Record Reviews
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  | COLOSSEUM II ~ STRANGE NEW FLESH (EXPANDED EDITION)
CASTLE 1188 (Barcode: 5050749411884) ~ UK ~ Progressive Rock
Recorded: 1975 Released: 2005
1st album by the second incarnation of ColosseumFind albums by this artist. After the original band disbanded in 1971, leader and drummer Jon HisemanFind albums by this artist formed TempestFind albums by this artist (which recorded two splendid albums) and in 1974 formed the new Colosseum with guitar hero Gary MooreFind albums by this artist. The new band had a much “harder” sound than the original band, but still played a mixture of Jazz-Rock, which by that time was already called Fusion. The band also included the excellent keyboards player Don AireyFind albums by this artist and bassist Neil MurrayFind albums by this artist (GilgameshFind albums by this artist) as well as Mike StarrsFind albums by this artist on lead vocals. The combination of five first class musicians produced a band that could play anything between Fusion and Prog with ease and elegance, as this album proves. Although received coldly by the fans of the original Colosseum (probably due to the different sound and the fact that the strong presence of Blues elements was replaced with Rock elements), this is an excellent album in every respect and in retrospect surely deserves much more attention that it did originally. This beautiful new edition almost triples the playing time of the original album by an hour of studio material and a BBC live concert recorded in 1976, all previously unreleased. Highly recommended.
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  | GILGAMESH ~ ANOTHER FINE TUNE YOU`VE GOT ME INTO
ESOTERIC 2126 (Barcode: 5013929722620) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 2009
2nd album by the wonderful Canterbury scene iconic ensemble GilgameshFind albums by this artist, founded by keyboardist Alan GowenFind albums by this artist in 1972. Over the years the ensemble operated under a revolving door policy with lineup changes as frequent as gigging opportunities and the musicians changing places between groups like Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist, Soft HeapFind albums by this artist and other lesser known outfits. The list of ex-Gilgamesh members reads like a crème de la crème of the Canterbury Jazz / Rock scene. By 1975 the group managed to record their debut album for the VirginFind albums on this label´s esoteric imprint CarolineFind albums on this label, only to splinter again soon after. Three years later Gowen re-assembled a new lineup of Gilgamesh and recorded this album, which unfortunately was to be their last, with Gowen dying of leukemia in 1981 at the age of just 33. The players on this album are Gowen on keyboards, original Gilgamesh member guitarist Phil LeeFind albums by this artist, bassist Hugh HopperFind albums by this artist and veteran Jazz drummer Trevor TomkinsFind albums by this artist. The music, written almost entirely by Gowen, is typical Canterbury mix of Jazz and some Rock influences, with extended improvisations and brilliant performances from start to finish. Gowen´s brilliant compositions remain unmatched and unchallenged in their harmonic beauty and sophistication. This is classic Canterbury stuff and it retains its vitality and importance with no signs of getting outdated. A must to any Canterbury or British Jazz-Rock enthusiast!
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  | HUGH HOPPER ~ HOPPER TRINITY BOX
CUNEIFORM 240 (Barcode: 045775024028) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2007
2nd album by Hugh HopperFind albums by this artist (and the first release after he left Soft MachineFind albums by this artist), released originally on the tiny Norwegian Compendium label (same label that originally released Henry CowFind albums by this artist’s ConcertsFind albums with this title and other weird but wonderful music). Musically the album belongs very strongly to the Soft Machine experimental Jazz-Rock of the ThirdFind albums by this artist, FourthFind albums with this title, FiveFind albums with this title & SixFind albums by this artist period (when Hopper was still a member of the group). Hopper enlisted eight great musicians (Mark CharigFind albums by this artist, Elton DeanFind albums by this artist, Dave StewartFind albums by this artist, Gary WindoFind albums by this artist and others), all members of the flourishing Canterbury scene and UK Jazz circles (members in groups like Brotherhood Of BreathFind albums by this artist, GilgameshFind albums by this artist, Hatfield And The NorthFind albums by this artist, IsotopeFind albums by this artist, Keith TippettFind albums by this artist Sextet, etc), who make up the duos, trios, quartets and quintets that play on this album. He wrote all the music, except one track, which was composed by Ornette ColemanFind albums by this artist. This album is considered Hopper’s most consistent release ever and sounds as fresh today as when it was first recorded. For all Canterbury scene and SM fans this is an absolute must and it’s a great joy to see this album available again. Brilliant stuff!
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  | HUGH HOPPER ~ JAZZLOOPS / THE STOLEN HOUR
EXPLORE RIGHTS MANAGEMENT 029 (Barcode: 5060105499616) ~ UK ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2001 - 2004 Released: 2023
This is a reissue / remaster of two albums by the iconic British Jazz / Fusion / Prog / Avant-Garde bassist / multi-instrumentalist / composer Hugh HopperFind albums by this artist. Recorded between 2001 and 2004 the albums present collaborations with many invited musicians, like saxophonists Elton DeanFind albums by this artist, Didier MalherbeFind albums by this artist and Simon PicardFind albums by this artist, vocalist / pianist Robert WyattFind albums by this artist, drummers Pip PyleFind albums by this artist, John MarshallFind albums by this artist and many other musicians. “JazzloopsFind albums with this title” presents eleven tracks and “The Stolen HourFind albums with this title” twelve tracks, all originals by Hopper.
The music is mostly Free-Jazz / Improvised Music oriented, but based on steady hypnotic loops and monotonic rhythms, and kept in an Ambient / Industrial mood, creating a highly unusual atmosphere and a drone-like feel. The contrast between the saxophone improvisations and the rhythmic background offer a magic effect, which takes a while to get into, but keeps the listener in constant state of sonic intoxication.
Hopper, who was the omnipresent hero of the Canterbury scene and played in dozens different groups, like Soft MachineFind albums by this artist, IsotopeFind albums by this artist, GilgameshFind albums by this artist, Soft HeapFind albums by this artist and many others and recorded a long list of legendary albums, was also an avid Jazz musician and played with the best British Jazz musicians over the years.
His later years (he died in 2009) were dedicated to recording many projects with different musicians, which were mostly only released posthumously. His collected recorded legacy is truly monumental and he deserves to be remembered as one of the key figures of the British Rock and Jazz Avant-Garde.
Overall, this is a most welcome reissue album, which brings back to life two important albums by Hopper, which were all but gone from the market and deserve to be heard by the young generation of listeners, who most probably never heard of their existence. Warmly recommended for lovers of nontrivial challenging music.
| | Updated: 21/04/2023Posted: 21/04/2023 | CD 2 Remastered Recommend To A Friend |
  | HENRY LOWTHER / QUARTERNITY ~ NEVER NEVER LAND
JAZZ IN BRITAIN 36 (Barcode: 5060774190388) ~ UK ~ Jazz
Recorded: 1974 - 1978 Released: 2022
This is a sensational archival album by one of the silent heroes of the British Jazz scene, trumpeter / violinist / composer Henry LowtherFind albums by this artist and his quartet QuarternityFind albums by this artist, with guitarist Phil LeeFind albums by this artist, bassist Dave GreenFind albums by this artist and drummer Trevor TomkinsFind albums by this artist, which was expanded often to a quintet with saxophonists Art ThemenFind albums by this artist or Alan WakemanFind albums by this artist. This double album collects twelve compositions by Lowther or Lee, one of which appears twice, in a quartet and quintet versions. The music was recorded live between 1974 and 1978, but the sound quality is absolutely impeccable considering the archival nature of these recordings.
Lowther’s name appears proudly on well over a hundred albums recorded over the years, including some of the British Jazz most iconic releases, but his recording legacy includes just one (yes ONE) album as a leader, “Child SongFind albums with this title”, recorded in 1970, followed by two albums recorded decades later with his ensemble Still WatersFind albums by this artist (“I.D.Find albums with this title” from 1996 and “Can`t Believe, Won`t BelieveFind albums with this title” from 2018). Therefore, this release fills a gigantic gap in Lowther’s recorded legacy as a leader, and pays tribute to this great musician, along with his fellow musicians of course, all of which are British Jazz icons. With the painful recent passing of Trevor Tomkins, this is even more significant.
The music is a classic example of the Modern British Jazz played in the 1970s, emphasizing excellent compositions and brilliant improvisations, which include a pinch of Free Jazz here and there, but mostly sits well within the modern mainstream of the era. Considering the lineup, it is hardly surprising that the music is nothing short of spectacular, in every respect. Lowther, Lee and the saxophonists solo with passion and vigor and the sublime rhythm section keeps things in check, with Green’s incredibly melodic bass lines and Tomkins’ virtuosity present every step of the way. British scene followers should find it interesting to compare Lee’s guitar performances here with his more Prog oriented recordings with GilgameshFind albums by this artist or National HealthFind albums by this artist, which prove his incredible versatility. Lowther’s violin performances here, relatively rarely heard elsewhere, are a proverbial cherry on top of everything.
Overall, this is another admirable contribution to the British Jazz recorded legacy made by the dedicated people behind the Jazz In BritainFind albums on this label label who never cease to enrich our lives with these mementos from the glorious past legacy of the British Jazz. Just the thought that these musical treasures would have remained buried forever fills me with great sadness for all the music that suffers that fate, and of course at the same time with great joy that some of it sees the light of day, for which we are, as always, eternally grateful!
| | Updated: 22/12/2022Posted: 21/09/2022 | CD 2 Remastered Recommend To A Friend |
  | NATIONAL HEALTH ~ NATIONAL HEALTH
ESOTERIC 2129 (Barcode: 5013929722927) ~ UK ~ Canterbury Scene
Recorded: 1977 Released: 2009
1st album by the exquisite band National HealthFind albums by this artist, which was the last of the great original bands and the centerpiece crown jewel of the Canterbury scene, as it combined all the elements that made this musical excursion so unique and important, crystallizing a decade of development and constant search for new forms of musical expression. Formed by keyboardist / composer Dave StewartFind albums by this artist, who previously led such cornerstone Canterbury ensembles like EggFind albums by this artist and Hatfield And The NorthFind albums by this artist, combining musicians of the last and another sublime ensemble GilgameshFind albums by this artist, which also recently fell apart. After several personnel changes, the band stabilized as a quartet, including in addition to Stewart guitarist Phil MillerFind albums by this artist, bassist Neil MurrayFind albums by this artist and drummer Pip PyleFind albums by this artist, all veterans and immensely gifted players. The album also includes guest contributions of other Canterbury luminaries, like Alan GowenFind albums by this artist (keyboards), Amanda ParsonsFind albums by this artist (vocals), Jimmy HastingsFind albums by this artist (flute) and others. Overall National Health was an ideal tool to deliver the intricate melodic content of Stewart´s compositions, spiced with lengthy jazzy improvisations, which could go on for several minutes and allow ample opportunity for the players to stretch out, probably more that in any earlier Canterbury ensemble. There is never a dull moment here, with ideas chasing ideas at all times and the listener is drawn into the music completely. This album is a timeless masterpiece and an essential cornerstone of any serious record collection!
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  | NATIONAL HEALTH ~ OF QUEUES AND CURES
ESOTERIC 2130 (Barcode: 5013929723023) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 2009
2nd album by the exquisite band National HealthFind albums by this artist, which was the last of the great original bands and the centerpiece crown jewel of the Canterbury scene, as it combined all the elements that made this musical excursion so unique and important, crystallizing a decade of development and constant search for new forms of musical expression. Formed by keyboardist / composer Dave StewartFind albums by this artist, who previously led such cornerstone Canterbury ensembles like EggFind albums by this artist and Hatfield And The NorthFind albums by this artist, combining musicians of the last and another sublime ensemble GilgameshFind albums by this artist, which also recently fell apart. After bassist Neil MurrayFind albums by this artist left the band following the recording of the debut album, he was replaced by bassist John GreavesFind albums by this artist from Henry CowFind albums by this artist, another Canterbury icon. The album included several guest musicians, among them the superb trumpeter Phil MintonFind albums by this artist and overall it fallowed the same lines as the debut. Overall National Health was an ideal tool to deliver the intricate melodic content of Stewart´s compositions, spiced with lengthy jazzy improvisations, which could go on for several minutes and allow ample opportunity for the players to stretch out, probably more that in any earlier Canterbury ensemble. There is never a dull moment here, with ideas chasing ideas at all times and the listener is drawn into the music completely. This album is a timeless masterpiece and an essential cornerstone of any serious record collection!
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  | SOFT HEAP ~ SOFT HEAP
ESOTERIC 2131 (Barcode: 5013929723122) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 2009
Only album by the great band Soft HeapFind albums by this artist, a short-lived Canterbury super-group where members of Soft MachineFind albums by this artist (Hugh HopperFind albums by this artist – bass and Elton DeanFind albums by this artist – sax) met with pianist Alan GowenFind albums by this artist (GilgameshFind albums by this artist, National HealthFind albums by this artist) and drummer Pip PyleFind albums by this artist (GongFind albums by this artist, Hatfield And The NorthFind albums by this artist). They managed to record just this one (eponymous) studio album and disbanded shortly afterwards, with each musician pursuing their own path. The band had all the qualities that make the Canterbury scene so special; superb musicianship, great compositions and a free spirit atmosphere with a dash of typical British humor. For specialists – the band´s name (second word) is an acronym of the band members´ first names. Considering the fact that Gowen, Dean, Pyle and Hopper are no longer with us (they passed away in 1981, 2006, 2006 and 2009 respectively) this is a tremendously important document of an era, which unfortunately is long time gone. A must for any Canterbury fan!
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  | TREVOR TOMKINS / SEXTANT ~ FOR FUTURE REFERENCE
JAZZ IN BRITAIN 37 (Barcode: 5060774190395) ~ UK ~ Jazz
Recorded: 1980 - 1983 Released: 2023
This is an archival live album by British Jazz drummer Trevor TomkinsFind albums by this artist and his sextet called SextantFind albums by this artist, which also included saxophonist Jimmy HastingsFind albums by this artist, trombonist Chris PyneFind albums by this artist, pianist John HorlerFind albums by this artist, guitarist Phil LeeFind albums by this artist and bassist Paul BridgeFind albums by this artist. Saxophonist Brian SmithFind albums by this artist replaces Hastings on one of the recording sessions. The 2CD album, recorded in four different sessions between 1980 and 1983, presents fifteen tracks, six of which were composed by Lee, three by Horler, two are standards, three are by British Jazz composers: Stan SulzmannFind albums by this artist, Kenny WheelerFind albums by this artist and Henry LowtherFind albums by this artist and finally one is by American composer Ralph TownerFind albums by this artist. The album offers splendid sound quality, which is close to studio recording excellence, and includes an extensive essay by Simon SpillettFind albums by this artist.
Although Tomkins was almost omnipresent on the British Jazz scene since the early 1960, and appears on dozens of seminal albums recorded over the decades, he never released an album as a leader and only one little know album as co-leader – an amazing fact, which is difficult to believe but true nevertheless. Following his death just a few months ago, the wonderful Jazz In BritainFind albums on this label label rushed to release this, his first album as a leader, to commemorate his invaluable input into making British Jazz what it is.
The music is, as expected, absolutely brilliant, all within the modern British Jazz mainstream, featuring mostly original compositions by the sextet members, which are highly melodic and beautifully structured.
The members of the sextet, especially Hastings and Lee, had close ties with British Jazz-Rock Fusion and Progressive Rock / Canterbury Scene in the 1970s, being members of CaravanFind albums by this artist / Hatfield And The NorthFind albums by this artist / National HealthFind albums by this artist / Soft MachineFind albums by this artist / GilgameshFind albums by this artist (which also included Tomkins), but the music on this album has no relation to these excursions, being much closer to the work Tomkins experienced with the Don Rendell / Ian Carr QuintetFind albums by this artist or Michael GarrickFind albums by this artist ensembles in the 1960s and early 1970s.
Both the teamwork and the individual performances by the sextet members are absolutely phenomenal, showing great comradeship and mutual respect between the musicians. Horler plays some brilliant piano lines and is the quintessential catalyst, always there with his harmonic support behind the soloists. Lee plays amazing guitar soli and proves again that he deserves way more respect for his unique style and consistency. Hastings / Smith offer the Jazzy core with their solid presentations of the themes and inspired soloing. Pyne is a trombone virtuoso and his solos are all absolute gems. Bridge, a superb bassist, who sadly passed away prematurely in 2001, keeps the music swinging steadily, working hand in hand with the leader, who is more reliable than a Swiss clock and never ceases to amaze with his inventiveness.
Overall, this is another great addition to the string of releases produced by the Jazz In Britain aficionados, which makes our lives not only more interesting, but also bearable, all things considered. This music is so good it would have been a crime to leave it forgotten, so now when it is available, don’t hesitate even for a split second… This is an absolutely essential piece of British Jazz legacy!
| | Updated: 12/03/2023Posted: 12/03/2023 | CD 2 Digipak Remastered Recommend To A Friend |
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