Record Reviews

RASMUS HENRIKSEN & POLYMETRUM ENSEMBLE ~ EASTERN INFLUENCE NOT ON LABEL 1 (Barcode: 5707471076774) ~ DENMARK ~ Jazz Recorded: 2020 Released: 2021 This is the third album by Danish Jazz trombonist / composer / arranger / conductor Rasmus HenriksenFind albums by this artist recorded with a Danish / Polish septet called Polymetrum EnsembleFind albums by this artist, which also includes saxophonists Kasper WagnerFind albums by this artist and Andreas BottingerFind albums by this artist, trumpeter Mads la CourFind albums by this artist, Polish guitarist Lukasz BorowickiFind albums by this artist, Polish bassist Mariusz PrasniewskiFind albums by this artist and drummer Anders MogensenFind albums by this artist. The album presents a four-part suite (on four tracks) composed by Henriksen, which according to his note on the album’s artwork celebrates the Jazz made behind the Iron Curtain in the 1960s and 1970s, a period marking an incredible development of the Jazz Art Form despite difficult political circumstances of the Socialist Regime. Denmark (but also Sweden and Finland), being geographical Baltic neighbors to Poland, always maintained a close relationship with Polish Jazz, allowing many of them to play and record locally during that period. In the last two decades the artistic proximity repeated itself with many young Polish Jazz musicians either studying or moving to Denmark, mixing with local young scene, often creating some remarkable achievements. As his two earlier recordings clearly show, Henriksen clearly prefers larger ensembles, which allow him to showcase his composing and arranging skills to the max. His music is always melody based, with beautiful lyrical atmosphere, meticulously put together and superbly executed by the excellent ensembles he puts together to record his work, with a relative stable lineup. Despite the fact that the players are all brilliant soloists, the music is more ensemble oriented, following the European Jazz orchestral concept, and features relatively little soloing, which does not mean that the album avoids soloing completely and there are definitely some wonderful examples of solo and ensemble cooperation. The compositions are all superbly crafted and dull of dynamics and versatility, which makes the music flow splendidly, with the listener completely losing the sense of time. Overall, this is a beautiful and deeply moving album, definitely the best work by Henriksen so far, which shows his rapid development as a composer and arranger. The music is brilliant from start to end with never a dull moment in between. Fans of European Orchestral Jazz will be obviously delighted to hear this album, but it should be able to satisfy every Jazz lover on this planet. European Jazz at its best – hats off!

Updated: 05/12/2021Posted: 05/12/2021

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