Record Reviews
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  | RICHIE COLE / EMIL VIKLICKY ~ RICHIE COLE / EMIL VIKLICKY QUINTET
MULTISONIC 310799 (Barcode: 741941079921) ~ USA ~ Jazz
Recorded: 2010 Released: 2011
This album presents a live recording by the US / Czech quintet comprising of Chicago based saxophonist Richie ColeFind albums by this artist, baritone saxophonist Ted HogarthFind albums by this artist and drummer Ernie AdamsFind albums by this artist and two Czech players: veteran pianist / composer Emil ViklickyFind albums by this artist and young bassist Josef FecFind albums by this artist. Together they perform nine pieces, three of which are Cole originals, one Viklicky original and five standards. Cole is mostly associated with the post-Bebop tradition, keeping alive the music initiated by the legendary Charlie ParkerFind albums by this artist. Hogarth continues the baritone saxophone tradition first developed by Gerry MulliganFind albums by this artist. Fec continues the great tradition of the Czech bass school of George MrazFind albums by this artist, Miroslav VitousFind albums by this artist and Frantisek UhlirFind albums by this artist.
Viklicky is of course well versed in the Bebop ways, as this was after all the music that he played extensively in the early days of his Jazz career. He performed with Cole in Chicago, earning respect and appreciation from the audiences there, which eventually led to this beautiful concert in Prague. The music is absolutely superb from start to finish and the performances stellar. Everybody seems to have a great time and the individual solos simply soar chasing one another. This is mainstream Jazz of the highest caliber and every connoisseur of the music will be absolutely delighted listening to this display of virtuosity and class.
Side Note
This album is a part of the “Jazz Na Hrade (Jazz At Prague Castle)” series, released by the Czech MultisonicFind albums on this label label, which presents live recordings performed at various locations inside the charming Prague Castle, now the residence of the President of the Czech Republic.
The series was initiated in 2004 by President Vaclav KlausFind albums by this artist, who often introduces the players himself on these albums, and symbolizes the respect and love of all things Cultural by the Czech People, including Jazz of course.
| | Updated: 16/03/2022Posted: | CD 1 Recommend To A Friend |
  | CHICK COREA ~ TRIO MUSIC
ECM 1232/33 (Barcode: 601215945423) ~ USA ~ Jazz
Recorded: 1981 Released: 1990
The members of this great Jazz trio, comprising of pianist / composer Chick CoreaFind albums by this artist, bassist Miroslav VitousFind albums by this artist and drummer Roy HaynesFind albums by this artist, met briefly in the late 1960s, when they recorded Corea´s 2nd album as a leader called "Now He Sings, Now He SobsFind albums with this title", which was one of the great recordings of that period. On this album they continue their musical journey together, now certainly more mature and with a lot of experience behind them. This album, originally released as a double LP, presents the trio in two quite different settings. The music, which was originally present on LP 1, is a set of trio and duo improvisation, whereas the music on LP 2 is a series of compositions by the great Thelonious MonkFind albums by this artist, uniquely transformed by the trio. With musicians of this caliber one should expect nothing less that perfection, and this is exactly what this album is all about: perfection. The trio simply floats in perfect harmony, from one tune to the next, as if this incredible music was the easiest thing to do, which of course it surely isn´t. Just grab it and immerse yourself in these sounds, blissfully forgetting everything else. Brilliant stuff!
| | | CD 1 Recommend To A Friend |
  | CHICK COREA ~ TRIO MUSIC LIVE IN EUROPE
ECM 1310 (Barcode: 602517758315) ~ USA ~ Jazz
Recorded: 1984 Released: 2008
US pianist / composer Chick CoreaFind albums by this artist has been in the epicenter of modern Jazz for the last five decades, always on top and up-to-date, a living legend. Corea´s recorded legacy accumulated over time amounts to a staggering body of work, presenting him as a prolific and diverse Artist, who can be inventive and intelligent regardless of the musical circumstance he finds himself in, be it Free Jazz, Fusion, contemporary Classical or just straight ahead (well never really "straight ahead") Jazz. This live recording spotlights Corea´s talents as an interpreter of Jazz standards, as well as performing his own compositions and compositions by his fellow musicians. The trio (called "Trio Music") includes two other legendary musicians: bassist Miroslav VitousFind albums by this artist and drummer Roy HaynesFind albums by this artist, and is one of Chic´s "regular" groups that he records and tours with. The performance is absolutely stunning, from start to finish and Corea´s virtuosity, great sense of humor and intelligence are simply breathtaking. Brilliant stuff!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | MORDY FERBER ~ ALL THE WAY TO SENDAI
ENJA 6030 (Barcode: 063757603023) ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 1990 Released: 1990
This is the debut album as a leader by Israeli guitarist / composer Mordy FerberFind albums by this artist, recorded with a spectacular international lineup, which includes Japanese trumpeter Tiger OkoshiFind albums by this artist, American saxophonists Bob MintzerFind albums by this artist, keyboardists American Brad HatfieldFind albums by this artist and Swiss Matthias GohlFind albums by this artist, bassists Czech Miroslav VitousFind albums by this artist and French Gildas BocleFind albums by this artist, American drummer Marty RichardsFind albums by this artist and Brazilian percussionist / vocalist Nana VasconcelosFind albums by this artist. The album presents six tracks, all of which are original compositions by Ferber.
Ferber, born in 1958 near Haifa, was one of the many young Israeli musicians, who frequented my home while growing up and getting into Jazz, partly under my influence. By the end of the 1970s and in early 1980s Ferber became a most sought after Israeli session guitarists and took part in recording many legendary albums at the time. He left to study at Berklee, like many other Israeli Jazz musicians, and decided to stay in the US, visiting Israel occasionally.
The music floats between melodic contemporary Jazz and some more Fusion influenced pieces, all beautifully put together and performed by this highly talented team. His guitar performances are nothing short of stellar and the entire album is a great piece of delightful music, which sadly never achieved the proper attention on the US scene, which has always been flooded by way too many mediocre releases. He recorded several more albums but his output sadly does not reflect his great talent, which is a great pity.
Overall, this is a beautiful album, full of great music and spectacular playing, which is criminally little known both in Israel and on the global scene. Of course guitar enthusiasts should be primarily happy with this music. A great piece of personal nostalgia for me.
| | Updated: 11/08/2024Posted: 11/08/2024 | CD 1 Recommend To A Friend |
  | JAN HAMMER ~ MALINY MALINY
PROMISING MUSIC 44109 (Barcode: 602517845954) ~ CZECHOSLOVAKIA ~ Jazz
Recorded: 1968 Released: 2009
1st album by Czech pianist / composer Jan HammerFind albums by this artist, who would later become one of the cornerstone musicians of US Jazz-Rock Fusion movement as a member of John McLaughlinFind albums by this artist´s Mahavishnu OrchestraFind albums by this artist, as well as leader of his own groups. This live recording at the legendary Munich Domicile club, a meeting place of German and European Jazz scene for many years, is in many ways quite accidental. Hammer and his compatriot bassist George MrazFind albums by this artist (Jiri in Czech) were in Munich "in transit" actually heading for the US to join the Berklee College of Music in Boston, where they both received a scholarship. Of course they had been warmly received in Munich and gigged extensively waiting for the US trip to finalize. While there, the Soviet Block armies invaded their homeland in the infamous 1968 abrupt end of the "Czech Spring", one of the darkest moments of the Eastern-European history. Hammer and Mraz made the decision not to look back and moved to the US permanently, joining many other famous Czech musicians who were destined to build their career there, like Miroslav VitousFind albums by this artist for example. This recording is Hammer´s debut, presenting him on acoustic piano and organ, playing a set of his original compositions in a trio format with Mraz on electric bass and resident Domicile drummer (originally from Netherlands, but mostly active in Germany) Cees SeeFind albums by this artist on drums. The most striking effect of this recording is not hearing the "early" Hammer, already a highly accomplished pianist at the time with extensive classical training, but his Jazzy approach, which in years was about to move to the background of his output, which I personally see as a great shame. The music is also very interesting, with Hammer combining many Eastern-European motifs with Jazz, like many other Eastern-European musicians did at the time, creating some of the most memorable tunes in the process (see parallel work of Polish Jazz musicians). This is definitely a great historical document of the era and one can only be grateful to Promising MusicFind albums on this label for unearthing and reissuing this lovely musical glimpse into the past. As usual, the remastering, sound quality, packaging and extensive liner notes are beyond reproach. Warmly recommended!
| | | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | JAROMIR HONZAK ~ A QUESTION TO ALL YOUR ANSWERS
ANIMAL MUSIC 005 (Barcode: 8594155996551) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2006 Released: 2007
This is the fourth album as a leader by Czech Jazz bassist / composer Jaromir HonzakFind albums by this artist and his first release on the excellent Czech label Animal MusicFind albums on this label. The album was recorded by a Czech / Polish quartet which also included Czech guitarist David DoruzkaFind albums by this artist and Polish pianist Michal TokajFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, both of which played with him on this album´s predecessor "Present PastFind albums with this title". Clarinetist Tomas CisteckyFind albums by this artist, flautist Lucie CisteckaFind albums by this artist and pianist Vojtech ProchazkaFind albums by this artist appear as guests. The album presents eight original compositions, all by Honzak. Seven of the tracks were recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual superb sound quality. The last track was recorded at the Czech Radio and features the a.m. guests.
Honzak, whom I have been watching closely since many years, proudly continues the Czech Jazz Bass tradition, established by internationally known bassists like George MrazFind albums by this artist (really Jiri MrazFind albums by this artist) and Miroslav VitousFind albums by this artist, but also less known outside of their homeland like Ludek HulanFind albums by this artist, Frantisek UhlirFind albums by this artist, Karel VejvodaFind albums by this artist, Petr KorinekFind albums by this artist and others. His beautifully round notes and chronometric pulsations are always a guarantee of a perfect rhythm section anchor in the numerous recording he took part in.
But on this album Honzak great forte are his wonderful compositions, which are beautifully woven, versatile and most importantly open enough to be stretched and explored by the quartet members, often towards unexpected directions. As a result this album is a superb ride into the unforeseen, with each track taking the listener on a new adventure. Not losing the sense of melody and coherence, the music has so much freedom and breathing space that the flexibility is endless.
Of course the leader gets fantastic support from the quartet members; Doruzka, here fourteen years younger than today, is already a bright star on the European scale, while Tokaj and Zyta, despite their relatively young age at the time were already seasoned veterans, capable of playing virtually anything. Together the quartet sounds like an organic unit and in retrospect I´d love to hear this experience repeated again.
Overall this is a brilliant album from start to finish, a perfect reflection of 21st Century European Jazz at its best. Fourteen years later it still sounds perfectly fresh and sparkling with ingenuity, like a gem it is. Absolutely not to be missed!
| | Updated: 14/11/2020Posted: 28/08/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JANA KOUBKOVA ~ BOSA
GALEN 19 148 (Barcode: 8594042901576) ~ CZECH REPUBLIC ~ Jazz
Recorded: 1985 Released: 2019
This is a reissue of a wonderful album by Czech Jazz vocalist Jana KoubkovaFind albums by this artist, which is basically a solo vocal recording using multi-tracked voice and a plethora of magnificent vocalese paraphernalia, with a limited instrumental accompaniment supplied mainly by percussion Master Alan VitousFind albums by this artist (yes the brother of Miroslav VitousFind albums by this artist) and involving also pianists Karel RuzickaFind albums by this artist and Zdenek KalhousFind albums by this artist, bassists Alexej CharvatFind albums by this artist and Vit FialaFind albums by this artist and a few others playing percussion instruments as well as a chorus adding "background noises". The album presents seven original compositions by Koubkova and a medley of songs by Antonio Carlos Jobim, which is the title track. This remastered edition offers superb sound quality.
The music is an absolute revelation, showing the infinite musical potential achievable by using the human voice in an instrumental capacity. Obviously somewhat similar to the work by other Jazz vocalist exploring this direction like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and others, Koubkova´s approach is unique in many ways, not only because of the use of percussion accompaniment but also vocally and conceptually. It is perhaps less Avant-Garde oriented than what the a.m. vocalists demonstrated and more melodic, but surely not less challenging or innovative.
This album is an important instructional tool for contemporary young Jazz vocalists, who sadly rarely take a step beyond the beaten tracks of standard vocal approach, repeating the tradition ad nauseam rather than exploring new possibilities. It appears that there is much to be learned from the past.
The album also demonstrates the incredibly high level of musicianship behind the Iron Curtain, which despite the hardships of censorship and political domination of the Socialist regime managed to flourish, often not less impressively then what was happening in the West. Czechoslovakia and Poland led the evolution / revolution of the European Jazz idiom in Eastern Europe and produced a monumental body of recorded music over time, and contained to do so after the liberation from the Socialist shackles, with a vengeance.
Side Note
The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge.
For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.
| | Updated: 01/06/2020Posted: 01/06/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | PIOTR MATUSIK ~ TRIBUTE TO CHICK COREA
REGIO 602547470744 (Barcode: 602547470744) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015
This is the debut album by young Polish Jazz pianist / composer Piotr MatusikFind albums by this artist, and as the title suggests it is dedicated to the music of Chick CoreaFind albums by this artist, featuring six Corea classic compositions. The album was recorded in a quartet setting, which includes also saxophonist Jakub ChojnackiFind albums by this artist, bassist Dariusz ZiolekFind albums by this artist and drummer Adam BuczekFind albums by this artist.
Obviously it´s not difficult to understand why a young and aspiring pianist would choose Chick Corea as his role model; after all Corea is one of the greatest and most revered Jazz musicians in all times and a brilliant, often visionary pianist / composer. However, recording an album consisting entirely of Chick Corea´s compositions as a young pianist´s debut album is a hazardous and honestly a questionable decision. It takes years of experience to understand and than tackle the complexity and depth of Corea´s compositions, way beyond the sheer ability to play them.
The easiest way to look at it would be to compare each of the compositions featured on this album with the original initial versions of the same compositions as recorded by Corea himself. The album starts with "Now He Sings, Now He SobsFind albums with this title" from the album by the same name recorded by Corea in March 1968, shortly before he started playing with Miles DavisFind albums by this artist. It was recorded by a trio with Miroslav VitousFind albums by this artist on bass and Roy HaynesFind albums by this artist on drums and marked the beginning of Corea´s most Avant Garde, adventurous and experimental period. At the time of its release the album was completely revolutionary, original and groundbreaking. Now the version of the same composition heard on this album sounds like lounge Smooth Jazz, easy on the ear and of course completely trivializing the original music, which hardly goes well with the "tribute" intention. A similar analysis of all the rest of the album reveals sadly more or less a similar pattern.
Let´s get something straight here: these four musicians can play well, even exceptionally well. They are schooled and trained and they know their notes and chords and harmonies. And yet it all comes to nothing as far as creative, ambitious music making is concerned. This album is a terrible mistake, a waste of energy and a lack of direction. Playing someone else´s music in a watered down version is definitely not a way to go by a young and aspiring musician.
Of course the future is still very much ahead of these musicians, and anything can happen. It is my duty to point them in a right direction, even if this is a seemingly cruel and painful way to do it. Better luck next time.
| | Updated: 17/12/2018Posted: | CD 1 Recommend To A Friend |
  | ALPHONSE MOUZON ~ IN SEARCH OF A DREAM
MPS 4029759097273 (Barcode: 4029759097273) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2014
Conceived and produced by my Friend and Mentor, the celebrated Joachim BerendtFind albums by this artist, this wonderful and sadly little known album presents a recording by a Fusion supergroup headed by the great American drummer / composer Alphonse MouzonFind albums by this artist. A group of top Fusion players from both sides of the pond, the collective personnel includes, in addition to Mouzon, two more Americans: keyboardist Stu GoldbergFind albums by this artist and saxophonist Bob MalikFind albums by this artist. The European contingent comprises of Belgian guitar virtuoso Philip CatherineFind albums by this artist, German pianist Joachim KuhnFind albums by this artist and finally Czech bass magician Miroslav VitousFind albums by this artist, who plays a funkiest electric bass ever on this album, in addition to his double bass, a very rare occurrence indeed.
Mouzon, aged 29 at the time this music was recorded (the "Happy Birthday" chant heard on the album is about that), was already a Fusion veteran, after being a founding member of Weather ReportFind albums by this artist (with Vitous) and later Larry CoryellFind albums by this artist´s Eleventh HouseFind albums by this artist. His technical proficiency and more importantly superb musicality earned his much respect among his peers and quite a following on the busy Fusion scene. This recording was Mouzon´s second album as a leader for the legendary German MPSFind albums on this label label, also produced by Berendt, following the no less outstanding "VirtueFind albums with this title" recorded a year earlier.
Of the nine tracks on this album, six are original compositions by Mouzon, with the remaining three being originals by Catherine, Kuhn and Vitous. They are all superb pieces of music, based on great melodies, complex rhythmic patterns and stunning solo work by all the participants, reflecting Fusion at its best before the genre sadly dwindled into obsessive repetitious doodling.
Hearing this music almost forty years after it was recorded produces a striking realization that it lost absolutely nothing of its original freshness and sounds brilliant as ever, perhaps even more so today, considering what pretends to be music these days. Listening carefully to this album reveals a plentitude of musical details and ideas that went into creating this music, which require talent and dedication. Mouzon´s drumming on this album is of course a delightful reminder of better times.
As all the albums recorded for the MPS label, the recording quality of this album is simply marvelous, with precision and ambience unachieved by almost any other recordings and as such is a true delight to all audiophile music listeners, in additions to being a great document of the era when music truly mattered.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 29/12/2023Posted: 30/01/2016 | CD 1 Slipcase Remastered Recommend To A Friend |
  | ALPHONSE MOUZON ~ IN SEARCH OF A DREAM
MPS 4029759119661 (Barcode: 4029759119661) ~ USA ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2017
This is a reissue of the second album for the MPSFind albums on this label label by American drummer / composer / bandleader Alphonse MouzonFind albums by this artist, recorded with a dream team of Fusion musicians: American saxophonist Bob MalikFind albums by this artist and pianist Stu GoldbergFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, German keyboards marvel Joachim KuhnFind albums by this artist and Czech bassist Miroslav VitousFind albums by this artist. Together, but in varying lineups, they perform nine tunes, six of which were composed by Mouzon and one each by Catherine, Kuhn and Vitous.
The music is a superbly crafted Jazz-Rock Fusion, with great melodic lines and intelligent arrangements, which focus on the music rather than on senseless doodling which overtook the genre soon after this music was recorded. In fact this is probably one of the latest great Fusion albums, closing the initial decade when the idiom crystallized and achieved its greatest triumphs.
The level of the individual performances is absolutely stellar as each of these instrumentalists was a major figure in the Fusion field at the time. Yet the album is completely devoid of ego trips and competition, with respect and ensemble effort at the helm. Mouzon´s unique and unparalleled drumming is of course the power driving this music at all times, and which remains a source of inspiration for all drummers in the world to this day. Catherine´s guitar playing is also stellar and his sophistication remains unmatched. Kuhn and his keyboard wizardry is the cherry on top.
With passing of time, this album becomes ever stronger and valid, as a milestone of what Fusion was (and should be) all about. Mouzon´s contribution to Fusion is of course immeasurable and this album is just one of the pieces of the puzzle that define the genre. Obviously this is an absolute must in every decent Fusion collection and for the younger listeners who might have missed this gem this is a golden opportunity to learn something about real music. Essential listening!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 25/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | ADAM PIERONCZYK & MIROSLAV VITOUS ~ AD-LIB ORBITS
PAO 11320 (Barcode: 9006834113207) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017
This is the second album by the duo comprising of two veteran Jazz Masters: Polish saxophonist / composer Adam PieronczykFind albums by this artist and Czech bassist / composer Miroslav VitousFind albums by this artist. The album presents sixteen relatively short spontaneous improvisations, fourteen of which are credited to both musicians and one each is credited to Pieronczyk or Vitous, being solo pieces.
This album, being a second encounter, misses the element of surprise the duo managed to create first time around, but in every other respect it is a superb example of the "Art of the Duo" idiom, which in Jazz has a very long tradition.
Despite the fact that all the music is spontaneously improvised, it is remarkably accessible to a larger Jazz loving audience beyond the miniscule circle of enthusiasts of Free Jazz or Improvised Music. Of course the question if conventional Jazz fans will have the stamina and open-mindedness to relax and enjoy these musical explorations is always relevant.
The music is mostly low key and slow tempo, which makes it very meditative and demanding. Both players are of course beyond any need to show their chops and concentrate on the dialogue that develops between them. Listeners who like such musical environment will of course enjoy the music immensely, exploring the exchanges and dialogues developed in the process.
In short this is a successful follow up album to the duo´s debut recorded a year earlier, much in the same aural and conceptual vein. Listeners who enjoyed the debut should definitely grab this one as well; those who did not have the opportunity to listen to the debut album could start from this one and then get the debut. Either way works well!
| | Updated: 20/09/2017Posted: 20/09/2017 | CD 1 Digipak Recommend To A Friend |
  | ADAM PIERONCZYK & MIROSLAV VITOUS ~ WINGS
FOR TUNE 0084 (Barcode: 5902768701890) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
This is a duo album by Polish saxophonist / composer Adam PieronczykFind albums by this artist and Czech virtuoso bassist / composer Miroslav VitousFind albums by this artist. Together they perform ten pieces, seven of which were composed by Pieronczyk, two were co-composed by Pieronczyk and Vitous and one was composed by Vitous.
The music is obviously only partly pre-composed and emphasizes the improvised dialogue between these two players, which is the most vital element presented on this album, which in turn definitely belongs to the "Art of the Duo" category. The duo format, although obviously perilous in its nakedness and exposure, is also ideal in many aspects; it enables a conversation, which solo format often lacks, it enables the listener to concentrate on just two musicians, which is easier to do than to follow a whole group of them, and finally it is intimate enough to bring out the best in its participants.
Listeners familiar with the recording legacy of Pieronczyk won´t be surprised by his superb performances on this album. He has produced consistently excellent output since the mid-1990s and is definitely one of Poland´s top Jazz figures, which considering how crowded that scene is, is already a great distinction. He obviously prefers small formats and already was engaged in the duo format with Polish pianist Leszek MozdzerFind albums by this artist and recorded a solo saxophone album. His music always borders between contemporary modern Jazz and Free Form improvisation, amalgamating the Jazz legacy and the need to expand its horizons.
Vitous doesn´t need any introductions, but surprisingly on this album he plays much more openly and freely than usual, obviously inspired by the circumstances and his partner. His statements, both when playing alongside Pieronczyk and when soloing, are all extraordinary beautiful, elegant and expressive. Although living in the US since the late 1960s, his aesthetics is still very European, full of romanticism and Eastern European melancholy, and as such he fits the role of Pieronczyk´s partner ideally.
There are no weak moments on this album. From the starting notes and well after the music is all over, the feeling of a cohesive, continuous spiritual experience prevails. Although, as all improvised music, the music on this album is often challenging and engaging, it is remarkably accessible and keeps the listener in a relaxed state of mind, which is very rare in such circumstances.
This is definitely one of the best albums released on the Polish market in 2015 and proudly matches any album released anywhere else in the world. Polish Jazz enthusiasts will obviously find it as an essential ingredient of their listening milieu.
| | Updated: 26/02/2016Posted: 26/02/2016 | CD 1 Recommend To A Friend |
  | SHQ ~ [S+H]Q + FRIENDS
INDIES HAPPY TRAILS 731 (Barcode: 8595026673120) ~ CZECH REPUBLIC ~ Jazz
Recorded: 1964 - 1965 Released: 2016
This is the fourth of a series of eight reissue / archival albums presenting the recorded legacy of one of the Godfathers of Czechoslovak modern Jazz, vibraphonist / pianist / saxophonist / composer / bandleader Karel VelebnyFind albums by this artist and his SHQFind albums by this artist ensemble. All the music is beautifully remastered and the album comes with extensive liner notes, extremely well researched and full of discographical information, sadly only in Czech language (which works fine for me, but probably less so for other enthusiasts who also might be interested).
This album presents material captured during three recording sessions from November 1964. The eight tracks that were recorded during these sessions were released as the second SHQ LP, shortly after the release of the debut.
The SHQ lineup on these sessions included the basic quintet with Velebny, who played vibraphone and piano, tenor / baritone saxophonist / flautist Jan KonopasekFind albums by this artist, trumpeter Laco DecziFind albums by this artist, bassist Jan ArnetFind albums by this artist and drummer Laco TroppFind albums by this artist, which was extended by a plethora of other musicians to form lineups varying from a septet to a thirteen piece band, which included: guitarist Rudolf DasekFind albums by this artist, trombonist Zdenek PulecFind albums by this artist, bassist Jiri MrazFind albums by this artist (a.k.a. George MrazFind albums by this artist), East German (at the time) pianist Joachim KuhnFind albums by this artist and many others.
The bonus tracks include three rare recording from 1965 of a short-lived SHQ quartet lineup comprising of Velebny, Dasek, Mraz and drummer Milan MadarFind albums by this artist and one track recorded in 1964 by the quintet lineup above, all released on a Various Artist compilation LP or a SHQ compilation LP.
The music, similarly to the debut album, includes mostly American standards, with just two original compositions (one each by Dasek and Velebny), but this time the large ensemble arrangements take the music quite away from its Bebop origins, and shows more sophisticated approach to orchestration and harmonic structures, bringing back the music to its European base. The bonus tracks are in contrast mostly original and point towards future development of the SHQ identity.
As expected the performances are phenomenal and with the presence of the formidable guests the music shows a much wider scope of local Czechoslovak talent and beyond. In retrospect the list of the names is a sad indication of the tragic fate of Czechoslovak Jazz, which resulted in many of its finest musicians fleeing their homeland. For example both Konopasek and Mraz fled to US, Kuhn fled to West Germany to join his older brother Rolf KuhnFind albums by this artist and additional famous Czech musicians like Miroslav VitousFind albums by this artist, Jan HammerFind albums by this artist and others did the same, before the "Velvet Revolution" finally freed Czechoslovakia from the Socialist shackles.
For fans of European Jazz and its history, the entire series is an absolute must, and the fact that most of this music is available on CD for the first time makes it an absolute treasure. Absolutely brilliant!
My personal thanks to Jaromir KratochvilFind albums by this artist, the owner of Indies Happy TrailsFind albums on this label, for his friendship and the incredible job he is doing to keep this music alive!
Side Note
Since the 1950s Czechoslovakia had a highly developed Jazz scene, certainly in proportion to its population, which included many successful ensembles and even Big Bands, as well as Jazz clubs, festivals and publications, all this in spite of state censorship and political limitations. The similar situation existed since the 1960s as far as Rock (including Progressive Rock and Jazz-Rock Fusion) was concerned, resulting in many excellent, interesting and innovative ensembles.
The music was relatively well documented by the three state owned record labels: SupraphonFind albums on this label (founded in 1927), PantonFind albums on this label (founded in 1968) and OpusFind albums on this label (founded in 1971 and based in Bratislava, created on the base of Slovak division of Supraphon). Following the "Velvet Revolution" in 1989, the state owned record labels were privatized, with Supraphon dominating the local market.
However, Supraphon was quite reluctant as far as exploring its vast back catalogue is concerned, and this is where the small independent Indies Happy TrailsFind albums on this label Records, a reissue label dedicated to the preservation of the recorded legacy of Czechoslovak music, owned and run by the devoted enthusiast / historian Jaromir KratochvilFind albums by this artist, founded in 2007, comes in. Over the years the label released a plethora of brilliant music, reissuing long deleted LPs and extensively exploring the archives in search of bonus material.
The quest of Indies Happy Trails is similar to what the GADFind albums on this label Records label, run by Michal WilczynskiFind albums by this artist, is doing for Polish music, with similar consistency and praiseworthy dedication.
| | Updated: 26/02/2020Posted: 26/02/2020 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | FRANTISEK UHLIR ~ DOUBLE BASS SESSION
MULTISONIC 310737 (Barcode: 741941073721) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2008 Released: 2009
This album presents a live recording by a one time octet led by the great veteran Czech bassist Frantisek UhlirFind albums by this artist, which includes five double bass players playing simultaneously, definitely a completely innovative concept. Apart from Uhlir, who has been the country´s modern jazz pillar for several decades, the other bassist include the veteran German bassist Ali HaurandFind albums by this artist, known for his involvement on the European Jazz scene both in the mainstream and more experimental directions, and three younger Czech bassists: Peter DvorskyFind albums by this artist, Vit SvecFind albums by this artist and Tomas BarosFind albums by this artist. Saxophonist David VrobelFind albums by this artist, guitarist Adam TvrdyFind albums by this artist and drummer Jan LinhartFind albums by this artist are the remaining octet members. The octet performs seven pieces, four of which were composed by Uhlir, one by Haurand and the remaining two are standards, including the wonderful "Rosemary´s Baby" by legendary Polish composer Krzysztof KomedaFind albums by this artist.
Obviously the bass is the center of attention here, with many superb solos and ensemble performances. Uhlir manages to arrange the music in such a way that each bass performance can be heard perfectly clearly, which is quite difficult. It will take some effort from a less experienced listener to follow five basses simultaneously, in addition to the other three instruments, but the effort is definitely worth it. In addition to being a great tribute to the bass, this album also presents the next generation of Czech bass players, who follow in the footsteps of their great predecessors, like Uhlir, George MrazFind albums by this artist (originally Jiri Mraz) and Miroslav VitousFind albums by this artist.
There is so much love, care and intelligent playing here, that every Jazz connoisseur, and of course double bass aficionados in particular, should be delighted with the music herein. Hats off to Uhlir for putting this project together and of course a big thank you. Warmly recommended!
Side Note
This album is a part of the “Jazz Na Hrade (Jazz At Prague Castle)” series, released by the Czech MultisonicFind albums on this label label, which presents live recordings performed at various locations inside the charming Prague Castle, now the residence of the President of the Czech Republic.
The series was initiated in 2004 by President Vaclav KlausFind albums by this artist, who often introduces the players himself on these albums, and symbolizes the respect and love of all things Cultural by the Czech People, including Jazz of course.
| | Updated: 16/03/2022Posted: | CD 1 Recommend To A Friend |
  | FRANTISEK UHLIR ~ FRANTISEK UHLIR 60
MULTISONIC 310822 (Barcode: 741941082228) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2010 Released: 2011
This album presents the concert organized to celebrate the sixtieth birthday of the great Czech bassist / composer Frantisek UhlirFind albums by this artist, who is one of the pillars of the local Jazz scene. The band constitutes of excellent players from different countries, creating a first-class nonet, which performs ten pieces, six of which are Uhlir’s original compositions, two are composed by other band members and the remaining two are standards.
The music and the performances are highly spirited and excellent from start to finish, with extended solo spots and great interplay between the participants. Stylistically this is modern mainstream Jazz, which relies on the skills of the musicians and the strength of the compositions to keep things interesting, rather than flashy exhibitionism. Uhlir, as usual, keeps the music swinging and in check, like a chronometer, with his beautiful tone and imaginative solos highlighting the evening.
Overall, this is an ample tribute to his immense talent and continuous contribution to the Czech and European Jazz heritage. He joins the proud ranks of his colleagues George MrazFind albums by this artist and Miroslav VitousFind albums by this artist as a representative of the great Czech bass school, which is universally acknowledged as exceptional. Great fun!
Side Note
This album is a part of the “Jazz Na Hrade (Jazz At Prague Castle)” series, released by the Czech MultisonicFind albums on this label label, which presents live recordings performed at various locations inside the charming Prague Castle, now the residence of the President of the Czech Republic.
The series was initiated in 2004 by President Vaclav KlausFind albums by this artist, who often introduces the players himself on these albums, and symbolizes the respect and love of all things Cultural by the Czech People, including Jazz of course.
| | Updated: 16/03/2022Posted: | CD 1 Recommend To A Friend |
  | MIROSLAV VITOUS ~ MAJESTY MUSIC
WOUNDED BIRD 4099 (Barcode: 664140409927) ~ CZECH REPUBLIC ~ Jazz-World Fusion
Recorded: 1976 Released: 2015
This is a reissue of the 4th solo album by Czech (resident in the US) bassist / composer Miroslav VitousFind albums by this artist. Following his departure from Weather ReportFind albums by this artist, Vitous started a solo career playing with many of the most prestigious Jazz musicians over the years. This album was recorded with two Israeli musicians: saxophonist Jaroslav JakubovicFind albums by this artist (also of Czech origin) and vocalist / keyboardist Rimona FrancisFind albums by this artist. Other musicians playing on the album included percussionist David Earle JohnsonFind albums by this artist, drummers Lenny WhiteFind albums by this artist and Gerry BrownFind albums by this artist, electric bassist Francisco CentenoFind albums by this artist and a couple of others. The album presents ten tracks, seven of which were composed by Vitous, two by Jakubovic and one co-composed by them both.
This is relatively a little known album by Vitous, despite the fact that it is one of his most interesting recordings, mixing elements of Fusion and World Music. The superb team of international musicians, and especially the presence of Rimona Francis and Jaroslav Jakubovic, make it completely unique in Vitous’ recording legacy.
Overall, it is great to have this superb album on CD, and Weather Report fans should grab a copy instantly, before it disappears from the market like all other great reissues. I have no idea how I missed it till now?
| | Updated: 14/12/2023Posted: 14/12/2023 | CD 1 Recommend To A Friend |
  | MIROSLAV VITOUS ~ REMEMBERING WEATHER REPORT
ECM 2073 (Barcode: 602517881372) ~ CZECHOSLOVAKIA ~ Jazz
Recorded: 2006 - 2007 Released: 2009
Czech bassist / composer Miroslav VitousFind albums by this artist was a founding member of the seminal group Weather ReportFind albums by this artist and played on their first 3 studio albums and the live album recorded in Japan. The idea of Weather Report was to search for a new direction in the rapidly changing Jazz scene at the time, which was initiated by the revolutionary artistry of Miles DavisFind albums by this artist. However, as we know in retrospect, Weather Report took a different turn than what Vitous had in mind when he co-founded the group, turning gradually more and more into the leading Fusion and Funk group of the 1970s / 1980s, rather than exploring the realms of free improvisation and spontaneity. Thirty years later Vitous takes a somewhat nostalgic trip back to his Weather Report days, proposing a "what if…" scenario, i.e. presenting music, which might have been played by the band if he stayed on. Played by his quartet with veteran Swiss trumpeter Franco AmbrosettiFind albums by this artist, saxophonist Gary CampbellFind albums by this artist and drummer Gerald CleaverFind albums by this artist, Vitous also adds the veteran French Master – Michel PortalFind albums by this artist, who plays bass clarinet. Together they perform some superb music, mostly written by Vitous except for one piece by Ornette ColemanFind albums by this artist, which is pretty open and free but retains enough rhythmic and melodic backbone to be enjoyable even to less ear-trained listeners. Wholeheartedly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | MIROSLAV VITOUS ~ UNIVERSAL SYNCOPATIONS
ECM 1863 (Barcode: 044003850620) ~ USA ~ Jazz
Recorded: 2003 Released: 2003
Soon after his arrival in the US from his native Czechoslovakia, bassist / composer Miroslav VitousFind albums by this artist became one of the central figures in the vortex of Jazz activity in the late 1960s / early 1970s with the emergence of American Fusion. Over the years Vitous played with all the great Masters, both in the US and in Europe and this recording by the super-group quintet proves his status as a member of the Jazz elite. Saxophonist Jan GarbarekFind albums by this artist, pianist Chick CoreaFind albums by this artist, guitarist John McLaughlinFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist combine forces with Vitous, performing nine of his original compositions, two of which were co-composed with Garbarek and one with DeJohnette. On three of these compositions the quintet is expanded to an octet, with the addition of three brass players. The result is a mixture of modern Jazz and occasional Fusion experiments, with plenty of space for the individual players to improvise. The level of musicianship is of course staggering and the overall result should please most listeners of contemporary Jazz. Warmly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | MIROSLAV VITOUS ~ UNIVERSAL SYNCOPATIONS II
ECM 2013 (Barcode: 602517183575) ~ CZECHOSLOVAKIA ~ Jazz-Classical Fusion
Recorded: 2004 - 2005 Released: 2007
This album, subtitled "Music for ensemble, orchestra and choir", is the second project by Czech virtuoso bassist / composer Miroslav VitousFind albums by this artist recorded at the Universal Syncopation Studios in Italy, hence the title. However, the music is quite different from what the previous album offers, being much more contemporary Classical inclined, as well as using certain World Music elements, all pre-composed and arranged. The cast consists of nine musicians playing in defferent settings, with saxophonists Bob MintzerFind albums by this artist, Gary CampbellFind albums by this artist and Bob MalachFind albums by this artist, trumpeter Randy BreckerFind albums by this artist, bandoneón player Daniele Di BonaventuraFind albums by this artist, singer Vesna Vasko-CaceresFind albums by this artist, drummers Gerald CleaverFind albums by this artist and Adam NussbaumFind albums by this artist and Vitous on bass. Serious music lovers will find this very interesting for sure, and I recommend some intense listening here, but all well rewarded. Warmly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | WEATHER REPORT ~ I SING THE BODY ELECTRIC
COLUMBIA 512897 (Barcode: 5099751289722) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 - 1972 Released: 1997
2nd album by the first jazz super group Weather ReportFind albums by this artist, formed by ex-Miles DavisFind albums by this artist group members Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (sax) and the Czech bass virtuoso Miroslav VitousFind albums by this artist. Vitous was asked to join the Miles Davis group in 1970, but for various reasons this didn’t work out. Instead he approached two of the group members and proposed to form a new group, which would continue the revolutionary new direction Miles was following (later to be named Jazz-Rock Fusion) and expand it into new territory. Zawinul and Shorter, both being at a crossroads at the time after leaving the ensembles they played in, agreed and Weather Report was born. Following the release of their eponymous album in 1971 the group embarked on several European and Japanese tours. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which a legendary album called Live In TokyoFind albums with this title was recorded on January 13, 1972. The live album was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of I Sing The Body ElectricFind albums with this title, in addition to the a.m. November studio recordings on side A. As usual with WR, personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Zawinul using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles Davis In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions. On the studio sessions WR used several guest musicians, notably the superb guitarist Ralph TownerFind albums by this artist (from OregonFind albums by this artist) on the classically influenced piece called The Moors and an extended brass session and vocals on the ominous anti-war piece called Unknown Soldier (remember the Doors?). This album is a timeless masterpiece and a cornerstone of Jazz (in general) and Fusion (in particular), providing a wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971
GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| | Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN TOKYO
COLUMBIA 489208 (Barcode: 5099748920829) ~ USA ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2001
Following the release of their eponymous album in 1971 and in spite of the hype and show-biz brouhaha created by ColumbiaFind albums on this label at the time, which presented Weather ReportFind albums by this artist as the first ever jazz super group (a term already used in reference to rock acts), the band found it difficult to secure any US venues to perform live. Europe and Japan of course couldn’t get enough of them and WR spent most of 1971 performing there in front of ecstatic audiences. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which this legendary album was recorded on January 13, 1972. The music was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of the 2nd official WR album I Sing The Body ElectricFind albums with this title, which included the a.m. November studio recordings as side A – all this probably due to the fact that Columbia was anxious to have the next WR album out ASAP and didn’t want to wait for the more studio recordings. So much for the background and now for the music. As usual with WR, the personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Joe ZawinulFind albums by this artist using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles DavisFind albums by this artist´ In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, with the intensity equal to the legendary Miles’ Fillmore concerts. The music is presented in a form of four extended medleys (the longest of which lasts for over 26 minutes), mixing expanded versions of compositions present on the debut album with those recorded during the a.m. November sessions and yet others that appear only here. The group improvisations and the telepathic interplay are fearfully intense. Miroslav VitousFind albums by this artist bravely provides the steady pulsation, which cements the basis on which his companions embark into their sonic ventures. Gravatt is all over the rhythmic patterns and Romao brilliantly fills the spaces. WR strength was always in their live performances, since their studio efforts somehow lacked much of the spontaneity, drive, inspiration and vigor present on stage. This recording, in addition to its heavenly contents, has also a tremendous historic value, as it is the only one in existence documenting the early (and to many the most interesting) stage of the band. It also provides the wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music, during the convoluted period where all boundaries seemed to be irrelevant and the unexpected was expected. There would be very few moments in the years that followed that either WR or any other band for that matter would reach the same level of creative genius or performance intensity. Absolutely essential!
| | | CD 2 Essential Recommend To A Friend |
  | WEATHER REPORT ~ THE COLUMBIA ALBUMS 1971-1975
SONY 886919934229 (Barcode: 886919934229) ~ USA ~ Jazz-Rock-World Fusion
Recorded: 1971 - 1975 Released: 2012
It is almost impossible to imagine contemporary music in general and Jazz in particular without the contribution made by Weather ReportFind albums by this artist, one of the most eminent, pioneering and revolutionary ensembles that ever existed. In the decade and a half that the band recorded and performed music together, they managed to set an example to entire generations of musicians, changing the face of music as we know it.
From day one Weather Report was different. Although it is considered an American band, in fact it included at any given time of its existence more members that were not American-born than those that were. They band´s basic concept was different from everything that was a standard at the time and put forward collective improvisation and multicultural musical approach rather than the standard theme followed by individual solos approach. Also the band kept constantly evolving, frequently changing lineups, styles and sound, totally unpredictable and free of any conventions.
Weather Report was formed by two musical friends, who knew each other for quite a while before their individual careers allowed them to join forces and make music together. Austrian-born keyboardist / composer Joe ZawinulFind albums by this artist and American saxophonist / composer Wayne ShorterFind albums by this artist had both paid their dues in top Jazz ensembles of the 1960s, most importantly both playing in the Miles DavisFind albums by this artist revolutionary ensemble of the "Bitches BrewFind albums with this title" period. Joined by the Czech-born bassist / composer Miroslav VitousFind albums by this artist, the original band was born, with American drummer Alphonse MouzonFind albums by this artist and Brazilian-born percussionist Airto MoreiraFind albums by this artist. The double drums / percussion team would be kept throughout the entire history of the band, with just one brief period when the lineup was just a quartet.
During the first five years of its existence Weather Report recorded six albums, including the live double LP, which was initially only released in Japan, all of which are included in this magnificent Box Set. The bonus tracks are taken from the two compilation albums: "Forecast: TomorrowFind albums with this title" and "Live And UnreleasedFind albums with this title", which were released in the 2000s. Vitous left the band at the end of this period, playing only on one track of the last album in this Box Set, which marked the end of the first phase of the band, which would soon enter a new phase when Jaco Pastorius joined Weather Report, a phase which is documented by the other Box Set of Weather Report albums called "The Columbia Albums 1976-1982Find albums with this title".
This Box Set is not only a holy grail of contemporary music, but also a sublime document of the music itself going through a perpetual change and transition. It is beyond recommendation, as its place on the pedestal of contemporary canon was already established long before these lines were written. Essential stuff!
| | Updated: 26/01/2019Posted: | CD 7 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | WEATHER REPORT ~ WEATHER REPORT
COLUMBIA 468212 (Barcode: 5099746821227) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 1991
1st album by Weather ReportFind albums by this artist, the greatest Fusion band ever, and a pivotal recording, which would change the face of music for generations to come. The core members of Weather Report were Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (saxophones), two prominent members of the 1960s Miles DavisFind albums by this artist ensembles, and a young Czech bass player Miroslav VitousFind albums by this artist (who played with Davis for a brief period of time only). Vitous arrived in the US in 1966 on a Berklee scholarship (like Zawinul almost a decade earlier) but soon after left the school to explore the soaring jazz scene in NY, where he played with Chick CoreaFind albums by this artist, Herbie MannFind albums by this artist, Stan GetzFind albums by this artist and many others. After meeting Zawinul and Shorter the decision was made to start a new group, which would continue the direction set by Davis on his historic In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, based on a collaborative / group improvisation (Davis was moving in the meantime into a more funk oriented period). To complete the group they drafted another ex-Davis musician, the Brazilian percussionist Airto MoreiraFind albums by this artist and a young drummer Alphonse MouzonFind albums by this artist. The debut album, recorded soon after the band was formed, reveals with full force the extraordinary rapport the members of the group established immediately, transcending their individual personalities. The music is mostly atmospheric, free form and with subtle melody lines, mostly concealed beneath the improvisations. Thus began a journey, which lasted for over 15 years, which would place Weather Report on the forefront on contemporary music and create a model followed by countless jazz and fusion musicians all over the world to this very day. Although the group would undergo multiple personnel changes and stylistic swings, their innovative, groundbreaking and often prophetic leadership would remain unchallenged. In retrospect it’s interesting to see that something, which is considered a core of American culture, was in fact created by a group in which American born musicians were in fact a minority, with Zawinul and Vitous coming from Europe and Moreira from Brazil. It can be also considered as foretelling, since future Weather Report would be one of the first bands to include World Music elements into fusion. This is monumental stuff, absolutely essential listening and a historical document of great importance.
| | | CD 1 Remastered Essential Recommend To A Friend |
  | JOE ZAWINUL ~ ZAWINUL
ATLANTIC 81375 (Barcode: 075678137525) ~ AUSTRIA ~ Jazz-Rock Fusion
Recorded: 1970 Released: 1994
This sadly overlooked and almost forgotten masterpiece by Joe ZawinulFind albums by this artist is one of the most pivotal recordings of the emerging Jazz-Rock Fusion movement. Following Zawinul’s stint with Miles DavisFind albums by this artist (with whom he recorded the timeless masterpiece In A Silent WayFind albums with this title), he was looking for a new environment to express his unique music vision, which combined his European classical music heritage and the American jazz tradition, spiced by the funky and rock rhythmic patterns. His vision was to be realized soon, when the greatest Fusion group of all times – Weather ReportFind albums by this artist – was formed just weeks after this album was recorded.
In fact this album could (or rather should) be considered the first Weather Report album for several reasons: two soon to be Weather Report founding members – Miroslav VitousFind albums by this artist (bass) and Wayne ShorterFind albums by this artist (saxophone) take part in these sessions and the musical direction of the future group is basically all present here already. The main difference is that Zawinul decided to invite his ex-Davis partner Herbie Hancock to play along with him on this album, making it a double keyboards affair. The effect of two exceptional keyboards players soloing in tandem and in parallel creates a magic atmosphere, reminiscent of course of the Davis recordings. Other prominent musicians taking part in these sessions include the great Wood ShawFind albums by this artist on trumpet, Walter BookerFind albums by this artist on bass, Joe ChambersFind albums by this artist and Billy HartFind albums by this artist on drums, etc.
All the performances are of course absolutely brilliant, with Vitous contributing some superb bow solos, which compliment the music perfectly. I have no idea why this album is not given its proper importance as a true classic, but in my book this is an absolutely essential piece of music.
| | Updated: 31/08/2021Posted: | CD 1 Essential Recommend To A Friend |
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