Record Reviews

JUDEE SILL ~ ABRACADABRA: THE ASYLUM YEARS RHINO 081227953423 (Barcode: 081227953423) ~ USA ~ Classic Rock Recorded: 1971 - 1973 Released: 2006 This is a reissue / remaster of the first two albums by the enigmatic American singer / songwriter Judee SillFind albums by this artist: the eponymous “Judee SillFind albums with this title” from 1971 and “Heart FoodFind albums with this title” from 1973. The original albums are expanded by bonus tracks, which are alternate takes and live recordings. Sill appeared on the American Rock scene briefly and released just these two albums, and being almost completely forgotten she died from a drug overdose in 1979. At the early 1970s she was revered by many of her fellow Rock stars, like David CrosbyFind albums by this artist and Graham NashFind albums by this artist, who took part in the recording of the debut album. Following a lack of commercial success Sill was dropped by the AsylumFind albums on this label label and her third album was never completed. In retrospect she was a remarkable songwriter and an interesting singer, deserving wider recognition than she ever achieved, like many other great talents of that period. This reissue is a great reminder of her brief but extraordinary career. Overall, this is a wonderful opportunity to re-examine the legacy Sill left us, which beautifully reflects the feverish activity of the early 1970s, when some of the greatest music ever written was conceived and realized. Although five decades old, this music lost absolutely nothing of its beauty, depth and aesthetic values, which deserve to be remembered. A great opportunity to discover a forgotten jewel!

Updated: 16/08/2022Posted: 16/08/2022

CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend

SOFT WORKS ~ ABRACADABRA IN OSAKA MOONJUNE 112 (Barcode: 692287911225) ~ UK ~ Jazz-Rock Fusion Recorded: 2003 Released: 2021 This is an archival album documenting a live concert by the short-lived British quartet Soft WorksFind albums by this artist, comprising of ex-Soft MachineFind albums by this artist members: saxophonist Elton DeanFind albums by this artist (who also plays Fender Rhodes here), guitarist Allan HoldsworthFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer John MarshallFind albums by this artist. The music was captured during the group’s tour in Japan in 2003. The 2CD album presents eleven tracks, some of which were originally composed for the group’s only studio album “AbracadabraFind albums with this title”, and others which belong to the classic Soft Machine repertoire. With tracks running on average over the ten-minutes mark, the music is everything the listener familiar with Soft Machine stuff might expect, i.e. long instrumental jams, featuring extensive improvisations by Dean and Holdsworth, superbly supported by the rhythm section. As a result, the music constantly swings like a pendulum between Jazz (Dean) and Fusion (Holdsworth), with the rhythm section swinging on its own right. Probably the most impressive are the solo parts played by Holdsworth, who obviously feels unconstrained by any time limit obligations and psychological pressures, and simply pours his heart out, producing some of the best guitar oriented Fusion moments ever. I always thought that Holdsworth was one of the tragic figures on the guitar arena in many respects. He was simply too talented for his own good, never actually managing to create the music he really wanted to, from the earliest days of his career and to the very end of his life. His studio recordings are all very far from what he really had to say and as a member of group efforts he simply never found a team that could march his stratospheric imagination, which always soared to the stars. This album probably captures some of his best playing ever, like what I remember when he used to play in dinky pubs around London, completely relaxed sitting a couple of feet away from his audience. Although there is a lot of open space in this music, with pretty wild improvisation around, the music stays well organized for the duration, and eschews the Free Jazz idiom, which might have disrupted the connection with the audience. Complex and challenging – yes, but never chaotic, would be the best description of these proceedings. Overall this is a wonderful document of this particular chapter in the long Soft Machine family tree history, which is of course fascinating and absolutely worthy of exploring. Thanks to Leonardo PavkovicFind albums by this artist, the one-man musical army who made it all possible at the time as a tour organizer and now as the owner of the MoonJuneFind albums on this label label, which released this music on record. Pavkovic tells the story behind the music in the album’s booklet, but the story of his collected activities can fill a huge volume, hopefully to be properly written. Proud to be your Friend, Amigo!

Updated: 25/04/2021Posted: 25/04/2021

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