Record Reviews
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  | OLLI AHVENLAHTI / UMO ~ SEAWINDS: THE COMPLETE YLE STUDIO RECORDINGS 1976-1981
SVART 171 (Barcode: 6430065583486) ~ FINLAND ~ Big Band Jazz
Recorded: 1976 - 1981 Released: 2018
This is an archival album collecting all the recordings by Finnish keyboardist / composer Olli AhvenlahtiFind albums by this artist recorded with the superb UMOFind albums by this artist Jazz Orchestra for the YLE (Finnish Broadcasting Company). The album presents fifteen tracks, including the five-part "Seawinds" suite, which gave the album its title. All the music was composed and arranged by Ahvenlahti.
UMO, founded in 1975, turned out to be Finland´s most renowned Jazz Big Band / Orchestra, active to this very day. Over the years its ranks included the absolute who’s who of the Finnish Jazz scene, as well as numerous international guests, and produced a remarkable recording legacy.
On these recordings the UMO was in its early days, but already offered a remarkable level of professionalism and talent, as well as a typical European approach to the Big Band Jazz sound and style. It included such formidable players as saxophonists Pekka PoyryFind albums by this artist, Eero KoivistoinenFind albums by this artist, Juhani AaltonenFind albums by this artist, Pentti LahtiFind albums by this artist and Paroni PaakkunainenFind albums by this artist, trumpeter Kaj BacklundFind albums by this artist, trombonist Mircea StanFind albums by this artist, pianist Heikki SarmantoFind albums by this artist, bassists Pekka SarmantoFind albums by this artist and Pekka PohjolaFind albums by this artist, drummer Esko RosnellFind albums by this artist and many others. Ahvenlahti played keyboards and the orchestra was conducted by Esko LinnavalliFind albums by this artist. Three of the tracks feature the wonderful vocalist Irina MilanFind albums by this artist, singing music composed to Finnish poetry.
The music is beautifully melodic and at the same time complex enough to keep the listener on his toes. The superb Big Band arrangements and wonderful soloing turns this album into an excellent listening experience, which is fresh and full of youthful energy with a slight Fusion tinge. All the sections of the Big Band are perfectly utilized to create a big sound, but the listener is able to hear each individual; instrument. The excellent rhythm section drives the music forward with zest and elegance.
Overall this is a great Big Band Jazz album that lost nothing of its power and freshness over time and sounds every bit as exciting as it did at the time of the recording. For European Big Band Jazz fans this is a true feast and for the many UMO followers around the world this is an absolute must have. Wholeheartedly recommended!
| | Updated: 12/07/2020Posted: 12/07/2020 | CD 1 Remastered Recommend To A Friend |
  | EERO KOIVISTOINEN ~ 3RD VERSION
PORTER 1511 (Barcode: 656605793429) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1973 Released: 2010
Finland, the tiny Northern European country of ancient vast forest and crystal clear lakes is rarely ever considered, on the global scale of things, as a source of music. Some classical music connoisseurs might be familiar with the works of Finnish National composer Jean SibeliusFind albums by this artist, whose exquisite symphonies, concerti and suites are amongst the finest music ever written on this planet, but as far as Jazz, Rock or even Pop are concerned, only a minuscule group of people outside the country´s borders is aware of their existence and even fewer of their quality and significance. However, from the strictly statistical point of view, when calculated per capita, the number of bands, orchestras, choirs, composers, performers and records released in the country is calculated; Finland easily tops the list of countries. When one adds to that the highly developed musical schooling system and the open-mindedness of the Finns, who always welcome not only their own music, but any music from around the globe, it becomes quite clear that Finland, against all odds, is probably the most musical country in the word?
Finnish Jazz, which goes back in its history well before WWII and continuously developed over the years, is one of Finland´s most surprising and outstanding musical achievements. The post WWII generation of Finnish Jazz musicians was among the first to join the radical emancipation of European Jazz from the shackles of American conservatism and stagnation, developing themselves and with other European Jazz musicians a new Jazz idiom; based in the tradition and basic principles of improvisation, but also expanding the genre by incorporating elements of classical music and European folklore. These, mostly well educated players, who had a broader overall picture of music as an Art Form, turned Jazz into a highly intellectual, sophisticated and complex form of expression, which perhaps lacked some of the spontaneity and frivolity of their American counterparts, but definitely added other, not less essential elements, like elegance, multi-level and often poly-rhythmic approach and above all a much more delicate sense of melody, even if the music itself was sometimes completely free or spontaneously improvised.
Eero KoivistoinenFind albums by this artist (born 1946) ranks among the finest of Finnish Jazz musicians and is certainly one of the forefathers of modern Jazz in his country. Active on the scene since the mid-1960s, he was a member of the legendary Rock group Blues SectionFind albums by this artist and since the end of 1960s led his own Jazz ensembles. He was also one of the first Finnish musicians to study at the Berklee College of Music in Boston. He also cooperated closely with the UMO Jazz OrchestraFind albums by this artist, certainly one of the finest Jazz orchestras in the world, serving as its artistic director in the late 1990s. The complete list of his achievements is truly amazing.
Koivistoinen´s recording career as a leader began in 1968 with the recording of his first album "ValtakuntaFind albums with this title", a beautiful literary work based on poems by famous Finnish poets. This kind of Jazz & Poetry works is quite popular in Finland and the Finnish Jazz discography list many such efforts, another proof of the overall approach to music as part of culture in general. "3rd Version", his 7th album as a leader, finds Koivistoinen in the company of other excellent Finnish musicians: pianist Heikki SarmantoFind albums by this artist, guitarist Jukka TolonenFind albums by this artist, bassist Pekka SarmantoFind albums by this artist (Heikki´s brother) and drummer Reino LaineFind albums by this artist. American drummer Craig HerndonFind albums by this artist, a member of Sarmanto´s group and an old friend from the Boston days, also plays on the album. Except for Tolonen, who is mostly associated with Jazz-Rock Fusion due to his history as a member of the legendary Finnish bands Tasavallan PresidenttiFind albums by this artist and WigwamFind albums by this artist, the rest of the players are all pillars of the Finnish modern Jazz scene and all are virtuosi on their respective instruments.
Of the four lengthy tracks on the album, three were composed by Koivistoinen and one by Heikki Sarmanto. The music could be generally categorized as Fusion, but this is the European strain of Fusion, devoid of needless and endless doodling, with every moment contributing a new vista to the music. There is also a strong Latin feel to the album, with Cuban and other Latin rhythmic patters used often. The performances are of course stellar, as can be expected from such formidable participants. The solos are well structured and flow effortlessly, always faithfully supported by the fellow musicians. Koivistoinen´s saxophone (tenor, soprano and sopranino) sounds clear and eloquent at all times, soaring and diving like a bird. Sarmanto´s keyboards work is stunning, always elegant and flawless, his brother´s bass lines, steady as a rock and chronometer and yet playful and imaginative, are breathtaking.
It is truly a blessing to have this music available again, after years of neglect and lingering. Leaving it aside to be forgotten is simply a crime against culture! Thank God for PorterFind albums on this label Records, which finally makes this music available again to the general music-loving public, as they already did with other Finnish albums, hoping this splendid effort will be continued in the future. There is still so much music waiting to be unearthed.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 19/09/2018Posted: | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | EERO KOIVISTOINEN ~ THE ORIGINAL SIN
SVART 307 (Barcode: 6430077093621) ~ FINLAND ~ Jazz
Recorded: 1971 Released: 2021
"The Original SinFind albums with this title", recorded on August 13, 16 & 23, 1971, was the fourth album released by Finnish saxophonist / composer / arranger Eero KoivistoinenFind albums by this artist. Aged 25 at the time, Koivistoinen was already recognized at the time as a central figure on the burgeoning Finnish Jazz scene.
During his student days at the Sibelius Academy in Helsinki, one of the first European educational institutions to recognize Jazz as a valid musical Art Form worthy of academic studies, Koivistoinen frequented the Finland´s Capital Jazz club scene, performing at jam sessions. By 1967 he already had his first trio with bassist Pekka SarmantoFind albums by this artist (brother of pianist / composer Heikki SarmantoFind albums by this artist) and the legendary drummer Edward VesalaFind albums by this artist, who is often considered as the Godfather of modern Finnish Jazz. The trio played adventurous free-improvised Jazz, being the pioneers of Free Jazz in their country. Sadly, the trio never recorded an album and the only recorded evidence of their performances can be found on a live EP recorded at the Espoo Jazz Festival in 1967.
In 1967 the newly founded Finnish Jazz Federation (FJF), probably the best professional Jazz organization in Europe at the time, selected Koivistoinen as the first recipient of the annual Georgie Award in recognition for his outstanding talents. Two years later Koivistoinen performed for the first time outside of his country´s borders at the Montreux Jazz Festival in Switzerland (his performance at Montreux as a member of the International Festival Big Band was recorded and released on PolydorFind albums on this label), winning the festival´s competition for bands, which in turn led to his appearance at the Newport Jazz Festival in the US, exposing his talents on the global scale.
In the early 1970s Koivistoinen continued his studies in Jazz composition at the Berklee College of Music in Boston, where numerous of his compatriot Jazz musicians also studied over the years, starting with Heikki Sarmanto, who upon his return home brought over the American guitarist Lance GundersonFind albums by this artist who plays on this album. During the 1970s Koivistoinen recorded a stream of exceptional albums, which featured his compositional and arranging skills as well as his brilliant saxophone playing. Constantly re-inventing himself, his music kept changing during this decade and touched upon various Jazz genres, including his pioneering contribution to Jazz-Rock Fusion, but always remaining his very own.
Starting with "ValtakuntaFind albums with this title" (1968) and continuing with "OdysseusFind albums with this title" (1969), "For ChildrenFind albums with this title" (1970), "The Original Sin" (1971), "Muusa Ja RuusaFind albums with this title" (1971), "Wahoo!Find albums with this title" (1972), "3rd VersionFind albums with this title" (1973), "The Front Is BreakingFind albums with this title" (1976), "LabyrinthFind albums with this title" (1977) and finally "Live At The Belmont Jazz ClubFind albums with this title" (1977) Koivistoinen produced a body of work of amazing depth, beauty, sophistication and intellectual significance, which remains as a wonderful illustration of the Finnish and European Jazz heritage during that decade.
However, by the end of the 1970s, the immense popularity, which European Jazz managed to kindle, was gradually losing its steam. Record labels, owned by international mogul corporations, lost interest in any kind of adventurous music, Jazz included, and the number of Jazz releases went down considerably, a situation which affected Finland as well. Undeterred by this turn of events Koivistoinen decided to take matters into his own hands and established in 1983 one of the first musician-owned independent record labels, PROFind albums on this label Records, which enabled him to realize his musical projects.
This album is a deeply significant milestone in Koivistoinen´s musical development, since it presents for the first time the true depth of his compositions as well as his overall musical approach. It is also his first work with a large-scale ensemble, which enables him to utilize his arranging skills to a full extent.
The six compositions present here were recorded by three different lineups; a tentet ("Sinner", "Both & And" and "Rock & Roll"), a septet ("The Original Sin") and a sextet (the remaining two). The tentet comprised of: Eero Koivistoinen – tenor, alto & soprano saxophones, Tapani LuuppolaFind albums by this artist – trumpet, Jussi AaltoFind albums by this artist or Erkki LipponenFind albums by this artist – trombone, Pekka PoyryFind albums by this artist – tenor & alto saxophone, Pentti LahtiFind albums by this artist – baritone saxophone, Eero OjanenFind albums by this artist – piano, Lance Gunderson – guitar, Pekka Sarmanto – bass and Reino LaineFind albums by this artist & Esko RosnellFind albums by this artist – drums. The sextet comprised of: Koivistoinen, Ojanen, Gunderson, Sarmanto, Laine and Rosnell and the septet added Unto Haapa-ahoFind albums by this artist on bass clarinet.
Both the music and the performances are absolutely breathtaking, although the album focuses on ensemble playing rather than on extensive soloing, but of course there are still plenty of most impressive solos. An atmosphere of serenity, contemplation and wide-open spaces, typical in Finnish music, prevails even in the up-tempo passages, which turns listening to this album into a most satisfying love affair with music. The fact that it is now almost 50 years old is completely meaningless in this context, where true classics only get better with time.
Thanks to SvartFind albums on this label Records for making this musical treasure available again. Listeners interested in Finnish Jazz legacy are recommended to check out also the other Svart Records reissues documenting this burgeoning period.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 11/06/2021Posted: 11/06/2021 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | EERO KOIVISTOINEN / NORDJAZZ QUINTET ~ JAZZ LIISA VOL. 13 & VOL. 14
SVART 094 (Barcode: 6430065583011) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1974 - 1975 Released: 2017
Saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist is one of the Godfathers of modern Finnish Jazz with a career spanning six decades and a glorious legacy of recorded music spanning a wide range of stylistic explorations. The live radio broadcast captured here presents Koivistoinen and his quartet: pianist Heikki SarmantoFind albums by this artist (another iconic figure of the Finnish Jazz scene), his brother Pekka SarmantoFind albums by this artist on bass and drummer Reino LaineFind albums by this artist, hosting the superb Belgian guitarist Philip CatherineFind albums by this artist, who visited Finland at the time. On one track the quintet is expanded to a sextet when joined by the Bulgarian trumpeter Reicho IvanovFind albums by this artist.
They perform five original compositions, two composed by Catherine, and one each by Danish trumpeter Palle MikkelborgFind albums by this artist, Koivistoinen and Ivanov. The music is highly electric (Sarmanto plays electric piano, Catherine electric guitar and even Ivanov plays an electric trumpet – see the Fusion group Eleventh HouseFind albums by this artist led by Larry CoryellFind albums by this artist, which had a similar lineup), which results in a charged Fusion fury, comparable to the best work of Mahavishnu OrchestraFind albums by this artist, and offering some of the finest quality of the genre ever recorded.
I am happy to say that Koivistoinen and Heikki Sarmanto have been my friends since decades and I had the immense pleasure to write liner notes for their albums.
The Nordjazz QuintetFind albums by this artist was a collaborative ensemble combining Jazz musicians from the Nordic countries (as opposed to Scandinavian, which means only Denmark, Norway and Sweden and not Finland and Iceland). The lineup changed over time and the one captured on this live broadcast includes Finnish saxophonist / flautist Pekka PoyryFind albums by this artist, Danish pianist Ole Kock HansenFind albums by this artist, Norwegian guitarist Nils Petter NyrenFind albums by this artist, Swedish bassist Kjell JanssonFind albums by this artist and Icelandic drummer Petur OstlundFind albums by this artist.
They perform three original compositions, one composed by Hansen and two composed by Finnish Jazz musicians, both keyboardists / composers, not members of the ensemble: Olli AhvenlahtiFind albums by this artist and Jukka LinkolaFind albums by this artist. The music serves as basis for extended improvisations within the Fusion oriented idiom, featuring extensive soloing.
These two sessions are ideally matched together and this CD is definitely one of the strongest and most coherent within the Jazz Liisa series.
Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.
The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.
The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.
This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
| | Updated: 13/06/2020Posted: 13/06/2020 | CD 1 Remastered Recommend To A Friend |
  | SONNY ROLLINS / HEIKKI SARMANTO ~ LIVE AT FINLANDIA HALL, HELSINKI 1972
SVART 609 (Barcode: 6430080233304) ~ FINLAND ~ Jazz
Recorded: 1972 Released: 2023
By mid-1971 the great American saxophonist / composer Sonny RollinsFind albums by this artist returned to public performances following his “second sabbatical”, and in the summer of 1972 he recorded his first new studio album in six years, starting the thirty years long stint with the legendary MilestoneFind albums on this label Records label, which resulted in twenty-two albums, and which earned him the title of “Saxophone Colossus”.
Finnish pianist / composer Heikki SarmantoFind albums by this artist was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston in 1968. His arrival in America was soon after followed by a hyperactive activity of performing on the local Boston scene, to be extended afterward also to the NY scene, where Sarmanto met, among many other American Jazz musicians, also with Sonny Rollins. When Rollins was invited to perform at the Finland Festival in the summer of 1972, he opted to play a concert with the Heikki Sarmanto trio, with Sarmanto on the Fender Rhodes electric piano, his brother Pekka SarmantoFind albums by this artist on bass and Esko RosnellFind albums by this artist on drums. The historic concert took place at the magnificent Finlandia Hall, an architectural marvel, which was completed only a few months earlier. The concert was recorded by the YLE (Finnish Broadcasting Company), and is presented herein for the first time fifty years after it was recorded. Sarmanto remembers:
“When we talked about the concert at The Finlandia Hall, we both remembered that we had a full house with an enthusiastic audience. We also remembered that Sonny stayed at the classic Hotel Vaakuna and that he bought some 10 pairs of nice bell-bottoms from the Seppälä clothing store in Helsinki.”
The music is everything one might have hoped for, with extensive improvisations and incredible soloing by the musicians. Two standards and one original by Rollins, which last between sixteen and twenty-four minutes, offer ample opportunity to illustrate both the quartet vibe and individual virtuosity. Rollins seems to be especially in high spirits and his powerful and expressive playing, full of sense of humor, is simply marvelous. He even manages to quote some hints of Jean SibeliusFind albums by this artist’ “Finlandia” tone poem as a tribute to the venue. Sarmanto’s electric piano offers a fresh aura and delicate melodious sensitivity, his brother’s bass playing swings and pulsates superbly and Rosnell’s drumming drives the music like a ship with sails full of wind and his solo, which ends the concert, leaves the audience ready for a standing ovation.
American Jazz musicians often performed in Europe and some even relocated to Europe (including Finland) in view of the racist politics and lack of Artistic recognition they were exposed to back home at the time. In most cases American Jazz musicians would come over to Europe with their combos, and the fact that Rollins decided to play with the Finns speaks volumes about his respect for Sarmanto’s talent and personality, that continued for years to come. Sarmanto mentions that:
“Later on, in the early 80s, Sonny´s and Heikki´s collaboration resulted in a major project. Sonny hired Heikki to arrange, orchestrate and conduct Sonny´s “Concerto For Tenor Saxophone and Orchestra”. This massive two-hour work was premiered in Tokyo in 1986 with Yomiuri Nippon Symphony OrchestraFind albums by this artist, conducted by Heikki, Sonny as soloist. The premier was a success, and after Tokyo, Sonny and Heikki took the concerto to Italy, where it was performed at Ravenna and Parma Festivals with Arturo Toscanini OrchestraFind albums by this artist, again with great success!”
The fact that Finnish Jazz fans are able to hear this music now, so many years after it was recorded, is a true marvel and blessing. Thanks to the tireless effort by the SvartFind albums on this label Records label, we are constantly re-introduced to important pieces of Finnish Jazz legacy, which should not be forgotten.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 13/09/2023Posted: 13/09/2023 | CD 1 Remastered Recommend To A Friend |
  | HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ A BOSTON DATE
PORTER 4002 (Barcode: 656605854625) ~ FINLAND ~ Jazz
Recorded: 1970 Released: 2008
This is one of those albums, which immediately invoke the recurring question: "How many recordings like this one remain hidden and unreleased all over the world?" The fact that it took 38 years for this gem to surface is criminally negligent, to put it mildly, with the only solace being the proverbial better late than never. Finnish pianist / composer Heikki SarmantoFind albums by this artist has been one of my favorite musicians for the last four decades, always awe-inspiring and never disappointing. His life-time achievements indisputably deserve a book-sized biography (unfortunately not written yet) and his role as Europe´s leading Jazz personality and a prominent creator of the emancipated European Jazz is sadly little known outside of a tiny circle of connoisseurs and researches. In fact the entire Finnish music scene often appears to be the one of world´s best hidden secrets, which is amazing in view of the miraculous contribution of Finnish musicians and composers to the Pantheon of the overall human musical culture. Apparently even the most devoted music fans and critics often suffer from chronic narrow-mindedness and Xenophobia, with Americans leading the camp, with pride and remarkable consistency, over the years.
Although recorded in 1970, this session does not reflect Sarmanto´s early musical steps. He was 31 years old at the time and already a seasoned musician, with extensive Classical Music education (a graduate of the Helsinki Sibelius Music Academy - the country´s most prestigious musical education institution) and extensive Jazz experience going back almost a decade earlier as member of several Jazz ensembles active on the country´s burgeoning scene. In 1964-65 Sarmanto took part in the recording of Finland´s first modern Jazz album, the legendary "The Modern Sound Of FinlandFind albums with this title" by saxophonist / flautist Esa PethmanFind albums by this artist, and his piano playing on that album already sounds refined and focused. In 1968 Sarmanto was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston, which gave him a chance to get some formal Jazz education (the Jazz department of the Sibelius Academy would be established only in the early 1980s, and of course Sarmanto would be appointed its first department head).
Sarmanto used his time in Boston not only to expand his formal Jazz horizons, but also to mingle and play as much as he could on the local Jazz scene, which was quite active at the time. The Berklee students and the local musicians often gigged together and soon enough ensembles were formed. Following a brief home visit in 1969, during which Sarmanto recorded his first album as a leader, a live sextet recording released as "Flowers In The WaterFind albums with this title" (on which Pethman is also featured), he returned to Boston to "wrap up" his Berklee affairs. During that period he formed the quintet, quite accidently, which is often the best way for things to happen, which is featured on this semi-professional recording. The quintet consists of Sarmanto on piano, another Finnish giant, saxophonist / flautist Juhani AaltonenFind albums by this artist, who followed Sarmanto to Berklee but lasted only one semester (without a grant the finances were just against all odds), Czech bassists George MrazFind albums by this artist, who also arrived in Boston on a Berklee grant (together with compatriot pianist Jan HammerFind albums by this artist), escaping the brutal Warsaw Pact forces invasion of their homeland, following the brief "Spring of Prague" in 1969, the first major crack in the Berlin Wall. The remaining two musicians were guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist, both Bostonians at the time. The quintet was nicknamed, half-jokingly, The Serious Music EnsembleFind albums by this artist, a name which would stick to several Sarmanto´s groups in the future, featuring the core of this quintet.
The three Europeans and two Americans obviously had no difficulty in communicating musically, and it´s hardly surprising that they chose to play mostly Free Form, for several reasons. The air was still reverberating with the sounds of Albert AylerFind albums by this artist, Eric DolphyFind albums by this artist and John ColtraneFind albums by this artist, with the US Free Jazz scene at its peak by the end of the 1960s (unfortunately soon to be almost completely neglected, passing the torch to the Europeans). The limited, if any, rehearsal time the ensemble had before entering the studio, obviously left most of the content to be developed at the spur of the moment, making collective improvisation the only logical path to follow. And perhaps the youthful spirit of rebellion had also something to do with it, considering Berklee´s extreme conservatism, which is legendary even today. Aaltonen, the oldest and most experienced musician on board, already had extensive Free Jazz practice, after playing with Finnish pioneers of the genre, most notably with drummer Edward VesalaFind albums by this artist, and his contributions are the most consistent, with remarkable power of expression, intensity and technical brilliance rivaling the Masters of the genre.
The six pieces played during the session, all composed by Sarmanto, are performed in one continuous flow with no gaps between them. Typically, after a briefly stated theme, the musicians enter a series of exchanges, with one, two or even three players soloing simultaneously, with the rhythm section frequently changing the tempo. Most of the material is up-tempo, except for the beautiful ballad, which ends the set (dedicated to Margareth ChaloffFind albums by this artist, the legendary piano teacher), which is the gentlest and most structured piece on the album, featuring the exquisite bass work by Mraz and more typical of Sarmanto´s future output. In many respects the session is quite typical European Free Jazz, resembling many similar musical encounters happening in Europe at the time, especially in the UK, but also in Poland, Germany and the Netherlands. It is quite distinctly different from American Free Jazz, which demonstrates rawer and more spontaneous approach but lacks the European Classical Music background, which is deeply implanted in the minds of European musicians, evident even in the most extreme Improvised Music experiments. In many respects, this session is probably one of the most "European sounding" recordings ever captured at a US studio.
It is really interesting to compare this session with the material recorded by the almost identical quintet (exchange Mraz with Heikki´s brother bassist Pekka SarmantoFind albums by this artist) just a few months later and released as Sarmanto´s second (first studio) album "CounterbalanceFind albums with this title" (also reissued on PorterFind albums on this label Records). With Aaltonen playing exclusively flute and Sarmanto switching to Fender Rhodes, this seems to be a completely different group, even if still pretty much in the Free vain. The European influence simply becomes overwhelming, changing the music dramatically. Even if the sound quality of this recording is not up to modern digital standards (the recording was most probably not intended to be commercially released), the musical content and the immense historical importance of this session make it an indispensible document of the highest value.
Kudos to Luke MoslingFind albums by this artist, the brave owner of Porter Records, for releasing this treasure and making it available to us, the music lovers, and saving a lost gem from extinction. Sarmanto´s followers worldwide will be obviously delighted to hear this, as should be every connoisseur of good music, especially those who follow the emergence of the modern European Jazz. Brilliant stuff!
Visitors' Comments
Dr. Rafael Augusto Lara Palmeros
One of the most impressive, extraordinary and wonderful work from real modern European Jazz.¡¡Very essential!!. More of five stars.
| | Updated: 29/09/2017Posted: | CD 1 Recommend To A Friend |
  | HEIKKI SARMANTO ~ COUNTERBALANCE
PORTER 1506 (Barcode: 656605863825) ~ FINLAND ~ Jazz
Recorded: 1971 Released: 2008
This is the second album by Finnish pianist / composer Heikki SarmantoFind albums by this artist, recorded soon after his return from Boston, where he attended the Berklee College of Music – the first Finnish musician to do so. The core of the quintet, which recorded this album, was established in Boston, and recorded a semi-formal session there, released only 38 years later as "A Boston DateFind albums with this title" on the PorterFind albums on this label label. With three Finnish musicians: Sarmanto on Fender Rhodes, flautist Juhani AaltonenFind albums by this artist and bassist Pekka SarmantoFind albums by this artist (Heikki´s brother and life-long collaborator), and two Americans: guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist (Pekka replaced George MrazFind albums by this artist, who played on the Boston session, recorded just few months earlier), this quintet continues the explorations originated in their first encounter, but this time the approach is quite different.
Whereas the Boston session was almost completely spontaneous and unplanned, exploring the realm of Free Jazz collective improvisation, this recording session is obviously well planned and therefore much more organized. Although there is plenty of great improvisations here and even some Free Form, the melodic content is clearly stated and well developed, with an overall atmosphere of typical Nordic tranquility and serenity in the air. Sarmanto´s switch to the Fender Rhodes and Aaltonen using the flute exclusively have a deep impact on the album´s overall sound and ambiance, which are predominantly relaxed and deeply reflective. The worldwide explosion of Fusion, which happened in the early 1970s and which affected the Finnish scene as much as any other musical scene in the world can be heard here as well, with Sarmanto / Aaltonen interplays resembling the Chick CoreaFind albums by this artist / Joe FarrellFind albums by this artist dialogs on the early Return To ForeverFind albums by this artist albums.
But above all, the music, composed almost entirely by Sarmanto (with Gunderson contributing one composition), is a sublime example of European Jazz at its peak, combining the elements of Jazz tradition with harmonies from the European Classical Music and heritage from European ethnic music. The Scandinavian Jazz musicians and composers, and Finnish ones in particular, were amongst the pioneers of Jazz-World Fusion, and many of their creations were deeply rooted in local folklore. Aaltonen´s beautiful flute lines are full of clever innuendos to Finnish (but not only) folklore, as are many of Sarmanto´s piano lines. Pekka´s excellent bass playing is a clear evidence of his extraordinary talent and ability, which can be heard on countless Finnish Jazz albums over the years. Herndon provides a great rhythmic drive to the music and Gunderson solos and interacts with the other members of the quintet almost telepathically.
Overall this a beautifully played and well constructed piece of music, which one tends to remember fondly for a very long period of time – I know I did, as I never forgot this album since hearing it for the first time some 37 years ago. For people who never heard it before, this is a wonderful opportunity to discover a masterpiece of European Jazz, which has been unavailable for decades and only now reissued on CD for the first time. Don´t even think twice!
| | Updated: 29/09/2017Posted: | CD 1 Digipak Recommend To A Friend |
  | HEIKKI SARMANTO ~ EAST RIVER
FIFTY-FIFTY 1081 (Barcode: 600609330371) ~ FINLAND ~ Jazz
Recorded: 1999 Released: 2023
By the turn of the Millennium Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist was by all means a fully established and already legendary figure on the local and international Jazz scene, with a recording legacy of almost forty albums as a leader and countless concert appearances behind him. His fame and well earned respect were an obvious result of his extraordinary talent, but also his incredible proficiency and consistency, which are of epic proportions.
This live recording is a summary of sorts of his career at that point, at least as far as playing in small Jazz ensembles, like in this case a classic timeless Jazz quartet comprising of saxophone, piano, bass and drums. It also summarizes his career as a composer, since the eight original compositions composed by him and performed by the quartet span his entire career as a songweaver, mixing some early pieces and some more recent (at the time) ones.
The quartet is also a gathering of “friends and relatives” of sorts, comprising of musicians that played with Heikki Sarmanto for many years going back as far as his early steps in the Jazz domain. Saxophonist / flautist Juhani AaltonenFind albums by this artist is a no less legendary figure and joins Sarmanto in the Pantheon of Finnish Jazz Godfathers. Heikki’s younger brother, bassist Pekka SarmantoFind albums by this artist, remains as one of the Finnish Jazz bass virtuosos. Drummer Matti KoskialaFind albums by this artist, a superb instrumentalist and a Jazz educator, also goes back many years playing along Sarmanto at the very early days. All four musicians get plenty of opportunity to solo on this album and their individual talents can be fully appreciated.
The music is of course the epicenter of this album. Sarmanto’s highly melodic compositions and his sense of harmony have been an endless well of sublime emotional music. His heartwrenching ballads are like a soundtrack of the beauty of the Finnish landscape. This is Finnish Jazz at its best, taking the essence of the Jazz spirit and combining it flawlessly with other musical sources to create a perfect amalgam. It remains untouched by the tides of time. Combined with the excellent sound quality of this recording, this album is an instant classic, which deserves to be heard by Jazz lovers the world over.
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 26/07/2024Posted: 26/07/2024 | CD 1 Recommend To A Friend |
  | HEIKKI SARMANTO ~ EVERYTHING IS IT
PORTER 1514 (Barcode: 656605789521) ~ FINLAND ~ Jazz-Classical Fusion
Recorded: 1972 Released: 2011
"Everything Is ItFind albums with this title", recorded on September 13 & 14, 1972, was the fourth album released by Finnish pianist / composer Heikki SarmantoFind albums by this artist. Born June 22, 1939 Sarmanto was considered already a "veteran" of the modern Finnish Jazz scene at the time. A graduate of the Sibelius Academy in Helsinki, Sarmanto contributed his talents to multiple local ensembles active on the burgeoning Finnish Capital´s Jazz club scene and participated in several landmark recordings in the 1960s. His earliest recordings (1962) were with saxophonist / flautist Esa PethmanFind albums by this artist as a regular member of his group, culminating with the recording of "The Modern Sound Of FinlandFind albums with this title" (1964), which is considered as the first completely original modern Finnish Jazz album. In the following year Sarmanto recorded the album "For Friends And RelativesFind albums with this title" (1965) as a member of the Christian Schwindt – Otto DonnerFind albums by this artist quintet, also considered as an early milestone of Finnish Jazz.
In 1968 Sarmanto was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston, which gave him a chance to get some formal Jazz education (the Jazz department of the Sibelius Academy would be established only in 1983, and of course Sarmanto would be appointed its first department head). Sarmanto used his time in Boston not only to expand his formal Jazz horizons, but also to mingle and play as much as he could on the local Jazz scene, which was quite active at the time. The Berklee students and the local musicians often gigged together and soon enough ensembles were formed.
Following a brief home visit in 1969, during which Sarmanto recorded his first album as a leader, a live sextet recording released as "Flowers In The WaterFind albums with this title" (recorded July 8, 1969) he returned to Boston to "wrap up" his Berklee affairs. During that period he formed a quintet, quite accidently, which is often the best way for things to happen, which played mostly Free Jazz based on the heritage of Albert AylerFind albums by this artist, Eric DolphyFind albums by this artist and John ColtraneFind albums by this artist. The quintet recorded a session at a local studio, which was formally released on CD only 38 years later as "A Boston DateFind albums with this title" (recorded September 18, 1970, released 2008) on PorterFind albums on this label Records. The quintet consisted of Sarmanto on piano, another Finnish Giant, saxophonist / flautist Juhani AaltonenFind albums by this artist, who followed Sarmanto to Berklee but lasted only one semester (without a grant the finances were just against all odds), Czech bassists George MrazFind albums by this artist, who also arrived in Boston on a Berklee grant (together with compatriot pianist Jan HammerFind albums by this artist), escaping the brutal Warsaw Pact forces invasion of their homeland, following the brief "Spring of Prague" in 1969, the first major crack in the Berlin Wall. The remaining two musicians were guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist, both Bostonians at the time. The quintet was nicknamed, half-jokingly, The Serious Music EnsembleFind albums by this artist, a name which would stick to several Sarmanto´s groups in the future, which featured the core of this quintet.
Following his graduation from Berklee Sarmanto returned to Finland, with Gunderson and Herndon following suit (they both decided to live in Finland for a while). Since Mraz opted to stay in the US and Aaltonen already returned to Finland earlier, Sarmanto had four members of his quintet in place. Mraz was replaced by Sarmanto´s brother, bassist Pekka SarmantoFind albums by this artist, and this new lineup recorded Sarmanto´s second (first studio) album "CounterbalanceFind albums with this title" (recorded June 8, 1971 - also reissued on Porter Records). A remarkable album, which features Aaltonen playing flute exclusively and Sarmanto switching to Fender Rhodes, and seems to be recorded by a completely different group, even if still pretty much in the Free Jazz vain. The European influence simply becomes overwhelming, changing the music dramatically.
Recorded just three months after "Counterbalance", "Like A FragonardFind albums with this title" (recorded September 14, 1971), the third album by Sarmanto, was the first giant step in Sarmanto´s exceptional musical journey. In contrast to his earlier recordings, which consisted of separate and unrelated musical themes, this is the first time Sarmanto, the composer, undertakes the task of producing a concept album, which consists of a series of compositions connected by one common idea. The result becomes a Jazz Mass, a novel idea, which Sarmanto will pursue again in the future with the extraordinary "New Hope Jazz MassFind albums with this title" (1979).
"Everything Is It", which followed a year later, was another giant step in the same direction, but on a grander scale in every direction. The ensemble is expanded into a Big Band; the music includes a fully developed suite in four parts, which lasts for over 28 minutes and two additional pieces, both lengthy as well (7 and 11 minutes); the scope of the compositions now amalgamates elements of Jazz, Folklore and Classical music.
In retrospect Sarmanto´s audacity and vision are truly prophetic, since such attempts to create cross-genre music would become commonplace only decades later. The Big Band assembled for this recording is a bona fide Who´s Who of Finnish Jazz at the time and includes the finest soloists, many of which were leaders of their own ensembles. Consisting of three trumpets, two trombones, six saxophones, piano, bass and two drummers (another bold decision by Sarmanto) the Big Band enables the composer a much wider scope of tonal expression, which of course he takes full advantage of. The vocal parts, or the libretto (in English), written by Diana GlassFind albums by this artist, is performed by a young and promising soprano from the Opera of Helsinki – Taru ValjakkaFind albums by this artist. The level of musicianship and individual improvisation is absolutely brilliant and is great evidence of how talented these musicians were. Considering the fact that this complex and challenging music was recorded in just two days emphasizes this fact as well.
This is European Jazz at its best, taking the essence of the Jazz spirit and combining it flawlessly with other musical sources to create a perfect amalgam. It remains untouched by the tides of time, a classic. Thanks to Porter Records for making this musical treasure available again!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 19/09/2018Posted: | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | HEIKKI SARMANTO ~ MOONFLOWER
PORTER 4000 ~ FINLAND ~ Jazz
Recorded: 2007 Released: 2007
Finnish pianist / composer Heikki SarmantoFind albums by this artist recorded this album as a gesture of closing one of many of his "life-circles". Nearing the age of 70 he returns to a session recorded almost 4 decades earlier in Boston, where he attended the Berklee Collage. The quartet present here (Sarmanto on piano, Juhani AaltonenFind albums by this artist on saxophone, Pekka SarmantoFind albums by this artist on bass and Craig HerndonFind albums by this artist on drums) includes three of the 1970 quintet members, which recorded the music recently released as "A Boston DateFind albums with this title" on the PorterFind albums on this label label – a youthful foray into Free Form improvisation.
This album re-examines some of the compositions used during that session, as well as adding several more recent ones, all composed by Sarmanto (except one tune). During the years that separate the Boston session and this recording, Sarmanto created a vast body of music both in the Jazz and contemporary Classical Music, earning a worldwide recognition as one of world´s leading composers and performers. His contribution to the process of forging the European Jazz scene in the early 1970s is a monumental achievement in itself, but his entire career if full of superb triumphs. It is quite natural for people to mellow in time, and in Sarmanto´s case the process of his development as a musician "mellowing" means refinement and intensification of his natural gift into a blissful perfection.
This quartet recording is an ideal exercise in delicacy and sophistication, with deeply melodic flow ornamented by superb soloing. The music is coherent, but intricate and full of gorgeous musical details. These musicians are all true Masters, with great respect to musical traditions in every genre, be it Jazz, Classical Music or Folklore. Listening to the album inspires a warm, fuzzy feeling of total delight, with every note just right and every phrase just perfect. Absolutely not to be missed!
| | Updated: 29/09/2017Posted: | CD 1 Recommend To A Friend |
  | HEIKKI SARMANTO ~ NEW HOPE JAZZ MASS
JAZZAGGRESSION 736 ~ FINLAND ~ Jazz
Recorded: 1978 Released: 2022
The wonderful world of reissues, which brings back to life, and sometimes even exposes for the first time, music recorded decades earlier has been my fascination for many years now, which often involves also writing liner notes for reissued albums. But among the thousands of reissued albums that have arrived on my desk, only very few discharge such a surge of emotions and memories as this one. “New Hope Jazz MassFind albums with this title” has been, since the day it was originally released in 1978, one of the absolute top Jazz recordings on my list, which I kept revisiting regularly, as well as using in my lectures and writings, as a prime example of the ingenuity of European Jazz, which managed to expand the idiom into a cross-genre amalgam of myriad of influences, joining the American Jazz tradition with the Millennium-long European music tradition.
The concept of composing a Jazz Mass, which would be performed at a church, was of course a pretty revolutionary idea at the time, one that has been rarely returned to over the decades since. “Sacred Jazz” enjoyed some popularity in the 1950s and 1960s, especially in the works of Duke EllingtonFind albums by this artist and later John ColtraneFind albums by this artist, although the latter was more influenced by non-Christian religious traditions. The “New Hope Jazz Mass”, dedicated to Ellington and Coltrane, was premiered at the St. Peters Lutheran Church in NY on May 18, 1978 and had its Finnish premiere at the Temppeliaukio Church (known as Church of the Rock, a sensational architectural wonder) on September 7, 1978, which was recorded and originally released as a double LP on the FinlandiaFind albums on this label label that year. But the following day, September 8, 1978, there was another performance of the Mass, which was also recorded, and this album brings that recording to light for the first time.
The music was performed by the Heikki SarmantoFind albums by this artist sextet, which included vocalist Maija HapuojaFind albums by this artist, saxophonists Paroni PaakkunainenFind albums by this artist and Pekka PoyryFind albums by this artist, bassist Pekka SarmantoFind albums by this artist, drummer Esko RosnellFind albums by this artist and Heikki Sarmanto on piano. In addition, a vocal quartet, the Gregg Smith Vocal QuartetFind albums by this artist, and a large choir, the Long Island Symphonic Choral AssociationFind albums by this artist, performed the choir vocal parts. The Mass consists of twelve compositions, all by Heikki Sarmanto, with lyrics taken from liturgy and some written by Aina Swan CutlerFind albums by this artist. The music was recorded live, and the remastered sound quality is absolutely flawless.
The music, as already mentioned above, was absolutely revolutionary at the time, not only in its scope and complexity, but primarily in its bold expressionism, immaculate blend of American Gospel and Jazz traditions with European music structures, Finnish Folkloristic touches and European Jazz approach. Crowned by brilliant performances by all the performers, which clearly shows that “white man can jump”, despite the prejudice. Hapuoja’s wordless vocalese is some of the finest of its kind, and her angelic voice suits this music perfectly. The two saxophonist are brilliant improvisers. The rhythm section is absolutely impeccable and highly inspired, with Pekka Sarmanto’s (Heikki’s brother) bass pulsations providing the natural heartbeat to the music and Rosnell’s drumming keeping the time like a magic chronometer. Maestro Heikki Sarmanto’s piano playing is in charge of the harmonic unity, and the choir wraps everything with the Gospel elation. Perfection incarnate!
Overall, this is an absolute classic European Jazz album, in every sense, and an iconic Finish Jazz recording, which deserves to be a part of every serious Jazz collection. For those blissfully ignorant as of its existence, now after reading my words you have absolutely no excuse but to get a copy. Thanks to the JazzaggressionFind albums on this label label for releasing this Holy Grail of an album and last but not least thank you my old, old Friend Heikki for your Friendship and all that wonderful, Genius music you contributed to the world over the years!
| | Updated: 25/11/2022Posted: 25/11/2022 | CD 1 Digipak Recommend To A Friend |
  | HEIKKI SARMANTO ~ OPEN SKIES
SVART 080 (Barcode: 6430050669690) ~ FINLAND ~ Jazz
Recorded: 2011 - 2012 Released: 2017
This is a wonderful solo piano album by veteran Finnish pianist / composer / bandleader and my dear friend Heikki SarmantoFind albums by this artist. The 2CD album presents twenty two tunes, nine of which are original compositions by Sarmanto and thirteen are his interpretations of (more or less) standards. The music was recorded live at various concerts over a period of several months and resulted in no less than 1,200 recorded pieces, from which these twenty two were selected.
I have had the enormous pleasure to follow Sarmanto´s career for the last half a Century, seeing him developing his personal style and aesthetics, which never failed to amaze and delight, travelling across a wide cross-genre mass of music, touching on Jazz-Rock Fusion, Gospel, modern Jazz, Classical and Chamber Music and others and now also solo piano performances. The accumulated contribution of Sarmanto´s productivity as a composer, his genius as a performer and improviser and his recording and concert careers and invaluable and constitute a most significant part of the European Jazz idiom in particular and European Culture on the whole.
Although the original idea of this album was to present solo piano renditions of Sarmanto´s vast legacy as a composer, the final result combines this original concept with his tribute to the American Songbook, which encapsulates the development of Jazz in the US, and other musical sources, which shaped his Artistic personality over the years.
Sarmanto´s interpretation of standards is very varied, moving between close proximity to the original and quite abstract improvisations, often hiding the original almost entirely. It is up to the listener to discover the original chord changes and the melody thread in the case of the more nonrepresentational interpretations, which is always a great intellectual fun of course.
Solo piano music, especially that of an improvised nature, is never an easy listening, and requires from the listener as much dedication, attentiveness and love as those put by the musician into creating them. As a result, listening to this album in its entirety is a challenge, but of course an immense source of joy and satisfaction. Sarmanto is a very unconventional piano player, and although he maintains a close connection with melody and above all musical coherence, he can, and often is, quite demanding, in a most delightful way I might add.
I urge every true music connoisseur to grab this extraordinary album and put the music on as soon as possible. Pour yourself a glass of some great wine or Special Reserve cognac (can´t hurt) and let yourself be immersed within this magical music; satisfaction guaranteed!
Thank you my Friend for sharing your gift with the world!
| | Updated: 28/09/2017Posted: 28/09/2017 | CD 1 Recommend To A Friend |
  | HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.1
SVART 398 (Barcode: 6430050667788) ~ FINLAND ~ Free Jazz / Improvised Music
Recorded: 1971 Released: 2016
This is the first volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.
Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971, features all original material, with four of the pieces composed by Sarmanto, two by Herndon and one by Gunderson. The two Herndon pieces are previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "A Boston DateFind albums with this title" and "Magic SongFind albums with this title".
The music is an early form of European Free Jazz, and although the ensemble features electric piano and guitar, has almost nothing to do with Jazz-Rock Fusion, which was extremely popular at the time. The music is mostly improvised and the live environment allows the musicians to expand their personal statements and venture into lengthy solos. But in spite of the Free Form atmosphere, the music remains at all times superbly coherent. It is absolutely stunning to see how concise and minimalistic music like this one can express so much and be so rich in expression, staying elegant and aesthetically superior.
There is no doubt that this is some of the most interesting early European Free Form music. Readers interesting in more comprehensive analysis of this music and its relation to American Free Form music at the time are again invited to check out the a.m. review of the "A Boston DateFind albums with this title" album.
It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!
| | Updated: 29/09/2017Posted: 29/09/2017 | CD 1 Remastered Recommend To A Friend |
  | HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.2
SVART 399 (Barcode: 6430050667818) ~ FINLAND ~ Jazz
Recorded: 1971 - 1972 Released: 2016
This is the second volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. Wonderful vocalist Maija HapuojaFind albums by this artist sings on nine tracks and saxophonist Eero KoivistoinenFind albums by this artist plays on one track. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.
Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971 and December 4, 1972, features almost entirely original material composed by Sarmanto, except for one track which was composed by the little known American pianist Herbie NicholsFind albums by this artist. The Nichols piece is previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "Like A FragonardFind albums with this title", "A Boston DateFind albums with this title", "Flowers In The WaterFind albums with this title" and "Everything Is ItFind albums with this title" and the Koivistoinen album "3rd VersionFind albums with this title".
The music is an early form of modern European Jazz, and although the ensemble features electric piano and guitar, it has only a limited proximity to Jazz-Rock Fusion, which was extremely popular at the time. The music is mostly song related, in contrast to the music presented on the first volume, but is still extensively improvised and quite complex. Hapuoja´s vocals and vocalese parts take the music into a different dimension and her performances are simply hair-raising. There is a strong sense of melody but the lengthy tunes develop significantly from the initial statement of the melodic theme to powerful instrumental climaxes, serving as vehicles for the musicians to fully explore their ideas.
There is no doubt that this is some of the most interesting early modern European Jazz, which by the time this music was recorded had already established its own identity. It is also a superb document of the burgeoning Finnish Jazz scene, which was simply exploding with talent at the time. The songs are also a marvelous example of the Poetry & Jazz idiom, which enjoyed a wonderful and fruitful bloom during the early days of Finnish Jazz.
It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!
| | Updated: 29/09/2017Posted: 29/09/2017 | CD 1 Remastered Recommend To A Friend |
  | HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ THE HELSINKI TAPES VOL.3
SVART 400 (Barcode: 6430050667849) ~ FINLAND ~ Jazz
Recorded: 1971 - 1972 Released: 2016
This is the third volume of a fantastic archival release presenting the music of the great Finnish pianist / composer / bandleader Heikki SarmantoFind albums by this artist and his early quartet, called The Serious Music EnsembleFind albums by this artist, which also included Heikki´s younger brother Pekka SarmantoFind albums by this artist on bass and American guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist. Legendary Finnish saxophonist Eero KoivistoinenFind albums by this artist plays on four tracks. The music was recorded live at the Helsinki N-Club by the eighteen years old (at the time of course) recording enthusiast Wille SuurlaFind albums by this artist and the sound quality is absolutely gorgeous.
Readers interested in the genesis of The Serious Music Ensemble and Sarmanto´s early recording chronology are invited to read my review of the "A Boston DateFind albums with this title" album, another archival release documenting this ensemble. The music on this album, which was recorded live on October 11, 1971 and December 4, 1972, features entirely original material, with two compositions each by Sarmanto, Herndon and Koivistoinen. The two Herndon pieces are previously unreleased and the rest of the tracks appear on the following albums by Sarmanto: "CounterbalanceFind albums with this title", "A Boston DateFind albums with this title" and "MoonflowerFind albums with this title". and the Koivistoinen album "3rd VersionFind albums by this artist".
The music is an early form of modern European Jazz, and although the ensemble features electric piano and guitar, it has only a limited proximity to Jazz-Rock Fusion, which was extremely popular at the time. On the four tracks on which Koivistoinen is featured as the main soloist, the music is mostly swinging, with clearly stated melodic themes, which are then expanded into lengthy improvisations. Both Sarmanto and Koivistoinen display superb instrumental abilities, and even this "informal" live recording clearly emphasizes their respective talents. The two quartet tracks without the saxophonist are more Free Form oriented, similar to the material included on the first volume of this release. All the performances are a showcase of great interplay and cooperation between the participants.
There is no doubt that this is some of the most interesting early modern European Jazz, which by the time this music was recorded had already established its own identity. It is also a superb document of the burgeoning Finnish Jazz scene, which was simply exploding with talent at the time. Readers interested in the circumstances surrounding the recording of the "3rd VersionFind albums with this title" album are welcome to read my liner notes of the album.
It is a miracle that such an exquisite material, both as far as the music and the recording quality are concerned, is finally released, almost half a Century after it was recorded. Kudos to SvartFind albums on this label Records for releasing this and other archival Finnish Jazz albums and keeping the legacy of the Finnish Jazz alive!
| | Updated: 29/09/2017Posted: 29/09/2017 | CD 1 Remastered Recommend To A Friend |
  | CHRISTIAN SCHWINDT QUINTET ~ FOR FRIENDS AND RELATIVES
ROCKET 068 (Barcode: 6417138607669) ~ FINLAND ~ Jazz
Recorded: 1963 - 1965 Released: 2011
This is a reissue of the seminal album by Finnish drummer / composer / bandleader Christian SchwindtFind albums by this artist, one of the Godfathers of modern Finnish Jazz. This album is considered as the second modern Jazz release in Finland, preceded only by the Esa PethmanFind albums by this artist album "The Modern Sound Of FinlandFind albums with this title", which was recorded in late 1964 / early 1965, whereas this album was recorded in November 1965. Collectors interested in more fine details should check out the phenomenal and pioneering Finnish Jazz Discography by Hans WesterbergFind albums by this artist, published in 1977 or my publication on this subject from 1992, both published by the Finnish Jazz Federation.
The original album presented seven original compositions, which were recorded in two separate sessions. Six compositions were recorded by a new lineup of the quintet that included trumpeter Otto DonnerFind albums by this artist, saxophonist Erik DannholmFind albums by this artist, pianist Heikki SarmantoFind albums by this artist and bassist Tapani TamminenFind albums by this artist. The compositions were three each by Donner and Sarmanto. The seventh composition was recorded with the old lineup of the quintet that included pianist Pentti HietanenFind albums by this artist, who also composed the music, and bassist Pekka SarmantoFind albums by this artist. The expanded reissue adds three bonus tracks (two by Hietanen and one by Donner) recorded in late 1963 and early 1964 by the a.m. old lineup and saxophonist Tuomas KotovirtaFind albums by this artist instead of Dannholm. Sadly for such monumental reissue the research was extremely sloppy and the cover art is a reprint of the original, which includes several mistakes.
The music is of course phenomenal, and reflects the birth of modern Finnish / European Jazz, which was exploding across the continent, finally breaking with the stale American tradition and searching for new ways of expression. It is fascinating to compare this music to the recordings made across Europe at this pivotal time and see the similarities that Jazz musicians in UK, Poland, Germany and other countries were creating at the time, exploring the wonderful Freedom and breaking all existing boundaries on the fly.
In retrospect it is sad that this album is the only recorded legacy by Schwindt as a leader, but let us not forget that he co-founded of the LoveFind albums on this label Records label (with Donner and journalist Atte BlomFind albums by this artist) in 1966, which changed the Finnish music landscape dramatically.
This album is an icon of modern European Jazz and although the music was recorded fifty-five years ago, it still sounds absolutely astounding and completely relevant. Sadly this reissue is now very hard to find and it’s a crime that this album is not available on the market for new generations to learn from!
| | Updated: 29/08/2020Posted: 29/08/2020 | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | UMO JAZZ ORCHESTRA ~ ELLINGTON TRIBUTE
WARNER CLASSICS 825646188321 (Barcode: 825646188321) ~ FINLAND ~ Jazz
Recorded: 1997 Released: 2004
This is a wonderful album by the Finnish UMO Jazz OrchestraFind albums by this artist, founded in 1975 by the great Finnish Jazz pioneers Heikki SarmantoFind albums by this artist and Esko LinnavalliFind albums by this artist. Over time UMO became one of the absolute top European Jazz Big Bands / Orchestras, recording a long succession of brilliant albums with famous guest stars. Although primarily dedicated to supporting and promoting Finnish Jazz, the orchestra is also involved in other projects, like this tribute to the great American pianist / composer Duke EllingtonFind albums by this artist. The album presents ten pieces composed by Ellington and two composed by Billy StrayhornFind albums by this artist, arranged especially for the UMO, featuring many of the orchestra members as soloists. The orchestra captured on this album is conducted by pianist Kirmo LintenenFind albums by this artist and includes, among others, such famous Finnish Jazz figures like saxophonist Pentti LahtiFind albums by this artist and bassist Pekka SarmantoFind albums by this artist.
The music includes some of the most popular tunes associated with Ellington and his Orchestra, which are (hopefully) well known to every Jazz fan all over the globe. UMO performs these tunes perfectly, which is of course obvious, but the fascinating aspect of this music is the comparison between how it sounds here in comparison to its original sound as recorded by Ellington and his Orchestra decades earlier.
In a nutshell it is a intriguing case study presenting the difference between American and European Jazz idioms. Whereas the original performances are classic examples of Swing, perfectly orchestrated and executed, the music here is all about sophisticated arrangements, unusual orchestration and elegant tricks of the trade played with tempi, dynamics and articulation, true to the original and yet cleverly different.
It goes without saying that this album, although little known, is a must to all Big Band and Ellington fans, and deserves to be listened to very closely by music scholars and educators, especially those who claim that Jazz must stay untouched.
| | Updated: 01/07/2016Posted: 01/07/2016 | CD 1 Recommend To A Friend |
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