Record Reviews

GIL EVANS ORCHESTRA ~ TRIBUTE TO GIL SOUL NOTE 121209 (Barcode: 02731212092) ~ USA ~ Jazz Recorded: 1988 Released: 1989 The great American (of Canadian origin) pianist / composer / arranger / bandleader Gil EvansFind albums by this artist was one of the most influential Jazz personalities in the 20th Century. The orchestra he led and conducted, The Gil Evans OrchestraFind albums by this artist, was undoubtedly one of the most important orchestras in Jazz history, for many reasons, the most important of which being the constant innovative approach as far as the arrangements were concerned and the openness to other music genres, especially Rock, which often made the orchestra sound like a Rock Big Band, as well as the presence of young and upcoming Jazz players as members of the orchestra. In the summer of 1987 the orchestra performed in Italy and was enthusiastically welcomed by the warm Italian audiences. Following Evans´ death in March of 1988 it was decided to repeat the Italian concert series in July of 1988, as a tribute to Evans, which included appearances at the Umbria and Sicilia Jazz Festivals, where the music presented on this album was recorded. The orchestra´s lineup reads like a who´s who of American and European Jazz at the time: trumpeters Lew SoloffFind albums by this artist, Hannibal PetersonFind albums by this artist and Miles EvansFind albums by this artist (Gil´s son), saxophonists Chris HunterFind albums by this artist and Alex FosterFind albums by this artist, pianist Gil GoldsteinFind albums by this artist, guitarist Bireli LagreneFind albums by this artist, bassist Mark EganFind albums by this artist, drummer Danny GottliebFind albums by this artist and many others. For Polish Jazz enthusiasts it is worthy to mention that both vocalist Urszula DudziakFind albums by this artist and violinist Michal UrbaniakFind albums by this artist take part in the proceedings. The music is a series of vibrant cross-genre oriented arrangements, which use a Funky rhythm section pulsation and layers of Big Band brass sound to create a unique amalgam. Four of the six tracks present music composed by Evans and are a great tribute to his compositional vision. The Dudziak / Goldstein duo is one of the absolute highlights of the album, featuring her idiosyncratic vocal / electronics pyrotechnics. Overall this is a great tribute to Evans´ contribution to Jazz music and a piece of history well deserved revisiting!

Updated: 12/09/2019Posted: 12/09/2019

CD 1 Recommend To A Friend

MICHAEL GIBBS ~ NONSEQUENCE PROVOCATEUR 1027 (Barcode: 5038491102724) ~ UK ~ Jazz Recorded: 2001 Released: 2001 British composer / arranger / bandleader Michael GibbsFind albums by this artist is one of the pillars of modern British Jazz. His outstanding 1970s recordings serve as musical milestones in the development of Jazz and Jazz-Rock Fusion composition and his bands of the period, which always included some of the best players on the scene, are remarkable achievements remembered and cherished to this very day. After the decline of the British Jazz scene Gibbs returned to the US, where he concentrated on teaching and composing works for many different media (TV, cinema, performances and concerts) in a variety of musical genres, including of course Jazz and contemporary Classical Music. Although many of his compositions were released as soundtrack albums, he recorded only three “real” / dedicated Jazz albums in the last 30 years. Therefore his new album on ProvocateurFind albums on this label Records is a major event and a delight for his many fans and admirers. The album presents an ambitious project involving a recording on two continents (Hamburg and New York) by two big ensembles (the NDR Big BandFind albums by this artist in Hamburg and a specially assembled band in NY), presenting music mostly written by Gibbs with just a few of his unique arrangements of compositions by other composers. The NY band includes some of the most illustrious names on the contemporary Jazz scene, like Lew SoloffFind albums by this artist and Randy BreckerFind albums by this artist (trumpet), Chris HunterFind albums by this artist and Alex FosterFind albums by this artist (saxophone), Hiram BullockFind albums by this artist (guitar) and Steve SwallowFind albums by this artist (bass) among others. The NDR Big Band includes many marvelous players, but most notably saxophonist Christof LauerFind albums by this artist and pianist Wladyslaw SendeckiFind albums by this artist. The music is everything one might expect from Gibbs – marvelously melodic, beautifully crafted, devilishly cleverly arranged and superbly executed by both ensembles. Gibbs skillfully gets the best out of the big band setting, using the incredible dynamics it allows for and interposing multi-layered harmonic and rhythmic structures against each other to achieve an incredibly dramatic effect. Several excellent solo parts ornament the album like cherries on a cake and the different moods and tempi never allow for even a brief dull moment. The music reflects perfectly the composer’s versatility and open-mindedness, which have always been his forte. This is one refreshing and delightful musical experience that I’d hate my friends to miss; so nothing else remains to be said other that recommending this album wholeheartedly. You won’t regret it!

CD 1 HDCD Recommend To A Friend

GEORGE GRUNTZ ~ EXPO TRIANGLE MIGROS 6170 (Barcode: 7617028117660) ~ SWITZERLAND ~ Big Band Jazz Recorded: 1998 - 2000 Released: 2000 This is a brilliant album by Swiss pianist / composer / bandleader / activist George GruntzFind albums by this artist, which presents a collection of musical works connected to the EXPO exhibition in 1964, which originated a meeting between Gruntz and the Swiss composer Rolf LiebermannFind albums by this artist, which developed into a long lasting friendship until Liebermann’s death in 1999. The album presents two extended pieces performed by the George Gruntz Percussion EnsembleFind albums by this artist, a trio which comprises of Gruntz on piano and two drummers: Fabian KuratliFind albums by this artist and Raphael WollFind albums by this artist. Also included is a Symphony for Jazz Ensemble, composed by Lieberman and performed by the George Gruntz Concert Jazz BandFind albums by this artist, a Big Band comprising of famous European and American Jazz musicians, including trumpeter Marvin StammFind albums by this artist, trombonist Dave BargeronFind albums by this artist, saxophonist Chris HunterFind albums by this artist and bassist Mike RichmondFind albums by this artist among others. Finally, the original piece composed by Liebermann for the EXPO 64 and performed by 156 office machines is also included. The music is a stupendous blast of Genius and European “out of the box” approach to music, which exploded in the 1960s, taking music in general, and Jazz music in particular, into another dimension altogether, as this album brilliantly demonstrates. Gruntz (who died in 2013) was one of the great heroes of European Jazz, a total musician who could play Classical music and Jazz with the same proficiency and his revolutionary ideas as composer and activist advanced the status of Jazz in Europe to the level of Art. Overall, this unique album presents some little known aspects of the wide range of activities George Gruntz was involved with, and is a perfect tribute to this great Artist, whom I had the pleasure to meet many times. He was also blessed with a great sense of humor, which is also evident on this album. Jazz listeners, who are sure they have already heard everything, this album is a proper wakeup call.

Updated: 17/08/2024Posted: 17/08/2024

CD 1 Recommend To A Friend

GEORGE GRUNTZ / CONCERT JAZZ BAND ~ GLOBAL EXCELLENCE TCB 21172 (Barcode: 725095211727) ~ SWITZERLAND ~ Jazz Recorded: 2001 Released: 2001 This is a fabulous album by the Swiss pianist / composer / bandleader George GruntzFind albums by this artist and his Concert Jazz BandFind albums by this artist, which for many years was the best European Jazz Big Band / Orchestra. Gruntz was one of the great Godfathers of European Jazz and his many activities and contributions over the years advanced the Jazz idiom immensely. This album presents eight compositions, four of which were composed by Gruntz, three others were composed by members of his orchestra and one is a traditional Turkish melody. Gruntz wrote the arrangements and orchestrations of all the pieces. Among the musicians playing on this album one can find trombonist Dave BargeronFind albums by this artist, drummer Danny GottliebFind albums by this artist, trumpeter Marvin StammFind albums by this artist, saxophonist Chris HunterFind albums by this artist, bassists Mark EganFind albums by this artist and Mike RichmondFind albums by this artist, a. m. o. The music, although kept within the mainstream Big Band setting, in incredibly innovative and original, clearly pointing out the many differences between American and European Big Band approach. The arrangements and orchestrations are complex and convoluted, constantly changing the dynamics and tempi, with less emphasis on the individual solos and more dedicated to the overall orchestral sound and interplay. The inclusion of the Turkish tune is typical of Gruntz openness towards World Music, which he displayed many times throughout his career. Same applies to the inclusion of the tune composed by Russian trumpeter / composer Alexander SipiaginFind albums by this artist, which shows the great respect Gruntz always felt towards Jazz originating in Eastern Europe. Overall this is a monumental piece of Big Band music, at its finest and most sophisticated form, which should be truly enjoyed by all connoisseurs of that Jazz sub-genre. For young musicians, especially those studying composition and arrangement, this is an open book of how things should be done. Although Gruntz is sadly no longer with us, his wonderful music lasts and his extensive recorded legacy is a treasure chest of musical gems. Not to be missed!

Updated: 08/06/2023Posted: 25/09/2016

CD 1 Oversampling Recommend To A Friend

GEORGE GRUNTZ / CONCERT JAZZ BAND ~ TIGER BY THE TAIL TCB 26702 (Barcode: 725095267021) ~ SWITZERLAND ~ Big Band Jazz Recorded: 2005 Released: 2006 This is a fabulous album by the Swiss pianist / composer / bandleader George GruntzFind albums by this artist and his Concert Jazz BandFind albums by this artist, which for many years was the best European Jazz Big Band / Orchestra. Gruntz was one of the great Godfathers of European Jazz and his many activities and contributions over the years advanced the Jazz idiom immensely. The album was recorded in the US, and presents a mixed American / European lineup, with some of the finest Jazz musicians on the planet. The album presents eight compositions, four of which were composed by Gruntz and another four by members of the Big Band. Gruntz wrote the arrangements and orchestrations of all the pieces. Among the musicians playing on this album one can find trombonist Dave BargeronFind albums by this artist, drummer Danny GottliebFind albums by this artist, trumpeters Marvin StammFind albums by this artist, Jack WalrathFind albums by this artist and Franco AmbrosettiFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Dave LiebmanFind albums by this artist, Israeli bass guitarist Arie VolinezFind albums by this artist, a. m. o. The music, although kept within the mainstream Big Band setting, in incredibly innovative and original, clearly pointing out the many differences between American and European Big Band approach. The arrangements and orchestrations are complex and convoluted, constantly changing the dynamics and tempi, with less emphasis on the individual solos and more dedicated to the overall orchestral sound and interplay. Although Gruntz is sadly no longer with us, his wonderful music lasts and his extensive recorded legacy is a treasure chest of musical gems. Not to be missed! Overall, this is a monumental piece of Big Band music, at its finest and most sophisticated form, which should be truly enjoyed by all connoisseurs of that Jazz sub-genre. For young musicians, especially those studying composition and arrangement, this is an open book of how things should be done.

Updated: 05/03/2025Posted: 05/03/2025

CD 1 Oversampling Recommend To A Friend

MIKE WESTBROOK ~ MAMA CHICAGO JAZZPRINT 139 (Barcode: 604388687824) ~ UK ~ Jazz Recorded: 1979 Released: 2007 This magnificent album by British pianist / composer / bandleader Mike WestbrookFind albums by this artist is a superb example of European Jazz at its best, combining the Jazz tradition with the European heritage. "Mama ChicagoFind albums with this title" is a Jazz cabaret, constructed and envisaged as a continuation of the European cabaret legacy, established by Kurt WeillFind albums by this artist and Berthold BrechtFind albums by this artist in the early 20th century. Westbrook wrote the music and the lyrics were written by his wife and faithful companion Kate WestbrookFind albums by this artist, a great connoisseur of the European literary tradition. The music is performed by a septet, which includes Westbrook on piano and tuba, Kate on vocals and piccolo flute, trumpeter Phil MintonFind albums by this artist, saxophonists Mick PageFind albums by this artist and Chris HunterFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist and drummer Dave BarryFind albums by this artist. As appropriate for a cabaret, it includes a series of songs, linked together by a theme, which is repeated several times in various forms. Overall it is absolutely stunning both on record and live, which I´ve been privileged to witness on several occasions. Kate´s vocal performances send a current down the listener´s spine time and time again and the instrumental passages, the arrangements and the atmosphere they inspire is spectacular, without being bombastic. This is definitely a masterpiece and another crown jewel in Westbrook´s life-time monument of achievements. Absolutely not to be missed!

CD 2 Recommend To A Friend

MIKE WESTBROOK ~ THE CORTEGE ENJA 9587 (Barcode: 063757958727) ~ UK ~ Jazz & Poetry Recorded: 1982 Released: 2011 This is a reissue of the monumental work by British pianist / composer / bandleader Mike WestbrookFind albums by this artist and his 17-piece Orchestra, recorded in 1982, which features some of the most important British Jazz musicians active at the time, many of them Westbrook´s cohorts many years before and after the recording of this masterpiece. This of course includes his lifetime partner vocalist Kate WestbrookFind albums by this artist, and among others guitarist Brian GoddingFind albums by this artist, trumpeter Phil MintonFind albums by this artist, trombonist Malcolm GriffithsFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Chris BiscoeFind albums by this artist and bassoonist Lindsay CooperFind albums by this artist; in short a dream team by all respects. Originally released as a 3 LPs set it was remastered and released here as a double CD. "The CortegeFind albums with this title" is a concept album, related to the funeral procession and all it symbolizes, in this case a procession accompanied by music, like the customary New Orleans Jazz funeral which goes back to the cradle of the Jazz idiom, but not stopping there of course, neither conceptually not musically. The lyrics, which are incorporated into the concept, which are poems written by celebrated European poets: Arthur RimbaudFind albums by this artist, Hermann HesseFind albums by this artist, Frederico Garcia LorcaFind albums by this artist, Giuseppe Gioachino BelliFind albums by this artist, John ClareFind albums by this artist and Pentii SaarikoskiFind albums by this artist (included in the album´s booklet both in their original language and in English translations, when appropriate), present an additional layer to the conceptual approach, which presents a three part cycle of life / death / after(life), with all the philosophical, aesthetic and even theological aspects involved. Of course listeners interested only the musical layer of this complex work, are perfectly free to enjoy it as such in the fullest. Mike´s and Kate´s musical universe was always an amalgam of music and poetry in one way or another, and their approach to music as simply one facet of what we call Culture, being inseparable from its other manifestations, has been very consistent. Their familiarity with the literary world in many different languages and originating from all across Europe is truly phenomenal, and as an avid connoisseur of European Culture myself, I have always admired the Westbrooks for what they were doing. Since the Jazz & Poetry idiom, which this work and many other works by the Westbrooks belong to, is my specialty (bordering on obsession some may say) it is plainly obvious that I absolutely admire this album since I first heard it and unwaveringly continue to do so. In Westbrook´s prolific recorded legacy this album serves as a turning point in many respects; although some of the albums recorded before "The Cortege" already included literary references, like those dedicated to the work of William BlakeFind albums by this artist ("Tyger (A Celebration of William Blake)Find albums with this title" from 1971 and "The Westbrook Blake (Bright As Fire)Find albums with this title" from 1980), the inclusion of literary contents from this point forward was about to become almost a modus operandi, both for the large scale orchestral and more intimate projects. Blake, of course, is not missing from this album and a rendition of his eternal "Jerusalem" is included herein. It is fascinating to make a comparison of the orchestral arrangements present on this album with Westbrook´s early orchestral works from the late 1960s and early 1970s, which clearly depicts his ever developing palette as a composer / arranger as well as his shift towards less dominant orchestral sound, which is rarely used in its full might on this album with subtlety and allusion playing a much more significant role. In many respects "The Cortege" embodies the spirit of European Jazz; it includes a grain of the Jazz tradition, but expands the idiom dramatically, incorporating contemporary European Classical Music elements, Folklore, Rock, Cabaret, and a myriad of other musical and non-musical ingredients. This transformation could be described by a mathematical analogy of expanding a singularity (a point) into a multi-dimensional space. In retrospect this album is one of the most important European Jazz (and beyond) recordings, which to this day has very few, if any, equivalents and which serves (or rather should serve) as a model of human ingenuity in the world of Art, which is sadly extremely rarely followed by anybody these days. I can hardly imagine any serious European Jazz connoisseurs who miss this epic album in their collections. In case anybody does miss it, this can be easily rectified, as this remastered edition of the album is still available. Don´t dare to think twice about it!

Updated: 28/03/2016Posted: 28/03/2016

CD 2 Digipak Remastered Essential Recommend To A Friend