Record Reviews

STEPANKA BALCAROVA ~ EMOTIONS ANIMAL MUSIC 117 (Barcode: 8594211850247) ~ CZECH REPUBLIC ~ Jazz Recorded: 2023 Released: 2023 This is an album by Czech Jazz trumpeter / composer / bandleader Stepanka BalcarovaFind albums by this artist, recorded in a classic quartet setting with Czech bassist Jaromir HonzakFind albums by this artist and Polish pianist Nikola KolodziejczykFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents eight tracks, all of which are original compositions by Balcarova. This is only the third album by Balcarova as a leader, but she has quite a remarkable recording legacy already, which includes albums by the Concept Art OrchestraFind albums by this artist (4 albums), which she leads, as well as the Czech / Polish Inner SpacesFind albums by this artist quintet (3 albums), all recorded since 2010 and all quite noteworthy, which makes her a busy bee of the local scene. This album offers a double focus: Balcarova’s trumpet playing, which is more prominent here than on any of her previous recordings, as well as her superb compositional talent, which is of course already her trademark. This is also her most relaxed, intimate and perhaps also mature statement to date, after reaching a point in her career, where she does not need to prove anything anymore, and is free just to express her innermost self. The music is mostly very introvert and lyrical, almost romantic at times, with gentle melodic themes floating in the air, waiting for ears willing to get enchanted. The minimalist format of the quartet is ideal for the music and the wonderful team supports the leader superbly, with Kolodziejczyk delicate harmonic support and brief and well-structured soli balancing the melodic layer and of course Honzak on bass, the anchor able to hold any musical ship steady, is there at all times with his round, solid notes, with Maslowski delicate rhythmic support always there when needed and silent, when not essential, a rare quality among drummers. As all Animal Music releases, this album offers a wonderfully warm and perfect sound quality, achieved by the masterful Milan CimfeFind albums by this artist, which makes listening to the music a true pleasure. Overall, this is another beautiful album in Balcarova’s treasure chest, which is a sublime sonic experience and uplifting aesthetic adventure for every true Jazz lover on this planet. It might take more than just a brief listening exposure to discover the depth and gorgeousness of this music, but patience is a virtue and the reward is absolutely worth the effort. Thank you Milady, as usual, for this gift of music!

Updated: 12/08/2023Posted: 12/08/2023

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STEPANKA BALCAROVA ~ LIFE AND HAPPINESS OF JULIAN TUWIM ANIMAL MUSIC 065 (Barcode: 8594155991709) ~ CZECH REPUBLIC ~ Jazz & Poetry Recorded: 2017 Released: 2017 This is the debut album as a leader by Czech trumpeter / composer Stepanka BalcarovaFind albums by this artist, recorded with a septet comprising of Czech and Polish Jazz musicians: vocalist Malgorzata HutekFind albums by this artist, saxophonist Marcel BartaFind albums by this artist, flautist Robert FischmannFind albums by this artist, pianist Nikola KolodziejczykFind albums by this artist, bassist Jaromir HonzakFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. As the title suggests, the album presents nine poems by Polish / Jewish poet Julian TuwimFind albums by this artist, which were made into songs with original music composed by Balcarova. The album is a typical Jazz & Poetry project, which apparently is a specialty of the Eastern European region (Poland especially), and which keeps the wondrous and much neglected elsewhere idiom alive and kicking. Of course tackling Tuwim´s poems, who after all was the most important 20th Century Polish poet, is an extremely risky undertaking, especially in view of the fact that his poems were already made into songs countless times before by some of the best composers out there. Balcarova decided to compose music to Tuwim´s early poetry, published (with one exception) between 1918 and 1923, which are more rarely used as sources of songs, and therefore she brings forward to the public eye a lesser known facet of his poetry. I am happy to say that Balcarova managed to create a consistent song cycle, with her music being very appropriate to the poetic contents. The music is full of melancholy, perhaps even a bit too somber at times, since these poems are considered as optimistic and vital in comparison to Tuwim´s later work, which was full of cynicism and resentment. Nevertheless the music, as already mentioned, is more than appropriate in this context and its melodic qualities, which incorporate strong Eastern European folkloristic motifs, is definitely impressive. The polyrhythmic compositions are the most successful and interesting musically, but they are a minority. The instrumental work is also very solid from start to finish, with excellent solo parts by the players and supportive rhythm section. Kolodziejczyk is definitely the key player, who keeps the harmonic structures in place and accompanies the vocals amicably, adding some splendid solo parts on the fly. The vocals suffer from some problems: they are way too theatrical and loud; there is way too much vibrato and almost no reference between the actual lyrics (poems) and the way they are expressed. Hutek sings forcefully even in the most intimate moments, which at its extreme manifestations is pretty annoying. I´d rather have these texts whispered rather than sung the way they are. But to be fair these texts are extremely difficult and combined with the music, which also is often challenging, Hutek does the best she can to make it work and overall, with a bit of acquired taste, does fine. But this album is all about the music, first and foremost, and as such it is a splendid piece of work, that deserves to be heard and enjoyed. Beautifully packaged and with a booklet that includes the original poems in Polish and Czech and English translations, this is a piece of Culture that true connoisseurs of the Jazz & Poetry idiom would absolutely love to have in their collections. Wholeheartedly recommended!

Updated: 04/03/2018Posted: 04/03/2018

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KAJETAN BOROWSKI ~ TOTEM INETIVE 001 (Barcode: 190394260682) ~ POLAND ~ Jazz Recorded: 2015 Released: 2016 This is the debut album by Polish pianist / composer Kajetan BorowskiFind albums by this artist, recorded in a classic piano trio setting with bassist Jakub DworakFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist; all three are representatives of the upcoming new generation of Polish Jazz musicians. The album presents eleven original compositions, all by Borowski, and one standard. The music is firmly positioned within modern melodic mainstream, with elegantly weaved tunes and spirited execution. Borowski displays the typical Polish sensitivities in his ballads, with tendency towards melancholy and lyricism, but on the up tempo numbers, he uses a much more energetic approach, with polyrhythmic Latin predisposition, somewhat similar to Chick CoreaFind albums by this artist´s Latin / Spanish period. Sometimes I wonder if the only music young Polish pianists listen to is Frederic ChopinFind albums by this artist and Chick Corea. Technically all three players are beyond reproach; Borowski uses powerful chords and delicate glissandos with the same skill and sensitivity, Dworak plays clear and supportive bass lines, including occasional beautiful solo parts and Maslowski drives the music steadily forward, without being overly intrusive, with just occasional overzealousness on the cymbals. Their performance as a trio is very good, with obvious affinity and respect towards each other. This is a kind of album, which does not attempt to step beyond presenting a solid piece of mainstream Jazz of the best caliber and as such does not include any surprises or explorations beyond the obvious. But within the entire scope of the Jazz idiom such albums are also needed and appreciated, and when they offer music of such quality, as this one, all is well. Overall this is an excellent debut effort, definitely worthy of praise and encouragement, and obviously promising great things in the future. Therefore it is highly recommended to all Polish Jazz followers and particularly to piano trio lovers. The album was recorded at the RecPublica Studios and offers a superb sound quality.

Updated: 18/06/2016Posted: 18/06/2016

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JAROSLAW BOTHUR ~ LILLA CHEZQUIZ JAZZ FORUM 050 ~ POLAND ~ Jazz Recorded: 2009 - 2010 Released: 2010 This is the debut album by Polish Jazz saxophonist / composer Jaroslaw BothurFind albums by this artist, recorded with his quartet, which also includes pianist Kuba PluzekFind albums by this artist, bassist Max MuchaFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents six original compositions by the leader and one composition by the American pianist / composer Phil MarkovitzFind albums by this artist. I somehow missed this album at the time it was released, but now, having listened to it, I am again completely blown out of my socks by the audacity of these criminally young musicians to produce such a brilliant debut album, a phenomenon happening on the Polish Jazz scene repeatedly and mercilessly. Nobody in the world, who knows anything about Jazz, would have believed these players are in their twenties and still students in a music academy (at the time this music was recorded). From the first note it´s pretty obvious that this album is something "different", which already is significant, as many Jazz albums have a tendency to sound alike. Both the way the music is performed and the actual compositions as strikingly unique, with a very specific chord changes and tonality. Bothur has a wonderful sound in his tenor saxophone and the quartet sounds overall superbly European, somewhat between Scandinavian spacing and Polish melancholy, even on the fast tempo numbers. Pluzek plays some tasty solos and accompanies intelligently and gracefully. I´d love to hear him leading a piano trio. The rhythm section is there all the time behind the soloists, steady as a rock and flexible like molten lava. The original music (and also the choice of the Markovitz piece, which is relatively little known) proves that the leader has a highly developed pair of ears and excellent taste as far as writing new music is concerned. As already mentioned, the chord changes he uses are intrinsically unlike most others found in other Jazz compositions, which is pretty cool. Overall a superb debut and another set of names to be added to the "watch" list for the future. Well done gentlemen!

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COHERENCE QUARTET ~ SAGAYE CHALLENGE 73457 (Barcode: 608917345728) ~ POLAND ~ Jazz Recorded: 2017 - 2018 Released: 2018 This is the second album by the Polish Jazz Coherence QuartetFind albums by this artist, which comprises of saxophonist Lukasz KluczniakFind albums by this artist, pianist Robert JarmuzekFind albums by this artist, bassist Marcin LamchFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents six original compositions, two each by Jarmuzek and Kluczniak, one by Lamch and one co-composed by Kluczniak and Lamch. According to the album´s liner notes, the music was recorded in the bassist´s living room, using just a very basic miking setup, which worked out splendidly with the sonic result being just spectacular. The album was released on the Dutch ChallengeFind albums on this label Records label, which seems to have discovered the young Polish Jazz scene as of late. The music is all within the European Jazz mainstream, strictly melodic and "well behaved", mostly relaxed, contemplative and melancholic, but certainly very aesthetic and interesting. Each of the compositions is splendidly developed by the quartet and offers excellent soloing by all participants and great ensemble playing as well. To quote the liner notes again, the quartet failed to come up with a satisfactory result in their attempts to record the second album for quite a while, and the homey atmosphere and intimate interplay that these home sessions offer turned out to be the catalyst, which added the missing ingredient. Overall this album offers superb contemporary European Jazz mainstream, beautifully composed and perfectly executed, which offers the listener a pleasant, but far from trivial listening experience, which keeps him on his toes. Since I am not familiar with the debut recording, it is impossible for me to compare this album to its predecessor, but from what I have read about it, the quartet certainly managed to fulfill the high hopes the debut album delivered. For the many young Polish Jazz followers, this album is exactly what they expect to hear – great music, first class playing and that specific "Polish" resonance, which is instantly recognizable. Wholeheartedly recommended!

Updated: 27/06/2018Posted: 18/06/2018

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DAREK DOBROSZCZYK ~ SIMPLE DELIGHTS NOT ON LABEL 807 (Barcode: 5902596839529) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by Polish Jazz trio led by pianist / composer Darek DobroszczykFind albums by this artist, which also includes bassist Jakub MielcarekFind albums by this artist (who also plays in a free form atmosphere with trumpeter Piotr DamasiewiczFind albums by this artist and the EraseFind albums by this artist quartet) and drummer Grzegorz MaslowskiFind albums by this artist (who is also a member of the Bartosz PernalFind albums by this artist / Michal SzkilFind albums by this artist quintet). Guitarist Przemyslaw HanajFind albums by this artist guests on one track. The album includes eight tracks, four of which are original compositions by Dobroszczyk, one is by Krzysztof KomedaFind albums by this artist, one by StingFind albums by this artist and two are standards. The album is kept well within the modern piano trio idiom, as established by such luminaries as the Keith Jarrett trio or Esbjorn Svensson trio, which are listed among the trio´s influences. The music is mostly very melodic and shows melancholic influence popular with Scandinavian modern Jazz composers. But considering the crystal-clear sound and the obvious talents displayed by these young players, one can hope that this is not an attempt to imitate but just a starting point of their venture together. The original compositions are all interesting and well suited for the piano trio format, although it is yet early to determine if they will be unique enough to become the composer´s trademark. The overall aesthetics and atmosphere of the album certainly points out a path, which the trio intends to follow. Considering that this is their debut recording, they certainly show a lot of hope and potential. Although perhaps not very innovative or groundbreaking, this is nevertheless a very well played and beautifully recorded pleasing listening experience, which Jazz enthusiast should enjoy without reservation. It is also a remarkable debut effort and therefore worthy of well deserved praise.

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INNER SPACES ~ INNER SPACES JAZZ FORUM ~ CZECH REPUBLIC ~ Jazz Recorded: 2010 Released: 2010 This is the debut album by Czech / Polish quintet Inner SpacesFind albums by this artist which comprises of Czech trumpeter Stepanka BalcarovaFind albums by this artist, saxophonist Lubos SoukupFind albums by this artist and pianist Vit KristanFind albums by this artist and Polish bassist Max MuchaFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents seven original compositions, three composed by Balcarova and two each by Soukup and Kristan. It took me a while to get hold of a copy of this album (a mere decade – thank you Stepanka!), but it was definitely worth waiting for. The music is absolutely beautiful from start to finish, presenting wonderfully woven melodic themes, which serve as basis for impressive improvisations. Despite of the young age of the musicians (at the time of the recording) and their lack of experience, this is a most impressive debut in every respect. It is also great to see that the potential present on this album proved to be fully justified considering the achievements of these musicians during the decade that followed. The music, which is strictly within the modern European Jazz mainstream idiom, offers a lot of space for the instrumentalist to develop their individual statements without any conceptual limitations, including the rhythm section, which also displays a remarkable flexibility. The melodies display typical Eastern European melancholy and Romanticism, which are often inseparable from the very inner soul of musicians originating from Eastern Europe, regardless of their education and musical influences, which of course is a part of their collective charm. Many debut albums prove to be rather naïve in retrospect, but I am happy to say that this one lost absolutely nothing of its original magic and is completely immune to time. I had a delightful time listening to the album a few times in a row, which in my case happens rather rarely. Thanks to everybody involved and if anybody is able to find a copy of this little gem, don’t you dare to miss it!

Updated: 01/02/2021Posted: 01/02/2021

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INNER SPACES ~ JARNI / VERNAL AMPLION 172001 (Barcode: 8594179225576) ~ CZECH REPUBLIC ~ Jazz Recorded: 2016 Released: 2017 This is the third album by Czech / Polish quintet Inner SpacesFind albums by this artist which comprises of Czech trumpeter Stepanka BalcarovaFind albums by this artist, saxophonist Lubos SoukupFind albums by this artist and pianist Vit KristanFind albums by this artist and Polish bassist Max MuchaFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents seven original compositions, three composed by Balcarova and two each by Soukup and Kristan. The music was recorded live during a concert at the Czech Radio. The music is typical modern Eastern European Jazz, with excellent compositions full of melancholy and lyricism and a rather foggy atmosphere of contemplation and anticipation, personally for me evoking fond memories of Czechoslovak New Wave cinema, with the film noir influences and characteristic black and white imagery, also present in Polish cinema at the time. I don´t know why, but this music sounds to me like something that might have been recorded in the 1960s rather than 2010s, which is of course meant as a compliment. All the members of the quintet are seasoned players with considerable recording legacy behind them, and their performances on this album attest to their technical proficiency and artistic depth. The music is performed with a certain modesty and reserve, with the soloing being far from flashy displays of abilities and more a matter of elegance and good taste. Considering the fact that this music was recorded live, the final result is truly impressive. Although this music seems perhaps not very innovative or far reaching, it manages ideally to preserve the qualities of the Eastern European Jazz tradition, and by creating the retro atmosphere, also pay tribute to the decades during which Jazz functioned under an oppressive regime where it managed not only to prevail but also break the glass ceiling (or the Iron Curtain). As a result this album is not only a superb piece of Jazz music, but also a time of reflection and remembrance of an era, that happened before any of these wonderful musicians were born, but which they inherited in their cultural genetic code. God bless for the music and for invoking the memories!

Updated: 08/11/2020Posted: 08/11/2020

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GRZEGORZ KARNAS ~ POWER KISS HEVHETIA 0150/0151 (Barcode: 8588005258111) ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is the seventh album by Polish Jazz vocalist Grzegorz KarnasFind albums by this artist, this time recorded live during his 2016 concerts in China. The enclosed CD presents ten tracks, five of which are original compositions / improvisations by Karnas, one song (repeated twice) is by Joni MitchellFind albums by this artist, another song (also repeated twice) is by Laurie AndersonFind albums by this artist and one is a Michal TokajFind albums by this artist composition. Karnas is accompanied by a piano trio, which consists of Azerbaijani pianist Elchin ShirinovFind albums by this artist and Polish bassist Alan WykpiszFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The enclosed DVD presents mostly the same material included on the CD with a couple of alternate takes. Karnas is of course the most unique Polish Jazz vocalist and his music presents a completely individual approach, which is basically incomparable with anything else in the vocal department, not only in Poland but in the whole world for that matter. He hardly ever uses words (lyrics) and most of what he utters is virtuosic vocalese unrelated to any "real" language (although here he seems to make an effort to communicate with his audiences in Chinese). His inventive use of his vocal cords and his unearthly timbre, combined with superb instrumental work by his band members always create epic results, which are beyond what one might expect within the vocal Jazz idiom. It is absolutely amazing what these four musicians are able to achieve on stage, live and "naked". Karnas chose some of the absolutely best young musicians on the European scene, with the brilliant Shirinov creating all the melodic / harmonic background (and soloing spectacularly) and the rhythm section simply carrying the music all along on a rock-steady foundation and with exquisite inventiveness. Overall this is a stunning piece of music, which deserves to be taught in music schools not only for its musical qualities, but primarily for the freedom of creation it symbolizes like only very few other recordings do. Every true music connoisseur should find this album enchanting, even if not immediately likeable. Music of such quality requires total involvement, nothing less. It is great to see Karnas still able to move mountains, especially in view of his relatively sparse release schedule lately. All his albums deserve an honorable place in any serious Polish / European Jazz collection, and they are all a chronicle of an Artist, who does not rest for one moment, constantly searching for new territory and new forms of expression; a rare and precious quality for which he deserves all praise. Thank you for the gift of music!

Updated: 12/09/2017Posted: 12/09/2017

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WLODZIMIERZ KNAS ~ PO PIATE NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2016 Released: 2017 This is the debut album as a leader by Polish Jazz guitarist / composer Wlodzimierz KnasFind albums by this artist, recorded in a sextet setting with trumpeter Pawel SurmanFind albums by this artist, saxophonist Lukasz KluczniakFind albums by this artist, pianist Michal RoratFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents seven original compositions, all by Knas. The music sits well within the contemporary mainstream Jazz, with very well structured compositions and ensemble arrangements, which allow all the participants to show their respective chops. Knas selected representatives of the young Polish Jazz generation, which invigorated the entire proceedings and creates a splendid flow and resourceful atmosphere. Knas plays very well in a diverse stylistic range, from classic to modern electric Jazz guitar, performing with fluency and excellent feel. All the members of the sextet also play flawlessly and display technique and talent. The rhythm section drives the music steadily, without being over dominant and the brass players contribute solid solos and excellent background sound layers. Overall this is an excellent mainstream Jazz album, with great melody lines and elegant ensemble execution, which is a pleasure to listen to. Guitar enthusiasts should find this especially interesting, as most albums featuring guitar tend to present the Fusion approach, and this album stays within the good old Jazz guitar idiom. Recommended!

Updated: 17/04/2017Posted: 17/04/2017

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ORGAN SPOT ~ OITAGO SJ 083 (Barcode: 5905489721086) ~ POLAND ~ Jazz Recorded: 2024 Released: 2025 This is the 2nd album by Polish Jazz trio Organ SpotFind albums by this artist, released following a twelve years’ gap, led by organist / composer Kajetan GalasFind albums by this artist with guitarist Szymon MikaFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. Saxophonist Marcin KaletkaFind albums by this artist guests on several tracks. The album presents eight tracks, three composed by Mika, two by Galas, one co-composed by them both and two are standards. The music is all within the mainstream Jazz idiom, with strong Blues influence, but since the Hammond organ is my all-time favorite instrument, and Galas is a true Master of the Hammond organ, nothing could keep me happier than another album by this splendid trio. Mika is a fabulous guitarist and Maslowski keeps time splendidly and creatively, so these three musicians don’t need any help to create a full-sounding band. Kaletka is a welcome, but not essential companion. The original compositions are all splendid, as is the sound and recording, which basically means that for me this is an instant balm on my old bones, which keeps me perfectly happy, without expecting anything more that the soothing sound of the organ and the great music. I admire Galas for sticking with the Hammond tradition, not trying to re-invent the instrument, or make it anything that it is not. Respecting the tradition and keeping it alive is everything one can ask for in this case. Overall, this is another excellent album by Galas and the trio, which is an instant gratification for every Hammond lover of the planet. Anybody who loves the Hammond Masters, both Jazz and Jazz-Rock oriented (see Brian AugerFind albums by this artist), will be in seventh heaven.

Updated: 20/03/2025Posted: 20/03/2025

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MATEUSZ PALKA / SZYMON MIKA ~ POPYT SJ 011 ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by the young Polish Jazz quartet co led by pianist Mateusz PalkaFind albums by this artist and guitarist Szymon MikaFind albums by this artist, with bassist Alan WykpiszFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. It presents six original compositions, four by Palka and two by Mika, and one standard. Stylistically the quartet seems to continue the mainstream Jazz tradition, which crystallized in America in the 1960s and was captured on classic Jazz recordings by labels like Blue Note and numerous others. The album´s ambience and overall sound character is very similar to what was created in that milieu at that period of time and automatically brings on waves of nostalgia. The excellent original compositions, all very melodic, clearly structured and swinging rhythmically are ideally suited for creating that kind musical environment. Personally I think that a more free approach, which the ensemble utilizes on the last track on the album, should be a pointer to their future path, especially in view of how well they manage to handle it here. The individual performances are all superbly executed, way beyond what one might expect form such young musicians, but in today´s reality that fact is almost universally true; musicians mature faster and reach their peak as performers much earlier in their careers. The quartet works very well as a unit surprisingly because these four young musicians are so different from each other. Palka is obviously the instigator of many ideas and wishes to say as much as possible in a given time frame, whereas Mika is an island of tranquility and a king of "cool", playing exactly what is needed at a given moment, with obvious flair and beautiful "old fashioned" tone, which sounds simply marvelous. Wykpisz is a brilliant bassist, with incredible feel for time and melody, and keeps the entire ensemble in check, which allows Maslowski to be all over the place and fill the blanks (or rather intervals) with his pulsating ornamentations. This is definitely a solid and promising debut album by musicians who are surely going places on the Polish Jazz scene and beyond in years to come. Well done indeed!

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BARTOSZ PERNAL / MICHAL SZKIL ~ JAZZ GETXO ERRABAL 065 (Barcode: 8436010304357) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013 Like several other young Polish Jazz ensembles before them, the quintet co-led by trombonist Bartosz PernalFind albums by this artist and pianist Michal SzkilFind albums by this artist won the international Jazz Festival Competition at Getxo, Spain, and as a result their concert was released by a local record label, which is also their debut album. In addition to Pernal and Szkil the quintet also includes trumpeter Maurycy WojcinskiFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The live recording presents five tunes, three of which are original compositions by Pernal, one is a John ColtraneFind albums by this artist composition and the remaining one is a Kenny WheelerFind albums by this artist piece. As usual in such cases it is quite amazing to witness the level of musicianship and skill presented by these young musicians. Obviously well schooled and full of individual talent they create energetic and highly sophisticated modern mainstream. The original compositions are all top notch and their treatment of the standards is unusual and very sensitive. Of course the live recording reveals also minor glitches committed in the heat of the process, but those are completely insignificant in the overall view of things. The quintet has a somewhat unusual sound with the trombone / trumpet front, which adds to its attraction. As far as the individual performances are concerned, the two co-leaders present the highest level of technical skill and inventiveness. Szkil is particularly worth following as his piano magic will surely find a large following sooner or later. The trumpeter is full of bravado and imagination, but he keeps missing a note here and there, which is noticeable. The rhythm section is excellent and adds a significant layer to the overall sound and presentation. Overall here comes another group of young Polish Jazz lions, which will create the next generation of the local Jazz scene in the years to come. Considering how great they are already, the future definitely looks bright!

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