFind albums by this artist and Brian JacksonFind albums by this artist, bassist Jah WobbleFind albums by this artist and Alphonso JohnsonFind albums by this artist and drummer Chester ThompsonFind albums by this artist, among others. The album presents eight tracks recorded in late 2022 and early 2023.
The album also presents four bonus tracks produced and composed by bassist / composer Billy SherwoodFind albums by this artist, which originate from the debut eponymous album by Fusion Syndicate from 2012, which is difficult to find these days. It features such Fusion giants like bassist Jimmy HaslipFind albums by this artist, guitarist Larry CoryellFind albums by this artist, violinist Jerry GoodmanFind albums by this artist, drummer Billy CobhamFind albums by this artist and others.
Although featuring excellent musicians, the album has nothing new to offer musically and has no coherent concept per se. There is plenty of excitement and excellent soloing by the participants, as expected, but sadly it confirms the notion that Fusion, following a relatively brief period of creativity and Artistic productivity during the Golden Decade (1965-1975) has been mostly dormant, if not dead since.
Overall, this is a well-played typical Fusion album, which adds nothing new to the genre’s illustrious past, but offers a pleasant listening experience to the genre’s hard to die fans.
| | Updated: 08/12/2023Posted: 08/12/2023 | CD 1 Digipak Bonus Tracks Recommend To A Friend |
  | JAZZ Q ~ ZIVI SE DIVI
GAD 010 (Barcode: 5901549197105) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2013
This is a real treat! The Czechoslovak band Jazz QFind albums by this artist was always one of my favorites since the time they first arrived on the scene in the early 1970 and I loved their albums to bits. The band epitomized the Eastern European Jazz-Rock Fusion better than any other singular band of their time and had absolutely no competition, neither in their own country nor in any other Eastern European countries, although the competition was very fierce with some excellent Polish, Hungarian and other local bands. A few years ago the Czech SupraphonFind albums on this label label (which was a State monopoly during the Socialist regime when the group was active) released a wonderful Box Set, which included all the albums and some additional material Jazz Q recorded for the label. Those eight CDs spun on my player for weeks on end and I was blissfully happy to have the "complete" Jazz Q legacy at my disposal. But as we all know, nothing is ever truly "complete" as this CD proves and a beautiful piece of the puzzle was missing for all these years, now available at last.
Jazz Q were unique in every respect; the founder and principal composer keyboardist Martin KratochvilFind albums by this artist was an absolute genius, light-years ahead of everything that what was happening on the East European Fusion scene at the time and a musician that could easily stand shoulder to shoulder with the top movers and shakers of the worldwide Fusion scene, including the John McLaughlinFind albums by this artist´s Mahavishnu OrchestraFind albums by this artist, which was the model for his band. Kratochvil skillfully surrounded himself with other brilliant players, such as the ones appearing on this album: guitarist Frantisek FranclFind albums by this artist, saxophonist / violinist Jan MartinecFind albums by this artist, bassist Premysl FauknerFind albums by this artist and drummer Libor LaunFind albums by this artist. The band also featured the female vocalist (and Francl´s wife at the time) Joan DugganFind albums by this artist. All these musicians were virtuosi players, as is plainly evident to anyone listening to this album, and they were an ideal vehicle to present Kratochvil´s extraordinary music, which was often devilishly clever and complex.
This live recording presents Jazz Q performing nine pieces, five of which are Kratochvil´s original composition, one is credited to the entire band and the remaining ones are composed by Eddie HarrisFind albums by this artist, Billy CobhamFind albums by this artist and John McLaughlinFind albums by this artist respectively, which is hardly surprising again as these the names associated with Fusion at the time. All these composition receive as extended treatment, which allow lengthy improvisations by the principal soloists (guitar, keyboards and violin), which are all breathtaking. The music lost absolutely nothing of its vitality, sophistication and honesty over the years and emphasizes the fact that music of such quality is almost never played today, a sad reflection of our times.
If it was in my power, I´d make this album an obligatory part of every musical curriculum, hoping that it would open some people´s eyes and make them see the difference between senseless doodling and real music. Although criminally overdue, this is nevertheless a wonderful breath of fresh (albeit actually only well preserved) air, which makes life worth living.
| | Updated: 26/01/2019Posted: | CD 1 Remastered Essential Recommend To A Friend |
  | ROBIN KENYATTA ~ GYPSY MAN
WOUNDED BIRD 1633 (Barcode: 664140163324) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2008
American saxophonist / flautist / composer Robin KenyattaFind albums by this artist first appeared on the Free Jazz scene in the mid-1960s playing as a sideman with such distinguished musicians as Bill DixonFind albums by this artist, Andrew HillFind albums by this artist and others. By the 1970s Kenyatta changed his musical direction and joined the Jazz-Rock and Funk movements, which were thriving at the time. He recorded a series of Jazz-Rock / Funk albums for the AtlanticFind albums on this label label, of which this was the first. Supported by a fantastic crew of musicians, which included drummer Billy CobhamFind albums by this artist, bassist Stanley ClarkeFind albums by this artist, guitarist David SpinozaFind albums by this artist and many others, Kenyatta manages to create a unique piece of music, which includes a rare combination of Funk, Jazz-Rock, World Music influences and even some free form improvisation. His flute work is featured extensively, and is the highlight of the album. This little known gem is definitely worth to be rediscovered by people who missed it at the time, as it includes loads of memorable music. Check it out!
| | | CD 1 Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972
RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| | Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ MAHAVISHNU
WOUNDED BIRD 5190 (Barcode: 664140519022) ~ UK ~ Jazz-Rock Fusion
Recorded: 1984 Released: 2002
7th album by Mahavishnu OrchestraFind albums by this artist, recorded almost 6 years after the last album recorded by MO Mk. III (which means this was MO Mk. IV). In the years that passed between these two incarnations of MO John McLaughlinFind albums by this artist recorded several superb solo albums as well as trio albums with Al Di MeolaFind albums by this artist & Paco De LuciaFind albums by this artist and of course led the ShaktiFind albums by this artist World-Fusion ensemble – a truly astonishing body of music. The reincarnation of MO served as a project to take another look at the Fusion genre and reflect the changes that the genre went through. McLaughlin selected some of the best Fusion players for his group, with veteran Billy CobhamFind albums by this artist on drums, Swedish bass player Jonas HellborgFind albums by this artist (with whom he recorded several duo and trio albums later), and two excellent representatives of the second generation of US Fusion players: Bill EvansFind albums by this artist (the other Bill Evans) on sax and Mitchell FormanFind albums by this artist on keyboards. The music on this album is very different from what the first six MO albums presented. It is much more laid-back, relaxed, serene and cerebral. McLaughlin plays with layers of electronic sounds produced by his guitar synthesizer and Forman’s keyboards, with plenty of space for Evans to solo. The rhythm section is also much looser and provides just the right setting for this music. If you are just into the Fusion pyrotechnics as displayed on the early MO albums, this one will be a disappointment, but if you are into great music, you will truly appreciate this one. The fact that AtlanticFind albums on this label never reissued this album proves how blind and deaf the Majors are and I am grateful to Terry from Wounded BirdFind albums on this label to bring this superb music back to life.
| | | CD 1 Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ THE COMPLETE COLUMBIA ALBUMS COLLECTION
SONY 886979303423 (Barcode: 886979303423) ~ UK ~ Jazz-Rock Fusion
Recorded: 1971 - 1973 Released: 2011
To make things perfectly clear before we go any further, this Box Set includes music recorded by the first version of the seminal ensemble Mahavishnu OrchestraFind albums by this artist, which lasted for about a couple of years between 1971 and 1973 and released three albums on ColumbiaFind albums on this label. Subsequent versions of Mahavishnu Orchestra continued to release albums on Columbia, but those are not included here and will hopefully be released in the future as a separate Box Set.
British guitarist / composer John McLaughlinFind albums by this artist arrived at the epicenter of the revolutionary Jazz scene quite by chance, via his old friend bassist Jack BruceFind albums by this artist and his first American employer drummer Tony WilliamsFind albums by this artist, which eventually led to McLaughlin joining the Miles DavisFind albums by this artist group and playing a crucial role in creating the groundbreaking music Davis was forging at the time. Prompted by Davis, while still a part of his group, McLaughlin formed his first ensemble, which in retrospect turned out to be one of the most extraordinary Jazz-Rock Fusion ensembles, setting an example so powerful that now, over forty years later, it still reverberates and is being used as a definition of the genre.
Mahavishnu Orchestra was extraordinary in many ways. It brought together musicians from many different countries and cultural backgrounds: American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and Panamanian drummer Billy CobhamFind albums by this artist, all virtuosi on their respective instruments. Such aggregation of talent is of course beneficial for the music, but can prove to be strenuous as far as personal relationships are concerned. Also, as far as the musical direction was concerned, McLaughlin and the ensemble had to create their own environment, as they were walking on a path, which was previously undiscovered.
McLaughlin had complete freedom while with Davis, which enabled him to stretch out and play expanded solos without any harmonic or rhythmic restrictions. Mahavishnu Orchestra was completely opposite: precise and sharp like a razor blade, with everything clicking on a beat and often following a neck-breaking speed. It is evident McLaughlin struggled with this new framework initially, only to conquer it gloriously. He composed almost all the music the ensemble played, with just an occasional contribution by Hammer, Goodman and Laird.
After recording and releasing the first two albums ("The Inner Mounting FlameFind albums with this title" and "Birds Of FireFind albums with this title"), the group recorded a third studio album, which was scrapped and laid hidden in the vaults, only to be released twenty six years later as "The Lost Trident SessionsFind albums with this title". A live recording at NY Central Park, called "Between Nothingness & EternityFind albums with this title", became the group´s third and last album recorded by the first lineup.
This Box Set includes the four a.m. albums and a bonus CD, which comprises of previously unreleased additional material from the live recording, which became the third album. There is also one earlier live recording added as a bonus track on the first album.
Of course this music is so brilliant and so important, that recommending it any further is simply superfluous. It is an absolute classic and a timeless ingredient of music history, which should be an essential cornerstone of any music collection.
| | Updated: 26/01/2019Posted: | CD 5 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | ALPHONSE MOUZON ~ VIRTUE
PROMISING MUSIC 44110 (Barcode: 602517602410) ~ USA ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2009
In the early 1970s the name of US drummer Alphonse MouzonFind albums by this artist was almost synonymous with Jazz-Rock Fusion as one of its most prominent drummers, rivaled only by Billy CobhamFind albums by this artist. His stints with Weather ReportFind albums by this artist and Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist are prime examples of his extraordinary abilities and technique. But Mouzon could play modern Jazz as well as Fusion, and he played with the best, including McCoy TynerFind albums by this artist and many other "conventional" Jazz musicians. This album is a brainchild of the legendary producer Joachim BerendtFind albums by this artist, who was a great fan of Mouzon´s playing and invited him to record for the legendary MPSFind albums on this label label twice, before recording this one with him as a leader. For the album Mouzon assembled quite an unusual quartet, incorporating one of the greatest (and often underappreciated) saxophonist Gary BartzFind albums by this artist, which seemed truly inappropriate, as Bartz was more then anything a player in the John ColtraneFind albums by this artist tradition, which was hardly "in place" in a Funk / Fusion setting. The result of course proves that all fears were completely unfounded and the quartet works like a dream. Completed by keyboardist Stu GoldbergFind albums by this artist (a frequent guest on the MPS label), whose feel for Fusion and Funk was beyond reproach, and bassist Welton GiteFind albums by this artist (a legendary bass player, who was a member of SteppenwolfFind albums by this artist! and played with a plethora of Rock, Pop and Jazz acts) the quartet performs a set of compositions composed by Mouzon, playing their ass off from start to finish, producing one of the most energetic and brilliant Fusion albums with no weak moments whatsoever. Mouzon is of course brilliant, a monster rhythmic (and polyrhythmic) driving power at all times. Both Goldberg and Bartz get plenty of solo space and the overall result is a Fusion orgy of unearthly proportions. Although this album is rarely mentioned as a Fusion "classic", it definitely deserves the status, which anybody listening to it should easily recognize. We should be grateful to Promising MusicFind albums on this label for reissuing this classic treasure! As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!
| | Updated: 16/05/2016Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | CARLOS SANTANA / JOHN MCLAUGHLIN ~ LOVE DEVOTION SURRENDER
COLUMBIA 63593 (Barcode: 074646359327) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2003
This is the most quintessential Fusion album of all times. Although sadly neglected and almost forgotten (both by critics and listeners) over the years, it stands out as a beacon of musical enlightenment for posterity. The album came to be as a result of many parallel events and personal / musical paths crossings. Carlos SantanaFind albums by this artist and John McLaughlinFind albums by this artist became close after becoming disciples of Guru Sri Chinmoy. Although they were both aware of each other’s work before this musical cooperation, they operated in quite separate musical areas. McLaughlin at this point had already a glorious career stretch behind him with his pioneering work on the UK Jazz-Rock scene, his revolutionary work with Miles DavisFind albums by this artist, the visionary contributions in the Tony WilliamsFind albums by this artist LifetimeFind albums by this artist and of course his brilliant Mahavishnu OrchestraFind albums by this artist output. Santana’s roots were deep into Latin music and rock, but he was rapidly transforming his musical focus into jazz and Fusion. Influenced by his band’s drummer Michael ShrieveFind albums by this artist, who was a jazz buff, Carlos discovered a new musical world and was swallowing everything he could lay his ears on. This included the works of Mahavishnu Orchestra, of which he was a devoted fan, but also the work of Miles Davis and John ColtraneFind albums by this artist. The actual get together was most probably orchestrated by ColumbiaFind albums on this label’s chief Clive DavisFind albums by this artist (both Santana and Mahavishnu Orchestra were signed by Columbia Records), suggesting a John Coltrane tribute album featuring both guitarists. The album was recorded almost immediately after Santana finished recording the pivotal CaravanseraiFind albums with this title album, which marked a series of dramatic changes both in the band’s musical direction (a move towards jazz and Fusion) and personnel changes (the forming of Santana Mk. II). A meeting of two great talents is always a dangerous affair, and this one could have proven either disastrous or absolutely divine – fortunately the latter did happen. The reason it did turn out to be such a success is twofold: First the musicians truly loved Coltrane’s music and felt the spiritual side of it (Coltrane went through a process of soul searching and seeking enlightenment in Eastern beliefs as well). Coltrane’s “A Love Supreme” is really a musical mantra very similar to a Hindu chant, which of course is as much a spiritual music as it ever gets. The beautiful “Naima” (the other Coltrane composition featured here) is also deeply spiritual, as are the two McLaughlin’s compositions and the traditional chant, which serves as the base for the remaining track of the album. Having established the musical / spiritual base of the session the rest was up to the participating musicians, which (again) most fortunately turned out to be ideal. Both Santana and McLaughlin brought with them associate musicians – Carlos brought selected members of his band (Armando PerazaFind albums by this artist – congas, Doug RauchFind albums by this artist – bass and Michael Shrive – drums) and John brought Mahavishnu Orchestra members (Billy CobhamFind albums by this artist – drums and Jan HammerFind albums by this artist – drums(!)). Veteran jazz drummer Don AliasFind albums by this artist was also invited, but the greatest and perhaps most crucial role was entrusted upon the organ player Larry YoungFind albums by this artist – John’s former partner in Lifetime. Young provides the foundation and glue, which makes this session work. With two lead guitarists exchanging licks at the speed of light and the super-power expanded rhythm section pulsating mercilessly, this session would have never worked without Young’s brilliant work. He fills the spaces, provides the balance and the sanity, the ground on which the soloist are able to build their sky-high towers. Of course the main attraction is the spectacular work by the two soloists, so different and yet so completely complimentary of each other. Santana’s sublimely melodic feel (truly unparalleled to this very day) and McLaughlin’s extraordinary improvisational abilities just merge into one continuous flow of musical bliss. Their exchanges are in perfect harmony, not competing but supplementing each other – fire and grace incarnate. This remastered edition enhances the originally muddy sound tremendously and the two bonus tracks are priceless. There is nothing but Love of music, Devotion to talent and Surrender to divinity on this album, the Mother of all Fusion albums! Beyond essential!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | MIKE STERN ~ UPSIDE DOWNSIDE
WOUNDED BIRD 1656 (Barcode: 664140165625) ~ USA ~ Jazz-Rock Fusion
Recorded: 1986 Released: 2007
American guitarist / composer Mike SternFind albums by this artist has been one of the most prominent figures in the Jazz and Fusion fields for the last three decades. His virtuoso performances and excellent writing are a source of musical joy and his consistently superb standards serve as a model, followed by generations of young guitarist around the world. Stern first came to the attention of the music lovers in the mid 1970s as the lead guitarist for the then current lineup of Blood, Sweat & TearsFind albums by this artist. Later on he joined drummer Billy CobhamFind albums by this artist and played on several of his exceptional Fusion albums, finally to be featured in the Miles DavisFind albums by this artist comeback ensemble in 1981. After two years with Miles, Stern let to join Jaco PastoriusFind albums by this artist and again participate in some revolutionary Fusion recordings, only to rejoin Miles in 1995 for another year. That year marked Stern´s first release as a leader, with his album "NeeshFind albums with this title" scoring enthusiastic reviews, but gaining little public attention as it was released on a small obscure label. In 1986 Stern signed with AtlanticFind albums on this label, subsequently releasing 10 excellent albums on the label until he left in 2001. This album is the Mike Stern´s 1st release on Atlantic, which remains to this day as one of the greatest classic Fusion albums of all times. With the help of keyboardist Mitch FormanFind albums by this artist, saxophonist Bob BergFind albums by this artist, bassist Mark EganFind albums by this artist, drummer Dave WecklFind albums by this artist and several guest musicians (including Jaco Pastorius), Stern lies down a model for modern Fusion, with great melodies, superb guitar lead lines and rhythmic versatility. Constantly moving between atmospheric ballads and soaring neck-breaking races, there is not one dull moment on this album and it lost absolutely nothing of its initial impact. This is an absolute must for every Fusion enthusiast as well as guitar freak on earth. A must!
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