Record Reviews

EERO KOIVISTOINEN ~ THE ORIGINAL SIN SVART 307 (Barcode: 6430077093621) ~ FINLAND ~ Jazz Recorded: 1971 Released: 2021 "The Original SinFind albums with this title", recorded on August 13, 16 & 23, 1971, was the fourth album released by Finnish saxophonist / composer / arranger Eero KoivistoinenFind albums by this artist. Aged 25 at the time, Koivistoinen was already recognized at the time as a central figure on the burgeoning Finnish Jazz scene. During his student days at the Sibelius Academy in Helsinki, one of the first European educational institutions to recognize Jazz as a valid musical Art Form worthy of academic studies, Koivistoinen frequented the Finland´s Capital Jazz club scene, performing at jam sessions. By 1967 he already had his first trio with bassist Pekka SarmantoFind albums by this artist (brother of pianist / composer Heikki SarmantoFind albums by this artist) and the legendary drummer Edward VesalaFind albums by this artist, who is often considered as the Godfather of modern Finnish Jazz. The trio played adventurous free-improvised Jazz, being the pioneers of Free Jazz in their country. Sadly, the trio never recorded an album and the only recorded evidence of their performances can be found on a live EP recorded at the Espoo Jazz Festival in 1967. In 1967 the newly founded Finnish Jazz Federation (FJF), probably the best professional Jazz organization in Europe at the time, selected Koivistoinen as the first recipient of the annual Georgie Award in recognition for his outstanding talents. Two years later Koivistoinen performed for the first time outside of his country´s borders at the Montreux Jazz Festival in Switzerland (his performance at Montreux as a member of the International Festival Big Band was recorded and released on PolydorFind albums on this label), winning the festival´s competition for bands, which in turn led to his appearance at the Newport Jazz Festival in the US, exposing his talents on the global scale. In the early 1970s Koivistoinen continued his studies in Jazz composition at the Berklee College of Music in Boston, where numerous of his compatriot Jazz musicians also studied over the years, starting with Heikki Sarmanto, who upon his return home brought over the American guitarist Lance GundersonFind albums by this artist who plays on this album. During the 1970s Koivistoinen recorded a stream of exceptional albums, which featured his compositional and arranging skills as well as his brilliant saxophone playing. Constantly re-inventing himself, his music kept changing during this decade and touched upon various Jazz genres, including his pioneering contribution to Jazz-Rock Fusion, but always remaining his very own. Starting with "ValtakuntaFind albums with this title" (1968) and continuing with "OdysseusFind albums with this title" (1969), "For ChildrenFind albums with this title" (1970), "The Original Sin" (1971), "Muusa Ja RuusaFind albums with this title" (1971), "Wahoo!Find albums with this title" (1972), "3rd VersionFind albums with this title" (1973), "The Front Is BreakingFind albums with this title" (1976), "LabyrinthFind albums with this title" (1977) and finally "Live At The Belmont Jazz ClubFind albums with this title" (1977) Koivistoinen produced a body of work of amazing depth, beauty, sophistication and intellectual significance, which remains as a wonderful illustration of the Finnish and European Jazz heritage during that decade. However, by the end of the 1970s, the immense popularity, which European Jazz managed to kindle, was gradually losing its steam. Record labels, owned by international mogul corporations, lost interest in any kind of adventurous music, Jazz included, and the number of Jazz releases went down considerably, a situation which affected Finland as well. Undeterred by this turn of events Koivistoinen decided to take matters into his own hands and established in 1983 one of the first musician-owned independent record labels, PROFind albums on this label Records, which enabled him to realize his musical projects. This album is a deeply significant milestone in Koivistoinen´s musical development, since it presents for the first time the true depth of his compositions as well as his overall musical approach. It is also his first work with a large-scale ensemble, which enables him to utilize his arranging skills to a full extent. The six compositions present here were recorded by three different lineups; a tentet ("Sinner", "Both & And" and "Rock & Roll"), a septet ("The Original Sin") and a sextet (the remaining two). The tentet comprised of: Eero Koivistoinen – tenor, alto & soprano saxophones, Tapani LuuppolaFind albums by this artist – trumpet, Jussi AaltoFind albums by this artist or Erkki LipponenFind albums by this artist – trombone, Pekka PoyryFind albums by this artist – tenor & alto saxophone, Pentti LahtiFind albums by this artist – baritone saxophone, Eero OjanenFind albums by this artist – piano, Lance Gunderson – guitar, Pekka Sarmanto – bass and Reino LaineFind albums by this artist & Esko RosnellFind albums by this artist – drums. The sextet comprised of: Koivistoinen, Ojanen, Gunderson, Sarmanto, Laine and Rosnell and the septet added Unto Haapa-ahoFind albums by this artist on bass clarinet. Both the music and the performances are absolutely breathtaking, although the album focuses on ensemble playing rather than on extensive soloing, but of course there are still plenty of most impressive solos. An atmosphere of serenity, contemplation and wide-open spaces, typical in Finnish music, prevails even in the up-tempo passages, which turns listening to this album into a most satisfying love affair with music. The fact that it is now almost 50 years old is completely meaningless in this context, where true classics only get better with time. Thanks to SvartFind albums on this label Records for making this musical treasure available again. Listeners interested in Finnish Jazz legacy are recommended to check out also the other Svart Records reissues documenting this burgeoning period. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 11/06/2021Posted: 11/06/2021

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