Record Reviews

TOMASZ DABROWSKI / FREE4ARTS ~ SIX MONTHS AND TEN DROPS BAREFOOT 041 (Barcode: 5707471040270) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 Polish (resident in Denmark) Jazz trumpeter / composer / bandleader Tomasz DabrowskiFind albums by this artist is one of the leading upcoming European musicians and his prolific, almost feverish output manages to astound his fans time after time. This album follows suit several albums already released this year and as always maintains incredible quality. This time Dabrowski leads a quartet, which besides him includes three leading young Danish Jazz musicians: baritone saxophonist Sven Dam MeinildFind albums by this artist, pianist Jacob AnderskovFind albums by this artist and drummer Kasper Tom ChristiansenFind albums by this artist. The album presents seven original compositions, all by Dabrowski. This music is more free oriented than Dabrowski´s explorations so far, which seems to be a continuing development in his work. It is therefore further away from mainstream Jazz and explores other areas, like contemporary Chamber music and improvised Avant-Garde, although based on written themes. The entire scheme of using the quartet is also very unusual, as there is no conventional "soloists vs. rhythm section" setting at all, only an ensemble performance by the entire quartet as one body. The exclusion of the bass is also very significant, where some of the typical bass parts are taken over by the baritone sax and others by the percussion. This music is only as good as the level of cooperation achieved by the quartet members and therefore the interplay is its central ingredient. Luckily for Dabrowski these three musicians belong to the same "school of thought" like himself, enabling the quartet to become a unity. There is no doubt that this music points towards a new epoch of Jazz, which becomes an amalgam of all forms of improvised music, those previously experienced and those still undiscovered. Dabrowski and his generation are brave pioneers of these uncharted territories and it´s a great experience to bear witness while this music keeps unfolding in real time in Copenhagen, Warsaw, Berlin and other parts of Europe. This is quite difficult music for most people, no doubt about it, but it is also deeply rewarding and intellectually challenging. It is spearheaded by a relatively tiny group of musicians and has a limited audience. Nevertheless it encompasses perhaps some of the most important musical developments happening in a world which is rapidly turning away from challenge and cultural progress, and therefore becomes even more significant. It is in these young people that we entrust our Cultural feature.

Updated: 12/04/2019Posted:

CD 1 Mini-Sleeve Recommend To A Friend

TOMASZ DABROWSKI / FREE4ARTS ~ WHEN I COME ACROSS AUDIO CAVE 2019/009 (Barcode: 5905669566810) ~ POLAND ~ Avant-Garde Jazz Recorded: 2017 Released: 2019 This is the second album by Polish Jazz trumpeter / composer Tomasz DabrowskiFind albums by this artist and his Danish quartet Free4ArtsFind albums by this artist, which also includes baritone saxophonist Sven Dam MeinildFind albums by this artist, drummer Kasper Tom ChristiansenFind albums by this artist and this time guitarist Simon KrebsFind albums by this artist, who replaced pianist Jacob AnderskovFind albums by this artist that played on the debut album. The album presents seven original compositions, all by Dabrowski. In many respects this album continues the direction set by the debut, which moves completely into Avant-Garde Jazz, far away from traditional, melody based Jazz, flirting also with contemporary Chamber Music explorations. The music offers some melodic motifs but those often get hidden to a less experienced listener by the group improvisations. Without the presence of bass and now also the piano, there is almost no conventional harmony and rhythmic continuity, which leaves it to the listener to connect the dots. The sharp sound of the guitar is initially somewhat weird and takes time to get used to within the otherwise acoustic environment. The music is mostly very subdued and delicate, low profile and quietly streaming, with long passages that involve solos, duets and trios and rarely the entire quartet. It seems Dabrowski is trying to re-define the known parameters of Jazz and Improvised Music, stretching the existing limits of these idioms. He uses the trumpet to produce a plethora of unusual sound effects that often do not resemble the conventional sound of the instrument. The same can be said about Christiansen, who again proves to be one of the most creative European Jazz drummers, moving on a completely unique acoustic parallax, again re-defining the role of drums in contemporary music. Unexpectedly, it is the guitar which turns out to be the most conventional factor of this music, playing at times long melodic strings of notes. In many respects this is the boldest and most adventurous project Dabrowski headed in the decade-long period of his artistic development. It is completely uncompromising and boldly unconventional, against all odds. Hopefully the music, despite its estranged exterior, will find sympathetic, open-minded audience in time. Avant-Garde was never a rewarding and smooth career choice and Dabrowski and his cohorts deserve our respect for pushing the boundaries time and again.

Updated: 04/10/2019Posted: 04/10/2019

CD 1 Digipak Recommend To A Friend