8,133 Reviews
1,760 Visits Today
15,700,683 Visits So Far
This site uses
HTML5 & CSS3
We support
Mozilla Firefox
 

Record Reviews

Search

2 Reviews Found. Use search to find more reviews or follow the links in the review text.

JOE HARRIOTT / JOHN MAYER ~ INDO-JAZZ SUITE
RHINO 081227960148 (Barcode: 081227960148) ~ UK ~ Jazz-World Fusion

Recorded: 1966 Released: 2013

This is a reissue of one of the most groundbreaking and revolutionary British Jazz albums, a debut recording by the ensemble that comprised of Jazz and Classical Indian Music players, which resulted in the birth of Jazz-World Fusion. The Jazz players, led by legendary saxophonist / composer Joe HarriottFind albums by this artist, a pioneer of British Free Jazz and again here of the British World-Jazz Fusion, included also trumpeter Eddie BlairFind albums by this artist (although most sources say Kenny WheelerFind albums by this artist, but I have the original LP), pianist Pat SmytheFind albums by this artist, bassist Rick LairdFind albums by this artist (although most sources say Coleridge GoodeFind albums by this artist, but I have the original LP) and drummer Allan GanleyFind albums by this artist. The Indian players included violinist / harpsichord player / composer John MayerFind albums by this artist, sitar player Diwan MotiharFind albums by this artist, tambura player Chandrahas PaigankarFind albums by this artist and tabla player Keshav SatheFind albums by this artist. The double quintet (or tentet) is completed by Classical flautist Chris TaylorFind albums by this artist. Together the ensemble performs four original compositions, all by Mayer.

I have already written extensively about this music so I´ll only reiterate that it is completely unique, insanely ahead of its time and heroically pioneering, combining two idioms that seemed to be completely separated from each other. Thanks to Mayer´s superb compositions and his understanding of European music, he was able to amalgamate the Jazz improvisations and the Indian ragas and other traditional forms, despite the disparity in melody, harmony and above all rhythmic patterns between these two idioms. The result is simply divine and honestly, despite many attempts to replicate this amalgam by other musicians over the time, nothing sounds as natural, elegant and aesthetically perfect as this music.

It is worth to ponder why this seemingly impossible blend worked out so well; the answer of course requires the understanding of the cultural and social atmosphere that existed in Britain in the mid-1960s, but especially so in London, which became the cultural center of the world with musicians from the British Commonwealth flooding the London scene and bringing with them their own musical traditions: Caribbean, Indian, African and others. All these cultures were embraced and absorbed without reservations of phobias, a natural, voluntary multiculti music being created in the process in Pop, Rock and Jazz. The music on this album and the further recordings by the [AJoe Harriott and John Mayer Double Quintet} are a wonderful example of that brief, but enchanted period of the British Music history.

This album is an absolutely essential recorded document of the development of British and later European Jazz, which deserves to be listened to and studied by every music student in the world. This is music of everlasting value and its message of human tolerance, acceptance and unity is a beacon of hope, especially in the Dark Age we are living in now.
Updated: 20/05/2016Posted: 16/05/2016CD 1 Essential Recommend To A Friend

CLEO LAINE ~ CLASSIC ALBUMS, 4 EPS & BONUS TRACKS
REAL GONE JAZZ 421 (Barcode: 5036408154422) ~ UK ~ Jazz

Recorded: 1955 - 1962 Released: 2013

This is a reissue of four early albums by the British vocalist Cleo LaineFind albums by this artist, one of the most glamorous and widely known representatives of the British Jazz worldwide. She and her husband saxophonist / composers John DankworthFind albums by this artist were for many years the "Royal" couple of the British Jazz and they were eventually knighted (receiving the DBE and CBE respectively). Laine, a truly remarkable singer, is perhaps the last great British representative of the "classic" vocal Jazz school, created and developed by the great American female singers like Billie HolidayFind albums by this artist, Sarah VaughanFind albums by this artist, Ella FitzgeraldFind albums by this artist and so many others. Her great affinity towards the Blues and her wonderful feeling of the Swing made her a true star. She did not, however, cross over to the modern vocal Jazz approach, which developed in Britain (and the rest of Europe), which reinvented the role of the human voice and opened new possibilities. Laine stayed faithful to the "classic" approach, and represented it stunningly.

On the recordings included in this set Laine is accompanied by the best British Jazz musicians active at the time and the time span (1955 to 1962) shows her rapid development from an unknown imitator to a full fledged luminary.

The first album "She`s The Tops!Find albums with this title" presents Laine more as a Blues singer and shows her developing her chops and vocal abilities. The second album "ValmouthFind albums with this title" is the original cast recording of a West End musical theatre performance featuring Laine, showing her remarkable talent as an actress in addition to her singing career. The third album "Live DateFind albums with this title" is a live recording presenting Laine singing six songs with the Tubby HayesFind albums by this artist Orchestra and than Hayes playing three spectacular pieces with his quartet. The fourth album "All About MeFind albums with this title" is a wonderful vocal Jazz album recorded with the Johnny KeatingFind albums by this artist Orchestra and featuring his incredible arrangements, showing Laine as a fully developed Jazz Diva.

In addition this set includes also four EPs (each with four songs) recorded with various British groups supporting her. The "bonus tracks" are in fact another full album, which presents her singing with the trombonist Keith ChristieFind albums by this artist and his quintet (not quartet as the packaging tells us), which includes John Dankworth on clarinet and alto saxophone, pianist / vibraphonist Bill Le SageFind albums by this artist, bassist Bill SutcliffeFind albums by this artist and drummer Allan GanleyFind albums by this artist. This is the earliest recording included in this set.

Overall British Jazz lovers and vocal Jazz connoisseurs should find this set irresistible, enjoying the newly available music, which has mostly disappeared into the abyss for way to long.
Side Note
The Real Gone JazzFind albums on this label label releases hundreds of album collections, which include usually between three to eight original albums in a two to four CDs sets. Most of these albums were recorded and released in the 1950s and early 1960s. These collections provide the track lists and lineups of the original albums, but no recording information, liner notes and any background information whatsoever. The label takes advantage of the copyright law in UK, which limited the length of the copyright protection of recorded works to 50 years, after which recorded works become public domain. In 2013 UK implemented a correction of the copyright law extending the protection of recorded works to 70 years (like the rest of Europe), but the correction does not apply retroactively, which means that recordings which entered the 50 years rule prior to January 1, 2013 (i.e. recorded before January 1, 1963) remain public domain.

There are two great advantages to these releases: they are really inexpensive and they bring back to life many albums not reissued previously on CD, which means it would cost a collector an arm and a leg to get a copy of them. Many of these albums are absolute gems and essential pieces of Jazz history.

The disadvantages are: the lack of proper information, original cover art, combining tracks of several original albums on one CD and the sound quality, which depends on where the label gets the source material. From my experience most of the releases have quite excellent sound quality but I have not listened to all of them and some people have complained about it.
Updated: 27/05/2018Posted: 20/05/2016CD 4 Remastered Recommend To A Friend

This site was designed and developed by Adam Baruch. All content (texts, photographs, graphics, sound files, etc.) on this web site © 2001-2025 Adam Baruch / Jazzis Ltd.