Record Reviews

JULIAN ARGÜELLES ~ AS ABOVE SO BELOW PROVOCATEUR 1033 (Barcode: 5038491103325) ~ UK ~ Jazz-Classical Fusion Recorded: 2002 Released: 2003 British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his second on the prestigious ProvocateurFind albums on this label label (and 6th as a leader), was recorded with a splendid octet, which includes both young British Jazz players and seasoned veterans, including Stan SulzmannFind albums by this artist (sax) and Henry LowtherFind albums by this artist (trumpet), and a 20-piece string ensemble. The music is a beautiful synthesis of Jazz and contemporary Classical Music that is surely Julian’s most ambitious and far-reaching work as a composer. The tranquil and contemplative themes are splendidly orchestrated and the octet performs in perfect harmony with the string ensemble. Deeply moving and uplifting, this music combines formal musical structures and improvisation in a most elegant way. Serious Jazz connoisseurs as well as those who love Classical Music are both for a treat. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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JULIAN ARGÜELLES ~ ESCAPADE PROVOCATEUR 1019 (Barcode: 5038491000044) ~ UK ~ Jazz Recorded: 1999 Released: 1999 British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his first on the prestigious ProvocateurFind albums on this label label was recorded with a splendid octet, which includes some of the best young British Jazz players, including Django BatesFind albums by this artist (tenor horn) – Julian’s old friend and frequent collaborator since their common days in Loose Tubes. The music is a great example of contemporary Jazz, with a strong melodic basis, but with plenty of fascinating twists and turns and diverse enough to keep the listener interested at all times. The level of the performances and improvisations is everything one might expect from a musician of his statue, and should more than satisfy every Jazz connoisseur. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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GUY BARKER ~ SOUNDTRACK PROVOCATEUR 1030 (Barcode: 5038491103028) ~ UK ~ Jazz Recorded: 2001 Released: 2002 British trumpeter / composer Guy BarkerFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his first on the prestigious ProvocateurFind albums on this label label, continues Barker’s fascination with cinema, as the title suggests. The central piece of the album is an epic suite entitled “Sounds in Black and White” and is homage to classic movies. Performed by a septet consisting of excellent European musicians, the music is a great example of contemporary Jazz, with a strong melodic basis, but with plenty of fascinating twists and turns and diverse enough to keep the listener interested at all times. The level of the performances and improvisations is everything one might expect from a musician of Barker’s statue, and should more than satisfy every Jazz connoisseur. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.

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ALAN SKIDMORE ~ A SUPREME LOVE CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz Recorded: 1961 - 2019 Released: 2023 This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued. Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians. The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6. The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true. Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.

Updated: 01/10/2024Posted: 21/06/2023

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COLIN TOWNS ~ ANOTHER THINK COMING PROVOCATEUR 1028 (Barcode: 5038491102823) ~ UK ~ Jazz Recorded: 2001 Released: 2001 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist and his Mask OrchestraFind albums by this artist ensemble are one of the best examples of modern Jazz, which is still groundbreaking and innovative. Towns’ composition and arrangements are always not only skillful and sophisticated, but also completely innovative and even surprising (take it form an old skeptic who has heard it all before). Using the big band in ways previously unexplored is a rare talent indeed and deserves both respect and admiration. This album presents a series of Towns’ original instrumental compositions and two arrangements, one of a classical piece by Claude DebussyFind albums by this artist and the other a John LennonFind albums by this artist / Paul McCartneyFind albums by this artist tune. Partly commissioned by the NDR Big BandFind albums by this artist, with which Towns cooperates on a regular basis, here they are performed by his own band. Varying in style from early New Orleans Jazz, via Psychedelic and up to contemporary World-Jazz Fusion, the album presents an invigorating vista of modern Jazz at its best, full of great melodic content, imagination, daring and masterly performed Art. The players, including legendary veterans such as Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), playing along young British Jazz lions, do everything expected of them and beyond, delivering perfectly coherent and beautifully executed music, which fills the listener’s heart and soul with instant gratification. The enhanced CD also includes a short film with music composed by Towns and performed by the band. Any big band and modern Jazz fan should definitely check out this superb album, and frankly anything else Towns delivers, as talent of his caliber is rare and deserves all the attention it can achieve. Grab it!

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COLIN TOWNS ~ BOLT FROM THE BLUE PROVOCATEUR 1012 (Barcode: 5019148613398) ~ UK ~ Jazz Recorded: 1990 - 1991 Released: 1991 The music scene is surely one of the greatest sources of unexpected surprises. The case of keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is really an excellent example of strange metamorphoses that occur in the world of music. Take a man, who was the keyboards player and composer for the Ian Gillan BandFind albums by this artist, one of Britain’s most notorious rockers of the early 1970s, transport him 20 years forward and you get one of Britain’s most famous TV and Film composers. As if this wasn’t enough, the same person also has ambitions to become a Jazz composer and actually assembles a big band, which he calls the Mask OrchestraFind albums by this artist, writes a collection of Jazz compositions, arranges and records them and eventually releases an album on his own label, called ProvocateurFind albums on this label Records, which boldly states as it slogan: “Improvise not Compromise”. Now that’s something that truly deserves to be called a chutzpah! The amazing part of all this is that it not only works, but actually works wonders. Towns’ debut recording with his ensemble is a majestic piece of music, refreshing and illuminating, continuing the Ellingtonian tradition of big band Jazz composition and at the same time invigorating that tradition, taking it up to contemporary standards. The Mask Orchestra is a dreamy assemblage of some of Britain’s most illustrious veteran Jazz instrumentalist, like John SurmanFind albums by this artist, Peter KingFind albums by this artist and Alan SkidmoreFind albums by this artist (saxophone), Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), John TaylorFind albums by this artist (piano) and Dave GreenFind albums by this artist (bass), together with some superb younger players of the second generation like Guy BarkerFind albums by this artist (trumpet) or Clark TraceyFind albums by this artist (drums). These players can play anything, regardless how complex or demanding the actual score is. And play they do – like there’s no tomorrow. It is difficult to imagine this music without actually hearing it, believe you me. Nothing compares to the power, multiplicity of sounds and harmonies, overwhelming euphoria and ecstasy of sound, like music performed by a great big band. Although this music was recorded almost 20 years ago, it lost absolutely nothing of its power and beauty, as well as element of surprise. It is almost impossible to believe that is a debut recording, but apparently miracles do happen, even in music. If you can lay your hands on this album, grab it, which won’t be easy as it is currently out of print, hopefully not for long. Gorgeous and essential stuff, deserving all the praise it received at the time of its release and certainly a superb document of the British Jazz scene, which apparently still has a few tricks hidden up in its sleeve.

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COLIN TOWNS ~ DREAMING MAN WITH BLUE SUEDE SHOES PROVOCATEUR 1017 (Barcode: 5038491000013) ~ UK ~ Jazz-Classical Fusion Recorded: 1997 - 1998 Released: 1999 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist is a true Renaissance musician, active in many different fields of musical activity. Extremely prolific, his accumulated body of work as a composer includes a vast number of highly regarded scores for cinema and television as well as Jazz compositions, mostly for the big band format. In 1996 Towns founded his own record label, called ProvocateurFind albums on this label Records, which is his main outlet to present his Jazz-oriented work and which in time firmly established a position of one of the most prestigious and interesting European record labels. His main vehicle for recording Jazz is his ensemble called Mask OrchestraFind albums by this artist, but he also works closely with the excellent German NDR Big BandFind albums by this artist in Hamburg. In retrospect I’d say that Towns’ work provides the perfect bridge (or the missing link) between the golden age of British Jazz in the late 1960s / 1970s and today. This is reflected by many aspects of his music, such as his complete disregard of normative mainstream Jazz forms, his constant effort to innovate and cover new ground and even by the fact that his ensembles include some of the legendary players of the golden age as well as representatives of the second and third generation of British Jazz musicians. This stunning album presents Towns and his work at their full glory. It is an extended piece, similar to the symphonic suite form established in Classical Music, which can be considered as a Symphonic Jazz suite. Towns expands his Mask Orchestra into a 70-piece orchestra, which he calls Mask SymphonicFind albums by this artist, using the Jazz big band and an adding an entire symphonic orchestra. In complete contrast to several previous attempts of this nature, in this case the entire orchestra functions as a completely integrated and organic musical body rather than Jazz vs. Classical ensembles, which completely fail to complement each other. The music is simply magnificent, deeply melodic and highly intelligent, with sublime arrangements and perfect atmospheric treatment, flowing seamlessly from one theme to the next, and when the album reaches its end the listener is left lingering with a strong desire for more. Towns uses the entire palette at the disposal of a composer, both the orchestral and instrumental solo parts and in this case also vocal parts, beautifully performed by the divine Norma WinstoneFind albums by this artist and Italian singer Maria Pia De VitoFind albums by this artist. The players include such veteran lions as Henry LowtherFind albums by this artist (trumpet), Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Frank RicottiFind albums by this artist (percussion), but all of the performers are truly first class. In short this is an exhilarating musical experience of deep significance and lasting cultural value. Essential!

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COLIN TOWNS ~ THE ORPHEUS SUITE PROVOCATEUR 2004 (Barcode: 5038491200420) ~ UK ~ Jazz Recorded: 2004 Released: 2004 British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, is renown for his work in a variety of musical settings, which include cinema, TV and Jazz big band. Therefore it is no surprise that the Birmingham Royal Ballet would commission Towns to compose a suite, to be used as the accompaniment for the ballet’s performance. The composer stood up to the challenge admirably, as documented on this album. The music, inspired by the Greek mythological hero Orpheus, is performed by Towns’ Mask OrchestraFind albums by this artist, which includes an expanded percussion section allowing a more rhythmic emphasis in the music. Although intended for the ballet, the music stands perfectly on its own and is able to inspire and touch the listener even without the visual counterpart. The separate pieces of the suite differ from each other in many respects, but sustain a feeling of continuity and conceptual unity. Slightly more percussive at times than Towns’ usual compositions (as appropriate for modern dance) some of the parts are also beautifully melancholic, creating a stunningly dramatic atmosphere of the entire suite. The music is quite complex, presenting the band with challenging obstacles, but the experienced and talented musicians of this caliber conquer the difficulty with flying colors. Distinguished soloist like Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist (trumpet), along with younger but highly skilled players in the band deliver an all round excellent performance. The album includes a bonus track, which was considered, but eventually not included in the ballet performance. All in all this is another momentous achievement for Towns and his band, worthy of an honorable place in any serious Jazz music collection. On a side note, I wonder if the tragic fate of Orpheus, a poet and musician, who tried to cheat death using his artistic skills and perished himself in the process, is not a metaphor one can easily apply to artists even in our times. After all Orpheus did achieve immortality, even if only as a myth, so perhaps the role of all artists lies primarily with whatever is left as their legacy, by which they will be remembered?

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COLIN TOWNS / MARIA PIA DE VITO ~ STILL LIFE PROVOCATEUR 1015 (Barcode: 5019148619420) ~ UK ~ Jazz Recorded: 1998 Released: 1998 British keyboardist / composer / arranger / bandleader Colin TownsFind albums by this artist is most commonly associated with his work for and with Jazz big bands, like his Mask OrchestraFind albums by this artist or the German NDR Big BandFind albums by this artist, but this album presents a different aspect of his work. Towns wrote ten intriguing compositions, of which nine are “songs” (i.e. include lyrics also written by him) and the entire cycle is preformed by an instrumental quintet (called not surprisingly Mask QuintetFind albums by this artist), fronted by the gorgeous Italian vocalist Maria Pia De Vito. The quintet members include, in addition to Towns who plays keyboards, some of his regular cohorts and members of his ensembles: saxophonist Julian ArgüellesFind albums by this artist, guitarist John ParricelliFind albums by this artist, bassist Dudley PhillipsFind albums by this artist and drummer Ralph SalminsFind albums by this artist. For lovers of modern vocal Jazz this album is a Godsend, as it presents a whole new outlook on the art of writing for vocals as well as vocal approach, rather than trying to use yet again some of the vocal Jazz standards, which often have been already abused to death. These are beautiful, intricate and highly intelligent compositions, using a wide palette of Jazz compositional structures, incorporating some World Music influences. De Vito performs these splendid songs with grace, deep musicality and unprecedented open-mindedness, creating a truly magnificent offering. Her crystal-clear voice, incredible range and above all sensitivity assure her position as one of the most important contemporary Jazz vocalists. Of course the instrumentalists accompanying her also contribute to this album’s success, playing impeccably and delicately not to overshadow her vocal parts. Towns’ cooperation with De Vito goes hand in hand with his work with the legendary British singer Norma WinstoneFind albums by this artist, as documented on other ProvocateurFind albums on this label Records releases. In many respects De Vito could be considered as an admirable younger “sister” of Norma’s, both of them sharing rare qualities and individual approach to Jazz vocals, which is extremely rare. The album is quite an experience and I had an absolutely marvelous time listening to it, surprised time and time again both by the music and the execution. I dare everybody to try it!

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