Record Reviews

BRIAN AUGER / OBLIVION EXPRESS ~ SECOND WIND (EXPANDED EDITION) CASTLE 1100 (Barcode: 5050749411006) ~ UK ~ Progressive Rock Recorded: 1972 Released: 2005 3rd album by Brian AugerFind albums by this artist’s group Oblivion ExpressFind albums by this artist. It features a new vocalist, Alex LigertwoodFind albums by this artist, who lasted only for this one album and was undoubtedly the best the group ever had. Stylistically this albums serves as a bridge between the Jazz / Rock roots Auger pioneered for many years towards a more soulful oriented material, modeled after Les McCannFind albums by this artist and Eddie HarrisFind albums by this artist (his “Freedom Jazz Dance” gets a lovely treatment here). This was the first album to get the group to a much wider audience, including even charted in the US. It’s no secret that Auger has been one of my favorite keyboard players since the mid-1960s and I enjoy each and every one of his recordings to this very day. Apparently I am not alone in this position as Auger’s reissues seem to do extremely well, and rightly so. Highly recommended.

CD 1 Remastered Bonus Tracks Recommend To A Friend

JAZZ Q ~ ZIVI SE DIVI GAD 010 (Barcode: 5901549197105) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion Recorded: 1975 Released: 2013 This is a real treat! The Czechoslovak band Jazz QFind albums by this artist was always one of my favorites since the time they first arrived on the scene in the early 1970 and I loved their albums to bits. The band epitomized the Eastern European Jazz-Rock Fusion better than any other singular band of their time and had absolutely no competition, neither in their own country nor in any other Eastern European countries, although the competition was very fierce with some excellent Polish, Hungarian and other local bands. A few years ago the Czech SupraphonFind albums on this label label (which was a State monopoly during the Socialist regime when the group was active) released a wonderful Box Set, which included all the albums and some additional material Jazz Q recorded for the label. Those eight CDs spun on my player for weeks on end and I was blissfully happy to have the "complete" Jazz Q legacy at my disposal. But as we all know, nothing is ever truly "complete" as this CD proves and a beautiful piece of the puzzle was missing for all these years, now available at last. Jazz Q were unique in every respect; the founder and principal composer keyboardist Martin KratochvilFind albums by this artist was an absolute genius, light-years ahead of everything that what was happening on the East European Fusion scene at the time and a musician that could easily stand shoulder to shoulder with the top movers and shakers of the worldwide Fusion scene, including the John McLaughlinFind albums by this artist´s Mahavishnu OrchestraFind albums by this artist, which was the model for his band. Kratochvil skillfully surrounded himself with other brilliant players, such as the ones appearing on this album: guitarist Frantisek FranclFind albums by this artist, saxophonist / violinist Jan MartinecFind albums by this artist, bassist Premysl FauknerFind albums by this artist and drummer Libor LaunFind albums by this artist. The band also featured the female vocalist (and Francl´s wife at the time) Joan DugganFind albums by this artist. All these musicians were virtuosi players, as is plainly evident to anyone listening to this album, and they were an ideal vehicle to present Kratochvil´s extraordinary music, which was often devilishly clever and complex. This live recording presents Jazz Q performing nine pieces, five of which are Kratochvil´s original composition, one is credited to the entire band and the remaining ones are composed by Eddie HarrisFind albums by this artist, Billy CobhamFind albums by this artist and John McLaughlinFind albums by this artist respectively, which is hardly surprising again as these the names associated with Fusion at the time. All these composition receive as extended treatment, which allow lengthy improvisations by the principal soloists (guitar, keyboards and violin), which are all breathtaking. The music lost absolutely nothing of its vitality, sophistication and honesty over the years and emphasizes the fact that music of such quality is almost never played today, a sad reflection of our times. If it was in my power, I´d make this album an obligatory part of every musical curriculum, hoping that it would open some people´s eyes and make them see the difference between senseless doodling and real music. Although criminally overdue, this is nevertheless a wonderful breath of fresh (albeit actually only well preserved) air, which makes life worth living.

Updated: 26/01/2019Posted:

CD 1 Remastered Essential Recommend To A Friend