Record Reviews
18 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | AZIMUTH ~ AZIMUTH / THE TOUCHSTONE / DEPART
ECM 1546/48 (Barcode: 731452301024) ~ UK ~ Jazz
Recorded: 1977 - 1979 Released: 1994
This wonderful Box Set contains the first three albums by the superb British trio AzimuthFind albums by this artist, which consists of three Jazz icons: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, recorded in the 1970s and released on the ECMFind albums on this label label, which are "AzimuthFind albums with this title" (ECM 1099) recorded in 1977, "The TouchstoneFind albums with this title" (ECM 1130) recorded in 1978 and "DepartFind albums with this title" (ECM 1163) recorded in 1979. On the last album the trio is expanded to a quartet with the participation of the US guitar virtuoso Ralph TownerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended!
Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form.
Visitors' Comments
Christopher Brice
It´s a pleasure to be able to fill in the "back story" to the relatively recent Azimuth albums - thanks to ECM and of course to Adam!
| | Updated: 26/01/2019Posted: | CD 3 Box Set Recommend To A Friend |
  | MARIA PIA DE VITO ~ NEL RESPIRO
PROVOCATEUR 1031 (Barcode: 5038491103127) ~ ITALY ~ Jazz
Recorded: 2001 - 2002 Released: 2002
Following her brilliant album “VersoFind albums with this title”, recorded a couple of years earlier, Italian Jazz singer Maria Pia De VitoFind albums by this artist returns with her second album on the splendid ProvocateurFind albums on this label label, and her sixth consecutive album. Her two faithful companions on the previous album: British pianist John TaylorFind albums by this artist and US guitarist Ralph TownerFind albums by this artist are back with her again, but this time the instrumental ensemble is expanded to a quartet with the participation of legendary US bassist Steve SwallowFind albums by this artist and French drummer / percussionist Patrice HeralFind albums by this artist.
The music, composed by De Vito, Taylor, Towner and Swallow, is beautifully minimalist and quite complex, providing an ideal vehicle for the singer’s vocal explorations. She uses lyrics and vocalese interchangeably, with a rare ability to sound perfectly right at each given moment. The written music is but a frame for hers and the musicians’ improvisations, which keep floating effortlessly. De Vito continues in her singing the modern European vocal Jazz tradition, initiated in the 1970s by singers like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist and Jeanne LeeFind albums by this artist (Vocal SummitFind albums by this artist), but of course this tradition is brought up-to-date and her personal input is dominant.
The album is a beautiful collection of highly sensitive, lyrical music, which captures the listener totally and requires his total dedication. Most importantly it keeps the process of exploration, as far as vocal Jazz is concerned, alive, rather than following the “easy” path of yet another attempt at vocal Jazz standards. Listening to this album one realizes that vocal Jazz is still alive and kicking, a relief indeed, and has a lot of fascinating innovations to offer. Don’t even think twice!
| | Updated: 03/07/2020Posted: | CD 1 HDCD Recommend To A Friend |
  | MARIA PIA DE VITO / JOHN TAYLOR / RALPH TOWNER ~ VERSO
PROVOCATEUR 1023 (Barcode: 5038491102328) ~ ITALY ~ Jazz
Recorded: 2000 Released: 2000
Italian singer / composer / arranger Maria Pia De VitoFind albums by this artist, British pianist / composer John TaylorFind albums by this artist and American guitarist / composer Ralph TownerFind albums by this artist met by accident, but we all know that some of the best things in music (and not only in music) happen quite by accident. Born in Naples, De Vito is classically trained but spends most of her time on the Jazz scene, both locally in Italy and also all over Europe, performing and recording with some of the best Jazz musicians. This is her fifth album.
Taylor and Towner need no introduction; both with extensive careers behind them and both being among the most highly esteemed contemporary Jazz personalities. Together the trio presents everything that characterizes European Jazz: sophistication, subtlety, intelligence and lyricism.
The all-original music they perform was written by Taylor and Towner, with De Vito contributing lyrics to some of the tracks. She sings both lyrics and vocalese, with exceptionally clear voice and unique expressionism, which is both enchanting and captivating.
The music moves constantly between solo, duo and trio parts, changing moods and tempi. As much of contemporary European Jazz, the music fluctuates somewhere between Jazz and contemporary Classical, making the attempt to label it completely redundant. It is simply great music, which is performed with exquisite taste and virtuosity. Since the album is entirely acoustic, it is of course low-key and requires attentive listening to capture all the beautiful little details. The superb recording quality helps a lot in this case and listeners addicted to the “ECMFind albums on this label sound” will love this recording unconditionally. A must to all lovers of vocal Jazz and contemporary European Jazz.
| | Updated: 03/07/2020Posted: | CD 1 HDCD Recommend To A Friend |
  | ANDY MIDDLETON ~ NOMAD`S NOTEBOOK
INTUITION 3264 (Barcode: 750447326422) ~ USA ~ Jazz
Recorded: 1998 Released: 1999
This is the third album as a leader by American (resident in Vienna) saxophonist / composer Andy MiddletonFind albums by this artist recorded with a superb team of musicians including legendary American guitarist / pianist / composer Ralph TownerFind albums by this artist, no less legendary British bassist Dave HollandFind albums by this artist and American (resident in US and Germany) drummer Alan JonesFind albums by this artist. Three guest musicians play on selected tracks. The album presents nine tracks, five of which are original compositions by Middleton, one is his arrangement of two traditional melodies, and three are original compositions by Towner.
The music is modern Jazz with some World Music influences, stunningly performed by these world-class musicians. The superb compositions by Middleton and Towner, full of deeply melodic and highly aesthetic contents, allow individual members to solo extensively and produce a harmonious ensemble sound all around. The Word Music influences create as ambience of mystique and the album offers a truly wonderful musical journey.
For Towner and Holland followers, this album, probably unknown to most, is certainly worth seeking out, as it presents them both at their absolute best. Of course Middleton also plays wonderfully here and the album is still absolutely fresh, even though it was recorded over two decades ago.
On a personal note; I met Andy in person a few years ago and we have had opportunity to meet regularly since during an annual event, which in time developed into a friendship. It took me a while to get hold of this album, which is not an easy task, but apparently not an impossible one – so get hold of a copy as long as it is possible!
| | Updated: 14/06/2021Posted: 14/06/2021 | CD 1 Recommend To A Friend |
  | OREGON ~ 1974
MOOSICUS 1218 (Barcode: 885513121820) ~ USA ~ Jazz-World Fusion
Recorded: 1974 Released: 2021
This is an archival live album by the legendary American quartet OregonFind albums by this artist, recorded in Germany by Radio Bremen. It presents the original lineup of the quartet with guitarist Ralph TownerFind albums by this artist, oboe and English horn player Paul McCandlessFind albums by this artist, bassist Glen MooreFind albums by this artist and percussionist / sitar player Collin WalcottFind albums by this artist. The 2CD album presents nine tracks, all composed by Towner, most of which are well over ten minutes in duration.
Oregon were undoubtedly one of the most eclectic, unique and revolutionary cross-genre American ensembles, which managed to combine Jazz improvisations with World Music, strongly influenced by Indian music, Classical Music, Avant-Garde and New Age and even Psychedelic and Space elements. The four members of the band were virtuosi on their respective instruments and their collective performances, which I managed to hear in person many times over the years, were simply magical.
Not surprisingly, Oregon achieved acclaim and Artistic recognition predominantly in Europe, where they toured extensively. Following the early years spent with VanguardFind albums on this label Records in the US, they later released their albums on several European labels, including ECMFind albums on this label, IntuitionFind albums on this label and CAM JazzFind albums on this label. The members of Oregon recorded and performed also as solo artists and members of other ensembles.
The music on this album is a wonderful document of the early period of Oregon, and offers a relaxed environment, which inspires the musicians to improvise intensively and extensively on the beautiful themes, which is much different to the same music appearing on the early studio albums. For Jazz-World Fusion enthusiasts this is some of the finest and most sophisticated embodiment of the genre. The enthusiastic audience seems to be well aware of the greatness of the hour.
Overall, this is a superb document of the Artistry represented by one of the finest American Jazz-World Fusion ensembles ever, captured in an ideal aura created by attentive and enthusiastic audience. For the many Oregon followers, this is an absolute must and a true revelation.
| | Updated: 27/12/2022Posted: 27/12/2022 | CD 2 Digipak Recommend To A Friend |
  | OREGON ~ VIOLIN
WOUNDED BIRD 9397 (Barcode: 664140939721) ~ USA ~ Jazz-World Fusion
Recorded: 1977 Released: 2019
This is a reissue of an album by the American ensemble OregonFind albums by this artist, which comprised of oboist Paul McCandlessFind albums by this artist, guitarist Ralph TownerFind albums by this artist, bassist Glen MooreFind albums by this artist and percussionist Collin WalcottFind albums by this artist, with legendary Polish Jazz violinist Zbigniew SeifertFind albums by this artist. The album presents five tracks, the first of which is a collective improvisation, three are compositions by Towner and one is a composition by Moore.
Oregon, formed in 1970 by the above listed four founding musicians and still existing today (2019), has always been one of the most outstanding, open-minded and pioneering American music ensembles, characterized by its consistent search and exploration of new musical paths, which encompass Improvised Music, Jazz, World Music and Avant-Garde elements. The group enjoyed more appreciation in Europe than it ever did in the US and recorded for several European record labels after the initial stint with Vanguard Records, on which this album was initially released in 1978.
An incidental meeting between the members of Oregon and Seifert, which happened in France, let to their invitation extended to him to record an album together in 1977. Later on, in late 1978, Seifert also took part in the recording of a solo album by Moore. Seifert died in February 1979, aged thirty two, as a result of loosing his battle with cancer, which was one of the greatest tragedies in the Polish Jazz history.
On the album´s artwork Seifert is listed simply as one of the ensemble members, which is also perfectly reflected by the music. He developed an incredible affinity to the Oregon musicians, and the music sounds as if they have been playing as an organic unit since many years. His incredible violin parts blend perfectly with the other instruments, in a truly spiritual sense, way beyond just pure musical connection.
In retrospect this album is an extremely important part of Seifert´s sadly limited recorded legacy and shows him in his absolute prime, when his personal style reached maturity and confidence. It is one of his latest recordings, followed only by his last album "PassionFind albums with this title" and the above mention recording with Moore.
It is great to see this monumental album back in circulation and although a more proper reissue accompanied by extended liner notes would have been welcome, at least the music can be heard again. Of course this is an essential part of any serious Polish Jazz record collection or any refined music collection in general. A must!
| | Updated: 24/12/2019Posted: 24/12/2019 | CD 1 Recommend To A Friend |
  | PRINTMAKERS ~ WESTERLY
BASHO 46 (Barcode: 832929004629) ~ UK ~ Jazz
Recorded: 2013 Released: 2015
This is a beautiful debut album by the British Jazz ensemble The PrintmakersFind albums by this artist, which comprises of top Jazz musicians spanning several generations: the wonderful vocalist / lyricist Norma WinstoneFind albums by this artist, pianist / composer Nikki IlesFind albums by this artist, saxophonist Mark LockheartFind albums by this artist, guitarist Mike WalkerFind albums by this artist, bassist Steve WattsFind albums by this artist and drummer James MaddrenFind albums by this artist. The album presents ten tunes, three of which were composed by Iles with lyrics by Winstone, two with music by Ralph TownerFind albums by this artist and lyrics by Winstone, one tune each composed by John TaylorFind albums by this artist and Iles, both without lyrics, a song by Steve SwallowFind albums by this artist and finally two are the ensemble´s interpretations of familiar Pop songs, one each by Paul SimonFind albums by this artist and Joni MitchellFind albums by this artist. The music was recorded live in a room of a country house and offers superb sound quality. The album is dedicated to the memory of the great Kenny WheelerFind albums by this artist.
The music is everything one might expect from this formidable lineup: superb vocals and excellent playing from start to finish, elegant, somewhat restrained and always exactly with the right dose of emotional involvement and professional musicality. There is an obvious affinity and respect between the participants and a harmonious teamwork, which truly pays off. On the two tunes that do not feature lyrics, Winstone performs her fabulous vocalese parts, which are her trademark since many years.
There is plenty of opportunity for great solo parts by Lockheart, Iles and Walker, and the rhythm section keeps the music flowing gently but precisely in time and in perfect harmony. Although the entire album is characterized by a relaxed, calm atmosphere, the music is rich and full of intrinsic vitality. Stylistically one might consider this to be "mainstream Jazz", but this music has absolutely nothing in common with the American version of mainstream Jazz, which of course is all for the best.
It is great to see Winstone active and at full power, as if for her time is standing absolutely still. Having enjoyed her work for five decades, I can say that her music making is a safe heaven of good taste and aesthetic excellence, one of a very few of such kind.
This album is relatively little known by Jazz connoisseurs, and therefore it is wholeheartedly recommended to all true music lovers and British Jazz enthusiasts to grab a copy as long as it is still in circulation.
| | Updated: 29/05/2018Posted: 29/05/2018 | CD 1 Digipak Recommend To A Friend |
  | MACIEK PYSZ ~ A JOURNEY
DOT TIME 9044 (Barcode: 604043904426) ~ POLAND ~ Jazz-World Fusion
Recorded: 2014 Released: 2015
This is the second album by Polish (resident in London) guitarist / composer Maciek PyszFind albums by this artist, recorded in a quartet setting with celebrated Italian bandoneónist / pianist Daniele di BonavenuraFind albums by this artist, Russian bassist Yuri GoloubevFind albums by this artist and Israeli drummer Asaf SirkisFind albums by this artist (also resident in London). The album presents twelve compositions, ten of which are originals by Pysz, one is an original co-composed with Italian guitarist Gianluca CoronaFind albums by this artist and one is composed by Ralph TownerFind albums by this artist. The music was recorded at the wonderful Artesuono Studio in Italy and engineered by Stefano AmerioFind albums by this artist with spectacular sound quality.
Pysz continues the path already established on his debut album, which presents him as a superb composer and a virtuoso guitar player, which in spite of his young age (born 1982) propels him directly to the very top of contemporary Jazz-World Fusion musicians. The beauty and depth of the compositions presented on this album as well as their extraordinary execution are simply marvelous.
The music, although obviously deeply personal, is at the same time completely universal, crossing melodic and rhythmic boundaries with ease and amalgamating the absolute best of the diverse Musical cultures from all over the world. Pysz has an ability to weave exquisite melodies, which in spite their sweetness manage to avoid completely even the slightest suspicion of cliché and kitsch. This is a very rare gift and he uses it exceptionally well.
The three musicians that accompany Pysz on his journey are all top professionals: di Bonavenura provides the perfect harmonic and melodic counterpart to the guitar parts and his melancholy and delicate lyricism are simply ideally suited to this music, Goloubev is one of the most sophisticated bassists in Europe, his sound is absolutely unique and his emotional intelligence is incomparable, and finally Sirkis, who grew "under my wings" at the early stages of his career, turned into one of the Master drummers of our times, playing very subtly on this album, but his sole solo spot here is such a classic of the trade that it should be studied by all drummers.
There is no doubt that this is an amazing album, full of musical beauty, aesthetic pleasure and extraordinary musicianship, an album that has only a very few equals among the numerous other albums released on a world scale. Blessed by the talent and the friendship of his fellow musicians Pysz gives the world a brilliant gift of music, which should leave not a soul untouched. Essential listening for Body and Soul!
| | | CD 1 Digipak Recommend To A Friend |
  | MACIEK PYSZ ~ INSIGHT
33 RECORDS 231 (Barcode: 5020883337319) ~ POLAND ~ Jazz-World Fusion
Recorded: 2013 Released: 2013
This is one of those unexpected pleasant surprises that arrive in my mail box from time to time, which are not only musical delights but also have a personal aspect, closing one of the infinite connections woven during my life as a Jazz activist. Maciek PyszFind albums by this artist is a Polish guitarist / composer resident in London since 2003 and is considered as one of the most interesting upcoming players on the scene. His cohorts are Russian bassist Yuri GoloubevFind albums by this artist, a classically trained player living now in Milan, and Israeli drummer Asaf SirkisFind albums by this artist, also resident in London, considered as one of the best players around. Of course Sirkis is one of the many "kids on the block" that grew up under my wings and received their first recording opportunity on my record label, hence I consider him as one of my "musical children" spread all over the world.
The trio performs nine original compositions, all by Pysz (one co-composed with the Italian guitarist Gianluca CoronaFind albums by this artist), who was also in charge of the exquisite arrangements. The music is a wonderful amalgam of influences mixing Jazzy improvisations with multicultural backgrounds including Gypsy, Flamenco, Latin and Brazilian folklore and European Classical music. Rhythmic influences also touch upon Middle Eastern pulsations. Together these elements are wonderfully interwoven, producing a completely unique musical identity, which belongs to the guitar based Jazz-World Fusion universe pioneered by such luminaries as Al Di MeolaFind albums by this artist, Ralph TownerFind albums by this artist or John McLaughlinFind albums by this artist, among others. Without any exaggeration, this music is every bit as good as the music created by these great Masters.
But the excellent compositions and arrangements are also accompanied by superb performances. All three players are obvious virtuosi, each capable of astounding performance, and when combined are capable of truly wondrous music making. Pysz has a superb technique but even more so a deep feeling. The acoustic / classical guitar laughs and weeps, switches between cheerful lightheadedness and moody melancholy. The single notes and the chords are always in harmonious relation to each other and to the two other musicians. Goloubev is already quite famous as a classical player, but his performances here show that his feel and respect for Jazz are of no lesser magnitude. Sirkis, who "holds his horses" and intelligently fits his percussive magic to the delicate acoustic surroundings, simply binds the entire musical experience into a complete and perfect artistic message.
As if all the above was not enough, the album is also superbly recorded, with an astonishing sonic ambience and dynamics of the highest quality, which turns the experience of listening to the music into a true delight. This is obviously "guitar heaven" for guitar buffs, but any true music connoisseur should find this album extraordinary in every sense. Wholeheartedly recommended!
| | | CD 1 Digipak Recommend To A Friend |
  | TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE
JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz
Recorded: 1980 - 1983 Released: 2023
This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist.
Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is.
The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured.
The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s.
Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness.
Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!
| | Updated: 12/03/2023Posted: 12/03/2023 | CD 2 Digipak Remastered Recommend To A Friend |
  | RALPH TOWNER ~ SOLSTICE
ECM 1060 (Barcode: 602517758575) ~ USA ~ Jazz-World Fusion
Recorded: 1974 Released: 2008
This is a reissue of the 3rd solo album by American guitarist / pianist / composer Ralph TownerFind albums by this artist, recorded in a quartet setting with European musicians: Norwegian saxophonist Jan GarbarekFind albums by this artist, German bassist Eberhard WeberFind albums by this artist and Norwegian drummer Jon ChristensenFind albums by this artist. The album presents eight tracks, seven composed by Towner and one by Weber. The music was recorded at the legendary Arne BendiksenFind albums by this artist Studio in Oslo, often called the birthplace of ECMFind albums on this label, with Jan Erik KongshaugFind albums by this artist presiding behind the console. Kongshaug was the manager and chief sound engineer of the studio between 1967 and 1974, and he is the creator of the iconic “ECM sound” of the early ECM releases.
The music is absolutely magnificent, a sophisticated mixture of influences from different World Music traditions, Scandinavian melancholy and Jazz improvisation, exquisitely performed by these Master musicians. In parallel to his solo recordings, Towner was of course a member of the legendary OregonFind albums by this artist quartet, which created music somewhat similar to what can be heard here, but the European / Nordic influences are much stronger on this album, taking the music into another “orbit”.
Recorded in December of 1974 (50 years ago!), this music is light-years ahead of its time, and reflects the enormous influence that the early ECM albums had both on European and much later also on American Jazz. The incredible freedom the musicians were allowed to pursue, unrestricted by any commercial considerations, created an atmosphere of unlimited creativity, experimentation and milestone development of contemporary music, which lasted for a couple of decades, making a lasting impact, and which ripples can be felt even today.
Towner’s extensive recorded legacy, which spans well over fifty albums as leader and sideman, is a treasure trove of brilliant music and his integrity and immense talent never failed him over the years. I feel privileged for having the opportunity to meet him in person and even having him as a guest in my home.
Overall, this is an absolutely everlasting gem of an album, which stands as a beacon of the early ECM recordings, full of brilliant and touching music, counting every second of its duration. It should be a part of every decent album collection, reaching far beyond any genre classification – it is simply Godly music.
| | Updated: 17/01/2025Posted: 17/01/2025 | CD 1 Mini-Sleeve Essential Recommend To A Friend |
  | RALPH TOWNER / GARY BURTON ~ MATCHBOOK
ECM 1056 (Barcode: 602567434825) ~ USA ~ Jazz
Recorded: 1974 Released: 2019
This is a reissue of the 1st duo album by American Jazz legends guitarist / composer Ralph TownerFind albums by this artist and vibraphonist / composer Gary BurtonFind albums by this artist. The album presents nine tracks, six composed by Towner, one by Burton and two are standards. The album was recorded at the legendary Studio Bauer in Ludwigsburg, Germany, by the prominent recording engineer Martin WielandFind albums by this artist, who was in charge of recording a large part of the early albums by the ECMFind albums on this label label.
The music reflects perfectly the spirit of the early ECM recordings, on which the music, even when recorded by American musicians, had a distinct European aesthetics and sound. Based mostly on Towner’s beautiful, but quite complex themes, the music allows both musicians to improvise extensively, without losing touch with the underlying melodic themes. Both Towner, with his ensemble OregonFind albums by this artist, and Burton with his various projects, left mainstream American Jazz at the early stages of their careers, exploring many different areas, like World Music, Fusion, Classical influences and other musical avenues, which made them distinct from most American Jazz musicians, and which made ECM to release their music.
The telepathic communication between these two musicians is phenomenal and this album immediately falls into the “Art of the Duo” category. Although seemingly arriving from distant musical backgrounds, their openness to each other ideas is stunning and allows them to create dense and complex dialogues, which sound coherent and accessible despite their complexity.
Overall, this is a brilliant example of the new wave of music introduced by the ECM label at the first decade of its existence, which revolutionized Jazz (and beyond) in every possible aspect, and moved the epicenter of Jazz development across the pond. These two virtuosi are at their prime and this music is absolutely timeless, making this album a classic deserving an honorable place in every serious music collection.
| | Updated: 23/08/2024Posted: 23/08/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | VARIOUS ARTISTS ~ COME TOGETHER-GUITAR TRIBUTE TO THE BEATLES VOL.1
NYC 6004 ~ USA ~ Jazz
The music of the Beatles is often an ispiration for Jazz artists, and this tribute album features some of the best guitar players ever, just read the names and drool: Mark WhitfieldFind albums by this artist, Toninho HortaFind albums by this artist, Ralph TownerFind albums by this artist, Steve KhanFind albums by this artist, Zachary BreauxFind albums by this artist, Adrian BelewFind albums by this artist, John AbercrombieFind albums by this artist, Allan HoldsworthFind albums by this artist, Leni SternFind albums by this artist & Larry CoryellFind albums by this artist.
| | Updated: 09/11/2024Posted: | CD 1 Recommend To A Friend |
  | WEATHER REPORT ~ I SING THE BODY ELECTRIC
COLUMBIA 512897 (Barcode: 5099751289722) ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 - 1972 Released: 1997
2nd album by the first jazz super group Weather ReportFind albums by this artist, formed by ex-Miles DavisFind albums by this artist group members Joe ZawinulFind albums by this artist (keyboards) and Wayne ShorterFind albums by this artist (sax) and the Czech bass virtuoso Miroslav VitousFind albums by this artist. Vitous was asked to join the Miles Davis group in 1970, but for various reasons this didn’t work out. Instead he approached two of the group members and proposed to form a new group, which would continue the revolutionary new direction Miles was following (later to be named Jazz-Rock Fusion) and expand it into new territory. Zawinul and Shorter, both being at a crossroads at the time after leaving the ensembles they played in, agreed and Weather Report was born. Following the release of their eponymous album in 1971 the group embarked on several European and Japanese tours. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which a legendary album called Live In TokyoFind albums with this title was recorded on January 13, 1972. The live album was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of I Sing The Body ElectricFind albums with this title, in addition to the a.m. November studio recordings on side A. As usual with WR, personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Zawinul using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles Davis In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions. On the studio sessions WR used several guest musicians, notably the superb guitarist Ralph TownerFind albums by this artist (from OregonFind albums by this artist) on the classically influenced piece called The Moors and an extended brass session and vocals on the ominous anti-war piece called Unknown Soldier (remember the Doors?). This album is a timeless masterpiece and a cornerstone of Jazz (in general) and Fusion (in particular), providing a wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music. Absolutely essential!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | NORMA WINSTONE ~ DANCE WITHOUT ANSWER
ECM 2333 (Barcode: 602537430475) ~ UK ~ Jazz
Recorded: 2012 Released: 2013
This is the fourth (third on the ECMFind albums on this label label) album by British Jazz diva vocalist / lyricist Norma WinstoneFind albums by this artist recorded in a trio format with Italian pianist Glauco VenierFind albums by this artist and German saxophonist / clarinetist Klaus GesingFind albums by this artist. The album presents Winstone´s interpretations of thirteen songs; three of these songs are original compositions by Gesing with lyrics by Winstone, two others are compositions by Tomas MendezFind albums by this artist and Ralph TownerFind albums by this artist again with lyrics by Winstone, two are original compositions by Venier and the rest are Pop songs, including one song from MadonnaFind albums by this artist´s repertoire, which all get the special Winstone treatment.
As usual with these trio albums, the music is an expression of intimacy and subtlety, full of wonderful dialogues and trialogues between Winstone and her cohorts, always deeply respectful and sympathetic; an obvious labor of love and mutual understanding. The music is stripped to the bare essence, both harmonically and melodically, leaving just Winstone vocal acrobatics and instrumental ornamentation. It is obviously a "less is more" statement, and in this case the more is an understatement.
Winstone is not only a great vocalist, but also a Master of delivery and weaver of theatrical tension and aesthetic magnificence. Although seemingly simplistic, her vocal delivery is in fact deeply complex, which thanks to her total control of her vocal abilities appears to be simple to the listener.
Contrary to the minimalist approach, the music this trio creates is complete in every way. Just the voice and two instruments are able to create a coherent and perfectly woven tapestry of sound, which says everything it is meant to say. It is especially evident in the interpretations of the Pop songs, which many listeners might be familiar with in their original versions, and which sound here more convincing and striking even when stripped from the heavy arrangements and instrumental background, which often hides the essence rather that reveals it.
This album is another milestone in Winstone´s long and accomplished career, finding her in full command of her vocal and aesthetic capabilities. An obvious must have to the many Winstone faithful fans; this album is also an excellent window of opportunity to notice her exquisite Art, for those who have not discovered her yet. As usual, thank you Milady for being there, singing and most of all being yourself!
| | Updated: 28/05/2018Posted: 28/05/2018 | CD 1 Slipcase Recommend To A Friend |
  | NORMA WINSTONE & JOHN TAYLOR ~ IN CONCERT
ENODOC 005 (Barcode: 5036614000049) ~ UK ~ Jazz
Recorded: 1988 Released: 2018
This is a reissue of an album by the British Jazz "royal couple" vocalist Norma WinstoneFind albums by this artist and pianist John TaylorFind albums by this artist, released originally only on cassette. The album was recorded live at the Guildhall School of Music in London and presents eight tracks, three of which are standards (one is a medley of two songs), four are compositions by Steve SwallowFind albums by this artist, Egberto GismontiFind albums by this artist and Ralph TownerFind albums by this artist (two) to which Winstone wrote words or vocal parts, and one is a composition by Taylor featuring Winstone´s breathtaking vocalese extravaganza. The album offers a wonderfully natural sound quality.
This intimate duo setting is perhaps the best "real time" document of the decades-long musical cooperation of the couple and an archetypical example of the vocals / piano "Art of the Duo" idiom, as well as an embodiment of the British Jazz spirit, which these two marvelous musicians have always personified.
The individual performances by Winstone and Taylor are of course stellar, as expected. She is perfect both as a singer of lyrics and improviser using vocalese, and her divine sense of melody and rhythm are a class of its own. He touches the keyboards with precision and wonderful dynamics, and above all with incomparable elegance and fluidity.
But it is the amalgam of the creative flow created by these two personas which is simply unstoppable, resulting in an effect way beyond the sum of the individual contributions. The telepathic communication and emotional unity of the couple is absolutely astounding, serving as a timeless example of the effectiveness of the "less is more" principle.
I can hardly think of an album that deserves the "classic" status more than this one. A hidden gem that listeners had to wait for thirty years to be able to enjoy, is finally here and offers sixty minutes of pure musical delight and an essential piece of British Jazz legacy.
British Jazz fans and all true music lovers around the globe should find this irresistible and one can hope this music will reach a much wider audience than at the time of its original release. Beyond essential!
| | Updated: 09/04/2020Posted: 09/04/2020 | CD 1 Digipak Essential Recommend To A Friend |
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