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  | KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05)
POWER BROS 00163 (Barcode: 5906295856030) ~ POLAND ~ Jazz
Recorded: 1965 Released: 1998
This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential!
Enhanced CD with CD-ROM contents!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05)
MUZA 905 ~ POLAND ~ Jazz
Recorded: 1965 Released: 2004
This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential!
| | | CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ KATTORNA – SOUNDTRACKS FROM HENNING CARLSEN MOVIES
POWER BROS 00189 (Barcode: 5906295856375) ~ POLAND ~ Jazz
Recorded: 1964 - 1967 Released: 2009
Although primarily identified as the soundtrack composer of the movies directed by Roman PolanskiFind albums by this artist, Polish pianist / composer Krzysztof KomedaFind albums by this artist cooperated with the entire Polish film industry during the revolutionary days of the 1960s New Wave of Polish Cinema, producing a long list of incredible cinematic scores. The post-WWII Polish cinema, struggling with the destruction of the country´s intellectual fabric, the Socialist regime and the economic hardships, managed to produce some of the most outstanding works of modern cinematography, equal in their power of expression and revolutionary approach to cinema as a modern cultural media to the achievement of the great British, Scandinavian, French and Italian film makers at the same time. Komeda´s soundtracks to the Polish (and Scandinavian) films in the mid-1960s and later Hollywood movies by the end of the 1960s are all absolute masterpieces of style, expression and sheer genius in creating a story-telling, often nerve-wrecking melody lines and wonderful themes, which expanded the visual content of the films and added another emotional dimension. The music is of course strongly influenced by the Jazz idioms, often even being pure Jazz. It is performed mostly by Komeda himself, accompanied by the members of his Jazz combos at the time, like trumpeter Tomasz StankoFind albums by this artist, saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist and others. Sometimes larger instrumentation is also used, especially in the later scores. What is especially surprising and magical about this music is the fact that is stands alone as well as it functions as a part of the cinematic experience. All the albums with Komeda´s soundtracks are simply superb pieces of music and in retrospect constitute an incredible body of work of rarely equaled magnitude and importance. Komeda´s tragic and painfully premature death ended a career, which in many respects was at its early stage. This album includes the soundtracks of three movies: "Kattorna (Kittens)", "Sult (Hunger)" and "People Meet And Sweet Music Fills The Heart" by Danish director Henning CarlsenFind albums by this artist. Komeda´s incredible talent as a film composer was discovered by the Scandinavian film makers and other intellectuals and Komeda spent considerable periods of time in Scandinavia in the mid-1960s, which was unprecedented for any Polish musician. Unfortunately the music for the first film directed by Carlsen, which Komeda composed the music for: "Hvad Med Os (What About Us)" is not included on this album and was not released to date. Komeda was also supposed to compose the music for a fifth film by Carlson, but his tragic death prevented this from happening. The music from "Kattorna", in a different version, can be also found on the legendary "AstigmaticFind albums with this title" album by Komeda. Brilliant stuff!
| | | CD 1 Remastered Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ PEOPLE MEET AND SWEET MUSIC FILLS THE HEART (SOUNDTRACK)
GAD 060 (Barcode: 5901549197808) ~ POLAND ~ Soundtracks
Recorded: 1967 Released: 2017
This is an archival release of the previously unreleased soundtrack composed by the Godfather of modern Polish Jazz, Krzysztof KomedaFind albums by this artist, which accompanied the film with the above title, by Danish director Henning CarlsenFind albums by this artist, premiered in November of 1967. It was the last cooperation between Komeda and Carlsen, which continued for several years and produced some of the most striking European soundtracks ever to be recorded. The album presents the nineteen short pieces, which were incorporated within the film, as well as five bonus tracks which are outtakes or alternate versions from the recording sessions. The music was recorded in Denmark by a band and a string section, the lineups of which are unknown.
The music is typical Komeda cinematic work, which includes several wonderfully melodic themes and a series of musical fragments needed as background music for the film´s scenes. None of these themes "made it" into the classic Komeda standards, which became a part of the rich legacy of Polish Jazz, simply for the reason that this music was never released on record and was not played by Komeda´s groups, as he left for the US soon after the film was released. It was the last European film Komeda composed the soundtrack for, followed by a brief, but brilliant Hollywood career, tragically cut short by his death just a year and a half later.
Although not entirely within the Jazz idiom, the music is mostly closely related to Jazz, even on the background pieces, with the Jazz pulse present, with varying degrees of explicitly. The band features flute, saxophone, trumpet and a rhythm section, and on a few tracks also a string section, which of course also emphasizes the Jazzy side of the music. Komeda´s modern European Jazz was ideally suited to the European cinema of the mid 1960s, which was also trying to find its own esthetic and artistic quality different from the established American values.
For the many fans of Komeda all over the world this album is an absolutely essential addition to their collection and a wonderful missing piece of the puzzle. Elegantly packed and accompanied by intelligent liner notes, which present the historical background information about this music, this is a true gem. GADFind albums on this label Records make history again!
| | Updated: 08/03/2020Posted: 24/01/2018 | CD 1 Remastered Recommend To A Friend |
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