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GORCZYNSKI / PALMER / WIRACKI ~ WILLIAM`S THINGS
MULTIKULTI MPO 002 (Barcode: 5907529223833) ~ POLAND ~ Jazz & Poetry

Recorded: 2018 Released: 2018

This is an amazing Jazz & Poetry album recorded by Polish clarinetist / composer Michal GorczynskiFind albums by this artist (playing the contrabass clarinet), British (resident in Warsaw) actor / vocalist Sean PalmerFind albums by this artist and Polish pianist Tomasz WirackiFind albums by this artist. The album presents ten original compositions by Gorczynski to poems by the celebrated British poet William BlakeFind albums by this artist.

The music, although melody based to some extent, is a superb example of contemporary Avant-Garde exploration, which uses relatively intimate instrumental setting to produce entire landscapes of words and music, which are deeply moving and wonderfully expressive. The contrabass clarinet is seemingly a limited instrument, but when skillfully combined with the human voice and delicate piano stream, and enhanced by electronic looping, is able to create powerful and rich kaleidoscope of sounds.

The atmosphere of the resulting framework often resembles minimalist music, but of course is not constrained only to that specific idiom. There are also elements of serial, sacral and neoromanic trends, some Jazz improvisation, folkloristic touches and even Rock; overall a bizarre but wonderful blend of ideas that works out surprisingly well and combined with the potent poetry is very striking.

Gorczynski again proves that he is one of the most idiosyncratic Artists on the Polish scene, who does not stand still for a moment and manages to surprise the connoisseurs with new concepts on each of his relatively frequent releases.

It is difficult to say much about the individual performances, as this project is all about close, almost symbiotic cooperation between the three partners. Palmer´s theatrical background is a great benefit herein, as his delivery of the vocals is based on his ability to play with his voice and other tricks of the trade. Wiracki is a master of the understatement, and his delicate melodic pointers are more suggestive than direct. Gorczynski is a virtuoso player of course but his contributions on this album are mostly atmospheric and background oriented. Having said that, this album is full of exquisite moments, which when added together creates a result way beyond just the sum of its ingredients.

This is a very unique, wonderful piece of Artistry, wholeheartedly recommended to open-minded listeners anywhere on this planet. For other Jazz & Poetry projects involving William Blake the listeners should also check out the Mike WestbrookFind albums by this artist discography.
Updated: 12/04/2019Posted: 19/10/2018CD 1 Mini-Sleeve Recommend To A Friend

MIKE WESTBROOK ~ CATANIA
WESTBROOK 004 (Barcode: 5052442014829) ~ UK ~ Jazz

Recorded: 1992 Released: 2018

This is an archive concert recording by British Jazz Colossus pianist / composer / bandleader Mike WestbrookFind albums by this artist and his Orchestra, recorded over three days in July 1992 in Catania, Sicily during the Mike Westbrook Festival organized by local Jazz aficionados. Twenty four musicians take part in the recordings: twenty one members of the Orchestra including Mike and his wife Kate WestbrookFind albums by this artist and three guests - vocalist Phil MintonFind albums by this artist, French violin virtuoso Dominique PifarelyFind albums by this artist and Italian trombonist Danilo TerenziFind albums by this artist. The concerts were not officially recorded at the time, but the lamented studio wizard Jon HisemanFind albums by this artist, to whom this album is dedicated, managed to restore the music from various sources half a Century later to produce this double CD with sixteen tracks, seven of which are extended pieces between ten and almost twenty minutes long.

As Westbrook writes in the liner notes the Orchestra was at the absolute top form at the time, following UK and European tours with the Big Band Rossini project, which culminated in a Royal Albert Hall concert for the BBC Proms, which took place on 30th of August 1992, just a month after the music presented here was performed and recorded, followed by the recording of the splendid "The Orchestra Of The Smith`s AcademyFind albums with this title" album in September of the same year.

The material includes a wide range of compositions, with only one piece from the Rossini project and the rest covering Westbrook´s compositions going as far back as the mid-1970s ("Citadel / Room 315Find albums with this title") and his explorations of William BlakeFind albums by this artist and Berthold BrechtFind albums by this artist / Kurt WeillFind albums by this artist inspirations. The majority of the material is of course original, composed by Westbrook, with just one standard, one Duke Ellington inspired piece, two Brecht / Weill pieces and one Gioachino RossiniFind albums by this artist inspired piece arranged by him. As appropriate for a Westbrook Festival the music represents faithfully Westbrook´s musical path up to the time of the recording.

I am sure I don´t need to convince any of the numerous Mike Westbrook followers that this album is an essential piece of his recorded legacy. Although the sound quality is perhaps not ideal in comparison to his other live recordings, it is certainly acceptable, surely thanks to Hiseman´s efforts. The music is certainly way too good to remain in the vaults. This album is pretty unique as far as the choice of material is concerned, since usually Westbrook´s live recordings document his current projects rather than a review of his work with an almost nostalgic glance back.

With such quality of the music and the superb abilities of the performers involved, this is a beautiful time capsule, which documents not only the achievements of Westbrook but the entire European Jazz history at its best. One should admire Westbrook not only for his music but also for his consistent effort to document his music.

More information about Mike Westbrook can always be found on his web site www.westbrookjazz.co.uk
Updated: 02/02/2023Posted: 23/07/2019CD 2 Digipak Recommend To A Friend

MIKE WESTBROOK ~ GLAD DAY
ENJA 9376 (Barcode: 063757937623) ~ UK ~ Jazz & Poetry

Recorded: 1997 Released: 1999

This is a 2CD album presenting the studio recording of the "Glad Day" Jazz & Poetry project, which combines the poems of celebrated British poet William BlakeFind albums by this artist with the music composed by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded in November 1997 at C.T.S. Studios in London. The music was performed by vocalists Phil MintonFind albums by this artist and Kate WestbrookFind albums by this artist, with Mike Westbrook on piano, saxophonists Peter WhymanFind albums by this artist, Alan WakemanFind albums by this artist and Chris BiscoeFind albums by this artist, bassist Steve BerryFind albums by this artist and drummer Dave BarryFind albums by this artist. The Senior Girls Choir of Blackheath Conservatoire of MusicFind albums by this artist, directed by Lucy McAlaryFind albums by this artist appears on fire tracks and four guitarists appear on one track. The album presents twelve tracks, all composed by Mike Westbrook.

Westbrook´s association with the poetry of Blake goes back to the early days of his career, with the release of the legendary album "Tyger (A Celebration Of William Blake)Find albums with this title" released in 1971, which remains criminally unreleased on CD to this very day. In 1980 Westbrook released another Blake related album called "The Westbrook Blake (Bright As Fire)Find albums with this title" and then in 1999 he released this studio version of "Glad DayFind albums with this title" as a 2CD album, which was followed by a live version “Glad Day LiveFind albums with this title”, filmed and recorded in 2008 and released in 2014 as a DVD / CD set. Ten of the twelve compositions included in the studio version are present on the live album.

The poignant and truly revolutionary poetry of Blake challenged Westbrook to create some of his most magnificent work, combining the British traditions of Folk, Classical and Choral music with his Jazz inspirations. The result is one of the most inspiring Jazz & Poetry projects ever created. It offers a sublime balance between the lyrics and the instrumental parts, which compliment each other perfectly.

The carefully selected group of musicians performing the music is absolutely perfect for the job. Mike Westbrook plays several deeply moving solo piano parts, as do all other musicians on their respective instruments. Steve Berry is equally proficient playing arco and rhythmic pulsations. The unusual instrumental setting works out magnificently. Minton and Kate Westbrook are as usual beautifully expressive, sensitive and elegant. The choir parts are delicate and modest, as required by this fragile sonic environment. In short this is simply a perfect piece of musical artistry from start to finish.

For British Jazz lovers and Westbrook followers this is an absolute must of course. For music connoisseurs not familiar with his work (shame on you!) this is a perfect introduction to his musical world, accessible to every sensitive person on this planet.
Updated: 09/09/2024Posted: 09/09/2024CD 2 Recommend To A Friend

MIKE WESTBROOK ~ GLAD DAY LIVE
WESTBROOK 002CD (Barcode: 5060195515791) ~ UK ~ Jazz & Poetry

Recorded: 2008 Released: 2014

This is a DVD / CD set presenting a live recording of the "Glad Day" Jazz & Poetry project, which combines the poems of celebrated British poet William BlakeFind albums by this artist with the music composed by British pianist / composer / bandleader Mike WestbrookFind albums by this artist. Filmed and recorded in concert in December 2008 at Toynbee Studios in London, the music was performed by vocalists Phil MintonFind albums by this artist and Kate WestbrookFind albums by this artist, Mike Westbrook on piano, accordionist Karen StreetFind albums by this artist, violinist Billy ThompsonFind albums by this artist, bassist Steve BerryFind albums by this artist and the London College of Music Chamber ChoirFind albums by this artist directed by Paul AyersFind albums by this artist. Most of the compositions were arranged by Adrian MitchellFind albums by this artist, and a couple of them by Kate Westbrook. The filming and recording of this material involved the lamented Jon HisemanFind albums by this artist. The material on the DVD and CD is identical except for one track on the CD which was re-recorded a day later.

Westbrook´s association with the poetry of Blake goes back to the early days of his career, with the release of the legendary album "Tyger (A Celebration Of William Blake)Find albums with this title" released in 1971, which also involved Mitchell, and which remains criminally unreleased on CD to this very day. In 1980 Westbrook released another Blake related album called "The Westbrook Blake (Bright As Fire)Find albums with this title" and then in 1999 he released the studio version of "Glad DayFind albums by this artist" as a 2CD album. Ten of the twelve compositions included in the studio version are present on this live album.

The poignant and truly revolutionary poetry of Blake challenged Westbrook to create some of his most magnificent work, combining the British traditions of Folk, Classical and Choral music with his Jazz inspirations. The result is one of the most inspiring Jazz & Poetry projects ever created. It offers a sublime balance between the lyrics and the instrumental parts, which compliment each other perfectly.

The carefully selected group of musicians performing the music is absolutely perfect for the job. Mike Westbrook plays several deeply moving solo piano parts, as do Thompson and Street on their respective instruments. Berry is equally proficient playing arco and rhythmic pulsations. The unusual instrumental setting (accordion & violin) works out magnificently. Minton and Kate Westbrook are as usual beautifully expressive, sensitive and elegant. The choir parts are delicate and modest, as required by this fragile sonic environment. In short this is simply a perfect piece of musical artistry from start to finish.

For British Jazz lovers and Westbrook followers this is an absolute must of course. For music connoisseurs not familiar with his work (shame on you!) this is a perfect introduction to his musical world, accessible to every sensitive person on this planet.
Updated: 10/10/2018Posted: 10/10/2018DVD+CD 2 Recommend To A Friend

MIKE WESTBROOK ~ THE CORTEGE
ENJA 9587 (Barcode: 063757958727) ~ UK ~ Jazz & Poetry

Recorded: 1982 Released: 2011

This is a reissue of the monumental work by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his 17-piece Orchestra, recorded in 1982, which features some of the most important British Jazz musicians active at the time, many of them Westbrook´s cohorts many years before and after the recording of this masterpiece. This of course includes his lifetime partner vocalist Kate WestbrookFind albums by this artist, and among others guitarist Brian GoddingFind albums by this artist, trumpeter Phil MintonFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Chris BiscoeFind albums by this artist and bassoonist Lindsay CooperFind albums by this artist; in short a dream team by all respects. Originally released as a 3 LPs set it was remastered and released here as a double CD.

"The CortegeFind albums with this title" is a concept album, related to the funeral procession and all it symbolizes, in this case a procession accompanied by music, like the customary New Orleans Jazz funeral which goes back to the cradle of the Jazz idiom, but not stopping there of course, neither conceptually not musically. The lyrics, which are incorporated into the concept, which are poems written by celebrated European poets: Arthur RimbaudFind albums by this artist, Hermann HesseFind albums by this artist, Frederico Garcia LorcaFind albums by this artist, Giuseppe Gioachino BelliFind albums by this artist, John ClareFind albums by this artist and Pentii SaarikoskiFind albums by this artist (included in the album´s booklet both in their original language and in English translations, when appropriate), present an additional layer to the conceptual approach, which presents a three part cycle of life / death / after(life), with all the philosophical, aesthetic and even theological aspects involved. Of course listeners interested only the musical layer of this complex work, are perfectly free to enjoy it as such in the fullest.

Mike´s and Kate´s musical universe was always an amalgam of music and poetry in one way or another, and their approach to music as simply one facet of what we call Culture, being inseparable from its other manifestations, has been very consistent. Their familiarity with the literary world in many different languages and originating from all across Europe is truly phenomenal, and as an avid connoisseur of European Culture myself, I have always admired the Westbrooks for what they were doing. Since the Jazz & Poetry idiom, which this work and many other works by the Westbrooks belong to, is my specialty (bordering on obsession some may say) it is plainly obvious that I absolutely admire this album since I first heard it and unwaveringly continue to do so.

In Westbrook´s prolific recorded legacy this album serves as a turning point in many respects; although some of the albums recorded before "The Cortege" already included literary references, like those dedicated to the work of William BlakeFind albums by this artist ("Tyger (A Celebration of William Blake)Find albums with this title" from 1971 and "The Westbrook Blake (Bright As Fire)Find albums with this title" from 1980), the inclusion of literary contents from this point forward was about to become almost a modus operandi, both for the large scale orchestral and more intimate projects. Blake, of course, is not missing from this album and a rendition of his eternal "Jerusalem" is included herein.

It is fascinating to make a comparison of the orchestral arrangements present on this album with Westbrook´s early orchestral works from the late 1960s and early 1970s, which clearly depicts his ever developing palette as a composer / arranger as well as his shift towards less dominant orchestral sound, which is rarely used in its full might on this album with subtlety and allusion playing a much more significant role.

In many respects "The Cortege" embodies the spirit of European Jazz; it includes a grain of the Jazz tradition, but expands the idiom dramatically, incorporating contemporary European Classical Music elements, Folklore, Rock, Cabaret, and a myriad of other musical and non-musical ingredients. This transformation could be described by a mathematical analogy of expanding a singularity (a point) into a multi-dimensional space.

In retrospect this album is one of the most important European Jazz (and beyond) recordings, which to this day has very few, if any, equivalents and which serves (or rather should serve) as a model of human ingenuity in the world of Art, which is sadly extremely rarely followed by anybody these days.

I can hardly imagine any serious European Jazz connoisseurs who miss this epic album in their collections. In case anybody does miss it, this can be easily rectified, as this remastered edition of the album is still available. Don´t dare to think twice about it!
Updated: 28/03/2016Posted: 28/03/2016CD 2 Digipak Remastered Essential Recommend To A Friend

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