Record Reviews
63 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | STANISLAW ALEKSANDROWICZ ~ RELATIVITY THEORY
AKADEMIA MUZYCZNA POZNAN 1-04 ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022
This is the debut album as a leader by young Polish Jazz drummer / composer Stanislaw AleksandrowiczFind albums by this artist, recorded with his quintet which also includes saxophonists Maciej KocinskiFind albums by this artist and Wojciech BraszakFind albums by this artist, trumpeter Patryk RynkiewiczFind albums by this artist and Italian bassist Flavio GullottaFind albums by this artist. Before releasing this album Aleksandrowicz took part in several recordings featuring musicians from the Poznan Jazz scene, by ensembles like Kwasny DeszczFind albums by this artist, AnomaliaFind albums by this artist and Unleashed CooperationFind albums by this artist, all of which are excellent achievements on their own. The album presents a six-part suite composed by the leader.
The music is somewhat resembling the modern Jazz movement that characterized the revolutionary Polish Jazz development in the 1960s, spearheaded by the Godfathers of the movement like Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist. The long tracks, based on sketchy melodic themes and dedicated mostly to both individual and group improvisation, almost but not quite Free, driven by strong pulsations by the rhythm section, all these create a déjà vu sensation of some early Polish Jazz albums of the period. Of course this does not mean that Aleksandrowicz is trying to copy that music, but rather refer to it respectfully, with his own personal flavors.
The pianoless quintet, with three horns at the helm and a highly dynamic rhythm section behind them creates a unique sound on the contemporary Polish Jazz scene, managing splendidly to overcome the lack of a harmonic instrument. Much credit goes to Gullotta, who succeeds to create a perfect background on which the horns can weave their improvisations and allows Aleksandrowicz to ornament the music with his percussive inventions, rather than keep time.
The music keeps the listener at a constant state of hypnotic attention, moving from one part of the suite to another smoothly and coherently. The concept of the quintet as an ensemble, rather than a collection of individuals, is achieved in full and the result sounds as organic as one might expect from any ensemble performing music together. As it often happens, drummers can be surprisingly interesting composers, way beyond the “bloke with sticks” image, which this album proves beyond any doubt.
Overall, this is a splendid debut effort, consolidating the position of Aleksandrowicz as one of the young Polish Jazz musicians, who deserve to be watched and followed. So far everything associated with his name proved to be highly deserving, and one can only wish him many further successes.
| | Updated: 25/09/2022Posted: 25/09/2022 | CD 1 Digipak Recommend To A Friend |
  | MARCIN BANASZEK ~ STATIONS OF THE CROSS
AKADEMIA MUZYCZNA W KRAKOWIE 017 ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017
This is the debut album by Polish pianist / composer Marcin BanaszekFind albums by this artist, recorded in a classic piano trio format with bassist Andrzej ZielakFind albums by this artist and drummer Karol DomanskiFind albums by this artist. The album presents fourteen original compositions, all by Banaszek, which form a suite dedicated to the religious images depicting the fourteen Stations of the Cross passed by Jesus on the day of his crucifixion.
The music is deeply poignant, almost lethargic, moving slowly from one piece to another, inspiring reflection and perhaps even prayer. Full of melancholy and tranquility, the melodic contents is kept on a steady subdued level both harmonically and rhythmically. As a religiously inspired project this music makes sense but separated from the context it is somewhat monotonous.
As a melodic mainstream Jazz this music has several drawbacks: the melodies are very similar, most of the tracks are too short to allow for in depth improvisation and the dynamics is almost absent. As such this music presents a serious challenge to Jazz connoisseurs, who expect excitement, variety and challenge from the music they listen to.
The performance is also very minimalistic, with the piano taking over almost completely and the rhythm section present mostly only in the background, almost unheard. The only lengthy piece on the album is an example how this music might have sounded under a different approach, and is the best track on the album.
Overall this is an unusual piano trio album, which works well under its religious concept but on its own is somewhat limited. However, many piano trio connoisseurs might find it interesting and since people like many different forms of Jazz, it is definitely worth investigating.
| | Updated: 01/03/2018Posted: 01/03/2018 | CD 1 Digipak Recommend To A Friend |
  | YAROSH ORGAN TRIO ~ ALTERAKCJE
AKADEMIA MUZYCZNA WROCLAW 015 (Barcode: 5902738950006) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018
In time Jazz evolved so dramatically, that the common perception of the idiom is by far not relevant any more. The Polish Jazz scene contributed in the last two decades a phenomenal input into the worldwide Jazz scene, rejuvenating the genre and taking it places that were not considered possible until recently. The most important characteristic of the Polish Jazz scene is its complete disregard of convention and conceptual limitations of any kind, which more often than anywhere else on this planet makes Polish Jazz albums innovative and original.
Veteran Polish Jazz drummer / composer Przemyslaw JaroszFind albums by this artist founded the Yarosh Organ TrioFind albums by this artist with organist Kajetan GalasFind albums by this artist and saxophonist Tomasz PruchnickiFind albums by this artist, which released its excellent debut album a couple of years ago. They are now back with their sophomore release, joined by the vocalist Katarzyna MirowskaFind albums by this artist. It presents six original compositions, five by the leader and one by the saxophonist.
Everything about this album shouts originality; from the completely unusual instrumental lineup, the stylistic "coolness" and the individual performances which add up to a musical experience, that makes the listener focus on the music. Beautifully spiced with the new element of vocals and vocalese, which fits the music like a silk glove, the overall effect is truly impressive.
The music is much more complex and open this time, in comparison to the debut, with a lot of breathing space and "almost free" passages, which of course makes this album more adventurous, without however sacrificing its melodic qualities. As such it should be of interest not only to the mainstream Jazz fans, but also to the more audacious listeners, who like facing challenges. This new attitude can be felt in all three layers (or four in fact); the saxophone improvisations are at times almost avant-gardist, the organ produces a plethora of "strange noises" not usually associated with the most melodic of all instruments, the drums play way more polyrhythmically and dynamics and on top the wonderful vocal ornamentations just make it all perfect.
Jazz is, after all, the Art of the unexpected, and this album is more often unexpected than not, which of course is what makes it work so well. All I can wish for is that it does get to as many listeners as possible, as this is definitely way too good to fall under the radar. Well done Lady and Gentlemen!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 22/11/2018Posted: 22/11/2018 | CD 1 Digipak Recommend To A Friend |
  | YAROSH ORGAN TRIO ~ PROGRESSIVE SYNTHESIS
AKADEMIA MUZYCZNA WROCLAW 021 (Barcode: 5902738950044) ~ POLAND ~ Jazz
Recorded: 2020 Released: 2021
This is the third album by Polish Jazz Yarosh Organ TrioFind albums by this artist comprising of drummer / composer / bandleader Przemyslaw JaroszFind albums by this artist, saxophonist Tomasz PruchnickiFind albums by this artist and organist Kajetan GalasFind albums by this artist. The trio is expanded into a quartet on all tracks bar one with the addition of keyboardist Dominik WaniaFind albums by this artist. The album presents eight original compositions, six composed by Jarosz and two by Pruchnicki.
The music continues the trend of exploring more adventurous material, even more so than the previous album, for which I had the pleasure of writing the liner notes. The music maintains some melodic continuity, but is widely open to free improvisation and quirky rhythmic patterns, which result in splendid modern Jazz of the highest level.
The addition of Wania is of momentous influence, as his phenomenal playing brings the entire ensemble several levels up in their imaginative cooperation. His brilliant cadenzas and telepathically fitted chord progressions sound completely natural, as if he was a part of the ensemble for ages. Of course nothing less could be expected from him, considering his stellar rise to the highest pedestal of the Polish Jazz in just one decade of his intensive activity.
One has to admire the decision of Jarosz to bring Wania on board and firmly stand shoulder to shoulder with his Genius, with the trio holding its ground proudly, amicably and creatively. All three members of the trio contribute equally important parts of the entire puzzle, which includes Wania’s contributions as an integral part of the whole. The resulting music speaks for itself, producing some of the most interesting sounds created on the local scene lately.
Overall, this is an outstanding album, full of highly inspired music and hair-rising performances, which depicts Polish Jazz at its very best and proudly holds the banner high, leaving most of the competition far behind. Unusual and challenging in every aspect, this music is pure unadulterated emotional and intellectual pleasure, which only the best Jazz is able to kindle. Congrats are in order and hats off to you Gentlemen!
| | Updated: 22/09/2021Posted: 22/09/2021 | CD 1 Digipak Recommend To A Friend |
  | TOMASZ PRUCHNICKI ~ TOTAL IMMERSION
AKADEMIA MUZYCZNA WROCLAW 022 (Barcode: 9788365473295) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022
This is the second album as a leader by Polish Jazz saxophonist / composer Tomasz PruchnickiFind albums by this artist, this time recorded in a quartet setting with pianist Dominik WaniaFind albums by this artist, organist Kajetan GalasFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist, which is basically the same lineup as the one playing on the last Yarosh Organ TrioFind albums by this artist album “Progressive SynthesisFind albums with this title”. The album presents ten original compositions by the leader.
The music is modern Jazz, based on melodic themes but with a large degree of Freedom, which allows all the participants to improvised extensively. The compositions are absolutely stellar and offer a wonderful foundation for the musicians to express themselves in full.
The highly unusual lineup, which features both acoustic piano and organ, presents a unique sound, which adds to the overall atmosphere this album manages to create. The organ plays both harmonic layers and bass pulsations, as well as soloing passionately, emphasizing again the incredible talents of Galas. Wania plays waves of piano sounds, which are as brilliant as one can expect from top Polish Jazz pianist, Jarosz manages to keep everything in perfect control rhythmically, and the leader offers amazing saxophone parts, full of emotion, brilliant technique and typical Polish Jazz lyricism.
Overall, this is a highly emotional, unusually sounding and amazingly executed album, which proves that Polish Jazz is always there to surprise and amaze. The post Covid frenzy activity, which results in dozens after dozens of new Polish Jazz releases that land on my desk on a regular basis, is a joyful evidence of things being back on track. For organ lovers this is a very special treat, but all lovers of Polish / European Jazz should be able to enjoy this gem. Well done Gentlemen!
| | Updated: 27/01/2023Posted: 27/01/2023 | CD 1 Digipak Recommend To A Friend |
  | GRZECH PIOTROWSKI ~ SIX SEASONS
ALCHEMIK ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2016 Released: 2016
This is the seventh album by Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist (a.k.a. Grzegorz PiotrowskiFind albums by this artist), recorded in a quartet setting with pianist Marcin WasilewskiFind albums by this artist, bassist Jaroslaw StokowskiFind albums by this artist and drummer Robert LutyFind albums by this artist, and with a superb string quartet, which includes violinists Mariusz PatyraFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Aleksandra JarosinskaFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The album presents six original compositions, all by Piotrowski, named after the usual four seasons with two additional seasons added ("pre-spring" and "pre-winter"), which together constitute a suite-like structure.
The music is an ambitious Jazz-Classical Fusion project, beautifully melodic and gently flowing from one part of the suite to another, full of melancholy and tranquility. In some respects it often sounds like a soundtrack of an imaginary movie, inspiring colorful visions in the mind of the listener. It is all about precision, delicate relationships between the harmonies and elegant melodic vistas, with no much space left for spontaneity.
The performances by all the participants are perfectly suited to this specific musical environment, with Jazzy improvisation being relatively limited, due to the strict arrangements, but nevertheless quite impressive. This album is not intended to present individual virtuosity as much as it is about coordinated effort, perfectly matched and working towards a common goal.
Some critics will probably say that this music is way too sweet and organized and borders on Smooth Jazz or even pastiche. Admittedly, such music as presented herein, quite often ventures into these territories, but in this specific case it does not happen at all. Yes, the music is pleasant and easy on the ear, but at the same time it is full of original melodic themes, superb orchestration and arrangements, topped with flawless execution. There is an obvious effort and talent invested here by Piotrowski, and the resulting music can be seen as a tribute to Romanticism and Classical Music tradition, wonderfully intertwined with contemporary tools of the trade, used in Jazz and Pop.
Personally I had a wonderful time listening to this music, which despite its pleasurable appearance, offers many inspiring moments, superb instrumental solos and fifty minutes of calmness and tranquility, which in our world happen way to infrequently.
The album comes in a hand-made packaging, which adds another highly personal dimension to the entire project. Definitely not for everybody, but hopefully many listeners will find this gorgeous music deeply moving and penetrating their souls.
| | Updated: 26/10/2016Posted: 17/10/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | GRAHAM NASH ~ SONGS FOR SURVIVORS
ARTEMIS 5099750850022 (Barcode: 5099750850022) ~ UK ~ Classic Rock
Recorded: 2000 Released: 2002
This is the fifth solo album by British singer / songwriter Graham NashFind albums by this artist, one of the greatest Classic Rock icons of all times. Nash maintained a more or less steady solo career in parallel to his activity as a member of Crosby & NashFind albums by this artist, Crosby, Stills & NashFind albums by this artist and Crosby, Stills, Nash & YoungFind albums by this artist and with this album, released after sixteen long years of silence, he enters the new Millennium with rejuvenated powers. The album presents ten original songs, most written (music and lyrics) by him or co-written with long time collaborators like drummer Russell KunkelFind albums by this artist (who also plays on the album and co-produced it), Joe VitaleFind albums by this artist and others. Other players include keyboardist Matt RollingFind albums by this artist, bassist Viktor KraussFind albums by this artist, guitarists Dan DugmoreFind albums by this artist, Steve FarrisFind albums by this artist and Dean ParksFind albums by this artist and percussionist Lenny CastroFind albums by this artist. David CrosbyFind albums by this artist and Sydney ForestFind albums by this artist sing vocal harmonies.
The songs are all absolutely exquisite and mark a glorious return of Nash´s personal songwriting style as defined three decades earlier. Combined with superb instrumental work and excellent production and sound, this album is an instant classic, as was his debut album. Nash proves again that his "Englishness" prevails and his unique song weaving talent remains as strong as ever, paralleled but just a few of his peers. The songs are mostly very introspective, lyrical and melancholic, with elegant and refined acoustic accompaniment, which is his natural habitat.
The fact that the release of this album slipped almost completely under the radar, unnoticed by the critics and the fans alike, is nothing short of criminal and as usually completely tasteless. Nash and his troubadour friends still manage to produce some of the best Classic Rock the human race is capable of, and the fact that our generation is slowly dying off is of course part of the natural process of Culture disappearing, but as long as we still are able to hear great music, we should definitely let others know about it.
For all the numerous fans of Nash and his music, which missed this album at the time of its release, please do yourself a favor and grab a copy, although these are not easily available any more. You are in for a huge and delightful surprise and are about to hear Nash at his very best. Wholeheartedly recommended!
| | Updated: 18/11/2018Posted: 18/11/2018 | CD 1 Recommend To A Friend |
  | MANFRED MANN ~ DOWN THE ROAD APIECE: THEIR EMI RECORDINGS 1963-1966
EMI 094639721528 (Barcode: 094639721528) ~ UK ~ Classic Rock
Recorded: 1963 - 1966 Released: 2007
This wonderful Box Set compiles all the recordings Manfred MannFind albums by this artist made for the EMIFind albums on this label label, documenting the first chapter of their illustrious career. The music covers everything from the first demo session they did as a group till the very last recordings done before the first lineup folded with the departure of their lead singer Paul JonesFind albums by this artist. The group would then continue with a new lead singer (Mike d`AboFind albums by this artist) and a new label (FontanaFind albums on this label), but that is another story.
What is fascinating about this Box Set is the fact that is shows not only the historical development of one of the most important UK groups, but in fact the entire history of the early to mid 1960s UK music scene. It clearly shows the main influences that went into the incredible music of the Golden Era – Jazz, Blues, Rhythm And Blues and Rock And Roll.
Most of the tracks include the stable lineup of the group, which includes the founding members Manfred MannFind albums by this artist (piano and organ), Mike HuggFind albums by this artist (drums and vibraphone), Mike VickersFind albums by this artist (guitar, saxophone and flute), Tom McGuinnessFind albums by this artist (bass) and Paul Jones (harmonica and vocals). Mann, Hugg and Vickers came from a solid jazz background, which is very evident throughout all their music and would eventually lead to the switch to Jazz-Rock Fusion in the late 1960s (Manfred Mann Chapter ThreeFind albums by this artist). The other members, especially Jones, had a solid Blues background. The result was a unique blend of Blues-Rock, which rather then featuring guitar as the lead instrument (as did most of the groups at the time) had the sax / flute / piano up-front. Jones was of course one of the most potent singers of the era, a serious competitor even to Mick JaggerFind albums by this artist. This was also the reason why the group recorded so many instrumental tracks, which were as important in their repertoire as the songs.
Although the group managed to score quite a few major hits on the charts, it seems that they never made music, which was particularly ‘likeable” on purpose and their success was manly due to their talents rather than pursuit of popularity. There is so much great music on these CDs that I hardly feel a need to convince anybody to get them. This is a first class document of the music scene at the most interesting formative period and listening to it is not only a most pleasurable experience but also a fascinating course in music history. A must!
| | Updated: 08/05/2023Posted: | CD 4 Box Set Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CONCERT 72/73
EMI 317729 (Barcode: 094633177291) ~ UK ~ Classic Rock
Recorded: 1972 - 1973 Released: 2005
1st installent of the (so called) “Deep Purple DVD Archive Collection" series, which EMIFind albums on this label and the band intend to release, and it includes two concerts by Deep PurpleFind albums by this artist: one from 1972 (Copenhagen) and the other from 1973 (New York).
The first concert is filmed in black and white, which has a nice nostalgic effect to it. The sound is cleaned up and upgraded and the visual material pretty decent, so overall this is not too bad, surely better than most similar archival material.
The music of Deep Purple Mk II (Ian GillanFind albums by this artist, Jon LordFind albums by this artist, Ritchie BlackmoreFind albums by this artist, Roger GloverFind albums by this artist & Ian PaiceFind albums by this artist) was heading into heavy rock and although there is quite a bit of instrumental improvisation there (by Lord and Blackmore), the on-stage theatrics look pretty ridiculous in retrospect. They were a hell of a show for sure and they all could play incredibly well, as opposed to many of their contemporaries.
The interesting thing about the DVD is that there is an option to watch it with a “commentary” switched on, which means that you hear a commentator’s voice on top of the soundtrack. The commentary is quite well written, very informative and often even witty / funny – typical British humor mind you. This brings up considerably the educational value of the DVD.
Dolby Digital 5.0 Surround Sound and DTS, 127 minutes.
| | Updated: 06/02/2024Posted: | DVD 1 Recommend To A Friend |
  | MOVE ~ MESSAGE FROM THE COUNTRY
EMI 330260 ~ UK ~ Classic Rock
4th and last album (recorded 1971) by one of the most interesting UK rock groups. The band did not mean to record this album and it was recorded only to fulfill the contractual obligation (as happened in very many cases). It was in fact recorded in parallel to the next venture, for which they were headed (lead by Jeff Lynne) – the Electric Light Orchestra (or ELO). Intended or not, this was in many respects the best and most complex album thy created. Lacking any chart hits, the album concentrates on subtle compositions and as usual a lot of the typical zany humor they always used as a tool to emphasize the message. The music includes elements of Psychedelica, jazz, and rock, all intermixed wonderfully. This remains an essential album for all Move fans and fans of the later work by Roy Wood.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CALIFORNIA 74
EMI 446779 (Barcode: 094634467797) ~ UK ~ Classic Rock
2nd installment of the “Deep Purple DVD Archive Collection”, presenting the band headlining the famous California Jam Festival. By the time this footage was filmed the band already reached stardom status, seen here as they arrive for the gig on their private jet. This version of Deep purple (Lord, Blackmore, Paice, Coverdale & Hughes) delivered fiery hard rock with vengeance, with very few contenders to their abilities, and this performance proves that beyond any doubt. Blackmore’s ill famous bad temper is displayed here in flagrante delicto as he smashes his guitar into one of the TV cameras. The entire show is a non-stop high-voltage affair as known only in the hay days of Rock. The commentary (see the 1st installment) is also available here. For fans of DP this is a must of course. Dolby Digital 5.0 Surround Sound and DTS, 119 minutes.
| | | DVD 1 Recommend To A Friend |
  | MARILLION ~ FROM STOKE ROW TO IPANEMA
EMI 490624 ~ UK ~ Progressive Rock
Recorded: 1989 - 1990
This double DVD set documents the most dramatic period of MarrilionFind albums by this artist`s history immediately after their legendary singer FishFind albums by this artist left the band to be replaced by Steve HogarthFind albums by this artist. You can find here an impromptu performance at a small club, a concert in Brazil in front of 85,000 fans and a concert back home after a successful world tour. If this is not enough, there are interviews with band members, a glimpse at their work in studio and other goodies. This is a true Marillion`s fan dream come true. 183 minutes.
| | | DVD 2 Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ RECITAL OF THE SCRIPT
EMI 490625 (Barcode: 724349062597) ~ UK ~ Progressive Rock
Recorded: 1982 - 1983 Released: 2003
In 1983 MarillionFind albums by this artist shocked the world of Rock when they released they debut album Script For A Jester`s TearFind albums with this title and the Neo-Prog movement was born. Marillion toured extensively and were know to perfect their music on stage, as this 1983 film proves well enough. Drama and great performance are present from the starting moment and the enigma of FishFind albums by this artist is evident. As bonus, a rare 1982 film of Marillion performing and some interview footage are also included. 92 minutes.
| | Updated: 21/09/2021Posted: | DVD 1 Remastered Bonus Tracks Recommend To A Friend |
  | FRANK ZAPPA ~ DOES HUMOR BELONG IN MUSIC?
EMI 490892 (Barcode: 724349089297) ~ USA ~ Progressive Rock
This 1984 Zappa concert was released first on Video in 1985 and now is finally available on DVD. Filmed when Frank was at his peak, this is as good as any Zappa meterial you might ever find - full of his zanny humor and of course brilliant playing. An absolute must to any Zappoid and a great introduction to those who were not yet exposed to the Zappa touch! 60 minutes.
| | | DVD 1 Remastered Recommend To A Friend |
  | MARILLION ~ THE EMI SINGLES COLLECTION
EMI 492901 (Barcode: 724349290198) ~ UK ~ Progressive Rock
Recorded: 1982 - 1995 Released: 2002
This is a great collection of all MarillionFind albums by this artist video material filmed between 1982 - 1995 while the band was under the EMIFind albums on this label contract. A glimpse of the past and a historical retrospective, this DVD shows the development and the constant changes that the band went through, fascinating document. Also included is a `hidden track` recorded especially for this DVD. Dolby Digital Stereo, 89 minutes.
| | | DVD 1 Remastered Recommend To A Friend |
  | MARILLION ~ FUGAZI (EXPANDED EDITION)
EMI 493369 (Barcode: 724349336926) ~ UK ~ Progressive Rock
Recorded: 1984 Released: 1998
2nd studio album by the pioneers of Neo-Prog and every bit as strong as the debut. MarrilionFind albums by this artist`s fascination with concept material and extended instrumental passages defined here will be their trademark for future albums and will win them a very wide following, unprecedented on the Prog scene.
A whole CD of bonus materiall added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ MISPLACED CHILDHOOD (EXPANDED EDITION)
EMI 497034 (Barcode: 724349703421) ~ UK ~ Progressive Rock
Recorded: 1985 Released: 1998
3rd studio album. Considered as the FishFind albums by this artist-era MarillionFind albums by this artist`s best album, this is an elaborate concept album inspired by the singer`s childhood memories and later life experiences. It includes their anthem `Kayleigh`, which is a great love ballad and a series of other excellent tunes. A Prog classic!
A whole CD of bonus material added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ BRAVE (EXPANDED EDITION)
EMI 497038 (Barcode: 724349703827) ~ UK ~ Progressive Rock
Recorded: 1994 Released: 1998
7th studio album by the legendary UK Prog band MarillionFind albums by this artist, which is credited as the single-handed re-inventor of Prog since the early 1980s and therefore an inventor of Neo-Prog. This album was recorded by the second reincarnation of the group with Steve HogarthFind albums by this artist as lead vocalist and is considered as their best and most consistent release ever. As usual with Marillion, it is a concept album.
A whole CD of bonus materiall added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ CLUTCHING AT STRAWS (EXPANDED EDITION)
EMI 498611 (Barcode: 724349861121) ~ UK ~ Progressive Rock
Recorded: 1987 Released: 1999
4th studio album by MarillionFind albums by this artist and last studio album with FishFind albums by this artist, who left the band a year later due to internal frictions as well as personal problems with drugs and alcohol. Although recorded at a tumultuous time for the band, it is still an excellent effort full of great melodies and superb instrumental performances in addition to tormented vocals by Fish. Although heavily criticized at the time of its release, this album stands the test of time with flying colors.
A whole CD of bonus material added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ AFRAID OF SUNLIGHT (EXPANDED EDITION)
EMI 498614 (Barcode: 724349861428) ~ UK ~ Progressive Rock
Recorded: 1995 Released: 1999
8th studio album by the legendary UK Prog group MarillionFind albums by this artist and as strong as the previous one. Again this is a concept album and the bands`s many fans consider it as a definitive high of their powers. Steve HogarthFind albums by this artist`s vocals are expressive and strong and the instrumental passages are performed with skill and imagination. A true Neo-Prog classic!
A whole CD of bonus materiall added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | PINK FLOYD ~ THE PIPER AT THE GATES OF DAWN (40TH ANNIVERSARY DELUXE EDITION)
EMI 503919 (Barcode: 5099950391929) ~ UK ~ Classic Rock
Recorded: 1967 Released: 2007
1st album by Pink Floyd and generally considered as the ultimate and pioneering psychedelic release, which basically defines the genre. Syd BarrettFind albums by this artist, Nick MasonFind albums by this artist, Richard WrightFind albums by this artist and Roger WatersFind albums by this artist collectively created some amazingly advanced music, although Barrett’s influence over the group’s output was decisively dominant as long as he was a part of it (his sad fate is generally well known and no need to go into it here). As there have been endless write-ups about this music I don’t need to expand on the subject, other that say that this fabulous new edition is a dream come true for all the numerous fans of the group (of all ages), as it contains not only the stereo and mono versions of the entire album (which are quite different sonically) but also a 3rd CD of bonus material with singles, studio outtakes and other rarities. Packaged in a hardcover book format, this labor of love is surely to become a most wanted collector’s item almost immediately. Absolutely Essential!
| | | CD 3 Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | KROKE ~ FEELHARMONY
EMI 5099901770827 (Barcode: 5099901770827) ~ POLAND ~ Jazz-World Fusion
Recorded: 2012 Released: 2012
In autumn of 2011 I had the pleasure of being present at the opening concert of the Singer´s Warsaw Festival, which featured Poland´s most prominent World Music ensemble KrokeFind albums by this artist and their guest, superstar vocalist Anna Maria JopekFind albums by this artist. Jopek, who in recent years discovered World Music herself, as evident on her latest recordings, was nevertheless quite a surprising partner for Kroke, and considering she only landed in Warsaw a few hours before the concert and managed only a brief rehearsal with them, things were quite tense. But when the lights went out and the music started, it was obvious that magic was in the air that night and for the next two hours the audience was completely mesmerized. Obviously the very same magic prompted Kroke to include Jopek on this, their next studio album.
Kroke, which consists of viola player Tomasz KukurbaFind albums by this artist, accordionist Jerzy BawolFind albums by this artist and bassist Tomasz LatoFind albums by this artist, started in the early 1990s as a Klezmer band, one of numerous such bands established in Poland as a result of the Renaissance of the Jewish Culture in the country. They started to perform at Krakow´s old Jewish district Kazimierz, which became a fashionable tourist attraction, and in time their reputation grew. They were lucky to gain international attention and soon became the resident ethnic stars. In time they left Klezmer music almost entirely and embraced World Music originating in many different cultural spheres and added noticeable Jazz influence to their music.
For this album Kroke joined forces with, in addition to the a.m. Anna Maria Jopek, also the excellent drummer Slawomir BernyFind albums by this artist and pianist / composer / arranger Krzysztof HerdzinFind albums by this artist, who co-produced the album, composed and arranged some orchestral intros to the band´s music and conducted the Sinfonietta CracoviaFind albums by this artist, which performed the orchestral parts. The album presents twelve pieces, eleven of which are original compositions by the band´s members and one is by the pioneer of modern Klezmer music Harry KandelFind albums by this artist. As the title suggests, the band intended to "take a step" into a more "symphonic" sound for their music, utilizing the orchestra.
Unfortunately, intentions aside, the album fails to achieve the same level of excitement and spontaneous inspiration, which characterized the live concert I witnessed. Although Jopek delivers some superb vocal parts, they constitute only a small contribution to the entire project. The orchestral arrangements sound quite out of place in this case, turning the free spirit of World Music into a housebroken animal, which is a pity. Some things simply don´t go well together. Overall there is plenty of great music here and even if the album sounds very commercial at times, it was created by excellent musicians, who meant well.
| | | CD 1 Digipak Recommend To A Friend |
  | AGA ZARYAN ~ KSIEGA OLSNIEN
EMI 5099908449627 (Barcode: 5099908449627) ~ POLAND ~ Jazz & Poetry
Recorded: 2011 Released: 2011
This is the seventh album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and a close companion to the album "A Book Of Luminous ThingsFind albums with this title", released a few months earlier. If fact these two albums are identical as far as their instrumental contents is concerned, with the difference being that this album features lyrics in the Polish language, as opposed to its predecessor, which featured lyrics in English. Another slight difference is the fact that Polish Jazz vocalist Grzegorz TurnauFind albums by this artist guests on one song. I suggest to the reader to check out my review of "A Book Of Luminous Things" in order to explore the background information about these two albums and their relation to the poetry of Czeslaw MiloszFind albums by this artist as well as the information about the musicians involved in the recording.
One should not, however, assume that this is just a Polish language version of the same album. Language, and therefore consequently vocals, are intertwined intimately, as I´ve been trying to explain since many years. Each human language has its own melodic expression, flow, sensitivity, coloristic, sonority, etc. As a result the same song, sung in two different languages, simply "splits" into two separate entities, which can vary tremendously. This is even more obvious and evident in the case where the lyrics of the song are based on a poem, like all the songs here.
Most of the poems used as lyrics of these songs were originally written in Polish, which of course means that their "true" nature is full of the intricacies specific to that language, which are extremely difficult, if not impossible, to be translated into any other language. Just four of the songs here were translated from their original English version into Polish, which means that the majority of the poetry used appears in its original form. This fact has a tremendous influence on the result, which is quite different from the earlier version of the album.
Of course Jazz & Poetry is a very specific sub-genre, which demands a certain sensitivity and cultural background from its fans and avid followers, but even more so from the Artists involved. Zaryan brings forward her sensitivities, which are somehow, at least to me, much more complex and diversified in the Polish version of these songs. Her ability to play around with the words, juggle syllables, change accents and stretch notes are simply masterly herein. The very fact that these two albums use the same instrumental playback means that she managed to put together this album by surmounting such problems as different word lengths, accents, keeping the melodic lines intact and still manage to sound honest, moving and convincing. Definitely a victory of mind over matter!
Yes I personally prefer this version over the English language, not because it is "better" in any sense, but simply because as a natural Polish speaker it penetrates deeper into my psyche. People, who are not blessed with the knowledge of the Polish language, will definitely prefer the English version, in order to enjoy both the fabulous music and the wonderful poetry on their terms.
My admiration of Zaryan´s awareness of the importance of lyrics, which she constantly demonstrates during her career, cannot be overstated. Her understanding that the Polish version of this album is a worthy piece of Art of its own right and determination to pull it through is truly commendable.
| | Updated: 01/01/2016Posted: | CD 1 Digipak Recommend To A Friend |
  | AGA ZARYAN ~ UMIERA PIEKNO
EMI 5099909494428 (Barcode: 5099909494428) ~ POLAND ~ Jazz & Poetry
Recorded: 2007 Released: 2010
This is the 3rd album by the wonderful Polish Jazz vocalist Aga ZaryanFind albums by this artist, which marks the beginning of the second phase of her career. It is dramatically different from her two preceding albums in almost every conceivable artistic aspect, retaining only her beautiful vocal expression and the profound connection to Jazz. It is the first album, which finds her singing in the Polish language, her first recording which features string ensemble arrangements, but most importantly it marks the beginning of her love affair with poetry, or more exactly the Jazz & Poetry movement, which has deep roots in the Polish Jazz legacy. All these elements were to become the characteristic features of her future recordings.
The album was recorded in the intimate piano trio setting, with pianist Michal TokajFind albums by this artist, who also wrote the music for all the nine songs included on the album, bassist Michal BaranskiFind albums by this artist and drummer Lukasz ZytaFind albums by this artist. Some of the songs also feature subtle string arrangements, performed by an excellent large string ensemble expanded with harp and oboe. The album was recorded at the legendary Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, and not surprisingly is simply stunning sonically.
But of course the main focus of this album is the concept behind it, which is to commemorate the tragic 1944 Warsaw Uprising during WW II, which to this day is remembered as one of Polish history´s most heartbreaking and frustrating events. The album´s title "Umiera Piekno" ("Beauty Is Dying" in Polish), which is also the title of one of the songs, expresses the subject matter most astutely. The lyrics to all the songs on this album are poems written by people who participated in the uprising (and in the case of poetess Krystyna KrahelskaFind albums by this artist, who wrote four of the poems featured here, died while fighting), or others who wrote about the event. The subject matter is deeply moving and intrinsically painful and poignant, especially in view of the fact that the memory of the uprising was neglected and even purposely concealed by the Socialist regime. Zaryan performed the music from this album live during a special concert at the Warsaw Uprising Museum, which was broadcasted live by Polish radio and TV and amassed an incredible crowd of Warsaw´s inhabitants and is viewed by many as one of the most significant artistic achievements in the country´s cultural life in the last decade. It also resulted in the relatively anonymous Zaryan reaching unprecedented heights of popularity following the event.
In spite of the incredibly intense subject matter, the album turns out to be more melancholic than depressing, with the beautiful melodies and Zaryan´s delicate, almost whispered vocals simply enfolding and enchanting the listener and isolating him completely from his surroundings, building gradually an intimate exchange between the singer and her audience. Zaryan is obviously a sorceress putting her magic spells to work on every possible emotional level the listener is exposing, both consciously and subconsciously. As a result the music and the performances by the singer and her cohorts amount to an unprecedented work of Art.
Listeners, who are not familiar with the polish language, need not to worry. The overall effect of this music transcends language barriers with ease and elegance and listening to this album will be a rewarding experience for any sensible human being on this planet.
Side Note: This album was originally recorded in Poland in 2007 and released the same year on an independent label. This version of the album is released on EMIFind albums on this label in 2010, after the legendary Jazz label Blue NoteFind albums on this label (owned by EMI) signed Aga Zaryan as the first Polish Jazz artist in its roster.
| | Updated: 01/01/2016Posted: | CD 1 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ STORMBRINGER (35TH ANNIVERSARY EDITION)
EMI 5099926464527 (Barcode: 5099926464527) ~ UK ~ Classic Rock
Recorded: 1974 Released: 2009
This is a reissue / remaster of the ninth studio album by the legendary British Rock group Deep PurpleFind albums by this artist. It was the second (and last) album by the Mk III lineup of the group that included vocalist David CoverdaleFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Glenn HughesFind albums by this artist and drummer Ian PaiceFind albums by this artist. The album presented nine original songs co-written by the group members. This remastered edition was expanded with five bonus tracks, which are remixes of four album tracks and an instrumental version of one track. The bonus DVD audio offers the original Quad mix of the album in 5.1 and PCM stereo versions.
The lineup change had a relatively minor influence on the musical direction, with included elements of soul and funk, but the prevailing riff dominated and Blues influenced style remained mostly intact. Coverdale turned out to be a fierce lead vocalist, to some degree more rounded and stable that his predecessor. Sadly, this lineup would exist for just over a couple of years, producing just one more studio album, called “BurnFind albums with this title”.
Overall, this is an everlasting Classic Rock gem, which lost nothing of its glory over time and stands as an icon of what Rock music is all about, making contemporary “Rock” look utterly ridiculous. An absolute must in any decent record collection.
| | Updated: 18/09/2023Posted: 18/09/2023 | CD+DVD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | DEEP PURPLE ~ COME TASTE THE BAND (35TH ANNIVERSARY EDITION)
EMI 5099964786629 (Barcode: 5099964786629) ~ UK ~ Classic Rock
Recorded: 1975 Released: 2010
This is a reissue / remaster of the tenth studio album by the legendary British Rock group Deep PurpleFind albums by this artist. It was the only album by the Mk IV lineup of the group that included vocalist David CoverdaleFind albums by this artist, American guitarist Tommy BolinFind albums by this artist, who replaced the “irreplaceable” Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Glenn HughesFind albums by this artist and drummer Ian PaiceFind albums by this artist. The album presented nine original songs, mostly co-written by Bolin and Coverdale with some contributions by Hughes. This remastered edition was expanded with one bonus track, which is a single version, and also adds a whole second CD with new remixes of the original album and two additional bonus tracks, which are outtakes from the original recording sessions.
The lineup change had significant influence on the musical direction, which took the band closer to American Rock and featured heavy Funk influences, mainly due to Bolin’s guitar style and songwriting, but the prevailing riff dominated and Blues influenced style remained mostly intact. Coverdale turned out to be a fierce lead vocalist, to some degree more rounded and stable that his predecessor. Sadly, this lineup would exist for just a few months, and Deep Purple disbanded by mid-1976 and it will be only eight years later, when they would reform again. Bolin died of drug overdose just a few months after the band split.
Overall, this is an everlasting Classic Rock gem, which lost nothing of its glory over time and stands as an icon of what Rock music is all about, making contemporary “Rock” look utterly ridiculous. It is an absolute must to all Deep Purple fans and in deserves an honorable place in every decent record collection.
| | Updated: 13/05/2023Posted: 13/05/2023 | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | WIGWAM ~ WIGWAM PLAYS WIGWAM-LIVE
EMI 535949 ~ FINLAND ~ Progressive Rock
A live 2CD set by the reunited Wigwam playing a selection of their favorite tunes from their superb albums released in the early 70` and of course some new material. A great treat to all Wigwam fans who did not forget this seminal band and followed the path of all individual players through the years. This is great music in every respect.
| | | CD 2 Recommend To A Friend |
  | JETHRO TULL ~ WAR CHILD (EXPANDED EDITION)
EMI 541571 ~ UK ~ Progressive Rock
Recorded: 1974
7th album by Jethro TullFind albums by this artist. After 2 incredible concept albums it took the group over a year to produce this one, which marked a return to the conventional song format, although the predominant central theme (violence) is present. Also new are some orchestral arrangements, which even meant touring with a string quartet. Great tunes and perfect performances as usual.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ MINSTREL IN THE GALLERY (EXPANDED EDITION)
EMI 541572 (Barcode: 724354157226) ~ UK ~ Progressive Rock
Recorded: 1975
8th album by Jethro TullFind albums by this artist. This beautiful work marks the transition of the group between the epic concept albums back to the song format (It containes one extended composition `Baker St. Muse`). Also the fascination of JT leader Ian AndersonFind albums by this artist with English folk music and themes is becomming more evident and the blues and rock roots are delicately covered. A masterpiece in every respect.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ TOO OLD TO ROCK `N` ROLL: TOO YOUNG TO DIE!
EMI 541573 ~ UK ~ Progressive Rock
Recorded: 1976
9th album by Jethro TullFind albums by this artist. Although harshly criticized at the time of its release, in retrospect this is as good as any other JT material. Originally planned for a stage play, this semi-concept album deals with the personal and social changes in the rock ´n´ roll world and is considered Anderson´s statement on the subject. This album also marks the first line-up chage in four years.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT
EMI 596789 ~ UK ~ Blues
Recorded in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord.
| | Updated: 24/02/2021Posted: | CD 2 Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT
EMI 599184 ~ UK ~ Blues
Filmed in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord. Dolby Digital 5.1 Surround Sound, 130 minutes.
| | Updated: 24/02/2021Posted: | DVD 1 Bonus Tracks Recommend To A Friend |
  | MARILLION ~ LIVE FROM LORELEY
EMI 599726 (Barcode: 724359972695) ~ UK ~ Progressive Rock
Recorded: 1987 Released: 2004
Filmed shortly before FishFind albums by this artist left MarillionFind albums by this artist to pursue a solo career, the band being in top form and at a peak of their popularity. The material includes a great selection of their all time favorites, going back to Jester`s Tear and spanning all the other albums released up to that time. Although released on VHS years ago, this film was out of circulation for a long time and is now most welcome back on the shelves. Dolby Digital Stereo, 87 minutes.
| | | DVD 1 Remastered Recommend To A Friend |
  | TOMORROW ~ TOMORROW (EXPANDED EDITION)
EMI 724349881921 (Barcode: 724349881921) ~ UK ~ Psychedelic Pop & Rock
Recorded: 1967 - 1968 Released: 1999
This is the remastered and expanded reissue of the only album by short-lived British Psychedelic Pop / Rock band TomorrowFind albums by this artist, which comprised of vocalist Keith WestFind albums by this artist, guitarist Steve HoweFind albums by this artist, bassist John WoodsFind albums by this artist (a.k.a. JuniorFind albums by this artist) and drummer John AlderFind albums by this artist (a.k.a. TwinkFind albums by this artist). The album´s producer Mark WirtzFind albums by this artist played keyboards on the album. This expanded edition also features solo material by West, which was recorded with Howe, bassist Ronnie WoodFind albums by this artist and drummer Aynsley DunbarFind albums by this artist and tracks recorded by The Aquarian Age sidekick band which was Twink and Junior
Although quite charming and innovative at the time, in retrospect Tomorrow were not much different from hundreds of other Psychedelic bands that were popping up on the British scene in the late 1960s. The album was quickly deleted from the Parlophone catalog, only to be elevated to a "lost gem" status a few years later when Howe became the guitar hero for Yes and the hype hit the fan.
The band moved in the same circles as other early Psychedelic bands, like Soft MachineFind albums by this artist, John`s ChildrenFind albums by this artist, Arthur BrownFind albums by this artist and many others and their material sounds similar, but alas less impressive than the songs written by these bands. West was not a very impressive vocalist and an uneven songwriter (he authored almost all the songs appearing here). Howe played some nice guitar licks on this album and to be honest his playing did not improve much after this.
Overall this is a nice document of an era, accurately preserving the carefree atmosphere of the time and the spirit of searching and experimentation, which existed in Pop and Rock as much as in other music genres and of course other Arts. This is definitely worth checking out by Psychedelia lovers.
| | Updated: 12/01/2016Posted: 12/01/2016 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | DEEP PURPLE ~ WHO DO WE THINK WE ARE
EMI 724352160723 (Barcode: 724352160723) ~ UK ~ Classic Rock
Recorded: 1972 Released: 2000
This is a reissue / remaster of the seventh studio album by the legendary British Rock group Deep PurpleFind albums by this artist. It was the last album by the first incarnation of the Mk II lineup of the group that included vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. The album presented seven original songs co-written by the group members. This remastered edition was expanded with seven bonus tracks, which include remixes, outtakes and a lengthy instrumental jam.
Grueling touring and recording schedule did not prevent from the band to create absolute master albums one after another, and this one is an excellent example of their early work. Deeply influenced by Blues and with some Prog tendencies, this album remains an icon of Classic Rock fifty years after it was recorded. No other Rock band managed to produce such an outstanding series of albums with absolutely no weak tracks on them like Deep Purple Mk II.
Overall, this is an everlasting Classic Rock gem, which lost nothing of its glory over time and stands as an icon of what Rock music is all about, making contemporary “Rock” look utterly ridiculous. An absolute must in any decent record collection.
| | Updated: 16/07/2022Posted: 16/07/2022 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | PHIL WOODS / EUROPEAN RHYTHM MACHINE ~ ALIVE AND WELL IN PARIS
EMI 724353965426 (Barcode: 724353965426) ~ USA ~ Jazz
Recorded: 1968 Released: 2002
This is a reissue / remaster of the debut album by the great American saxophonist / composer / bandleader Phil WoodsFind albums by this artist, recorded with his European rhythm section under the moniker European Rhythm MachineFind albums by this artist, which includes Swiss pianist George GruntzFind albums by this artist, French bassist Henri TexierFind albums by this artist and Swiss drummer Daniel HumairFind albums by this artist. The album presents five tracks, two of which are originals by Woods and three are standards.
Woods was one of the first American musicians, who discovered Europe as a source of brilliant Jazz musicians, and he toured and recorded in Europe extensively in the late 1960s and early 1970s, after he moved to Paris, where he stayed between 1968 and 1972.
Although the music is pretty straightforward mainstream Jazz / Bebop, Woods’s incredible fluency and beautiful tone, and the superb performances by the rhythm section, make this an example of what swinging is all about, leaving everything that happened on the other side of the pond far behind.
Gruntz, Texier and Humair are all leaders of the European scene, which was just exploding at the time this album was recorded, and stayed as pillars of the Jazz activity for many years, recording hundreds of brilliant albums in the process.
Overall, this is one of the best possible marriages between American and European Bebop ever as are all the albums recorded by this quartet, and all of them lost absolutely nothing of its vitality and pure genius over time. A timeless classic!
| | Updated: 05/07/2024Posted: 05/07/2024 | CD 1 Digipak Remastered Recommend To A Friend |
  | PINK FLOYD ~ A SAUCERFUL OF SECRETS
EMI 829751 ~ UK ~ Progressive Rock
2nd album from 1968. This is a transitional album marking several dramatic chenges for the band. The influence of Syd Barrett on the music is much less significant then on the debut album, as he was loosing his grip on the group (and apparently reality as well) and contributed only 1 song here. This leads to a change of style with the music moving away from psychedelia and into the ambient / electronic genre, which was to dominate several of their following releases.
| | | CD 1 Remastered Recommend To A Friend |
  | PINK FLOYD ~ THE PIPER AT THE GATES OF DAWN
EMI 831261 ~ UK ~ Progressive Rock
1st album from 1967 by this legendary band. This is often considered as one of the pivotal albums of popular music in the 20th centry and one that gave birth to psychedelia, space rock, Prog and alternative rock. Although strongly based in the British pop roots, it mixes for the first time elements of electronics and sound effects in a way never previously attempted. At that time the dominant figure in the group was of course Syd Barrett, whose Avant-Garde approach pushed popular music as known at that stage to its limits. A classic!
| | Updated: 12/04/2019Posted: | CD 1 Remastered Recommend To A Friend |
  | MARILLION ~ SEASONS END (EXPANDED EDITION)
EMI 857713 (Barcode: 724385771323) ~ UK ~ Progressive Rock
Recorded: 1989 Released: 1997
5th studio album by MarillionFind albums by this artist and first after FishFind albums by this artist left the band a year earlier. Steve HogarthFind albums by this artist was the replacement and to the band`s many fans his performances, although different from the original singer, were as strong and dramatic. Brilliant material makes this one of the best Marillion albums ever and an appropriate opening of the second life for the band.
A whole CD of bonus material added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ SCRIPT FOR A JESTER`S TEAR (EXPANDED EDITION)
EMI 857865 (Barcode: 724385786525) ~ UK ~ Progressive Rock
Recorded: 1983 Released: 1997
1st studio album by MarillionFind albums by this artist, the pioneers of Neo-Prog. Considered as one of the best debut albums in Prog and extremely influential, leading to a renaissance of the Prog genre. The first reincarnation of Marillion included the fascinating and enigmatic vocalist FishFind albums by this artist, who was one of their many fortes. A classic by all standards!
A whole CD of bonus material added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | HOLLIES ~ CLARKE, HICKS & NASH YEARS (THE COMPLETE HOLLIES APRIL 1963 – OCTOBER 1968)
EMI 96242 (Barcode: 5099909624221) ~ UK ~ Classic Rock
Recorded: 1963 - 1968 Released: 2011
This magnificent Box Set compiles (as the title suggests) the entire recorded output by the British Pop / Rock group the HolliesFind albums by this artist, from their inception and until the moment founding member Graham NashFind albums by this artist left the group to move to the US and join forces with David CrosbyFind albums by this artist and Stephen StillsFind albums by this artist. I´ll make this brief: I´ve always considered the Hollies to be the best ever British group of the 1960s, way ahead of the BeatlesFind albums by this artist and scores of others. Now I have a great argument for my adversaries; next time another discussion about the British scene supremacy erupts I´ll simply point towards this Box Set – discussion closed! This is a marvelous lesson in music history. Beyond essential!
| | Updated: 26/01/2019Posted: | CD 6 Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | LOVE SCULPTURE ~ BLUES HELPING
EMI 99416 ~ UK ~ Blues
1st album from 1968 by this UK Blues trio with sensational guitar playing by Dave Edmunds, who unfortunately later in his career aborted his great gift for blues. The material is pretty standard (except a great version of Summertime), but the performance absolutely brilliant. Blues guitar fans still wet their lips hearing this after all these years.
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | LOVE SCULPTURE ~ FORMS AND FEELINGS
EMI 99768 ~ UK ~ Blues
2nd and last album from 1970. On this one the band leaves behind the simple blues formula and moves into more experimental ground with slelf-penned material and two covers of classical pieces, one of which (Sabre Dance) produced an unexpected mega hit for them. Edmunds` guitar work is brilliant and gutsy, a delight for the Gibson sound fans.
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | QUEEN ~ QUEEN
EMI JAPAN 67341 ~ UK ~ Classic Rock
1st album from 1973. Although largely overshadowed by the later masterpieces, this is a very strong debut album by one of the most popular and revered Rock bands of all times. Basically a Hard Rock album, dominated by the excellent guitar work (with many overdubs and effects) by Brian May and Freddie Mercury´s vocal acrobatics. In retrospect it is a classic of the genre.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ QUEEN II
EMI JAPAN 67342 ~ UK ~ Classic Rock
2nd album from 1974. Heavier and darker then the debut, this was their first album to win both the critics and the fans approval and hit the charts. It still does not reach the level of magic and perfection acheived on the 3 albums that follow, but it is a great classic nevertheless. It was also the first album to reach US on a wide scale and win the band the huge following there.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ SHEER HEART ATTACK
EMI JAPAN 67343 ~ UK ~ Classic Rock
3rd album from 1974. Considered as the first of Queen`s true classic albums. The group was slowly moving away from the Hard Rock basics and generating their own characteristic style by mixing elements of Rock and sophisticated Pop, with vocal harmonies and guitar pyrotechnics. A great collection of songs and just on the verge of world-wide explosive acclaim.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ A NIGHT AT THE OPERA
EMI JAPAN 67344 ~ UK ~ Classic Rock
4th album from 1975. Considered not only Queen`s absolute classic masterpiece, but also as one of the best Rock albums ever. It includes the track `Bohemian Rhapsody`, which was to become their anthem, and a great collection of songs, all perfectly executed and crafted. Full of humor, satire and even sheer absurdities, the group broke all boundaries and conventions on this one.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ A DAY AT THE RACES
EMI JAPAN 67345 ~ UK ~ Classic Rock
5th album from 1976. As the title suggests, this was in many ways a companion album to its masteful predecessor. As much as they struggled to acheive the same level of brilliance, they never managed to match it, but addmitedly they did manage to come damn close. It is a brilliant album in every respect and a timeless masterpiece.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ LIVE KILLERS
EMI JAPAN 67461-62 ~ UK ~ Classic Rock
First live (double) album by Queen from 1979. At the time of the recording the group already reached legendary status and filled up the biggest stadiums all around the world. The material includes selections from their debut, 1973´s Queen, up until 1978´s Jazz, the album is a solid mix of early hits and forgotten album tracks. The extatic crowd sings along with their heros and in retrospect this is a wonderful document of the era.
Limited Edition
| | | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ LIVE AT WEMBLEY STADIUM
EMI JAPAN 67464-65 ~ UK ~ Classic Rock
Recorded in 1986 at the gigantic Wembley Stadium in London and released `posthumously` (first in 1992 and now in 2003 with 4 additional songs) proves once and for all that Queen was a superior live band. The band is superb all the way through and the fans have a ball of their lifetime. Great sound quality and excellent material make this a must to any Queen collector.
Limited Edition
| | | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | BOWIE, DAVID ~ SPACE ODDITY
EMI JAPAN 70141 (Barcode: 4988006849778) ~ UK ~ Classic Rock
Recorded: 1969 Released: 2007
2nd album, originally released in 1969 as Man Of Words / Man Of Music and then re-released under this title in 1972, following the phenomenal success of the single of the same title (and a change of labels). As usual with Bowie, this album is stylistically different than it’s followers, being basically a Psychedelic / Folk Rock affair. Soon after Bowie would venture into Heavy Rock and Glam Rock and later continuously change styles and moods like a musical chameleon (for which the critics would often criticize him). Bowie wrote all the songs and he also plays most of the instruments. The luster production (by Tony Visconti) adds another value of course and all together this is a charming collection of songs, perhaps less coherent that his later work, but nevertheless still interesting. It is pretty obvious Tyrannosaurus Rex and other early UK Psychedelic acts influenced Bowie to some degree, but his individuality is already quite apparent here. A must to all Bowie fans.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | BOWIE, DAVID ~ THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
EMI JAPAN 70144 (Barcode: 4988006849808) ~ UK ~ Classic Rock
Recorded: 1972 Released: 2007
5th album and one of the Rock’s all time most famous (and most hyped) icons. Following the release of two albums with his band (The Man Who Sold The World and Hunky Dory), Bowie began working on a concept album involving an androgynous bisexual rock star from outer space. He named his band (which included guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey) The Spiders From Mars and he himself adopted the name Ziggy Stardust. The resulting album soon turned into an immediate success, based on the created hype and supporting tour of concerts, which Bowie skillfully used to perfect his incredibly strong on-stage personality. The hype spilled over to the US and Bowie became a world class star soon after. The music, very innovative at the time, mixes elements of Rock and theatrical drama, creating a genre that is all Bowie. The album still sounds very strong 35 years later, including the timeless Rock classics like Starman or Ziggy Stardust. A classic!
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | SOFT MACHINE ~ BUNDLES
ESOTERIC 2196 (Barcode: 5013929729629) ~ UK ~ Canterbury Scene
Recorded: 1974 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the first of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, keyboardist Mike RatledgeFind albums by this artist, guitarist Allan HoldsworthFind albums by this artist, bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. Saxophonist Ray WarleighFind albums by this artist helps out on one tune. The music is quite different from anything the band recorded previously, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. Holdsworth delivers some of his best playing to date but the overall level of musicianship is astounding. In retrospect this is still one of the best British Jazz-Rock albums and a magnificent piece of music history. An absolute must!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ SOFTS
ESOTERIC 2202 (Barcode: 5013929730243) ~ UK ~ Canterbury Scene
Recorded: 1976 Released: 2010
By 1974 the legendary Soft Machine switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end. But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock. This was the second of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, saxophonist Alan WakemanFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Roy BabbingtonFind albums by this artist and drummer John MarshallFind albums by this artist. The last founding member of Soft Machine, keyboardist Mike RatledgeFind albums by this artist left in the midst of recording of this album and his contribution here are minor. The music is a continuation of the direction set by its predecessor, based upon shorter and beautifully composed melody lines. There is still plenty of improvisation by the players, but it´s much more settled and well organized. In retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans.
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE & WELL: RECORDED IN PARIS (EXPANDED EDITION)
ESOTERIC 2234 (Barcode: 5013929733428) ~ UK ~ Canterbury Scene
Recorded: 1977 Released: 2010
By 1974 the legendary Soft MachineFind albums by this artist switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end (for the time being).
But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock.
This, the group´s 1st formal live album, was the third of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, violinist Rick SandersFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Steve CookFind albums by this artist and drummer John MarshallFind albums by this artist. It was recorded live at the Parisian "Theatre Le Palace, Monmartre". The music includes material from the two previous Harvest albums, as well as previously unrecorded tunes. There is plenty of improvisation by the players, but it´s much more settled and well organized.
Overall, in retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans. This expanded edition includes a whole second CD of previously unreleased material recorded at the same concert dates.
| | Updated: 06/07/2024Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | TASAVALLAN PRESIDENTTI ~ TASAVALLAN PRESIDENTTI (II)
SVART 298 (Barcode: 6430065588535) ~ FINLAND ~ Jazz-Blues Fusion
Recorded: 1970 Released: 2019
This is a reissue of the second album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This album, same as the debut, was also eponymous and therefore its title is often supplemented with (II) to distinguish between the two. This album was recorded in Sweden and originally released on Swedish EMIFind albums on this label in hope of exposing the group to a wider European audience.
The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish LoveFind albums on this label Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.
By the time this album was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist. The album presents nine original tunes, eight of which feature lyrics (in English) by Robson. The music was composed by Groundstroem, Tolonen and Robson or co-composed by all members of the group.
The music is absolutely stunning and every bit as good as the best efforts produced at the time in the UK. With a big heavy sound, obvious Blues influence and featuring wicked flute solos it resembles the early albums by Jethro TullFind albums by this artist and many other proto Jazz-Rock Fusion and Progressive bands of the era. Robson´s expressive vocals and English accent make this music sound as if produced by a British group, which enabled Tasavallan Presidentti to tour the UK several times, where I heard and met them for the first time.
The unique combination of extraordinary instrumental abilities and sublime songwriting, which was about to explode on their next album "LambertlandFind albums with this title" made Tasavallan Presidentti one of the unforgettable and iconic bands in Finnish music history, which in its entirety remains one of the greatest hidden treasures of the European music scene.
For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.
| | Updated: 21/04/2020Posted: 20/04/2020 | CD 1 Remastered Recommend To A Friend |
  | GRYPHON ~ TREASON
TALKING ELEPHANT 149 (Barcode: 5028479014927) ~ UK ~ Progressive Rock
Recorded: 1977 Released: 2009
5th and last album by the wonderful British Prog group Gryphon, one of the most unique and sophisticated bands to appear on the scene in the 1970s. Following the release of "RaindanceFind albums with this title" the band went through a period of personnel changes only to emerge again two years later with this, their final swan song, after switching labels to EMIFind albums on this label´s Progressive HarvestFind albums on this label label. A sextet with three founding members (Harvey, Gulland and Oberle) they were joined by guitarist Bob FosterFind albums by this artist, bassist Jonathan DavieFind albums by this artist and drummer Alex BairdFind albums by this artist. Although the album is more song-oriented, it retains the band´s spirit and in retrospect remains definitely worthy of the band´s reputation and integrity, unjustly referred to (by some critics) as superior to the previous releases. Definitely worth investigation, especially as is quite difficult to find on CD. Warmly recommended!
| | | CD 1 Recommend To A Friend |
  | NICK INGMAN ~ TERMINATOR
VOCALION 8423 (Barcode: 765387842321) ~ UK ~ Jazz-Rock Fusion
Recorded: 1976 Released: 2006
Keyboardist / composer / arranger Nick IngmanFind albums by this artist was one of the most important arrangers on the UK music market in the 1970s. As part of the Production Company run by ex-EMIFind albums on this label stuff producers George MartinFind albums by this artist and Norrie ParamorFind albums by this artist, he arranged albums for some of Britain’s most famous Pop and Rock stars. In parallel he released albums with his own compositions, which had a strong Jazz influence. Ingman studied with bassist / composer Graham CollierFind albums by this artist, who deeply influenced his approach to music, as well as at the Berklee School of Music in Boston. This is the last of the seven solo albums Ingman recorded and is the most Jazz influenced of them all. It’s a masterpiece of arrangement, which employs a large Big Band / Orchestra and a group of first rate session musicians and Jazz soloist. Ingman composed six of the eleven tracks on this album. Beautifully recorded and performed, this is a prime example of instrumental music, which is extremely difficult to categorize. The closest I can come up with is orchestral Jazz-Rock Fusion. Great stuff!
| | | CD 1 Remastered Recommend To A Friend |
  | MIDDLETON-AHWAI / MORRISSEY-MULLEN BAND ~ ANOTHER SLEEPER / CAPE WRATH
VOCALLION 8493 (Barcode: 765387849320) ~ UK ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2012
This is a wonderful reissue of two albums recorded in 1979 and originally released on the legendary HarvestFind albums on this label label, EMIFind albums on this label´s progressive imprint, which present the Funk side of the British Jazz-Rock scene at the time. Keyboardist Max MiddletonFind albums by this artist and guitarist Robert AhwaiFind albums by this artist, who are present on both these albums, were among the movers and shakers of the British Jazz-Funk in late 1970s and 1980s, proving that American-born Funk penetrated deep the seemingly cold British character and mixed with Jazz roots created some mighty fine music.
"Another SleeperFind albums with this title" is the only album by a group co-led by Middleton and Ahwai and it features eight original compositions, six by Middleton and two by Ahwai. The group also includes bassist Kuma HaradaFind albums by this artist, drummer Richard BaileyFind albums by this artist, percussionist Darryl Lee QueFind albums by this artist, a brass section and background vocalists. The music is mostly Jazzy and the Funk element is expressed by what the rhythm section players do in the background. Middleton, a superb keyboardist and improviser, plays some great licks here, which often sound like Chick CoreaFind albums by this artist´s work with Return To ForeverFind albums by this artist. In retrospect this albums sounds definitely as something deserving more attention that it ever achieved at the time of its release.
"Cape WrathFind albums with this title" is the second album by the group co-led by saxophonist Dick MorrisseyFind albums by this artist and guitarist Jim MullenFind albums by this artist, which was Britain´s most revered Jazz-Rock-Funk ensemble at the time. On this album the other members of the band are four musicians playing on "Another Sleeper": Middleton, Ahwai, Harada and Bailey and percussionist Tony CarrFind albums by this artist. They play eight pieces, five of which are original compositions, two each by Middleton and Mullen and one by Morrissey, two are Jazz standards and one is an arrangement of a Pop song. The level of the musicianship here is truly excellent and the album is great fun to listen to after all these years.
Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz-Rock-Funk, a rather less frequently re-visited chapter in the British Jazz history, but one that has quite a few surprises to offer, when an effort is made. Definitely worth investigating for listeners who enjoy the "lighter" side of Jazz, which at its best can be as good as the "serious" side of the music.
| | Updated: 16/02/2024Posted: | CD 2 Remastered Recommend To A Friend |
  | VARIOSPHERES ~ LIVE IN SOLOTHURN
ZBIGNIEW SEIFERT FOUNDATION 2 (Barcode: 5907222048016) ~ POLAND ~ Jazz
Recorded: 1976 Released: 2017
This is an archival release of a live recording by the European quartet VariospheresFind albums by this artist, led by the legendary late Polish Jazz violinist Zbigniew SeifertFind albums by this artist, which also included Belgian pianist Michel HerrFind albums by this artist, Swiss bassist Hans HartmannFind albums by this artist and Polish drummer Janusz StefanskiFind albums by this artist. They perform six compositions, four of which were composed by Seifert, one by Herr and the remaining one is unidentified.
Variospheres, which existed actually in two different lineups, was Seifert vehicle for European touring and of course part of his personal development as a composer and a player. Recorded in January of 1976 this live performance was a beginning of a hyperactive period in Seifert´s life. In that year alone he recorded albums with Joachim KuhnFind albums by this artist ("SpringfeverFind albums with this title" for AtlanticFind albums on this label) and Charlie MarianoFind albums by this artist ("Helen 12 TreesFind albums with this title" for MPSFind albums on this label) and his first album as a leader ("Man Of The LightFind albums with this title" for MPS) as well as his solo violin album ("Solo ViolinFind albums with this title" for EMIFind albums on this label which was released only a couple of years later). Sadly that year also brought the discovery of his illness, which took his life just three years later.
The music is typical of the modern European Jazz of that period, which was heavily involved in post-Coltrane Free improvisation and constant search of new forms of expression. The European scene, on both sides of the Iron Curtain, was buzzing with incredible productivity and discovery, and Seifert and his quartet represent the atmosphere of the period perfectly.
Although the sound quality of this recording is far from perfect, it manages to bring forward the incredible intensity of the music and the total involvement from the musicians. Seifert and Herr deliver lengthy fiery solos and the rhythm section supports the music and drives it ahead, both during the more swinging parts as well as during the freely improvised parts. Seifert´s incredible compositions are always a delight.
The importance of the fact that this music is finally seeing a release, over forty years after it was recorded, is enormous. It adds to Seifert´s relatively limited recorded legacy and sheds light on a very interesting period in European Jazz, which is always more than welcome. For the numerous Polish Jazz and Seifert´s music connoisseurs this is an obvious must, and we should all be grateful to the Zbigniew Seifert FoundationFind albums on this label, run by the incredible Aneta NorekFind albums by this artist, who is also the author of the excellent Seifert´s biography, for faithfully bringing Seifert´s legacy into the limelight!
| | Updated: 22/06/2018Posted: 03/01/2018 | CD 1 Digipak Remastered Recommend To A Friend |
|
