Record Reviews

AGA DERLAK ~ PARALLEL NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2021 Released: 2023 This is the third album as a leader by Polish Jazz pianist / composer Aga DerlakFind albums by this artist, recorded in a septet setting with trumpeter Jerzy MalekFind albums by this artist, saxophonists Wojciech LichtanskiFind albums by this artist and Marcin KaletkaFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Szymon MadejFind albums by this artist and vocalist Basia DerlakFind albums by this artist. The septet is further expanded by the Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). The album presents nine tracks, all original compositions by Aga Derlak. Following two albums recorded in a classic Jazz piano trio setting, this album is a giant step forward (pun intended) in Derlak’s career, which takes her right into the “serious” league, with complex compositions and elaborate arrangements for an ensemble of eleven musicians, all of which requires not only a lot of work and talent, but also courage to undertake such an adventurous and risky enterprise. I am happy to say that despite my initial concern, she manages to pull it off without a hitch. The music is quite diverse and moves between song oriented parts with the vocals up front, extended instrumental passages spiced with soloing, orchestral movements with the strings parts dominating the proceedings, in short an ever changing stream of aural explorations, which keeps the listener on edge. Aga’s piano is omnipresent, supplying the harmonic and melodic compass to the entire enterprise and she solos sparingly, which is not surprising, considering how much is happening on this album almost at any moment. She weaves beautiful, romantic melodies, which are ideal for the songs (the lyrics of which remain uncredited), which are beautifully performed by Basia, who also offers some lovely vocalese parts, which are used somewhat in the background in instrumental capacity. The brass players offer some excellent soli, with Malek being as always the romantic heartbreaking champion, and the saxophonists moving more into somewhat more advanced Jazz areas. The rhythm section is as perfect as can be, despite the fact that I personally have a problem with the dry and muffled sound of the drums (not the playing, just the sound), which unfortunately seems to be the latest fashion, but of course this is a minor issue and a matter of taste. Overall, this is a wonderful Jazz album, which offers a capsule of contemporary European Jazz aesthetics, with great instrumental work, vocals and string arrangements, all coherently combined and balanced, and of course a set of great compositions. Hats off Aga for your vision and the stamina to make it happen. You have earned my respect and the well-deserved position on the Polish Jazz scene, which nobody can deny.

Updated: 19/08/2023Posted: 19/08/2023

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SZYMON MIKA ~ TOGETHERNESS HEVHETIA 0175 (Barcode: 8588005258425) ~ POLAND ~ Jazz Recorded: 2017 Released: 2018 This is the second album by the Polish Jazz guitarist / composer Szymon MikaFind albums by this artist, recorded, same as the debut album, in an intimate trio format with bassist Max MuchaFind albums by this artist and Israeli drummer Ziv RavitzFind albums by this artist. Three guest musicians appear on selected tracks: vocalist Basia DerlakFind albums by this artist, who also contributed the lyrics to the four songs she appears on, Joachim MencelFind albums by this artist who plays the hurdy-gurdy on three tracks and pianist Mateusz PalkaFind albums by this artist, who plays on five tracks. The album presents eleven original compositions, all by Mika. It album was beautifully recorded at the Monochrom Studio and engineered by Maciej StachFind albums by this artist. The music on this album is decidedly more diverse and shows a more searching attitude than the excellent debut album, which is very encouraging and promising development. There are obvious World Music influences present in this music, but also openness and noticeable reach beyond mainstream Jazz, which was still the core of the debut album. Mucha and Ravitz are ideal partners in this quest for new identity, both of them being unconventional in their approach to music and exceptionally gifted, providing exquisite support to Mika´s lead parts and building a solid, but adventurous, rhythmic layer behind him. The four vocal tracks are also quite surprising and show another facet of Mika´s talent. Derlak sings in Polish, which is already a good starting point, and handles the relatively complex music with ease and obvious flair. Her Folksy mannerisms are a nice addition to the Jazz setting and I´d love to hear more of her in such setting. The tracks with Mencel and Palka, when the ensemble becomes a quintet (or even sextet with the addition of vocals) are somewhat different form the trio tracks, offering more conventional melody lines and ambience and adding to the overall diversity and fluency of the album as a whole. Overall the album is a clear and elegant step forward for Mika in many respects: as a composer, a bandleader and a guitarist. He joins the ranks of the new generation of Polish Jazz musicians, who are gradually taking over the center of the stage both in Poland and in Europe. Kudos are also due to the Slovak HevhetiaFind albums on this label label, which is rapidly becoming one of the most important, open minded and active record labels in Europe and manages to expand its roster of artist to include many of the young generation´s top artists, including neighbors from across the Tatra Mountains, and support them loyally. Wholeheartedly recommended!

Updated: 11/08/2018Posted: 11/08/2018

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